Memory Lane Quotes

We've searched our database for all the quotes and captions related to Memory Lane. Here they are! All 100 of them:

Different people remember things differently, and you'll not get any two people to remember anything the same, whether they were there or not.
Neil Gaiman (The Ocean at the End of the Lane)
That's the trouble with living things. Don't last very long. Kittens one day, old cats the next. And then just memories. And the memories fade and blend and smudge together.
Neil Gaiman (The Ocean at the End of the Lane)
Time Does Not Bring Relief Time does not bring relief; you all have lied Who told me time would ease me of my pain! I miss him in the weeping of the rain; I want him at the shrinking of the tide; The old snows melt from every mountain-side, And last year’s leaves are smoke in every lane; But last year’s bitter loving must remain Heaped on my heart, and my old thoughts abide. There are a hundred places where I fear To go,—so with his memory they brim. And entering with relief some quiet place Where never fell his foot or shone his face I say, “There is no memory of him here!” And so stand stricken, so remembering him.
Edna St. Vincent Millay (Collected Poems)
Childhood memories are sometimes covered and obscured beneath the things that come later, like childhood toys forgotten at the bottom of a crammed adult closet, but they are never lost for good.
Neil Gaiman (The Ocean at the End of the Lane)
If we feel we are missing out sometimes, it may be because we simply forget to consult the past or neglect to think up its ties with the presence. ("Walking down the memory lane" )
Erik Pevernagie
When our thoughts are stammering in our mind, and memorial failure dumbs down our passion for life, a deep dive in the brainwaves can be the lever that lifts our sense of self. ("Walking down the memory lane" )
Erik Pevernagie
As we walk through the secretive doors of our remembrance, looking for forgotten benchmarks of our history, we can find unexpected escape hatches opening into valuable answers to great expectations. ("Walking down the memory lane" )
Erik Pevernagie
I’m not just taking trips down memory lane; I’m broken down on it.
Pete Wentz (Gray)
I remembered that, and, remembering that, I remembered everything.
Neil Gaiman (The Ocean at the End of the Lane)
We are what we remember. If we lose our memory, we lose our identity and our identity is the accumulation of our experiences. When we walk down the memory lane, it can be unconsciously, willingly, selectively, impetuously or sometimes grudgingly. By following our stream of consciousness we look for lost time and things past. Some reminiscences become anchor points that can take another scope with the wisdom of hindsight. ("Walking down the memory lane" )
Erik Pevernagie
Was he a good kisser, Ms. Lane?” Barrons asked, watching me carefully. I wiped my mouth with the back of my hand at the memory. “It was like being owned.” Some women like that.” Not me.” Perhaps it depends on the man doing the owning.” I doubt it. I couldn’t breathe with him kissing me.” One day you may kiss a man you can’t breathe without, and find breath is of little consequence.” Right, and one day my prince might come.” I doubt he’ll be a prince, Ms. Lane. Men rarely are.
Karen Marie Moning (Bloodfever (Fever, #2))
When the shimmer of the past is melting into the presence, spreading a scent of attentiveness and inquiringness, our mind may ask for a new reading of the story of our life. An innocuous flicker from a hazy sequence in our memory lane can affect our current awareness, making us raise questions, throwing new light on our expectations; crafting an airy vision of the future. ("A change of vision" )
Erik Pevernagie
Some details in life may look insignificant but appear to be vital leitmotifs in a person's life. They may have the value of "Rosebuds" of Citizen Kane or "Madeleine cookies" of Marcel Proust or "Strawberry fields" of the Beatles. People regularly walk down the memory lane of their early youth. The paper boats of their childhood are recurrently floating on the waves of their mind and bring back the mood and the spirit of the early days. They enable us to retreat from the trivial, daily worries and can generate delightful bliss and true joy in a sometimes frantic and chaotic life. ("Paper boats forever" )
Erik Pevernagie
The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
While walking down the memory lane, we may discover in the remains of our early days, surprising little details that have been eclipsed under the mantle of forgetfulness or inattention. Those loose shreds in our remembrance can highlight the importance of the fundamentals that steer our daily lives. But they may also entice us to crack the particular value that we impart to trivial matters or quirky actions. Then, we are capable of discerning the uprightness and the truth behind the appearances. ("Dirty bike")
Erik Pevernagie
But standing in that hallway, it was all coming back to me. Memories were waiting at the edges of things, beckoning to me.
Neil Gaiman (The Ocean at the End of the Lane)
Memories were waiting at the edges of things, beckoning to me.
Neil Gaiman (The Ocean at the End of the Lane)
Small children believe themselves to be gods, or some of them do, and they can only be satisfied when the rest of the world goes along with their way of seeing things.
Neil Gaiman (The Ocean at the End of the Lane)
Every time I open the drawer, it's a trip down Memory Lane, which, if you don't turn off at the right exit, merges straight into the Masochistic Nostalgia Highway.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
So now books were her only friends. She'd read Lord of the Rings so often she could recite whole scenes by memory. It was not a skill that aided one in becoming popular.
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
My child, I know you're not a child But I still see you running wild Between those flowering trees. Your sparkling dreams, your silver laugh Your wishes to the stars above Are just my memories. And in your eyes the ocean And in your eyes the sea The waters frozen over With your longing to be free. Yesterday you'd awoken To a world incredibly old. This is the age you are broken Or turned into gold. You had to kill this child, I know. To break the arrows and the bow To shed your skin and change. The trees are flowering no more There's blood upon the tiles floor This place is dark and strange. I see you standing in the storm Holding the curse of youth Each of you with your story Each of you with your truth. Some words will never be spoken Some stories will never be told. This is the age you are broken Or turned into gold. I didn't say the world was good. I hoped by now you understood Why I could never lie. I didn't promise you a thing. Don't ask my wintervoice for spring Just spread your wings and fly. Though in the hidden garden Down by the green green lane The plant of love grows next to The tree of hate and pain. So take my tears as a token. They'll keep you warm in the cold. This is the age you are broken Or turned into gold. You've lived too long among us To leave without a trace You've lived too short to understand A thing about this place. Some of you just sit there smoking And some are already sold. This is the age you are broken Or turned into gold. This is the age you are broken or turned into gold.
Antonia Michaelis (The Storyteller)
I didn’t want to hide the memory from you. I wanted to cram it down your goddamn throat. I wanted to force you to face it, to want it, to want me, to be willing to fight for what was possible between us with the same single-minded devotion as you fucked. Well, Ms. Lane, you’ve got your precious memory back. Will you throw me away now?
Karen Marie Moning (Burned (Fever, #7))
If tears could build a stairway and memories a lane, I'd walk back up to Heaven and bring you home again.
Karen White (Pieces of the Heart)
That’s the trouble with living things. Don’t last very long. Kittens one day, old cats the next. And then just memories. And the memories fade and blend and smudge together . . .
Neil Gaiman (The Ocean at the End of the Lane)
Someone mentioned your name today, took me down memory lane, to a time very much younger, a time more pure, more sane.
Adiela Akoo (Lost in a Quatrain)
Loving you is no more a beautiful memory, but now just a pain, I cry and weep every time I walk down the memory lane, Your love always completed me in every sense as a whole, But now it’s just emptiness and sorrow in my heart that drains, Of all the people in the world, you choose me to be hurt, Of all the hearts in the world, you choose mine to break… Why did you leave me I ask myself every morning and dawn? Why my love was incomplete tell me why you were gone? A silence surrounds my heart and fills it again with despair, Oh this pain is just too much, and the damage beyond repair, Please come back baby, just come back and bring that old smile, Or just come to see me every once in a while, So my heart no more bleeds, and no more my soul aches, So I can be peaceful after my death, in my ashes and burnt flakes…
Mehek Bassi (Chained: Can you escape fate?)
Memories are who we are, Tul. In the end, that’s all the luggage you take with you. Love and memories are what last.
Kristin Hannah (Fly Away (Firefly Lane, #2))
This was the problem with a walk down memory lane. It was almost always foggy, and one was likely to trip and fall.
Viet Thanh Nguyen (The Sympathizer)
"Mom, Arnie Welsh keeps calling me a geek. He says it like it's a bad thing. Is being a geek a bad thing?" "Of course not, Soda Pop. And don't listen to labels. They don't matter." "What are labels?" "It's an imaginery sticker people slap on you with the word they think you are written on it. It doesn't matter who they think you are. It matters who you think you are." "I think I might be a geek." She laughed. "Then you be a geek. Just be whatever makes you happy, Soda Pop, and I'll be happy too.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
In AP Bio, I learned that the cells in our body are replaced every seven years, which means that one day, I'll have a body full of cells that were never sick. But it also means that parts of me that knew and loved Sadie will disappear. I'll still remember loving her, but it'll be a different me who loved her. And maybe this is how we move on. We grow new cells to replace the grieving ones, diluting our pain until it loses potency. The percentage of my skin that touched hers will lessen until one day my lips won't be the same lips that kissed hers, and all I'll have are the memories. Memories of cottages in the woods, arranged in a half-moon. Of the tall metal tray return in the dining hall. Of the study tables in the library. The rock where we kissed. The sunken boat in Latham's lake, Sadie, snapping a photograph, laughing the lunch line, lying next to me at the movie night in her green dress, her voice on the phone, her apple-flavored lips on mine. And it's so unfair. All of it.
Robyn Schneider (Extraordinary Means)
I would take a trip down Memory Lane, but with gas prices sky high, forget about it.
Jarod Kintz (This Book is Not for Sale)
God bless the potholes on Memory Lane.
Randy Newman
Perhaps it was an afterimage, I decided, or a ghost: something that had stirred in my mind, for a moment, so powerfully that I believed it to be real, but now was gone, and faded into the past like a memory forgotten, or a shadow into the dusk.
Neil Gaiman (The Ocean at the End of the Lane)
This was the problem with a walk down memory lane. It was almost always foggy, and one was likely to trip and fall. But
Viet Thanh Nguyen (The Sympathizer)
A stroll down memory lane is not always a walk in the park.
Alicia Stidam
Although I can’t possibly have a single memory of this place. Then, from deep within me, a profound sense of love radiating out to everything around me complemented by reciprocal waves of love coming at me, enveloping me. All
Lisa See (The Tea Girl of Hummingbird Lane)
Memory is inherently unreliable. With time, it degrades. With trauma, it fragments. In isolation, it festers.
Kendra Elliot (The Last Sister (Columbia River, #1; Callahan & McLane, #5))
What you remembered? Probably. More or less. Different people remember things differently, and you'll not get any two people to remember anything the same, whether they were there or not. You stand two of you lot next to each other, and you could be continents away for all it means anything.
Neil Gaiman (The Ocean at the End of the Lane)
I had been here, hadn’t I, a long time ago? I was sure I had. Childhood memories are sometimes covered and obscured beneath the things that come later, like childhood toys forgotten at the bottom of a crammed adult closet, but they are never lost for good.
Neil Gaiman (The Ocean at the End of the Lane)
The houses have been condemned on Memory Lane I’m tired of this struggle that leaves everything the same I’ve tried so hard to make it work that I’m dying inside Well, you can take my past But you can’t have my tomorrow Promises that remain promises are useless and they’re cheap I wish I could put a price on words so I could make them keep I put so much faith in you I lost all my faith in me Well, you can take my past But you can’t have my tomorrow I’m giving up on giving up I can’t leave it all to prayer ‘Cause the first step in getting better is knowing what’s not there You said you’d make it better and that just makes it worse Well, you can take my past But you can’t have my tomorrow Yes, I want my life to last So you can’t have my tomorrow No, you can’t have my tomorrow
David Levithan (Wide Awake)
he was always so brave. So resilient, I suppose—that seems to be the word du jour. It wasn’t that he didn’t feel things—many’s the time I saw him weep—but he dealt with his disappointment, with his hardship and grief; he picked himself up and went on, every time. And not like a mad person who refuses to recognize adversity, but like someone who accepts that life is inherently unfair. That the only truly fair thing about it is the randomness of its unfairness.” She topped up their glasses. “I’m telling you all this not because I feel like a stroll down memory lane or because I like to tell my young friends sad stories on sunny Friday evenings; I just— I wanted you to understand. I wanted you to see what a balm love is. What it is to share one’s life, to really share it, so that very little matters outside the certainty of its walls. Because the world is very noisy, Elodie, and although life is filled with joy and wonder, there’s evil and sorrow and injustice, too.
Kate Morton (The Clockmaker's Daughter)
the trouble with living things. Don’t last very long. Kittens one day, old cats the next. And then just memories. And the memories fade and blend and smudge together . . 
Neil Gaiman (The Ocean at the End of the Lane)
A trip down memory lane would remind me I hadn't always been this old, this bitter, this fucked-up.
L.J. Shen (Scandalous (Sinners of Saint, #3))
We have all heard such stories of expert intuition: the chess master who walks past a street game and announces “White mates in three” without stopping, or the physician who makes a complex diagnosis after a single glance at a patient. Expert intuition strikes us as magical, but it is not. Indeed, each of us performs feats of intuitive expertise many times each day. Most of us are pitch-perfect in detecting anger in the first word of a telephone call, recognize as we enter a room that we were the subject of the conversation, and quickly react to subtle signs that the driver of the car in the next lane is dangerous. Our everyday intuitive abilities are no less marvelous than the striking insights of an experienced firefighter or physician—only more common. The psychology of accurate intuition involves no magic. Perhaps the best short statement of it is by the great Herbert Simon, who studied chess masters and showed that after thousands of hours of practice they come to see the pieces on the board differently from the rest of us. You can feel Simon’s impatience with the mythologizing of expert intuition when he writes: “The situation has provided a cue; this cue has given the expert access to information stored in memory, and the information provides the answer. Intuition is nothing more and nothing less than recognition.
Daniel Kahneman (Thinking, Fast and Slow)
Perhaps it was an after-image, I decided, or a ghost: something that had stirred in my mind for a moment, so powerfully that I believed it to be real, but now was gone, and faded into the past like a memory forgotten, or a shadow into the dusk.
Neil Gaiman (The Ocean at the End of the Lane)
I walked down the memory lane this afternoon, The streets have changed now after the storm; the ruins and the residues are cleared... But the madness in the air still remains; Every path I took had the same old smell, Everything once again seemed like those early youth days under the mellow sun, with you.
Preetilata kumari
It makes me angry that you hate yourself for something that somebody else made you do. Don't let them take any more. Don't you do that Andres." "None of this does any good, Grace. All these visits, all this talking, all this strolling down fucking memory lane. It doesn't help. And you know why it doesn't help? Because everything that's happened - it lives so deep inside me that the only way I can ever get rid of it is to die." "That's not true, Andres." "It is true. Happiness isn't in the cards for everyone, Grace.
Benjamin Alire Sáenz (In Perfect Light)
A ghost-memory rises, here: a phantom moment, a shaky reflection in the pool of remembrance. I know how it felt when the scavengers took my heart. How it felt as the hunger birds, all mouth, tore into my chest and snatched out my heart, still pumping, and devoured it to get at what was hidden inside it. I know how that feels, as if it was truly a part of my life, of my death. And then the memory snips and rips, neatly, and -
Neil Gaiman (The Ocean at the End of the Lane)
I reminded myself I’d gotten what I wanted: my freedom
Colton Haynes (Miss Memory Lane: A Memoir)
Filled to the brim, Spilling, Splashing all the way, Drenching the one who carries it, Like an overfilled vessel… His heart bursts inside him, While he drives past her lane.
Samir Satam (Postcards From Memory)
Memories were waiting at the edges of things, beckoning to me. Had you told me that I was seven again, I might have half believed you, for a moment.
Neil Gaiman (The Ocean at the End of the Lane)
But she said it so low, so quietly this time that no one followed her. Memory is a winding lane and as she went up it, waving them to follow, the first bend in it hid her from them and she was left to pick her flowers alone.
Henry Green
The memories come back like the rainbow after the rain with all the hues and shades of color and an unending train the bougainvillea tree nearby my parents house where I grew up did not ask me my name she embraced me as she had done in my schooldays in every way the same the little squirrel just now tip-toed down the lane looking at the spectacle unfolding in the rain after all these years I have come back to my parents home the clouds have different shapes but the air smells the same ...
Avijeet Das
There must be some atom of our life hidden here, lingering in this quiet somewhere.
Sonali Deraniyagala
For most of her life she'd been able to box up bad memories or disappointments and store them deep in the back of her mind, in a place so dark they couldn't be seen.
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
I look to the sky and feel her ghost.
Colton Haynes (Miss Memory Lane: A Memoir)
Alcoholism is the only disease you get yelled at for having
Colton Haynes (Miss Memory Lane: A Memoir)
First," he said, "let me remind everyone that in my youth, I was by no means the angel I am now." Lillian's mouth twisted. "Believe me, Kingston... no one's forgotten.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Destroy me, put me back together, push me out into the winter night
Colton Haynes (Miss Memory Lane: A Memoir)
I want to dance with you, down memory lane and up moments boulevard.
Jenim Dibie (How To Dance In Time)
THE NO CONTACT RULE: 1. Zero contact; face to face & online. 2. No phone calls. 3. No text messaging. 4. No attending events where they're present. 5. No emails. 6. No letters, cards, or gifts. 7. No checking their social media profile. 8. No contacting their family and friends. 9. No combing through old photographs. 10. No going down memory lane. 11. Zero communication.
Dana Arcuri CTRC (Toxic Siblings: A Survival Guide to Rise Above Sibling Abuse & Heal Trauma)
As he lay there, he was sure that he could still feel the memory of that strange hand cupping the back of his neck; and he couldn't believe how empty his mouth felt, now that it only had his own tongue in it.
Neil Bartlett (Skin Lane)
Lane closed her eyes and pressed her lips together at the sound of the nickname, a thousand memories whirling through her mind. He hadn’t meant it to hurt her, but even the smallest nick could reopen old wounds.
Courtney Walsh (Just Look Up (Harbor Pointe, #1))
In the words of Harriet Doerr, “One of the best things about aging is being able to watch imagination overtake memory.” So who’s right? The neurologists? Or Harriet? The answer is both. As we age, either imagination overtakes memory or memory overtakes imagination. Imagination is the road less taken, but it is the pathway of prayer. Prayer and imagination are directly proportional: the more you pray the bigger your imagination becomes because the Holy Spirit supersizes it with God-sized dreams. One litmus test of spiritual maturity is whether your dreams are getting bigger or smaller. The older you get, the more faith you should have because you’ve experienced more of God’s faithfulness. And it is God’s faithfulness that increases our faith and enlarges our dreams. There is certainly nothing wrong with an occasional stroll down memory lane, but God wants you to keep dreaming until the day you die.
Mark Batterson (The Circle Maker (Enhanced Edition): Praying Circles Around Your Biggest Dreams and Greatest Fears)
Memories are who we are, Tul. In the end, that’s all the luggage you take with you. Love and memories are what last. That’s why your life flashes before your eyes when you die—you’re picking the memories you want. It’s like packing.
Kristin Hannah (Fly Away (Firefly Lane #2))
I was awash in memory, and I wanted to know what it meant. I said, “Is it true?” and felt foolish. Of all the questions I could have asked, I had asked that. Old Mrs. Hempstock shrugged. “What you remembered? Probably. More or less. Different people remember things differently, and you’ll not get any two people to remember anything the same, whether they were there or not. You stand two of you lot next to each other, and you could be continents away for all it means anything.
Neil Gaiman (The Ocean at the End of the Lane)
If there was one thing Tully had always done well, it was to ignore unpleasantness. For most of her life she’d been able to box up bad memories or disappointments and store them deep in the back of her mind, in a place so dark they couldn’t be seen. Sure, she dreamed about the bad times, and woke occasionally in a cold sweat with memories on the oily surface of consciousness, but when daylight came, she pushed those thoughts back into their hiding place and found it easy to forget.
Kristin Hannah (Firefly Lane (Firefly Lane #1))
Different people remember things differently, and you'll not get any two people to remember anything the same, whether they were there or not. You stand two of you lot next to each other, and you could be continents away for all it means anything.
Neil Gaiman (The Ocean at the End of the Lane)
Different people remember things differently, and you’ll not get any two people to remember anything the same, whether they were there or not. You stand two of you lot next to each other, and you could be continents away for all it means anything.
Neil Gaiman (The Ocean at the End of the Lane)
The memories that went with the house—the sense of unfairness and failure, the patched hole in the kitchen wall—were too raw. Frank felt as though he had been tricked out of his entire life and the best part of that life had been lived at 51 Smith Lane,
Stephen King (Sleeping Beauties)
In Loving Memory Winifred Foster Jackson Dear Wife Dear Mother 1870--1948 “So,” said Tuck to himself. “Two years. She’s been gone two years.” He stood up and looked around, embarrassed, trying to clear the lump from his throat. But there was no one to see him. The cemetery was very quiet. In the branches of a willow behind him, a red-winged blackbird chirped. Tuck wiped his eyes hastily. Then he straightened his jacket again and drew up his hand in a brief salute. “Good girl,” he said aloud. And then he turned and left the cemetery, walking quickly. Later, as he and Mae rolled out of Treegap, Mae said softly, without looking at him, “She’s gone?” Tuck nodded. “She’s gone,” he answered. There was a long moment of silence between them, and then Mae said, “Poor Jesse.” “He knowed it, though,” said Tuck. “At least, he knowed she wasn’t coming. We all knowed that, long time ago.” “Just the same,” said Mae. She sighed. And then she sat up a little straighter. “Well, where to now, Tuck? No need to come back here no more.” “That’s so,” said Tuck. “Let’s just head on out this way. We’ll locate something.” “All right,” said Mae. And then she put a hand on his arm and pointed. “Look out for that toad.” Tuck had seen it, too. He reined in the horse and climbed down from the wagon. The toad was squatting in the middle of the road, quite unconcerned. In the other lane, a pickup truck rattled by, and against the breeze it made, the toad shut its eyes tightly. But it did not move. Tuck waited till the truck had passed, and then he picked up the toad and carried it to the weeds along the road’s edge. “Durn fool thing must think it’s going to live forever,” he said to Mae. And soon they were rolling on again, leaving Treegap behind, and as they went, the tinkling little melody of a music box drifted out behind them and was lost at last far down the road.
Natalie Babbitt (Tuck Everlasting)
Endless gratitude to my posse of pals who fielded countless calls and texts, and took so many walks down memory lane with me, with plenty of liquor nearby: Bob Peterson, Matt Lombardi, Lori Beecher, Lauren Osborn, Nicolla Hewitt, Brian Goldsmith, and Tony Maciulis. (If these walls could talk—oh wait, they just did.
Katie Couric (Going There)
She didn’t note the time of moonrise or when a great horned owl took a diurnal dive at a blue jay. From bed, she heard the marsh beyond in the lifting of blackbird wings, but didn’t go to it. She hurt from the crying songs of the gulls above the beach, calling to her. But for the first time in her life, did not go to them. She hoped the pain from ignoring them would displace the tear in her heart. It did not. Listless, she wondered what she had done to send everyone away. Her own ma. Her sisters. Her whole family. Jodie. And now Tate. Her most poignant memories were unknown dates of family members disappearing down the lane. The last of a white scarf trailing through the leaves. A pile of socks left on a floor mattress. Tate and life and love had been the same thing. Now there was no Tate. “Why, Tate, why?” She mumbled into the sheets, “You were supposed to be different. To stay. You said you loved me, but there is no such thing. There is no one on Earth you can count on.” From somewhere very deep, she made herself a promise never to trust or love anyone again. She’d always found the muscle and heart to pull herself from the mire, to take the next step, no matter how shaky. But where had all that grit brought her? She drifted in and out of thin sleep.
Delia Owens (Where the Crawdads Sing)
If I was willing to serve Mass, it was in memory of my ancestors standing around a rock, in a lonely glen, for fear of the landlords and their yeomen, or sneaking through a back-lane in Dublin, and giving the pass-word, to hear Mass in a slum public-house, when a priest’s head was worth five pounds and an Irish Catholic had no existence in law.
Brendan Behan (Borstal Boy)
... as if that one act of memory had blown away some of the cobwebs of the day.
Neil Gaiman (The Ocean at the End of the Lane)
Take it from Santa: the simple, special moments of togetherness are what create the most lasting Christmas memories.
Sal Lizard with Jonathan Lane
Memories were waiting at the edges of things,
Neil Gaiman (The Ocean at the End of the Lane)
Memories were waiting at the edges of things, beckoning to me. Had you told me that I was seven again, I might have half-believed you, for a moment.
Neil Gaiman (The Ocean at the End of the Lane)
I’d wanted our relationship to end, but I didn’t want him to have anyone else either. It was irrational, but it made me furious.
Colton Haynes (Miss Memory Lane: A Memoir)
A hot dry day was perfect for cutting hay, but Sunday in those days was a true day of rest, and no hay would be taken from the fields, nor any labour done inside or outside of the house.
Arlene Stafford-Wilson (Lanark County Collection: Winding Our Way Down Memory Lane)
I wondered where the illusion of the second moon had come from, but I only wondered for a moment, and then I dismissed it from my thoughts. Perhaps it was an afterimage, I decided, or a ghost: something that had stirred in my mind, for a moment, so powerfully that I believed it to be real, but now was gone, and faded into the past like a memory forgotten, or a shadow into the dusk.
Neil Gaiman (The Ocean at the End of the Lane)
How horribly easy it is, he thinks now, breathing hard, watching the light retreat down the lane, to go from good to bad, from the dream to the memory, from what we want to all we've ever had.
Carrie Brown (Lamb in Love)
Fall air had an unforgettable fragrance; as the scent of wood smoke drifted across farmers' fields, when hearths and stoves were fired-up again, crackling softly on those cooler, darker nights.
Arlene Stafford-Wilson (Lanark County Collection: Winding Our Way Down Memory Lane)
Every soul you encounter along your way ..has known agony ..secretly in deeps....every heart you meet along your way ...has known suffering ..secretly in silence....some are broken so freshly...feeling the raw wounds .... every time they revisit the old memory lanes... while some are feeling the achiest of aches...from the age old losses....for grief has left its footprints along the way....
Jayita Bhattacharjee
Telegraph Road A long time ago came a man on a track Walking thirty miles with a pack on his back And he put down his load where he thought it was the best Made a home in the wilderness He built a cabin and a winter store And he ploughed up the ground by the cold lake shore And the other travellers came riding down the track And they never went further, no, they never went back Then came the churches, then came the schools Then came the lawyers, then came the rules Then came the trains and the trucks with their loads And the dirty old track was the telegraph road Then came the mines - then came the ore Then there was the hard times, then there was a war Telegraph sang a song about the world outside Telegraph road got so deep and so wide Like a rolling river ... And my radio says tonight it's gonna freeze People driving home from the factories There's six lanes of traffic Three lanes moving slow ... I used to like to go to work but they shut it down I got a right to go to work but there's no work here to be found Yes and they say we're gonna have to pay what's owed We're gonna have to reap from some seed that's been sowed And the birds up on the wires and the telegraph poles They can always fly away from this rain and this cold You can hear them singing out their telegraph code All the way down the telegraph road You know I'd sooner forget but I remember those nights When life was just a bet on a race between the lights You had your head on my shoulder, you had your hand in my hair Now you act a little colder like you don't seem to care But believe in me baby and I'll take you away From out of this darkness and into the day From these rivers of headlights, these rivers of rain From the anger that lives on the streets with these names 'Cos I've run every red light on memory lane I've seen desperation explode into flames And I don't want to see it again ... From all of these signs saying sorry but we're closed All the way down the telegraph road
Mark Knopfler (Dire Straits - 1982-91)
He was covered, of course, but she knew what lay beneath the sheets- she'd seen him entirely nude at the Lords' revels. She had the image burned into her memory: a proud, thick penis, heavy sac, and curling midnight hair. If the coverlet slipped just a little bit downward, she would see the upper edge of that nest of black hair. The thought made her press her thighs together under her dress. Did he know how his body affected her?
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
I’ve lost my whole world and gained it back again. The most important thing to me out of all of it—everything I’ve lost and everything I’ve gained—is you.” She blinked at him with wonder. “I love you,” he said. “I will love you until the day I die. No looking back. No changing my course.
Becky Wade (Memory Lane (Sons of Scandal, #1))
Core consciousness operates in the present, rebuilding itself moment by moment, mapping out how the self is altered by external objects, draping perceptions with feelings. Extended consciousness uses the same mechanisms, but now binds memories and language into each moment of core consciousness, qualifying emotional meaning with autobiographical past, labelling feelings and objects with words, and so on. Thus extended consciousness builds on emotional meaning, integrating memory, language, past and future, into the here and now of core consciousness. The selfsame neural handshaking mechanisms allow a vast expansion of parallel circuitry to be bound back into a single moment of perception.
Nick Lane (Life Ascending: The Ten Great Inventions of Evolution)
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember: "The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..." I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination. When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me. A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible. After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare. Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
I don’t know why some of these memories must remain so crystal clear. I recall one sliver and the whole picture comes rushing back, while other things, for instance, other things I would like to remember, are completely unavailable. If only memory were a library with everything stored where it should be. If only you could walk to the desk and say to the assistant, I’d like to return the painful memories about David Fry or indeed his mother and take out some happier ones, please. About stickleback fishing with my father. Or picnicking on the banks of the Cherwell when I was a student. And the assistant would say, Certainly, madam. We have all those. Under “F” for “Fishing.” As well as “P” for “Picnicking.” You’ll find them on your left. So there my father would be. Tall and smiling in his work overalls, a hand-rolled cigarette in one hand and my fishing net in the other. I’d skip to keep up with him as he strode the broken lane down to the stream. “Where is that girl? Where are you?” The hedgerow flowers would boil with insects and my father would lift me to his shoulders and then—What? I haven’t a clue. I don’t remember the rest.
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years. Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest. “Cecily said it was Colby,” Leta said unsteadily. “Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.” “That doesn’t sound like the life of a playboy widower,” Leta said caustically. “My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.” “I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.” “It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?” She shrugged. “Pick a reason.” He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily. “He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks. “I’ll punch him for that,” Matt said darkly. “Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.” “You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…” He turned back to Cecily and grimaced. “Good God, what did you do that for?” “Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!” “I hope you never get mad at me,” Matt said. “Fat chance.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Then, halfway down the little lane, I stood still, as the soft flutter of a childhood memory brushed my heart: I had just recognized, from the indentations of the shiny leaves overhanging the threshold, a hawthorn bush, which since the end of spring, alas, had been bare of all blossom. A fragrance of forgotten months of Mary and long-lost Sunday afternoons, beliefs, and fallacies surrounded me. I wished I could grasp it as it passed. Andrée, seeing me pause, showed her charming gift of insight by letting me commune for a moment with the leaves of the little tree: I asked after its blossom, hawthorn flowers like blithe young girls, a little silly, flirtatious, and faithful.
Marcel Proust (In the Shadow of Young Girls in Flower)
TO MY BELOVED, Its neither a piece of paper nor a letter, rather it's my small heart which I'm gifting it to you darling.It seems time stood still without ur presence around me. My days and nights have gone worthless. All my heart could do is to recall the memories of time which we have spend together. My heart gets rejoiced whenever your beautiful face comes before my eyes. Your mesmerizing eyes drive me to another world. Your flowing hair looks tantalizing and your rosy lips seems to be meant only for saying lovely words. While having a cup of coffee yesterday, numerous moments striked my heart. Our first meeting, when you were looking like a fairy in white salwar-suit. Still fresh in my mind, your pretty smile and bowing your head down to laugh with your hand on your lips. I confess that your every action was stealing my heart and I couldn't withdraw myself from lookig you. The gift you presented me on my birthday gives me a sigh of relief that you are always there with me. Sweetheart, In the classroom, I cracked useless jokes and PJ's just to see your charming smile. Kept gazing your lips, just to heat some golden words. You had stolen my heart. Dedicated '' I don't know when and how you arrived in my life, Don't know when my heart star beating for you, day n night.... My eyes kept staring the window pane, Wishing one day u'll come in my lane.... Darling you're the only one whom I admire, It's you whom my heart desperately desires... Being with you is my only need, You are now the medicine of my heartbeat... I Craved your name on my heart, The day when I decided not to loose you ever, And I promise you sweetheart that, I love you & i'll love you for ever, ever n ever...... It's true my baby that, i love you like anything. Miss you from very morning 2 the night. MY senses are active to feel you, to hear you, to see you, to taste every sorrow and happiness of your life. Jaana, get embedded in me, in my soul so that i can live with you, for you........ Dying to have your reply..... Truly Your's PK
Prabhat Kumar
I'd take her to the top of the widow's tower at Ainsdale Castle, late at night, and we'd watch the moon rise. The widow's tower was very high but she wasn't afraid. Sometimes I'd steal a pie from the kitchens and we'd picnic up there. I brought up a blanket, too, so she wouldn't have to sit on the bare stone floor." Mrs. Crumb made an aborted movement, as if she'd meant to turn to face him and then changed her mind. He let the wineglass dangle by his side. "I told her a rabbit lived on the moon and she believed me. She believed everything I told her then." "What rabbit?" "There." He roused himself, straightening. He drew back, fitting her against his chest and setting his chin on her shoulder. She smelled of tea and housekeeperly things, and she was warm, so warm. He caught up her right hand in his and traced the moon with it. "D'you see? There are the long ears, there the tail, there the forepaws, there the back." "I see," she whispered. "I told her the rabbit had lavender fur and ate pink moon clover up there." His mouth twisted, as he remembered. "She'd watch me with big blue eyes, her mouth half-open, a bit of piecrust on her dress. She hung on every word." He could hear her breath, could feel the tremble of her limbs. Did she fear him? "D'you believe me?" he asked against her ear, his lips wet with wine. She was a housekeeper and housekeepers didn't matter in the grand schemes of kings and dukes and little girls who wished upon rabbit moons. But she was silent, damnable housekeeper. They breathed together for a moment, there in the night air, London twinkling before them, overhung by a pagan moon. At last she stirred and asked, "What happened to the girl?" He broke away from her, draining his glass of wine. "She grew up and knew me for a liar.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
In conjunction with his colleagues, Frantisek Baluska from the Institute of Cellular and Molecular Botany at the University of Bonn is of the opinion that brain-like structures can be found at root tips. In addition to signaling pathways, there are also numerous systems and molecules similar to those found in animals. When a root feels its way forward in the ground, it is aware of stimuli. The researchers measured electrical signals that led to changes in behavior after they were processed in a "transition zone." If the root encounters toxic substances, impenetrable stones, or saturated soil, it analyzes the situation and transmits the necessary adjustments to the growing tip. The root tip changes direction as a result of this communication and steers the growing root around the critical areas. Right now, the majority of plant researchers are skeptical about whether such behavior points to a repository for intelligence, the faculty of memory, and emotions. Among other things, they get worked up about carrying over findings in similar situations with animals and, at the end of the day, about how this threatens to blur the boundary between plants and animals. And so what? What would be so awful about that? The distinction between plant and animal is, after all, arbitrary and depends on the way an organism feeds itself: the former photosynthesizes and the latter eats other living beings. Finally, the only other big difference is in the amount of time it takes to process information and translate it into action. Does that mean that beings that live life in the slow lane are automatically worth less than ones on the fast track? Sometimes I suspect we would pay more attention to trees and other vegetation if we could establish beyond a doubt just how similar they are in many ways to animals.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
I am afraid. I am oppressed by the darkness of every sultry night. It is so quiet and I am smothered by the heavy splendor of the silence. Why? Why are you not here? I have trifled, I know - forgive. I trifled with my luck - it broke asunder - forgive. It is so painful being alone. We will laugh us into new happiness, believe me and return, there is so much laughter yet. Look at me. Is my image still in your far-off glance? I want you as the grape wants, when ripe, to be plucked. My hair is waiting. My mouth wants you to play with it again. See, my hands beg you to envelop them in yours. They long for your hair and they long for your skin Just like a child yearns for the dream that she only sighted once. Look, it is spring. Yet it is blind, it weeps for evermore As long as we are not together, and weeps as long as the wind weeps when its dearest forest has withered. See, everything waits for us: all the lanes, all the benches All the flowers are just waiting to be plucked by me and offered to you.
Pearl Fichman (Before Memories Fade)
Another former chess player shared his own fond memory of Thiel from this era. Around the spring of 1988, the team was driving to Monterey for a tournament, with Thiel behind the wheel of the Rabbit. They took California’s Route 17, a four-lane highway that crosses the Santa Cruz Mountains and is regarded as one of the state’s most dangerous. The team was in no particular hurry, but Thiel drove as if he were a man possessed. He navigated the turns like Michael Andretti, weaving in and out of lanes, nearly rear-ending cars as he slipped past them, and seemed to be flooring the accelerator for large portions of the trip. Somewhat predictably, the lights of a California Highway Patrol cruiser eventually appeared in his rearview. Thiel was pulled over, and the trooper asked if he knew how fast he was going. The young men in the rest of the car, simultaneously relieved to have been stopped and scared of the trooper, looked at each other nervously. “Well,” Thiel responded, in his calmest, most measured baritone. “I’m not sure if the concept of a speed limit makes sense.” The officer said nothing. Thiel continued: “It may be unconstitutional. And it’s definitely an infringement on liberty.” The officer looked at Thiel and the geeks in the beater car and decided the whole thing wasn’t worth his time. He told Thiel to slow down and have a nice day. “I don’t remember any of the games we played,” said the man, now in his fifties, who’d been in the passenger seat. “But I will never forget that drive.
Max Chafkin (The Contrarian: Peter Thiel and Silicon Valley's Pursuit of Power)
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
Teresa Driscoll (I Am Watching You)
My dear Marwan, in the long summers of childhood, when I was a boy the age you are now, your uncles and I spread our mattress on the roof of your grandfathers’ farmhouse outside of Hom. We woke in the mornings to the stirring of olive trees in the breeze, to the bleating of your grandmother's goat, the clanking of her cooking pots, the air cool and the sun a pale rim of persimmon to the east. We took you there when you were a toddler. I have a sharply etched memory of your mother from that trip. I wish you hadn’t been so young. You wouldn't have forgotten the farmhouse, the soot of its stone walls, the creek where your uncles and I built a thousand boyhood dams. I wish you remembered Homs as I do, Marwan. In its bustling Old City, a mosque for us Muslims, a church for our Christian neighbours, and a grand souk for us all to haggle over gold pendants and fresh produce and bridal dresses. I wish you remembered the crowded lanes smelling of fried kibbeh and the evening walks we took with your mother around Clock Tower Square. But that life, that time, seems like a dream now, even to me, like some long-dissolved rumour. First came the protests. Then the siege. The skies spitting bombs. Starvation. Burials. These are the things you know You know a bomb crater can be made into a swimming hole. You have learned dark blood is better news than bright. You have learned that mothers and sisters and classmates can be found in narrow gaps between concrete, bricks and exposed beams, little patches of sunlit skin shining in the dark. Your mother is here tonight, Marwan, with us, on this cold and moonlit beach, among the crying babies and the women worrying in tongues we don’t speak. Afghans and Somalis and Iraqis and Eritreans and Syrians. All of us impatient for sunrise, all of us in dread of it. All of us in search of home. I have heard it said we are the uninvited. We are the unwelcome. We should take our misfortune elsewhere. But I hear your mother's voice, over the tide, and she whispers in my ear, ‘Oh, but if they saw, my darling. Even half of what you have. If only they saw. They would say kinder things, surely.' In the glow of this three-quarter moon, my boy, your eyelashes like calligraphy, closed in guileless sleep. I said to you, ‘Hold my hand. Nothing bad will happen.' These are only words. A father's tricks. It slays your father, your faith in him. Because all I can think tonight is how deep the sea, and how powerless I am to protect you from it. Pray God steers the vessel true, when the shores slip out of eyeshot and we are in the heaving waters, pitching and tilting, easily swallowed. Because you, you are precious cargo, Marwan, the most precious there ever was. I pray the sea knows this. Inshallah. How I pray the sea knows this.
Khaled Hosseini (Sea Prayer)