Scenic Quotes

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She had more curves than a scenic railway
P.G. Wodehouse
I hate that word. Straight. At the very least, those of us who are nonstraight should get called curvy. Or scenic. Actually, I like that: 'Do you think she's straight?' 'Oh no. She's scenic
Nina LaCour (You Know Me Well)
Sometimes the most scenic roads in life are the detours you didn't mean to take.
Angela N. Blount (Once Upon a Road Trip (Once Upon a Road Trip, #1))
It is better to fill your head with useless knowledge than no knowledge at all.
Jim Hinckley (Route 66 Backroads: Your Guide to Scenic Side Trips & Adventures from the Mother Road)
Ah, well, then you've never stood on a beach as the waves came crashing in, the water stretching out from you until it's beyond sight, moving and blue and alive and so much bigger than even the black beyond seems because the ocean hides what it contains.
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
You…you are so beautiful.” I stood slowly, my eyes following the slight flush down her neck. I grinned. “You’re really beautiful when you blush.” She ducked her head, but I caught her chin, forcing her eyes back to mine. “Seriously,” I told her. “Absolutely beautiful.” The tender, almost shy smile appeared again. “Flattery will totally get you everywhere right now.” I chuckled. “Good to know, because I’m planning on going everywhere—and taking the scenic route.
Jennifer L. Armentrout (Origin (Lux, #4))
I remember every stone, every tree, the scent of heather... Even when the thunder growled in the distance, and the wind swept up the valley in fitful gusts, oh, it was beautiful, home sweet home.
Beatrix Potter
She had come to that state where the horror of the universe and its smallness are both visible at the same time—the twilight of the double vision in which so many elderly people are involved. If this world is not to our taste, well, at all events, there is Heaven, Hell, Annihilation—one or other of those large things, that huge scenic background of stars, fires, blue or black air. All heroic endeavour, and all that is known as art, assumes that there is such a background, just as all practical endeavour, when the world is to our taste, assumes that the world is all. But in the twilight of the double vision, a spiritual muddledom is set up for which no high-sounding words can be found; we can neither act nor refrain from action, we can neither ignore nor respect Infinity.
E.M. Forster (A Passage to India)
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
i. drive the scenic route. ii. take more self-care days. iii. sing, even if it’s off-key. iv. make time for your passions. v. let yourself feel joy. -don’t waste a single moment.
Amanda Lovelace (Shine your Icy Crown (You Are Your Own Fairy Tale, #2))
People came to the desert because the stars were in the desert, and the stars had yet to be corrupted by man... The stars, it seemed, would crush man in a scenic, gravitational panorama before man would ever corrupt the stars.
Rick Moody (The Four Fingers of Death)
This is not wilderness for designation or for a park. Not a scenic wilderness and not one good for fishing or the viewing of wildlife. It is wilderness that gets into your nostrils, that runs with your sweat. It is the core of everything living, wilderness like molten iron.
Craig Childs (The Animal Dialogues: Uncommon Encounters in the Wild)
I think the reason novels are regarded to have so much more 'information' than films is that they outsource the scenic design and cinematography to the reader... This, for me, is a powerful argument for the value and potency of literature specifically. Movies don't demand as much from the player. Most people know this; at the end of the day you can be too beat to read but not yet too beat to watch television or listen to music.
Brian Christian (The Most Human Human: What Talking with Computers Teaches Us About What It Means to Be Alive)
Odd, how life makes twists and turns. I never would have guessed that I’d end up where I am now, but I wouldn’t trade it for the world. I wouldn’t trade this path I’m on for the whole solar system, for that matter. If I’ve learned anything these last several months, it’s that sometimes the most scenic roads in life are the detours you didn’t mean to take.
Angela N. Blount (Once Upon an Ever After (Once Upon a Road Trip #2))
As the saturating colors of sun-life fade from sight, the ominous moon reaches out its long arm and applies the dark dyes of night.
Daniel J. Rice (This Side of a Wilderness)
My parents can take themselves off on a scenic tour of hell before they tell me who my friends will be,” Gan said pleasantly.
Mercedes Lackey (Alta (Dragon Jousters, #2))
Last reason for reading horror: it’s a rehearsal for death. It’s a way to get ready. People say there’s nothing sure but death and taxes. But that’s not really true. There’s really only death, you know. Death is the biggie. Two hundred years from now, none of us are going to be here. We’re all going to be someplace else. Maybe a better place, maybe a worse place; it may be sort of like New Jersey, but someplace else. The same thing can be said of rabbits and mice and dogs, but we’re in a very uncomfortable position: we’re the only creatures—at least as far as we know, though it may be true of dolphins and whales and a few other mammals that have very big brains—who are able to contemplate our own end. We know it’s going to happen. The electric train goes around and around and it goes under and around the tunnels and over the scenic mountains, but in the end it always goes off the end of the table. Crash.
Stephen King
But see, amid the mimic rout A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes!- it writhes!- with mortal pangs The mimes become its food, And seraphs sob at vermin fangs In human gore imbued. Out- out are the lights- out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.
Edgar Allan Poe
I’m a first class passenger on the Spaceship Earth, and I got one ticket. And I gotta make the ride count, you know? And, as far as I figure, you can either take the service road or the scenic route. And, man, if I only have one ride, I want it to be beautiful. 84. Highway.
Eric Bogosian
I once watched a natural dam break on television. I remember seeing a scenic picture of a river surrounded by trees. All of the sudden, the trees disappeared--sucked away by the collapse of the riverbank. A swell of angry water rushed around the corner wiping out everything in its path. It was sudden, and it was violent. I see the dam break in Caleb's eyes.
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
It was beautiful, Mabel knew, but it was a beauty that ripped you open and scoured you clean so that you were left helpless and exposed, if you lived at all.
Eowyn Ivey (The Snow Child)
Minnesotans who bought scenic art usually avoided winter scenes. Hannah didn't find that surprising. Minnesota winters were long. Why would they want to buy a painting that would constantly remind them of the bone-chilling cold, the heavy snow that had to be shoveled, and the necessity of dressing up in survival gear to do nothing more than take out the garbage?
Joanne Fluke (Chocolate Chip Cookie Murder (Hannah Swensen, #1))
Everyone does deserve a second chance, although we don't often get one, and even when we do get a second chance, we're likely to make the same mistake again. The things we learn later rather than sooner tend to result from harsh lessons, but mostly we learn nothing at all.
Binnie Kirshenbaum (The Scenic Route)
The scenic vistas of North Carolina and Tennessee make you feel like you're looking at a work of art, but crossing through the rural countryside of southwest Virginia and caressing the tall grass with your fingertips, you feel like you're part of the painting.
Jennifer Pharr Davis (Becoming Odyssa: Adventures on the Appalachian Trail)
The thing about healing, as opposed to curing, is that it is relational. It takes time. It is inefficient, like a meandering river. Rarely does healing follow a straight or well-lit path. Rarely does it conform to our expectations or resolve in a timely manner. Walking with someone through grief, or through the process of reconciliation, requires patience, presence, and a willingness to wander, to take the scenic route.
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
The end of all things--a book, a life, a summer, a marriage, the last bite of cake, the last of innocence lost, a love affair--is always sad, at least a little bit sad, because it is the end, the end of that.
Binnie Kirshenbaum (The Scenic Route)
Hers was not love lost; it was love denied.
Binnie Kirshenbaum (The Scenic Route)
I have the fondest memories of time spent in places called ugly, the most boring ones of places called scenic.
Nassim Nicholas Taleb (The Bed of Procrustes: Philosophical and Practical Aphorisms (Incerto Book 4))
But those who read thrillers are an impatient race. They chafe at scenic rhapsodies and want to get on to the rough stuff.
P.G. Wodehouse
I don’t want to see landscapes, i.e. scenic paintings of them, because I don’t want to see the original realities – as optical effects that is. I want to see the deeper reality underlying the scenic, the expression of what are sometimes called abstract imaginings. The ‘simply natural’ is interesting no longer.
Thomas Hardy
I hate that would. Straight. At the very least, those of us who are nonstraight should get to be called curvy. Or scenic. Actually, I like that: 'Do you think she's straight?' 'Oh no. She's scenic.
David Levithan (You Know Me Well)
Even when in the deepest distress, the actor ultimately cannot cease to think of the impression he and the whole scenic effect is making, even for example at the burial of his own child; he will weep over his own distress and the ways in which it expresses itself, as his own audience. The hypocrite who always plays one and the same role finally ceases to be a hypocrite; for example priests, who as young men are usually conscious or unconscious hypocrites, finally become natural and then really are priests without any affectation; or if the father fails to get that far then perhaps the son does so, employing his father's start and inheriting his habits. If someone obstinately and for a long time wants to appear something it is int he end hard for him to be anything else. The profession of almost every man, even that of the artist, begins with hypocrisy, with an imitation from without, with a copying of what is most effective. He who is always wearing a mask of a friendly countenance must finally acquire a power over benevolent moods without which the impression of friendliness cannot be obtained - and finally these acquire power over him, he is benevolent.
Friedrich Nietzsche (Human, All Too Human)
During winter sunsets, standing on a promontory so I saw the scenic sea as a surface rather than a line and, as coal-boats appeared from all sides of the horizon, I thought that, as they opened their portholes, they would throw their coals onto this fire. They swarmed over the ocean like blowflies ready to devour the decomposed star, and the blank gesture of a cloud fanned them.
Georges Limbour
Perhaps the most serious obstacle impeding the evolution of a land ethic is the fact that our educational and economic system is headed away from, rather than toward, an intense consciousness of land. Your true modern is separated from the land by many middlemen, and by innumerable physical gadgets. He has no vital relation to it; to him it is the space between cities on which crops grow. Turn him loose for a day on the land, and if the spot does not happen to be a golf links or a "scenic" area, he is bored stiff. If crops could be raised by hydroponics instead of farming, it would suit him very well. Synthetic substitutes for wood, leather, wool, and other natural land products suit him better than the originals. In short, land is something he has "outgrown
Aldo Leopold
The moral of the story is this: sometimes, to do nothing, to do nothing at all, is the sorriest thing ever.
Binnie Kirshenbaum (The Scenic Route)
He stares at the two girls. Two broken bodies that moments before had been whole. He did this. He helped to break the world.
Carrie Ryan (Enthralled: Paranormal Diversions)
One of the key rules to survival here on the scenic Western Slope was, to wit, When Annie's treatin, you best be eatin.
Stephen King (Misery)
If the US Open was a two-week trip to Ibiza, Wimbledon was a meditative hike through a scenic national park.
Lauren Weisberger (The Singles Game)
I love ballet and am more interested in it than in anything else. . . . For the only form of scenic art that sets itself, as its cornerstone, the tasks of beauty, and nothing else, is ballet.
Igor Stravinsky
I hate that word. Straight. At the very least, those of us who are nonstraight should get to be called curvy. Or scenic. Actually, I like that: ‘Do you think she’s straight?’ ‘Oh no. She’s scenic.
Nina LaCour (You Know Me Well)
Look, Neal, Hawaii is not some magical pixie wonderland; it’s an American state populated by atomic weapons, a remnant native population and people too stupid to spell their way out of a paper bag. Most of them came here to escape pathetic lives in the forty nine other states, so in some sense, Hawaii is a scenic cul-de-sac filled with people who want to drink themselves to death without feeling judged.
Douglas Coupland (Worst. Person. Ever.)
This scene would go in the section of the travel guide labeled “Scenic Spots” because I wouldn’t get tired of looking at his face for years—decades. I wanted to watch it age, I wanted to see what kind of wrinkles knitted into his smiles.
Ashley Poston (The Seven Year Slip)
Lots of things should be, but aren't.
Binnie Kirshenbaum (The Scenic Route)
Sometimes late and never amount to the same thing. Sometimes, it has to be now or never.
Binnie Kirshenbaum (The Scenic Route)
We must, however, reflect on what is happening. It is an urgent matter, especially for those of us who still live in a meaningful, even a numinous, earth community. We have not spoken. Nor even have we seen clearly what is happening. The issue goes far beyond economics, or commerce, or poetics, or an evening of pleasantries as we look out over a scenic view. Something is happening beyond all this. We are losing splendind and intimate modes of divine presence. We are, perhaps, losing ourselves.
Thomas Berry (The Dream of the Earth)
Keynes, quite ignoring the covert gestures, the attempts at signaling, of nearly every senior officer, examined [Lily] and declared that she was perfectly fit to fly, "had better fly, I should say; this agitation is unnatural, and must be worked off." "But perhaps," Laurence said, voicing the reluctance which the captains all privately shared, and they as a body began to suggest flights out over the ocean, along the scenic and settled coastline and back; gentle exercise. "I hope," Catherine said, going pink clear up to her forehead in a wave of color, "I hope that no-one is going to fuss; I would dislike fuss extremely.
Naomi Novik (Empire of Ivory (Temeraire, #4))
When you enter a beloved novel many times, you can come to feel that you possess it, that nobody else has ever lived there. You try not to notice the party of impatient tourists trooping through the kitchen (Pnin a minor scenic attraction en route to the canyon Lolita), or that shuffling academic army, moving in perfect phalanx, as they stalk a squirrel around the backyard (or a series of squirrels, depending on their methodology).
Zadie Smith (Changing My Mind: Occasional Essays)
The truth is that writing is simply not reliable. You can't count on it to be there just because you've made some space for it. In fact, making space might make it disappear. You tell yourself you can't write in the middle of your daily life, with all its distractions and commitments, and when you finally clear the decks, light off for someplace scenic or at least private, you sit there completely paralyzed. You have devoted yourself to writing, but it has not returned your devotion. If writing were a person, you would be in an abusive relationship. The healthy thing to do would be to get a restraining order and shut it right out of your heart.
Kim Addonizio (Bukowski in a Sundress: Confessions from a Writing Life)
But there's always a choice. We make our choice, and then we put the blame on fate.
Binnie Kirshenbaum (The Scenic Route)
A token of love comes in a box because love itself cannot be contained.
Binnie Kirshenbaum (The Scenic Route)
Some people don't like to remember," Vincent said. "Not even the good things?" "Especially not the good things.
Binnie Kirshenbaum (The Scenic Route)
Except, how do we go on when what was best is behind us? When the longing is not for someone you have not yet met, but for someone you knew and lost?
Binnie Kirshenbaum (The Scenic Route)
Henry told me he is often the life of the party, as if he didn't already know that to be the life of the party is the most sad and pathetic of all things to be.
Binnie Kirshenbaum (The Scenic Route)
A kind of happy that, if manifested into tangibility, would've taken the shape of a daisy.
Binnie Kirshenbaum (The Scenic Route)
Golfing is a gateway drug to duck farming. Just being out in nature is addicting.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
i took the scenic route to your heart and got lost in your kiss
K.Y. Robinson (The Chaos of Longing)
Golf is so scenic that it makes me want to compose haikus on the greens. Mini-golf makes me want to write even shorter poetry.
Jarod Kintz (Powdered Saxophone Music)
You can't avoid the destination mapped out especially for you. But if you choose to, you may take a scenic route.
C.C. Wyatt
My brain tends to take the scenic route. Things come to the forefront of my mind sooner or later, it just takes time.
Richelle E. Goodrich
Homeschooling allows you the freedom to step off the highway of learning and take a more scenic route along a dirt road.
Tamara L. Chilver
Orcas can be spotted from the shores of Seattle, Tacoma, Port Angeles, Bellingham, and the popular San Juan Islands in Washington State; and Vancouver, Victoria, Nanaimo, Campbell River, and other cities in BC. These venues not only offer easy access to the whales, they are scenic and pleasant places to live: Researchers who study orcas tend to gravitate more toward this region than, say, Iceland.
David Kirby (Death at SeaWorld: Shamu and the Dark Side of Killer Whales in Captivity)
The loveliness of the view outside stopped me in my tracks. The mountain fell away before me, a carpet of green made greener by the luminous dawn staining the clouds with pinks and golds. The mountains themselves were lightly ensnowed, though there was no threat of a sequel in that cerulean canopy. Within the hinterlands of the prospect heaved the great beast of the sea with its patchy pelt of ice floes.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
I was extremely curious about the alternatives to the kind of life I had been leading, and my friends and I exchanged rumors and scraps of information we dug from official publications. I was struck less by the West's technological developments and high living standards than by the absence of political witch-hunts, the lack of consuming suspicion, the dignity of the individual, and the incredible amount of liberty. To me, the ultimate proof of freedom in the West was that there seemed to be so many people there attacking the West and praising China. Almost every other day the front page of Reference, the newspaper which carded foreign press items, would feature some eulogy of Mao and the Cultural Revolution. At first I was angered by these, but they soon made me see how tolerant another society could be. I realized that this was the kind of society I wanted to live in: where people were allowed to hold different, even outrageous views. I began to see that it was the very tolerance of oppositions, of protesters, that kept the West progressing. Still, I could not help being irritated by some observations. Once I read an article by a Westerner who came to China to see some old friends, university professors, who told him cheerfully how they had enjoyed being denounced and sent to the back end of beyond, and how much they had relished being reformed. The author concluded that Mao had indeed made the Chinese into 'new people' who would regard what was misery to a Westerner as pleasure. I was aghast. Did he not know that repression was at its worst when there was no complaint? A hundred times more so when the victim actually presented a smiling face? Could he not see to what a pathetic condition these professors had been reduced, and what horror must have been involved to degrade them so? I did not realize that the acting that the Chinese were putting on was something to which Westerners were unaccustomed, and which they could not always decode. I did not appreciate either that information about China was not easily available, or was largely misunderstood, in the West, and that people with no experience of a regime like China's could take its propaganda and rhetoric at face value. As a result, I assumed that these eulogies were dishonest. My friends and I would joke that they had been bought by our government's 'hospitality." When foreigners were allowed into certain restricted places in China following Nixon's visit, wherever they went the authorities immediately cordoned off enclaves even within these enclaves. The best transport facilities, shops, restaurants, guest houses and scenic spots were reserved for them, with signs reading "For Foreign Guests Only." Mao-tai, the most sought-after liquor, was totally unavailable to ordinary Chinese, but freely available to foreigners. The best food was saved for foreigners. The newspapers proudly reported that Henry Kissinger had said his waistline had expanded as a result of the many twelve-course banquets he enjoyed during his visits to China. This was at a time when in Sichuan, "Heaven's Granary," our meat ration was half a pound per month, and the streets of Chengdu were full of homeless peasants who had fled there from famine in the north, and were living as beggars. There was great resentment among the population about how the foreigners were treated like lords. My friends and I began saying among ourselves: "Why do we attack the Kuomintang for allowing signs saying "No Chinese or Dogs" aren't we doing the same? Getting hold of information became an obsession. I benefited enormously from my ability to read English, as although the university library had been looted during the Cultural Revolution, most of the books it had lost had been in Chinese. Its extensive English-language collection had been turned upside down, but was still largely intact.
Jung Chang (Wild Swans: Three Daughters of China)
Life should be savored and enjoyed, not rushed through from one minute to the next like you’re in some sort of race to the finish line. Trust me, when you get to be my age you’re gonna wish you’d taken the scenic route.
Kathi Daley (The Christmas Letter (Tess and Tilly #1))
Take a long, scenic walk back to your rooms. Look around you. More than anything, we need to work on how we see our surroundings. Beauty is everywhere, and it’s up to us to find it and communicate it in our art so others may see it.
Elise Hooper (The Other Alcott)
Phrases offered to the grief-stricken, such as “time heals all wounds” and “the day will come when you reach closure” irritated him, and there were times when he sat silent, seeming half-buried in some sediment of sorrow. “Closure? When someone beloved dies there is no ‘closure.’” He disliked television programs featuring tornado chasers squealing “Big one! Big one!” and despised the rat-infested warrens of the Internet, riddled with misinformation and chicanery. He did not like old foreign movies where, when people parted, one stood in the middle of the road and waved. He thought people with cell phones should be immolated along with those who overcooked pasta. Calendars, especially the scenic types with their glowing views of a world without telephone lines, rusting cars or burger stands, enraged him, but he despised the kittens, motorcycles, famous women and jazz musicians of the special-interest calendars as well. “Why not photographs of feral cats? Why not diseases?” he said furiously. Wal-Mart trucks on the highway received his curses and perfumed women in elevators invited his acid comment that they smelled of animal musk glands. For years he had been writing an essay entitled “This Land Is NOT Your Land.
Annie Proulx (That Old Ace in the Hole)
I wanted language that could be simple and clear when the subject required it, but sometimes clarity requires complexity. I believe in the irreducible and in invocation and evocation, and I am fond of sentences less like superhighways than winding paths, with the occasional scenic detour or pause to take in the view, since a footpath can traverse steep and twisting terrain that a paved road cannot. I know that sometimes what gets called digression is pulling in a passenger who fell off the boat.
Rebecca Solnit (Recollections of My Nonexistence: A Memoir)
The Conqueror Worm Lo! 'tis a gala night Within the lonesome latter years! An angel throng, bewinged, bedight In veils, and drowned in tears, Sit in a theatre, to see A play of hopes and fears, While the orchestra breathes fitfully The music of the spheres. Mimes, in the form of God on high, Mutter and mumble low, And hither and thither fly— Mere puppets they, who come and go At bidding of vast formless things That shift the scenery to and fro, Flapping from out their Condor wings Invisible Wo! That motley drama—oh, be sure It shall not be forgot! With its Phantom chased for evermore, By a crowd that seize it not, Through a circle that ever returneth in To the self-same spot, And much of Madness, and more of Sin, And Horror the soul of the plot. But see, amid the mimic rout A crawling shape intrude! A blood-red thing that writhes from out The scenic solitude! It writhes!—it writhes!—with mortal pangs The mimes become its food, And the angels sob at vermin fangs In human gore imbued. Out—out are the lights—out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, And the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.
Edgar Allan Poe (The Conqueror Worm)
The desert at night was black and a strange madder-tinted silver; the sky was black, and the great contorted cliffs, and the vast expanses of sand that stretched out in all directions. But the red moon cast a pale crimson-tinged luminescence over everything, and far above the stars were glittering points of silver.
Rachel Neumeier (Lord of the Changing Winds (Griffin Mage, #1))
But figure his thought, when Death is now clutching at his own heart-strings, unlooked for, inexorable! Yes, poor Louis, Death has found thee. No palace walls or life-guards, gorgeous tapestries or gilt buckram of stiffest ceremonial could keep him out; but he is here, here at thy very life-breath, and will extinguish it. Thou, whose whole existence hitherto was a chimera and scenic show, at length becomest a reality: sumptuous Versailles bursts asunder, like a dream, into void Immensity; Time is done, and all the scaffolding of Time falls wrecked with hideous clangour round thy soul: the pale Kingdoms yawn open; there must thou enter, naked, all unking'd, and await what is appointed thee! Unhappy man, there as thou turnest, in dull agony, on thy bed of weariness, what a thought is thine! Purgatory and Hell-fire, now all-too possible, in the prospect; in the retrospect,--alas, what thing didst thou do that were not better undone; what mortal didst thou generously help; what sorrow hadst thou mercy on? Do the 'five hundred thousand' ghosts, who sank shamefully on so many battle-fields from Rossbach to Quebec, that thy Harlot might take revenge for an epigram,--crowd round thee in this hour? Thy foul Harem; the curses of mothers, the tears and infamy of daughters? Miserable man! thou 'hast done evil as thou couldst:' thy whole existence seems one hideous abortion and mistake of Nature; the use and meaning of thee not yet known. Wert thou a fabulous Griffin, devouring the works of men; daily dragging virgins to thy cave;--clad also in scales that no spear would pierce: no spear but Death's? A Griffin not fabulous but real! Frightful, O Louis, seem these moments for thee.--We will pry no further into the horrors of a sinner's death-bed.
Thomas Carlyle (The French Revolution: A History)
Lillian concentrated on putting one foot in front of the other, when all she wanted was to head back to Westcliff and fling herself upon him in a mindless attack. “That arrogant, pompous clodpole—” “Easy,” she heard St. Vincent murmur. “Westcliff is in a thorough temper—and I wouldn’t care to engage him in your defense. I can best him any day with a sword, but not with fists.” “Why not?” Lillian muttered. “You’ve got a longer reach than Westcliff.” “He’s got the most vicious right hook I’ve ever encountered. And I have an unfortunate habit of trying to shield my face—which frequently leaves me open for gut punches.” The unashamed conceit behind the statement drew a reluctant laugh from Lillian. As the heat of anger faded, she reflected that with a face like his, one could hardly blame him for desiring to protect it. “Have you fought with the earl often?” she asked. “Not since we were boys at school. Westcliff did everything a bit too perfectly—I had to challenge him now and then just to make certain that his vanity didn’t become overinflated. Here…shall we take a more scenic route through the garden?” Lillian hesitated, recalling the numerous stories that she had heard about him. “I’m not certain that would be wise.” St. Vincent smiled. “What if I promise on my honor not to make any advances to you?” Considering that, Lillian nodded. “In that case, all right.” St. Vincent guided her through a small leafy grove, and onto a graveled path shaded by a row of ancient yews. “I should probably tell you,” he remarked casually, “that since my sense of honor is completely deteriorated, any promise I make is worthless.” “Then I should tell you that my right hook is likely ten times more vicious than Westcliff’s.” St. Vincent grinned.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
I might like to believe that every day, every hour, every minute of every hour of every day with Henry was *not* the happiest time I ever knew. I might like to believe that I am remembering it that way only because the happiest time ever makes it a better story. Because that's all you have left after people are gone from you, some things and some stories.
Binnie Kirshenbaum (The Scenic Route)
I probably said something about being happy for him, because I was happy for him, although to be happy for someone else doesn't mean that you are happy for yourself.
Binnie Kirshenbaum (The Scenic Route)
But there are no happy endings unless we cut the story short, and as far as I know, there are no rules of etiquette to a miracle, either.
Binnie Kirshenbaum (The Scenic Route)
If you like, you could call this the psychology of total equivalence, let’s say neuronics for short, and dismiss it as biological fantasy. However, I am convinced as we move back through geophysical time, so we reenter the amnionic corridor, and move back through spinal and archeopsychic time, recollecting in our unconscious minds the landscapes of each epoch, each with a distinct ecological terrain, its own flora and fauna, as recognizable to anyone else as they would be to a traveller in a Wellsian time machine. Except that this is no scenic railway, but a total reorientation of the personality. If we let these buried phantoms master us as we reappear, we’ll be swept back helplessly in the floodtide like pieces of flotsam.
J.G. Ballard (The Drowned World)
In this way my mother fell short as a parent, which was something I had to learn to accept because it's how she was, and either you accept people as they are or you turn your back on them and walk away. Those are the choices: forbearance or flight, although that philosophy was slow in coming to me, and for many years, I expected more from people than they could give.
Binnie Kirshenbaum (The Scenic Route)
And with that, we resume our trek. It takes an annoyingly long time to get to the palace. I mean, the walk is scenic and all, the forest lush with life, the ground sprinkled with glittering pools and rippling creeks, and blah, blah, blah—lots of pretty shit. But it’s still a stupidly long walk, and now that Des and I have five billion guards hemming us in, our conversation is next to non-existent. To be fair, I have been entertained. Des has spent most of the last hour plaiting one guard’s hair into at least fifty braids (he hasn’t yet noticed) and moving branches into another guard’s way. “Mother fucking trees,” the fairy mutters under his breath. “I swear they’re moving in my way.” “Lay off the spirits, Sythus,” another says.
Laura Thalassa (Dark Harmony (The Bargainer, #3))
IV. It is today as Lewis saw it. The White Cliffs can be seen only from small boat or canoe. Put in at Fort Benton and take out three or four days later at Judith Landing. Missouri River Outfitters at Fort Benton, Montana, rents canoes or provides a guided tour by pontoon boat. Of all the historic and/or scenic sights we have visited in the world, this is number one. We have made the trip ten times.
Stephen E. Ambrose (Undaunted Courage: Meriwether Lewis, Thomas Jefferson, and the Opening of the American West)
he grabbed her around the waist and threw her over his shoulder. “This is for the caveman comment earlier,” he said. “Jordan! Let me go!” she squealed, laughing madly. “You’re molesting the princess!” “You say molesting, I say assisting,” Jordan corrected. “Just sit back, relax, and enjoy the scenic view.” “Of your backside?” D.C. said dryly. “Believe me, it’s not all it’s cracked up to be.” There was silence in the clearing for a moment before all four of them burst out laughing. Jordan had to set D.C. back on her feet because he was laughing so hard. “I didn’t mean…” D.C. tried to explain, but she couldn’t get the words out amid her own laughter. She inhaled deeply and tried again. “I didn’t mean for it to come out like that!” Jordan’s eyes were sparkling. “I think we’ve underestimated you, Princess.
Lynette Noni (Raelia (The Medoran Chronicles, #2))
I loved Vincent and he loved me in the abiding way most couples in good marriages love each other, that way in which every once in a while there is a longing for someone you haven't yet met. A longing that comes upon you while you are loading the dishwasher or weeding the garden or sitting in front of the television or turning out the light to go to sleep, and you don't even know what it is, this longing, and you think maybe you're in need of a vacation or maybe you are dying because the ache of it hurts so fucking much…That ache, it went away when I met Henry; it went away as if it had been a headache instead of located nowhere precisely. Its not that I *wanted* to fall in love with Henry, but I did just the same because you can't keep from falling in love any more than you can keep snow from falling from the sky in winter. Gravity is gravity.
Binnie Kirshenbaum (The Scenic Route)
The awfulness of sudden death and the glory of heaven stunned me! The thing that had been mystery at twilight, lay clear, pure, open in the rosy hue of dawn. Out of the gates of the morning poured a light which glorified the palaces and pyramids, purged and purified the afternoon's inscrutable clefts, swept away the shadows of the mesas, and bathed that broad, deep world of mighty mountains, stately spars of rock, sculptured cathedrals and alabaster terraces in an artist's dream of color. A pearl from heaven had burst, flinging its heart of fire into this chasm. A stream of opal flowed out of the sun, to touch each peak, mesa, dome, parapet, temple and tower, cliff and cleft into the new-born life of another day. I sat there for a long time and knew that every second the scene changed, yet I could not tell how. I knew I sat high over a hole of broken, splintered, barren mountains; I knew I could see a hundred miles of the length of it, and eighteen miles of the width of it, and a mile of the depth of it, and the shafts and rays of rose light on a million glancing, many-hued surfaces at once; but that knowledge was no help to me. I repeated a lot of meaningless superlatives to myself, and I found words inadequate and superfluous. The spectacle was too elusive and too great. It was life and death, heaven and hell.
Zane Grey (The Last of the Plainsmen)
The thing about healing, as opposed to curing, is that it is relational. It takes time. It is inefficient, like a meandering river. Rarely does healing follow a straight or well-lit path. Rarely does it conform to our expectations or resolve in a timely manner. Walking with someone through grief, or through the process of reconciliation, requires patience, presence, and a willingness to wander, to take the scenic route. But the modern-day church
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
How the penises of Western men have leapt, for a century, to the sight of this singular point at the top of a lady's stocking, this transition from silk to bare skin and suspender! It's easy for non-fetishists to sneer about Pavlovian conditioning and let it go at that, but any underwear enthusiast worth his unwholesome giggle can tell you there is much more here - there is a cosmology: of nodes and cusps and points of osculation, mathematical kisses… singularities! Consider cathedral spires, holy minarets, the crunch of trainwheels over the points as you watch peeling away the track you didn't take… mountain peaks rising sharply to heaven, such as those to be noted at scenic Berchtesgaden… the edges of steel razors, always holding potent mystery… rose thorns that prick us by surprise… even, according to the Russian mathematician Friedmann, the infinitely dense point from which the present Universe expanded… In each case, the change from point to no-point carries a luminosity and enigma at which something in us must leap and sing, or withdraw in fright. Watching the A4 pointed at the sky - just before the last firing-switch closes - watching that singular point at the very top of the Rocket, where the fuze is… Do all these points imply, like the Rocket's, an annihilation? What is that, detonating in the sky above the cathedral? beneath the edge of the razor, under the rose?
Thomas Pynchon (Gravity’s Rainbow)
Glorious Åland Archipelago is a geopolitical anomaly: it is Finnish owned and Swedish speaking, but it has its own parliament, flies its own blue, gold and red flag, issues its own stamps and uses its own web suffix: ‘dot ax’. Its ‘special relationship' with the EU means it can sell duty-free and make its own gambling laws. Åland is the sunniest spot in northern Europe and its sweeping white-sand beaches and flat, scenic cycling routes attract crowds of holidaymakers during summer.
Lonely Planet Finland
A nonindustrial Earth with a population of perhaps one billion people could be far more beautiful than it is now.  Tourism from space could be a major industry, and would serve as a strong incentive to enlarge existing parks, create new ones, and restore historical sights.  The tourists, coming from a nearly pollution-free environment, would be rather intolerant of Earth's dirt and noise, and that too would encourage cleaning up the remaining sources of pollutants here.  Similar forces have had a strong beneficial effect on tourist centers in Europe and the United States during the past twenty years.  The vision of an industry free, pastoral Earth, with many of its spectacular scenic areas reverting to wilderness, with bird and animal populations increasing in number, and with a relatively small, affluent human population, is far more attractive to me than the alternative of a rigidly controlled world whose people tread precariously the narrow path of a steady-state society.  If the humanization of space occurs, the vision could be made real.
Gerard K. O'Neill (The High Frontier: Human Colonies in Space)
But surely he had told that story before. All of us, we tell our stories over and over again. Not in the same way and we don't always recognize them for what they are, the same way we don't always recognize that all creation myths boil down to God and man and a thunderstorm.
Binnie Kirshenbaum (The Scenic Route)
Semille wept not because she did something stupid; she wept because she *didn't* do something stupid. Sometimes, to do something stupid--to disobey your parents, to rush into battle, to speak out of turn, to ruin your life--is a far better thing to do than to do nothing at all.
Binnie Kirshenbaum (The Scenic Route)
Maybe it has something to do with the pull of the moon because, despite the statistical improbability of any two people meeting up, it is inevitable that the tremulous are drawn to the languished, the sick to the broken, the forsaken to the sad, every pot has its cover, and the funny to the funny ones, too.
Binnie Kirshenbaum (The Scenic Route)
Thou, whose whole existence hitherto was a chimera and scenic show, at length becomest a reality: sumptuous Versailles bursts asunder, like a Dream, into void Immensity; Time is done, and all the Scaffolding of Time falls wrecked with hideous clangour round thy soul: the pale Kingdoms yawn open; there must thou enter, naked, all unking’d,* and await what is appointed thee! Unhappy man, there as thou turnest, in dull agony, on thy bed of weariness, what a thought is thine! Purgatory and Hell-fire, now all too possible, in the prospect: in the retrospect,—alas, what thing didst thou do that were not better undone; what mortal didst thou generously help; what sorrow hadst thou mercy on? Do the ‘five hundred thousand’ ghosts,* who sank shamefully on so many battle-fields from Rossbach to Quebec, that thy Harlot might take revenge for an epigram,*—crowd round thee in this hour? Thy foul Harem; the curses of mothers, the tears and infamy of daughters? Miserable man! thou ‘hast done evil as thou couldst:’* thy whole existence seems one hideous abortion and mistake of Nature; the use and meaning of thee not yet known. Wert thou a fabulous Griffin, devouring the works of men;* daily dragging virgins to thy cave;—clad also in scales that no spear would pierce: no spear but Death’s? A Griffin not fabulous but real! Frightful, O Louis, seem these moments for thee.—We will pry no further into the horrors of a sinner’s deathbed.
Thomas Carlyle (The French Revolution)
That kind of empty; when hope is no longer deferred but evaporated, and try as you might, and you do try, you can't find the pleasure in the little things. A fine meal, good music, a breathtaking view of the landscape, the smell of the ocean, snow falling, it all adds up to a storehouse of memories and regrets, and you can't imagine there's a perchance left to be had.
Binnie Kirshenbaum (The Scenic Route)
Eddie: (into the speaker, in a plummy and completely bogus British accent) Hullo, Blaine! Cheerio, old fellow! This is Robin Leach, host of Lifestyles of the Rich and Brainless, here to tell you that YOU have won six billion dollars and a new Ford Escort in the Publishers Clearing House Sweepstakes! Susannah: Eddie, stop it! STOP IT! Eddie: (smiling, eyes glittering with a mixture of fear, hysteria, and frustrated anger) You and your monorail girlfriend, Patricia, will spend a lux-yoo-rious month in scenic Jimtown, where you'll drink only the finest wine and eat only the finest virgins! You-- Little Blaine: ...shhhh... Eddie: Suze? Did you-- Little Blaine: ...shhh...don't wake him up. Eddie: What...What are you? Who are you? Little Blaine: I'm Little Blaine. The one he doesn't see.
Stephen King (The Waste Lands (The Dark Tower, #3))
Our children are an integral component of our stories as we are of theirs and, therefore, each child acts as the knighted messengers to carry their forebears’ stories into the future. To deprive our children of the narrative cells regarding the formation of the ozone layer that rims the atmosphere of our ancestors’ saga and parental determination of selfhood is to deny them of the sacred right to claim the sanctity of their heritage. Accordingly, all wrinkled brow natives are chargeable with the sacrosanct obligation of telling their kith and kin the memorable story of the scenic days they spent as children of nature splashing about in their naked innocence in the brook of infinite time and space. We must scrupulous document our family’s history as well as scrawl out our personal story.
Kilroy J. Oldster (Dead Toad Scrolls)
Burlington, Vermont, is an example of a certain kind of small city that David Brooks calls “Latte Towns,” enclaves of affluent and well-educated people, sometimes in scenic locales such as Santa Fe or Aspen and sometimes in university towns such as Ann Arbor, Berkeley, or Chapel Hill. Of Burlington, Brooks writes: Burlington boasts a phenomenally busy public square. There are kite festivals and yoga festivals and eating festivals. There are arts councils, school-to-work collaboratives, environmental groups, preservation groups, community-supported agriculture, antidevelopment groups, and ad hoc activist groups.… And this public square is one of the features that draw people to Latte Towns. People in these places apparently would rather spend less time in the private sphere of their home and their one-acre yard and more time in the common areas.
Charles Murray (Coming Apart: The State of White America, 1960-2010)
the canvases which Mr. St. Jones referred to with a paintbrush that was long and slightly bowed: for the most part interiors, or undergrounds, of pocked and craggy holes, rock vaults with mossy floors and slimy walls, or narrow scenic vistas that skinny silver streams squirmed through like sidewinders flipped on their backs, beneath downward grasping tentacles of roots, stalactites dagger-sharp and dangling by threads of stone, stalagmites teetering, all doused, frozen in molten electric white that suggested what a glimpse of hell might be, too beautiful, some still lifes too, great bulbous beets, hoary legumes, giant scallions, white carrots, tomatoes, berries, squash in huge radiant bowls, and portraits, signed by Ionia, of shadows, from which gleamed eyes and teeth and nails and, here and there, a glowing bubble, or scrotum, caught the eye. Near the door a counter clacked but rather quietly.
Douglas Woolf (Wall to Wall (American Literature))
If I had to choose one spot to enjoy the small-town charm of traditional Ireland, it would be Dingle and its history-laden scenic peninsula. But the Ring of Kerry—a much bigger, more famous, and more touristed peninsula just to its south—is also great to visit. If you go to Ireland and don’t see the famous Ring of Kerry, your uncle Pat will never forgive you. Here’s a comparison to help with your itinerary planning. Both peninsulas come with a scenic loop drive. Dingle’s is 30 miles. The Ring of Kerry is 120 miles. Both loops come with lots of megalithic wonder. Dingle’s prehistory is more intimate, with numerous evocative stony structures. The Ring of Kerry’s prehistory shows itself in three massive ring forts—far bigger than anything on Dingle. Dingle town is the perfect little Irish burg—alive with traditional music pubs, an active fishing harbor, and the sturdy cultural atmosphere of an Irish-speaking
Rick Steves (Rick Steves Best of Ireland)
We'd reached the parking lot. Alex stopped. "You drive to school?" I demanded. He gestured me ahead of him through the break in the chain fence. "We don't all live five blocks away," he shot back. "It's eight, actually." "Fine,eight. And sometimes I walk." I pictured the stretch between Willing and Society Hill, where I knew he lived somewhere near Sadie. It was quite a distance, and not a particularly scenic one, especially at seven thirty in the morning. "Yeah? When was the last time?" He didn't answer immediately, leading the way now between the parked cars. He passed a big Jeep that still had its dealer plates, a low-slung-two-door Lexus, and a sick black BMW that all looked like just the sort of cars he would own. "April of last year," he admitted finally. "But it pissed rain on me the whole time, so that's gotta count for something." He stopped by the dented passenger door of an old green Mustang. "Your carriage, my lady." "Really? This is your car?" The door made a very scary sound when he opened it. "It's clean," he snapped, and I realized he'd totally missed my point. "It's amazing.
Melissa Jensen (The Fine Art of Truth or Dare)
WHODUNIT BY BRUCE TIERNEY | 838 words A slippery situation in the Gulf Black Horizon (Harper, $25.99, 384 pages, ISBN 9780062109880), the 11th book in James Grippando's popular series featuring Florida attorney Jack Swyteck, opens with the two most important words of the lawyer's life: "I do." (Ha, ha—you thought I was going to say, "Not guilty.") The beach wedding in scenic Key Largo goes wildly awry when an epic storm arises in the Gulf, launching manifold repercussions for Swyteck and his new bride. One of the victims of the storm is a young Cuban oil rig worker whose wife emigrated to the U.S. ahead of him. He had planned to follow, but the deadly combination of high winds and an explosive oil spill have put paid to those plans forever. Now his wife would like Swyteck to file a wrongful death suit against the Chinese/Russian/Venezuelan/Cuban consortium that owns the oil rig. This is no easy feat, since the rig is in Cuban waters, and the only tenuous tie to the U.S. legal system is the wife's residency in Key West. The situation is volatile; the adversaries are lethal; and the backdrop is a toxic oil slick poised to slime the Florida coast. Black Horizon is timely, relentlessly paced and a thrill ride of the first
Anonymous
It was at night,” I say. “What was?” “What happened. The car wreck. We were driving along the Storm King Highway.” “Where’s that?” “Oh, it’s one of the most scenic drives in the whole state,” I say, somewhat sarcastically. “Route 218. The road that connects West Point and Cornwall up in the Highlands on the west side of the Hudson River. It’s narrow and curvy and hangs off the cliffs on the side of Storm King Mountain. An extremely twisty two-lane road. With a lookout point and a picturesque stone wall to stop you from tumbling off into the river. Motorcycle guys love Route 218.” We stop moving forward and pause under a streetlamp. “But if you ask me, they shouldn’t let trucks use that road.” Cool Girl looks at me. “Go on, Jamie,” she says gently. And so I do. “Like I said, it was night. And it was raining. We’d gone to West Point to take the tour, have a picnic. It was a beautiful day. Not a cloud in the sky until the tour was over, and then it started pouring. Guess we stayed too late. Me, my mom, my dad.” Now I bite back the tears. “My little sister. Jenny. You would’ve liked Jenny. She was always happy. Always laughing. “We were on a curve. All of a sudden, this truck comes around the side of the cliff. It’s halfway in our lane and fishtailing on account of the slick road. My dad slams on the brakes. Swerves right. We smash into a stone fence and bounce off it like we’re playing wall ball. The hood of our car slides under the truck, right in front of its rear tires—tires that are smoking and screaming and trying to stop spinning.” I see it all again. In slow motion. The detail never goes away. “They all died,” I finally say. “My mother, my father, my little sister. I was the lucky one. I was the only one who survived.
James Patterson (I Funny: A Middle School Story)
Grieve not for lost love, whether it is through death or the fickle fluctuations of human nature. Love itself is never lost, but just plays hide-and-seek with you in many hearts; that in pursuing it you might find its ever greater manifestations. It will keep hiding from you, and disappointing you, until you have quested long enough to find its abode in the One who resides in the deepest recesses of your own soul, and in the heart of everything. Then you will say: “O Lord, when I resided in the house of mortal consciousness, I thought I loved my parents and my friends; I fancied I loved birds, beasts, possessions. But now that I have moved into the mansion of Omnipresence, I know it is Thee alone I love, manifested as parents, friends, all creatures and all things. By loving Thee alone, my heart expanded to love the many. By being loyal in my love to Thee, I am loyal to all I love. And I love all beings forever.” I see life on earth as only a scenic backdrop behind which my loved ones hide at death. As I love them when they are before my eyes, so does my love follow them with my ever-watching mental gaze when they move elsewhere, behind death’s screen. Those whom I have loved I could never hate, even though they grow uninteresting through ugly behavior. In my museum of recollections, I can still behold those traits that caused me to love them. Beneath the temporary mental masks of those whose behavior I dislike, I see the perfect love of my great Beloved, even as I see it in those worthy souls that I love. To stop loving is to stem the purifying flow of love. I shall loyally love every being, every thing, until I find all races, all creatures, all animate and inanimate objects embraced by my love. I will love until every soul, every star, every forsaken creature, every atom, is lodged in my heart; for in the infinite love of God, my breast of eternity is large enough to hold everything in me. O Love, I see Thy glowing face in the gems. I behold Thy shy blush in the blossoms. I am enraptured, hearing Thee warble in the birds. And I dream in ecstasy when my heart embraces Thee in all hearts. O Love, I met Thee in all things—only a little and for a while—but in Omnipresence I clasp Thee entirely and forever, and I rejoice in Thy joy evermore.
Paramahansa Yogananda (The Divine Romance: Collected Talks and Essays on Realizing God in Daily Life – Volume 2)
I would rather face the devil himself than that man,” Elizabeth said with a repressed shudder. “I daresay,” Lucinda agreed, clutching her umbrella with one hand and the side of the cart with her other. The nearer the time came, the more angry and confused Elizabeth became about this meeting. For the first four days of their journey, her tension had been greatly allayed by the scenic grandeur of Scotland with its rolling hills and deep valleys carpeted in bluebells and hawthorne. Now, however, as the hour of confronting him drew near, not even the sight of the mountains decked out in spring flowers or the bright blue lakes below could calm her mounting tension. “Furthermore, I cannot believe he has the slightest desire to see me.” “We shall soon find out.” In the hills above the high, winding track that passed for a road, a shepherd paused to gape at an old wooden wagon making its laborious way along the road below. “Lookee there, Will,” he told his brother. “Do you see what I see?” The brother looked down and gaped, his lips parting in a toothless grin of glee at the comical sight of two ladies-bonnets, gloves, and all-who were perched primly and precariously on the back of Sean MacLaesh’s haywagon, their backs ramrod-stiff, their feet sticking straight out beyond the wagon. “Don’t that beat all,” Will laughed, and high above the haywagon he swept off his cap in a mocking salute to the ladies. “I heered in the village Ian Thornton was acomin’ home. I’ll wager ‘e’s arrived, and them two are his fancy pieces, come to warm ‘is bed an’ see to ‘is needs.” Blessedly unaware of the conjecture taking place between the two spectators up in the hills, Miss Throckmorton-Jones brushed angrily and ineffectually at the coating of dust clinging to her black skirts. “I have never in all my life been subjected to such treatment!” she hissed furiously as the wagon they were riding in gave another violet, creaking lurch and her shoulder banged into Elizabeth’s. “You may depend on this-I shall give Mr. Ian Thornton a piece of my mind for inviting two gentlewomen to this godforsaken wilderness, and never even mentioning that a traveling baroche is too wide for the roads!” Elizabeth opened her mouth to say something soothing, but just then the wagon gave another teeth-jarring lurch, and she clutched at the wooden side. “From what little I know of him, Lucy,” she managed finally when the wagon righted, “he wouldn’t care in the least what we’ve been through. He’s rude and inconsiderate-and those are his good points-“ “Whoa there, whoa,” the farmer called out, sawing back on the swayback nags reins and bringing the wagon to a groaning stop. “That’s the Thornton place up there atop yon hill,” the farmer said, pointing.
Judith McNaught (Almost Heaven (Sequels, #3))