“
Tell me somethin’ you do that would shock me.”
She sits back on the couch. “Shock you?”
“Yeah. Shock me to the core.”
She sits up on her knees and leans toward me. “I’ve thought about you, Carlos,” she whispers in my ear.
“At night, in bed. I think about kissing you, our tongues sliding against each other’s, while your hands are buried in my hair. When I think about feeling those ripples in
your naked chest I touch my—”
“Here’s more popcorn!” Westford says, barging into the room with two big bowls filled to the
rim with freshly popped popcorn. “Kiara, what are you doing?
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
Miss Vesper Holly has the digestive talents of a goat and the mind of a chess master. She is familiar with half a dozen languages and can swear fluently in all of them. She understands the use of a slide rule but prefers doing calculations in her head. She does not hesitate to risk life and limb- mine as well as her own. No doubt she has other qualities as yet undiscovered. I hope not.
”
”
Lloyd Alexander (The Illyrian Adventure (Vesper Holly, #1))
“
I remember the rules, rules that were never spelled out but every woman knew: Don't open your door to a stranger, even if he says he is the police. Make him slide his ID under the door. Don't stop on the road to help a motorist pretending to be in trouble. Keep the locks on and keep going. If anyone whistles, don't turn to look. Don't go into a laundromat, by yourself, at night.
I think about laundromats. What I wore to them: shorts, jeans, jogging pants. What I put into them: my own clothes, my own soap, my own money, money I had earned myself. I think about having such control.
Now we walk along the same street, in red pairs, and not man shouts obscenities at us, speaks to us, touches us. No one whistles.
There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
Everything is magic when you don’t know what it is. Your sliding rule is a magic wand to most people.
”
”
Terry Pratchett (Raising Steam (Discworld, #40; Industrial Revolution, #6; Moist von Lipwig, #3))
“
She stood with her perfect profile turned to the glittering night sky, her hood sliding back. Snow was beginning to fall, and it caught in the dark waves of her hair. “I plant something new for every Grisha lost. Heartleaf for Marie. Yew for Sergei. Red Sentinel for Fedyor. Even Ivan has a place.” She touched her fingers to a frozen stalk. “This will blossom bright orange in the summer. I planted it for Harshaw. These dahlias were for Nina when I thought she’d been captured and killed by Fjerdans. They bloom with the most ridiculous red flowers in the summer. They’re the size of dinner plates.” Now she turned and he could see tears on her cheeks. She lifted her hands, the gesture half-pleading, half-lost. “I’m running out of room.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Anyone who has ridden the subway twice a day to earn their bread knows how it goes: When you board, you exhibit the same persona you use with your colleagues and acquaintances. You've carried it through the turnstile and past the sliding doors, so that your fellow passengers can tell who you are - cocky or cautious, amorous or indifferent, loaded or on the dole. But you find yourself a seat and the train gets under way; it comes to one station and then another; people get off and others get on. And under the influence of the cradlelike rocking of the train, your carefully crafted persona begins to slip away. The super-ego dissolves as your mind begins to wander aimlessly over your cares and your dreams; or better yet, it drifts into ambient hypnosis, where even cares and dreams recede and the peaceful silence of the cosmos pervades.
”
”
Amor Towles (Rules of Civility)
“
Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely.
”
”
Ray Bradbury (Fahrenheit 451)
“
People know, or dimly feel, that if thinking is not kept pure and keen, and if respect for the world of mind is no longer operative, ships and automobiles will soon cease to run right, the engineer's slide rule and the computations of banks and stock exchanges will forfeit validity and authority, and chaos will ensue.
”
”
Hermann Hesse (The Glass Bead Game)
“
No longer just "a dull bunch of grey buildings with grey people who worked with slide rules and wrote long equations on blackboards," NASA, the public now believed, was all that stood between them and a Red sky.
”
”
Margot Lee Shetterly (Hidden Figures)
“
Social order is not the result of the architectural order created by T squares and slide rules. Nor is social order brought about by such professionals as policemen, nightwatchmen, and public officials. Instead, says Jacobs, “the public peace—the sidewalk and street peace—of cities … is kept by an intricate, almost unconscious network of voluntary controls and standards among the people themselves, and enforced by the people themselves.
”
”
James C. Scott (Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed)
“
I brought a condom," I tell her when I slide her panties down. We're both hot and sweaty, and I can't resist hr anymore.
"I did, too," she whispers against my neck. "But we might not be able to use it."
"Why not?" I expect her to tell em this was all a mistake, that she really didn't mean to get me all hot and bothered just to tell me I'm not worthy enough to take her virginity, but it's the truth.
She clears her throat. "It all d-d-depends on whether or not you're allergic to l-l-latex.
”
”
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
“
If this was what Mikhail called opening the gate close to Zayvion’s body, I was going to kill a compass and a slide rule and send them through the gates of death to him.
”
”
Devon Monk (Magic at the Gate (Allie Beckstrom, #5))
“
Three pairs of socks, one pair of trousers, an extra shirt. One canteen. A tin cup and plate. A cylindrical slide rule, a chronometer, a jar of spruce sap, my collection of anticorrosives -”
“You were only supposed to pack what you need.”
David gave an empathetic nod. “Exactly.”
“Please tell me you didn’t bring all of Morozova’s journals,” I said.
“Of course I did.”
I rolled my eyes. There had to be at least fifteen leather-bound books. “Maybe they’ll make good kindling.”
“Is she kidding?” David asked, looking concerned. “I can never tell if she’s kidding.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
Listen Zeke, i have to go. There's something i have to do, someone i have to find. i owe him a lot, and he's in trouble now. i just wanted to say goodbye."
Zeke slept on. i put my hand on his uninjured arm, squeezing gently. My eyes burned, but i ignored them. "you probably won't see me again," i murmured, feeling something hot slide down my cheek. "i got you here, like i promised i would. i wish... i wish i could've seen your Eden, but this place isn't for me. it never was. i have to find my own place in the world.
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
In Donald Trump, we have a frightening Venn diagram consisting of three circles: the first is extreme present hedonism; the second, narcissism; and the third, bullying behavior. These three circles overlap in the middle to create an impulsive, immature, incompetent person who, when in the position of ultimate power, easily slides into the role of tyrant, complete with family members sitting at his proverbial “ruling table.” Like a fledgling dictator, he plants psychological seeds of treachery in sections of our population that reinforce already negative attitudes.
”
”
Bandy X. Lee (The Dangerous Case of Donald Trump: 27 Psychiatrists and Mental Health Experts Assess a President)
“
engineer is a man who can do for ten shillings what any fool can do for a pound;
”
”
Nevil Shute (Slide Rule)
“
I wonder what NASA would think about me fucking with the RTG like this. They'd probably hide under their desks and cuddle with their slide rules for comfort.
”
”
Andy Weir (The Martian)
“
I tell you, the slide rule is the greatest invention since girls.
”
”
Robert A. Heinlein (Have Space Suit-Will Travel)
“
Round the next corner and in the next street Adventure lies in wait for you. Oh, who can tell what you may meet Round the next corner and in the next street! Could life be anything but sweet When all is hazardous and new? Round the next corner and in the next street Adventure lies in wait for you. That
”
”
Nevil Shute (Slide Rule)
“
When things break down, what has been ignored rushes in. When things are no longer specified, with precision, the walls crumble, and chaos makes its presence known. When we've been careless, and let things slide, what we have refused to attend to gathers itself up, adopts a serpentine form, and strikes--often at the worst possible moment. It is then that we see what focused intent, precision of aim and careful attention protects us from.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
He’s adorably high-handed where you’re concerned, isn’t he?”
My eyes slide closed. “With anyone.”
“No,” he says thoughtfully. “Only you. He really can’t be bothered with anyone else, unless they’re connected to you. You’re all he sees.
”
”
Lily Morton (Rule Breaker (Mixed Messages, #1))
“
Honestly I think she’s terrified of letting anyone close enough to break her heart again.” I shrugged and started to slide out of the booth. “Nothing wrong with reaching for the stars.” “There is when what’s available is only here in the ground level. I love Rule with everything I have, but he is far from perfect. Relationships are not tailor-made and people are flawed. You have to work around that and love the other person anyway. Our flaws are what make us unique, and while Rule might not be perfect, he is absolutely perfect for me.
”
”
Jay Crownover (Rome (Marked Men, #3))
“
I could lie there as long as I wanted, and let all the pictures of things a man might want run through my head, coffee, a girl, money, a drink, white sand and blue water, and let them all slide off, one after another, like a deck of cards slewing slowly off your hand. Maybe the things you want are like cards. You don't want them for themselves, really, though you think you do. You don't want a card because you want the card, but because in a perfectly arbitrary system of rules and values and in a special combination of which you already hold a part the card has meaning. But suppose you aren't sitting in a game. Then, even if you do know the rules, a card doesn't mean a thing. They all look alike.
”
”
Robert Penn Warren (All the King's Men)
“
I would divide the senior executives of the engineering world into two categories, the starters and the runners, the men with a creative instinct who can start a new venture and the men who can run it to make it show a profit.... I was a starter and useless as a runner.
”
”
Nevil Shute (Slide Rule)
“
Instead of being a sign of their inferiority, the lack of abstract thinking among cats is a mark of their freedom of mind. Thinking in generalities slides easily into a superstitious faith in language. Much of the history of philosophy consists of the worship of linguistic fictions. Relying on what they can touch, smell and see, cats are not ruled by words.
Philosophy testifies to the frailty of the human mind. Humans philosophize for the same reason they pray. They know the meaning they have fashioned in their lives is fragile and live in dread of its breaking down. Death is the ultimate breakdown in meaning, since it marks the end of any story they have told themselves.
”
”
John Gray (Feline Philosophy: Cats and the Meaning of Life)
“
Rather than respond to his incalculable God-ness with our slide rules and flowcharts, we would do better to worship him with reverence and awe.
”
”
Matt Chandler (The Explicit Gospel)
“
I wonder what NASA would think about me fucking with the RTG like this. They’d probably hide under their desks and cuddle with their slide rules for comfort
”
”
Andy Weir
“
If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure and equate the universe, which just wont be measured or equated without making man feel bestial and lonely.
”
”
Ray Bradbury (Fahrenheit 451)
“
Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.
”
”
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
“
It's as if, behind our modern wizardry, Oz is revealed working overtime with an abacus and a slide rule. It's only when something goes wrong that we suddenly have a sense of how far mathematics has let us climb--and how long the drop below might be.
”
”
Matt Parker (Humble Pi: A Comedy of Maths Errors)
“
Any man who can take a TV wall apart and put it back together again, and most men can, nowadays, is happier than any man who tries to slide rule, measure, and equate the universe, which just won’t be measured or equated without making man feel bestial and lonely.
”
”
Ray Bradbury (Fahrenheit 451)
“
Some rules have existed since the creation of the Earth. They do not need to come out of my mouth. They have always existed. There has always been a rule against using a Slip n’ Slide indoors. There has always been a rule against lying down in the mouth of a dead relative.
”
”
Bradley Sands (Liquid Status)
“
You can’t build a house without nails and wood. If you don’t want a house built, hide the nails and wood. If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it.
”
”
Ray Bradbury (Fahrenheit 451)
“
This nothingness into which the West is sliding is not the natural end, the dying, the sinking of a flourishing community of peoples. Instead, it is again a specifically Western nothingness: a nothingness that is rebellious, violent, anti-God, and antihuman. Breaking away from all that is established, it is the utmost manifestation of all the forcesopposed to God. It is nothingness as God; no one knows its goal or its measure. Its rule is absolute. It is a creative nothingness[113] that blows its anti-God breath into all that exists, creates the illusion of waking it to new life, and at the same time sucks out its true essence[114] until it soon disintegrates into an empty husk and is discarded. Life, history, family, people, language, faith—the list could go on forever because nothingness spares nothing—all fall victim to nothingness.[115]
”
”
Dietrich Bonhoeffer (Ethics (Works, Vol 6))
“
In due course one learns, where individuals and emotions are concerned, that Time’s slide-rule can make unlikely adjustments.
”
”
Anthony Powell (At Lady Molly's (A Dance to the Music of Time, #4))
“
A pushed-back cap had the crossed slide-rule symbol of ship’s computer man.
”
”
Harry Harrison (The Harry Harrison Megapack: 12 Classics of Science Fiction, including ROBOT JUSTICE, DEATHWORLD, and DEATHWORLD II)
“
mysticism is fundamentally irrational and that is its great power and solace. “Proving” mysticism with science is like using a slide-rule to measure wind speed.
”
”
Gordon White (The Chaos Protocols: Magical Techniques for Navigating the New Economic Reality)
“
The three-second rule states that your audience should understand your slide within three seconds of seeing it.
”
”
Akash Karia (How to Design TED Worthy Presentation Slides: Presentation Design Principles from the Best TED Talks (How to Give a TED Talk Book 2))
“
This'll keep me safe, Mother! I've the knowing of the sliding rule! I can tell the sine what to do, and the cosine likewise and work out the tangent of t'quaderatics! Come one, Mother, stop fretting and come wi' me now to t'barn. You must see 'er!' Mrs. Simnel, reluctant, was dragged by her son to the great open barn he had knitted out like the workshop back at Sheepridge, hoping against hope that her son had accidentally found himself a girl.
”
”
Terry Pratchett (Raising Steam (Discworld, #40; Moist von Lipwig, #3))
“
I was impressed by the scene in Apollo 13 where the astronauts request confirmation of their calculations and several people at Mission Control dive for their slide rules. For several months after that, my standard response to statements like "We must implement multi-processor object-oriented Java-based client-server technologies immediately!" was "You know, FORTRAN and slide rules put men on the moon and got them back safely multiple times."
Tended to shut them up, at least for a moment.
”
”
Matt Roberts
“
Normally Felicity liked to spend her recess holding the duty teacher's hand and tattling on kids who were breaking nitpicky safety rules like no climbing fences, no running up the slide, and no using the teeter-totter as a human catapult. - Zombiekins
”
”
Kevin Bolger
“
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
”
”
Matthew McConaughey (Greenlights)
“
Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change. Don’t give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can, nowadays, is happier than any man who tries to slide rule, measure, and equate the universe, which just won’t be measured or equated without making man feel bestial and lonely.
”
”
Ray Bradbury (Fahrenheit 451)
“
remember the rules, rules that were never spelled out but that every woman knew: Don’t open your door to a stranger, even if he says he is the police. Make him slide his ID under the door. Don’t stop on the road to help a motorist pretending to be in trouble. Keep the locks on and keep going. If anyone whistles, don’t turn to look.
”
”
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
“
There is something self-destructive about Western technology and distribution. Whenever any consumer object is so excellent that it attracts a devoted following, some of the slide rule and computer types come in on their twinkle toes and take over the store, and in a trice they figure out just how far they can cut quality and still increase market penetration. Their reasoning is that it is idiotic to make and sell a hundred thousand units of something and make 30 cents a unit when you can increase the advertising, sell five million units, and make a nickel profit a unit. Thus, the very good things of the world go down the drain, from honest turkey to honest eggs to honest tomatoes. And gin.
”
”
John D. MacDonald (The Dreadful Lemon Sky (Travis McGee #16))
“
Hi girls,' Hank says. I let that slide because Hank is in his seventies. But Diggers have rules. The establishing tenet: We're women. Not girls. I am a twenty-seven-year-old pioneer in the wellness space who reincorporated her company as a B-corp without needing to hire a lawyer. Would you refer to my male equivalent as a boy? Try saying it out loud. It sounds non-native.
”
”
Jessica Knoll (The Favorite Sister)
“
You looking forward to tonight?” he asked, changing the subject.
“I am,” she said slowly. “It’s been a while since I’ve had a good…date.” She let the word slide off her tongue as though it were a euphemism for sex. The little devil on her shoulder wanted to bait him, to poke at the sexual tension that seemed to ebb and flow between them, but which neither would give in to.
His hand slammed on the counter. “You’re not seriously thinking of sleeping with Mathis,” he said incredulously.
“Well, why not? You said he’s a good guy. And news flash—we modern city women don’t adhere to any strict fifth-date rule.”
“Fine! Fuck his brains out, for all I care,” Jackson exploded.
“You’re shouting,” she said.
“I’m not—” He blew out a breath. “Damn it.
”
”
Lauren Layne (I Wish You Were Mine (Oxford, #2))
“
I remember the rules, rules that were never spelled out but that every woman knew: Don't open your door to a stranger, even if he says he is the police. Make him slide his ID under the door. Don't stop on the road to help a motorist pretending to be in trouble. Keep the locks on and keep going. If anyone whistles, don't turn to look. Don't go into a laundromat, by yourself, at night.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
The Minds did not assume such distinctions; to them, there was no cutoff between the two. Tactics cohered into strategy, strategy disintegrated into tactics, in the sliding scale of their dialectical moral algebra. It was all more than they ever expected the mammal brain to cope with. He recalled what Sma had said to him, long long ago back in that new beginning (itself the product of so much guilt and pain); that they dealt in the intrinsically untoward, where rules were forged as you went along and were never the same twice anyway, where just by the nature of things nothing could be known or predicted or even judged with any real certainty. It all sounded very sophisticated and abstract and challenging to work with, but in the end it came down to people and problems.
”
”
Iain M. Banks (Use of Weapons (Culture, #3))
“
What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it breasts, has it edges?
I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking
'Is this the one I am too appear for,
Is this the elect one, the one with black eye-pits and a scar?
Measuring the flour, cutting off the surplus,
Adhering to rules, to rules, to rules.
Is this the one for the annunciation?
My god, what a laugh!'
But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.
I do not want much of a present, anyway, this year.
After all I am alive only by accident.
I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains,
The diaphanous satins of a January window
White as babies' bedding and glittering with dead breath. O ivory!
It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.
Can you not give it to me?
Do not be ashamed--I do not mind if it is small.
Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam,
The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.
I know why you will not give it to me,
You are terrified
The world will go up in a shriek, and your head with it,
Bossed, brazen, an antique shield,
A marvel to your great-grandchildren.
Do not be afraid, it is not so.
I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle,
No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.
If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.
But my god, the clouds are like cotton.
Armies of them. They are carbon monoxide.
Sweetly, sweetly I breathe in,
Filling my veins with invisibles, with the million
Probable motes that tick the years off my life.
You are silver-suited for the occasion. O adding machine-----
Is it impossible for you to let something go and have it go whole?
Must you stamp each piece purple,
Must you kill what you can?
There is one thing I want today, and only you can give it to me.
It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center
Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.
Let it not come by word of mouth, I should be sixty
By the time the whole of it was delivered, and to numb to use it.
Only let down the veil, the veil, the veil.
If it were death
I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.
There would be a nobility then, there would be a birthday.
And the knife not carve, but enter
Pure and clean as the cry of a baby,
And the universe slide from my side.
”
”
Sylvia Plath
“
The perfect chocolate chip cookie,” I intone, “should have three rings. The center should be soft and a little gooey. The middle ring should be chewy. And the outer ring should be crispy.”
“I can’t hear her give this speech again,” Kitty says to Peter. “I just can’t.”
“Be patient,” he says, squeezing her shoulder. “It’s almost over, and then we get cookies.”
“The perfect cookie is best eaten while still warm, but still delicious at room temperature.”
“If you don’t quit talking, they won’t be warm anymore,” Kitty grumbles. I shoot her a glare, but truthfully, I’m glad she’s here to be a buffer between Peter and me. Her presence makes things feel normal.
“In the baking world, it is a truth universally acknowledged that Jacques Torres has perfected the chocolate chip cookie. Peter, you and I tasted it for ourselves just a few months ago.” I’m really stretching it now to make them suffer. “How will my cookie measure up? Spoiler alert. It’s amazing.”
Kitty slides off her stool. “That’s it. I’m out of here. A chocolate chip cookie isn’t worth all this.”
I pat her on the head. “Oh, naïve little Kitten. Dear, foolish girl. This cookie is worth all this and more. Sit or you will not partake.”
Rolling her eyes, she sits back down.
“My friends, I have finally found it. My white whale. My golden ring. The cookie to rule them all.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
that sketch smells a bit. It’s sloppy.” “I never did have any artistic talent,” Art said defensively. “I’d rather take a photograph any day.” "You’ve taken too many photographs, maybe. As for artistic talent, I haven’t any either, but I learned to sketch. Look, Art—the rest of you guys get this, too—if you can’t sketch, you can’t see. If you really see what you’re looking at, you can put it down on paper, accurately. If you really remember what you have looked at, you can sketch it accurately from memory.” “But the lines don’t go where I intend them to.” “A pencil will go where you push it. It hasn’t any life of its own. The answer is practice and more practice and thinking about what you are looking at. All of you lugs want to be scientists. Well, the ability to sketch accurately is as necessary to a scientist as his slipstick. More necessary, you can get along without a slide rule.
”
”
Robert A. Heinlein (Rocket Ship Galileo)
“
All about them the golden girls, shopping for dainties in Lairville. Even in the midst of the wild-maned winter's chill, skipping about in sneakers and sweatsocks, cream-colored raincoats. A generation in the mold, the Great White Pattern Maker lying in his prosperous bed, grinning while the liquid cools. But he does not know my bellows. Someone there is who will huff and will puff. The sophmores in their new junior blazers, like Saturday's magazines out on Thursday. Freshly covered textbooks from the campus store, slide rules dangling in leather, sheathed broadswords, chinos scrubbed to the virgin fiber, starch pressed into straight-razor creases, Oxford shirts buttoned down under crewneck sweaters, blue eyes bobbing everywhere, stunned by the android synthesis of one-a-day vitamins, Tropicana orange juice, fresh country eggs, Kraft homogenized cheese, tetra-packs of fortified milk, Cheerios with sun-ripened bananas, corn-flake-breaded chicken, hot fudge sundaes, Dairy Queen root beer floats, cheeseburgers, hybrid creamed corn, riboflavin extract, brewer's yeast, crunchy peanut butter, tuna fish casseroles, pancakes and imitation maple syrup, chuck steaks, occasional Maine lobster, Social Tea biscuits, defatted wheat germ, Kellogg's Concentrate, chopped string beans, Wonderbread, Birds Eye frozen peas, shredded spinach, French-fried onion rings, escarole salads, lentil stews, sundry fowl innards, Pecan Sandies, Almond Joys, aureomycin, penicillin, antitetanus toxoid, smallpox vaccine, Alka-Seltzer, Empirin, Vicks VapoRub, Arrid with chlorophyll, Super Anahist nose spray, Dristan decongestant, billions of cubic feet of wholesome, reconditioned breathing air, and the more wholesome breeds of fraternal exercise available to Western man. Ah, the regimented good will and force-fed confidence of those who are not meek but will inherit the earth all the same.
”
”
Richard Fariña (Been Down So Long It Looks Like Up to Me)
“
Because they’re wet, Noah’s jeans are a bit stubborn sliding down, but he’s successful, and in the mirror I’m drawn to his naked body. I love the raw power of his shoulder blades and the curve of his back that trails lower to his...my mouth dries out...oh, crap...his butt is...how do I describe something so exquisite?
Everything about Noah is sexy, and as he bends to pull the jeans off his foot—
“If you get in the shower with me, Echo, you’d get a better look and you’d warm up.”
”
”
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
“
That was the night he got up and went to the boys' division; perhaps he was looking for his history in the big room where all the boys slept, but what he found instead was Dr. Larch kissing every boy a late good night. Homer imagined then that Dr. Larch had kissed him like that, when he'd been small; Homer could not have imagined how those kisses, even now, were still kisses meant for him. They were kisses seeking Homer Wells.
That was the same night that he saw the lynx on the barren, unplanted hillside—glazed with snow that had thawed and then refrozen into a thick crust. Homer had stepped outside for just a minute; after witnessing the kisses, he desired the bracing air. It was a Canada lynx—a dark, gunmetal gray against the lighter gray of the moonlit snow, its wildcat stench so strong Homer gagged to srnell the thing. Its wildcat sense was keen enough to keep it treading within a single leap's distance of the safety of the woods. The lynx was crossing the brow of the hill when it began to slide; its claws couldn't grip the crust of the snow, and the hill had suddenly grown steeper. The cat moved from the dull moonlight into the sharper light from Nurse Angela's office window; it could not help its sideways descent. It traveled closer to the orphanage than it would ever have chosen to come, its ferocious death smell clashing with the freezing cold. The lynx's helplessness on the ice had rendered its expression both terrified; and resigned; both madness and fatalism were caught in the cat's fierce, yellow eyes and in its involuntary, spitting cough as it slid on, actually bumping against the hospital before its claws could find a purchase on the crusted snow. It spit its rage at Homer Wells, as if Homer had caused its unwilling descent.
Its breath had frozen on its chin whiskers and its tufted ears were beaded with ice. The panicked animal tried to dash up the hill; it was less than halfway up when it began to slide down again, drawn toward the orphanage against its will. When it set out from the bottom of the hill a second time, the lynx was panting; it ran diagonally uphill, slipping but catching itself, and slipping again, finally escaping into the softer snow in the woods— nowhere near where it had meant to go; yet the lynx would accept any route of escape from the dark hospital.
Homer Wells, staring into the woods after the departed lynx, did not imagine that he would ever leave St. Cloud's more easily.
”
”
John Irving (The Cider House Rules)
“
Noah sits up, and when I try to duck out of reach, he advances like a tiger and flips me so that I’m lying flat on the bed. He presses his palms onto the comforter on both sides of my head, and his dark eyes bore into mine. My heart pounds wildly and, because I can’t help myself, I reach up and touch his face, sliding my fingers over the rough shadow of his jaw.
Noah leans into my touch, and I love that I have that effect on him. I lick my lips, half hoping he kisses me—half wondering what would happen if he did.
”
”
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
“
Out of the corner of her eye, Inej saw Jesper rise from his seat, but she waved him off and slipped her fingers into the brass knuckles she kept in her right hip pocket. She gave Rojakke a swift crack across the left cheek. His hand flew up to his face. “Hey,” he said. “I didn’t hurt you none. It was just words.” People were watching now, so she hit him again. Regardless of the Crow Club rules, this took precedence. When Kaz had brought her to the Slat, he’d warned her that he wouldn’t be able to watch out for her, that she’d have to fend for herself, and she had. It would have been easy enough to turn away when they called her names or sidled up to ask for a cuddle, but do that and soon it was a hand up your blouse or a try at you against a wall. So she’d let no insult or innuendo slide. She’d always struck first and struck hard. Sometimes she even cut them up a bit. It was fatiguing, but nothing was sacred to the Kerch except trade, so she’d gone out of her way to make the risk much higher than the reward when it came to disrespecting her.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Since his back was to her front Chloe had to practically plaster herself against his wide back in order to unbutton his crisp dress shirt, but somehow she didn’t mind. From his low, masculine groan that her action had elicited, she assumed Mark didn’t mind either. His spicy, dangerous scent filled her head as she spread the shirt to find a smooth, muscular chest leading down to powerfully sculpted abs. She wondered what line of work Mark was in. Whatever it was, he certainly kept himself in shape.
“Are you enjoying yourself, Mistress?” His smart-ass tone threw her, breaking her concentration on his muscled chest.
“I’ll ask the questions,” Chloe snapped, deciding abruptly that it was time to move on. She still felt a definite lack of control in this situation and it made her nervous, shattering the fragile self-confidence she’d managed to build. But she couldn’t stop searching him now or he’d be the winner of this little confrontation.
She let her hands slide lower, past the waistband of his pants to the bulging crotch. Oh my God, is he for real? She hadn’t been with very many men—okay, two. She’d only been with two other men. But Mark more than measured up to any other guy in her experience. In fact, she could barely believe what she was feeling was real. It was a damn good thing rule number two was “never have sex with the client”. She was pretty sure she wouldn’t have been able to handle what Mark was packing.
“Uh, Mistress, that’s all me, not a toy.” Mark’s deep voice still held a hint of amusement though it was sounding rather strained now. “And you might want to think of it less as a ‘toy’ than a loaded gun. One that’s going to go off if you’re not careful.
”
”
Evangeline Anderson (Masks)
“
You’re too goddamned fat,” he said. I took a defiant drag on my cigarette and willed myself not to cry. The remark made me dizzy. For the past four years, Ma and Grandma had played by the rule: never to mention my weight. Now my jeans and sweatshirt were folded in a helpless pile beside me and there was only a thin sheet of paper between my rolls of dimply flesh and this detestable old man. My heart raced with fear and nicotine and Pepsi. My whole body shook, dripped sweat. “Any trouble with your period?” he asked. “No.” “What?” “No trouble,” I managed, louder. He nodded in the direction of his stand-up scale. The backs of my legs made little sucking sounds as they unglued themselves from the plastic upholstery. He brought the sliding metal bar down tight against my scalp and fiddled with the cylinder in front of my face. “Five-five and a half,” he said. “Two hundred . . . fifty-seven.” The tears leaking from my eyes made stains on the paper gown. I nodded or shook my head abruptly at each of his questions, coughed on command for his stethoscope, and took his pamphlets on diet, smoking, heart murmur. He signed the form. At the door, his hand on the knob, he turned back and waited until I met his eye. “Let me tell you something,” he said. “My wife died four Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you—you don’t want to do this to yourself.” “Eat shit,” I said. He paused for a moment, as if considering my comment. Then he opened the door to the waiting room and announced to my mother and someone else who’d arrived that at the rate I was going, I could expect to die before I was forty years old. “She’s too fat and she smokes,” I heard him say just before the hall rang out with the sound of my slamming his office door. I was wheezing wildly by the time I reached the final landing. On the turnpike on the way home, Ma said, “I could stand to cut down, too, you know. It wouldn’t hurt me one bit. We could go on a diet together? Do they still sell that Metrecal stuff?” “I’ve been humiliated enough for one fucking decade,” I said. “You say one more thing to me and I’ll jump out of this car and smash my head under someone’s wheels.
”
”
Wally Lamb (She's Come Undone)
“
Come on, baby. It’s time.”
“You’re mean, Noah.”
The blanket falls off her arm as I slide a finger down her shoulder. Goose bumps form along her skin at my touch. She may be cranky, but she’s responding.
“A deal’s a deal,” I remind her.
“I changed my mind. I’d rather sleep.” With her eyes still shut, she hunts for the cover, but I kick it off. She presses her lips together. “I’m serious. You’re the meanest person I know.”
I kiss her neck then blow on the skin, pleased with the smile she’s fighting.
“Does that feel mean?” I ask.
“Horribly.” She giggles. “It’s torture.
”
”
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
“
We’re sliding into a society where the first thing you need to do to demonstrate that you’re any good at something is to say that you are. Under the old rules, boasts were assumed empty until proved otherwise. You had to impress with your actions, draw attention to yourself subtly without being seen to do so. It’s a hell of a lot more fun than the pantomime of self-belief we see on reality TV today. A society where you’re not allowed to blow your own trumpet is so much more nuanced, sophisticated and interesting than the grim world of literalism that’s being ushered in.
”
”
David Mitchell (Back Story)
“
Tactics cohered into strategy, strategy disintegrated into tactics, in the sliding scale of their dialectical moral algebra. It was all more than they ever expected the mammal brain to cope with. He recalled what Sma had said to him, long long ago back in that new beginning (itself the product of so much guilt and pain); that they dealt in the intrinsically untoward, where rules were forged as you went along and were never the same twice anyway, where just by the nature of things nothing could be known or predicted or even judged with any real certainty. It all sounded very sophisticated and abstract and challenging to work with, but in the end it came down to people and problems.
”
”
Iain M. Banks (Use of Weapons (Culture, #3))
“
With a quick flick, he unhooked her bra, releasing her breasts from their confinement. "You are more beautiful than I imagined." He tossed her bra on the floor. "And your skin... Christ, it shimmers like gold."
Before she could respond, his mouth was on her nipple, hot and wet and sucking with gentle pulls. She unraveled in an instant, sliding her fingers through his soft hair as she rocked her hips on his cock.
"Fuck, Liam." As a rule, Daisy didn't often use the word fuck. With over a million total words in the English language, there were many better ways to express oneself, but when the man of her teenage fantasies was sucking on her nipples while squeezing her ass and grinding his thick cock against her, fuck was the perfect word to express both her emotional state---impatient, needy, and flying on an endorphin high---and her hopes for the future.
”
”
Sara Desai (The Dating Plan (Marriage Game, #2))
“
Snowden called the NSA ‘self-certifying’. In the debate over who ruled the internet, the NSA provided a dismaying answer: ‘We do.’ The slides, given to Poitras and published by Der Spiegel magazine, show that the NSA had developed techniques to hack into iPhones. The agency assigned specialised teams to work on other smartphones too, such as Android. It targeted BlackBerry, previously regarded as the impregnable device of choice for White House aides. The NSA can hoover up photos and voicemail. It can hack Facebook, Google Earth and Yahoo Messenger. Particularly useful is geo-data, which locates where a target has been and when. The agency collects billions of records a day showing the location of mobile phone users across the world. It sifts them – using powerful analytics – to discover ‘co-travellers’. These are previously unknown associates of a target. Another
”
”
Luke Harding (The Snowden Files: The Inside Story of the World's Most Wanted Man)
“
At the time, I was driving a 1970 Ford truck that I’d bought for a thousand bucks. In my world, if a vehicle runs and has air in its tires, then it’s worth a thousand dollars! The price never changes. I abused that truck for several years, only to sell it for a thousand bucks for an upgrade. It had a rebuilt hot rod engine and was fast! When we cut firewood in the rain, my truck would slide all over dirt roads and occasionally bounce off trees, so both of the truck’s sides were badly dented. After a while, I couldn’t open either door. It was real-life Dukes of Hazzard!
I remember the first time Missy approached the door and tried to open it. I told her the door wouldn’t open, and she started to go around to the other side. I informed her that the other door didn’t open, either. As she looked at me with a blank stare, I said, “Rule number one: if you want to go with me, you’ve got to crawl through the window.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
I could make you beg,” Madi said casually, sliding his hand inside Az’s pants. He teased over the flared head and rubbed his thumb along Az’s slit, gathering the fluid there and working it just over the crown of Az’s cock until Az bucked desperately into his grip.
Az rested his head on Madi’s shoulder so he could speak directly into his ear. “Is that what you need, motek? My submission?” He couldn’t stop the words falling from his lips. Madi didn’t speak, but his hand constricted around Az’s throbbing hard-on. “Does the thought of my begging for your cock turn you on? Is that what you need to cease this ridiculous ground rule?” Madi’s other hand trailed upward, twisting Az’s nipple until he hissed at the pleasure-pain that sent shocks along his spine. “Is it not enough I let you fuck me when nobody else can or that I surrender my flesh to your blade? Do you need the words now, too? If I beg, will you fuck me right here? Hmm? What if I call your bluff?
”
”
Onley James (Play Dirty (Wages of Sin, #2))
“
How To Make A Human
Take the cat out of the sphinx
and what is left? Riddle Me That.
Take the horse from the centaur
and you take away the sleek grace,
the strength of harnessed power.
What is left can still run across fields,
after a fashion, but is easily winded;
what is left will therefore erect buildings
to divide the open plains so he no longer
must face the wide expanse where once
his equine legs raced the winds
and, sometimes, won.
Take the bull from the Minotaur
but what is left will still assemble
a herd for the sake of ruling over it.
What is left will kill for sport,
in an arena thronged with spectators
shouting "Ole" at each deadly thrust.
Take the fish from the Merman:
What is left can still swim,
if only with lots of splashing; gone
is the sleek sliding through the waves,
alert to the subtle changes in the current.
What is left will build ships
so he can cross the oceans without
getting his feet wet, what is left won't care
if his boats pollute the seas he can no
longer breathe so long as their passage
can keep him from sinking.
Take the goat from the satyr
but what is left will dance out of reach
before you have the chance
to get that Dionysian streak of myschief,
the love of music and wine, the rutting parts
that like to party all the day through.
What is left will still be stubborn and refuse
to give way; what is left will lock horns
and butt heads with anyone who challenges him.
Take the bird from the harpy,
but the memory of flying, a constant yearning ache for skies so tantalizingly distant,
will still remain, as will the established pecking orders, the bitter squabbling over food and territory, and the magpie eye that lusts for shining objects.
What is left will cut down the whole forest
to feather his sprawling urban nest.
At the end of these operations,
tell me: what is left? The answer: Man, a creature divorced from nature,
who's forgotten where he came from.
”
”
Lawrence Schimel
“
His fingers unhooked from hers, following that same path up her arm, and then back down it again. The feeling was so distracting, so good, so sweet against her clammy skin. She didn't choose a piece from her repertoire; Etta gave herself over to the notes that started streaming through her mind, rising from somewhere deep inside of her.
The melody of her heart had no name; it was quick, and light. It rolled with the waves, falling as the breath left his chest, rising as he inhaled. It was the rain sliding down the glass; the fog spreading its fingers over the water. The creaking of a ship's great body. The secrets whispered by the wind, and the unseen life that moved below.
It was the flame against the candle.
Nicholas's arm was a map of hard muscles and delicate sinews, heartbreakingly perfect. She wondered if he could hear her humming the piece against his skin over the droning roars overhead. Maybe. His free hand skimmed up her skin, leaving a trail of sparks in its wake.
With the world blacked out around them, she could catalog all over her senses, capture this moment in the warm darkness forever. He brushed back the loose hair across her forehead, cheek, the corner of her lips, her jaw, and she knew it had to be the same for him, that they'd never been so aware of another person in their entire lives.
She released his arm, and he drew it up around her, guiding both of them down so they were on their sides, their heads cushioned by the bag, his jacket drawn over them. Etta understood that here, in the darkness, they'd found a place beyond rules; a place that hung somewhere between the past and the future. This was a single moment of possibility.
The clattering of the attack from above faded as he rested his forehead against hers, his thumb lightly stroking a bruise on her cheek. She traced his face - the straight nose, the high, proud cheekbones, the full curve of his lips. His hand caught her there, taking it in his own; he pressed a hard, almost despairing kiss to it.
But when she tilted her face up, half - desperate with longing, her blood racing, Nicholas pulled back; and although Etta could feel him beside her, his heart pounding, his ragged breath, it was as if he had disappeared into the thundering dark.
”
”
Alexandra Bracken (Passenger (Passenger, #1))
“
He’d reached out to grab her by the collar of her shirt, but she’d dodged him easily. He fumbled for her again. Out of the corner of her eye, Inej saw Jesper rise from his seat, but she waved him off and slipped her fingers into the brass knuckles she kept in her right hip pocket. She gave Rojakke a swift crack across the left cheek. His hand flew up to his face. “Hey,” he said. “I didn’t hurt you none. It was just words.” People were watching now, so she hit him again. Regardless of the Crow Club rules, this took precedence. When Kaz had brought her to the Slat, he’d warned her that he wouldn’t be able to watch out for her, that she’d have to fend for herself, and she had. It would have been easy enough to turn away when they called her names or sidled up to ask for a cuddle, but do that and soon it was a hand up your blouse or a try at you against a wall. So she’d let no insult or innuendo slide. She’d always struck first and struck hard. Sometimes she even cut them up a bit. It was fatiguing, but nothing was sacred to the Kerch except trade, so she’d gone out of her way to make the risk much higher than the reward when it came to disrespecting her.
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
Free spirits, the ambitious, ex-socialists, drug users, and sexual eccentrics often find an attractive political philosophy in libertarianism, the idea that individual freedom should be the sole rule of ethics and government. Libertarianism offers its believers a clear conscience to do things society presently restrains, like make more money, have more sex, or take more drugs. It promises a consistent formula for ethics, a rigorous framework for policy analysis, a foundation in American history, and the application of capitalist efficiencies to the whole of society. But while it contains substantial grains of truth, as a whole it is a seductive mistake. . . .
The most fundamental problem with libertarianism is very simple: freedom, though a good thing, is simply not the only good thing in life. . . .
Libertarians try to get around this fact that freedom is not the only good thing by trying to reduce all other goods to it through the concept of choice, claiming that everything that is good is so because we choose to partake of it. Therefore freedom, by giving us choice, supposedly embraces all other goods. But this violates common sense by denying that anything is good by nature, independently of whether we choose it. . . .
So even if the libertarian principle of “an it harm none, do as thou wilt,” is true, it does not license the behavior libertarians claim. Consider pornography: libertarians say it should be permitted because if someone doesn’t like it, he can choose not to view it. But what he can’t do is choose not to live in a culture that has been vulgarized by it. . . .
There is no need to embrace outright libertarianism just because we want a healthy portion of freedom, and the alternative to libertarianism is not the USSR, it is America’s traditional liberties. . . .
Paradoxically, people exercise their freedom not to be libertarians.
The political corollary of this is that since no electorate will support libertarianism, a libertarian government could never be achieved democratically but would have to be imposed by some kind of authoritarian state, which rather puts the lie to libertarians’ claim that under any other philosophy, busybodies who claim to know what’s best for other people impose their values on the rest of us. . . .
Libertarians are also naïve about the range and perversity of human desires they propose to unleash. They can imagine nothing more threatening than a bit of Sunday-afternoon sadomasochism, followed by some recreational drug use and work on Monday. They assume that if people are given freedom, they will gravitate towards essentially bourgeois lives, but this takes for granted things like the deferral of gratification that were pounded into them as children without their being free to refuse. They forget that for much of the population, preaching maximum freedom merely results in drunkenness, drugs, failure to hold a job, and pregnancy out of wedlock. Society is dependent upon inculcated self-restraint if it is not to slide into barbarism, and libertarians attack this self-restraint. Ironically, this often results in internal restraints being replaced by the external restraints of police and prison, resulting in less freedom, not more.
This contempt for self-restraint is emblematic of a deeper problem: libertarianism has a lot to say about freedom but little about learning to handle it. Freedom without judgment is dangerous at best, useless at worst. Yet libertarianism is philosophically incapable of evolving a theory of how to use freedom well because of its root dogma that all free choices are equal, which it cannot abandon except at the cost of admitting that there are other goods than freedom. Conservatives should know better.
”
”
Robert Locke
“
And as he watched, the first powerful four-legged lion stepped into the clearing. The male animal shook the snow from its dark, flowing mane, tilted its head and roared into the night.
Another call followed, and yet another. And as Dane watched, Lawe and Rule moved warily from their positions, edging back to the limo as he threw the doors open and allowed the two Breeds to slide inside the warmth of the car.
Rye didn't bother to get out and enter the back through a door. He slid over the seat positioned behind the driver's area and stared back at Dane in surprise.
"There's a lot of fucking lions out there," he commented uncomfortably.
They were screaming into the night now, spurred by the animal Dane could swear he could feel heading this way.
Another animal stepped in. A lioness, her scream echoing through the night as the lions surrounded the cabin.
A dozen fully grown, enraged creatures, following one simple command. To protect Mercury's mate.
Dane let a smile tip his lips as he opened the small bar set in the center of the seat and pulled free the whiskey and glasses.
"Looks like the night just got interesting, my friends," he drawled, pouring the alcohol. "I say we enjoy the show while we can."
Ria's mate was coming for her.
”
”
Lora Leigh
“
Out of the corner of her eye, Inej saw Jesper rise from his seat, but she waved him off and slipped her fingers into the brass knuckles she kept in her right hip pocket. She gave Rojakke a swift crack across the left cheek. His hand flew up to his face. “Hey,” he said. “I didn’t hurt you none. It was just words.” People were watching now, so she hit him again. Regardless of the Crow Club rules, this took precedence. When Kaz had brought her to the Slat, he’d warned her that he wouldn’t be able to watch out for her, that she’d have to fend for herself, and she had. It would have been easy enough to turn away when they called her names or sidled up to ask for a cuddle, but do that and soon it was a hand up your blouse or a try at you against a wall. So she’d let no insult or innuendo slide. She’d always struck first and struck hard. Sometimes she even cut them up a bit. It was fatiguing, but nothing was sacred to the Kerch except trade, so she’d gone out of her way to make the risk much higher than the reward when it came to disrespecting her. Rojakke touched his fingers to the ugly bruise forming on his cheek, looking surprised and a bit betrayed. “I thought we was friendly,” he protested. The sad part was that they were. Inej liked Rojakke. But right now, he was just a frightened man looking to feel bigger than someone.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Maxim brought all ten fingertips to the hollow wood and reached for the metal laid within. He rotated both hands against the door and felt the shift of cogs, the clunk of pins sliding free, others sliding home. It was no simple lock, no combination to be turned, but Maxim Maresh had built this door, and he was the only one who ever opened it.
He’d caught Rhy trying once, when the prince was just a boy.
The prince had a fondness for discovering secrets, whether they belonged to a person or a palace, and the moment he discovered that the door was locked he must have gone and found Kell, dragged the black-eyed boy—still new to his benign breed of mischief—back up into the royal chamber. Maxim had walked in on the two, Rhy urging Kell on as the latter lifted wary fingers to the wood.
Maxim had crossed the room at the sound of sliding metal and caught the boy’s hand before the door could open. It wasn’t a matter of ability. Kell was getting stronger by the day, his magic blooming like a spring tree, but even the young Antari—perhaps the young Antari most of all—needed to know that power had its limits.
That rules were meant to be obeyed.
Rhy had sulked and stormed, but Kell had said nothing as Maxim ushered them out. They had always been like that, so different in temper, Rhy’s hot and quick to burn, Kell’s cold and slow to thaw. Strange, thought Maxim, unlocking the door, in some ways Kell and the queen were so alike.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
To Elizabeth, his statement that it had been “good between us” defused her ire and confused her at the same time. She stared at him in dazed wonder while his hands tightened imperceptibly on her arms. Self-conscious, she let her gaze drop to his finely molded lips, watching as a faint smile, a challenging smile lifted them at the corners, and inch by inch, the hands on her arms were drawing her closer.
“Afraid to find out?” he asked, and it was the trace of huskiness in his voice that she remembered, that worked its strange spell on her again, as it had so long ago. His hands shifted to the curve of her waist. “Make up your mind,” he whispered, and in her confused state of loneliness and longing, she made no protest when he bent his head. A shock jolted through her as his lips touched hers, warm, inviting-brushing slowly back and forth. Paralyzed, she waited for that shattering passion he’d shown her before, without realizing that her participation had done much to trigger it. Standing still and tense, she waited to experience that forbidden burst of exquisite delight…wanted to experience it, just once, just for a moment. Instead his kiss was feather-light, softly stroking…teasing!
She stiffened, pulling back an inch, and his gaze lifted lazily from her lips to her eyes. Dryly, he said, “That’s not quit the way I remembered it.”
“Nor I,” Elizabeth admitted, unaware that he was referring to her lack of participation.
“Care to try it again?” Ian invited, still willing to indulge in a few pleasurable minutes of shared ardor, so long as there was no pretense that it was anything but that, and no loss of control on his part.
The bland amusement in his tone finally made her suspect he was treating this as some sort of diverting game or perhaps a challenge, and she looked at him in shock, “Is this a-a contest?”
“Do you want to make it into one?”
Elizabeth shook her head and abruptly surrendered her secret memories of tenderness and stormy passion. Like all her other former illusions about him, that too had evidently been false. With a mixture of exasperation and sadness, she looked at him and said, “I don’t think so.”
“Why not?”
“You’re playing a game,” she told him honestly, mentally throwing her hands up in weary despair, “and I don’t understand the rules.”
“They haven’t changed,” he informed her. “It’s the same game we played before-I kiss you, and,” he emphasized meaningfully, “you kiss me.”
His blunt criticism of her lack of participation left her caught between acute embarrassment and the urge to kick him in the shin, but his arm was tightening around her waist while his other hand was sliding slowly up her back, sensuously stroking her nape.
“How do you remember it?” he teased as his lips came closer. “Show me.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Have you…”
“Have I what?” Gray prompted, promptly kicking himself for doing so. God only knew what she’d ask now. Or what damn fool thing he’d say in response.
“Have you ever seen a Botticelli? Painting, I mean. A real one, in person?”
The breath he’d been holding whooshed out of him. “Yes.”
“Oh.” She bit her lip. “What was it like?”
“I…” His hand gestured uselessly. “I haven’t words to describe it.”
“Try.”
Her eyes were too clear, too piercing. He swallowed and shifted his gaze to a damp lock of hair curling at her temple “Perfect. Luminous. So beautiful, your chest aches. And so smooth, like glass. Your fingers itch to touch it.”
“But you can’t.”
“No,” he said quietly, his gaze sliding back to meet hers. “It isn’t allowed.”
“And you care what others will allow?” She took a step toward him, her fingers trailing along the grooved tabletop. “What if you were alone, and there was no one to see? Would you touch it then?”
Gray shook his head and dropped his gaze to his hands. “It’s not…” He paused, picking over his words like fruits in an island market. Testing and discarding twice as many as he chose. “There’s a varnish, you see. Some sort of gloss. If I touched it with these rough hands, I’d mar it somehow. Make it a bit less beautiful. Couldn’t live with myself then.”
“So-“ She leaned one hip against the table’s edge, making her whole body one sinuous, sweeping curve. Gray sucked in a lungful of heat. “It isn’t the rules that prevent you.”
“Not really. No.”
Silence again. Vast and echoing, like the long, marble-tiled galleries of the Uffizi.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
I got a call a while ago from one of 20/20’s reporters, who wanted to talk to me about deforestation. The next “myth” Stossel is going to debunk, she said, is that this continent is being deforested. After all, as the timber industry says, there are more trees on this continent today than there were seventy years ago. She wanted a response from an environmentalist. I told her that 95 percent of this continent’s native forests are gone, and that the creatures who live in these forests are gone or going. She reiterated the timber industry claim, and said that Stossel was going to use that as the basis for saying, “Give me a break! Deforestation isn’t happening!” I said the timber industry’s statement has two unstated premises, and reminded her of the first rule of propaganda: if you can slide your premises by people, you’ve got them. The first premise is the insane presumption that a ten-inch seedling is the same as a two-thousand-year-old tree. Sure, there may be more seedlings today, but there are a hell of a lot fewer ancient trees. And many big timber corporations cut trees on a fifty-year rotation, meaning that the trees will never even enter adolescence so long as civilization stands. The second is the equally insane presumption that a monocrop of Douglas firs (on a fifty-year rotation!)393 is the same as a healthy forest, that a forest is just a bunch of the same kind of trees growing on a hillside instead of what it really is, a web of relationships shimmering amongst, for example, salmon, voles, fungi, salamanders, murrelets, trees, ferns, and so on all working and living together. Pretty basic stuff.
”
”
Derrick Jensen (Endgame, Vol. 1: The Problem of Civilization)
“
Before she could think of what to say, he grasped the axe and turned toward her, his face a mass of angles in the lanternlight. "Step back."
This was a man who expected to be heeded. He did not wait to see if she followed his direction before he lifted the axe high above his head. She pressed herself into the corner of the dark room as he attacked the furniture with a vengeance, her surprise making her unable to resist watching him.
He was built beautifully.
Like a glorious Roman statue, all strong, lean muscles outlined by the crisp linen of his shirtsleeves when he lifted the tool overhead, his hands sliding purposefully along the haft, fingers grasping tightly as he brought the steel blade down into the age-old oak with a mighty thwack, sending a splinter of oak flying across the kitchen, landing atop the long-unused stove.
He splayed one long-fingered hand flat on the table, gripping the axe once more to work the blade out of the wood. He turned his head as he stood back, making sure she was out of the way of any potential projectiles- a movement she could not help but find comforting- before confronting the furniture and taking his next swing with a mighty heave.
The blade sliced into the oak, but the table held.
He shook his head and yanked the axe out once more, this time aiming for one of the remaining table legs.
Thwack!
Penelope's eyes went wide as the lanternlight caught the way his wool trousers wrapped tightly around his massive thighs. She should not notice... should not be paying attention to such obvious... maleness.
But she'd never seen legs like his.
Thwack!
Never imagined they could be so... compelling.
Thwack!
Could not help it.
Thwack!
”
”
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
“
Fukuoka, more than any other city in Japan, is responsible for ramen's rocket-ship trajectory, and the ensuing shift in Japan's cultural identity abroad. Between Hide-Chan, Ichiran, and Ippudo- three of the biggest ramen chains in the world- they've brought the soup to corners of the globe that still thought ramen meant a bag of dried noodles and a dehydrated spice packet. But while Ichiran and Ippudo are purveyors of classic tonkotsu, undoubtedly the defining ramen of the modern era, Hideto has a decidedly different belief about ramen and its mutability.
"There are no boundaries for ramen, no rules," he says. "It's all freestyle."
As we talk at his original Hide-Chan location in the Kego area of Fukuoka, a new bowl arrives on the table, a prototype for his borderless ramen philosophy. A coffee filter is filled with katsuobushi, smoked skipjack tuna flakes, and balanced over a bowl with a pair of chopsticks. Hideto pours chicken stock through the filter, which soaks up the katsuobushi and emerges into the bowl as clear as a consommé. He adds rice noodles and sawtooth coriander then slides it over to me.
Compared with other Hide-Chan creations, though, this one shows remarkable restraint. While I sip the soup, Hideto pulls out his cell phone and plays a video of him layering hot pork cheeks and cold noodles into a hollowed-out porcelain skull, then dumping a cocktail shaker filled with chili oil, shrimp oil, truffle oil, and dashi over the top. Other creations include spicy arrabbiata ramen with pancetta and roasted tomatoes, foie gras ramen with orange jam and blueberry miso, and black ramen made with bamboo ash dipped into a mix of miso and onions caramelized for forty-five days.
”
”
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
“
THE OBEDIENCE GAME DUGGAR KIDS GROW UP playing the Obedience Game. It’s sort of like Mother May I? except it has a few extra twists—and there’s no need to double-check with “Mother” because she (or Dad) is the one giving the orders. It’s one way Mom and Dad help the little kids in the family burn off extra energy some nights before we all put on our pajamas and gather for Bible time (more about that in chapter 8). To play the Obedience Game, the little kids all gather in the living room. After listening carefully to Mom’s or Dad’s instructions, they respond with “Yes, ma’am, I’d be happy to!” then run and quickly accomplish the tasks. For example, Mom might say, “Jennifer, go upstairs to the girls’ room, touch the foot of your bed, then come back downstairs and give Mom a high-five.” Jennifer answers with an energetic “Yes, ma’am, I’d be happy to!” and off she goes. Dad might say, “Johannah, run around the kitchen table three times, then touch the front doorknob and come back.” As Johannah stands up she says, “Yes, sir, I’d be happy to!” “Jackson, go touch the front door, then touch the back door, then touch the side door, and then come back.” Jackson, who loves to play army, stands at attention, then salutes and replies, “Yes, sir, I’d be happy to!” as he goes to complete his assignment at lightning speed. Sometimes spotters are sent along with the game player to make sure the directions are followed exactly. And of course, the faster the orders can be followed, the more applause the contestant gets when he or she slides back into the living room, out of breath and pleased with himself or herself for having complied flawlessly. All the younger Duggar kids love to play this game; it’s a way to make practicing obedience fun! THE FOUR POINTS OF OBEDIENCE THE GAME’S RULES (MADE up by our family) stem from our study of the four points of obedience, which Mom taught us when we were young. As a matter of fact, as we are writing this book she is currently teaching these points to our youngest siblings. Obedience must be: 1. Instant. We answer with an immediate, prompt “Yes ma’am!” or “Yes sir!” as we set out to obey. (This response is important to let the authority know you heard what he or she asked you to do and that you are going to get it done as soon as possible.) Delayed obedience is really disobedience. 2. Cheerful. No grumbling or complaining. Instead, we respond with a cheerful “I’d be happy to!” 3. Thorough. We do our best, complete the task as explained, and leave nothing out. No lazy shortcuts! 4. Unconditional. No excuses. No, “That’s not my job!” or “Can’t someone else do it? or “But . . .” THE HIDDEN GOAL WITH this fun, fast-paced game is that kids won’t need to be told more than once to do something. Mom would explain the deeper reason behind why she and Daddy desired for us to learn obedience. “Mom and Daddy won’t always be with you, but God will,” she says. “As we teach you to hear and obey our voice now, our prayer is that ultimately you will learn to hear and obey what God’s tells you to do through His Word.” In many families it seems that many of the goals of child training have been lost. Parents often expect their children to know what they should say and do, and then they’re shocked and react harshly when their sweet little two-year-old throws a tantrum in the middle of the grocery store. This parental attitude probably stems from the belief that we are all born basically good deep down inside, but the truth is, we are all born with a sin nature. Think about it: You don’t have to teach a child to hit, scream, whine, disobey, or be selfish. It comes naturally. The Bible says that parents are to “train up a child in the way he should go: and when he is old, he will not depart from it” (Proverbs 22:6).
”
”
Jill Duggar (Growing Up Duggar: It's All about Relationships)
“
The ocean made space for me, pressing against the blackness of my assumed skin, buoying me and counter-acting the heaviness of the lead fastened around my waist. I kicked and continued my initial dive, feeling the pressures sliding back against my belly and legs, the quiet acceptance of the seas. Space and oceans have much in common, both are alien to us, not our element, both contain mysteries, dangers, sudden beauties of their own and beyond our land-bound experience. But space is a container of nothingness, a vacuum, a void of immeasurable loneliness and occasional transcendence. Water is a repository of life, and the life asserts itself as you move through the ocean; creatures large and small, beautiful or stunningle grotesque according to their custom, aquatic forests and microscopic landscapes, beings caught between the layers of life, rocks made of living creatures and living creatures made of stone, vegetable animals and animated plants and sudden deep, heart-breaking, lovely jewels that flick their trailing rainbows and dart away from you between the fronds of weeds, leaving shimmering mysteries that can be pursued, but never truly caught and comprehended.
Space does not care whether you are there or not, and the struggle to survive between worlds is a fight to avoid being sucked into a vacuum, into an ultimate nil. Implacable in its indifference, it kills you simply because it is, and crushes you with the weight of your knowledge of its indifference. But the ocean is not indifferent. It reacts and shapes itself to your presence or absence, presents its laws as implacable realities, but an instant later displays the very non-exemplar of that rule swimming calmly through the depths. Accept the strangeness and the ocean opens to you, gives you freedom and beauty, a hook into otherness. But wonder approached in fear is cancelled, disappears into threathening shiverings of distant plants, into terrifying movements of bulky darkness through the rocks.
”
”
Marta Randall (Islands)
“
There are pieces to the puzzle missing,' Camas said. He was tugging his hair; his eyes glowed eerily in the red light from a stained-glass lamp. 'And pieces that don't yet fit. What, for instance, precipitates the shift from city to shadow city? Is it sorcery? Has it to do with the precarious state of affairs in the House of Greve? The powerless heir, the bastard who cannot act? What secrets are hidden within the secret palace? What is there to gain by anticipating and surviving the shift? Domina Pearl believes that it is possible, if one can remain aware during the transformation, to amass enormous knowledge and power. To rule the shadow city when it emerges, since no one else will remember the previous city, and who ruled then. All will be accepted as it is revealed. All of which is why I am so eager to speak with you. You live in Ombria's past, its ghosts and memories. How far back do you remember? Were you alive before the previous shift? How many transformations have there been? Many? One? None at all? How old are you?'
The illusion of Faey inclined her head gracefully; Camas continued without listening for answers. Faey spoke then, her voice sliding within, beneath his words. 'What do you expect to gain form what you call the transformation?'
Camas interrupted his own sentence with a word. 'Enlightenment. And the power that comes with an unbroken memory of the history of the city. Domina Pearl's knowledge of sorcery may not survive the transformation if she herself is not aware of the shift. I want to stay alive, be aware of the shift form city to shadow, and I will ally myself and my abilities to anyone powerful enough to maintain the integrity of existence, knowledge, memory and experience through the transformation.'
'Such as Domina Pearl?' the sorceress suggested. She kept her voice light, careless, but her eyes were very dark.
'Domina Pearl,' Camas agreed. 'Or you. Or perhaps even Ducon. He is another puzzle piece, I think. He is drawn to the hidden palace, and to the odd, unnoticed places in Ombria where the boundaries are visible between the city and its shadow. He draws them constantly.'
'So you would pledge your loyalty to him or betray him, depending on the moment?'
'Or her. Or you,' Camas answered, nodding briskly. Mag stared at him with wonder. 'Exactly. Depending on the moment.
”
”
Patricia A. McKillip (Ombria in Shadow)
“
I love it when you can’t control yourself,” she whispered. “I love having you at my mercy. You have no idea…how much I enjoy seeing Dom the Almighty brought low.”
He barely registered her words. What she was doing felt so good. So bloody damned good. If she stroked him much more…
“I want to be inside you.” He gripped her wrist. “Please, Jane…”
Her sensuous smile faltered. “You’ve never said ‘please’ to me before. Not in your whole life.”
“Really?” Had he only ever issued orders? If so, no wonder she’d refused him last night.
Perhaps it was time to show her she didn’t have to seduce him to gain control. That he could give up his control freely…to her, at least. “Then let me say it now. Please, Jane, make love to me. If you don’t mind.”
She stared at him. “I…I don’t know what you mean.”
He nodded to his cock, which looked downright ecstatic over the idea. “Get up on your knees and fit me inside you.” Realizing he’d just issued yet another order, he added, “Please. If you want.”
Jane got that sultry look on her face again. Like the little seductress she was rapidly showing herself to be, she rose up and then came down on him.
By degrees. Very slow degrees.
He had trouble breathing. “Am I hurting you?”
Her smile broadened as she shimmied down another inch. “Not really.”
Stifling a curse, he clutched her arms. “You just…enjoy torturing me.”
“Absolutely,” she said and moved his hands to cover her breasts.
He was more than happy to oblige her unspoken request, happy to thumb her nipples and watch as her lovely mouth fell open and a moan of pure pleasure escaped her.
His cock swelled, and he thrust up involuntarily. “Please…” he said hoarsely. “Please, Jane…”
With a choked laugh, she sheathed herself on him. Then her eyes went wide. “Oh, that feels amazing.”
“It would feel more amazing if you…would move,” he rasped, though the mere sensation of being buried inside her was making him insane. When she arched an eyebrow, he added, “Please.”
“I could get to like this,” she said teasingly. “The begging.”
But even as he groaned, she began to move, like the sensual creature that she was. His sweetheart undulated atop him, her head thrown back and her eyes sliding closed, and for the first time in his life, he was happy to give himself up to someone else’s control. To relish her pleasure, which was also his pleasure.
Somehow he’d stumbled into paradise, ruled by his own personal angel. His own personal siren.
“You like having me…in your power, do you?” he said.
“Yes, oh, yes.” Her eyes brightened as she rode him, harder, faster. “Say it again.”
“What?” He could hardly think for watching her take him. For being inside her so deeply he fancied he could feel her heart, her very soul.
“Please.” Her face was flushed, rapt. “Say…’please’ again.”
“Please.”
Why had he never thought to say it before? This was all he’d ever wanted--to have the enthralling, intoxicating Jane in his arms, in his life. Forever.
A “please” from time to time was little enough to give for that. “Please, my wanton angel.” He clutched her close, his rhythm quickening. “Please…be mine. Please…marry me.”
His release approached like a carriage thundering toward the heavens. Toward paradise. And as the blood roared in his ears, he plunged his cock deeply and emptied himself inside her, crying, “Please…Jane…love me!”
“I do.” With a hoarse cry of her own, she strained against him and found her own release, milking his cock with the force of it. “I do, my darling…I do.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
But merian, so often able to slide by the rules somehow, held on to her specialised tools: her book of notes, her paints, her expensive vellum--carta non nata, skin from unborn lambs, that held the color like nothing else. She brought her mixing materials and pigments.
”
”
Kim Todd (Chrysalis: Maria Sibylla Merian And the Secrets of Metamorphosis)
“
In light of Hipparchus and Ptolemy’s extraordinarily successful predictive theories, the goal of astronomy was to find the right combination of circles to describe the motion of the heavenly bodies around the Earth. Contrary to expectations, it turned out that Earth was itself one of the heavenly bodies. After Copernicus, the goal appeared to be to find the right combination of moving spheres that would reproduce the motion of the planets around the Sun. Contrary to expectations, it turned out that abstract elliptical trajectories were better than spheres. After Newton, it seemed clear that the aim of physics was to find the forces acting on bodies. Contrary to this, it turned out that the world could be better described by dynamical fields rather than bodies. After Faraday and Maxwell, it was clear that physics had to find laws of motion in space, as time passes. Contrary to assumptions, it turned out that space and time are themselves dynamical. After Einstein, it became clear that physics must only search for the deterministic laws of Nature. But it turned out that we can at best give probabilistic laws. And so on. Here are some sliding definitions for what scientists have thought science to be: deduction of general laws from observed phenomena, finding out the ultimate constituents of Nature, accounting for regularities in empirical observations, finding provisional conceptual schemes for making sense of the world. (The last one is the one I like.) Science is not a project with a methodology written in stone, or a fixed conceptual structure. It is our ever-evolving endeavor to better understand the world. In the course of its development, it has repeatedly violated its own rules and its own stated methodological assumptions.
”
”
Carlo Rovelli
“
in the winter from cars, but not for the reasons you think. It wasn’t automobiles sliding on icy roads and running them over. Only loser cats died that way.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
I do not want to keep these things from you. I adore you, puppy. I am just afraid of losing Thomas.”
It was nice hearing Boris say that, but it didn’t make Hans feel much better. He’d still behaved like a child throwing a tantrum. These two men were giving him everything—a job he liked doing, a great place to live, good food, fantastic sex, affection—and he’d blown up because they had a couple of things they liked to reserve for themselves. “I’m sorry. I do understand.”
Boris reached out and took his hand. “I will start teaching you if you really want to learn. Thomas tells me it is a very hard language for English speakers. The vocabulary is strange.”
“Really?” Hans asked, growing ridiculously excited, as if someone had just handed him the map to Blackbeard’s treasure.
“It will take a very long time, puppy, before you can understand the things Thomas and I say to each other. But we have been rude. We should not speak so much in front of you.”
“No!” Hans exclaimed. “Don’t do that. I want to start picking up phrases. You should talk in front of me more!”
Boris laughed. “I had no idea this was so important to you. You really want to be close to us.”
“I do!”
Boris pulled him in for a long kiss, caressing his back and then sliding his hand partway under Hans’s ass. By the time the kiss ended, they both had raging hard-ons. “You want a pet name for me, puppy?”
“Yes!
”
”
Jamie Fessenden (The Rules)
“
Almost he slept again. Sorrow, sorrow, sorrow. Not sorrow, he thought, though when he remembered Seven Girls Waiting and Pink Butterflies and the living, thinking tree ruling kindly its little lake and flowered lawn in the country of sliding stones, something hurt. Sorrow, sorrow, sorrow, sang the night wind, throbbing. Not sorrow, Sandwalker thought to himself, hate. The marshmen had killed Flying Feet, who had sometimes out of his plenty given him to eat when he was small. They would kill Bloodyfinger and Leaves-you-can-eat, Sweetmouth and his mother. Sorrow, sing sorrow. Not sorrow, he thought, the wind, the tree. He sat up, listening to convince himself that it was only the sighing of the wind he heard, or perhaps the tree murmuring of better places. Whatever it was—perhaps, indeed, he had been wrong about this lonely, reed-hemmed tree—it was not an angry sound. It was … nothing. The lost wind sighed, but not in words. The leaves around him scarcely trembled. Far overhead and far away thunder boomed. Sorrow, sang many voices. Sorrow, sorrow, sorrow. Loneliness, and the night coming that will never go.
”
”
Gene Wolfe (The Fifth Head of Cerberus)
“
This nothingness into which the West is sliding is not the natural end, the dying, the sinking of a flourishing community of peoples. Instead, it is again a specifically Western nothingness: a nothingness that is rebellious, violent, anti-God, and antihuman. Breaking away from all that is established, it is the utmost manifestation of all the forces opposed to God. It is nothingness as God; no one knows its goal or its measure. Its rule is absolute. It is a creative nothingness that blows its anti-God breath into all that exists, creates the illusion of waking it to new life, and at the same time sucks out its true essence until it soon disintegrates into an empty husk and is discarded. Life, history, family, people, language, faith—the list could go on forever because nothingness spares nothing—all fall victim to nothingness. DIETRICH BONHOEFFER, Ethics2
”
”
Chris Hedges (America: The Farewell Tour)
“
a slender vinyl attaché case; the kind carried by State Department clerks, computer salesmen, and executive trainees. This, which she opened on her lap, had proved to contain such serious businesslike material as yellow-lined legal pads, ballpoint pens, graph paper, loose-leaf filler books, a cassette recorder, sharpened yellow pencils, and a slide rule. (I have always envied people who know what a slide rule is for. It’s not even the question of how you use it, it’s more basic than that; I am convinced there have been moments in my life which would have been made easier if I had been equipped with a handy slide rule and the mastery of its operation, but I’m so ignorant I don’t even know which moments those were. Never have I said, “Oh, if only I had a slide rule!” though surely there have been times when it was the appropriate thing to say.) But not at the moment for Ms. Scott. She’d taken from the attaché case only one legal pad and one ballpoint pen, then closed
”
”
Donald E. Westlake (Call Me A Cab)
“
Let’s play a game.” “You and your damn games. I swear it’s like you were deprived of fun as a child.” His lips twitch as he slides his palms up my thighs. They tremble beneath his touch, and I press them together to hide their shakiness. “You’ll like this one. I promise.” He makes quick work of my sneakers and socks, and they thud against the carpet like stripped battle armor. I rise up on my elbows. “What are the rules?” His eyes bleed to black. “There is only one.” “That seems easy.” He tsks as he drags my dress hem a little higher. My breathing comes out harsher, and that seems to only encourage him. “Beg.
”
”
Lauren Asher (Terms and Conditions (Dreamland Billionaires, #2))
“
Luckily, queer ones like her don't happen, often. We know how to nip most of them in the bud, early. You can't build a house without nails and wood. If you don't want a house built, hide the nails and wood. If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the Government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it. So bring on your clubs and parties, your acrobats and magicians, your dare-devils, jet cars, motor-cycle helicopters, your sex and heroin, more of everything to do with automatic reflex. If the drama is bad, if the film says nothing, if the play is hollow, sting me with the theremin, loudly. I'll think I'm responding to the play, when it's only a tactile reaction to vibration. But I don't care. I just like solid entertainment.
”
”
Ray Bradbury, Fahrenheit 451
“
(A slide rule always impresses, giving to the bystanders a feeling that the user thereof knows what he’s about and will shortly come up with the answer.)
”
”
Edward Ellsberg (The World War II Chronicles: Under the Red Sea Sun, The Far Shore, and No Banners, No Bugles)
“
Men who worship pain—thought Rearden, staring at the image of the enemies he had never been able to understand—they’re men who worship pain. It seemed monstrous, yet peculiarly devoid of importance. He felt nothing. It was like trying to summon emotion toward inanimate objects, toward refuse sliding down a mountainside to crush him. One could flee from the slide or build retaining walls against it or be crushed—but one could not grant any anger, indignation or moral concern to the senseless motions of the unliving; no, worse, he thought—the anti-living. The same sense of detached unconcern remained with him while he sat in a Philadelphia courtroom and watched men perform the motions which were to grant him his divorce. He watched them utter mechanical generalities, recite vague phrases of fraudulent evidence, play an intricate game of stretching words to convey no facts and no meaning. He had paid them to do it—he whom the law permitted no other way to gain his freedom, no right to state the facts and plead the truth—the law which delivered his fate, not to objective rules objectively defined, but to the arbitrary mercy of a judge with a wizened face and a look of empty cunning.
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Ayn Rand (Atlas Shrugged)
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The rules were the guys had to strip down to their underwear and the girls had to strip down to their panties and bras. They knew that if they were coming over to our place, they were going to slip and slide. The ladies loved doing the slide but couldn’t go headfirst. They had to slide feetfirst on their backsides because otherwise their chests caused too much resistance and slowed them down.
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Rob Gronkowski (It's Good to Be Gronk)
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“Sorry, I thought this room belonged to a red-headed girl. Is this her room?”
He checks out the room number beside the door, and I broaden my stance. “What makes you think she’s here?”
The guy winces. “I followed her.”
A tremor runs through my body, and I have to keep from grabbing his throat and shoving him into the wall. Keep talking, asshole. I won’t have Echo pissed at me when I take a swing at this guy. I’ll allow him to bury himself first. “What do you want with her?”
“Noah,” Echo whispers behind me and touches my bare back. “Did he say he followed me?”
The guy pulls his hands out of his sagging jeans. “I know this is strange, but I want to talk to her.”
“Noah?” Echo inches as if she’s going to peek out, and I slide in front of the door, holding the handle to keep her safely inside. This guy’s going to need a hell of a right hook to get to her.
“You need to go,” I say.
He rams both fists into his hair, and he’s got dark circles under his eyes like he hasn’t slept. “Look, I know this is insane—”
“You’re right—you’re fucking crazy. Guys knocking on hotel rooms of girls without being asked is sick.” I jerk my thumb for him to leave. “Serial killers belong at the next exit.”
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Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
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Echo’s breathing hitches when I slide my thumb along a smaller scar. She likes that spot. I’ve memorized it. A centimeter below the crook of her elbow. Her skin is sensitive there, and when I kiss it, Echo normally falls apart and nearly shatters.
I gently press my lips behind her ear, and Echo nudges closer to me. “Why, Echo?”
“Because.”
I nip at her earlobe, and she shivers. “Because why?”
Her shoulder moves under my body. A half shrug maybe. “It makes me feel better.”
Fuck that. “Why?”
A kiss on her neck. A long one. A lingering one. God damn, Echo tastes so good. Her skin is soft and tempting. But I want answers.
“Because sometimes I want to blend in.”
I raise my head and stare straight into her eyes, spotting the plain honesty. What she doesn’t understand is that she could never blend in. Blazing red hair. Bright emerald eyes. The most beautiful girl in the world. She’d turn heads regardless of a sweater.
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Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
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Echo slides off the hood, and her hips have this easy sway as she walks to the back passenger door. Damn, she’s gorgeous—red, curly hair flowing over her shoulders, a pair of cut-offs hugging her ass and a blue spaghetti-strap tank dipped low enough to show cleavage.
My fingers twitch with the need to touch. I’m going to have to pull some major groveling to gain forgiveness. If I were smart, I’d find a way to say sorry without opening my mouth. Never fails that half the time I try to apologize, it comes out wrong.
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Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
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People like printing a hard copy of the presentation slides. We don’t really understand why, but they do.
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Ann Handley (Content Rules: How to Create Killer Blogs, Podcasts, Videos, Ebooks, Webinars (and More) That Engage Customers and Ignite Your Business (New Rules Social Media Series Book 16))
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PRIME Prime is an ever-changing condition, a segment of a journey, not a haven at the end of the road. Companies in Prime are recognizable: All aspects work well together, all operations thrive, and all members of the organization know where it is going and how to stay on track. Prime is a state of balance: Flexibility and control, function and form, imagining and producing, innovation and administration. But companies in that exultant equilibrium — so hard to achieve, so easy to lose — continually risk sliding back to childish habits or stumbling into the rigidity of old age. An organization is no less vulnerable in Prime than it is at any other stage of its lifecycle. The cash shortage of Infancy, the founder’s heavy hand in Go-Go, the infighting of Adolescence — those are challenges it has overcome. Now the complacency that comes with a surfeit of success looms as a potential and significant threat. I have a rule of thumb by which I judge an adult company: If it does not produce significant new products or spin off promising start-ups within any three-year period, it is either decaying or on the brink of decline. Ask yourself what percentage of your revenues come from products you were not selling three years ago? Be honest. There are enhancements, changes that are cosmetic in nature that make old products look new. Pharmaceutical manufacturers are well known for
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lchak Adizes (The Pursuit of Prime: Maximize your Companys Success with the Adizes Program)
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God and country will step in to fill the void, offering you laws and equations, rules and punishments to carry you through those lonely, restless nights you spend tossing and turning in bed as the moon slides whispering in your window. “They’re worse than an opiate for the masses. They’ll turn you into deaf sheep standing in line as the truth bleats fearfully at the altar. They’ll have you standing in line for slaughter.” His eyes narrowed. “They’ll deafen you to the roar of your inner voice. That’s what they do. Soon, you won’t even be able to hear yourself.
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Gregg Hurwitz (The Tower)