Slide Rule Quotes

We've searched our database for all the quotes and captions related to Slide Rule. Here they are! All 105 of them:

Tell me somethin’ you do that would shock me.” She sits back on the couch. “Shock you?” “Yeah. Shock me to the core.” She sits up on her knees and leans toward me. “I’ve thought about you, Carlos,” she whispers in my ear. “At night, in bed. I think about kissing you, our tongues sliding against each other’s, while your hands are buried in my hair. When I think about feeling those ripples in your naked chest I touch my—” “Here’s more popcorn!” Westford says, barging into the room with two big bowls filled to the rim with freshly popped popcorn. “Kiara, what are you doing?
Simone Elkeles (Rules of Attraction (Perfect Chemistry #2))
Miss Vesper Holly has the digestive talents of a goat and the mind of a chess master. She is familiar with half a dozen languages and can swear fluently in all of them. She understands the use of a slide rule but prefers doing calculations in her head. She does not hesitate to risk life and limb- mine as well as her own. No doubt she has other qualities as yet undiscovered. I hope not.
Lloyd Alexander (The Illyrian Adventure)
I remember the rules, rules that were never spelled out but every woman knew: Don't open your door to a stranger, even if he says he is the police. Make him slide his ID under the door. Don't stop on the road to help a motorist pretending to be in trouble. Keep the locks on and keep going. If anyone whistles, don't turn to look. Don't go into a laundromat, by yourself, at night. I think about laundromats. What I wore to them: shorts, jeans, jogging pants. What I put into them: my own clothes, my own soap, my own money, money I had earned myself. I think about having such control. Now we walk along the same street, in red pairs, and not man shouts obscenities at us, speaks to us, touches us. No one whistles. There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Everything is magic when you don’t know what it is. Your sliding rule is a magic wand to most people.
Terry Pratchett (Raising Steam (Discworld, #40))
No longer just "a dull bunch of grey buildings with grey people who worked with slide rules and wrote long equations on blackboards," NASA, the public now believed, was all that stood between them and a Red sky.
Margot Lee Shetterly (Hidden Figures)
People know, or dimly feel, that if thinking is not kept pure and keen, and if respect for the world of mind is no longer operative, ships and automobiles will soon cease to run right, the engineer's slide rule and the computations of banks and stock exchanges will forfeit validity and authority, and chaos will ensue.
Hermann Hesse (The Glass Bead Game)
Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely.
Ray Bradbury (Fahrenheit 451)
Anyone who has ridden the subway twice a day to earn their bread knows how it goes: When you board, you exhibit the same persona you use with your colleagues and acquaintances. You've carried it through the turnstile and past the sliding doors, so that your fellow passengers can tell who you are - cocky or cautious, amorous or indifferent, loaded or on the dole. But you find yourself a seat and the train gets under way; it comes to one station and then another; people get off and others get on. And under the influence of the cradlelike rocking of the train, your carefully crafted persona begins to slip away. The super-ego dissolves as your mind begins to wander aimlessly over your cares and your dreams; or better yet, it drifts into ambient hypnosis, where even cares and dreams recede and the peaceful silence of the cosmos pervades.
Amor Towles (Rules of Civility)
I brought a condom," I tell her when I slide her panties down. We're both hot and sweaty, and I can't resist hr anymore. "I did, too," she whispers against my neck. "But we might not be able to use it." "Why not?" I expect her to tell em this was all a mistake, that she really didn't mean to get me all hot and bothered just to tell me I'm not worthy enough to take her virginity, but it's the truth. She clears her throat. "It all d-d-depends on whether or not you're allergic to l-l-latex.
Simone Elkeles (Rules of Attraction (Perfect Chemistry #2))
If this was what Mikhail called opening the gate close to Zayvion’s body, I was going to kill a compass and a slide rule and send them through the gates of death to him.
Devon Monk (Magic at the Gate (Allie Beckstrom, #5))
Listen Zeke, i have to go. There's something i have to do, someone i have to find. i owe him a lot, and he's in trouble now. i just wanted to say goodbye." Zeke slept on. i put my hand on his uninjured arm, squeezing gently. My eyes burned, but i ignored them. "you probably won't see me again," i murmured, feeling something hot slide down my cheek. "i got you here, like i promised i would. i wish... i wish i could've seen your Eden, but this place isn't for me. it never was. i have to find my own place in the world.
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
Social order is not the result of the architectural order created by T squares and slide rules. Nor is social order brought about by such professionals as policemen, nightwatchmen, and public officials. Instead, says Jacobs, “the public peace—the sidewalk and street peace—of cities … is kept by an intricate, almost unconscious network of voluntary controls and standards among the people themselves, and enforced by the people themselves.
James C. Scott (Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed)
He’s adorably high-handed where you’re concerned, isn’t he?” My eyes slide closed. “With anyone.” “No,” he says thoughtfully. “Only you. He really can’t be bothered with anyone else, unless they’re connected to you. You’re all he sees.
Lily Morton (Rule Breaker (Mixed Messages, #1))
In Donald Trump, we have a frightening Venn diagram consisting of three circles: the first is extreme present hedonism; the second, narcissism; and the third, bullying behavior. These three circles overlap in the middle to create an impulsive, immature, incompetent person who, when in the position of ultimate power, easily slides into the role of tyrant, complete with family members sitting at his proverbial “ruling table.” Like a fledgling dictator, he plants psychological seeds of treachery in sections of our population that reinforce already negative attitudes.
Bandy X. Lee (The Dangerous Case of Donald Trump: 27 Psychiatrists and Mental Health Experts Assess a President)
Honestly I think she’s terrified of letting anyone close enough to break her heart again.” I shrugged and started to slide out of the booth. “Nothing wrong with reaching for the stars.” “There is when what’s available is only here in the ground level. I love Rule with everything I have, but he is far from perfect. Relationships are not tailor-made and people are flawed. You have to work around that and love the other person anyway. Our flaws are what make us unique, and while Rule might not be perfect, he is absolutely perfect for me.
Jay Crownover (Rome (Marked Men, #3))
When things break down, what has been ignored rushes in. When things are no longer specified, with precision, the walls crumble, and chaos makes its presence known. When we've been careless, and let things slide, what we have refused to attend to gathers itself up, adopts a serpentine form, and strikes--often at the worst possible moment. It is then that we see what focused intent, precision of aim and careful attention protects us from.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
I could lie there as long as I wanted, and let all the pictures of things a man might want run through my head, coffee, a girl, money, a drink, white sand and blue water, and let them all slide off, one after another, like a deck of cards slewing slowly off your hand. Maybe the things you want are like cards. You don't want them for themselves, really, though you think you do. You don't want a card because you want the card, but because in a perfectly arbitrary system of rules and values and in a special combination of which you already hold a part the card has meaning. But suppose you aren't sitting in a game. Then, even if you do know the rules, a card doesn't mean a thing. They all look alike.
Robert Penn Warren (All the King's Men)
mysticism is fundamentally irrational and that is its great power and solace. “Proving” mysticism with science is like using a slide-rule to measure wind speed.
Gordon White (The Chaos Protocols: Magical Techniques for Navigating the New Economic Reality)
Rather than respond to his incalculable God-ness with our slide rules and flowcharts, we would do better to worship him with reverence and awe.
Matt Chandler (The Explicit Gospel)
I wonder what NASA would think about me fucking with the RTG like this. They'd probably hide under their desks and cuddle with their slide rules for comfort.
Andy Weir (The Martian)
Round the next corner and in the next street Adventure lies in wait for you. Oh, who can tell what you may meet Round the next corner and in the next street! Could life be anything but sweet When all is hazardous and new? Round the next corner and in the next street Adventure lies in wait for you. That
Nevil Shute (Slide Rule)
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
E.A. Bucchianeri (Brushstrokes of a Gadfly, (Gadfly Saga, #1))
Some rules have existed since the creation of the Earth. They do not need to come out of my mouth. They have always existed. There has always been a rule against using a Slip n’ Slide indoors. There has always been a rule against lying down in the mouth of a dead relative.
Bradley Sands (Liquid Status)
In due course one learns, where individuals and emotions are concerned, that Time’s slide-rule can make unlikely adjustments.
Anthony Powell (At Lady Molly's (A Dance to the Music of Time, #4))
A pushed-back cap had the crossed slide-rule symbol of ship’s computer man.
Harry Harrison (The Harry Harrison Megapack: 12 Classics of Science Fiction, including ROBOT JUSTICE, DEATHWORLD, and DEATHWORLD II)
This nothingness into which the West is sliding is not the natural end, the dying, the sinking of a flourishing community of peoples. Instead, it is again a specifically Western nothingness: a nothingness that is rebellious, violent, anti-God, and antihuman. Breaking away from all that is established, it is the utmost manifestation of all the forcesopposed to God. It is nothingness as God; no one knows its goal or its measure. Its rule is absolute. It is a creative nothingness[113] that blows its anti-God breath into all that exists, creates the illusion of waking it to new life, and at the same time sucks out its true essence[114] until it soon disintegrates into an empty husk and is discarded. Life, history, family, people, language, faith—the list could go on forever because nothingness spares nothing—all fall victim to nothingness.[115]
Dietrich Bonhoeffer (Ethics (Works, Vol 6))
This'll keep me safe, Mother! I've the knowing of the sliding rule! I can tell the sine what to do, and the cosine likewise and work out the tangent of t'quaderatics! Come one, Mother, stop fretting and come wi' me now to t'barn. You must see 'er!' Mrs. Simnel, reluctant, was dragged by her son to the great open barn he had knitted out like the workshop back at Sheepridge, hoping against hope that her son had accidentally found himself a girl.
Terry Pratchett (Raising Steam (Discworld, #40, Moist von Lipwig #3))
I was impressed by the scene in Apollo 13 where the astronauts request confirmation of their calculations and several people at Mission Control dive for their slide rules. For several months after that, my standard response to statements like "We must implement multi-processor object-oriented Java-based client-server technologies immediately!" was "You know, FORTRAN and slide rules put men on the moon and got them back safely multiple times." Tended to shut them up, at least for a moment.
Matt Roberts
Normally Felicity liked to spend her recess holding the duty teacher's hand and tattling on kids who were breaking nitpicky safety rules like no climbing fences, no running up the slide, and no using the teeter-totter as a human catapult. - Zombiekins
Kevin Bolger
I would divide the senior executives of the engineering world into two categories, the starters and the runners, the men with a creative instinct who can start a new venture and the men who can run it to make it show a profit.... I was a starter and useless as a runner.
Nevil Shute (Slide Rule)
If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure and equate the universe, which just wont be measured or equated without making man feel bestial and lonely.
Ray Bradbury (Fahrenheit 451)
There is something self-destructive about Western technology and distribution. Whenever any consumer object is so excellent that it attracts a devoted following, some of the slide rule and computer types come in on their twinkle toes and take over the store, and in a trice they figure out just how far they can cut quality and still increase market penetration. Their reasoning is that it is idiotic to make and sell a hundred thousand units of something and make 30 cents a unit when you can increase the advertising, sell five million units, and make a nickel profit a unit. Thus, the very good things of the world go down the drain, from honest turkey to honest eggs to honest tomatoes. And gin.
John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
Noah sits up, and when I try to duck out of reach, he advances like a tiger and flips me so that I’m lying flat on the bed. He presses his palms onto the comforter on both sides of my head, and his dark eyes bore into mine. My heart pounds wildly and, because I can’t help myself, I reach up and touch his face, sliding my fingers over the rough shadow of his jaw. Noah leans into my touch, and I love that I have that effect on him. I lick my lips, half hoping he kisses me—half wondering what would happen if he did.
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
Since his back was to her front Chloe had to practically plaster herself against his wide back in order to unbutton his crisp dress shirt, but somehow she didn’t mind. From his low, masculine groan that her action had elicited, she assumed Mark didn’t mind either. His spicy, dangerous scent filled her head as she spread the shirt to find a smooth, muscular chest leading down to powerfully sculpted abs. She wondered what line of work Mark was in. Whatever it was, he certainly kept himself in shape. “Are you enjoying yourself, Mistress?” His smart-ass tone threw her, breaking her concentration on his muscled chest. “I’ll ask the questions,” Chloe snapped, deciding abruptly that it was time to move on. She still felt a definite lack of control in this situation and it made her nervous, shattering the fragile self-confidence she’d managed to build. But she couldn’t stop searching him now or he’d be the winner of this little confrontation. She let her hands slide lower, past the waistband of his pants to the bulging crotch. Oh my God, is he for real? She hadn’t been with very many men—okay, two. She’d only been with two other men. But Mark more than measured up to any other guy in her experience. In fact, she could barely believe what she was feeling was real. It was a damn good thing rule number two was “never have sex with the client”. She was pretty sure she wouldn’t have been able to handle what Mark was packing. “Uh, Mistress, that’s all me, not a toy.” Mark’s deep voice still held a hint of amusement though it was sounding rather strained now. “And you might want to think of it less as a ‘toy’ than a loaded gun. One that’s going to go off if you’re not careful.
Evangeline Anderson (Masks)
Come on, baby. It’s time.” “You’re mean, Noah.” The blanket falls off her arm as I slide a finger down her shoulder. Goose bumps form along her skin at my touch. She may be cranky, but she’s responding. “A deal’s a deal,” I remind her. “I changed my mind. I’d rather sleep.” With her eyes still shut, she hunts for the cover, but I kick it off. She presses her lips together. “I’m serious. You’re the meanest person I know.” I kiss her neck then blow on the skin, pleased with the smile she’s fighting. “Does that feel mean?” I ask. “Horribly.” She giggles. “It’s torture.
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
We’re sliding into a society where the first thing you need to do to demonstrate that you’re any good at something is to say that you are. Under the old rules, boasts were assumed empty until proved otherwise. You had to impress with your actions, draw attention to yourself subtly without being seen to do so. It’s a hell of a lot more fun than the pantomime of self-belief we see on reality TV today. A society where you’re not allowed to blow your own trumpet is so much more nuanced, sophisticated and interesting than the grim world of literalism that’s being ushered in.
David Mitchell (Back Story)
That was the night he got up and went to the boys' division; perhaps he was looking for his history in the big room where all the boys slept, but what he found instead was Dr. Larch kissing every boy a late good night. Homer imagined then that Dr. Larch had kissed him like that, when he'd been small; Homer could not have imagined how those kisses, even now, were still kisses meant for him. They were kisses seeking Homer Wells. That was the same night that he saw the lynx on the barren, unplanted hillside—glazed with snow that had thawed and then refrozen into a thick crust. Homer had stepped outside for just a minute; after witnessing the kisses, he desired the bracing air. It was a Canada lynx—a dark, gunmetal gray against the lighter gray of the moonlit snow, its wildcat stench so strong Homer gagged to srnell the thing. Its wildcat sense was keen enough to keep it treading within a single leap's distance of the safety of the woods. The lynx was crossing the brow of the hill when it began to slide; its claws couldn't grip the crust of the snow, and the hill had suddenly grown steeper. The cat moved from the dull moonlight into the sharper light from Nurse Angela's office window; it could not help its sideways descent. It traveled closer to the orphanage than it would ever have chosen to come, its ferocious death smell clashing with the freezing cold. The lynx's helplessness on the ice had rendered its expression both terrified; and resigned; both madness and fatalism were caught in the cat's fierce, yellow eyes and in its involuntary, spitting cough as it slid on, actually bumping against the hospital before its claws could find a purchase on the crusted snow. It spit its rage at Homer Wells, as if Homer had caused its unwilling descent. Its breath had frozen on its chin whiskers and its tufted ears were beaded with ice. The panicked animal tried to dash up the hill; it was less than halfway up when it began to slide down again, drawn toward the orphanage against its will. When it set out from the bottom of the hill a second time, the lynx was panting; it ran diagonally uphill, slipping but catching itself, and slipping again, finally escaping into the softer snow in the woods— nowhere near where it had meant to go; yet the lynx would accept any route of escape from the dark hospital. Homer Wells, staring into the woods after the departed lynx, did not imagine that he would ever leave St. Cloud's more easily.
John Irving (The Cider House Rules)
You can’t build a house without nails and wood. If you don’t want a house built, hide the nails and wood. If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it.
Ray Bradbury (Fahrenheit 451)
The perfect chocolate chip cookie,” I intone, “should have three rings. The center should be soft and a little gooey. The middle ring should be chewy. And the outer ring should be crispy.” “I can’t hear her give this speech again,” Kitty says to Peter. “I just can’t.” “Be patient,” he says, squeezing her shoulder. “It’s almost over, and then we get cookies.” “The perfect cookie is best eaten while still warm, but still delicious at room temperature.” “If you don’t quit talking, they won’t be warm anymore,” Kitty grumbles. I shoot her a glare, but truthfully, I’m glad she’s here to be a buffer between Peter and me. Her presence makes things feel normal. “In the baking world, it is a truth universally acknowledged that Jacques Torres has perfected the chocolate chip cookie. Peter, you and I tasted it for ourselves just a few months ago.” I’m really stretching it now to make them suffer. “How will my cookie measure up? Spoiler alert. It’s amazing.” Kitty slides off her stool. “That’s it. I’m out of here. A chocolate chip cookie isn’t worth all this.” I pat her on the head. “Oh, naïve little Kitten. Dear, foolish girl. This cookie is worth all this and more. Sit or you will not partake.” Rolling her eyes, she sits back down. “My friends, I have finally found it. My white whale. My golden ring. The cookie to rule them all.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges? I am sure it is unique, I am sure it is what I want. When I am quiet at my cooking I feel it looking, I feel it thinking 'Is this the one I am too appear for, Is this the elect one, the one with black eye-pits and a scar? Measuring the flour, cutting off the surplus, Adhering to rules, to rules, to rules. Is this the one for the annunciation? My god, what a laugh!' But it shimmers, it does not stop, and I think it wants me. I would not mind if it were bones, or a pearl button. I do not want much of a present, anyway, this year. After all I am alive only by accident. I would have killed myself gladly that time any possible way. Now there are these veils, shimmering like curtains, The diaphanous satins of a January window White as babies' bedding and glittering with dead breath. O ivory! It must be a tusk there, a ghost column. Can you not see I do not mind what it is. Can you not give it to me? Do not be ashamed--I do not mind if it is small. Do not be mean, I am ready for enormity. Let us sit down to it, one on either side, admiring the gleam, The glaze, the mirrory variety of it. Let us eat our last supper at it, like a hospital plate. I know why you will not give it to me, You are terrified The world will go up in a shriek, and your head with it, Bossed, brazen, an antique shield, A marvel to your great-grandchildren. Do not be afraid, it is not so. I will only take it and go aside quietly. You will not even hear me opening it, no paper crackle, No falling ribbons, no scream at the end. I do not think you credit me with this discretion. If you only knew how the veils were killing my days. To you they are only transparencies, clear air. But my god, the clouds are like cotton. Armies of them. They are carbon monoxide. Sweetly, sweetly I breathe in, Filling my veins with invisibles, with the million Probable motes that tick the years off my life. You are silver-suited for the occasion. O adding machine----- Is it impossible for you to let something go and have it go whole? Must you stamp each piece purple, Must you kill what you can? There is one thing I want today, and only you can give it to me. It stands at my window, big as the sky. It breathes from my sheets, the cold dead center Where split lives congeal and stiffen to history. Let it not come by the mail, finger by finger. Let it not come by word of mouth, I should be sixty By the time the whole of it was delivered, and to numb to use it. Only let down the veil, the veil, the veil. If it were death I would admire the deep gravity of it, its timeless eyes. I would know you were serious. There would be a nobility then, there would be a birthday. And the knife not carve, but enter Pure and clean as the cry of a baby, And the universe slide from my side.
Sylvia Plath
You looking forward to tonight?” he asked, changing the subject. “I am,” she said slowly. “It’s been a while since I’ve had a good…date.” She let the word slide off her tongue as though it were a euphemism for sex. The little devil on her shoulder wanted to bait him, to poke at the sexual tension that seemed to ebb and flow between them, but which neither would give in to. His hand slammed on the counter. “You’re not seriously thinking of sleeping with Mathis,” he said incredulously. “Well, why not? You said he’s a good guy. And news flash—we modern city women don’t adhere to any strict fifth-date rule.” “Fine! Fuck his brains out, for all I care,” Jackson exploded. “You’re shouting,” she said. “I’m not—” He blew out a breath. “Damn it.
Lauren Layne (I Wish You Were Mine (Oxford, #2))
Snowden called the NSA ‘self-certifying’. In the debate over who ruled the internet, the NSA provided a dismaying answer: ‘We do.’ The slides, given to Poitras and published by Der Spiegel magazine, show that the NSA had developed techniques to hack into iPhones. The agency assigned specialised teams to work on other smartphones too, such as Android. It targeted BlackBerry, previously regarded as the impregnable device of choice for White House aides. The NSA can hoover up photos and voicemail. It can hack Facebook, Google Earth and Yahoo Messenger. Particularly useful is geo-data, which locates where a target has been and when. The agency collects billions of records a day showing the location of mobile phone users across the world. It sifts them – using powerful analytics – to discover ‘co-travellers’. These are previously unknown associates of a target. Another
Luke Harding (The Snowden Files: The Inside Story of the World's Most Wanted Man (Vintage))
At the time, I was driving a 1970 Ford truck that I’d bought for a thousand bucks. In my world, if a vehicle runs and has air in its tires, then it’s worth a thousand dollars! The price never changes. I abused that truck for several years, only to sell it for a thousand bucks for an upgrade. It had a rebuilt hot rod engine and was fast! When we cut firewood in the rain, my truck would slide all over dirt roads and occasionally bounce off trees, so both of the truck’s sides were badly dented. After a while, I couldn’t open either door. It was real-life Dukes of Hazzard! I remember the first time Missy approached the door and tried to open it. I told her the door wouldn’t open, and she started to go around to the other side. I informed her that the other door didn’t open, either. As she looked at me with a blank stare, I said, “Rule number one: if you want to go with me, you’ve got to crawl through the window.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
All about them the golden girls, shopping for dainties in Lairville. Even in the midst of the wild-maned winter's chill, skipping about in sneakers and sweatsocks, cream-colored raincoats. A generation in the mold, the Great White Pattern Maker lying in his prosperous bed, grinning while the liquid cools. But he does not know my bellows. Someone there is who will huff and will puff. The sophmores in their new junior blazers, like Saturday's magazines out on Thursday. Freshly covered textbooks from the campus store, slide rules dangling in leather, sheathed broadswords, chinos scrubbed to the virgin fiber, starch pressed into straight-razor creases, Oxford shirts buttoned down under crewneck sweaters, blue eyes bobbing everywhere, stunned by the android synthesis of one-a-day vitamins, Tropicana orange juice, fresh country eggs, Kraft homogenized cheese, tetra-packs of fortified milk, Cheerios with sun-ripened bananas, corn-flake-breaded chicken, hot fudge sundaes, Dairy Queen root beer floats, cheeseburgers, hybrid creamed corn, riboflavin extract, brewer's yeast, crunchy peanut butter, tuna fish casseroles, pancakes and imitation maple syrup, chuck steaks, occasional Maine lobster, Social Tea biscuits, defatted wheat germ, Kellogg's Concentrate, chopped string beans, Wonderbread, Birds Eye frozen peas, shredded spinach, French-fried onion rings, escarole salads, lentil stews, sundry fowl innards, Pecan Sandies, Almond Joys, aureomycin, penicillin, antitetanus toxoid, smallpox vaccine, Alka-Seltzer, Empirin, Vicks VapoRub, Arrid with chlorophyll, Super Anahist nose spray, Dristan decongestant, billions of cubic feet of wholesome, reconditioned breathing air, and the more wholesome breeds of fraternal exercise available to Western man. Ah, the regimented good will and force-fed confidence of those who are not meek but will inherit the earth all the same.
Richard Fariña (Been Down So Long It Looks Like Up To Me)
How To Make A Human Take the cat out of the sphinx and what is left? Riddle Me That. Take the horse from the centaur and you take away the sleek grace, the strength of harnessed power. What is left can still run across fields, after a fashion, but is easily winded; what is left will therefore erect buildings to divide the open plains so he no longer must face the wide expanse where once his equine legs raced the winds and, sometimes, won. Take the bull from the Minotaur but what is left will still assemble a herd for the sake of ruling over it. What is left will kill for sport, in an arena thronged with spectators shouting "Ole" at each deadly thrust. Take the fish from the Merman: What is left can still swim, if only with lots of splashing; gone is the sleek sliding through the waves, alert to the subtle changes in the current. What is left will build ships so he can cross the oceans without getting his feet wet, what is left won't care if his boats pollute the seas he can no longer breathe so long as their passage can keep him from sinking. Take the goat from the satyr but what is left will dance out of reach before you have the chance to get that Dionysian streak of myschief, the love of music and wine, the rutting parts that like to party all the day through. What is left will still be stubborn and refuse to give way; what is left will lock horns and butt heads with anyone who challenges him. Take the bird from the harpy, but the memory of flying, a constant yearning ache for skies so tantalizingly distant, will still remain, as will the established pecking orders, the bitter squabbling over food and territory, and the magpie eye that lusts for shining objects. What is left will cut down the whole forest to feather his sprawling urban nest. At the end of these operations, tell me: what is left? The answer: Man, a creature divorced from nature, who's forgotten where he came from.
Lawrence Schimel
His fingers unhooked from hers, following that same path up her arm, and then back down it again. The feeling was so distracting, so good, so sweet against her clammy skin. She didn't choose a piece from her repertoire; Etta gave herself over to the notes that started streaming through her mind, rising from somewhere deep inside of her. The melody of her heart had no name; it was quick, and light. It rolled with the waves, falling as the breath left his chest, rising as he inhaled. It was the rain sliding down the glass; the fog spreading its fingers over the water. The creaking of a ship's great body. The secrets whispered by the wind, and the unseen life that moved below. It was the flame against the candle. Nicholas's arm was a map of hard muscles and delicate sinews, heartbreakingly perfect. She wondered if he could hear her humming the piece against his skin over the droning roars overhead. Maybe. His free hand skimmed up her skin, leaving a trail of sparks in its wake. With the world blacked out around them, she could catalog all over her senses, capture this moment in the warm darkness forever. He brushed back the loose hair across her forehead, cheek, the corner of her lips, her jaw, and she knew it had to be the same for him, that they'd never been so aware of another person in their entire lives. She released his arm, and he drew it up around her, guiding both of them down so they were on their sides, their heads cushioned by the bag, his jacket drawn over them. Etta understood that here, in the darkness, they'd found a place beyond rules; a place that hung somewhere between the past and the future. This was a single moment of possibility. The clattering of the attack from above faded as he rested his forehead against hers, his thumb lightly stroking a bruise on her cheek. She traced his face - the straight nose, the high, proud cheekbones, the full curve of his lips. His hand caught her there, taking it in his own; he pressed a hard, almost despairing kiss to it. But when she tilted her face up, half - desperate with longing, her blood racing, Nicholas pulled back; and although Etta could feel him beside her, his heart pounding, his ragged breath, it was as if he had disappeared into the thundering dark.
Alexandra Bracken (Passenger (Passenger, #1))
You’re too goddamned fat,” he said. I took a defiant drag on my cigarette and willed myself not to cry. The remark made me dizzy. For the past four years, Ma and Grandma had played by the rule: never to mention my weight. Now my jeans and sweatshirt were folded in a helpless pile beside me and there was only a thin sheet of paper between my rolls of dimply flesh and this detestable old man. My heart raced with fear and nicotine and Pepsi. My whole body shook, dripped sweat. “Any trouble with your period?” he asked. “No.” “What?” “No trouble,” I managed, louder. He nodded in the direction of his stand-up scale. The backs of my legs made little sucking sounds as they unglued themselves from the plastic upholstery. He brought the sliding metal bar down tight against my scalp and fiddled with the cylinder in front of my face. “Five-five and a half,” he said. “Two hundred . . . fifty-seven.” The tears leaking from my eyes made stains on the paper gown. I nodded or shook my head abruptly at each of his questions, coughed on command for his stethoscope, and took his pamphlets on diet, smoking, heart murmur. He signed the form. At the door, his hand on the knob, he turned back and waited until I met his eye. “Let me tell you something,” he said. “My wife died four Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you—you don’t want to do this to yourself.” “Eat shit,” I said. He paused for a moment, as if considering my comment. Then he opened the door to the waiting room and announced to my mother and someone else who’d arrived that at the rate I was going, I could expect to die before I was forty years old. “She’s too fat and she smokes,” I heard him say just before the hall rang out with the sound of my slamming his office door. I was wheezing wildly by the time I reached the final landing. On the turnpike on the way home, Ma said, “I could stand to cut down, too, you know. It wouldn’t hurt me one bit. We could go on a diet together? Do they still sell that Metrecal stuff?” “I’ve been humiliated enough for one fucking decade,” I said. “You say one more thing to me and I’ll jump out of this car and smash my head under someone’s wheels.
Wally Lamb (She's Come Undone)
Free spirits, the ambitious, ex-socialists, drug users, and sexual eccentrics often find an attractive political philosophy in libertarianism, the idea that individual freedom should be the sole rule of ethics and government. Libertarianism offers its believers a clear conscience to do things society presently restrains, like make more money, have more sex, or take more drugs. It promises a consistent formula for ethics, a rigorous framework for policy analysis, a foundation in American history, and the application of capitalist efficiencies to the whole of society. But while it contains substantial grains of truth, as a whole it is a seductive mistake. . . . The most fundamental problem with libertarianism is very simple: freedom, though a good thing, is simply not the only good thing in life. . . . Libertarians try to get around this fact that freedom is not the only good thing by trying to reduce all other goods to it through the concept of choice, claiming that everything that is good is so because we choose to partake of it. Therefore freedom, by giving us choice, supposedly embraces all other goods. But this violates common sense by denying that anything is good by nature, independently of whether we choose it. . . . So even if the libertarian principle of “an it harm none, do as thou wilt,” is true, it does not license the behavior libertarians claim. Consider pornography: libertarians say it should be permitted because if someone doesn’t like it, he can choose not to view it. But what he can’t do is choose not to live in a culture that has been vulgarized by it. . . . There is no need to embrace outright libertarianism just because we want a healthy portion of freedom, and the alternative to libertarianism is not the USSR, it is America’s traditional liberties. . . . Paradoxically, people exercise their freedom not to be libertarians. The political corollary of this is that since no electorate will support libertarianism, a libertarian government could never be achieved democratically but would have to be imposed by some kind of authoritarian state, which rather puts the lie to libertarians’ claim that under any other philosophy, busybodies who claim to know what’s best for other people impose their values on the rest of us. . . . Libertarians are also naïve about the range and perversity of human desires they propose to unleash. They can imagine nothing more threatening than a bit of Sunday-afternoon sadomasochism, followed by some recreational drug use and work on Monday. They assume that if people are given freedom, they will gravitate towards essentially bourgeois lives, but this takes for granted things like the deferral of gratification that were pounded into them as children without their being free to refuse. They forget that for much of the population, preaching maximum freedom merely results in drunkenness, drugs, failure to hold a job, and pregnancy out of wedlock. Society is dependent upon inculcated self-restraint if it is not to slide into barbarism, and libertarians attack this self-restraint. Ironically, this often results in internal restraints being replaced by the external restraints of police and prison, resulting in less freedom, not more. This contempt for self-restraint is emblematic of a deeper problem: libertarianism has a lot to say about freedom but little about learning to handle it. Freedom without judgment is dangerous at best, useless at worst. Yet libertarianism is philosophically incapable of evolving a theory of how to use freedom well because of its root dogma that all free choices are equal, which it cannot abandon except at the cost of admitting that there are other goods than freedom. Conservatives should know better.
Robert Locke
And as he watched, the first powerful four-legged lion stepped into the clearing. The male animal shook the snow from its dark, flowing mane, tilted its head and roared into the night. Another call followed, and yet another. And as Dane watched, Lawe and Rule moved warily from their positions, edging back to the limo as he threw the doors open and allowed the two Breeds to slide inside the warmth of the car. Rye didn't bother to get out and enter the back through a door. He slid over the seat positioned behind the driver's area and stared back at Dane in surprise. "There's a lot of fucking lions out there," he commented uncomfortably. They were screaming into the night now, spurred by the animal Dane could swear he could feel heading this way. Another animal stepped in. A lioness, her scream echoing through the night as the lions surrounded the cabin. A dozen fully grown, enraged creatures, following one simple command. To protect Mercury's mate. Dane let a smile tip his lips as he opened the small bar set in the center of the seat and pulled free the whiskey and glasses. "Looks like the night just got interesting, my friends," he drawled, pouring the alcohol. "I say we enjoy the show while we can." Ria's mate was coming for her.
Lora Leigh
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted. To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer. “Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, inviting-brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight…wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking…teasing! She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quit the way I remembered it.” “Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation. “Care to try it again?” Ian invited, still willing to indulge in a few pleasurable minutes of shared ardor, so long as there was no pretense that it was anything but that, and no loss of control on his part. The bland amusement in his tone finally made her suspect he was treating this as some sort of diverting game or perhaps a challenge, and she looked at him in shock, “Is this a-a contest?” “Do you want to make it into one?” Elizabeth shook her head and abruptly surrendered her secret memories of tenderness and stormy passion. Like all her other former illusions about him, that too had evidently been false. With a mixture of exasperation and sadness, she looked at him and said, “I don’t think so.” “Why not?” “You’re playing a game,” she told him honestly, mentally throwing her hands up in weary despair, “and I don’t understand the rules.” “They haven’t changed,” he informed her. “It’s the same game we played before-I kiss you, and,” he emphasized meaningfully, “you kiss me.” His blunt criticism of her lack of participation left her caught between acute embarrassment and the urge to kick him in the shin, but his arm was tightening around her waist while his other hand was sliding slowly up her back, sensuously stroking her nape. “How do you remember it?” he teased as his lips came closer. “Show me.
Judith McNaught (Almost Heaven (Sequels, #3))
Have you…” “Have I what?” Gray prompted, promptly kicking himself for doing so. God only knew what she’d ask now. Or what damn fool thing he’d say in response. “Have you ever seen a Botticelli? Painting, I mean. A real one, in person?” The breath he’d been holding whooshed out of him. “Yes.” “Oh.” She bit her lip. “What was it like?” “I…” His hand gestured uselessly. “I haven’t words to describe it.” “Try.” Her eyes were too clear, too piercing. He swallowed and shifted his gaze to a damp lock of hair curling at her temple “Perfect. Luminous. So beautiful, your chest aches. And so smooth, like glass. Your fingers itch to touch it.” “But you can’t.” “No,” he said quietly, his gaze sliding back to meet hers. “It isn’t allowed.” “And you care what others will allow?” She took a step toward him, her fingers trailing along the grooved tabletop. “What if you were alone, and there was no one to see? Would you touch it then?” Gray shook his head and dropped his gaze to his hands. “It’s not…” He paused, picking over his words like fruits in an island market. Testing and discarding twice as many as he chose. “There’s a varnish, you see. Some sort of gloss. If I touched it with these rough hands, I’d mar it somehow. Make it a bit less beautiful. Couldn’t live with myself then.” “So-“ She leaned one hip against the table’s edge, making her whole body one sinuous, sweeping curve. Gray sucked in a lungful of heat. “It isn’t the rules that prevent you.” “Not really. No.” Silence again. Vast and echoing, like the long, marble-tiled galleries of the Uffizi.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I got a call a while ago from one of 20/20’s reporters, who wanted to talk to me about deforestation. The next “myth” Stossel is going to debunk, she said, is that this continent is being deforested. After all, as the timber industry says, there are more trees on this continent today than there were seventy years ago. She wanted a response from an environmentalist. I told her that 95 percent of this continent’s native forests are gone, and that the creatures who live in these forests are gone or going. She reiterated the timber industry claim, and said that Stossel was going to use that as the basis for saying, “Give me a break! Deforestation isn’t happening!” I said the timber industry’s statement has two unstated premises, and reminded her of the first rule of propaganda: if you can slide your premises by people, you’ve got them. The first premise is the insane presumption that a ten-inch seedling is the same as a two-thousand-year-old tree. Sure, there may be more seedlings today, but there are a hell of a lot fewer ancient trees. And many big timber corporations cut trees on a fifty-year rotation, meaning that the trees will never even enter adolescence so long as civilization stands. The second is the equally insane presumption that a monocrop of Douglas firs (on a fifty-year rotation!)393 is the same as a healthy forest, that a forest is just a bunch of the same kind of trees growing on a hillside instead of what it really is, a web of relationships shimmering amongst, for example, salmon, voles, fungi, salamanders, murrelets, trees, ferns, and so on all working and living together. Pretty basic stuff.
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
Before she could think of what to say, he grasped the axe and turned toward her, his face a mass of angles in the lanternlight. "Step back." This was a man who expected to be heeded. He did not wait to see if she followed his direction before he lifted the axe high above his head. She pressed herself into the corner of the dark room as he attacked the furniture with a vengeance, her surprise making her unable to resist watching him. He was built beautifully. Like a glorious Roman statue, all strong, lean muscles outlined by the crisp linen of his shirtsleeves when he lifted the tool overhead, his hands sliding purposefully along the haft, fingers grasping tightly as he brought the steel blade down into the age-old oak with a mighty thwack, sending a splinter of oak flying across the kitchen, landing atop the long-unused stove. He splayed one long-fingered hand flat on the table, gripping the axe once more to work the blade out of the wood. He turned his head as he stood back, making sure she was out of the way of any potential projectiles- a movement she could not help but find comforting- before confronting the furniture and taking his next swing with a mighty heave. The blade sliced into the oak, but the table held. He shook his head and yanked the axe out once more, this time aiming for one of the remaining table legs. Thwack! Penelope's eyes went wide as the lanternlight caught the way his wool trousers wrapped tightly around his massive thighs. She should not notice... should not be paying attention to such obvious... maleness. But she'd never seen legs like his. Thwack! Never imagined they could be so... compelling. Thwack! Could not help it. Thwack!
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
THE OBEDIENCE GAME DUGGAR KIDS GROW UP playing the Obedience Game. It’s sort of like Mother May I? except it has a few extra twists—and there’s no need to double-check with “Mother” because she (or Dad) is the one giving the orders. It’s one way Mom and Dad help the little kids in the family burn off extra energy some nights before we all put on our pajamas and gather for Bible time (more about that in chapter 8). To play the Obedience Game, the little kids all gather in the living room. After listening carefully to Mom’s or Dad’s instructions, they respond with “Yes, ma’am, I’d be happy to!” then run and quickly accomplish the tasks. For example, Mom might say, “Jennifer, go upstairs to the girls’ room, touch the foot of your bed, then come back downstairs and give Mom a high-five.” Jennifer answers with an energetic “Yes, ma’am, I’d be happy to!” and off she goes. Dad might say, “Johannah, run around the kitchen table three times, then touch the front doorknob and come back.” As Johannah stands up she says, “Yes, sir, I’d be happy to!” “Jackson, go touch the front door, then touch the back door, then touch the side door, and then come back.” Jackson, who loves to play army, stands at attention, then salutes and replies, “Yes, sir, I’d be happy to!” as he goes to complete his assignment at lightning speed. Sometimes spotters are sent along with the game player to make sure the directions are followed exactly. And of course, the faster the orders can be followed, the more applause the contestant gets when he or she slides back into the living room, out of breath and pleased with himself or herself for having complied flawlessly. All the younger Duggar kids love to play this game; it’s a way to make practicing obedience fun! THE FOUR POINTS OF OBEDIENCE THE GAME’S RULES (MADE up by our family) stem from our study of the four points of obedience, which Mom taught us when we were young. As a matter of fact, as we are writing this book she is currently teaching these points to our youngest siblings. Obedience must be: 1. Instant. We answer with an immediate, prompt “Yes ma’am!” or “Yes sir!” as we set out to obey. (This response is important to let the authority know you heard what he or she asked you to do and that you are going to get it done as soon as possible.) Delayed obedience is really disobedience. 2. Cheerful. No grumbling or complaining. Instead, we respond with a cheerful “I’d be happy to!” 3. Thorough. We do our best, complete the task as explained, and leave nothing out. No lazy shortcuts! 4. Unconditional. No excuses. No, “That’s not my job!” or “Can’t someone else do it? or “But . . .” THE HIDDEN GOAL WITH this fun, fast-paced game is that kids won’t need to be told more than once to do something. Mom would explain the deeper reason behind why she and Daddy desired for us to learn obedience. “Mom and Daddy won’t always be with you, but God will,” she says. “As we teach you to hear and obey our voice now, our prayer is that ultimately you will learn to hear and obey what God’s tells you to do through His Word.” In many families it seems that many of the goals of child training have been lost. Parents often expect their children to know what they should say and do, and then they’re shocked and react harshly when their sweet little two-year-old throws a tantrum in the middle of the grocery store. This parental attitude probably stems from the belief that we are all born basically good deep down inside, but the truth is, we are all born with a sin nature. Think about it: You don’t have to teach a child to hit, scream, whine, disobey, or be selfish. It comes naturally. The Bible says that parents are to “train up a child in the way he should go: and when he is old, he will not depart from it” (Proverbs 22:6).
Jill Duggar (Growing Up Duggar: It's All About Relationships)
There are pieces to the puzzle missing,' Camas said. He was tugging his hair; his eyes glowed eerily in the red light from a stained-glass lamp. 'And pieces that don't yet fit. What, for instance, precipitates the shift from city to shadow city? Is it sorcery? Has it to do with the precarious state of affairs in the House of Greve? The powerless heir, the bastard who cannot act? What secrets are hidden within the secret palace? What is there to gain by anticipating and surviving the shift? Domina Pearl believes that it is possible, if one can remain aware during the transformation, to amass enormous knowledge and power. To rule the shadow city when it emerges, since no one else will remember the previous city, and who ruled then. All will be accepted as it is revealed. All of which is why I am so eager to speak with you. You live in Ombria's past, its ghosts and memories. How far back do you remember? Were you alive before the previous shift? How many transformations have there been? Many? One? None at all? How old are you?' The illusion of Faey inclined her head gracefully; Camas continued without listening for answers. Faey spoke then, her voice sliding within, beneath his words. 'What do you expect to gain form what you call the transformation?' Camas interrupted his own sentence with a word. 'Enlightenment. And the power that comes with an unbroken memory of the history of the city. Domina Pearl's knowledge of sorcery may not survive the transformation if she herself is not aware of the shift. I want to stay alive, be aware of the shift form city to shadow, and I will ally myself and my abilities to anyone powerful enough to maintain the integrity of existence, knowledge, memory and experience through the transformation.' 'Such as Domina Pearl?' the sorceress suggested. She kept her voice light, careless, but her eyes were very dark. 'Domina Pearl,' Camas agreed. 'Or you. Or perhaps even Ducon. He is another puzzle piece, I think. He is drawn to the hidden palace, and to the odd, unnoticed places in Ombria where the boundaries are visible between the city and its shadow. He draws them constantly.' 'So you would pledge your loyalty to him or betray him, depending on the moment?' 'Or her. Or you,' Camas answered, nodding briskly. Mag stared at him with wonder. 'Exactly. Depending on the moment.
Patricia A. McKillip (Ombria in Shadow)
I love it when you can’t control yourself,” she whispered. “I love having you at my mercy. You have no idea…how much I enjoy seeing Dom the Almighty brought low.” He barely registered her words. What she was doing felt so good. So bloody damned good. If she stroked him much more… “I want to be inside you.” He gripped her wrist. “Please, Jane…” Her sensuous smile faltered. “You’ve never said ‘please’ to me before. Not in your whole life.” “Really?” Had he only ever issued orders? If so, no wonder she’d refused him last night. Perhaps it was time to show her she didn’t have to seduce him to gain control. That he could give up his control freely…to her, at least. “Then let me say it now. Please, Jane, make love to me. If you don’t mind.” She stared at him. “I…I don’t know what you mean.” He nodded to his cock, which looked downright ecstatic over the idea. “Get up on your knees and fit me inside you.” Realizing he’d just issued yet another order, he added, “Please. If you want.” Jane got that sultry look on her face again. Like the little seductress she was rapidly showing herself to be, she rose up and then came down on him. By degrees. Very slow degrees. He had trouble breathing. “Am I hurting you?” Her smile broadened as she shimmied down another inch. “Not really.” Stifling a curse, he clutched her arms. “You just…enjoy torturing me.” “Absolutely,” she said and moved his hands to cover her breasts. He was more than happy to oblige her unspoken request, happy to thumb her nipples and watch as her lovely mouth fell open and a moan of pure pleasure escaped her. His cock swelled, and he thrust up involuntarily. “Please…” he said hoarsely. “Please, Jane…” With a choked laugh, she sheathed herself on him. Then her eyes went wide. “Oh, that feels amazing.” “It would feel more amazing if you…would move,” he rasped, though the mere sensation of being buried inside her was making him insane. When she arched an eyebrow, he added, “Please.” “I could get to like this,” she said teasingly. “The begging.” But even as he groaned, she began to move, like the sensual creature that she was. His sweetheart undulated atop him, her head thrown back and her eyes sliding closed, and for the first time in his life, he was happy to give himself up to someone else’s control. To relish her pleasure, which was also his pleasure. Somehow he’d stumbled into paradise, ruled by his own personal angel. His own personal siren. “You like having me…in your power, do you?” he said. “Yes, oh, yes.” Her eyes brightened as she rode him, harder, faster. “Say it again.” “What?” He could hardly think for watching her take him. For being inside her so deeply he fancied he could feel her heart, her very soul. “Please.” Her face was flushed, rapt. “Say…’please’ again.” “Please.” Why had he never thought to say it before? This was all he’d ever wanted--to have the enthralling, intoxicating Jane in his arms, in his life. Forever. A “please” from time to time was little enough to give for that. “Please, my wanton angel.” He clutched her close, his rhythm quickening. “Please…be mine. Please…marry me.” His release approached like a carriage thundering toward the heavens. Toward paradise. And as the blood roared in his ears, he plunged his cock deeply and emptied himself inside her, crying, “Please…Jane…love me!” “I do.” With a hoarse cry of her own, she strained against him and found her own release, milking his cock with the force of it. “I do, my darling…I do.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
But merian, so often able to slide by the rules somehow, held on to her specialised tools: her book of notes, her paints, her expensive vellum--carta non nata, skin from unborn lambs, that held the color like nothing else. She brought her mixing materials and pigments.
Kim Todd (Chrysalis: Maria Sibylla Merian and the Secrets of Metamorphosis)
Rogge wheeled. “What about this Magnus Ridolph? Who is he?” Captain Julic made an easy gesture. “Magnus Ridolph is an eminent mathematician.” “What’s that got to do with the T.C.I.?” demanded Rogge bitterly. “Or the present case? He won’t stop the killings with a slide-rule.” Captain Julic smiled. “I think he carries a slide-rule in his brain.” Rogge turned, stalked slowly from the Communications room. “How is it that the Corps commander sent him — a mathematician?” Julic shrugged. “I imagine that he’s an unofficial consultant, something of the sort.
Jack Vance (Magnus Ridolph)
Every craftsman starts his or her journey with a basic set of good-quality tools. A woodworker might need rules, gauges, a couple of saws, some good planes, fine chisels, drills and braces, mallets, and clamps. These tools will be lovingly chosen, will be built to last, will perform specific jobs with little overlap with other tools, and, perhaps most importantly, will feel right in the budding woodworker's hands. Then begins a process of learning and adaptation. Each tool will have its own personality and quirks, and will need its own special handling. Each must be sharpened in a unique way, or held just so. Over time, each will wear according to use, until the grip looks like a mold of the woodworker's hands and the cutting surface aligns perfectly with the angle at which the tool is held. At this point, the tools become conduits from the craftsman's brain to the finished product—they have become extensions of his or her hands. Over time, the woodworker will add new tools, such as biscuit cutters, laser-guided miter saws, dovetail jigs—all wonderful pieces of technology. But you can bet that he or she will be happiest with one of those original tools in hand, feeling the plane sing as it slides through the wood.
Andrew Hunt (The Pragmatic Programmer: From Journeyman to Master)
We’re also not recommending permissiveness or letting your boundaries slide simply because a child isn’t thinking logically. Rules about respect and behavior aren’t thrown out the window simply because a child’s left hemisphere is disengaged. For example, whatever behavior is inappropriate in your family—being disrespectful, hurting someone, throwing things—should remain off-limits even in moments of high emotion. You may need to stop destructive behavior and remove your child from the situation before you begin to connect and redirect.
Daniel J. Siegel (The Whole-Brain Child: 12 Revolutionary Strategies to Nurture Your Child's Developing Mind, Survive Everyday Parenting Struggles, and Help Your Family Thrive)
That’s a start,” she said. “I’d also like you to review the rules regarding spine bending and turning over the corners of pages. If we let simple things like that slide without punishment, we could open the floodgates to poor reading etiquette and a downward spiral to the collapse of civilization.
Jasper Fforde (The Woman Who Died a Lot (Thursday Next, #7))
Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can, nowadays, is happier than any man who tries to slide rule, measure, and equate the universe, which just won’t be measured or equated without making man feel bestial and lonely.
Ray Bradbury (Fahrenheit 451)
Because they’re wet, Noah’s jeans are a bit stubborn sliding down, but he’s successful, and in the mirror I’m drawn to his naked body. I love the raw power of his shoulder blades and the curve of his back that trails lower to his...my mouth dries out...oh, crap...his butt is...how do I describe something so exquisite? Everything about Noah is sexy, and as he bends to pull the jeans off his foot— “If you get in the shower with me, Echo, you’d get a better look and you’d warm up.”
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
Writing in the early 1990s, as the personal computer revolution first accelerated, Postman argued that our society was sliding into a troubling relationship with technology. We were, he noted, no longer discussing the trade-offs surrounding new technologies, balancing the new efficiencies against the new problems introduced. If it’s high-tech, we began to instead assume, then it’s good. Case closed.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
I seriously don’t give a crap how I get the pants; just that I get ‘em before my next class. A wet crotch is not the way to show Brittany I’m a stud. I wait at the tree while other kids throw away their lunches and head back inside. Before I know it, music starts playing through the loudspeakers and Paco is nowhere in sight. Great. Now I have five minutes to get to Peterson’s class. Gritting my teeth, I walk to chemistry with my books strategically placed in front of my crotch, with two minutes to spare. I slide onto the stool and push it as close to the lab table as possible, hiding the stain. Brittany walks into the room, her sunshine hair falling down the front of her chest, ending in perfect little curls that bounce when she walks. Instead of that perfection turning me on, it makes me want to mess it all up. I wink at her when she glances at me. She huffs and pulls her stool as far away from me as possible. Remembering Mrs. Peterson’s zero-tolerance rule, I pull my bandana off and place it in my lap directly over the stain. Then I turn to the pom-pom chick sitting next to me. “You’re gonna have to talk to me at some point.” “So your girlfriend can have a reason to beat me up? No thanks, Alex. I’d rather keep my face the way it is.” “I don’t have a girlfriend. You want to interview for the position?” I scan her from top to bottom, focusing on the parts she relies on so heavily. She curls her pink-frosted top lip and sneers at me. “Not on your life.” “Mujer, you wouldn’t know what to do with all this testosterone if you had it in your hands.” That’s it, Alex. Tease her into wanting you. She’ll take the bait. She turns away from me. “You’re disgusting.” “What if I said we’d make a great couple?” “I’d say you were an idiot.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Be it a 'slide' in a children’s park, or one in the play-fields of life; the mantra is same. “You climb up and you slide down.” What is missing in the later years is the enthusiasm with which the kids run up the steps, knowing fully well that another down-slide is imminent. Life is a game; play it with gay abundance. Take a leaf out of the kid’s rule-book…
Anurag Shourie
He knocked on the door and waited, sliding his attention over to his beautiful wife who was shifting on her feet with intense anxiety. He stared at her like he always did. Like she was this drawing force that he felt compelled toward. It didn’t matter whether she was sobbing on the floor in a crumpled mess. Or complaining about life and her job until she was blue in the face. Or standing in front of him, like she was now, looking like she could rule the fucking universe. She was incredible. And every time he stared at her, she took his breath away. Not because of the way she looked but because of the way she held herself. Because even though he knew she was feeling insecure and anxiety-filled inside, she was trying her best to strut her stuff and be all that she could be and more. She was a warrior and she didn’t even know it.
J.A.Braaten (The Connection To You)
Fukuoka, more than any other city in Japan, is responsible for ramen's rocket-ship trajectory, and the ensuing shift in Japan's cultural identity abroad. Between Hide-Chan, Ichiran, and Ippudo- three of the biggest ramen chains in the world- they've brought the soup to corners of the globe that still thought ramen meant a bag of dried noodles and a dehydrated spice packet. But while Ichiran and Ippudo are purveyors of classic tonkotsu, undoubtedly the defining ramen of the modern era, Hideto has a decidedly different belief about ramen and its mutability. "There are no boundaries for ramen, no rules," he says. "It's all freestyle." As we talk at his original Hide-Chan location in the Kego area of Fukuoka, a new bowl arrives on the table, a prototype for his borderless ramen philosophy. A coffee filter is filled with katsuobushi, smoked skipjack tuna flakes, and balanced over a bowl with a pair of chopsticks. Hideto pours chicken stock through the filter, which soaks up the katsuobushi and emerges into the bowl as clear as a consommé. He adds rice noodles and sawtooth coriander then slides it over to me. Compared with other Hide-Chan creations, though, this one shows remarkable restraint. While I sip the soup, Hideto pulls out his cell phone and plays a video of him layering hot pork cheeks and cold noodles into a hollowed-out porcelain skull, then dumping a cocktail shaker filled with chili oil, shrimp oil, truffle oil, and dashi over the top. Other creations include spicy arrabbiata ramen with pancetta and roasted tomatoes, foie gras ramen with orange jam and blueberry miso, and black ramen made with bamboo ash dipped into a mix of miso and onions caramelized for forty-five days.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Hi girls,' Hank says. I let that slide because Hank is in his seventies. But Diggers have rules. The establishing tenet: We're women. Not girls. I am a twenty-seven-year-old pioneer in the wellness space who reincorporated her company as a B-corp without needing to hire a lawyer. Would you refer to my male equivalent as a boy? Try saying it out loud. It sounds non-native.
Jessica Knoll (The Favorite Sister)
Pippa is virtually engaged to Lord Castleton; we expect he'll propose within a matter of days of her return to London." His hand stilled for a moment before continuing its long, slow slide. "How did she and Castleton come to know each other?" She thought of the plain, uninspiring earl. "The same way it happens with anyone, really. Balls, dinners, dancing. He seems nice enough, but... I do not care for the idea of him with Pippa." "Why not?" "Some would say she's peculiar, but she's not. She's simply bookish, loves the sciences. She is fascinated by how things work. He doesn't seem to be able to keep up with her. But, honestly? I don't think she gives a fig one way or another about whether or whom she marries. As long as he has a library and a few dogs, she'll make a happiness of sorts for herself. I only wish she could find someone more... well, I hate to sound cruel, but... intelligent.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
in the winter from cars, but not for the reasons you think. It wasn’t automobiles sliding on icy roads and running them over. Only loser cats died that way.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
It's as if, behind our modern wizardry, Oz is revealed working overtime with an abacus and a slide rule. It's only when something goes wrong that we suddenly have a sense of how far mathematics has let us climb--and how long the drop below might be.
Matt Parker (Humble Pi: A Comedy of Maths Errors)
they mistrusted those who were not educated or well-born or well-to-do. More specifically, they feared the people’s power because, possessing, and esteeming, property, they wanted the rights of property protected against those who did not possess it. In the notes he made for a speech in the Constitutional Convention, James Madison wrote of the “real or supposed difference of interests” between “the rich and poor”—“those who will labor under all the hardships of life, and secretly sigh for a more equal distribution of its blessings”—and of the fact that over the ages to come the latter would come to outnumber the former. “According to the equal laws of suffrage, the power will slide into the hands of the latter,” he noted. “Symptoms, of a leveling spirit, as we have understood, have sufficiently appeared in certain quarters to give notice of the future danger.” But the Framers feared the people’s power also because they hated tyranny, and they knew there could be a tyranny of the people as well as the tyranny of a King, particularly in a system designed so that, in many ways, the majority ruled. “Liberty may be endangered by the abuses of liberty as well as by the abuses of power,” Madison wrote. These abuses were more likely because the emotions of men in the mass ran high and fast, they were “liable to err … from fickleness and passion,” and “the major interest might under sudden impulses be tempted to commit injustice on the minority.” So the Framers wanted to check and restrain not only the people’s rulers, but the people; they wanted to erect what Madison called “a necessary fence” against the majority will. To create such a fence, they decided that the Congress would have not one house but two, and that while the lower house would be designed to reflect the popular will, that would not be the purpose of the upper house. How, Madison asked, is “the future danger”—the danger of “a leveling spirit”—“to be guarded against on republican principles? How is the danger in all cases of interested coalitions to oppress the minority to be guarded against? Among other means by the establishment of a body in the government sufficiently respectable for its wisdom and virtue, to aid on such emergencies, the preponderance of justice by throwing its weight into that scale.” This body, Madison said, was to be the Senate. Summarizing in the Constitutional Convention the ends that would be served by this proposed upper house of Congress, Madison said they were “first to protect the people against their rulers; secondly to protect the people against the transient impressions into which they themselves might be led.
Robert A. Caro (Master of the Senate (The Years of Lyndon Johnson, #3))
I need you to do as I ask you,” he said in desperation, fighting the beast lifting its head hungrily. Her laughter was soft, enticing, the sound dancing over his skin. “No, you don’t. Too many people think your word is law. You need someone to defy you a little bit. I know you won’t hurt me, Mikhail. I can feel your fear of yourself. You think there’s something in you I can’t love, some kind of monster you’re afraid for me to see. I know you better than you know yourself.” “You are so reckless, Raven, so heedless of danger.” He gripped the back of a chair so hard the wood threatened to disintegrate into dust. As it was, it would hold the imprint of his fingers for all time. “Danger, Mikhail?” She tipped her head to one side, her hair falling in a slide over one shoulder. Her hands went to the top button of her blouse. “I would never be in danger from you, even if you were furious with me. The only danger right now is to my clothes.” She took a step back, laughing again, letting the sound warm him, ignite the fuse deep inside him. Heat coiled, spread; need slammed into him, hard and urgent. Hunger tore at him, a blind red haze. “You, little one, are playing with fire, and I am totally out of control.” He made one last attempt to save her. Why couldn’t she see how selfish he really was? How he had taken over her life and would never release her? He was the monster she couldn’t see. Perhaps with the rest of the world cold logic and justice ruled him, but not with her. With Raven he was taken over by emotions with which he was so unfamiliar that he could not control them. He did things he felt were unconscionable. He let her see the violence in his mind, tearing her clothes, taking her body without thought or control. She answered him in her mind, warmth, love, her body eager for his, receptive, accepting of his violent side. She had total trust and faith in his feelings for her, in his commitment to her. He swore softly, ripping the clothes from his fettered body, leaping upon her like an attacking jungle cat. “Mikhail, I love this dress,” she whispered against his throat, laughter still spilling into his mind. Laughter. Joy. No fear. “Get out of the damned thing,” he said hoarsely, not realizing he was confirming her belief in him. She took her time, teasing him by fumbling at buttons, making him find the hook in her skirt. “You do not know what you are doing,” he objected raggedly, but his hands were gentle on her body, carefully stripping away her clothes until she was all bare satin skin and long silky hair.
Christine Feehan (Dark Prince (Dark, #1))
the late communication theorist and New York University professor Neil Postman. Writing in the early 1990s, as the personal computer revolution first accelerated, Postman argued that our society was sliding into a troubling relationship with technology. We were, he noted, no longer discussing the trade-offs surrounding new technologies, balancing the new efficiencies against the new problems introduced. If it’s high-tech, we began to instead assume, then it’s good. Case closed. He called such a culture a technopoly, and he didn’t mince words in warning against it. “Technopoly eliminates alternatives to itself in precisely the way Aldous Huxley outlined in Brave New World,” he argued in his 1993 book on the topic. “It does not make them illegal. It does not make them immoral. It does not even make them unpopular. It makes them invisible and therefore irrelevant.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
Basira, who had come to us from Algiers, made a face. “So, then he tried to show me how to use a slide rule!” “No—for a differential equation?” Myrtle, the only other American in our group, covered her mouth and laughed until her cheeks turned red. “What a buffoon.
Mary Robinette Kowal (The Calculating Stars (Lady Astronaut, #1))
you are either climbing or sliding or growing and dying.
Tony Johnson (Tony Robbins Lessons: Rules of Personal Power)
Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely.
Anonymous
Postman argued that our society was sliding into a troubling relationship with technology. We were, he noted, no longer discussing the trade-offs surrounding new technologies, balancing the new efficiencies against the new problems introduced. If it’s high-tech, we began to instead assume, then it’s good. Case closed.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
Adventure
Nevil Shute (Slide Rule)
There have to be rules though.” She pulled out of the kiss, withdrawing her finger as well, sliding it down his chin and throat, leaving a wet trail. “Rules?” Her gaze locked with his. “This can only be sex. Just seven weeks of utterly debauched, completely strings-free sex.” Her finger moved south, swirling around first one nipple then the other. “No expectations. No commitments. No getting attached. No crying like a baby and asking me not to leave.” Ryder laughed at the thought, but there was a husky catch to it as her finger trailed down his abdomen. “I’m not going to fall in love with you,” she continued. “And you’re not going to fall in love with me. I will not give up my dream again, Ryder. Not for you, not for any man. Okay?
Amy Andrews (Playing With Forever (Sydney Smoke Rugby, #4))
With a quick glance behind to make certain that no one was near and no one saw her, she dove through a curtain and pulled it shut behind her. The balcony was a box, its glass walls like black ice: sheer slices of the night outside. Light from the hallway lined the seam of the curtain and glowed at its hem, but Kestrel could barely see her own hands. She touched a glass pane. These windows would be open on the night of her wedding. The trees below would be in bloom, the air fragrant with cere blossoms. She would choke on it. Kestrel knew she would hate the scent of cere flowers all her life, as she ruled the empire, as she bore her husband’s children. As she aged and the ghosts of her choices haunted her. There was a sudden sound. The slide of wooden curtain rings on the rod. Light brightened behind Kestrel. Someone was coming through the velvet. He was pulling it wide, he was stepping onto Kestrel’s balcony--close, closer still as she turned and the curtain swayed, then stopped. He pinned the velvet against the frame. He held the sweep of it high, at the level of his gray eyes, which were silver in the shadows. He was here. He had come. Arin.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
THERE IS NOTHING in the world more perfect than a slide rule. Its
Hope Jahren (Lab Girl)
Why don’t you have a girlfriend, Matt?” I ask. And I really want to know, because it’s unfathomable to me that he’s single. He’s handsome, and he’s so kind. He shakes a finger at me. “There’s a story there,” he says. I settle into the sofa a little deeper and turn so that my feet are pointed toward him, my legs extended. My toes almost touch his thigh. But then he lifts my feet and slides under them, scooting closer to me. “I was in love with a girl. For a long time.” “What happened to her?” I ask. He starts to tickle across my toes, and then his fingertips drag down the top of my foot. It’s a gentle sweep, and it feels so good that I don’t want him to stop. His fingers play absently as he starts to talk. “When I got the diagnosis,” he says, “she couldn’t deal with it.” “Cancer?” I ask. He nods. His fingers drag up and down my shin, and he slides around to stroke the back of my knee. I don’t stop him when his hand slides beneath my skirt, although I do tense up. He smiles when he finds the top of my thigh-highs, and he unclips the little fastener that attaches them to my garters. He repeats the action on the other side, his hands teasing the sensitive skin of my inner thigh as he frees the stocking and rolls it down. He pulls it all the way over my foot, and does the same with the other side. I am suddenly really glad I shaved my legs this morning. I wiggle my toes at him, and he starts to stroke me again. I don’t ever want him to stop. “This okay?” he asks. But he’s not looking at my face. He’s looking at my legs. “Yeah,” I breathe. “Keep talking. You got diagnosed…” “I got diagnosed, and the prognosis wasn’t good. I went through chemo and got a little better. But then I needed a second round. Things didn’t look good, and we were flat broke. I couldn’t work at the tattoo parlor anymore because my immune system was too weak, so I had no money coming in. I was poor and sick, and she didn’t love me enough to walk the path with me.” He shrugs, but I can tell he’s serious. “She cheated with my best friend.” He shrugs again. “And that’s the end of that sad story.” “You still love her?” I ask. I don’t breathe, waiting for his answer. He shakes his head and looks up. “I did love her for a long time. And I haven’t been looking for a relationship. I haven’t dated anyone since her. But I’m not in love with her anymore. I know that now.” “Why now?” I ask. He looks directly into my eyes and says, “Because I met you, and I feel really hopeful that you’ll want to go after something real with me. I know we just met and all, but I was serious about making you fall in love with me.” He laughs. “Then you hit me in the nose tonight, and I knew it was meant to be.” “What?” I have no idea what he’s talking about. “When my brother Logan met Emily, she punched him in the face. And when Pete and Reagan first started dating, she hit him in the nose.” He reaches up and touches his nose gently. “So, when you hit me tonight, I just knew it was meant to be.” He grins. “I hope you feel the same way, because I really want to see where this thing is going to go.” “So the women your brothers fell in love with, they committed bodily harm to them and that’s how you guys knew it was real?” “We kind of have a rule. If a woman punches you in the face, you have to marry her.” He laughs. “I didn’t punch you.” “Same difference,” he says. “That’s my story and I’m sticking to it.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
He has always loved to read aloud, to hear words float about a room, to swim in stories and breathe in poetry. And he has a powerful voice, a beautiful voice, as deep, thick and rich as melted chocolate. Characters seem to come alive when he speaks, sliding off the page to stalk the bookshop aisles and relive their fictional lives in 3-D and Technicolor. At night, after Walt flips over the "closed" sign on the front door, he sits back behind the counter and opens doors to other worlds: bookshelves transmute into swamp trees, floors into muddy marshes, the ceiling into a purple sky cracked with lightning as he floats down the Mississippi with Huck Finn. When he meets Robinson Crusoe, the trees become heavy with coconuts, the floorboards a barren desert of sand dunes whipped by screeching winds. When he fights pirates off the coasts of Treasure Island, the floors dip and heave, the salty splash of ocean waves stings his eyes and clouds of gunpowder stain the air. As a rule Walt sticks with adventures and leaves romances untouched, preferring to escape his own aching heart rather than being reminded of it.
Menna van Praag (The Dress Shop of Dreams)
Almost he slept again. Sorrow, sorrow, sorrow. Not sorrow, he thought, though when he remembered Seven Girls Waiting and Pink Butterflies and the living, thinking tree ruling kindly its little lake and flowered lawn in the country of sliding stones, something hurt. Sorrow, sorrow, sorrow, sang the night wind, throbbing. Not sorrow, Sandwalker thought to himself, hate. The marshmen had killed Flying Feet, who had sometimes out of his plenty given him to eat when he was small. They would kill Bloodyfinger and Leaves-you-can-eat, Sweetmouth and his mother. Sorrow, sing sorrow. Not sorrow, he thought, the wind, the tree. He sat up, listening to convince himself that it was only the sighing of the wind he heard, or perhaps the tree murmuring of better places. Whatever it was—perhaps, indeed, he had been wrong about this lonely, reed-hemmed tree—it was not an angry sound. It was … nothing. The lost wind sighed, but not in words. The leaves around him scarcely trembled. Far overhead and far away thunder boomed. Sorrow, sang many voices. Sorrow, sorrow, sorrow. Loneliness, and the night coming that will never go.
Gene Wolfe (The Fifth Head of Cerberus)
In light of Hipparchus and Ptolemy’s extraordinarily successful predictive theories, the goal of astronomy was to find the right combination of circles to describe the motion of the heavenly bodies around the Earth. Contrary to expectations, it turned out that Earth was itself one of the heavenly bodies. After Copernicus, the goal appeared to be to find the right combination of moving spheres that would reproduce the motion of the planets around the Sun. Contrary to expectations, it turned out that abstract elliptical trajectories were better than spheres. After Newton, it seemed clear that the aim of physics was to find the forces acting on bodies. Contrary to this, it turned out that the world could be better described by dynamical fields rather than bodies. After Faraday and Maxwell, it was clear that physics had to find laws of motion in space, as time passes. Contrary to assumptions, it turned out that space and time are themselves dynamical. After Einstein, it became clear that physics must only search for the deterministic laws of Nature. But it turned out that we can at best give probabilistic laws. And so on. Here are some sliding definitions for what scientists have thought science to be: deduction of general laws from observed phenomena, finding out the ultimate constituents of Nature, accounting for regularities in empirical observations, finding provisional conceptual schemes for making sense of the world. (The last one is the one I like.) Science is not a project with a methodology written in stone, or a fixed conceptual structure. It is our ever-evolving endeavor to better understand the world. In the course of its development, it has repeatedly violated its own rules and its own stated methodological assumptions.
Carlo Rovelli
PRIME Prime is an ever-changing condition, a segment of a journey, not a haven at the end of the road. Companies in Prime are recognizable: All aspects work well together, all operations thrive, and all members of the organization know where it is going and how to stay on track. Prime is a state of balance: Flexibility and control, function and form, imagining and producing, innovation and administration. But companies in that exultant equilibrium — so hard to achieve, so easy to lose — continually risk sliding back to childish habits or stumbling into the rigidity of old age. An organization is no less vulnerable in Prime than it is at any other stage of its lifecycle. The cash shortage of Infancy, the founder’s heavy hand in Go-Go, the infighting of Adolescence — those are challenges it has overcome. Now the complacency that comes with a surfeit of success looms as a potential and significant threat. I have a rule of thumb by which I judge an adult company: If it does not produce significant new products or spin off promising start-ups within any three-year period, it is either decaying or on the brink of decline. Ask yourself what percentage of your revenues come from products you were not selling three years ago? Be honest. There are enhancements, changes that are cosmetic in nature that make old products look new. Pharmaceutical manufacturers are well known for
lchak Adizes (The Pursuit of Prime: Maximize your Company's Success with the Adizes Program)
People like printing a hard copy of the presentation slides. We don’t really understand why, but they do.
Ann Handley (Content Rules: How to Create Killer Blogs, Podcasts, Videos, Ebooks, Webinars (and More) That Engage Customers and Ignite Your Business (New Rules Social Media Series))
God and country will step in to fill the void, offering you laws and equations, rules and punishments to carry you through those lonely, restless nights you spend tossing and turning in bed as the moon slides whispering in your window. “They’re worse than an opiate for the masses. They’ll turn you into deaf sheep standing in line as the truth bleats fearfully at the altar. They’ll have you standing in line for slaughter.” His eyes narrowed. “They’ll deafen you to the roar of your inner voice. That’s what they do. Soon, you won’t even be able to hear yourself.
Gregg Andrew Hurwitz (The Tower)
“Sorry, I thought this room belonged to a red-headed girl. Is this her room?” He checks out the room number beside the door, and I broaden my stance. “What makes you think she’s here?” The guy winces. “I followed her.” A tremor runs through my body, and I have to keep from grabbing his throat and shoving him into the wall. Keep talking, asshole. I won’t have Echo pissed at me when I take a swing at this guy. I’ll allow him to bury himself first. “What do you want with her?” “Noah,” Echo whispers behind me and touches my bare back. “Did he say he followed me?” The guy pulls his hands out of his sagging jeans. “I know this is strange, but I want to talk to her.” “Noah?” Echo inches as if she’s going to peek out, and I slide in front of the door, holding the handle to keep her safely inside. This guy’s going to need a hell of a right hook to get to her. “You need to go,” I say. He rams both fists into his hair, and he’s got dark circles under his eyes like he hasn’t slept. “Look, I know this is insane—” “You’re right—you’re fucking crazy. Guys knocking on hotel rooms of girls without being asked is sick.” I jerk my thumb for him to leave. “Serial killers belong at the next exit.”
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
Echo’s breathing hitches when I slide my thumb along a smaller scar. She likes that spot. I’ve memorized it. A centimeter below the crook of her elbow. Her skin is sensitive there, and when I kiss it, Echo normally falls apart and nearly shatters. I gently press my lips behind her ear, and Echo nudges closer to me. “Why, Echo?” “Because.” I nip at her earlobe, and she shivers. “Because why?” Her shoulder moves under my body. A half shrug maybe. “It makes me feel better.” Fuck that. “Why?” A kiss on her neck. A long one. A lingering one. God damn, Echo tastes so good. Her skin is soft and tempting. But I want answers. “Because sometimes I want to blend in.” I raise my head and stare straight into her eyes, spotting the plain honesty. What she doesn’t understand is that she could never blend in. Blazing red hair. Bright emerald eyes. The most beautiful girl in the world. She’d turn heads regardless of a sweater.
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
Echo slides off the hood, and her hips have this easy sway as she walks to the back passenger door. Damn, she’s gorgeous—red, curly hair flowing over her shoulders, a pair of cut-offs hugging her ass and a blue spaghetti-strap tank dipped low enough to show cleavage. My fingers twitch with the need to touch. I’m going to have to pull some major groveling to gain forgiveness. If I were smart, I’d find a way to say sorry without opening my mouth. Never fails that half the time I try to apologize, it comes out wrong.
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
The three-second rule states that your audience should understand your slide within three seconds of seeing it.
Akash Karia (How to Design TED Worthy Presentation Slides: Presentation Design Principles from the Best TED Talks (How to Give a TED Talk))
The rules were the guys had to strip down to their underwear and the girls had to strip down to their panties and bras. They knew that if they were coming over to our place, they were going to slip and slide. The ladies loved doing the slide but couldn’t go headfirst. They had to slide feetfirst on their backsides because otherwise their chests caused too much resistance and slowed them down.
Rob Gronkowski (It's Good to Be Gronk)
There is no definitive acquisition from which history can rise without losing an inch of the height it has attained: the bourgeoisie which was the revolution became the ancien regime, and, when reflecting on the French Revolution, it identifies itself with the old ruling class. At the same time that there is historical progress, there is, therefore, a consolidation, a destruction, a trampling of history; and at the same time as a permanent revolution, there is a permanent decadence which overtakes the ruling class in proportion as it rules and endures, for by ruling it abdicates what had made it "progressive," loses its rallying power, and is reduced to the protection of private interests. Throughout history, revolutions meet one another and institutions resemble one another; every revolution is the first revolution, and every institution, even a revolutionary institution, is tempted by historical precedents. This does not mean that everything is in vain and that nothing can be done: each time the struggle is different, the minimum of demandable justice rises, and, besides, according to these very principles, conservatism is utopian. But this means that the revolution which would recreate history is infinitely distant, that there is a similarity among ruling classes insofar as they are ruling and among ruled classes insofar as they are ruled, and that, for this reason, historical advances cannot be added like steps in a staircase. The Marxists know this very well when they say that the dictatorship of the proletariat turns the weapons of the bourgeoisie against the bourgeoisie. But then a proletarian philosophy of history holds to the miracle that the dictatorship may use the bourgeoisie's weapons without becoming something like a bourgeoisie; that a class may rule without becoming decadent when in point of fact any class which rules the whole proves to be particular by that very action; that a historical formation, the proletariat, may be established as a ruling class without taking upon itself the liabilities of the historical role; that it may accumulate and keep intact in itself all the energy of all past revolution and unfailingly give life to its institutional apparatus and progressively annul its degeneration. It is to act as if everything that historically exists were not at the same time movement and inertia, it is to place in history, as contents, on the one hand the principle of resistance (called the bourgeoisie) and on the other the principle of movement (called the proletariat), when these are the very structure of history as a passage to generality and to the institution of relationships among persons...To believe in proletarian revolution is to arbitrarily assert that history's sliding back on itself and the resurrection of past ghosts are bad dreams, that history carries within itself its own cure and will surprise us with it...One does not kill for relative progress. The very nature of revolution is to believe itself absolute and to not be absolute precisely because it believes itself to be so.
Maurice Merleau-Ponty
I'll admit that it got too tough for me. I finally quit and went to selling refrigerators. But I made the mistake of keeping my drawing board and slide rule. Give those to an engineer-any engineer-and what do you get? Gadgets.
Lee Correy
Er. Shouldn’t be too much of a problem,’ he added. ‘People used to think it was, but I’m pretty sure it’s all a matter of energy absorption and attention to relative velocities.’ The statement was followed with the kind of mystified and suspicious silence that generally succeeded one of his remarks. ‘Relative velocities,’ said Ridcully. ‘Yes, Archchancellor.’ Ponder looked down at his prototype slide rule and waited. He knew that Ridcully would feel it necessary to add a comment at this point in order to demonstrate that he’d grasped something. ‘My mother could move like lightning when—’ ‘I mean how fast things are going when compared to other things,’ Ponder said quickly, but not quite quickly enough.
Terry Pratchett (Interesting Times (Discworld, #17))
remember the rules, rules that were never spelled out but that every woman knew: Don’t open your door to a stranger, even if he says he is the police. Make him slide his ID under the door. Don’t stop on the road to help a motorist pretending to be in trouble. Keep the locks on and keep going. If anyone whistles, don’t turn to look.
Margaret Atwood (The Handmaid's Tale)
SLIDE RULE (1632)
Steven Johnson (Where Good Ideas Come From: The Natural History of Innovation)
I could make you beg,” Madi said casually, sliding his hand inside Az’s pants. He teased over the flared head and rubbed his thumb along Az’s slit, gathering the fluid there and working it just over the crown of Az’s cock until Az bucked desperately into his grip. Az rested his head on Madi’s shoulder so he could speak directly into his ear. “Is that what you need, motek? My submission?” He couldn’t stop the words falling from his lips. Madi didn’t speak, but his hand constricted around Az’s throbbing hard-on. “Does the thought of my begging for your cock turn you on? Is that what you need to cease this ridiculous ground rule?” Madi’s other hand trailed upward, twisting Az’s nipple until he hissed at the pleasure-pain that sent shocks along his spine. “Is it not enough I let you fuck me when nobody else can or that I surrender my flesh to your blade? Do you need the words now, too? If I beg, will you fuck me right here? Hmm? What if I call your bluff?
Onley James (Play Dirty (Wages of Sin #2))
I do not want to keep these things from you. I adore you, puppy. I am just afraid of losing Thomas.” It was nice hearing Boris say that, but it didn’t make Hans feel much better. He’d still behaved like a child throwing a tantrum. These two men were giving him everything—a job he liked doing, a great place to live, good food, fantastic sex, affection—and he’d blown up because they had a couple of things they liked to reserve for themselves. “I’m sorry. I do understand.” Boris reached out and took his hand. “I will start teaching you if you really want to learn. Thomas tells me it is a very hard language for English speakers. The vocabulary is strange.” “Really?” Hans asked, growing ridiculously excited, as if someone had just handed him the map to Blackbeard’s treasure. “It will take a very long time, puppy, before you can understand the things Thomas and I say to each other. But we have been rude. We should not speak so much in front of you.” “No!” Hans exclaimed. “Don’t do that. I want to start picking up phrases. You should talk in front of me more!” Boris laughed. “I had no idea this was so important to you. You really want to be close to us.” “I do!” Boris pulled him in for a long kiss, caressing his back and then sliding his hand partway under Hans’s ass. By the time the kiss ended, they both had raging hard-ons. “You want a pet name for me, puppy?” “Yes!
Jamie Fessenden (The Rules)
The Minds did not assume such distinctions; to them, there was no cutoff between the two. Tactics cohered into strategy, strategy disintegrated into tactics, in the sliding scale of their dialectical moral algebra. It was all more than they ever expected the mammal brain to cope with. He recalled what Sma had said to him, long long ago back in that new beginning (itself the product of so much guilt and pain); that they dealt in the intrinsically untoward, where rules were forged as you went along and were never the same twice anyway, where just by the nature of things nothing could be known or predicted or even judged with any real certainty. It all sounded very sophisticated and abstract and challenging to work with, but in the end it came down to people and problems.
Iain M. Banks (Use of Weapons (Culture, #3))
Instead of being a sign of their inferiority, the lack of abstract thinking among cats is a mark of their freedom of mind. Thinking in generalities slides easily into a superstitious faith in language. Much of the history of philosophy consists of the worship of linguistic fictions. Relying on what they can touch, smell and see, cats are not ruled by words. Philosophy testifies to the frailty of the human mind. Humans philosophize for the same reason they pray. They know the meaning they have fashioned in their lives is fragile and live in dread of its breaking down. Death is the ultimate breakdown in meaning, since it marks the end of any story they have told themselves.
John N. Gray (Feline Philosophy: Cats and the Meaning of Life)