Memorial Pendant Quotes

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To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget (a good example of this in modem times is Mirabeau, who had no memory for insults and vile actions done him and was unable to forgive simply because he—forgot). Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine 'love of one's enemies' is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture 'the enemy' as the man of ressentiment conceives him—and here precisely is his deed, his creation: he has conceived 'the evil enemy,' 'the Evil One,' and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a 'good one'—himself!
Friedrich Nietzsche (On the Genealogy of Morals / Ecce Homo)
Amber laticifer tree. The thick resin from its bark can be used in the creation of funeral pendants, as it is ideal for binding and storing memories.
Amy Alward (Madly (Potion, #1))
To be incapable of taking one’s enemies, one’s accidents, even one’s misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget (a good example of this in modern times is Mirabeau, who had no memory for insults and vile actions done him and was unable to forgive simply because he—forgot). Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine “love of one’s enemies” is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor! In contrast to this, picture “the enemy” as the man of ressentiment conceives him—and here precisely is his deed, his creation: he has conceived “the evil enemy,” “the Evil One,” and this in fact is his basic concept, from which he then evolves, as an afterthought and pendant, a “good one”—himself!
Friedrich Nietzsche (On the Genealogy of Morals)
He found Rhy standing in the middle of his room, his back to Kell as he considered himself in a full-length mirror. From this angle, Kell couldn’t see Rhy’s face, and for a moment, a memory surged into his mind, of Rhy waiting for him to wake—only it hadn’t been Rhy, of course, but Astrid wearing his skin, and they were in Rhy’s chambers then, not his. But for an instant the details blurred and he found himself searching Rhy for any pendants or charms, searching his floor for blood, before the past crumbled back into memory. “About time,” said Rhy, and Kell was secretly relieved when the voice that came from Rhy’s lips was undoubtedly his brother’s. “What brings you to my room?” he asked, relief bleeding into annoyance. “Adventure. Intrigue. Brotherly concern. Or,” continued the prince lazily, “perhaps I’m just giving your mirror something to look at besides your constant pout.” Kell frowned, and Rhy smiled. “Ah, there it is! That famous scowl.” “I don’t scowl,” grumbled Kell. Rhy shot a conspiratorial look at his own reflection. Kell sighed and tossed his coat onto the nearest couch before heading for the alcove off his chamber.
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
As she lifted it, it caught the light and sent it out in a fan of intense colour. ‘Take this,’ Yollana said, and if there was a request in the two words, she hid it well. ‘Take this, and wear it. Travel this village, these lands. Speak to the people who make this your home. Visit your graves, your fields, your hills; find the shade in your forest, the cooling waters in your brook and small river.’ She let it fall; Ashaf gasped until she saw the glittering chain that stopped it from reaching the ground. A necklace or a pendant of some sort. She reached out an open palm, and Yollana carefully dropped the stone-for it was a stone, a clear one, like a diamond that would beggar even a Tyr-into her hand. At once, it flared with a deep, blue light; the light ran the length of her arm, shrouding it. Magic. ‘What-what does it do?’ Her voice was, momentarily, a girl’s voice-the girl that she had thought long gone. Dreamer. Seeker of wonder. ‘It is the Lady’s magic,’ Yollana replied, ‘not the Lord’s. It will not protect you; it will not defend you. Where a blade is raised or a spell is thrown, you will find no solace in it.’ Ashaf smiled wryly. ‘I did not ask you what it wasn’t. I asked you what it is.’ ‘It is a keeper’ Yollan said. ‘Of memory. Of affection. Of place. Wear it, as I have told you wear it, and it will take some of what you feel and hold it within depths that you cannot even imagine. Wear it, and you will feel exactly the peace or the joy or the quiet-yes, or the sorrow-that you felt when you donned it.’ ‘Why?’ ‘It is a piece of home,’ Yollana replied gravely. ‘Many of the Voyani women wear them, because the heart-our hearts-so seldom find a home, and when they do, we cannot remain there.
Michelle West (The Broken Crown (The Sun Sword, #1))
THE GREAT GULON INCIDENT: [JUST GONNA LEAVE THIS ONE WITH: REDACTED] [NOT THAT I HAD ANYTHING TO DO WITH THIS!] THE VACKER CONNECTION: [UH, FITZY’S MY BEST FRIEND—NOT A “CONNECTION.” AND ALDEN AND DELLA ARE WAY NICER TO ME THAN MY OWN PARENTS ARE. BIANA’S SUPER AWESOME TOO. ALVAR… NOT SO MUCH. I PROBABLY SHOULD’VE SEEN THAT ONE COMING. BUT WHATEVER, MY POINT IS: I DIDN’T TRY TO MAKE FRIENDS WITH THE VACKERS—NO MATTER WHAT WEIRD STUFF WAS IN ONE OF MY ERASED MEMORIES. SO DON’T GO THINKING THERE’S MORE TO IT THAN THAT.] [AND HOW DO YOU GUYS EVEN KNOW ABOUT THAT MEMORY? THAT KINDA MAKES ME WANT TO RIP THIS REGISTRY PENDANT OFF MY NECK AND THROW IT FAR, FAR AWAY!] INSTANT RIVALRY: [YOU THINK BANGS BOY AND ME ARE “RIVALS”? HATE TO BREAK IT TO YOU, BUT NOPE! I MEAN, YEAH, HE’S SUPER ANNOYING WITH ALL THE “LOOK AT ME, I’M A MOODY SHADE” NONSENSE—AND HIS HAIR IS TOTALLY RIDICULOUS. BUT THERE’S NO RIVALRY. JUST DON’T EXPECT US TO BE BESTIES, AND WE’LL BE GOOD.] UNWITTING ERRAND BOY: [OKAY, THAT SUBHEADING MAKES ME WANT TO PUNCH WHOEVER WROTE IT IN THE MOUTH. BUT… I GUESS IT’S ALSO KIND OF TRUE. MY MOM DID HAVE ME DO STUFF AND THEN ERASE MY MEMORIES SO I WOULDN’T KNOW ABOUT IT. MOM OF THE YEAR, LADIES AND GENTLEMEN. TRY NOT TO BE JEALOUS.] [AND I’M WORKING ON GETTING THOSE MEMORIES BACK, BY THE WAY. I’VE BEEN FILLING JOURNALS WITH DRAWINGS AND EVERYTHING. IT’S JUST TAKING A WHILE BECAUSE I’VE BEEN A LITTLE BUSY ALMOST DYING AND STUFF.] TEAM FOSTER-KEEFE: [WOO-HOO, TEAM FOSTER-KEEFE IS OFFICIALLY A THING!] [BUT THE REST OF THE STUFF IN THIS SECTION IS SOOOOOOOOOOOOOOOOOOOOOO GETTING REDACTED. SERIOUSLY—BOUNDARIES, PEOPLE! FOSTER’S AMAZING—AND OBVIOUSLY WORKING WITH ME MAKES HER EVEN MORE AMAZING. BUT YOU GUYS NEED TO STOP WITH ALL OF YOUR WEIRDO SPECULATING.] ONE PART OF A TRIANGLE: [OKAY, THAT’S IT. I’M DEEEEEEEEEEFINITELY DITCHING THIS PENDANT THING. WHY IS THE COUNCIL PAYING ATTENTION TO THIS STUFF???????????] [ACTUALLY, YOU KNOW WHAT? IT’S NONE OF YOUR BUSINESS, BUT I’M GOING TO ADD ONE THING: FOSTER GETS TO DO WHATEVER SHE WANTS, OKAY? SHE CAN LIKE WHOEVER SHE WANTS. OR BE CONFUSED ABOUT WHAT SHE’S FEELING. SHE CAN EVEN BE OBLIVIOUS—IT’S HER LIFE. HER CHOICE. AND EVERYONE NEEDS TO STAY OUT OF IT.] [EVEN ME.] [ESPECIALLY ME. I WOULD NEVER WANT TO…] [NEVER MIND. MY POINT IS, LET THE POOR GIRL FIGURE THIS OUT ON HER OWN. AND SERIOUSLY, STAY OUT OF OUR LIVES!!!!]
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
My dear Marwan, in the long summers of childhood, when I was a boy the age you are now, your uncles and I spread our mattress on the roof of your grandfathers’ farmhouse outside of Hom. We woke in the mornings to the stirring of olive trees in the breeze, to the bleating of your grandmother's goat, the clanking of her cooking pots, the air cool and the sun a pale rim of persimmon to the east. We took you there when you were a toddler. I have a sharply etched memory of your mother from that trip. I wish you hadn’t been so young. You wouldn't have forgotten the farmhouse, the soot of its stone walls, the creek where your uncles and I built a thousand boyhood dams. I wish you remembered Homs as I do, Marwan. In its bustling Old City, a mosque for us Muslims, a church for our Christian neighbours, and a grand souk for us all to haggle over gold pendants and fresh produce and bridal dresses. I wish you remembered the crowded lanes smelling of fried kibbeh and the evening walks we took with your mother around Clock Tower Square. But that life, that time, seems like a dream now, even to me, like some long-dissolved rumour. First came the protests. Then the siege. The skies spitting bombs. Starvation. Burials. These are the things you know You know a bomb crater can be made into a swimming hole. You have learned dark blood is better news than bright. You have learned that mothers and sisters and classmates can be found in narrow gaps between concrete, bricks and exposed beams, little patches of sunlit skin shining in the dark. Your mother is here tonight, Marwan, with us, on this cold and moonlit beach, among the crying babies and the women worrying in tongues we don’t speak. Afghans and Somalis and Iraqis and Eritreans and Syrians. All of us impatient for sunrise, all of us in dread of it. All of us in search of home. I have heard it said we are the uninvited. We are the unwelcome. We should take our misfortune elsewhere. But I hear your mother's voice, over the tide, and she whispers in my ear, ‘Oh, but if they saw, my darling. Even half of what you have. If only they saw. They would say kinder things, surely.' In the glow of this three-quarter moon, my boy, your eyelashes like calligraphy, closed in guileless sleep. I said to you, ‘Hold my hand. Nothing bad will happen.' These are only words. A father's tricks. It slays your father, your faith in him. Because all I can think tonight is how deep the sea, and how powerless I am to protect you from it. Pray God steers the vessel true, when the shores slip out of eyeshot and we are in the heaving waters, pitching and tilting, easily swallowed. Because you, you are precious cargo, Marwan, the most precious there ever was. I pray the sea knows this. Inshallah. How I pray the sea knows this.
Khaled Hosseini (Sea Prayer)
some past memory was trying to come to the surface. It puzzled him. Unconsciously he reached for his mother’s pendant, the Memory Marker he always wore around his neck. He never took the enchanted jewel off. It had great emotional value for him. He believed it somehow protected him in his path through life. He liked to think that his mother helped him through the pedant. It was a way for him to feel close to her. Then,
Pedro Urvi (Arcane Call (Path of the Ranger, #13))
I follow Sevro to Cassius’s room. The door is open. I feel anger toward Sevro for violating Cassius’s sanctum, but then I see the cramped room into which Cassius fit his huge life. On one wall his childhood, filled with moving pictures of Eagle Rest, Julian, his father, his brothers, his sisters, even his mother—all curly-haired and smiling. There are a few swordsmanship badges and mementos whose meaning will never now be known. A purple stone with flecks of gold. A chunk of metal the size of an apple. A carved length of wood. A large knife with an eagle-shaped pommel. On another wall hangs a House Mars pendant, surrounded by printed news clippings of my pack. Not just me, but Sevro, Screwface, Clown, Pebble, Virginia, even Pax. They are all happy moments, and it makes me sad that he couldn’t be there to share them with us. On the third wall are images of Lysander, Pytha, and Cassius through the years. But it’s the holoprojector that makes me stare. A loch floats in the air filled with two shivering boys while a wolflike creature slinks around its edges.
Pierce Brown (Light Bringer (Red Rising Saga, #6))
He clutched at his chest, trying to find the pendant that hung there, to hold onto the reality of it, the reality of his age and the time in which he was living, but the shadows surrounded him on all sides and the fear grew in his heart and he was only a frightened little boy.
Noor Al-Shanti (Children of the Dead City)