Mechanical Hound Quotes

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The first law of the multitude is conformity. Civilization is the mechanism of controlling and maintaining that multitude. The more civilized a nation, the more conformed its population, until that civilization’s last age arrives, when multiplicity wages war with conformity. The former grows ever wilder, ever more dysfunctional in its extremities; whilst the latter seeks to increase its measure of control, until such efforts acquire diabolical tyranny.
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
Montag, a funny thing. Heard tell this morning. Fireman in Seattle, purposefully set a Mechanical Hound to his own chemical complex and let it loose. What kind of suicide would you call that?
Ray Bradbury (Fahrenheit 451)
—No one knows why. Perhaps her mind, ravenous, still insatiable, sensed that to struggle with the shreds of a voice must make her artistry subtler, more refined, more capable of expressing humiliation, rage, betrayal ... —Perhaps the opposite. Perhaps her spirit loathed the unending struggle to embody itself, to manifest itself, on a stage whose mechanics, and suffocating customs, seemed expressly designed to annihilate spirit ... —I know that in Tosca, in the second act, when, humiliated, hounded by Scarpia, she sang Vissi d’arte —“I lived for art”— and in torment, bewilderment, at the end she asks, with a voice reaching harrowingly for the notes, “Art has repaid me LIKE THIS?
Frank Bidart
Blaine: ONE MOMENT. I MUST ADJUST THE VOLUME FOR YOU TO ENJOY THE FULL EFFECT. There was a brief, whispery hooting sound (a kind of mechanical throat-clearing) and then they were assaulted by a vast roar. It was water (a billion gallons a minute, for all Jake knew) pouring over the lip of the chasm and falling perhaps two thousand feet into the deep stone basin at the base of the falls. Streamers of mist floated past the blunt almost-faces of the jutting dogs like steam from the vents of hell. The level of sound kept climbing. Now Jake's whole head vibrated with it, and as he clapped his hands over his ears, he saw Roland, Eddie, and Susannah doing the same. Oy was barking, but Jake couldn't hear him. Susannah's lips were moving again, and again he could read the words (STOP IT, BLAINE, STOP IT!) but he couldn't hear them any more than he could hear Oy's barks, although he was sure Susannah was screaming at the top of her lungs. And still Blaine increased the sound of the waterfall, until Jake could feel his eyes shaking in their sockets and he was sure his ears were going to short out like overstressed stereo speakers. Then it was over. They still hung above the moon-misty drop, the moonbows still made their slow and dreamlike revolutions before the curtain of endlessly falling water, the wet and brutal stone faces of the dog-guardians continued to jut out of the torrent, but that world-ending thunder was gone. For a moment Jake thought what he'd feared had happened, that he had gone deaf. Then he realized that he could hear Oy, still barking, and Susannah crying. At first these sounds seemed distant and flat, as if his ears had been packed with cracker-crumbs, but then they began to clarify. Eddie put his arm around Susannah's shoulders and looked toward the route map. Eddie: Nice guy, Blaine. Blaine: (his booming voice sounds laughing and injured simultaneously) I MERELY THOUGHT YOU WOULD ENJOY HEARING THE SOUND OF THE FALLS AT FULL VOLUME. I THOUGHT IT MIGHT HELP YOU TO FORGET MY REGRETTABLE MISTAKE IN THE MATTER OF EDITH BUNKER. My fault, Jake thought. Blaine may just be a machine, and a suicidal one at that, but he still doesn't like to be laughed at. He sat beside Susannah and put his own arm around her. He could still hear the Falls of the Hounds, but the sound was now distant.
Stephen King (Wizard and Glass (The Dark Tower, #4))
One can readily imagine in what terms a man of today would speak if called upon to make a pronouncement on the only religion ever to have introduced a radical formula of salvation: "The quest for deliverance can be justified only if one believes in the transmigration, in the endless vagrancy of the self, and if one aspires to halt it. But for us who do not believe in it, what are we to halt? This unique and negligible duration? It is obviously not long enough to deserve the effort an escape would require. For the Buddhist, the prospect of other existences is a nightmare; for us, the nightmare consists in the termination of this one, this nightmare. Give us another one, we would be tempted to clamor, so that our disgraces will not conclude too soon, so that they may, at their leisure, hound us through several lives. Deliverance answers a necessity only for the person who feels threatened by a surfeit of existence, who fears the burden of dying and redying. For us, condemned not to reincarnate ourselves, what's the use of struggling to set ourselves free from a nonentity? to liberate ourselves from a terror whose end lies in view? Further more, what's the use of pursuing a supreme unreality when everything here-below is already unreal? One simply does not exert oneself to get rid of something so flimsily justified, so precariously grounded. Each of us, each man unlucky enough not to believe in the eternal cycle of births and deaths, aspires to a superabundance of illusion and torment. We pine for the malediction of being reborn. Buddha took exorbitant pains to achieve what? definitive death - what we, on the contrary, are sure of obtaining without meditations and mortifications, without raising a finger." ... That's just about how this fallen man would express himself if he consented to lay bare the depths of his thought. Who will dare throw the first stone? Who has not spoken to himself in this way? We are so addicted to our own history that we would like to see it drone on and on, relentlessly. But whether one lives one or a thousand lives, whether one has at one's disposal a single hour or all of time, the problem remains the same: an insect and a god should not differ in their manner of viewing the fact of existence as such, which is so terrifying (as only miracles can be) that, reflecting on it, one understands the will to disappear forever so as not to have to consider it again in other existences. This is what Buddha emphasized, and it seems doubtful he would have altered his conclusion had he ceased to believe in the mechanism of transmigration.
Emil M. Cioran
Much as she needed him to play those self-wounding games with her, she needed even more the solitude necessary for complete self-destruction. Isolation was more than a simple defence mechanism; it also served to prepare one for more severe punishments, possibly culminating in suicide. On another level, she would view her desire to drive him off as an act of mercy on her part. But that was a most irritating form of self-pity.
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
LaForche's never-was has-never been emaciated spirit was now as it had always been, hole’ up by vapidity and things intangible. Yet it looked so common and ordinary, blenting into the masses using the trogs as a mask to hide itself (later Christina recalled Thomas saying that the sleuth Man said there was nothing unnatural like the common, and the detective was right. “The Fork” was a four-star pronged pointless entity, a spirit without form or life, except now it was evident, his external body displaying to all the leftovers of his empty writhing, splastic visage. Short of sheet and simply put, the girl had out-foiled him—. With the wolves of humiliation tearing the meat right off of his soul, he continued in his loner power mongering ways. Once formidable, they now reeked of rancid mal-diminishment. This is all he had left–and knew it, an armload of empty conquests, but the prize, the one he had desired and wanted so much, had eluded his hounding dogmatic futile, empty and sterile grasp. The power of powerlessness tonned his shoulders, gashing him and his god of pride apart. He shot a quick glarance toward the wall phone thinking of “The Bix,” Kerta’s # 1 Ace problem solving “mechanic.” --OnFelipe LaForche , Villain The lady and the Samurai
Douglas M. Laurent
Life fears chaos. It was ever thus. We fear it more than anything else, because it is anathema. Order battles against dissolution. Order negotiates cooperation as a mechanism of survival, on every scale, from a patch of skin to an entire menagerie of interdependent creatures. That cooperation, of course, may not of essence be necessarily peaceful - a minute exchange of failures to ensure greater successes.
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))