Medieval Town Quotes

Talk. I'll just wait' shall I? Because my mission to save this town is of no importance whatsoever next to your girl talk."- Myrnin "Oh, shut up, you medieval drama queen" - Claire

When I was a child growing up in Salinas we called San Francisco “the City”. Of course it was the only city we knew, but I still think of it as the City, and so does everyone else who has ever associated with it. A strange and exclusive work is “city”. Besides San Francisco, only small sections of London and Rome stay in the mind as the City. New Yorkers say they are going to town. Paris has no title but Paris. Mexico City is the Capital. Once I knew the City very well, spent my attic days there, while others were being a lost generation in Paris. I fledged in San Francisco, climbed its hills, slept in its parks, worked on its docks, marched and shouted in its revolts. In a way I felt I owned the City as much as it owned me. San Francisco put on a show for me. I saw her across the bay, from the great road that bypasses Sausalito and enters the Golden Gate Bridge. The afternoon sun painted her white and gold---rising on her hills like a noble city in a happy dream. A city on hills has it over flat-land places. New York makes its own hills with craning buildings, but this gold and white acropolis rising wave on wave against the blue of the Pacific sky was a stunning thing, a painted thing like a picture of a medieval Italian city which can never have existed. I stopped in a parking place to look at her and the necklace bridge over the entrance from the sea that led to her. Over the green higher hills to the south, the evening fog rolled like herds of sheep coming to cote in the golden city. I’ve never seen her more lovely. When I was a child and we were going to the City, I couldn’t sleep for several nights before, out of busting excitement. She leaves a mark.

sad, look up at the stars, then close your eyes. The stars will tell you a story. Their soft gleam will embrace and comfort you and lead you confidently toward your goals.” Wandering through the streets of the small medieval town of Zons on a

sweetness on the tongue and a promise of scent on the night air. It was sensual in the best meaning of that word, saturating every sense at once, so that the flesh was known, finally, as a thing of such goodness that man blessed his Creator from morning to night for having made him. Here in this medieval town where once an extraordinary little fellow had burst forth with songs to God, as a passionate lover speaks to his bride, here the restoration of man to his own true home was no longer the dream of saints. It was the wedding feast. It was a word made flesh.

If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'. A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray. Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.

Wandering through the streets of the small medieval town of Zons on a frigid winter’s evening, Anna smiled as she remembered her grandfather’s words. Although the icy air made her shiver, she sat down on one of the many benches along the bank of the Rhine. She thought about following her grandfather’s advice, and tears filled her eyes.

Wandering through the streets of the small medieval town of Zons on a frigid winter’s evening, Anna smiled as she remembered her grandfather’s words. Although the icy air made her shiver, she sat down on one of the many benches along the bank of the Rhine. She thought about following her grandfather’s advice, and tears filled her eyes. No

Many men regard their membership of a town community as no less important than their nationality.

close your eyes. The stars will tell you a story. Their soft gleam will embrace and comfort you and lead you confidently toward your goals.” Wandering through the streets of the small medieval town of Zons on a frigid winter’s evening, Anna smiled as she remembered her grandfather’s words. Although the icy air made her shiver, she sat down on one of the many benches along the bank of the Rhine. She thought about following her grandfather’s advice, and

Several Mohammedan countries in North Africa and the Middle East are precisely in a period of fourteenth-century development and can show us, in a number of respects, a reflection of what the European medieval world was like. Similar towns, their houses piled one upon another, narrow swarming streets, enclosing a few sumptuous palaces; the same extremes of appalling misery among the poor and of opulence among great lords; the same story-tellers at the corners of the streets, propagating both myths and news; the same population, nine-tenths illiterate, submitting through long years to oppression and then suddenly rebelling violently in murderous panic; the same influence of religious conscience upon public affairs; the same fanaticism; the same intrigues among the powerful; the same hate among rival factions; the same plots so curiously ravelled that their solution lies only in the spilling of blood!

The key to understanding such men is the notion of respectability. If you want to flatter a man in any walk of life, tell him he is of noble bearing and behavior and deserving of respect. Men want to serve in important positions of office in towns and manors—it adds to their stature.

Noisy shuddering little commuter trains, debatable links: Shaw spent half a day joining one cross-country service to another; hard enough work just to arrive mid-afternoon on the brown edge of Wales. The town, with its undecodable medieval topography and commanding position above the River Severn, had done well out of sheep; then out of brewing; and finally out of coal. Now, like most of those old places, post-colonial, post-industrial and – in the sense that its past had now become its present – fully post-historical, it was curating a collection of original burgage plots, timber-framed heritage structures and quaintly squalid street names. It had been pleased with itself for 700 years.

The exchangeability that is expressed in money must inevitably have repercussions upon the quality of commodities themselves, or must interact with it. The disparagement of the interest in the individuality of a commodity leads to a disparagement of individuality itself. If the two sides to a commodity are its quality and it s price, then it seems logically impossible for the interest to be focused on only one of these sides: for cheapness is an empty word if it does not imply a low price for a relative good quality, and good quality is an economic attraction only for a correspondingly fair price. And yet this conceptual impossibility is psychologically real and effective. The interest in the one side can be so great that its logically necessary counterpart completely disappears. The typical instance of one of these case s is the ‘fifty cents bazaar’. The principle of valuation in the mode rn money economy finds its clearest expression here. It is not the commodity that is the centre of interest here but the price—a principle that in former times not only would have appeared shameless but would have been absolutely impossible. It has been rightly pointed out that the medieval town, despite all the progress it embodied, still lacked the extensive capital economy, and that this was the reason for seeking the ideal of the economy not so much in the expansion (which is possibly only through cheapness) but rather in the quality of the goods offered; hence the great contributions of the applied arts, the rigorous control of production, the strict policing of basic necessities, etc. Such is one extreme pole of the series, whose other pole is characterized by the slogan, ‘cheap and bad’—a synthesis that is possibly only if we are hypnotized by cheapness and are not aware of anything else. The levelling of objects to that of money reduces the subjective interest first in their specific qualities and then, as a further consequence, in the objects themselves. The production of cheap trash is, as it were, the vengeance of the objects for the fact that they have been ousted from the focal point of interest by a merely indifferent means.

The judge had spied the musician and he called to him and tossed a coin that clinked upon the stones. The fiddler held it briefly to the light as if it might not serve and then slipped it away among his clothes and fitted his instrument beneath his chin and struck up an air that was old among the mountebanks of Spain two hundred years before. The judge stepped into the sunlit doorway and executed upon the stones a series of steps with a strange precision and he and the fiddler seemed alien minstrels met by chance in this medieval town. The judge removed his hat and bowed to a pair of ladies detoured into the street to bypass the doggery and he pirouetted hugely on his mincing feet and poured pulque from his cup into the old man's eartrumpet. The old man quickly stoppered the horn with the ball of his thumb and he held the horn with care before him while he augered his ear with on finger and then he drank.

whatever an individual might secretly know or believe to be the truth is neatly illustrated by a medieval anecdote according to which a sentry, on duty to watch and warn the townspeople of the enemy’s approach, jokingly sounded a false alarm—and then was the last to rush to the walls to defend the town against his invented enemies. From this, one may conclude that the more successful a liar is, the more people he has convinced, the more likely it is that he will end by believing his own lies.

The largest wooden old town in the Nordic countries, Vanha Rauma deserves its Unesco World Heritage status. Its 600 houses might be museum pieces, but they also form a living centre: residents tend their flower boxes and chat to neighbours, while visitors meander in and out of the low-key cafes, shops, museums and artisans’ workshops. Rauman giäl, an old sailors’ lingo that mixes up a host of languages, is still spoken here, and the town’s medieval lace-making heritage is celebrated during Pitsiviikko (Rauma Lace Week).

Perhaps that had been one of the ineradicable faults of mankind - for even a convinced atheist had to admit there were faults - that it was never content with a thing as a thing; it had to turn things into symbols of other things. A rainbow was never only a rainbow; a storm was a sign of celestial anger; and even from the puddingy earth came forth dark chthonian gods. What did it all mean? What an agnostic believed and what the willowy parson believed were not only irreconcilable systems of thought: they were equally valid systems of thought because, somewhere along the evolutionary line, man, developing this habit of thinking of symbols, had provided himself with more alternatives than he could manage. Animals moved in no such channel of imagination - they copulated and they ate; but the the saint, bread was a symbol of life, as the phallus was to the pagan. The animals themselves were pressed into symbolic service - and not only in the medieval bestiaries, by any means. Such a usage was a distortion, although man seemed unable to ratiocinate without it. That had been the trouble right from the beginning. Perhaps it had even been the beginning, back among the first men that man could never get clearly defined (for the early men, being also symbols, had to be either lumbering brutes, or timid noble savages, or to undergo some other interpretation). Perhaps the first fire, the first tool, the first wheel, the first carving in a limestone cave, had each possessed a symbolic rather than a practical value, had each been pressed to serve distortion rather than reality. It was a sort of madness that had driven man from his humble sites on the edges of woods into towns and cities, into arts and wars, into religious crusades, into martyrdom and prostitution, into dyspepsia and fasting, into love and hatred, into this present cul-de-sac; it had all come about in pursuit of symbols. In the beginning was the symbol, and darness was over the face of the Earth.

Pont Saint Benezet.” “What happened to it?” Luce asked. Daniel glanced over his shoulder. “Remember how quiet Annabelle got when I mentioned we were coming here? She inspired the boy who built that bridge in the Middle Ages in the time when the popes lived here and not in Rome. He noticed her flying across the Rhone one day when she didn’t think anyone could see her. He built the bridge to follow her to the other side.” “When did it collapse?” “Slowly, over time, one arch would fall into the river. Then another. Arriane says the boy-his name was Benezet-had a vision for angels, but not for architecture. Annabelle loved him. She stayed in Avignon as his muse until he died. He never married, kept apart from the rest of Avignon society. The town thought he was crazy.” Luce tried not to compare her relationship with Daniel to what Annabelle had had with Benezet, but it was hard not to. What kind of relationship could an angel and a mortal really have? Once all this was over, if they beat Lucifer…then what? Would she and Daniel go back to Georgia and be like any other couple, going out for ice cream on Fridays after a movie? Or would the whole town think she was crazy, like Benezet? Was it all just hopeless? What would become of them in the end? Would their love vanish like a medieval bridge’s arches? The idea of sharing a normal life with an angel was what was crazy. She sensed that in every moment Daniel flew her through the sky. And yet she loved him more each day.

Dubrovnik, Croatia Dubrovnik’s old architecture, all wrapped within its ancient stone walls, have made this city a World Heritage Site. It’s an old sea port that sits above the Adriatic Sea. Its background, from medieval times was trade between the east and Europe and the city rivalled Venice for its reach and connections. Today, however, the principle economy is based on tourism. The old town is a warren of narrow, cobbled streets, sometimes steep, but pedestrianised which makes it easy to walk. However, be careful – signs do not always point to where they say they are going – many of them are old and the hotels, restaurants, bus stations have moved. The City Walls might look familiar to fans of Game of Thrones – many scenes were filmed here and there are Game of Thrones tours to visit the film’s settings. The area suffered a devastating earthquake in the 17th century, therefore much of the original architecture did not survive. The Sponza Palace, near the Bell Tower, is one of the few Gothic buildings left in the city. The Stradun is the main street in the Old Town – restaurants, shops and bars all pour out onto here. It’s lively, especially towards the end of the day. Don’t forget that the city’s location on the coast means that it also has beautiful beaches. Lapad Beach is two miles outside of town, and has a chilled atmosphere. Banje Beach is closer to the old town. It has an entrance fee and is livelier. One of the reasons Dubrovnok appeals to solo travellers is because it has a low crime rate. In addition, its cobbled streets and artistic shops all make browsing easy.

Just outside of Greater Los Angeles, in a town called Claremont, are five colleges—Pomona, Pitzer, Scripps, Harvey Mudd, and Claremont Mckenna. At the start of the Great Panic, when everyone else was running, literally, for the hills, three hundred students chose to make a stand. They turned the Women’s College at Scripps into something resembling a medieval city. They got their supplies from the other campuses; their weapons were a mix of landscaping tools and ROTC practice rifles. They planted gardens, dug wells, fortified an already existing wall. While the mountains burned behind them, and the surrounding suburbs descended into violence, those three hundred kids held off ten thousand zombies! Ten thousand, over the course of four months, until the Inland Empire could finally be pacified.

At the outset of his career circumstances seemed to authorize the most sanguine of these expectations. For at twenty-seven, after two years of advanced theology and philosophy, young Father Grandier received his reward for so many long semesters of diligence and good behavior. By the Company of Jesus, in whose gift it lay, he was presented to the important living of Saint-Pierre du Marché at Loudun. At the same time, and thanks to the same benefactors, he was made a canon of the collegial church of the Holy Cross. His foot was on the ladder; all he now had to do was to climb. Loudun, as its new parson rode slowly toward his destination, revealed itself as a little city on a hill, dominated by two tall towers—the spire of St. Peter’s and the medieval keep of the great castle. As a symbol, as a sociological hieroglyph, Loudun’s skyline was somewhat out of date. That spire still threw its Gothic shadow across the town; but a good part of the townspeople

But the past that gives Kiev unique glamour, that made it ‘the City’ to the novelist Mikhail Bulgakov and the ‘Joy of the World’ to the medieval chroniclers, is not the brash boom town of the turn of the last century, but the Kiev of a thousand years ago. From the tenth century to the thirteenth it was the capital of the eastern Slavs’ first great civilisation, Kievan Rus. And here Ukraine’s fight for an identity commences. Generations of scholars have bandied insults about how Rus began, how it was governed, even about how it got its name. But the biggest argument of all is over who Rus belongs to. Did Kievan Rus civilisation pass eastward, to Muscovy and the Russians, or did it stay put, in Ukraine? ‘If Moscow is Russia’s heart,’ runs a Russian proverb, ‘and St Petersburg its head, Kiev is its mother.’ Ukrainians, of course, say Kiev has nothing whatsoever to do with Russia – if she mothered anybody, it was the Ukrainians themselves.

small town in eastern Belgium, southeast of Liège; pop. 10,140. It has been celebrated since medieval times for the curative properties of its mineral springs. spa   n. a mineral spring considered to have health-giving properties.    a place or resort with such a spring.  a commercial establishment offering health and beauty treatment through such means as steam baths, exercise equipment, and massage.  a bath or small pool containing hot aerated water.  early 17th cent.: from SPA.

Toward 1175 rich veins of copper, silver, and gold were found in the Erz Gebirge (i.e., ore mountains); Freiberg, Goslar, and Annaberg became the centers of a medieval “gold rush”; and from the little town of Joachimsthal came the word joachimsthaler—meaning coins mined there—and, by inevitable shortening, the German and English words thaler and dollar.

A cool white, wintry light glazed the buildings on the highest hill: Will’s memorial, the unsightly chimney from the hospital, the modernist cathedral in Clifton. The jumble of styles and eras lent the city the semblance of a medieval Roman town. Laura drove the long way round, up past the Clifton Suspension Bridge, strung like an a engineer’s dream over a river sinking into the mud. Leigh Woods was on the far side, the trees dark, bereft of leaves, clawing at the sky.

What a curious man you are!’ she said. ‘Why should you disbelieve the history?’ ‘I disbelieve the history because it isn’t history,’ answered Father Brown. ‘To anybody who happens to know a little about the Middle Ages, the whole story was about as probable as Gladstone offering Queen Victoria a cigar. But does anybody know anything about the Middle Ages? Do you know what a Guild was? Have you ever heard of salvo managio suo? Do you know what sort of people were Servi Regis? ‘No, of course I don’t,’ said the lady, rather crossly. ‘What a lot of Latin words!’ ‘No, of course,’ said Father Brown. ‘If it had been Tutankhamen and a set of dried-up Africans preserved, Heaven knows why, at the other end of the world; if it had been Babylonia or China; if it had been some race as remote and mysterious as the Man in the Moon, your newspapers would have told you all about it, down to the last discovery of a tooth-brush or a collar-stud. But the men who built your own parish churches, and gave the names to your own towns and trades, and the very roads you walk on — it has never occurred to you to know anything about them. I don’t claim to know a lot myself; but I know enough to see that story is stuff and nonsense from beginning to end. It was illegal for a money-lender to distrain on a man’s shop and tools. It’s exceedingly unlikely that the Guild would not have saved a man from such utter ruin, especially if he were ruined by a Jew. Those people had vices and tragedies of their own; they sometimes tortured and burned people. But that idea of a man, without God or hope in the world, crawling away to die because nobody cared whether he lived — that isn’t a medieval idea. That’s a product of our economic science and progress. The Jew wouldn’t have been a vassal of the feudal lord. The Jews normally had a special position as servants of the King. Above all, the Jew couldn’t possibly have been burned for his religion.’ ‘The

Martin suggests, let's see Chartres on the way back. The cathedral with its bleached stone and green roofs is visible across miles of flat fields and popular breaks. Approaching it through the dog's leg alleyways of the old town, its proportions are dizzying. Pigeons wheel about its height like cliff birds. The afternoon light begins to go; a battery of floodlights makes an unearthly theatre of spires, pinnacles and buttresses. Martin quotes Ruskin. ' "Trees of stone" '. Inside the cathedral is humbling, it's like walking into the belly of a whale. The glass is a deep rich crimson of blue, eliminating what daylight's left. Furtive figures scurry off into angles of shadow. The medieval darkness is pricked with lighted candles. Martin says it's like Debussy's 'Drowned Cathedral'. 'La Cathédrale Engloutie'. I don't know it, but he's right, exactly right. The weeping wax smells cloyingly sweet. While a priest intones, worshippers kneel and pray in whispers - and it seems to me that what they're begging from the mother of God is hope, and luck, and to be spared this survival game, living from minute to minute to minute. It's what drowning must be like. You find you've somersaulted head-over-heels and upside-down and you're travelling backwards through a vast, lightless place. So much sweet, lulling darkness in the middle of the world, it 'is' a kind of dying...

You’re standing in a square in a medieval town, staring awestruck at the many flags and banners that decorate the surrounding buildings. Suddenly, the sound of hooves echoes around you. Young jockeys, riding horses bareback, race around the square, or piazza, three times. The prize is a silk flag, the Palio. This is part of an eight-hundred-year-old festival that is held twice each summer in the town of Siena.

Moritz Stern’s Source Contributions to the Position of the Popes on the Jews, which gathered together the medieval papacy’s impressive record denouncing the ritual-murder accusation

how the ruins of a Saxon settlement might provide the foundations for a Roman garrison, that garrison give way to a Norman fortress, the fortress to a medieval town,

Seeing the monks humiliated, statues smashed, and paintings burned shook Tibetans to the core. Buddhism provided the rituals through which the seasons were measured, births celebrated, and deaths grieved. The monasteries were Tibetans’ museums, libraries, and schools. Whether or not you were a true believer in the faith, there was no denying that Tibetan Buddhism had inspired an artistry that some compared to the splendors of medieval Christendom. The attacks on religion alienated Tibetans who might otherwise have supported the Communist Party’s efforts to stamp out feudalism and create social equality.

The summer before Cotton received his divinity degree, he left the relative security of Cambridge to begin his career. His first job was in Boston, one of Lincolnshire’s largest towns, located near the mouth of the Witham River where it meets the Wash, on the North Sea. Boston is set amid the vast, level, isolated land of the Fens, a marshy area extending over thirteen hundred square miles of the shires of East Anglia, Cambridge, Peterborough, and Lincoln, in eastern England. The parish of Boston was England’s largest, making it a plum assignment for a newly minted vicar. The town’s name is a shortened version of “Botolph’s Stone,” the medieval name for its earliest church, founded by Saint Botolph, an Anglo-Saxon monk, in the seventh century.

In former times, for those who were willing to take serious risks, it was often possible to escape the bonds of the family, of the village, or of the feudal structures. In Medieval Western Europe, serfs ran away to become peddlers, robbers, or town-dwellers. Later, Russian peasants ran away to become Cossacks, black slaves ran away to live in the wilderness as ‘Maroons,’ and indentured servants in the West Indies ran away to become buccaneers. But in the modern world there is nowhere left to run. Wherever you go, you can be traced by your credit card, your social-security number, [and] your fingerprints. You, Mr. N., live in California. Can you get a hotel or motel room without showing your picture I.D.? You can’t survive unless you fit into a slot in the system, otherwise known as a ‘job.’ And it is becoming increasingly difficult to find a job without making your whole past history accessible to prospective employers.

St Barbara’s itself has a set of frescoes, badly damaged (and thereby, of course, much enhanced) of miners at work, not in any immediate way sacred or even self-aggrandizing. The pictures simply show miners as they were, underground, in their special clothing, the heroic point of their own story, but protected by their church and their saint. To come face to face with these frescoes naturally gets you nowhere near the experience of mining, but it does make apparent something quite difficult about the Middle Ages: that there was a level of day-to-day, sophisticated expertise entirely comparable to our own, that technology always operates in perfect synchronization with its users, and that these silver miners were just as capable, just as aware of their world and its dangers and limitations as we are. Medieval miners were a closed-off little planet, as specialized as their close cousins (also protected by St Barbara) who worked siege engines or made explosives, but in a world of little movement they could define entire communities, set a pace and a range of values and self-sufficiency which deeply marked their towns.

The literary text seems like "a fortified medieval town –foreigners and outsiders are repelled, or allowed in only after rigorous checks, but within all is bustling life; exchange, mutual interdependence and influence are the rule.

Saint Bernard’s death and the century after, one looks upon two different worlds, though we call both medieval. The aspect of the countryside had changed from half-wild to a cultivation not unlike that of today. Castles guarded the fields. Town and villages emerged under exalted Gothic spires. Commerce was controlled by bankers and regulated by guilds. Universities flourished; scholars wrote their profundities; poets and novelists, their imaginations. The High Middle Ages had created that European civilization that was to become our own.

In the spring of 2015, I went to Spain to walk for a week on the Camino de Santiago, the medieval route that has been used for centuries by pilgrims demonstrating their devotion, and now by spiritual seekers looking for renewal. Ever since I studied medieval art in college, walking the Camino had been a dream of mine. I loved the idea of a moderately sized adventure, one that was about walking, not running, and still had the safety of towns and sleeping on mats on the floor instead of inside tents. I set off with underprepared feet, too much in my backpack, thirteen words of Spanish and my copy of Eat Pray Love.

It is a fact that we are an ancient civilization and that up to the medieval times we were among the most advanced civilizations. The putrefaction of our civilization perhaps set in a good thousand years ago, from which time our contribution to the world went steadily downhill. But then, a glorious past can hardly be a consolation for a sorry present. That the Indus Valley civilization at Mohenjo-Daro and Harappa had glorious town planning over 2000 years ago is cold consolation for our wretched present-day cities, towns and villages. While other civilizations have gone on to build upon their past, we are merely living off it and, what is more, we have been doing it for over a thousand years!

The slaughter of Oxford’s dogs and cats had been well intentioned, but the result had been an explosion in the town’s population of rats, with few surviving predators to keep them down,

went to this house of worship on Rosh Hashannah, the Jewish New Year. It was a most moving experience. Since few Czech Jews had survived, the crowd was made up of remnants from the survivors of different Jewish communities. The books, the torahs, the cemetery - everything, at that time, was in complete disarray. It was the most moving experience that I ever had in a synagogue. I also saw and admired the square where Huss was burnt on the stake. He was the Czech reformer, who wanted to translate the Bible into the national language and was burnt to death by the prevailing Catholics, who judged him as a heretic. The old, historic town fascinated me no end. The medieval houses, with fortresslike portals, the waterwell in the courtyards, the crossover walks from one side of the street to the other, at the third or fourth floor level for escape, in case of attack; the walls around the area. It all brought the history of the city alive; it brought the Middle Ages alive.

And now he lived in a crappy medieval world where a hot night on the town probably meant an extra portion of gruel and splitting an apple between fourteen people.

There is no obvious survival advantage in experiencing these views, just as our delight in walking the streets of any well-preserved medieval town has nothing directly to do with improving our adaptive capability. The fact is that there is a whole realm of emotional experience which seems to refer back to a pre-rational relationship between humans and the natural environment. This is what archetypal symbols are all about – ‘arche’, the beginning.

There have been three major slave revolts in human history. The first, led by the Thracian gladiator Spartacus against the Romans, occurred in 73 BC. The third was in the 1790s when the great black revolutionary Touissant L'Ouverture and his slave army wrested control of Santo Domingo from the French, only to be defeated by Napoleon in 1802. But the second fell halfway between these two, in the middle of the 9th century AD, and is less documented than either. We do know that the insurgents were black; that the Muslim 'Abbasid caliphs of Iraq had brought them from East Africa to work, in the thousands, in the salt marshes of the delta of the Tigris. These black rebels beat back the Arabs for nearly ten years. Like the escaped maroons in Brazil centuries later, they set up their own strongholds in the marshland. They seemed unconquerable and they were not, in fact, crushed by the Muslims until 883. They were known as the Zanj, and they bequeathed their name to the island of Zanzibar in the East Africa - which, by no coincidence, would become and remain the market center for slaves in the Arab world until the last quarter of the 19th century. The revolt of the Zanj eleven hundred years ago should remind us of the utter falsity of the now fashionable line of argument which tries to suggest that the enslavement of African blacks was the invention of European whites. It is true that slavery had been written into the basis of the classical world; Periclean Athens was a slave state, and so was Augustan Rome. Most of their slaves were Caucasian whites, and "In antiquity, bondage had nothing to do with physiognomy or skin color". The word "slave" meant a person of Slavic origin. By the 13th century it spread to other Caucasian peoples subjugated by armies from central Asia: Russians, Georgians, Circassians, Albanians, Armenians, all of whom found ready buyers from Venice to Sicily to Barcelona, and throughout the Muslim world. But the African slave trade as such, the black traffic, was a Muslim invention, developed by Arab traders with the enthusiastic collaboration of black African ones, institutionalized with the most unrelenting brutality centuries before the white man appeared on the African continent, and continuing long after the slave market in North America was finally crushed. Historically, this traffic between the Mediterranean and sub-Saharan Africa begins with the very civilization that Afrocentrists are so anxious to claim as black - ancient Egypt. African slavery was well in force long before that: but by the first millennium BC Pharaoh Rameses II boasts of providing the temples with more than 100,000 slaves, and indeed it is inconceivable that the monumental culture of Egypt could have been raised outside a slave economy. For the next two thousand years the basic economies of sub-Saharan Africa would be tied into the catching, use and sale of slaves. The sculptures of medieval life show slaves bound and gagged for sacrifice, and the first Portuguese explorers of Africa around 1480 found a large slave trade set up from the Congo to Benin. There were large slave plantations in the Mali empire in the 13th-14th centuries and every abuse and cruelty visited on slaves in the antebellum South, including the practice of breeding children for sale like cattle, was practised by the black rulers of those towns which the Afrocentrists now hold up as sanitized examples of high civilization, such as Timbuktu and Songhay.

As the Mongols, or the Tatars as the Russians would come to call them, overran towns all throughout Kievan Rus,

but he decided to attack Russian towns anyway.

Mongols crushed the Russians near the town of Kolomna. They would not be stopped.

After Ryazan, they took Moscow, which was still a relatively unimportant town at the time,

Roseto Valfortore lies one hundred miles southeast of Rome in the Apennine foothills of the Italian province of Foggia. In the style of medieval villages, the town is organized around a large central square. Facing the square is the Palazzo Marchesale, the palace of the Saggese family, once the great landowner of those parts. An archway to one side leads to a church, the Madonna del Carmine—Our Lady of Mount Carmine. Narrow stone steps run up the hillside, flanked by closely clustered two-story stone houses with red-tile roofs.

In both the old and the new quarters a pitch of foulness and filth was reached that the lowest serf's cottage scarcely achieved in medieval Europe. It is almost impossible to enumerate objectively the bare details of this housing without being suspected of perverse exaggeration. But those who speak glibly of urban improvements during this period, or of the alleged rise in the standards of living, fight shy of the actual facts: they generously impute to the town as a whole benefits which only the more favored middle-class minority enjoyed; and they read into the original conditions those improvements which three generations of active legislation and massive sanitary engineering have finally brought about.

Table 8.1 indicates that two-thirds of the households living in nine Tuscan towns and hundreds of nearby villages were involved in credit transactions (as lenders, borrowers, or both)—an indication that credit was a vital part of the medieval economy. Most households actively participated in credit market transactions. People borrowed for various purposes (to buy seeds and working tools, to provide their daughters with dowries at the time of the marriage, to buy food while awaiting the next harvest). One-third of the loans to peasant households were advanced by fellow peasant households subject to correlated shocks (table 8.2

Most software developers starting out in their careers make a few huge mistakes. The biggest of those mistakes, by far, is not treating their software development career as a business. Don’t be fooled; when you set out into the world to write code for a living, you’re no different than the blacksmith of old times setting up shop in a medieval town. Times may have changed, and most of us work for a company, but our skills and our trade belong to us and we can always choose to set up shop somewhere else.

Turks, like Russians and Israelites, seem to want you to see the things that show you how they have got on since Atatürk, or since the Bolshevik revolution, or since they took over Palestine. But how people have got on is actually only interesting to the country which has got on. What foreign visitors care about are the things that were there before they began to get on. I dare say foreigners in England really only want to see Stonehenge, and Roman walls and villas, and the field under which Silchester lies buried, and Norman castles and churches, and the ruins of medieval abbeys, and don't care a bit about Sheffield and Birmingham, or our model farms and new towns and universities and schools and dams and aerodromes and things.

in which one finds oneself; a state of affairs: the situation between her and Jake had come to a head;the political situation in Russia. 2 the location and surroundings of a place: the situation of the town is pleasant. 3 FORMAL a position of employment; a job.   sit·u·a·tion·aladj.sit·u·a·tion·al·lyadv.  late Middle English (sense 2): from French, or from medieval Latin situatio(n-), from situare 'to place' (see SITUATE). Sense 1 dates

I believe that we shocked each other by how swiftly we went from being the people who knew each other best in the world to being a pair of the most mutually incomprehensible strangers who ever lived. But it was vital to my survival to have a one bedroom of my own i saw the aprtment almost as a sanatorium a hospice clinci for my own recovery I painted the walls in the warmest colors i could find and bought myself flowers every week as if i were visiting myself in the hospital is this lifetime supposed to be only about duty why are you studying Italian so that just in case Italy ever invades Ethiopia again and is actually successful this time? ciao comes from if you must know it's an abbreviation of a phrase used by medieval venetians as an intimate salutation Sono il Suo Schiavo meaning i am your slave. om Naamah Shivaya meaning I honor the divinity that resides whin me. I wanted to experience both , I wanted worldly enjoyment and divine transcendence the dual glories of a human life I wanted what the Greeks called kalos kai agathos the singular balance of the good and he beautiful I'd been missing both during these last hard years because both pleasure and devotion require a stress free space in which to flourish and I'd been living in a giant trash compactor of nonstop anxiety , As for how to balance the urge for pleasure against the longing for devotion. four feet on the ground a head full of foliage looking at the world through the heart. it was more than I wanted to toughly explore one aspect of myself set against the backdrop of each country in a place that has traditionally done that one thing very well. same guatemalan musicians are always playing id rather be a sparrow than a snail on their bamboo windpipes oh how i want italian to open itself up to me i havent felt so starved for comprehension since then dal centro della mia vita venne una grande fontanana dolce sitl nuovo Dante wrote his divine comedy in terza rima triple rhyme a chain of rhymes with each rhyme repeating here times every five lines. lamor che move il sole e laltre stelle we are the masters of bel far niente larte darrangiarsi The reply in italy to you deserve a break today would probably be yeah no duh that's why I'm planning on taking a break at noon to go over to your house and sleep with your wife, I walked home to my apartment and soft-boiled a pair of fresh brown eggs for my lunch i peeled the eggs and arranged them on a plate beside the seven stalks of the asparagus (which were so slim and snappy they didn't need to be cooked at all,)I put some olives on the plate too and the four knobs of goat cheese I'd picked up yesterday from the fromagerie down the street tend two slices of pink oily salmon for dessert a lovely peach which the woman at the market had given to me for free and which was still warm form the roman sunlight for the longest time I couldn't even touch this food because it was such a masterpiece of lunch a true expression of the art of making something out of nothing finally when i had fully absorbed the prettiness of my meal i went and sat in apatch of sunbeam on my clean wooden floor and ate every bit of it with my fingers while reading my daily newspaper article in Italian happiness inhabited my every molecule. I am inspired by the regal self assurance of this town so grounded and rounded so amused and monumental knowing that she is held securely in the palm of history i would like to be like rome when i am an old lady. I linger over my food and wine for many hours because nobody in

If the Poles described the Ukrainian insurgents as savages, and the Jews saw them as “worse than the Germans,” from their own point of view they were martyrs of a just and holy cause, the liberation of their land from foreign oppression: the goal justified the means, including massacres, ethnic cleansing, and genocide. Many of them died in battle, were executed by the NKVD, or spent long years in gulags. Others fled to the West, where they formed the nationalist hard core of the Ukrainian diaspora. Vilified by the communists as fascist collaborators, they emerged from obscurity and were celebrated as the harbingers of the nation after Ukrainian independence in 1991, especially in Western Ukraine. Two decades later, as a newly resurgent Russia sought to reassert its influence on Ukraine, the UPA again came to symbolize the country’s historical struggle against its mighty eastern neighbor: in 2016 the black-and-red banner of the insurgent army was again fluttering from the remnants of the medieval Polish castle overlooking Buczacz. History was back to its old tricks. UPA flag on top of the castle in Buczacz, 2016.

Naturally wealth had a bad reputation. Two things changed. The first was the rule of law. For most of the world’s history, if you did somehow accumulate a fortune, the ruler or his henchmen would find a way to steal it. But in medieval Europe something new happened. A new class of merchants and manufacturers began to collect in towns.10 Together they were able to withstand the local feudal lord.

Pastees’, or pies, were the fast food of the day, sold on the streets, popular with people who had no cooking facilities at home, which would be the mass of Londoners and other town dwellers.

The process of manufacturing the dye was quite elaborate. The woad leaves were crushed to a pulp in a mill, and then moulded into balls, which were allowed to dry in the sun . . . until the pulp began to ferment. A crust formed over the balls, and care was taken to ensure that this did not split. When fermentation was complete the balls were pulped again in the mill and again formed into cakes. The whole cycle was repeated a third time before the fully-fermented balls were thoroughly dried and sent off to the dyer. It took a hundredweight of leaves to produce 10lb of the final dye, and the ammoniacal stench of the fermentation process was so disgusting that Elizabeth I issued a proclamation that woad production had to cease in any town through which she was passing.3

Partisanship had grown so fierce even treatments for the disease became politicized. There were now “Republican” and “Federalist” cures. Jeffersonian Benjamin Rush, acknowledged the finest doctor in town if not the country, used the time-honored if incorrect practices of bleeding and purging. Alexander Hamilton and his family were stricken just when an old friend from Nevis, Dr. Edward Stevens, was visiting. A veteran of “Yellow Jack” outbreaks in the Caribbean, Stevens administered large doses of “Peruvian bark”—quinine—laced with burnt cinnamon and a nightcap of laudanum. The treatment worked, but Rush, an ardent Republican, dismissed it and went right on bleeding patients, which Stevens believed medieval. Rush’s backyard was soon so drenched with blood that he indirectly began to breed countless flies, while his property gave off a “sickening sweet stench” to passersby.

Wandering through the streets of the small medieval town of Zons on a frigid winter’s evening, Anna smiled as she remembered her grandfather’s words. Although the icy air made her shiver, she sat down on one of the many benches along the bank of the Rhine. She thought about following her grandfather’s advice, and tears filled her eyes

As they walk through a deserted medieval town square, Jax says, “Sometimes wish I just be suspended, not have to wait more. Restarted when I can enter Real Space, feel like no time passed.” The comment catches Ana off guard. None of the digients has access to the user-group forums, so Jax must have come up with the idea on his own. “Do you really want that?” she asks. “Not really. Want stay awake, know what happening. But sometimes get frustrated.” Then he asks, “You sometimes wish you don’t have take care me?” She makes sure Jax is looking her in the face before she replies. “My life might be simpler if I didn’t have you to take care of, but it wouldn’t be as happy. I love you, Jax.” “Love you too.

Mere and Mete was the alternative title considered, the significant factor being that both options were rooted in Saxon etymology. Embedded in the meaning of ‘liege’ is both the feudal lord and the vassal that owes him allegiance. Adjectivally, the word also refers to the relationship that binds them – the medieval contract in which the land was the mutual interest, with serfs and bondsmen farming the soil which made up the lord’s estate. The archaic adverb ‘lief’ stems from an old German word for ‘love’ and means ‘gladly’, ‘willingly’, as in the Shakespearean ‘I had as lief the town crier spoke my lines’. Liege and lief is a voluntary surrender to the spirit of old Britain.

With the growth of proletarian discontent many towns are taking care to restrict the privilege of arms to the wealthy. In Troyes only those citizens possessing vingt livres vaillant (“twenty pounds’ worth of property”) are authorized to own a crossbow and fifty bolts.

The same year that the third great Viking ship found in Norway was excavated, at Oseberg, the town of Ålesund burned. At that time the Viking ships were displayed in makeshift exhibition halls, and the great Ålesund fire hastened the process of building a separate museum for them. The architect Fritz Holland proposed building an enormous crypt for them beneath the royal palace in Oslo. It was to be 63 metres long and 15 metres wide, with a niche for each ship. The walls were to be covered with reliefs of Viking motifs. Drawings exist of this underground hall. It is full of arches and vaults, and everything is made of stone. The ships stand in a kind of depression in the floor. More than anything it resembles a burial chamber, and that is fitting, one might think, both because the three ships were originally graves and because placed in a subterranean crypt beneath the palace gardens they would appear as what they represented: an embodiment of a national myth, in reality relics of a bygone era, alive only in the symbolic realm. The crypt was never built, and the power of history over the construction of national identity has since faded away almost entirely. There is another unrealised drawing of Oslo, from the 1920s, with tall brick buildings like skyscrapers along the main thoroughfare, Karl Johans Gate, and Zeppelins sailing above the city. When I look at these drawings, of a reality that was never realised, and feel the enormous pull they exert, which I am unable to explain, I know that the people living in Kristiania in 1904, as Oslo was called then, would have stared open-mouthed at nearly everything that surrounds us today and which we hardly notice, unable to believe their eyes. What is a stone crypt compared to a telephone that shows living pictures? What is the writing down of Draumkvedet (The Dream Poem), a late-medieval Norwegian visionary ballad, compared to a robot lawnmower that cuts the grass automatically?

I know it's crazy but I've decided to stay in Rouen this weekend. Tisserand was astonished to hear it; I explained to him I wanted to see the town and that I had nothing better to do in Paris. I don't really want to see the town. And yet there are very fine medieval remains, some ancient houses of great charm. Five or six centuries ago Rouen must have been one of the most beautiful towns in France; but now it's ruined. Everything is dirty, grimy, run down, spoiled by the abiding presence of cars, noise, pollution. I don't know who the mayor is, but it only takes ten minutes of walking the streets of the old town to realize that he is totally incompetent, or corrupt. To make matters worse there are dozens of yobs who roar down the streets on their motorbikes or scooters, and without silencers. They come in from the Rouen suburbs, which are nearing total industrial collapse. Their objective is to make a deafening racket, as disagreeable as possible, a racket which should be unbearable for the local residents. They are completely successful.

slope of a valley. There is something satisfyingly eerie about a landfall – any landfall. The growing coast ahead, no matter how exhaustively charted it is, or how old and familiar its history and internal topography, looks so imaginary from this sea distance. Watching it come slowly alive, inseparable from its broken reflection in the water, you feel that you’re making it up as you go along. It’s not real. On a green hill above the town you see a fine, brand-new medieval castle – turrets, towers, keeps, drawbridges, the lot. Like a novelist toying with an invented landscape on the page, you think, that won’t wash; and, obedient to the thought, the handsome castle rubs itself out and in its place there comes up a stolid clump of gasholders or the cooling towers of a power station.

The most striking phenomenon connected with the progress of technology is the development of cultural centres into large cities in the modern sense; these form the soil in which the new art is rooted. Impressionism is an urban art, and not only because it discovers the landscape quality of the city and brings painting back from the country into the town, but because it sees the world through the eyes of the townsman and reacts to external impressions with the overstrained nerves of modern technical man. It is an urban style, because it describes the changeability, the nervous rhythm, the sudden, sharp but always ephemeral impressions of city life. And precisely as such, it implies an enormous expansion of sensual perception, a new sharpening of sensibility, a new irritability, and, with the Gothic and romanticism, it signifies one of the most important turning points in the history of Western art. In the dialectical process represented by the history of painting, the alternation of the static and the dynamic, of design and colour, abstract order and organic life, impressionism forms the climax of the development in which recognition is given to the dynamic and organic elements of experience and which completely dissolves the static world-view of the Middle Ages. A continuous line can be traced from the Gothic to impressionism comparable to the line leading from late medieval economy to high capitalism, and modern man, who regards his whole existence as a struggle and a competition, who translates all being into motion and change, for whom experience of the world increasingly becomes experience of time, is the product of this bilateral, but fundamentally uniform development.

the Hanse towns acquire a commercial supremacy over Denmark, Norway, and Sweden, – in fact, from the east coast of England to Novgorod they almost monopolize trade.

The man of many shifts, who wandered far and wide, And towns of many saw, and learned their mind; And suffered much in heart by land and sea, Passing through wars of men and grievous waves.

Strict formalism and abstraction from reality are undoubtedly the most important, but by no means the only characteristics of the Romanesque style. For just as a mystic tendency is at work alongside the scholastic trend in the philosophy of the age, and a wild, unrestrained ecstatic religiosity finds expression in the monastic reform movement alongside a strict dogmatism, so also in art emotional and expressionistic tendencies make themselves felt alongside the dominant formalism and stereotyped abstractionism. This less restrained conception of art is not perceptible, however, until the second half of the Romanesque period, that is to say, it coincides with the revival of trade and urban life in the eleventh century. However modest these beginnings are in themselves, they represent the first signs of a change which paves the way for the individualism and liberalism of the modern age. Externally nothing much is altered for the present; the basic tendency of Romanesque art remains anti-naturalistic and hieratic. And yet, if a first step towards the dissolution of the ties which restrict medieval life is to be discerned anywhere, then it is here, in this astonishingly prolific eleventh century, with its new towns and markets, its new orders and schools, the first crusade and the founding of the first Norman states, the beginnings of monumental Christian sculpture and the proto-forms of Gothic architecture. It cannot be a coincidence that all this new life and movement occurs at the same time as the early medieval self-supporting economy is beginning to yield to a mercantile economy after centuries of uninterrupted stagnation.

The Catholic church was instrumental in arranging the creation of Jewish ghettoes in all medieval towns, not only in Germany, but throughout Europe.

I used to become very restless. I was continually thinking of the life I would lead. I wanted to know what life had in store for me. I was particularly restless at some moments. You know there are such moments, especially in solitude. There was a small waterfall there; it fell from a height on the mountain, such a tiny thread, almost perpendicular—foaming, white and splashing. Though it fell from a great height it didn’t seem so high; it was the third of a mile away, but it only looked about fifty paces. I used to like listening to the sound of it at night. At such moments I was sometimes overcome with great restlessness; sometimes too at midday I wandered on the mountains, and stood alone halfway up a mountain surrounded by great ancient resinous pine trees; on the crest of the rock an old medieval castle in ruins; our little village far, far below, scarcely visible; bright sunshine, blue sky, and the terrible stillness. At such times I felt something was drawing me away, and I kept fancying that in walked straight on, far, far away and reached that line where sky and earth meet, there I should find the key to the mystery, there I should see a new life a thousand times richer and more turbulent than ours. I dreamed of some great town like Naples, full of palaces, noise, roar, life. And I dreamed of all sorts of things, indeed. But afterwards I fancied one might find a wealth of life even in prison.

Paul’s powerful, spirit-driven proclamation of Jesus as “son of God” can hardly be called “preaching,” if by “preaching” we mean the sort of thing that goes on in churches week by week in our world. This was a public announcement, like a medieval herald or town crier walking through the streets with a bell, calling people to attention and declaring that a new king had been placed on the throne.

The monastic culture of the north was practically blotted out by the heathen Danes, and they brought to an end the Angle Kingdoms of Northumbria, Mercia, and East Anglia. They overran and occupied the entire north and east of England. But the Kingdom of Wessex in the southwest, which had already become the strongest Anglo-Saxon state under Egbert, was left to struggle successfully against the Danes under its gallant, learned, and truly Christian king, Alfred the Great. Alfred, who ruled from 871 to 901, united all the rest of England against the Danes, and reorganized the Saxon army and revived the navy. He drove the Danes out of Wessex and recovered London. A line drawn approximately from London to modern Liverpool was made the frontier between the West Saxon Kingdom and the Danelaw, as the territory where Danish customs and institutions prevailed was called. Under Alfred’s son and grandsons the Danelaw was gradually reconquered and all England united under one ruler. The Danes had done at least the one service of obliterating the petty kingdoms in the territory they had occupied; and Kent, Sussex, and a part of Mercia had forgotten their differences and accepted a West Saxon king in order to escape the Danes. The Danes also brought England into closer trade relations with the rest of Europe than before, and were more inclined to town life than the country-loving Anglo-Saxons. Their armor was a military improvement; and they brought in a large class of freemen to a land where, for a century or two before, the weak had been falling under the domination of the strong.