Mens Haircut Quotes

We've searched our database for all the quotes and captions related to Mens Haircut. Here they are! All 46 of them:

To us, your power comes from one simple thing: you’re a woman, and we men will do anything humanly possible to impress you so that, ultimately, we can be with you. You’re the driving force behind why we wake up every day. Men go out and get jobs and hustle to make money because of women. We drive fancy cars because of women. We dress nice, put on cologne, get haircuts and try to look all shiny and new for you. We do all of this because the more our game is stepped up, the more of you we get. You’re the ultimate prize to us.
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
Rome Archer, if you don't wake up right this second so I can tell you that I love you, I swear I'm going to name this baby something ridiculous like Daffodil or Rover and I'm going to let your brother be in charge of haircuts until he or she is old enough to complain.
Jay Crownover (Rome (Marked Men, #3))
What's silly is paying five bucks for hot milk and flavored syrup! But now I see what's really been going on all this time! They charge you all that money because they need it for the R & D! Somewhere on the outskirts of Seattle, there's a secret facility with higher security than Area 51, and inside there are men with poor eyesight and bad haircuts wearing white coats, and they're trying to make the Holy Grail of all coffee drinks. The bacon latte? No, Atticus, I already told you those exist! I'm talking about the prophecy! 'Out of the steam and the foam and the froth, a man in white with poor eyesight will craft a liquid paradox, and it shall be called the Triple Nonfat Double Bacon Five-Cheese Mocha!' Oberon, what the F---?
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
I don't advise a haircut, man. All hairdressers are in the employment of the government. Hairs are your aerials. They pick up signals from the cosmos, and transmit them directly into the brain. This is the reason bald-headed men are uptight.
Bruce Robinson (Withnail and I: the Original Screenplay)
I didn't know there were women who wore men's clothes and had men's haircuts. But like a traveler in a foreign country who runs into someone from home - someone they've never spoken to but know by sight - I recognized her with a surge of joy.
Alison Bechdel (Fun Home: A Family Tragicomic)
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight. The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab. Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall. They were rouge cops and shakedown artist. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it. It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define there time. Here's to them.
James Ellroy (American Tabloid (Underworld USA #1))
Look here, it's all very tidy and convenient to see the world in black and white.....It's a particular passion of young men eager to sweep away their dusty elders. However, philosophical rigidity is usually combined with a complete lack of education or real-world experience, and it is often augmented with strange haircuts and an aversion to bathing.
Helen Simonson (Major Pettigrew's Last Stand)
Get on a bus full of old people and you’ll understand what I mean. It’s easy to pick the woman who’s spent her life indulging herself in moral indignation, tightening her lips against mothers who are too young, mothers who are too old, young men with dangerous-looking haircuts, and Winifred Martin going off with May Charleston’s husband, and at their age, honestly. Yes, you’ll be able to pick her in a trice, since she’ll be the one with the cat's arse where her mouth ought to be.
Danielle Wood (Rosie Little's Cautionary Tales for Girls)
A slender man who looked like a carbon copy of his students, save for maybe a ten-year age difference, strode into the room and took his station behind the short metal desk up front. He was cool and sharp-looking with a stunningly well-tailored white button down, hipster glasses and a faux-military haircut that was shaved close on the sides but left long and slicked back on top. He looked like he was more prepared to model men's watches than to teach Interpersonal Psychology II.
Joel Abernathy (Pendulum (Kingdom of Night, #1))
Drawn lids one screen of skin, dreampaintings move across Day's colored dark. Tonight, in a lapse unfluttered by time, he travels what seems to be back. Shrinking, smoother, loses his belly and faint acne scars. Bird-boned gangle; bowl haircut and cup-handle ears; skin sucks hair, nose recedes into face; he swaddles in his pants and then curls, pink and mute and smaller until he feels himself split into something that wriggles and something that spins. Nothing stretches tight across everything else. A black point rotates. The point breaks open, jagged. His soul sails toward one color.
David Foster Wallace (Brief Interviews with Hideous Men)
They sport haircuts that were apparently administered by a blind heroin addict in the men’s room of a Bulgarian disco in 1978.
Dave Barry (Live Right and Find Happiness (Although Beer is Much Faster): Life Lessons and Other Ravings from Dave Barry)
bright men in narrow neckties and short haircuts whose terrible optimism made the sixties such an admirable and disappointing time.
Michael Chabon (Maps and Legends: Reading and Writing Along the Borderlands)
One of the causes, by the way, of the apparent lack, at the present time, of great men lies in the poverty of the contemporary male coiffure. Rich in whiskers, beards, and leonine manes, the great Victorians never failed to look the part, nowadays it is impossible to know a great man when you see one.
Aldous Huxley (Complete Essays, Vol. I: 1920-1925)
Instead I walked towards the man, meeting him halfway. “Just miss a train?” I heard myself ask. He shrugged. I could not believe I was engaging this man in conversation. He was disgusting up close, with mottled, pitted skin and a shaggy grown out haircut. “I hate that,” I said. “Especially at night. Especially at night when you’re waiting for a train and there’s someone there. And you never know. I mean, in the city you just never know who you’re dealing with. They might have a knife, or a gun, or whatever. They might, I don’t know, be the kind of person who hates men who hang out in train stations, waiting for women. She might be the kind of person who takes men like that and rips them limb from fucking limb with her bare hands.” The man left the station without a word, and the train took me home safe and sound.
Sara Gran (Come Closer)
Women always studied other women, and did so far more critically than men ever did. Men didn’t notice the run in their stocking, the lipstick on their teeth, the dated, outgrown haircut, the skirt that pulled unflattering across the hips, the paste earrings that were a touch too gaudy. Violet registered every flaw and knew every flaw that was being noted about her.
Tracy Chevalier (A Single Thread)
Well. You must admit, you do need a haircut.” A faint smile ghosted over his mouth. His fingers loosened; they slipped over hers as they withdrew. “Is there anyone in this house whom I could trust to wield the scissors? I have given them all cause to aim for my throat.” Was that a joke? Miracle of miracles! “Come now,” she said hoarsely. “Be sensible. Dead men pay no salaries.
Meredith Duran (Fool Me Twice (Rules for the Reckless, #2))
Then the small man suddenly ran after them and said: "I want to get my haircut. I say, do you know a little shop anywhere where they cut hair properly? I keep on having my hair cut, but it keeps on growing again." One of the tall men looked at him with the air of a pained naturalist.
G.K. Chesterton (The Napoleon of Notting Hill)
Dead men don’t pay for baths, haircuts, meals, or beds. Dead men don’t buy new clothes, or ammunition, or saddles. Dead men don’t desire fancy Coffeyville boots with Texas stars laid into the shank. They don’t gamble, and they don’t spend money on liquor or whores. And that was why, when the Texans got to Dodge, there was really only one rule to remember. Don’t kill the customers. All other ordinances were, customarily, negotiable.
Mary Doria Russell (Doc)
Headlining also meant a higher caliber of groupie—as in, they had enough self-respect to hide their track marks and cutting scars on the insides of their thighs, like ladies. These bitches were bold, too. Entitled even. Opening act groupies were bottom-feeders. Skittish. Easily scared off by a ninety-five-pound nineteen-year-old with a platinum-blonde pixie haircut and one hell of a stink eye. Headliner groupies, on the other hand, were scrappers. They were working on their retirement plans, goddamn it, and they weren’t going to let a little thing like me (or a condom) get between them and eighteen years of rock star–sized child-support checks.
B.B. Easton (44 Chapters About 4 Men)
A lot of women but they are all moving. It takes me a while to see that they are all getting something to give to the men, food, a stool, water, matches for their weed, more food, juice from big Igloos. Livication and liberation my ass, if I wanted to live in a Victorian novel I at least want men who know how to get a decent haircut.
Marlon James (A Brief History of Seven Killings)
Neumann One, who, if he were not scheduled to die ten weeks from now in the Allied invasion of Normandy, might have become a barber later in life, who would have smelled of talc and whiskey and put his index finger into men’s ears to position their heads, whose pants and shirts always would have been covered with clipped hairs, who, in his shop, would have taped postcards of the Alps around the circumference of a big cheap wavery mirror, who would have been faithful to his stout wife for the rest of his life—Neumann One says, “Time for haircuts.
Anthony Doerr (All the Light We Cannot See)
She had grown tired of the pouffy floating hair of zero gravity and, after a few weeks of clamping it down with baseball caps, had figured out how to make this shorter cut work for her. The haircut had spawned terabytes of Internet commentary from men, and a few women, who apparently had nothing else to do with their time.
Neal Stephenson (Seveneves)
(The most fascinating performer I knew in those days was a dame named Metcalfe who was a female female impersonator: To maintain the illusion and keep her job, she had to be a male impersonator when she wasn’t on. Onstage she wore a wig, which she would remove at the finish, revealing her mannish haircut. “Fooled you!” she would boom at the audience in her husky baritone. Then she would stride off to her dressing room and change back to men’s clothes. She fooled every audience she played to, and most of the managers she worked for, but her secret was hard to keep from the rest of the company. Every time she went to the men’s room, half the guys on the bill would pile in after her.)
Harpo Marx (Harpo Speaks! (Limelight))
Inside, he had forgotten what it was like to hear a woman’s voice, listen to the sort of complaints that only women could have. Bad haircuts. Rude store clerks. Chipped nails. Men wanted to talk about things: cars, guns, snatch. They didn’t discuss their feelings unless it was anger, and even that didn’t last for long because generally they started doing something about it.
Karin Slaughter (Triptych)
Why is this so critical to the ruling junta? Because they know that the moment the People realize that their common enemies are not ‘the blacks’, and are not ‘the whites’, but the men in thousand dollar suits; in black robes of office; men with leather brief cases, fancy haircuts, and Rolex watches; men protected by blue uniforms and gold badges; no security force on earth will be sufficient to protect them from the righteous wrath of those whom they have conspired to exploit.
Joseph Befumo (The Republicrat Junta: How Two Corrupt Parties, in Collusion with Corporate Criminals, have Subverted Democracy, Deceived the People, and Hijacked Our Constitutional Government)
America was never innocent. We popped our cherry on the boat over and looked back with no regrets. You can't ascribe our fall from grace to any single event or set of circumstances. You can't lose what you lacked at conception. Mass-market nostalgia gets you hopped up for a past that never existed. Hagiography sanctifies shuck-and-jive politicians and reinvents their expedient gestures as moments of great moral weight. Our continuing narrative line is blurred past truth and hindsight. Only a reckless verisimilitude can set that line straight. The real Trinity of Camelot was Look Good, Kick Ass, Get Laid. Jack Kennedy was the mythological front man for a particularly juicy slice of our history. He called a slick line and wore a world-class haircut. He was Bill Clinton minus pervasive media scrutiny and a few rolls of flab. Jack got whacked at the optimum moment to assure his sainthood. Lies continue to swirl around his eternal flame. It's time to dislodge his urn and cast light on a few men who attended his ascent and facilitated his fall. They were rouge cops and shakedown artists. They were wiretappers and soldiers of fortune and faggot lounge entertainers. Had one second of their lives deviated off course, American History would not exist as we know it. It's time to demythologize an era and build a new myth from the gutter to the stars. It's time to embrace bad men and the price they paid to secretly define their time. Here's to them.
James Ellroy (American Tabloid (Underworld USA #1))
Neumann One, if he were not scheduled to die ten weeks from now in the Allied invasion of Normandy, might have become a barber later in life, who would have a smelled of talc and whiskey and put his index finger into men's ears to position their heads, whose pants and shirts always would have been covered with clipped hairs, who, in his shop, would have taped postcards of the Alps around the circumference of a big cheap wavery miirror, who would have been faithful to his stout wife for the rest of his life -- Neumann One says, "Time for haircuts.
Anthony Doerr (All the Light We Cannot See)
So . . . not the haircut?” “Mm? Ah, no. It was a weird length. Getting in my way while I was running.” Oh. So he was a runner. Like Olive. “Okay. Great. Because it doesn’t look bad.” It looks good. As in, really good. You were probably one of the most handsome men I’d ever talked to last week, but now you look even better. Not that I care about these things. I don’t care at all. I rarely notice guys, and I’m not sure why I’m noticing you, or your hair, or your clothes, or how tall and broad you are. I really don’t get it. I never care. Usually. Ugh.
Ali Hazelwood (The Love Hypothesis)
We can melt this suspicion and distance: Why should we not be gallant and chivalrous and flirtatious with one another. Let us charm one another with some of that sparkling attention too often held in reserve only for men: compliment one another, show our admiration. We can engage with the Other Woman—catch her eye, give her a lift when she is hitchhiking, open the door when she is struggling. When we approach one another in the street and give, or receive, that wary, defensive shoes-to-haircut glance, what if we meet one another’s eyes woman to woman; what if we smile.
Naomi Wolf (The Beauty Myth)
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
Look here, it's all very tidy and convenient to see the world in black and white,' said the Major, trying to soften his tone slightly. 'It's a particular passion of young men eager to sweep away their dusty elders.' He stopped to organize his thoughts into some statement short enough for a youthful attention span. 'However, philosophical rigidity is usually combined with a complete lack of education or real-world experience, and it is often augmented with strange haircuts and an aversion to bathing. Not in your case, of course—you are very neat.' Abdul Wahid looked confused, which was an improvement over the frown. 'You are very strange,' he said. 'Are you saying it is wrong, stupid, to try to live a life of faith?' 'No, I think it is admirable,' said the Major. 'But I think a life of faith must start with remembering that humility is the first virtue before God.
Helen Simonson (Major Pettigrew's Last Stand)
In fact, I didn’t know how much Chris had done in Fallujah until he came home. We were at a car wash place one day when someone overheard his name called and went up to him. “Are you Chris Kyle?” asked the man. His haircut and build made it clear he was military. “Yes.” “I was in Fallujah,” said the young man, who turned out to be a Marine. “You saved my life.” “Y’all saved my ass plenty of times, too,” said Chris, referring to Marines. Others came over, including the father of one of the Marines. He had tears in his eyes when he shook Chris’s hand. “Your husband saved my son’s life,” he said to me. “Thank you.” What an incredibly small world it is, I thought. For all of these people to have been together so far away, and now just meet by chance in the oddest place. Or was it part of a cosmic plan? A way of showing Chris that he was appreciated? I felt proud of him, but I also felt sadness--I imagined being the parent of one of these young men, worried about their welfare and yet unable to do anything to protect them. It was an impotence with few parallels. Chris just took it all in stride, smiling and waving as he left to get the car.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Jessica I first met the man I married at a hair salon. I was going out the door; Jep was going in--for a haircut. Seriously. Nowadays, most of the Robertson men don’t get haircuts, but Jep did back then. When our paths crossed that day, we said nothing more than “hi” to each other, just one word. Jep and I both grew up in West Monroe, Louisiana, and he is two years older than I am. We went to different high schools, but because we lived in a close community, we had heard about each other. He knew who I was, and I knew who he was--and I thought he had a cool name. I had heard good things about him, including, “He’s a dream.” When our paths crossed at the hair salon and we simply said hello, I had no way of knowing the hairdresser would tell Jep all about me as she cut his hair that day. Both of us had gone to her for years, so she knew us pretty well, and she said really nice things about me to Jep. In fact, she takes credit for getting us together! After we were married I found out that when he left the hair salon that day, he went home and told his best friend, “I just met the girl I’m going to marry.” “What’s her name?” his friend asked. “Jessica,” Jep responded. He only knew this because the hairdresser had told him. “Jessica who?” his friend asked. “What’s her last name?” “I don’t know,” Jep admitted. I love the fact that Jep knew he would marry me after only seeing me once. Maybe he did not know my last name, but the next time he saw me, he made sure to find out a little more about me.
Jessica Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
First of all, she was uncertain how to read the statement. Did Harry actually mean what he said, or was there another underlying message? Did he mean “Wow, you are so completely unattractive, no other man could possibly be interested in you, so I’ll take advantage of you by pretending to desire you. And maybe I’ll get lucky and get laid while having a big laugh at your expense?” Or did he mean “I’ll tell you this to make you feel better because, even though it’s not completely true, you don’t repulse me, and if we do end up having sex, I’ll just make sure all the lights are off.” “Look, Allie, I didn’t mean to freak you out or anything,” Harry said. “I mean, by saying what I said back in the car . . .” Alessandra realized that she had blindly followed him and they were standing on one of the lines, waiting to order their daily indigestion. She had been staring sightlessly up at the menu. “It’s just . . . You wanted honesty,” he continued, “and I . . .” He shrugged. “I took it a little too far, as usual. Some things probably just shouldn’t be said.” “I don’t know how to do this,” Alessandra admitted. “Talking to men was easy when I was beautiful. But now . . .” Harry was looking at her, studying her very naked, very plain face, his dark brown eyes so intense. It was as if the crowd around them had ceased to exist, as if they were the only two people standing in that fast-food lobby. He touched her hair, pushing a limp lock back behind her ear. “The haircut really sucks,” he told her. She closed her eyes. “Yes, I believe you mentioned that once already today.” “But it’s just hair.” “Spoken by the reigning king of bad hair days.” She reached up and took off his baseball cap. His hair, as usual, was standing up in all directions. He shrugged. “Maybe we should just get matching Mohawks.” Alessandra had to laugh. He touched her again, his fingers warm and slightly rough against her cheek. “You’re still beautiful,” he said softly.
Suzanne Brockmann (Bodyguard)
Todd the manager was at her cubicle the moment her chair squeaked. “How you doin’, Jane?” he asked in his oft-affected pseudo-Sopranos accent. “Fine.” She stared. He had a new haircut. His white blond hair was now spiked with an incredible amount of pomade that smelled of raspberries, a do that could only be carried off with true success by a fifteen-year-old boy wielding an impressive and permanent glare. Todd was grinning. And forty-three. Jane wondered if politeness required her to offer a compliment on something glaringly obvious. “Uh…you, your hair is different.” “Hey, girls always notice the hair. Right? Isn’t that basically right?” “I guess I just proved it,” she said sadly. “Super. Hey, listen,” he sat on the edge of her desk, “we’ve got a last-minute addition that needs special attention. It may seem like your basic stock photo array, but don’t be fooled! This is for the all-important page sixteen layout. I’d give this one to your basic interns, but I’m choosing you because I think you’d do a super job. What d’you say?” “Sure thing, Todd.” “Su-per.” He gave her two thumbs-up and held them there, smiling, his eyes unblinking. After a few moments, Jane cringed. What did he want her to do? Was she supposed to high-five his thumbs? Touch thumb-pad to thumb-pad? Or did he just leave them there so long for emphasis? The silence quivered. At last Jane opted for raising her own thumbs in a mirror of the Todd salute. “All right, my lady Jane.” He nodded, still with the thumbs up, and kept them up as he walked away. At least he hadn’t asked her out again. Why was it that when she was aching for a man, everyone was married, but when she was giving them up, so many men were so awkwardly single?
Shannon Hale (Austenland (Austenland, #1))
Damn it, talk to me. Who are you?”Now she looked back at me, her green eyes full and hard and very bright. “I am Death.”I felt an inward shudder pass over me, a reflexive tremor of dread. The first time I tried to speak, my throat was too dry and I had to swallow twice just to get enough moisture to form words. “What’s that supposed to mean?”“You are in no position to question me, Perry.”Her voice was brittle. “You must think of your family.”“Believe me, I am.”“Then for now at least, you will do as I say.”I thought about my little sister, alone in the house and frightened, and the two men with cropped military haircuts, how they had come after us downtown, and my fear crackled up into a sharp orange flame of fury. “You should never have brought my family into this. You had no right to do that.”“I did what was necessary.”“Putting Annie’s life in danger? How does that help the plan?”“It was an insurance policy, nothing more. Everything else is just a cover.”“What about when we were dancing?”I said. “Was that just part of the cover too?”She turned back to the window, the lights of the city playing across our faces as the cab cut through the night. “Gobi.”But she didn’t look over again.
Joe Schreiber (Au Revoir, Crazy European Chick (Perry & Gobi, #1))
In men’s soccer, the new manager is not only invariably male but also almost always white, with a conservative haircut, between thirty-five and sixty years old, and a former professional player. Clubs know that if they choose someone with that profile, then even if the appointment turns out to be terrible they won’t be blamed too much, because at least they will have failed in the traditional way.
Simon Kuper (Soccernomics: Why England Loses; Why Germany, Spain, and France Win; and Why One Day Japan, Iraq, and the United States Will Become Kings of the World's ... the Kings of the World's Most Popular Sport)
Notes on a Candy Cane Tree" What did I think about before you touched my thigh? Let me say this: I’m going to touch you until my fingers fall off. If my fingers don’t fall off, I will hold your hand even if it’s sweaty. And let me say this: You are lovelier than clouds that look like lovely things. I have only loved a few times and the last time was when you rubbed my neck under the monkey bars. We weren’t much younger than we are now. I still have the same haircut. You still have only one dimple. It’s on your left cheek and it looks like you fell on a pebble. I love that it looks like you fell on a pebble. Let me say this: You taste like candy canes. There was a candy cane tree in my old neighborhood. My neighbor hung candy canes on the branches of the willow and I snatched them in the middle of the night. It was December when I rode my bike the quickest, like I was going somewhere to meet you. I like you more than the candy cane tree. Let me say this: I am uncomfortable in my own skin, so I hold your face. I hold your face and your hips but mostly your face. You have a lovely face. Let me say this: I love you like monsters like scaring little kids. I make a list of words I can use to diagram your body: petite, mellifluous, comely, milk, necessary. Please, forgive the humming; you see I rarely taste candy canes in March. When I don’t taste you I taste sweat. Not good sweat, mind you, sweaty sweat from the men’s locker room. Sometimes I taste pizza, but that’s only because I loved pizza first. Let me say this: My love for pizza was fleeting. I was young and naive and thought that extra toppings meant something. These are fine days because they end with you. Let me just say this: I’m going to kiss you until my lips fall off. If my lips don’t fall off, I will kiss up your spine until I run out of spine. Then I’ll start over. — Gregory Sherl, [PANK] Magazine 4.09 / September 2009
Gregory Sherl
Perhaps her abruptness was merely part of her personality, for she had the appearance of the worst kind of bureaucrat, the aspiring one, from blunt, square haircut to blunt, clean fingernails to blunt, efficient pumps. But perhaps it was me, still morally disoriented from the crapulent major’s death, as well as the apparition of his severed head at the wedding banquet. The emotional residue of that night was like a drop of arsenic falling into the still waters of my soul, nothing having changed from the taste of it but everything now tainted. So perhaps that was why when I crossed over the threshold into the marble foyer, I instantly suspected that the cause of her behavior was my race. What she saw when she looked at me must have been my yellowness, my slightly smaller eyes, and the shadow cast by the ill fame of the Oriental’s genitals, those supposedly minuscule privates disparaged on many a public restroom wall by semiliterates. I might have been just half an Asian, but in America it was all or nothing when it came to race. You were either white or you weren’t. Funnily enough, I had never felt inferior because of my race during my foreign student days. I was foreign by definition and therefore was treated as a guest. But now, even though I was a card-carrying American with a driver’s license, Social Security card, and resident alien permit, Violet still considered me as foreign, and this misrecognition punctured the smooth skin of my self-confidence. Was I just being paranoid, that all-American characteristic? Maybe Violet was stricken with colorblindness, the willful inability to distinguish between white and any other color, the only infirmity Americans wished for themselves. But as she advanced along the polished bamboo floors, steering clear of the dusky maid vacuuming a Turkish rug, I just knew it could not be so. The flawlessness of my English did not matter. Even if she could hear me, she still saw right through me, or perhaps saw someone else instead of me, her retinas burned with the images of all the castrati dreamed up by Hollywood to steal the place of real Asian men. Here I speak of those cartoons named Fu Manchu, Charlie Chan, Number One Son, Hop Sing—Hop Sing!—and the bucktoothed, bespectacled Jap not so much played as mocked by Mickey Rooney in Breakfast at Tiffany’s. The performance was so insulting it even deflated my fetish for Audrey Hepburn, understanding as I did her implicit endorsement of such loathsomeness.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
The sky was overcast and the scenery was probably what it had been for dozens of years: bungalow farmhouses, shacks, trailers and motor vehicles in terminal condition but still functioning if the nursing and luck were right. A gas station offering a brand I’d never heard of. Dogs toothing at fleas lazily. Women in stressed jeans, overseeing their broods. Men with beer-lean faces and expanding guts, sitting on porches, waiting for nothing. Most likely wondering at our car—containing the sort of people you don’t see much in this neighborhood: a man in a white shirt, dark suit and tie and a woman with a business haircut. Then
Jeffery Deaver (Edge)
Being the captive audience at the men’s evil bullshit parade nearly every time I sat down for a haircut sucked. What also sucked was that I wasn’t just sitting and watching the spectacle go by—this was their way of holding a hand out, inviting me to jump on the float. I felt implicated, because somehow I was.
Isaac Fitzgerald (Dirtbag, Massachusetts: A Confessional)
sophisticated-looking than the girl he used to know. People in hospitals never looked good. And yet, somehow, she did. Dianna was in the middle of saying something to a thin woman with a severe black haircut who was sitting on a chair beside the bed when she looked up and saw him. Breaking off in the middle of her sentence, she sucked in a deep breath, her face flushing beneath his scrutiny. And yet, even as he mentally dissected all the ways she’d changed, all the reasons they were more different than ever, his body was telling him to get over there, to pull her tight against him and kiss her until they were both gasping for air. What
Bella Andre (Hot as Sin (Hot Shots: Men of Fire, #2))
Some has been written about the reaction of our forces to the bombing of the “highway to death.” The criticism revolves around the lack of apparent remorse or guilt, and perhaps even bloodlust, at bombing the relatively easy targets. Everybody reacts to the stress of war and life and death decisions differently, and to narrow the image one would construct of an individual to his reaction immediately following the events of any battle is superficial and simplistic. Naval aviators are a strange mix of people—utterly homogeneous in certain respects, particularly to the casual observer, and radically different in their core and substance. Very few naval aviators show honest emotion easily; they’re not supposed to fracture the military bearing that has been instilled in them through years of training and detached experience under the stress of carrier aviation. Anger is the easiest emotion to display because it is the natural, instinctual outlet for stress and fear. But even expressions of anger might be as diverse in their reaction to a common event as physical violence or the mere raising of a voice. Most emotion comes out at the officers’ club, or on liberty in a foreign port, where the beer either softens or heightens aviators’ feelings to the edges of their flexibility, which often is not very far. Virtually all naval aviators are college graduates—some from state colleges, some from the Naval Academy, even a few Ivy Leaguers. This is their greatest obvious commonality—a college degree and mutual survival of the weeding-out process to get where they are in the navy. Many are religious, many are not, and the greatest of the values shared by the men is a trust in their comrades, a dedication to their country, and an absolute focus on their mission. It is exceedingly difficult most times for an outsider to register where a naval aviator is “coming from.” The uniform, the haircut, and the navy-speak contribute enormously to the building of a stereotype. So do the mannerisms of each individual; some express the control of emotion in reserved stoicism, others in an outburst of emotional release through inappropriate laughter or anger. Still others never express emotion at all. But the emotion is there, it has to be; despite years of training and desensitizing to hide the race of the heart and the sickening chill in the stomach, anyone who has landed on an aircraft carrier, never mind fought in a war, knows what fear and exhilarating intensity are.
Peter Hunt (Angles of Attack: An A-6 Intruder Pilot's War)
HENRY CLIMBED INTO my truck and buckled his seatbelt with the grimmest expression I had ever seen. His hair stood out in every direction, and his hands shook. “You okay, buddy?” I asked, trying to be gentle. “Do you want to go see Robin instead? She’d be glad to cut it, Henry.” Millie had followed him out, tapping her way down the sidewalk with a concerned frown between her dark brows. She now stood holding onto the passenger side door. I could tell she wanted to ride along, but Henry didn’t seem to want her to. “It’s a man date, right Henry? Men go to the barber. Not the salon.” Henry tapped his fingertips together nervously and wouldn’t look right or left. “Kite flying is an official sport in Thailand!” Henry blurted. Amelie bit her lip but stepped back from the passenger door. “Bye, Millie. I’ll bring him back. Don’t worry,” I called. She nodded and tried to smile, and I pulled away from the curb. Henry’s tapping became a cadence. Clack clack. Click click. It sounded like the rhythm Millie made with her stick when she walked. “Henry?” No response. Just clicking, all the way to the barbershop. I pulled up to Leroy’s shop and put my truck in park. I jumped out and came around to Henry’s door. Henry made no move to disembark. “Henry? Do you want to do this?” Henry looked pointedly at my shaggy locks and clicked his fingers. “I need a haircut, Henry. So do you. We’re men. We can do this.” “Ben Askren, Roger Federer, Shaun White, Troy Polamalu, David Beckham, Triple H.” “Triple H?” I started to laugh. Henry was listing athletes with long hair. “You’re getting desperate, Henry.” “Larry Fitzgerald? Tim Lincecum?” “Tim Lincecum, huh? He plays for the Giants, doesn’t he? Your favorite team, right?” Henry didn’t respond. “Ah, shit. What the hell. I didn’t want to cut my hair anyway. I kind of think your sister likes it.” The clicking slowed. “You wanna go buy a kite? I hear it’s an official sport in Thailand,” I said. Henry smiled the smallest ghost of a smile and nodded once.
Amy Harmon (The Song of David (The Law of Moses, #2))
Vasilisa Yuzhnina PRIVATE, HAIRDRESSER My specialty… My specialty is men’s haircuts… A girl comes… I don’t know how to cut her hair. She has luxuriant wavy hair. The commander enters the dugout. “Give her a man’s haircut.” “But she’s a woman.” “No, she’s a soldier. She’ll be a woman again after the war.” All the same… All the same, as soon as the girls’ hair grew a little, I’d curl it during the night. We had cones instead of curlers… Dry pine cones… We could at least curl the forelock…
Svetlana Alexievich (The Unwomanly Face of War: An Oral History of Women in World War II)
I do it, because for every Doctor Haircut or Bubba Law: NASCOP pristine prime-time drama that helps back-up the argument that we are in the midst of a second Golden Age of Television, there are shows about boxes of cereal turned vigilante after being framed for their wife’s murders and garbage men with Emmanuel Lewis for a leg fighting off clockwork Tom Waits zombies that need a-watchin’. Anyone can enjoy the good stuff. It takes a special kind of guy to appreciate the awful. And I like to think of myself as that guy.
Adam Marsh (ATOMIC BEBOP HULLABALOO (A Dizzy Pendergrass Happening))