Mermaid Hair Quotes

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I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
T.S. Eliot (The Love Song of J. Alfred Prufrock)
So it's true what they say about warlocks, then?" Alec gave him a very unpleasant look. "What's true?" "Alexander," said Magnus coldly, and Clary met Simon's eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. "You can't be rude to everyone who talks to me." Alec made a wide, sweeping gesture. "And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He's pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good-looks type." "Hey, now," said Jordan mildly. Magnus put his head in his hands. "Or there are plenty of pretty girls here, since apparently your taste goes both ways, Is there anything you aren't into?" "Mermaids," said Magnus into his fingers. "They always smell like seaweed." "It's not funny," Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
T.S. Eliot (The Love Song of J. Alfred Prufrock)
We are not lost mermaids with seaweed hair and coins for eyes, but human girls, alive and found. We are sisters, and we did not drown.
Ally Condie (Atlantia)
I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.
Priya Ardis (Ever My Merlin (My Merlin, #3))
I often have the fantasy that curly girls are mermaids who have had to adapt to life on dry land. We come from the sea. The ocean is in our blood. It sings through our heart and lungs, our skin and hair. Our curls require the nourishment only a watery environment can provide. Both ocean waves and curly hair are forces of nature that can't be tamed. We can only accept and admire their power and beauty.
Lorraine Massey (Curly Girl)
Beati bellicosi. Blessed are the warriors.” “Good organization,” said Magnus. “I knew the man who founded it, back in the 1800s. Woolsey Scott. Respectable old werewolf family.” Alec made an ugly sound in the back of his throat. “Did you sleep with him, too?” Magnus’s cat eyes widened. “Alexander!” “Well, I don’t know anything about your past, do I?” Alec demanded. “You won’t tell me anything; you just say it doesn’t matter.” Magnus’s face was expressionless, but there was a dark tinge of anger to his voice. “Does this mean every time I mention anyone I’ve ever met, you’re going to ask me if I had an affair with them?” Alec’s expression was stubborn, but Simon couldn’t help having a flash of sympathy; the hurt behind his blue eyes was clear. “Maybe.” “I met Napoleon once,” said Magnus. “We didn’t have an affair, though. He was shockingly prudish for a Frenchman.” “You met Napoleon?” Jordan, who appeared to be missing most of the conversation, looked impressed. “So it’s true what they said about warlocks, then?” Alec gave him a very unpleasant look. “What’s true?” “Alexander,” said Magnus coldly, and Clary met Simon’s eyes across the table. Hers were wide, green, and full of an expression that said Uh-oh. “You can’t be rude to everyone who talks to me.” Alec made a wide, sweeping gesture. “And why not? Cramping your style, am I? I mean, maybe you were hoping to flirt with werewolf boy here. He’s pretty attractive, if you like the messy-haired, broad-shouldered, chiseled-good looks type.” “Hey, now,” said Jordan mildly. Magnus put his head in his hands. “Or there are plenty of pretty girls here, since apparently your taste goes both ways. Is there anything you aren’t into?” “Mermaids,” said Magnus into his fingers. “They always smell like seaweed.” “It’s not funny,” Alec said savagely, and kicking back his chair, he got up from the table and stalked off into the crowd.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
I grow old … I grow old …I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me.
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
The stories are of men who, walking on the shore, hear sweet voices far away, see a soft white back turned to them, and - heedless of looming clouds and creaking winds - forget their children's hands and the click of their wives' needles, all for the sake of the half-seen face behind a tumble of gale-tossed greenish hair.
Imogen Hermes Gowar (The Mermaid and Mrs Hancock)
for frail but surprisingly strong fairies who had lost their way above ground for burned mermaids and sick vampire girls for wild wolfish women with sharp teeth and leaves in their hair
Francesca Lia Block (How to (Un)cage a Girl)
Song Go, and catch a falling star, Get with child a mandrake root, Tell me, where all past years are, Or who cleft the Devil’s foot, Teach me to hear mermaids singing, Or to keep off envy’s stinging, And find What wind Serves to advance an honest mind. If thou be’est born to strange sights, Things invisible to see, Ride ten thousand days and nights, Till age snow white hairs on thee, Thou, when thou return’st, wilt tell me All strange wonders that befell thee, And swear Nowhere Lives a woman true, and fair. If thou find’st one, let me know, Such a pilgrimage were sweet, Yet do not, I would not go, Though at next door we might meet, Though she were true when you met her, And last, till you write your letter, Yet she Will be False, ere I come, to two, or three.
John Donne
And then I cried a flood of tears as if I really were a mermaid who had absorbed too much sea into herself. The tears spilled like a balm, like a potion, like a charm. In them swam a little girl whose father was dying without ever having seen her. In them swam a girl whose mother’s magic – the only thing the girl envied more than anything else in the world, the thing that had made her invisible, the most precious thing –might be dying too. In them swam a green-haired girl who had never been touched by the boy to whom she was so devoted that she would have lived with him forever in a shack by the sea or a ruined sand castle even if he never made love to her. My tears were for me, but they were also for him. They were to wash away the thing that had frightened him so much so long ago. The wound inside his thigh. My tears poured out of me and he drank them down his throat. He drank them in gulps deep into himself, swallowing sorrow. Someday,” he said, “when we are ready, I will give you back your tears.
Francesca Lia Block (Echo)
He's all right. His hair is cute." Jonas froze, his lobster fork halfway to his mouth. " Oh my God, you're in love." "I'm not in love." "'his hair is cute'? You never say anything nice about anyone. Coming from you, cute hair is a mating call." " I talked to the guy for thirty seconds. And then he waved at me while i was in the tank." "Holy fuck, you're getting married, aren't you!" " Will you simmer. I certainly am not.
MaryJanice Davidson (Sleeping with the Fishes (Fred the Mermaid, #1))
There walked warlocks in all their bat-winged, cat-eyed glory, and here, as they swung out over the river, she saw the darting flash of multicolored tails under the silvery skin of the water, the shimmer of long, pearl-strewn hair, and heard the high, rippling laughter of the mermaids.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Bury me, my love, and take a lock of my hair with you. Carry me through the centuries. I think I'd like to share, just a little, in what immortality is like.
Cassandra Khaw (The Salt Grows Heavy)
...and she put a wreath of white lilies round her hair, but every petal of the flowers was half a pearl;
Hans Christian Andersen (The Little Mermaid and Other Fairy Tales)
Thoughts that found a maze of mermaid hair Tangling in the tide’s green fall Now fold their wings like bats and disappear Into the attic of the skull.
Sylvia Plath
Stranger, think long before you enter, For these corridors amuse not passing travellers. But if you enter, keep your voice to yourself. Nor should you tinkle and toll your tongue. These columns rose not, for the such as you. But for those urgent pilgrim feet that wander On lonely ways, seeking the roots of rootless trees. The earth has many flowery roads; choose one That pleases your whim, and gods be with you. But now leave! - leave me to my dark green solitude Which like the deep dream world of the sea Has its moving shapes; corals; ancient coins; Carved urns and ruins of ancient ships and gods; And mermaids, with flowing golden hair That charm a patch of silent darkness Into singing sunlight.
G.A. Kulkarni
No I am not Prince Hamlet nor was meant to be Am an attendant lord one that will do To swell a progress start a scene or two Advise the prince no doubt an easy tool Deferential glad to be of use Politic cautious and meticulous Full of high sentence but a bit obtuse At times indeed almost ridiculous— Almost at times the Fool. I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind Do I dare to eat a peach I shall wear white flannel trousers and walk upon the beach. I have heard the mermaids singing each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us and we drown.
T.S. Eliot (The Love Song of J. Alfred Prufrock)
There, there, sweetin’,” he murmured into her hair. “He loved me, he truly did,” she gasped. “I know he did,” Michael said. “And I loved him.” “Mm-hmm.” She raised her head, glaring angrily. “You don’t even believe in love. Why are you agreeing with me?” He laughed. “Because”—he leaned down and licked at the tears on her cheeks, his lips brushing softly against her sensitive skin as he spoke, “ye’ve bewitched and bespelled me, my sweet Silence, didn’t ye know? I’ll agree that the sky is pink, that the moon is made o’ marzipan and sugared raisins, and that mermaids swim the muddy waters o’ the Thames, if ye’ll only stop weepin’. Me chest breaks apart and gapes wide open when I see tears in yer pretty eyes. Me lungs, me liver, and me heart cannot stand to be thus exposed.” She stopped breathing. She simply inhaled and stopped, looking at him in wonder. His lips were quirked in a mocking smile, but his eyes—his fathomless black eyes—seemed to hold a great pain as if his strong chest really had been split open.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
Song Go and catch a falling star, Get with child a mandrake root, Tell me where all past years are, Or who cleft the devil's foot, Teach me to hear mermaids singing, Or to keep off envy's stinging, And find What wind Serves to advance an honest mind. If thou be'st born to strange sights, Things invisible to see, Ride ten thousand days and nights, Till age snow white hairs on thee, Thou, when thou return'st, wilt tell me, All strange wonders that befell thee, And swear, No where Lives a woman true, and fair. If thou find'st one, let me know, Such a pilgrimage were sweet; Yet do not, I would not go, Though at next door we might meet; Though she were true, when you met her, And last, till you write your letter, Yet she Will be False, ere I come, to two, or three. —John Donne, 1572–1631
Neil Gaiman (Stardust)
A memory: Isola as a toddler, sugarlump teeth, skin still smelling of milk. Hair that curled without use of an iron and sweet dresses that didn’t matter were dirtied. When she was old enough, she demanded the usual suspects at bedtime: The Little Mermaid, Hansel and Gretel, Beauty and the Beast. Even then, Mother’s contempt for non-Pardieu fairytales was obvious. ‘Hmph,’ she snorted derisively, folding up her knees to perch on Isola’s bed. ‘Listen to me, Isola. The original Beauty’s just an encouragement to young women to accept arranged marriages. What it’s really saying to impressionable girls is, “Don’t worry if your new husband is decades older than you, or ugly, or horrid. If you’re sweet and obedient enough, you might just discover he’s a prince in disguise!’’ Mother’s Most Lasting Advice ‘Never be that girl, Isola. Never pick the beast or the wolf on the off-chance he won’t devour you.
Allyse Near (Fairytales for Wilde Girls)
Go and catch a falling star, Get with child a mandrake root, Tell me where all past years are, Or who cleft the Devil's foot, Teach me to hear mermaids singing, Or to keep off envy's stinging, And find What wind Serves to advance an honest mind. If thou be'st born to strange sights, Things invisible to see, Ride ten thousand days and nights, Till Age snow white hairs on thee, Thou, when thou return'st, wilt tell me, All strange wonders that befell thee, And swear, No where Lives a woman true and fair.
John Donne
It was a woman--as pale and luminescent as a ghost, with swirling white hair. Ezra startled, dropping his pencil into the water. Her face snapped toward him. Her eyes were too large, clear green, and had horizontal, slit-shaped pupils, reminiscent of an octopus.
Elizabeth Fama (Monstrous Beauty)
Maybe the truth can't be buried. Or maybe it can't stay buried. Maybe the very nature of truth is that it will ultimately reveal itself.
Delia Ephron (The Girl with the Mermaid Hair)
Around five-eight, slim, good shoulders, narrow hips, legs and trunk in proportion, short dark hair, side parting, dark eyes, probably blue, shadows under the eyes, fair skin, average nose, wide mouth, lower lip fuller than upper.
Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
First having read the book of myths, and loaded the camera, and checked the edge of the knife-blade, I put on the body-armor of black rubber the absurd flippers the grave and awkward mask. I am having to do this not like Cousteau with his assiduous team aboard the sun-flooded schooner but here alone. There is a ladder. The ladder is always there hanging innocently close to the side of the schooner. We know what it is for, we who have used it. Otherwise it is a piece of maritime floss some sundry equipment. I go down. Rung after rung and still the oxygen immerses me the blue light the clear atoms of our human air. I go down. My flippers cripple me, I crawl like an insect down the ladder and there is no one to tell me when the ocean will begin. First the air is blue and then it is bluer and then green and then black I am blacking out and yet my mask is powerful it pumps my blood with power the sea is another story the sea is not a question of power I have to learn alone to turn my body without force in the deep element. And now: it is easy to forget what I came for among so many who have always lived here swaying their crenellated fans between the reefs and besides you breathe differently down here. I came to explore the wreck. The words are purposes. The words are maps. I came to see the damage that was done and the treasures that prevail. I stroke the beam of my lamp slowly along the flank of something more permanent than fish or weed the thing I came for: the wreck and not the story of the wreck the thing itself and not the myth the drowned face always staring toward the sun the evidence of damage worn by salt and sway into this threadbare beauty the ribs of the disaster curving their assertion among the tentative haunters. This is the place. And I am here, the mermaid whose dark hair streams black, the merman in his armored body. We circle silently about the wreck we dive into the hold. I am she: I am he whose drowned face sleeps with open eyes whose breasts still bear the stress whose silver, copper, vermeil cargo lies obscurely inside barrels half-wedged and left to rot we are the half-destroyed instruments that once held to a course the water-eaten log the fouled compass We are, I am, you are by cowardice or courage the one who find our way back to this scene carrying a knife, a camera a book of myths in which our names do not appear.
Adrienne Rich (Diving Into the Wreck)
Again from a distance, Sukie was once again struck by her mother's chic and how different things can seem from far away, how there's more than one truth, the faraway truth and the truth close up.
Delia Ephron (The Girl with the Mermaid Hair)
You looked so beautiful- your hair spread out around your head against the linoleum. Though your think brown curls had thinned since you'd started losing weight, they still fell in soft waves. You reminded me of a mermaid, your skin all shiny, your lips so full compared to the harshness of your angular cheekbones and pointed chin.
Steph Bowe (Girl Saves Boy)
God, secrets could simply do you in.
Delia Ephron (The Girl with the Mermaid Hair)
Ms. Wrack's mother, Mrs. Wrack, had been a mermaid: a proper one who lived on a rock and combed her hair and sang. But sailors had never been lured to their doom by her, partly because she looked like the back of a bus and partly because modern ships are so high out of the water that they never even saw her
Eva Ibbotson (Which Witch?)
But the woman came to her them. The woman with hair of red like roses, hair of white like snowfall. She was young and old. She was blind and could see everything. She spoke softly, in whispers, but her voice carried across the mountain ranges like sleeping giants, the cities lit like fairies and the oceans-undulating mermaids. She laughed at her own sorrow and wept pearls at weddings. Her fingers were branches and her eyes were little blue planets. She said, You cannot hide forever, though you may try. I've seen you in the kitchen, in the garden. I've seen the things you have sewn -curtains of dawn, twilight blankets and dresses for the sisters like a garden of stars. I have heard the stories you tell. You are the one who transforms, who creates. You will go out into the world and show others. They will feel less alone because of you, they will feel understood, unburdened by you, awakened by you, freed of guilt and shame and sorrow. But to share with them you must wear shoes, you must go out you must not hide, you must dance and it will be harder, you must face jealousy and sometimes rage and desire and love which can hurt most of all because of what can then be taken away.
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me.
T.S. Eliot
Maybe I'm willing to take that risk." "Well, I'm not." He slid one arm about her waist, tucked the other beneath her knees, and hauled her out of the water, into his arms. Like a damned mermaid. A sparkling, golden-haired, ruby-lipped mermaid. "I can't lose you." I can't lose you, he said. I can't fell my elbows, Penny thought. She couldn't help but give a long, swooning sigh. This man was so dangerous. He had a habit of blurting out these growly, possessive statements, punctuated by intense gazes and capped by displays of sheer virility.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Iggy’s fur and Ro’s hair were now deep shades of purple, blue, and gray, with each color fading into the next in an ombré effect. It reminded Sophie of the night sky, right before the stars appear—and it was definitely an improvement from the weird mermaid-tiger thing Iggy had going on before. But… Keefe’s final gift was gone. Just like him.
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
Who cared that he couldn't spell? She was a good-enough speller for both of them. With luck, their children would take after her.
Delia Ephron (The Girl with the Mermaid Hair)
I rolled my head back on the counter, feeling my hair spilling around me like some kind of gloriously pornographic mermaid.
Tate James (Liar (Madison Kate, #2))
We were those girls, the artist’s daughters, the mermaids, the ones with long, tangled hair who did what they wanted. Inside, always, we knew we were free.
Stacey D'Erasmo (Wonderland)
I grow old...I grow old... I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk along the beach. I have the heard the mermaids singing, each to each. I do not think they will sing to me.
T.S. Eliot
She watched his pale, square hands on the map, the short almost stubby fingers, with their neatly trimmed nails and a sparse scattering of fine black hairs on the bottom section of each finger. Appalled, she felt a stirring of desire. You're pathetic as an adolescent, she savagely chided herself. Like a teenager who fancies the first teacher who says anything nice about your work. Grow up, Jordan!
Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
Girls in fairy tales are losers,” said Roo. “No they aren’t,” said Claude. “Yes they are. Not like losers. Losers. Girls in fairy tales are always losing stuff.” “Nuh-uh,” said Claude. “Yuh-huh. They lose their way in the woods or their shoe on the step or their hair even though they’re in a tower with no door and their hair is like literally attached to their head.” “Or their voice,” Ben put in. “Or their freedom or their family or their name. Or their identity. Like she can’t be a mermaid anymore
Laurie Frankel (This Is How It Always Is)
I have heard the mermaids singing, each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown. T.S. Eliot The Love Song Of J. Alfred Prufrock
T.S. Eliot
She'd started swimming early in the morning, when the kids were asleep, when she thought he was asleep. She didn't know her absence woke him, that the shift in the bed was an earthquake. When she climbed back in, she smelled like salt and seaweed. Sometimes her hair would still be knotted on top of her head. She tried to keep it dry. She didn't want him to know. The problem with marrying the mermaid girl from the carnival was knowing that one day she'd swim away.
Erika Swyler
Seated atop the creature was a mermaid. She carried a crossbow. A sword hung from her hip. Her coppery hair, cut short, was angled over her forehead and cheekbones. Her green eyes blazed with fury. 'Go, Sera!' Becca shouted. 'Take back your throne!
Jennifer Donnelly (Sea Spell (Waterfire Saga, #4))
He folded into my arms. I buried my face in his hair, and I listened to the sounds of midsummer on my island. Gorse pods were crackling in the sun. When the wind shifted, I could hear the voice of the sea, woven through always with birdsong and mermaids.
Harper Fox (Scrap Metal)
Cities were like women, he insisted; each one had its own unique scent. Oldtown was as flowery as a perfumed dowager. Lannisport was a milkmaid, fresh and earthy, with woodsmoke in her hair. King’s Landing reeked like some unwashed whore. But White Harbor’s scent was sharp and salty, and a little fishy too. “She smells the way a mermaid ought to smell,” Roro said. “She smells of the sea.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Each day Marda gets closer. The sub circles coral reefs off the coasts, where mermaids are said to like the colors of the schools of fishes, and train them to swim around their necks like jewelry or live behind their ears, beneath their long hair. Sometimes mermaids like shallow places, but mostly they like the dark and the beautiful, uncharted, abandoned, soulless parts of the undiscovered world.
Holly Walrath (Pulp Literature Issue 7 Summer 2015)
Alma knelt in the tall grass and brought her face as near as she could to the stone. And there, rising no more than an inch above the surface of the boulder, she saw a great and tiny forest. Nothing moved within this mossy world. She peered at it so closely that she could smell it- dank and rich and old. Gently, Alma pressed her hand into this tight little timberland. It compacted itself under her palm and then sprang back to form without complaint. There was something stirring about its response to her. The moss felt warm and spongy, several degrees warmer than the air around it, and far more damp than she had expected. It appeared to have its own weather. Alma put the magnifying lens to her eye and looked again. Now the miniature forest below her gaze sprang into majestic detail. She felt her breath catch. This was a stupefying kingdom. This was the Amazon jungle as seen from the back of a harpy eagle. She rode her eye above the surprising landscape, following its paths in every direction. Here were rich, abundant valleys filled with tiny trees of braided mermaid hair and minuscule, tangled vines. Here were barely visible tributaries running through that jungle, and here was a miniature ocean in a depression in the center of the boulder, where all the water pooled. Just across this ocean- which was half the size of Alma's shawl- she found another continent of moss altogether. On this new continent, everything was different. This corner of the boulder must receive more sunlight than the other, she surmised. Or slightly less rain? In any case, this was a new climate entirely. Here, the moss grew in mountain ranges the length of Alma's arms, in elegant, pine tree-shaped clusters of darker, more somber green. On another quadrant of the same boulder still, she found patches of infinitesimally small deserts, inhabited by some kind of sturdy, dry, flaking moss that had the appearance of cactus. Elsewhere, she found deep, diminutive fjords- so deep that, incredibly, even now in the month of June- the mosses within were still chilled by lingering traces of winter ice. But she also found warm estuaries, miniature cathedrals, and limestone caves the size of her thumb. Then Alma lifted her face and saw what was before her- dozens more such boulders, more than she could count, each one similarly carpeted, each one subtly different. She felt herself growing breathless. 'This was the entire world.' This was bigger than a world. This was the firmament of the universe, as seen through one of William Herschel's mighty telescopes. This was planetary and vast. These were ancient, unexplored galaxies, rolling forth in front of her- and it was all right here!
Elizabeth Gilbert (The Signature of All Things)
Rising only to the edge of her waist — for she knew full well how the sight of a tail affects mortal men — the mermaid showed the prince her shell-like breasts, her pearly skin, the phosphorescence of her hair. She held a webbed hand over her mouth, her fingers as slim as the ribs of a fan. Then she pulled her hand away, displaying her smile. She was well trained in the arts of seduction, as was he. Royalty abounds in it.
Jane Yolen
A pretty vampire woman in a cheongsam came flying down the hallway, ribbons waving from her purple-streaked hair like a silken flag. Her face was familiar. Alec had seen her at Taki’s, and around the city more generally, usually with Raphael. “Save us, oh fearless leader,” said Raphael’s lady friend. “Elliott’s in a huge aquarium puking blue and green. He tried to drink mermaid blood. He tried to drink selkie blood. He tried to—” “Ahem,” said Raphael, with a savage jerk of his head in Alec’s direction. Alec waved. “Shadowhunter,” he said. “Right here. Hi.” “He tried to keep to the Accords and obey all the known Laws!” the woman declared. “Because that’s the New York clan’s idea of a truly festive good time.” Alec remembered Magnus and tried not to look like he was here to ruin the Downworlder party. There was one thing he and this woman had in common. He recognized the bright purple she was wearing. “I think I saw you earlier,” said Alec hesitantly. “You were—making out with a faerie girl?” “Yeah, you’re gonna have to be more specific than that,” said the vampire woman. “This is a party. I’ve made out with six faerie girls, four faerie boys, and a talking toadstool whose gender I’m unsure about. Pretty sexy for a toadstool, though.” Raphael covered his face briefly with his non-texting hand. “Why, you want to make something of it?” The woman bristled. “How happy I am to see the Nephilim constantly crashing our parties. Were you even invited?” “I’m a plus-one,” said Alec. The vampire girl relaxed slightly. “Oh, right, you’re Magnus’s latest disaster,” she said. “That’s what Raphael calls you. I’m Lily.” She lifted a hand in a halfhearted wave. Alec glanced at Raphael, who arched his eyebrow at Alec in an unfriendly way. “Didn’t realize Raphael and I were on pet name terms,” said Alec. He continued to study Raphael. “Do you know Magnus well?” “Hardly at all,” said Raphael. “Barely acquainted. I don’t think much of his personality. Or his dress sense. Or the company he keeps. Come away, Lily. Alexander, I hope I never see you again.” “I’ve decided I detest you,” Lily told Alec. “It’s mutual,” Alec said dryly. Unexpectedly, that made Lily smile, before Raphael dragged her away.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
She was beautiful. Before, she had been pretty and gorgeous, lively and smiley, all red hair and perfect skin and quick movements. Now her eyes were deeper. He could fall into her face forever and happily drown there, pulled into her depths. There were worlds in her mind that were only just forming before.
Liz Braswell (Part of Your World)
Poppy used to share the room with her older sister, and piles of he sister's outgrown clothes still remained spread out in drifts, along with a collection of used makeup and notebooks covered in stickers and scrawled with lyrics. A jumbled of her sister's old Barbies were on top of a bookshelf, waiting for Poppy to try and fix their melted arms and chopped hair. The bookshelves were overflowing with fantasy paperbacks and overdue library books, some of them on Greek myths, some on mermaids, and a few on local hauntings. The walls were covered in posters-Doctor Who, a cat in a bowler hat, and a giant map of Narnia.
Holly Black (Doll Bones)
Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. (It's not the main point of the poem, but I am the third generation of my family who's never been able to eat a peach without wondering, do I dare and do I dare)
T.S. Eliot (Let Us Go Then, You and I)
She had on a spangled top that sparkled like fish scales. Her hair was very yellow. She looked like a mermaid in a bad mood. (p. 82 RAYMIE NIGHTINGALE)
Kate DiCamillo (Raymie Nightingale)
He held out his elbow in a disingenuously gentlymanly gesture. "How about we go and have some real fun?" "What,shattering my one remaining fantasy wasn't enough?" Faeries didn't have wings and bordered on evil; pixies were dirty,feral, and tended to bite' and mermaids had neither glorious hair nor seashell bras. Now this about unicorns. Sometimes reality sucked. "You can always chase the unicorn, if you want.Take it for a ride." I shuddered at the thought and sat down, leaning my back against the tree and unzipping my coat. "No,thanks.
Kiersten White (Supernaturally (Paranormalcy, #2))
I have heard the mermaids singing, each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
T.S. Eliot (The Love Song of J. Alfred Prufrock and Other Poems)
She has bitten into a crisp juicy apple and wondered if the bite and the thought were connected-- one never knew what went together, and seemingly random acts could be cosmically related.
Delia Ephron (The Girl with the Mermaid Hair)
Together, the six girls were the pride of their grandmother, the Queen Mother Ragnhildr, or as she preferred, Oma Ragn. The little mermaid loved Oma Ragn with a special fierceness—she felt at home when she was with her. At home, folded into the long white waves of her hair, against the warmth of her skin, the song she hummed under her breath just louder than their collective heartbeat.
Sarah Henning (Sea Witch (Sea Witch, #1))
When you leaped over the railing, my heart squeezed so hard I could not breathe, because what if”—now he touches my ear, my temple, my wet hair, and pulls me closer—“what if I had lost the chance?
Barbara O'Neal (When We Believed in Mermaids)
He hands me a book- paperback cover with a picture of the bay. I flip through, find picture after picture from my month in Felicity Bay, all those *beep* *click* *beep* times that Daniel captured, put in a book - a baby crab, mermaid hair, Froot Loops, sandy toes, tree house, and even stained glass windows, and a chalice - moments of significance, ordinary things that turned out to be extraordinary." -Bailey
Shari Green (Root Beer Candy and Other Miracles)
In those days, she let her hair loose, down to her waist, and whenever I met old friends of hers, they would describe my mother as having resembled a mermaid with legs. With a sheerness to her skin that people wanted to shield.
Aimee Bender (The Particular Sadness of Lemon Cake)
Do you think you can cause something to happen just from wanting it so much?' she asked. 'I don't get what you mean. Does this have to do with your dad?' asked Frannie. 'Not really. I'm talking about loneliness.' Frannie turned around and considered her answer. For awhile she seemed to be in a wilderness of her own. 'Do you mean that you imagined that Issy was your friend?' 'Yes, so completely that it was real.' 'Oh, that can happen. I believe that totally. Loneliness is powerful.
Delia Ephron (The Girl with the Mermaid Hair)
Two Lovers And A Beachcomber By The Real Sea" Cold and final, the imagination Shuts down its fabled summer house; Blue views are boarded up; our sweet vacation Dwindles in the hour-glass. Thoughts that found a maze of mermaid hair Tangling in the tide's green fall Now fold their wings like bats and disappear Into the attic of the skull. We are not what we might be; what we are Outlaws all extrapolation Beyond the interval of now and here: White whales are gone with the white ocean. A lone beachcomber squats among the wrack Of kaleidoscope shells Probing fractured Venus with a stick Under a tent of taunting gulls. No sea-change decks the sunken shank of bone That chucks in backtrack of the wave; Though the mind like an oyster labors on and on, A grain of sand is all we have. Water will run by; the actual sun Will scrupulously rise and set; No little man lives in the exacting moon And that is that, is that, is that. Sylvia Plath, Mademoiselle, August 1955.
Sylvia Plath (Selected Poems)
If Eric had just listened to his heart and not someone else's singing, none of this would have happened. He had fallen in love with the voiceless red-haired girl. He was just too stupid and obstinate to recognize it. He loved everything about her. Her smile, the way she moved, the way she took delight in everything around her. She was impulsive, unmannered, willing to get dirty, a little strange, and extremely hands-on. And beautiful. So different from all the princesses and ladies his parents had introduced him to.
Liz Braswell (Part of Your World)
learned that you don’t need to be caught underneath an ill-tempered wave in order to drown. i’m talking about how it feels when your fingers are twisted up in my long, blackwater hair, pulling just enough to hurt. pulling just enough for me to not want you to stop.
Amanda Lovelace (The Mermaid's Voice Returns in This One)
I grow old ... I grow old ... I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me.
T.S. Eliot (Prufrock and Other Observations)
I love it that I'm standing alone, it doesn't bother me, actually I prefer it, actually I don't give a shit. I am a superior being in an alien world. No, in a world of red-faced aliens. That thought tickled her, but only for a minute. Mainly she longed to feel that she wasn't invisible.
Delia Ephron (The Girl with the Mermaid Hair)
I suddenly wish that I could sit with him like this many times, over many years. I can almost see a ghostly version of us, sitting in this same place, a decade or two out. His hair will silver by then, but those long lashes will still frame his lovely dark eyes, and he will still eat like this, reverently.
Barbara O'Neal (When We Believed in Mermaids)
There are children on the island who go barefoot all summer and wear feathers in their hair, the Volkswagen vans in which their parents arrived in the ’70s turning to rust in the forest. Every year there are approximately two hundred days of rain. There’s a village of sorts by the ferry terminal: a general store with one gas pump, a health-food store, a real-estate office, an elementary school with sixty students, a community hall with two massive carved mermaids holding hands to form an archway over the front door and a tiny library attached. The rest of the island is mostly rock and forest, narrow roads with dirt driveways disappearing into the trees.
Emily St. John Mandel (Station Eleven)
It is not Beauty I demand, A crystal brow, the moon's despair, Nor the snow's daughter, a white hand, Nor mermaid's yellow pride of hair. Tell me not of your starry eyes, Your lips that seem on roses fed, Your breasts where Cupid trembling lies, Nor sleeps for kissing of his bed. ...Give me, instead of beauty's bust, A tender heart, a loyal mind, Which with temptation I could trust, Yet never linked with error find. One in whose gentle bosom I Could pour my secret heart of woes. Like the care-burdened honey-fly That hides his murmurs in the rose. My earthly comforter! whose love So indefeasible might be, That when my spirit won above Hers could not stay for sympathy.
George Darley (Selected poems of George Darley)
But then he heard something--- a note purer than birdsong, softer than morning dew. He turned. It was then that he saw the woman: she sat on a rock near the shore, singing just for him. Like she'd been waiting. The rising sun set her hair alight, her skin glittered with wet. Her eyes were round and dark as a seal's; her hands soft and warm as summer air---
Emilia Hart (The Sirens)
I have heard the mermaids singing, each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.
T.S. Eliot (The Waste Land, Prufrock and Other Poems)
…and so, ladies and gentlemen, I give you, the bride to be.” I applauded because everyone else did, on automatic, and looked up to behold the linear mortal who Vincent had decided to occupy himself with this time. Would she be a Frances, chosen to make an unseen Hugh jealous while playing tennis on the lawn? Or Leticia, perhaps, pretty but vacant; perhaps a Mei, adding that air of respectability as he went about his nefarious deeds, or a Lizzy, a companion in dark hours, a figure who was nine parts being there to only one part chemistry. She stepped to the front of the room, a woman with a hint of grey streaking the edge of her hair, dressed in a mermaid dress the colour of clotted cream, and she was Jenny. My Jenny. Memory, moving too fast to process.
Claire North (The First Fifteen Lives of Harry August)
Anon his heart revives: her vespers done, Of all its wreathed pearls her hair she frees; Unclasps her warmed jewels one by one; Loosens her fragrant boddice; by degrees Her rich attire creeps rustling to her knees: Half-hidden, like a mermaid in sea-weed, Pensive awhile she dreams awake, and sees, In fancy, fair St. Agnes in her bed, But dares not look behind, or all the charm is fled.
John Keats
The blue pieces are rare,” he says, examining it and then pressing it into my hand. “This is a good piece. Some people call them mermaid’s tears. Do you want to hear the story?” I nod as I inspect the smooth glass in my palm—it looks like a gem, a tear of frosted sapphire. “The story goes that a mermaid watched as a storm threatened to wreck the ship of the man she loved,” Ted says. His voice is hypnotic, I love listening to him. I sink my head back onto his shoulder as he speaks and he runs a hand across my hair, my whole body alert to his touch. “She was forbidden by Neptune from intervening in the weather, but she calmed the sea and tamed the waves to save her love from certain death. For her disobedience, she was banished to the ocean floor, never to surface again. Her tears wash up on the shore as glass, a reminder of true love.
Sophie Cousens (Just Haven't Met You Yet)
I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.
Melissa Jensen (The Fine Art of Truth or Dare)
…Jake caught the briefest glimpse of a demure set of pale pink lingerie, and then Molly was airborne—jumping feet-first into the deep end. She swam underwater like a mermaid, finally coming up for air near the center of the pool. Her hair was slicked back on her skull, shining and as dark as melted chocolate and Jake was frozen to the spot by So. Much. Molly. All on display for him. God—she was really, really wet. ~"Finding a Husband" by Kristen Casey
Kristen Casey (Finding a Husband (Second Chances, #3))
... the taxonomic division of animals in a lost Chinese encyclopedia... (a) those that belong to the emperor; (b) embalmed ones; (c) those that are trained; (d) suckling pigs; (e) mermaids; (f) fabulous ones; (g) stray dogs; (h) those that are included in this classification; (i) those that tremble as if they were mad; (j) innumerable ones; (k) those that are drawn with a very fine camel's hair brush; (l) etcetera; (m) those that have just broken the flower vase; (n) those that at a distance resemble flies.
Joe Roman
A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.
Liz Braswell (Straight On Till Morning)
I have to tell you something strange. My mirror cracked. I feel as if I caused it because it didn't just crack, it kind of cracked up. But that's impossible. I researched it. Telekinesis has no basis in science. That a person can cause an object to move or to change... that energy, grief, or I guess joy or anxiety or even fierce determination could cause something to happen... people claim to have done it, but there's no proof.' 'Just because you can't prove something scientifically,' said Frannie, 'doesn't mean it's not possible.
Delia Ephron (The Girl with the Mermaid Hair)
Maybe I'm willing to take that risk." "Well, I'm not." He slid one arm about her waist, tucked the other beneath her knees, and hauled her out of the water, into his arms. Like a damned mermaid. A sparkling, golden-haired, ruby-lipped mermaid. "I can't lose you." I can't lose you, he said. I can't feel my elbows, Penny thought. She couldn't help but give a long, swooning sigh. This man was so dangerous. He had a habit of blurting out these growly, possessive statements, punctuated by intense gazes and capped by displays of sheer virility.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
SANCTUARY the safest place in the world is a book is a shifting land on top of a tree so high up that a belt can't reach is a closet opening into snow with a tropical child tumbling through is a river, a mermaid, a spaceship a girl with living tentacles for hair is a red-horned, gold-feathered angel a dusty crocodile on a second star is a fractional platform, another family one with only soft mothers and aunts is a meadow, is a menu of words an oxygen mask, chest compressions is a map for someone who has died many times, and wants to come back.
Akwaeke Emezi (Content Warning: Everything)
I finish off the wine and attempt to write. I must write, I have to write. Writing is why I’m here. I stare at my open notebook, blank for all but one badly drawn eye. A few swirls. The words I don’t know scratched over and over again. Surrounded by limp flowers. I long for my first writing office, the waiting area of the hair salon where my mother worked when I was a child. I wrote with such feverish abandon on that sagging couch between the dusty Buddha and the dustier fake flowers, beneath framed photos of women smiling under impossibly, painfully elaborate arrangements of hair. Clients would sit in waiting area chairs nearby, pretending to read magazines but all the while regarding me askance, a lanky child in a Swamp Thing T-shirt clutching her mermaid journal close, staring at them through bangs I barely ever let my mother cut. I was afraid she’d gouge out my eyes. Whatcha workin’ on there? they might ask me. Uncovering your secret shame, I thought. Don’t mind my daughter, my mother would say as she led them to a chair, tilted their heads back into a wash sink where they’d immediately close their eyes.
Mona Awad (Bunny (Bunny, #1))
I grow old … I grow old … I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me. 125 I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown 130 Till human voices wake us, and we drown.
T.S. Eliot
Attina saw her and came over. Despite their extreme difference in age, she was the one Ariel felt closest to. Even if her big sister didn't fully understand the urge to seek out a human prince, or to explore the Dry World, or to collect odd bits of human relics, she always treated her little sister as gently as she could- despite how gruff she sounded. "What's happening?" she asked, swishing her orange tail back and forth. Her hair wasn't done yet; it was obvious she was devoting her time to helping the younger sisters with theirs. The only slightly frumpy brown bun was locked in place by sea urchin spikes.
Liz Braswell (Part of Your World)
Teddy Roosevelt?" I suggested. Sadie and I had been trying to figure out the second mathlete's costume for a few minutes. He was wearing a 1930's-style suit,had his hair slicked down carefully, and was sporting a fake mustache. "No glasses. And I can't even begin to imagine the connection between Davy Jone's Locker and Teddy Roosevelt." Sadie pulled a long gold hair from her pumpkin-orange punch and sighed. Maybe her mother hadn't topped her Sleepy Hollow triumph, but it wasn't from lack of determination. What Mrs. Winslow hadn't achieved in creativity (she'd gone the mermaid route), she'd made up in the details. The tailed skirt was intricately beaded and embroidered in a dozen shades of blue and green. It was pretty amazing.The problem was the bodice: not a bikini, but not much better as far as Sadie was concerned. It was green, plunging, and edged with itchy-looking scallops. She was managing to stay covered by the wig, but that was an issue in itself. It was massive,made up of hundreds of trailing corkscrew curls in a metallic blonde. To top it all off, the costume included a glittering, three point crown, and a six-foot trident, complete with jewels and trailing silk seaweed. "Sadie," I'd asked quietly when she'd appeared at my house, shivering and tangled in her wig, "why don't you..." Just tell her where she can shove her trident? But that would just have been mean. Sadie gives in and wears the costumes because it's infinitely easier than fighting. "...come next door and we'll see if Sienna has a shawl you can borrow?
Melissa Jensen (The Fine Art of Truth or Dare)
Vanessa was clearly enjoying the bath. Her brown hair flowed around her in slippery wet ringlets that very much brought to mind the arms and legs of a squid. Great quantities of bubbles and foam towered over the top of the tub and spilled out onto the floor, slowly dripping down like the slimy egg sac of a moon snail. Vanessa was splashing and talking to herself and playing in the bath almost like a child. Ariel remembered, with heat, when she had been in that bath, and was introduced to the wonders of foam that wasn't just the leavings of dead merfolk. The whole experience had been marvelous and strange. Imagine the humans, kings of the Dry World, keeping bubbles of water around to bathe and play in. There was no equivalent under the sea; no one made "air pools" for fun and cleanliness.
Liz Braswell (Part of Your World)
Don't even consider it, young lady." Ariel raised an eyebrow at him incredulously. Young lady? In the years that had passed since the duel with the sea witch, she had aged. Not dramatically, but far more than a mostly immortal mermaid should have. There was something about her eyes- they were deeper, wiser, and wearier than when she was a young mer who had never been on dry land. Her cheeks weren't quite as plump anymore; the angles of her face were more pronounced. Sometimes she wondered if she looked like her mother... aside from her own unreliable memories, the only physical evidence of the former queen was a statue in the castle of her and Triton dancing together. But it was all pale milky marble, no colors at all. Dead. Ariel's hair no longer flowed behind her as it once had; handmaidens and decorator crabs kept it braided and coiffed, snug and businesslike under the great golden crown that sat on her temples, like the gods wore. Small gold and aquamarine earrings sparkled regally but didn't tinkle; they were quite understated and professional. Her only real nod to youth was the golden ring in the upper part of her left ear. "Young lady," indeed.
Liz Braswell (Part of Your World)
Though Eros and Psyche sat vast and magnificent in the front lawn, a prologue to the grand house itself, there was something wonderful- a mysterious and melancholic aspect- about the smaller fountain, hidden within its sunny clearing at the bottom of the south garden. The circular pool of stacked stone stood two feet high and twenty feet across at its widest point. It was lined with tiny glass tiles, azure blue like the necklace of sapphires Lord Ashbury had brought back for Lady Violet after serving in the Far East. From the center emerged a huge craggy block of russet marble, the height of two men, thick at the base but tapering to a peak. Midway up, creamy marble against the brown, the life-size figure of Icarus had been carved in a position of recline. His wings, pale marble etched to give the impression of feathers, were strapped to his outspread arms and fell behind, weeping over the rock. Rising from the pool to tend the fallen figure were three mermaids, long hair looped and coiled about angelic faces: one held a small harp, one wore a coronet of woven ivy leaves, and one reached beneath Icarus’s torso, white hands on creamy skin, to pull him from the deep.
Kate Morton (The House at Riverton)
Behind the counter sat one of those absolutely inimitable and indomitable ladies, produced only in the city of Paris, but produced there in great numbers, who would be as outraged and unsettling in any other city as a mermaid on a mountain-top. All over Paris they sit behind their counters like a mother bird in a nest and brood over the cash-register as though it were an egg. Nothing occurring under the circle of heaven where they sit escapes their eye, if they have ever been surprised by anything, it was only in a dream - a dream they long ago ceased having. They are neither ill- nor good-natured, though they have their days and styles, and they know, in the way, apparently, that other people know when they have to go to the bathroom, everything about everyone who enters their domain. Though some are white-haired and some not, some fat, some thin, some grandmothers and some but lately virgins, they all have exactly the same shrewd, vacant, all-registering eye; it is difficult to believe that they ever cried for milk, or looked at the sun; it seems they must have come into the world hungry for banknotes, and squinting helplessly, unable to focus their eyes until they came to rest on a cash-register.
James Baldwin (Giovanni’s Room)
She could sense the approach of land- taste when the waters changed, feel when currents turned cool or warm- but it didn't hurt to keep an eye on the shore now and then, and an ear out for boats. The slap of oars could be heard for leagues. Her father had told tales about armored seafarers in days long past, whose trireme ships had three banks of rowers to ply the waters- you could hear them clear down to Atlantica, he'd say. Any louder and they would disrupt the songs of the half-people- the dolphins and whales who used their voices to navigate the waters. Even before her father had enacted the ban on going to the surface, it was rare that a boat would encounter a mer. If the captain kept to the old ways, he would either carefully steer away or throw her a tribute: fruit of the land, the apples and grapes merfolk treasured more than treasure. In return the mermaid might present him with fruit of the sea- gems, or a comb from her hair. But there was always the chance of an unscrupulous crew, and nets, and the potential prize of a mermaid wife or trophy to present the king. (Considering some of the nets that merfolk had found and freed their underwater brethren from, it was quite understandable that Triton believed humans might eat anything they found in the sea- including merfolk.)
Liz Braswell (Part of Your World)
The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.
Samantha Ellis
Faeries like to tangle children’s hair when they’re sleeping.
Jenna Jones (Facts for Girls: Fun Facts and Trivia about Unicorns, Fairies, Mermaids, Dolls, Disney Princesses, Butterflies, and Ballerinas)
If you love for beauty’s sake, do not love me! Love the sun, she had golden hair! If you love for youth’s sake, do not love me! Love the spring, who every year is young! If you love for treasures’ sake, do not love me! Love the mermaid, for she has many pearls! If you love for love’s sake, then love me. Love me forever, for I love you eternally!
Friedrick Ruckert
Khun Mae went to bed past midnight. After a few minutes, her mouth opened. Her hair was a dark cloud on the pillow. Up and up, she drifted above her bed, through the white mosquito nets, until she was as light as a sea bird. She drifted through the open flap of her window, into the balmy night air. Through the rainstorm, she flew, over the city of Bangkok and its blurry lights, until the stars themselves, guided this bird on her journey into the mountains, and above Tham Luang cave.
Suzy Davies
Hello, Evelyn, the Sea says. Evelyn stretches her arms and opens her eyes. She looks as her memory thinks she should look, with long black hair and skin smooth like a crescent moon. She is lovely. She belongs to the Sea. Hello, Mother, she says. She reaches up, to the light of the sun, to the surface. Where is Flora? Close, says the Sea. Her daughter smiles, and how pleased the Sea is to see her baby smile. To feel her joy as if it is her own. Let us find her.
Maggie Tokuda-Hall (The Mermaid, the Witch, and the Sea)
Her arms wrapped around me in a hug. Her skin was cold as always, but her embrace was soothing, so I buried my face in her hair that smelled of seawater.
Tiana Warner (Ice Massacre (Mermaids of Eriana Kwai, #1))
I have . . . n-never been fished out of the sea by a lady before,’ he said. ‘Are you p-perhaps a m-mermaid?’ ‘I am not a mermaid,’ Emily said firmly. ‘But you have such l-lovely yellow hair.’ ‘You should perhaps save your energy for getting warm, sir, rather than for flirting.’ ‘I’d rather die flirting,’ he said, trying to wink.
Lex Croucher (Trouble)
The mermaids stop as the white-haired one swims closer, lowering her voice as if she’s afraid of who might hear. “I have no voice, but I have lots to teach. Your soul is my price, let me speak. Darkness enchanted is my tale.
Mads Rafferty (Heir of Broken Fate (HOBF Book 1))
She had woken the house up with screams at 6 A.M. when she'd discovered that her mother's spell had changed her hair to a mermaid-blue color overnight. After the initial shock, the whole bright blue hair look had kind of grown on her, but she wasn't convinced it would be the best look for the wedding, so she had begun the painstaking process of charming it back to its original aubergine brown with flecks of purple.
Nadia El-Fassi (Best Hex Ever)