Melinda Mirror Quotes

We've searched our database for all the quotes and captions related to Melinda Mirror. Here they are! All 8 of them:

He pauses, swipes a matchstick on a column. It bursts into flame. “I tell you, you must take risks in my studio.” He finds a cigarette behind his ear and lights it. “I tell you not to be timid. I tell you to make the choices, make the mistakes, big, terrible, reckless mistakes, really screw it all up. I tell you it is the only way.” An affirmative murmur. “I say this, yes, but I still see so many of you afraid to cut in.” He begins to pace, slowly like a wolf, which is definitely his mirror animal. “I see what you are doing. When you leave yesterday, I go from work to work. You feel like Rambo maybe with the drills, the saws. You make lots of noise, lots of dust, but very few of you have found even this much”—he pinches two fingers together—“of your sculptures. Today this changes.” He walks over to a short blond-haired girl. “May I, Melinda?” “Please,
Jandy Nelson (I'll Give You the Sun)
Just wait until that husband of yours rolls over and goes to sleep without bothering to touch you in six months, Just wait until there's nothing at all between the sheets and you dry up and feel worthless and look in the mirror and begin to believe it's your fault he doesn't want you. Just wait until it dawns on you one day that the real reason he doesn't want you is because he doesn't want himself.
Melinda Haynes (Willem's Field)
Nobody ever talked about what a struggle this all was. I could see why women used to die in childbirth. They didn't catch some kind of microbe, or even hemorrhage. They just gave up. They knew that if they didn't die, they'd be going through it again the next year, and the next. I couldn't understand how a woman might just stop trying, like a tired swimmer, let her head go under, the water fill her lungs. I slowly massaged Yvonne's neck, her shoulders, I wouldn't let her go under. She sucked ice through threadbare white terry. If my mother were here, she'd have made Melinda meek cough up the drugs, sure enough. "Mamacita, ay," Yvonne wailed. I didn't know why she would call her mother. She hated her mother. She hadn't seen her in six years, since the day she locked Yvonne and her brother and sisters in their apartment in Burbank to go out and party, and never came back. Yvonne said she let her boyfriends run a train on her when she was eleven. I didn't even know what that meant. Gang bang, she said. And still she called out, Mama. It wasn't just Yvonne. All down the ward, they called for their mothers. ... I held onto Yvonne's hands, and I imagined my mother, seventeen years ago, giving birth to me. Did she call for her mother?...I thought of her mother, the one picture I had, the little I knew. Karin Thorvald, who may or may not have been a distant relation of King Olaf of Norway, classical actress and drunk, who could recite Shakespeare by heart while feeding the chickens and who drowned in the cow pond when my mother was thirteen. I couldn't imagine her calling out for anyone. But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers and purgers, women smiling into mirrors, women in girdles, women in barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in it for me? Not the women who watched TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition, get used to it. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for is when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne was sitting up, holding her breath, eyes bulging out. It was the thing she should not do. "Breathe," I said in her ear. "Please, Yvonne, try." She tried to breathe, a couple of shallow inhalations, but it hurt too much. She flopped back on the narrow bed, too tired to go on. All she could do was grip my hand and cry. And I thought of the way the baby was linked to her, as she was linked to her mother, and her mother, all the way back, insider and inside, knit into a chain of disaster that brought her to this bed, this day. And not only her. I wondered what my own inheritance was going to be. "I wish I was dead," Yvonne said into the pillowcase with the flowers I'd brought from home. The baby came four hours later. A girl, born 5:32 PM.
Janet Fitch (White Oleander)
Melinda's trick is looking hard in the mirror, Absolving herself and cracking open doors to the next place. But the girl at that school, so haunted, smashed all the reflections boarded up the windows and bolted the doors, forever stuck at 15 years old judged to serve a life sentence for what they did.
Laurie Halse Anderson (Shout)
There was something wrong about this, unforgivable, about choosing sin after someone had been murdered. Melinda knew it as she showered, as she applied her makeup and dressed and examined her face in the mirror.
E.A. Aymar (No Home for Killers)
Melinda, what are you doing?” he asked, unzipping his jeans to take them off and take a shower of his own. “Nothing,” she said, averting her eyes. He frowned and stepped toward her. He lifted her chin and looked into her eyes. “Were you covering up? In front of me?” he asked, astonished. “Jack, I’m going to pot,” she said, cinching the towel tighter. “What?” he asked, laughter in his voice. “What are you talking about?” She took a deep breath. “My boobs are drooping, my butt fell into my thighs, I have a potbelly, and if that’s not bad enough, I’m so covered with stretch marks, I look like a deflated balloon.” She put a hand against his rock-hard chest. “You’re eight years older than I am and you’re in perfect shape.” He started to laugh. “I thought you were trying to cover a tattoo or something. Mel, I didn’t have two children, a year apart. Emma’s only a few months old. Give yourself a little time, huh?” “I can’t help it. I miss my old body.” “Oh-oh,” he said, putting his arms around her. “If you’re thinking like that, I’m not doing my job.” “But it’s true,” she said, laying her head against the soft mat of hair on his chest. “Mel, you are more beautiful every day. I love your body.” “It’s not what it was…” “Hmm. But it’s better,” he said. He tugged at the towel and she hung on. “Come on,” he said. She let go and he pulled it away. “Ah,” he said, smiling down at her. “This body is amazing to me—incredible. More lush and irresistible every day.” “You can’t mean that,” she said. “But I do.” He leaned down and touched her lips with his, one hand on her breast, the other moving smoothly down her back and over her bottom. “This body has given me so much—I worship this body.” He lifted her breast slightly. “Look,” he said. “I can’t bear it,” she complained. “Look, Mel. Look in the mirror. Sometimes when I see you like this, uncovered, I can’t breathe. Every small change just makes you better, more delicious to me. You can’t think I’d have anything but complete admiration for the body that gave me my children. You give me so much pleasure, sometimes I think I might be losing my mind. Baby, you’re perfect.” “I’m twenty pounds heavier than when you met me,” she said. He laughed at her. “What are you now? A size four?” “You don’t know anything. It’s much more than a four. We’re headed for double digits…” “God above,” he said. “Twenty more pounds for me to gobble up.” “What if I just keep getting fatter and fatter?” “Will you still be in there? Because it’s you I love. I love your body, Mel, because it’s you. You understand that, right?” “But…” “If I had an accident that blew my legs off, would you stop loving me, wanting me?” “Of course not! That’s not the same thing!” “We’re not our bodies. We’ve been lucky with our bodies, but we’re more than that.” “It was my butt in a pair of jeans that got your attention….” “My love for you is a lot deeper than that, and you know it. However—” he grinned “—you still knock me out in those jeans. If you’ve gained twenty pounds, it went to all the right places.” “I’m thinking—tummy tuck,” she said. “What nonsense,” he said, leaning down to cover her mouth in a bold and serious kiss.
Robyn Carr (Temptation Ridge)
Jack was mesmerized by the sight of her, naked in front of those mirrors. He hadn’t really seen her like that. He’d seen her naked, of course, but lying down or standing almost a foot shorter than he as they showered. Now he bent, looked at her profile and said, “My God, Melinda. You’re huge.” She threw him a look that suggested a different choice of words. “I mean, you look awesome, Mel. Look at that!” “Shut up, Jack,” she said. When
Robyn Carr (Shelter Mountain (Virgin River, #2))
high school. A figure walked on the side of the road, his dark gray jacket and black backpack blending into the early winter twilight. “Is that Derek?” Ethan slowed the truck. Zeus whined and stuck his head over the front seat. “Yes,” Abby said. “He must have stayed after school and missed the late bus.” Ethan pulled over in front of the boy. In the rearview mirror, he saw the kid stop. His posture said he was
Melinda Leigh (She Can Hide (She Can, #4))