Chamber Pot Quotes

We've searched our database for all the quotes and captions related to Chamber Pot. Here they are! All 100 of them:

How are your accommodations?” Dalinar asked. “Sir? I’m in storming prison.” A smile cracked Dalinar’s face. “So I see. Calm yourself, soldier. If I’d ordered you to guard a room for a week, would you have done it?” “Yes.” “Then consider this your duty. Guard this room.” “I’ll make sure nobody unauthorized runs off with the chamber pot, sir.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Amy gritted her teeth. "King Louis XVI even put Franklin's picture on a chamber pot!" Jonah looked at his dad. "Do we have souvenir chamber pots?" "No." His dad whipped out his phone. "I'll make the call.
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
In March several of the Mandrakes threw a loud and raucous party in greenhouse three. This made Professor Sprout very happy. “The moment they start trying to move into each other’s pots, we’ll know they’re fully mature,” she told Harry.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I slowed my pace. Years of hauling water, wringing out clothes, scrubbing floors, emptying chamber pots, with no chance of beauty or color or light in my life, stretched before me like a landscape of flat land where, a long way off, the sea is visible but can never be reached.
Tracy Chevalier (Girl with a Pearl Earring)
When the pope sits on the chamber pot to shit, does he believe in his own infallibility? Does not every imposter occasionally recognize his own hairy, homely humanity? Perhaps not; worn long enough, sometimes the Mask of Authority becomes the man. Even looking in a mirror, he will see the sacred Mask and not his own ordinary human face.
Robert Anton Wilson (Nature's God (Historical Illuminatus Chronicles, #3))
In the period of which we speak, there reigned in the cities a stench barely conceivable to us modern men and women. The streets stank of manure, the courtyards of urine, the stairwells stank of moldering wood and rat droppings, the kitchens of spoiled cabbage and mutton fat; the unaired parlors stank of stale dust, the bedrooms of greasy sheets, damp featherbeds, and the pungently sweet aroma of chamber pots. The stench of sulfur rose from the chimneys, the stench of caustic lyes from the tanneries, and from the slaughterhouses came the stench of congealed blood. People stank of sweat and unwashed clothes; from their mouths came the stench of rotting teeth, from their bellies that of onions, and from their bodies, if they were no longer very young, came the stench of rancid cheese and sour milk and tumorous disease. The rivers stank, the marketplaces stank, the churches stank, it stank beneath the bridges and in the palaces.The peasant stank as did the priest, the apprentice as did his master’s wife, the whole of the aristocracy stank, even the king himself stank, stank like a rank lion, and the queen like an old goat, summer and winter
Patrick Süskind
And it’s been so long since most of our boys have sailed they hardly know a poop deck from a chamber pot!
Andrew Peterson (The Warden and the Wolf King (The Wingfeather Saga #4))
Blake looked around and gulped. He'd forgotten about the mess on the floor. Chamber pot shards, his shaving kit, a towel or two... "I... ah..." It seemed to him that it was far easier to lie for the sake of national security than it was to his older sister. "Is that a bar of soap stuck to the wall?" Penelope asked. "Um... yes, it appears to be.
Julia Quinn (To Catch an Heiress (Agents of the Crown, #1))
She had never thought through the sheer logistics of this many people in a small space. Nor had she ever considered that a king would have to figure out how to deal with the chamber pots of a thousand citizens. In her head, it had been all swords and battles and glory and magic.
Kiersten White (The Guinevere Deception (Camelot Rising, #1))
My Dear Grandpapa, I’m appealing to your kindness for the sum of 13 francs that I would like to ask Monsieur Nathan for, but that Mamma prefers that I ask you for. Here is why. I so needed to see a woman to cure my bad habit of masturbating that papa gave me 10 francs to go to a brothel. But in my first agitated state I broke the chamber pot, 3 francs, and second, in this same agitated state, I was unable to screw. So here I am, still awaiting each hour 10 francs to satisfy myself and in addition, 3 francs for the chamber pot. -M.
Marcel Proust
The contents of my chamber pot are more able than Ser Harys.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
I was a big philosopher when I saw on the chamber pot. I liked to sit and think and listen.
Krystyna Chiger (The Girl in the Green Sweater: A Life in Holocaust's Shadow)
I found it hard to believe that Rai used his charm to pull off such a feat—the man was about as charismatic as the bottom of a chamber pot.
K.S. Villoso (The Wolf of Oren-Yaro (Chronicles of the Bitch Queen, #1))
CONSORTING WITH ANGELS I was tired of being a woman, tired of the spoons and the pots, tired of my mouth and my breasts, tired of the cosmetics and the silks. There were still men who sat at my table, circled around the bowl I offered up. The bowl was filled with purple grapes and the flies hovered in for the scent and even my father came with his white bone. But I was tired of the gender of things. Last night I had a dream and I said to it . . . "You are the answer. You will outlive my husband and my father." In that dream there was a city made of chains where Joan was put to death in man's clothes and the nature of the angels went unexplained, no two made in the same species, one with a nose, one with an ear in its hand, one chewing a star and recording its orbit, each one like a poem obeying itself, performing God's functions, a people apart. "You are the answer," I said, and entered, lying down on the gates of the city. Then the chains were fastened around me and I lost my common gender and my final aspect. Adam was on the left of me and Eve was on the right of me, both thoroughly inconsistent with the world of reason. We wove our arms together and rode under the sun. I was not a woman anymore, not one thing or the other. 0 daughters of Jerusalem, the king has brought me into his chamber. I am black and I am beautiful. I've been opened and undressed. I have no arms or legs. I'm all one skin like a fish. I'm no more a woman than Christ was a man.
Anne Sexton (The Complete Poems)
The path turned a hard right and then dumped into a rocky stream. It looked as if a giant had tossed white boulders and the rocks the way children toss marbles. They lay in scrambled heaps, some as large as carriages, others the size of chamber pots. A weak stream trickled around them.
Eloisa James (A Duke of Her Own (Desperate Duchesses, #6))
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
To think of larger things is madness. A bar of reconstituted soap. A clean chamber pot. A sharper razor blade than yesterday. These things come to mean a lot. They keep one just about sane. They are something to think about that is not Tom. Because to think about my policeman would be hell. I do everything I can to avoid such thoughts.
Bethan Roberts (My Policeman)
I’ll spend my first year on the Wall emptying chamber pots if I keep Uncle Ben waiting any longer.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Imagine! Accusing me of stealing that loathsome pest. Next, she will posit I have spirited away with her chamber pot. Preposterous.
Elisa Braden (The Truth About Cads and Dukes (Rescued from Ruin, #2))
Some time around 1932, Adolf Loos, the noted Viennese architect, said, “There is a great difference between an urn and a chamber pot, and in this difference there is leeway for culture.
Timothy Samara (Design Elements: A Graphic Style Manual)
You, sir,” Irv interrupted, his satchel thumping to the ground at his feet, “are just bothered you were not the first to find acceptable employ. Mostly because, as the women that keep company with you can attest, the only services you provide pay in salves and a burning sensation over the chamber pot.” Rip’s brow rose in mock shock. “How lewd a claim! Lewd … with the faintest hint of accuracy.
Stacey Rourke (Crane (The Legends Saga, #1))
Oh I would never dream of assuming I know all Hogwarts' secrets, Igor," said Dumbledore amicably.n"Only this morning, for instance, I took a wrong turning on the way to the bathroom and found myself in a beautifully proportioned room I have never seen before, containing a really rather magnificent collection of chamber pots. When I went back to investigate more closely, I discovered that the room had vanished. But I must keep an eye out for it. Possibly it is only accessible at five-thirty in the morning. Or it may only appear at the quarter moon — or when the seeker has an exceptionally full bladder.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
If we have largely forgotten the physical discomforts of the itching, oppressive garments of the past and the corrosive effects of perpetual physical discomfort on the nerves, then we have mercifully forgotten, too, the smells of the past, the domestic odours -- ill-washed flesh; infrequently changed underwear; chamber pots; slop-pails; inadequately plumbed privies; rotting food; unattended teeth; and the streets are no fresher than indoors, the omnipresent acridity of horse piss and dung, drains, sudden stench of old death from butchers' shops, the amniotic horror of the fishmonger. You would drench your handkerchief with cologne and press it to your nose. You would splash yourself with parma violet so that the reek of fleshly decay you always carried with you was overlaid by that of the embalming parlour. You would abhor the air you breathed.
Angela Carter (Lizzie Borden (Penguin 60s))
But the first thing to know about whoring is that it’s work. You do it same way you’d empty a chamber pot, head down, nose pinched. Many an English wife must get herself through the same activity in the same fashion.
Sara Collins (The Confessions of Frannie Langton)
He called me Jess because that is the name of the hood which restrains the falcon. I was his falcon. I hung on his arm and fed at his hand. He said my nose was sharp and cruel and that my eyes had madness in them. He said I would tear him to pieces if he dealt softly with me. At night, if he was away, he had me chained to our bed. It was a long chain, long enough for me to use the chamber pot or to stand at the window and wait for the late owls. I love to hear the owls. I love to see the sudden glide of wings spread out for prey, and then the dip and the noise like a lover in pain. He used the chain when we went riding together. I had a horse as strong as his, and he’d whip the horse from behind and send it charging through the trees, and he’d follow, half a head behind, pulling on the chain and asking me how I liked my ride. His game was to have me sit astride him when we made love and hold me tight in the small of my back. He said he had to have me above him, in case I picked his eyes out in the faltering candlelight. I was none of these things, but I became them. At night, in June I think, I flew off his wrist and tore his liver from his body, and bit my chain in pieces and left him on the bed with his eyes open. He looked surprised, I don’t know why. As your lover describes you, so you are.
Jeanette Winterson (Sexing the Cherry)
The English word loo for toilet may come from (1) lieu à l’anglaise, the French term for toilet, or (2) Gardez l’eau! (Watch out for the water!), called to alert passersby that chamber pots were being emptied from upper-story windows into the street.
Katherine Ashenburg (The Dirt on Clean: An Unsanitized History)
After having stayed up so late, the fact that the few hours of sleep she got were full of pains, dozens of trips to the chamber pot, and insomnia was so frustrating it would bring tears to her eyes. No, nights offered no respite, even to the most weary and determined of us all.
Jessica S. Olson (A Forgery of Roses)
Lady Stark was there beside his bed. She had been there, day and night, for close on a fortnight. Not for a moment had she left Bran’s side. She had her meals brought to her there, and chamber pots as well, and a small hard bed to sleep on, though it was said she had scarcely slept at all.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Blaise decided that the thing he would remember most about this London was the sour stink of it. The overripe foulness of the streets made him gag, and when a woman emptied a chamber pot from a top window, nearly catching him in its spray, he bent over and wretched, much to the Nightsneaks' amusement.
Teresa Flavin (The Crimson Shard (The Blackhope Enigma, #2))
The plain of Bedegraine was a forest of pavilions. They looked like old-fashioned bathing tents, and were every colour of the rainbow. ... There were heraldic devices worked or stamped on the sides ... Then there were pennons floating from the tops of the tents, and sheaves of spears leaning against them. The more sporting barons had shields or huge copper basins outside their front doors, and all you had to do was to give a thump on one of these with the butt-end of your spear, for the baron to come out like an angry bee and have a fight with you, almost before the resounding boom had died away. Sir Dinadain, who was a cheerful man, had hung a chamber-pot outside his.
T.H. White (The Witch in the Wood (The Once and Future King, #2))
I confess that you are a bag of gleet squeezed from the purulent sphincter that is the mouth of Iyachtu Xvim!” He would not listen to the truth; what choice did I have but to return to my earlier strategy? “In the time beyond the Year of Carnage, your god shall empty the chamber pots at the Palace of Eternity, and you shall clean the garderobes!
Troy Denning (Crucible: The Trial of Cyric the Mad (Forgotten Realms: Avatar, #5))
Stop to mourn for every good man that’s died for us and you’d never get from bed to the chamber-pot.
Tim Powers (The Drawing of the Dark)
Spring returns to my lonely chamber, Once more spring grass is lush and green. Some red plum blossoms are open, Others have yet to bloom. I grind tea bricks into fine jade powder In a pot carved with azure clouds, Still under the spell of the morning's dream, Till all of a sudden I am woken By a jug of spring. Flower shadows press at the double gate, Pale moonlight silvers the translucent curtains. A beautiful evening! Three times in two years We've missed the spring. Come back without further ado And let's enjoy our fill of this spring!
Li Qing Zhao
If this is hard to understand from a map, the rest is harder. For one thing, the river that flows ever onwards is also seeping sideways, irrigating the fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the county’s diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames. And there is more: what we see on a map is only the half of it. A river no more begins at its source than a story begins with the first page.
Diane Setterfield (Once Upon a River)
This room has only a little window high up with bars on the inside, and a straw-filled mattress. There’s a crust of bread on a tin plate, and a stone crock of water, and a wooden bucket with nothing in it which is there for a chamber pot. I was put in a room like this before they sent me away to the Asylum. I told them I wasn’t mad, that I wasn’t the one, but they wouldn’t listen.
Margaret Atwood (Alias Grace)
The defecatory posture is an accepting posture, it occurs to him. Head down, elbows on knees, the fingers laced together between the knees. Some hunched timeless millennial type of waiting, almost religious. Luther’s shoes on the floor beneath the chamber pot, placid, possibly made of wood, Luther’s 16th-century shoes, awaiting epiphany. The mute quiescent suffering of generations of salesmen in the stalls of train-station johns, heads down, fingers laced, shined shoes inert, awaiting the acid gush. Women’s slippers, centurions’ dusty sandals, dock-workers’ hobnailed boots, Popes’ slippers. All waiting, pointing straight ahead, slightly tapping. Huge shaggy-browed men in skins hunched just past the firelight’s circle with wadded leaves in one hand, waiting.
David Foster Wallace (Infinite Jest)
But . . . I did have something over Jotun. I straightened and said, “You can’t harm me. The king has ordered it.” Jotun stopped in his tracks. I celebrated my victory but didn’t press him further. Oh, but I wanted to. Jotun, remember that time the king hit you and you whimpered like an animal? Remember the other day when Lord Irrik, the guy you hate who also happens to be your dad, gave you the biggest butt-whipping of all time? “Jotun, your face is like a masticated, spat out piece of grisly meat.” I smiled at my witty inner dialogue, shrieking in surprised fright a second later when Jotun roared and charged at me. I glanced down, picked up the chamber pot, and swung with all my might. No one was more surprised than I when it connected with his head. Jotun’s eyes widened then rolled back in his head, and he hit the ground like a sack of rotten spuds. I stared at the chamber pot in shock and then at Jotun. His finger twitched, I swear, and I screeched a second time, bringing the pot down on his head again. “Having fun?” Lord Irrik drawled, leaning against the bars. I jumped and moved away from Jotun, but the Drae just snorted, eyeing the chamber pot in my hands.
Raye Wagner (Blood Oath (Darkest Drae, #1))
Is that dog of yours likely to cause trouble?” he asked suspiciously. Hal smiled winningly at him. “Bless you, no. She’s as peaceable as your old granny.” The waiter’s frown deepened. “My old granny is always starting fights,” he said. “She set off a riot in here last month. Cracked the skull of one of the watch with a chamber pot.” “Well, Kloof is hardly likely to do that. She doesn’t have a chamber pot,
John Flanagan (The Caldera (The Brotherband Chronicles #7))
fields and land to one side and the other. It finds its way into wells and is drawn up to launder petticoats and be boiled for tea. It is sucked into root membranes, travels up cell by cell to the surface, is held in the leaves of watercress that find themselves in the soup bowls and on the cheeseboards of the county’s diners. From teapot or soup dish, it passes into mouths, irrigates complex internal biological networks that are worlds in themselves, before returning eventually to the earth via a chamber pot. Elsewhere the river water clings to the leaves of the willows that droop to touch its surface and then, when the sun comes up, a droplet appears to vanish into the air, where it travels invisibly and might join a cloud, a vast floating lake, until it falls again as rain. This is the unmappable journey of the Thames.
Diane Setterfield (Once Upon a River)
Whereas his father’s principal interests concerned miners and poisoning, the younger Haldane became obsessed with saving submariners and divers from the unpleasant consequences of their work. With Admiralty funding he acquired a decompression chamber that he called the “pressure pot.” This was a metal cylinder into which three people at a time could be sealed and subjected to tests of various types, all painful and nearly all dangerous. Volunteers might
Bill Bryson (A Short History of Nearly Everything)
My friend,” said the orator to him, “do you believe the Pope to be the Anti-Christ?” “I have never heard anyone say so,” answered Candide; “but whether he be or no, I am hungry." "You do not deserve to eat! Hence, scoundrel! Away, wretch! Come not near me for your life!" The orator's wife had been looking out of a window overhead. Seeing a man who doubted whether the Pope was anti-Christ. she emptied a chamber pot upon his head- an example of the excesses to which women are driven by religious zeal.
Voltaire (Candide)
Only this morning, for instance, I took a wrong turning on the way to the bathroom and found myself in a beautifully proportioned room I have never seen before, containing a really rather magnificent collection of chamber pots. When I went back to investigate more closely, I discovered that the room had vanished. But I must keep an eye out for it. Possibly it is only accessible at five-thirty in the morning. Or it may only appear at the quarter moon — or when the seeker has an exceptionally full bladder.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
He saw a chamber, broad and low, designed, in its every rich stain of picture and slumberous hanging, to appeal to the sensuous. And here the scent was thick and motionless. Costly marqueterie; Palissy candlesticks reflected in half-concealed mirrors framed in embossed silver; antique Nankin vases brimming with pot-pourri; in one comer a suit of Milanese armour, fluted, damasquinee, by Felippo Negroli; in another a tripod table of porphyry, spectrally repeating in its polished surface the opal hues of a vessel of old Venetian glass half filled with some topaz-coloured liqueur - such and many more tokens of a luxurious aestheticism wrought in the observer an immediate sense of pleasurable enervation. He noticed, with a swaying thrill of delight, that his feet were on a padded rug of Astrakhan - one of many, disposed eccentrically about the yellow tassellated-marble floor; and he noticed that the sole light in the chamber came from an iridescent globed lamp, fed with some fragrant oil, that hung near an alcove traversed by a veil of dark violet silk. ("The Accursed Cordonnier")
Bernard Capes (Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others)
As I learned the house, and began to read, and began to see more of the Quality, I saw that just as the fields and its workers were the engine of everything, the house itself would have been lost without those who tasked within it. My father, like all the masters, built an entire apparatus to disguise this weakness, to hide how prostrate they truly were. The tunnel, where I first entered the house, was the only entrance that the Tasked were allowed to use, and this was not only for the masters’ exaltation but to hide us, for the tunnel was but one of the many engineering marvels built into Lockless so as to make it appear powered by some imperceptible energy. There were dumbwaiters that made the sumptuous supper appear from nothing, levers that seemed to magically retrieve the right bottle of wine hidden deep in the manor’s bowels, cots in the sleeping quarters, drawn under the canopy bed, because those charged with emptying the chamber-pot must be hidden even more than the chamber-pot itself. The magic wall that slid away from me that first day and opened the gleaming world of the house hid back stairways that led down into the Warrens, the engine-room of Lockless, where no guest would ever visit. And when we did appear in the polite areas of the house, as we did during the soirées, we were made to appear in such appealing dress and grooming so that one could imagine that we were not slaves at all but mystical ornaments, a portion of the manor’s charm. But I now knew the truth—that Maynard’s folly, though more profane, was unoriginal. The masters could not bring water to boil, harness a horse, nor strap their own drawers without us. We were better than them—we had to be. Sloth was literal death for us, while for them it was the whole ambition of their lives. It occurred to me then that even my own intelligence was unexceptional, for you could not set eyes anywhere on Lockless and not see the genius in its makers—genius in the hands that carved out the columns of the portico, genius in the songs that evoked, even in the whites, the deepest of joys and sorrows, genius in the men who made the fiddle strings whine and trill at their dances, genius in the bouquet of flavors served up from the kitchen, genius in all our lost, genius in Big John. Genius in my mother.
Ta-Nehisi Coates (The Water Dancer)
entire apparatus to disguise this weakness, to hide how prostrate they truly were. The tunnel, where I first entered the house, was the only entrance that the Tasked were allowed to use, and this was not only for the masters’ exaltation but to hide us, for the tunnel was but one of the many engineering marvels built into Lockless so as to make it appear powered by some imperceptible energy. There were dumbwaiters that made the sumptuous supper appear from nothing, levers that seemed to magically retrieve the right bottle of wine hidden deep in the manor’s bowels, cots in the sleeping quarters, drawn under the canopy bed, because those charged with emptying the chamber-pot must be hidden even more than the chamber-pot itself.
Ta-Nehisi Coates (The Water Dancer)
Take the case of prostitutes, a group more or less available every night. As a young man, Proust had been a compulsive masturbator, so compulsive that his father had urged him to go to a brothel, to take his mind off what the nineteenth century considered to be a highly dangerous pastime. In a candid letter to his grandfather, sixteen-year-old Marcel described how the visit had gone: I so badly needed to see a woman in order to stop my bad habits of masturbating that papa gave me 10 francs to go to the brothel. But, 1st in my excitement, I broke the chamber pot, 3 francs, 2nd in this same excitement, I wasn’t able to have sex. So now I’m back to square one, constantly waiting for another 10 francs to empty myself and for 3 more francs for that pot.
Alain de Botton (How Proust Can Change Your Life (Vintage International))
Something humble, placid even, about inert feet under stall doors. The defecatory posture is an accepting posture, it occurs to him. Head down, elbows on knees, the fingers laced together between the knees. Some hunched timeless millennial type of waiting, almost religious. Luther's shoes on the floor beneath the chamber pot, placid, possibly made of wood, Luther's 16th-century shoes, awaiting epiphany. The mute quiescent suffering of generations of salesmen in the stalls of train-station johns, heads down, fingers laced, shined shoes inert, awaiting the acid gush. Women's slippers, centurions' dusty sandals, dock-workers' hobnailed boots, Popes' slippers. All waiting, pointing straight ahead, slightly tapping. Huge shaggy-browed men in skins hunched just past the firelight's circle with wadded leaves in one hand, waiting.
David Foster Wallace (Infinite Jest)
And then she sat me down and combed out my hair, which was gentle and soothing, and she said, Grace, you will be a beauty, soon you will turn the men’s heads. The worst ones are the gentlemen, who think they are entitled to anything they want; and when you go out to the privy at night, they’re drunk then, they lie in wait for you and then it is snatch and grab, there’s no reasoning with them, and if you must, you should give them a kick between the legs where they’ll feel it; and it is always better to lock your door, and to use the chamber pot. But any kind of man will try the same; and they’ll start promising things, they’ll say they will do whatever you want; but you must be very careful what you ask, and you must never do anything for them until they have performed what they promised; and if there’s a ring, there must be a parson to go with it.
Margaret Atwood (Alias Grace)
Hope, though; now there’s a real pest. Hope doesn’t just nibble your cheese and chew holes in your skirting boards. Hope keeps you plodding on when it really is time to call it quits. Hope drags you to sixteen auditions in a single day, when there’s a nice job in your brother-in-law’s tannery just waiting for you. Hope keeps you going in Old Stairs or Paradise, even though there’s no money and nothing to eat and the landlord just took your chair and your chamber pot. Personally, I can see no great merit in simply being alive if you’re miserable and in pain, but Hope won’t let you go. She’s a tease, like bad children teasing a dumb animal, and I’ve made a point of avoiding her whenever I can. Still, sometimes she runs you down and there’s nowhere left for you to go. You can turn and fight her and lose, or let her scoop you up and turn your brain to mush. Hope against hope. We had human chains shifting those blocks with levers and rollers, through the narrow alleys where carts couldn’t go. We had shifts digging the ditch by lamplight, in the rain. And in every working party there was at least one man who cheerfully announced that it wasn’t going to work, the whole idea was stupid, the enemy’ll find a way round this in two shakes, just you see; and even he didn’t really believe it, because of Hope. Hope turns a hundred men and women ripping the skin off their hands on a coarse hemp rope into a street party. Someone tells a joke, or clowns around, or starts singing a favourite song from one of the shows, and Hope bursts through, like sappers, and next thing you know she’s everywhere, like smoke, or floodwater, or rats. We’re going to beat Ogus, she whispers in every ear, and this time it’ll be different.
K.J. Parker (How to Rule an Empire and Get Away with It (The Siege, #2))
Lancelot spoke lightly, her low, rich voice carefully even. "How did you get past the guard inside? Did you use magic?" Guinevere snorted, lowering her face to Lancelot's shoulder and resting it there. "You do not want to know." "Well, now I want to know more than I have ever wanted to know anything." "I will spare you the details," Guinevere said, breathing deeply of the leather scent of Lancelot's patchwork armor. It cut through the river smell, helping Guinevere combat the fear. "But it involved a full chamber pot." Lancelot laughed, her hands tightening around Guinevere's thighs. "You did not!" "He deserved worse. I only wish it had been Maleagant's face on the receiving end." "I am proud of you. A true warrior can make a weapon of anything. I will have to remember that trick." "I doubt a bowl of piss will be one of the weapon offerings at the next tournament.
Kiersten White (The Guinevere Deception (Camelot Rising, #1))
I would stop by the table, where the kitchen-maid had shelled them, to inspect the platoons of peas, drawn up in ranks and numbered, like little green marbles, ready for a game; but what most enraptured me were the asparagus, tinged with ultramarine and pink which shaded off from their heads finely stippled in mauve and azure, through a series of imperceptible gradations to their white feet—still stained a little by the soil of their garden-bed—with an iridescence that was not of this world. I felt that these celestial hues indicated the presence of exquisite creatures who had been pleased to assume vegetable form and who, through the disguise of their firm, comestible flesh, allowed me to discern in this radiance of earliest dawn, these hinted rainbows, these blue evening shades, that precious quality which I should recognise again when, all night long after a dinner at which I had partaken of them, they played (lyrical and coarse in their jesting like one of Shakespeare's fairies) at transforming my chamber pot into a vase of aromatic perfume.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
If the individual's wants are to be urgent, they must be original with himself. They cannot be urgent if they must be contrived for him. And above all, they must not be contrived by the process of production by which they are satisfied. For this means that the whole case for the urgency of production, based on the urgency of wants, falls to the ground. One cannot defend production as satisfying wants if that production creates the wants. Were it so that a man on arising each morning was assailed by demons which instilled in him a passion sometimes for silk shirts, sometimes for kitchenware, sometimes for chamber pots, and sometimes for orange squash, there would be every reason to applaud the effort to find the goods, however odd, that quenched this flame. But should it be that his passion was the result of his first having cultivated the demons, and should it also be that his effort to allay it stirred the demons to ever greater and greater effort, there would be question as to how rational was his solution. Unless restrained by conventional attitudes, he might wonder if the solution lay with more goods or fewer demons.
John Kenneth Galbraith (The Affluent Society)
Despite the raised voices and the wild gesticulations, nobody here is wrong. The beauty of ragù is that it's an idea as much as it is a recipe, a slow-simmered distillation of what means and circumstances have gifted you: If Zia Peppe's ragù is made with nothing but pork scraps, that's because her neighbor raises pigs. When Maria cooks her vegetables in a mix of oil and butter, it's because her family comes from a long line of dairy farmers. When Nonna Anna slips a few laurel leaves into the pot, she plucks them from the tree outside her back door. There is no need for a decree from the Chamber of Commerce to tell these women what qualifies as the authentic ragù; what's authentic is whatever is simmering under the lid. Eventually the women agree to disagree and the rolling boil of the debate calms to a gentle simmer. Alessandro opens a few bottles of pignoletto he's brought to make the peace. We drink and take photos and make small talk about tangential ragù issues such as the proper age of Parmesan and the troubled state of the prosciutto industry in the region. On my way out, Anna no. 1 grabs me by the arm. She pulls me close and looks up into my eyes with an earnestness that drowns out the rest of the chatter in the room. "Forget about these arguments. Forget about the small details. Just remember that the most important ingredient for making ragù, the one thing you can never forget, is love." Lisetta overhears from across the room and quickly adds, "And pancetta!
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Now alongside Scovell, John eased preserved peaches out of galliot pots of syrup and picked husked walnuts from puncheons of salt. He clarified butter and poured it into rye-paste coffins. From the Master Cook, John learned to set creams with calves' feet, then isinglass, then hartshorn, pouring decoctions into egg-molds to set and be placed in nests of shredded lemon peel. To make cabbage cream he let the thick liquid clot, lifted off the top layer, folded it then repeated the process until the cabbage was sprinkled with rose water and dusted with sugar, ginger and nutmeg. He carved apples into animals and birds. The birds themselves he roasted, minced and folded into beaten egg whites in a foaming forcemeat of fowls. John boiled, coddled, simmered and warmed. He roasted, seared, fried and braised. He poached stock-fish and minced the meats of smoked herrings while Scovell's pans steamed with ancient sauces: black chawdron and bukkenade, sweet and sour egredouce, camelade and peppery gauncil. For the feasts above he cut castellations into pie-coffins and filled them with meats dyed in the colors of Sir William's titled guests. He fashioned palaces from wafers of spiced batter and paste royale, glazing their walls with panes of sugar. For the Bishop of Carrboro they concocted a cathedral. 'Sprinkle salt on the syrup,' Scovell told him, bent over the chafing dish in his chamber. A golden liquor swirled in the pan. 'Very slowly.' 'It will taint the sugar,' John objected. But Scovell shook his head. A day later they lifted off the cold clear crust and John split off a sharp-edged shard. 'Salt,' he said as it slid over his tongue. But little by little the crisp flake sweetened on his tongue. Sugary juices trickled down his throat. He turned to the Master Cook with a puzzled look. 'Brine floats,' Scovell said. 'Syrup sinks.' The Master Cook smiled. 'Patience, remember? Now, to the glaze...
Lawrence Norfolk (John Saturnall's Feast)
Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the men broke into a chorus of Aura Lea. “They sure have lousy timing,” Rider commented wryly. “Just how long does this little serenade last?” Seeing a tall figure in a long frock coat coming up the street, Willow replied, “I think it’s about to end very soon now.” Virgil Earp’s face shone in the gaslight in front of the Grand. “All right, boys,” the couple heard him say, “the party’s over.” He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into the saloon. Rider turned from the window, shaking his head. “Now where were we? Ah, yes!” He swooped Willow off her feet and tossed her onto the huge bed. “That’s not where we were.” She laughed. “It’s where we were headed, lady, and that’s good enough for me.” Pulling her up, he pulled the rumbled robe off her shoulders to reveal a floaty silk nightdress of aqua. Though it was entirely modest in design, the soft material hugged her curves enticingly. “Lord, woman, there ought to be a law against sheer nothings like this.” Willow smiled seductively. “Do you like it?” “So much that I’m going to strip it off you right now!” Willow giggled and tried to escape, scrambling across the bed. She was quickly foiled by yards of silk tangling about her legs. Rider wasn’t one to waste opportunities and dived onto the bed on top of her. “Ah-hah. I have you in my power now, my pretty!” he said, catching her hands above her head. Chuckling, Willow wiggled and squirmed beneath him in a halfhearted effort to free herself. She watched fascinated as his eyes flamed with desire. Her voice was breathy and provocative. “Who’s got who, villain? I think I’ve got you.
Charlotte McPherren (Song of the Willow)
Bang! Clang! Bang! Clangity bang, rat-a-tat! "Reuben, I have been thinking, what a good world this might be, if the men were all transported far beyond the Northern Sea." "Oh,no!" Willow rose off Rider's lap so fast her forhead bumped his chin. "What is that racket?" he asked, standing and following her to the window overlooking the street. One corner of her mouth quirked in mock disgust. "Take a look for yourself." Clangity bang! Rat-a-tat! The men below beat their pots and pans with wooden spoons and, in a couple cases, gun butts. "Rachel, I have long been thinking, what a fine world this might be, if we had some more young ladies on the side of the Northern Sea. Too ral loo ral. Too ral lee." "Looks like your brothers and the whole Niners team!" Rider laughed. "What are they doing?" "Haven't you ever heard of being shivareed, husband?" Outside the boisterous, drunken voices broke into another chorus of Reuben and Rachel. "Rachel, I will not trasport you,but will take you for a wife. We will live on milk and honey, better or worse we're in for life." Willow chuckled as all up and down Allen Street lights began to glow through every window. Someone in a room down the hall lifted their window, threw a chamber pot at the crooners, and followed it with a foul epithet. Undaunted, the man broke into a chorus of Aura Lea. "They sure have lousy timing," Rider commented wryly. "Just how long does this little serenade last?" Seeing a tall figure in a long frock coat coming up the street, Willow replied, "I think it's about to end very soon now." Virgil Earp's face shone in the gaslight in front of the Grand. "All right, boys," the couple heard him say, "the party's over." He looked up at Rider and Willow with a wide, winsome grin and waved. With that, he ushered the drunken serenaders down the street and into a saloon. Rider turned from the window, shaking his head. "Now where were we? Ah,yes!" he swooped Willow off her feet and tossed her onto the huge bed. "That's not where we were." She laughed. "It's where we were headed, lady, and that's good enough for me.
Charlotte McPherren (Song of the Willow)
My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.
Henry David Thoreau (Walden)
Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.” “Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?” “Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.” “Speaking of shrubbery,” she teased, pausing on the balcony to cast a last fond look at the “arbor” of potted trees with silk blossoms that occupied one-fourth the length of the entire ballroom, “everyone is talking about having gardens and arbors as themes for future balls. I think you’ve stared a new ‘rage.’” “You should have seen your face,” he teased, drawing her away, “when you recognized what I had done.” “We are probably the only couple,” she returned her face turned up to his in laughing conspiracy, “ever to lead off a ball by dancing a waltz on the sidelines.” When the orchestra had struck up the opening waltz, Ian had led her into the mock “arbor,” and they had started the ball from there. “Did you mind?” “You know I didn’t,” she returned, walking beside him up the curving staircase. He stopped outside her bed chamber, opened the door for her, and started to pull her into his arms, then checked himself as a pair of servants came marching down the hall bearing armloads of linens. “There’s time for this later,” he whispered. “All the time we want.
Judith McNaught (Almost Heaven (Sequels, #3))
If you want to know whether the emperor is truly divine, ask the man who empties his chamber pot.
Anonymous
mudroom.” “I don’t need a chamber pot!” Heat
Vannetta Chapman (A Promise for Miriam (The Pebble Creek Amish, #1))
You’ll not go anywhere,” he announced. “Yes, I will,” she said, through gritted teeth. “You’ll use a chamber pot.” “I will not!” He thrust his hand in front of her face. The heavy silver ring sat prominently on his middle finger. “This says you’ll obey me,” he growled. “You’ll use the chamber pot because I command you to do so!” “You’ll have to hold me there and that just isn’t going to happen,” Jessica argued. “What is the difference between that and—” “Richard!” He made a sound of impatience. “’Tis nothing to be ashamed of, Jessica. I would expect the same care from you. And if memory serves, I had it when I had the fever before. Isn’t that so?” “It was different.” “Aye, ’twas me with my arse bared to the daylight!
Lynn Kurland (The More I See You (de Piaget, #7; de Piaget/MacLeod, #6))
By 1609 Strachey, like other Englishmen, knew that Seagull’s words were not true. He knew that no diamonds had been found on Virginia’s beaches, that no golden chamber pots had been discovered. But he also knew that the land across the Atlantic still held hope for men like himself who wanted to flee their problems in search of a new opportunity. And so, in the spring of 1609, William Strachey decided that Virginia was the answer to his troubles.
Kieran Doherty (Sea Venture: Shipwreck, Survival, and the Salvation of Jamestown)
I closed my eyes. “Crap. I’m not ready to start Clocking again. The trip back to get Ringo was fine because I kind of know the Victorian rules. And Victorians believe in bathing.” I grimaced and Archer laughed, a deep rumble in his chest. “And don’t even get me started on street-dumping chamber pots. Seriously? Why even bother. Just dangle your business out the window and let fly. It’s the same thing.” Archer’s
April White (Changing Nature (The Immortal Descendants, #3))
Because no civilized man greets the woman working in the courtyard by waving his cock out the window and pissing on her sachet flowers. He uses a chamber pot, don’t you think?
Ginn Hale (Champion of the Scarlet Wolf, Book One (Champion of the Scarlet Wolf, #1))
Another task was emptying the house’s chamber pots, a constant chore in a large house with a wife and three children, including his nephew, twelve servants and staff, and only one indoor toilet.
Arthur Herman (Gandhi and Churchill: The Epic Rivalry that Destroyed an Empire and Forged Our Age)
THE THING ABOUT the new toilet is that it removes the evidence in such a hurry. The flush toilet, more than any single invention, has “civilized” us in a way that religion and law could never accomplish. No more the morning office of the chamber pot or outhouse, where sights and sounds and odors reminded us of the corruptibility of flesh. Since Crapper’s marvelous invention, we need only pull the lever behind us and the evidence disappears, a kind of rapture that removes the nuisance. This dynamic is what the sociologist, Phillip Slater, called “The Toilet Assumption,” back in the seventies in a book called The Pursuit of Loneliness. He was right: having lost the regular necessity of dealing with unpleasantries, we have lost the ability to do so when the need arises. And we have lost the community well versed in these calamities. In short, when shit happens, we feel alone.
Thomas Lynch (The Depositions: New and Selected Essays on Being and Ceasing to Be)
The English word loo for toilet may come from 1) lieu à l’anglaise, the French term for toilet, or 2) Gardez l’eau! (Watch out for the water!), called to alert passersby that chamber pots were being emptied from upper-story windows into the street.
Katherine Ashenburg (The Dirt on Clean: An Unsanitized History)
the advice of Lorenzo’s personal philosopher, the Neoplatonist Marsilio Ficino, was that women should be treated like chamber pots and locked away after use. 33
Kia Vahland (The Da Vinci Women: The Untold Feminist Power of Leonardo's Art)
and in March several of the Mandrakes threw a loud and raucous party in greenhouse three. This made Professor Sprout very happy. ‘The moment they start trying to move into each other’s pots, we’ll know they’re fully mature,
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
I gathered that the chamber pot was for use in inclement weather or other emergency, as normally the ladies’ modesty required stops every hour or so, at which point the passengers would scatter into the roadside vegetation like a covey of quail, even those who did not require relief of bladder or bowels seeking some relief from the stench of Mr. Graham’s asafoetida bag
Diana Gabaldon (Voyager (Outlander, #3))
Mr Ellis was clearly very much at home in Captain Harte’s house, for without having to ask the way he walked to the sideboard, opened the lead-lined door and took out the chamber-pot, and looking over his shoulder he went on without a pause to state that fortunately the lower classes naturally looked up to gentlemen and loved them, in their humble way; only gentlemen were fit to be officers. God had ordered it so, he said, buttoning the flap of his breeches; and as he sat down again at the table he observed that he knew one house where the article was silver – solid silver. The family was a good thing: he would drink a toast to discipline. The rod was a good thing: he would drink a toast to the rod, in
Patrick O'Brian (Master and Commander (Aubrey/Maturin, #1))
Mr Ellis was clearly very much at home in Captain Harte’s house, for without having to ask the way he walked to the sideboard, opened the lead-lined door and took out the chamber-pot, and looking over his shoulder he went on without a pause to state that fortunately the lower classes naturally looked up to gentlemen and loved them, in their humble way; only gentlemen were fit to be officers. God had ordered it so, he said, buttoning the flap of his breeches; and as he sat down again at the table he observed that he knew one house where the article was silver – solid silver. The family was a good thing: he would drink a toast to discipline. The rod was a good thing: he would drink a toast to the rod, in all its forms. Spare the rod and spoil the child – loveth, chastitheth.
Patrick O'Brian (Master and Commander (Aubrey/Maturin, #1))
The Room of Requirement changes constantly. Dumbledore once found a room full of chamber pots.
Jane Snow (Unofficial Random Facts about Harry Potter)
I’ve drunk too much wine, Circenn. I’m afraid I must find one of those dratted chamber pots.” She sighed morosely. “There are some things I really miss about my century.” “A chamber pot? Why not use the garderobe?” “The what?” “The garderobe.” “You have garderobes here?” she said stiffly. He looked at her as if she’d lost her mind. “Not that I wish to pry, but where have you been going?” “Chamber pots,” she muttered. “And what have you been doing . . . er . . . ?” “Dumping them out the window,” she said, prickly as a porcupine. So much for demure privacy. If there was a garderobe, why on earth had Eirren told her to use the chamber pot? Then she realized how mischievous the lad could be. It was just like Eirren to be prankish. “Was there a garderobe at Dunnottar, too?” “It is you who has been dumping them out the windows? I have been blaming it on my men, making them wash down the stones. Aye, there was one at Dunnottar. I had garderobes put in every keep I own or visit.” “You never told me.” “You never asked. How was I to know? When you first arrived here, I wasn’t about to address such private issues. I assumed you had found our garderobe on your own.” Lisa snorted. Eirren had truly bamboozled her, and her pride had kept her tidily trapped in his jest. “I can’t believe all this time I’ve . . . Oh! Where is the blasted garderobe?” He told her, biting his lip to keep from smiling. He watched her hips sway gently in her emerald gown as she climbed the stairs. She’d said she loved him. That was promising. Perhaps it was nearly time to talk to her about loving him forever.
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
Along with a chamber pot and tersorium, of course.” “What’s a tersorium?” Boyd thought at this AI. “A sponge on a stick,” replied Sage helpfully. “Which Roman’s used to wipe their anuses after defecation.
Douglas E. Richards (A Pivot In Time (Alien Artifact, #2))
Since one of the daughters and her family now occupied the home place, Uncle Ab carried with him all his worldly possessions, the terms of his independence and self-respect: the rifle with which he provided a little meat for the table and with which he could defend himself if attacked, the corn knife in case he needed it, the lantern and chamber pot to preserve his dignity when he had to get up at night, the cowbell to ring if he fell down and couldn’t get up, and his own hands with which he worked at whatever small tasks he was still able to do. He was something of the old life of the place. I observed him carefully and have remembered him always.
Wendell Berry (Jayber Crow)
It's now or never, thought Otto. Now, now! thought Witmeyer. And so Ram kissed Thundercat, and suddenly neither bed of roses nor mountain slope could compare with Her Majesty's sewer for romance. In fact, from this moment on, Otto Malarkey could never so much as sniff a chamber pot without a faraway look creeping into his eyes.
Eoin Colfer (The Hangman's Revolution (W.A.R.P., #2))
What stood in one corner of the cell was disgusting: two empty disinfectant canisters and one well used and well stained piss pot, the sort of chamber pot that people would train their babies to be potty trained on before they would learn to use the toilet.
Stephen Richards (Lost in Care: The True Story of a Forgotten Child)
I rose in my bed and gazed round the room, the whole of which, though only lit by a dim twilight, was still sufficiently visible. I thought at first it was a trick of Jasper’s, who might have provided himself with a bellows or a long tube; but a careful investigation of the apartment convinced me that no one was present. Besides, I had locked the door, and it was not likely that any one had been concealed in the room before I entered it. It was exceedingly strange; but still the draught of cool wind blew on my face and chest, every now and then changing its direction,—sometimes on one side, sometimes on the other. I am not constitutionally nervous, and had been too long accustomed to reflect on philosophical subjects to become the prey of fear in the presence of mysterious phenomena. I had devoted much time to the investigation of what are popularly called supernatural matters, by those who have not reflected or examined sufficiently to discover that none of these apparent miracles are supernatural, but all, however singular, directly dependent on certain natural laws. I became speedily convinced, therefore, as I sat up in my bed peering into the dim recesses of my chamber, that this mysterious wind was the effect or forerunner of a supernatural visitation, and I mentally determined to investigate it, as it developed itself, with a philosophical calmness.
Fitz-James O'Brien (The Pot of Tulips)
There were piles of horse manure in the entrance court and noisome heaps of refuse that would not bear investigating on the street outside the kitchen door. In some wings the stench of chamber pots was pervasive; in others the odor was unidentifiable and indescribable, but just as overpowering.
Jennifer Blake (Royal Passion (Royal, #2))
It was the next day. I had cancelled my appointment to speak before the Palm Springs Chamber of Commerce. It was raining. The ceiling leaked. The rain dripped down through the ceiling and went “spat, spat, spat, a spat a spat, spat, spat, spat, a spat, spat, spat, a spat, a spat, a spat, spat, spat, spat…” The sake kept me warm. But a warm what? A warm zero. Here I was 55 years old and I didn’t have a pot to catch rain in. My father had warned me that I would end up diddling myself on some stranger’s back porch in Arkansas. And I still had time to make it.
Charles Bukowski (Pulp)
Wharton frowned cutely. After pondering for a moment, he excitedly reported, “Today I learned how to use rags!” “Rags?” Linley’s face broke into an uncontrollable smile. “What did you use the rags to wipe?” Counting on his fingers, little Wharton said, “First I used the rags to wipe the floors, then the chamber pots, and then I wiped…wiped…right! I wiped the plates!” He looked at Linley enthusiastically, awaiting his praise. “You wiped the chamber pots, then the plates?” Linley’s eyes widened. “What, did I do it wrong? I wiped them really clean.” Confusion filled little Wharton’s eyes as he stared at his big brother.
我吃西红柿 (Coiling Dragon (Coiling Dragon Saga, #1))
According to one of those peculiar theories, forensic evidence accumulated over the centuries proved that, after millennia of supposed evolution, humans had managed to eliminate a bit of body hair, perfect their loincloths, and refine their tools, but little else. From this premise, a second part of the theorem was inexplicably arrived at, and it went something like this: what the said threadbare evolution had not achieved even remotely was to understand that the more one tries to hide something from a child, the more he is set on finding it, be it a sweet or a postcard with outrageous chorus girls flaunting their charms to the wind. 'And thank goodness that's the way things are, because the day we lose the spark that makes us want to know things, and young people are content with the nonsense dressed in tinsel sold to them by the current popes of bullshittery—be it a mechanical electrical appliance or a battery-run chamber pot—and become incapable of understanding anything that lies beyond their backsides, we'll return to the age of the slug.
Carlos Ruiz Zafón (El laberinto de los espíritus (El cementerio de los libros olvidados, #4))
I put a little plant once in a pot and filled the vessel with rich mould, and the plant grew and at last broke the pot into a hundred pieces, and I found within a dense mat of fibres; the root had eaten up and displaced all the soil and swelled till it rent the vessel. It has been so with my love of you. It got planted, how I know not, in my heart, and it has thrown its roots through the whole chamber, and devoured all the substance, and woven a net of fibres in and out and up and down, and has swelled and is thrusting against the walls, till there is scarce love there any more but horrible, biting, wearing pain. I cannot kill the plant and pluck it out, or it will leave a great void. I must let it grow till it has broken up the vessel. It grows and makes root, but will not flower. There has been scarce leaf, certainly no blossom, to my love. It is all downward, inward, clogging, bursting tangle of fibre.
Sabine Baring-Gould (Mehalah: A story of the salt marshes (The Landmark library))
There was a trick of his imagination which recurred persistently; it had recurred, ever since the last ghastly news was brought by the Dillard's [that the third (and last) son had died in the Civil War]. Ira kept seeing his sons around the place, he kept hearing their voices. Sometimes at home he would be in his tool shed, and it seemed that a corner of his vision caught the impression of young Moses going out the door. He was positive that sometimes lying dry and wakeful in the middle of the night, he heard the faint ring of china from Sutherland's room as the young man got up and used his chamber pot. Ira did not believe in ghosts as such. But he thought that perhaps the actual impression of the boys' living had left a variety of sights, sounds and scents which had never been expended and were not dead, even though the boys were dead. He thought that all the trees and shrubbery and walls and fences on the plantation might have absorbed the day-by-day activities of his sons, and still gave them forth, but faintly--as a roasted brick retain its heat long after it had been pinned up in flannel, and so afforded comfort to the cold feet of the invalid who needed warmth. And Ira needed this reassurance that his sons had once been part of a waking, busy scheme called Life; ah, he needed it.
MacKinlay Kantor (Andersonville)
Yes, I use my chamber pot to punish the wicked. Just not the tea pot. The tea pot is strictly for tea. If you wish to know, my chamber pot is five miles across, deep as Abaddon’s eyes and filled daily with excrement so foul as to make harpies regurgitate the bones of mortals devoured when St. Chronos was a youngster. I fill the chamber pot myself, most mornings. Usually while reading. I take my time. It’s a moment of quiet, which Infernum knows, Infernum lacks. Often I have my most inspiring thoughts right there atop the pot.
Raymond St. Elmo (Barnaby the Wanderer)
Mr. Adam and his fellow apothecaries sold Perpetual Pills of metallic antimony. These were swallowed, irritated the mucous membrane as they passed through the intestine, thus acting as a purgative, and could be recovered from the chamber pot, washed and used again, indefinitely. After the first capital outlay, there was no further need for spending money on cathartics. Dr. Patin might fulminate and the Parlement forbid; but for the costive French bourgeois, the appeal of antimony was irresistible. Perpetual Pills were treated as heirlooms and after passing through one generation were passed on to the next.
Aldous Huxley (The Devils of Loudun)
...Willoughby had sequestered himself in his room. Jonathan half wondered if he had pushed heavy furniture against the door to keep himself safe, then realized this could not be so. That would keep out the servants, he thought, and not even great peril to his life would induce John Willoughby to empty his own chamber pot.
Claudia Gray (The Late Mrs. Willoughby (Mr. Darcy & Miss Tilney, #2))
A wintry sunset gilds the vine-wreathed door Where stands, mossed by old rains, the flower pot. Its snowy blooms, as snow impermanent, Are as pure as pure white jade that alters not. O fragrant frailty, that so fears the wind! Most radiant whiteness! Full moon without spot! White flower-sprite, shake your silken wings! Away! And join with me to the hymn the dying day!
Cao Xueqin (The Story of the Stone, or The Dream of the Red Chamber, Vol. 2: The Crab-Flower Club)
And just as this illness changed his life, and hers, and Claudette's and their house on rue de l'Agneau, so it changed that old, cracked globe. It felt different in her hands--smaller. She'd hold it like an egg that could break under her touch. Because now Jeanne's mind could not be on future of foreign countries, it had to be on the cutting up of food, the emptying of chamber pots. Her life moved around her father, and loving him more closely--and how could she resent this?
Susan Fletcher
pot /po/ I. nm 1. (récipient, contenu) container; (en verre) jar; (en plastique) carton, tub; (en faïence, terre) pot; (pichet) jug • ~ de verre | glass jar • mettre qch en ~ | to put [sth] into jars [confiture, fruits]; to pot [plante] • plante en ~ | potted plant • ~ de marmelade | jar of marmalade • ~ de yaourt (en verre) jar of yoghurt; (en plastique) carton of yoghurt • acheter un ~ de peinture | to buy a tin of paint • garder les ~s de confiture | to save jam jars • réutiliser les ~s de peinture | to re-use the paint tins • il a fallu trois ~s de peinture | it took three tins of paint voir aussi: cuiller 2. (de chambre) pot; (de bébé) potty • aller sur le ~ (ponctuellement) to go on the potty • depuis un mois il va sur le ~ | he's been potty-trained for a month now 3. ○(boisson) drink • prendre un ~ | to have a drink 4. ○(réunion) do (familier) (GB), drinks party • ~ d'accueil/d'adieu | welcoming/farewell party 5. ○(chance) luck • elle n'a pas eu de ~ | she hasn't had much luck • avoir du ~ | to be lucky • avoir un coup de ~ | to have a stroke of luck • (par un) coup de ~, la porte était ouverte | as luck would have it, the door was open 6. (argent commun) kitty • ramasser le ~ | (Jeux) to win the kitty II. Idiomes 1. payer les pots cassés | to pick up the pieces 2. c'est le pot de terre contre le pot de fer | it's an unequal contest 3. ce sera à la fortune du pot | you'll have to take pot luck 4. découvrir le pot aux roses | to stumble on what's been going on 5. être sourd comme un pot○ | to be as deaf as a post 6. tourner autour du pot | to beat about the bush 7. payer plein pot○ | to pay full price 8. partir or démarrer plein pot○ | to be off ou go off like a shot (familier) pot catalytique catalytic converter pot de chambre chamber pot pot de colle (lit) pot of glue; (fig) informal leech pot à eau water jug (GB), pitcher (US) pot d'échappement (silencieux) silencer (GB), muffler (US); (système) exhaust
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
Where should I tell your father he can find you, should he ask?' ... 'Tell him that I am busy using the woods for a chamber pot.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Recognizing a persimmon is no great feat, for God’s sake,” I said. “They look like orange baseballs!” “And they taste like the bottom of a chamber pot,” Jamie added,
Diana Gabaldon (The Fiery Cross (Outlander, #5))
How are your accommodations?” Dalinar asked. “Sir? I’m in storming prison.” A smile cracked Dalinar’s face. “So I see. Calm yourself, soldier. If I’d ordered you to guard a room for a week, would you have done it?” “Yes.” “Then consider this your duty. Guard this room.” “I’ll make sure nobody unauthorized runs off with the chamber pot, sir.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
just done nothing more exciting than water a begonia. “However, they will knock you out for several hours, and as I’m sure none of you want to miss your first day back, make sure your earmuffs are securely in place while you work. I will attract your attention when it is time to pack up. “Four to a tray — there is a large supply of pots here — compost in the sacks over there — and be careful of the Venomous Tentacula, it’s teething.” She gave a sharp slap to a spiky, dark red plant as she spoke, making it draw in the long feelers that had been inching sneakily over her shoulder. Harry, Ron, and Hermione were joined at their tray by a curly-haired Hufflepuff boy Harry knew by sight but had
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Eventually, they were allowed to sit down in the cold mud and each given a small portion of some watery substance. It quickly became apparent that the bowls they shared had been used as chamber pots. The salty liquid slopped into these vessels was evil-smelling and inedible but the women pinched their noses and forced it down in a futile attempt to quench their thirst.
Wendy Holden (Born Survivors: Three Young Mothers and Their Extraordinary Story of Courage, Defiance, and Hope)
And thank goodness that's the way things are, because the day we lose the spark that makes us want to know things, and young people are content with the nonsense dressed in tinsel sold to them by the current popes of bullshittery--be it a miniature electrical appliance or battery-run chamber pot--and become incapable of understanding anything that lies beyond their backsides, we'll return to the age of the slug.
Carlos Ruiz Zafón
All the richest men in Mexico were once lifted from the cradle by servants. But they all drink from the same water jar that fills the master’s glass, and they use the same chamber pot, still warm from the piss of the patrón. In Mexico nobody ever thought to keep those streams flowing separately.
Barbara Kingsolver (The Lacuna)
Only this morning, for instance, I took a wrong turning on the way to the bathroom and found myself in a beautifully proportioned room I have never seen before, containing a really rather magnificent collection of chamber pots. When I went back to investigate more closely, I discovered that the room had vanished.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
How about those storage units out near the expressway? Lease one and put in an air bed. Set up a kitchen with a minifridge and microwave. Revive the chamber pot. Learn the time-tested skills of a homeless person. Think outside the box. Or live in one.
Renee Shafransky (Tips for Living)