β
Tell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
Tell me we'll never get used to it.
β
β
Richard Siken (Crush)
β
You two are too cute,β the counter girl said, setting two cups piled with whipped cream on the counter. She had a sort of lopsided, open smile that made me think she laughed a lot. βSeriously. How long have you been going out?β
Sam let go of my hands to get his wallet and took out some bills. βSix years.β
I wrinkled my nose to cover a laugh. Of course he would count the time that weβd been two entirely different species.
Whoa.β Counter girl nodded appreciatively. βThatβs pretty amazing for a couple your age."
Sam handed me my hot chocolate and didnβt answer. But his yellow eyes gazed at me possessivelyβI wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be.
I crouched to look at the almond bark on the bottom shelf in the counter. I wasnβt quite bold enough to look at either of them when I admitted, βWell, it was love at first sight.β
The girl sighed. βThat is just so romantic. Do me a favor, and donβt you two ever change. The world needs more love at first sight.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
I do not want to be the leader. I refuse to be the leader. I want to live darkly and richly in my femaleness. I want a man lying over me, always over me. His will, his pleasure, his desire, his life, his work, his sexuality the touchstone, the command, my pivot. I donβt mind working, holding my ground intellectually, artistically; but as a woman, oh, God, as a woman I want to be dominated. I donβt mind being told to stand on my own feet, not to cling, be all that I am capable of doing, but I am going to be pursued, fucked, possessed by the will of a male at his time, his bidding.
β
β
AnaΓ―s Nin
β
His forehead bumped softly against mine, his brilliant silver gaze searing into me. βI plan to keep you, from everyone, for as long as Iβm alive. That includes Puck, the false king, and anyone else who would take you away.β One corner of his mouth quirked, as I struggled to catch my breath under his powerful scrutiny. βI guess I shouldβve warned you that I have a slight possessive streak.
β
β
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
β
Possessions, outward success, publicity, luxury - to me these have always been contemptible. I believe that a simple and unassuming manner of life is best for everyone, best for both the body and the mind.
β
β
Albert Einstein
β
When you wake up in the morning, tell yourself: the people I deal with today will be meddling, ungrateful, arrogant, dishonest, jealous and surly. They are like this because they can't tell good from evil. But I have seen the beauty of good, and the ugliness of evil, and have recognized that the wrongdoer has a nature related to my own - not of the same blood and birth, but the same mind, and possessing a share of the divine. And so none of them can hurt me. No one can implicate me in ugliness. Nor can I feel angry at my relative, or hate him. We were born to work together like feet, hands and eyes, like the two rows of teeth, upper and lower. To obstruct each other is unnatural. To feel anger at someone, to turn your back on him: these are unnatural.
β
β
Marcus Aurelius (Meditations)
β
Let me rephrase.β He took a seething step toward me. βWhen it comes to youβ¦ I donβt like to share.
β
β
Samantha Young (On Dublin Street (On Dublin Street, #1))
β
I cannot let you burn me up, nor can I resist you. No mere human can stand in a fire and not be consumed.
β
β
A.S. Byatt (Possession)
β
All I wanted was to live a life where I could be me, and be okay with that. I had no need for material possessions, money or even close friends with me on my journey. I never understood people very well anyway, and they never seemed to understand me very well either. All I wanted was my art and the chance to be the creator of my own world, my own reality. I wanted the open road and new beginnings every day.
β
β
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
β
I am an invisible man. No I am not a spook like those who haunted Edgar Allen Poe: Nor am I one of your Hollywood movie ectoplasms. I am a man of substance, of flesh and bone, fiber and liquids, and I might even be said to possess a mind. I am invisible, simply because people refuse to see me.
β
β
Ralph Ellison (Invisible Man)
β
He understands why people hold hands: heβd always thought it was about possessiveness, saying This is mine. But itβs about maintaining contact. It is about speaking without words. It is about I want you with me and donβt go.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
I love you. Youβre mine. Iβll kill any bastard who tries to take you from me.
β
β
Samantha Young (On Dublin Street (On Dublin Street, #1))
β
The fury of a demon instantly possessed me. I knew myself no longer. My original soul seemed, at once, to take its flight from my body; and a more than fiendish malevolence, gin-nurtured, thrilled every fibre of my frame.
β
β
Edgar Allan Poe (The Black Cat)
β
his yellow eyes gazed at me possessively -- I wondered if he realized that the way he looked at me was far more intimate than copping a feel could ever be.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
Dante said, βI tried talking Nora into a ride, but she keeps blowing me off.β
βThatβs because she has a hard-A boyfriend. He must have been
homeschooled, because he missed all those valuable lessons we learned in kindergarten, like sharing. He finds out you took Nora for a ride, heβll wrap this shiny new Porsche around the nearest tree.
β
β
Becca Fitzpatrick (Finale (Hush, Hush, #4))
β
Aside from the obvious, Francesca, what do you want in return for supplying information?β Bones asked, getting back to the subject. βYou to take me,β she replied at once. βNot gonna happen!β I spat, squeezing him possessively. Three sets of widened eyes fixed on me. Thatβs when I realized that what I had a firm grip on was no longer his hand.
β
β
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
β
For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me. If it was sad, the tone of mind which this induced was also sweet. Whatever it might be, my soul acquiesced in it.
β
β
J. Sheridan Le Fanu (Carmilla)
β
I feel a little like the moon who took possession of you for a moment and then returned your soul to you. You should not love me. One ought not to love the moon. If you come too near me, I will hurt you.
β
β
AnaΓ―s Nin (Delta of Venus)
β
You're going to meet many people with domineering personalities: the loud, the obnoxious, those that noisily stake their claims in your territory and everywhere else they set foot on. This is the blueprint of a predator. Predators prey on gentleness, peace, calmness, sweetness and any positivity that they sniff out as weakness. Anything that is happy and at peace they mistake for weakness. It's not your job to change these people, but it's your job to show them that your peace and gentleness do not equate to weakness. I have always appeared to be fragile and delicate but the thing is, I am not fragile and I am not delicate. I am very gentle but I can show you that the gentle also possess a poison. I compare myself to silk. People mistake silk to be weak but a silk handkerchief can protect the wearer from a gunshot. There are many people who will want to befriend you if you fit the description of what they think is weak; predators want to have friends that they can dominate over because that makes them feel strong and important. The truth is that predators have no strength and no courage. It is you who are strong, and it is you who has courage. I have lost many a friend over the fact that when they attempt to rip me, they can't. They accuse me of being deceiving; I am not deceiving, I am just made of silk. It is they who are stupid and wrongly take gentleness and fairness for weakness. There are many more predators in this world, so I want you to be made of silk. You are silk.
β
β
C. JoyBell C.
β
This isn't a crush, it's obsession.You are never not in my thoughts. Your scent carries across a room and paralyzes me with longing. I don't want to hold your hand. Part of me wants to set you on fire and hold you while the flame consumes us both, to eat your heart so I know that only I possess it entirely.
β
β
Gwen Hayes (Falling Under (Falling Under, #1))
β
This love of which I speak is slow to lose patience - it looks for a way of being constructive.
Love is not possessive.
Love is not anxious to impress nor does it cherish inflated ideas of its own ideas.
Love has good manners and does not pursue selfish advantage.
Love is not touchy.
Love does not keep account of evil or gloat over the wickedness of other people. On the contrary, it is glad with all good men when truth prevails.
Love knows no limits to its endurance, no end to its trust, no fading of its hope; it can outlast anything. It is, in fact, the one thing that stands when all else has fallen.
β
β
Elisabeth Elliot (Let Me Be a Woman)
β
Possess. Have. Hold. Enjoy. Control. Dominate. Pick your verb, Ms. Fairchild. I intend to explore so very many of them.
β
β
J. Kenner (Release Me (Stark Trilogy, #1))
β
Words are flowing out like endless rain into a paper cup,
They slither wildly as they slip away across the universe
Pools of sorrow, waves of joy are drifting through my open mind,
Possessing and caressing me.
Images of broken light which dance before me like a million eyes,
They call me on and on across the universe,
Thoughts meander like a restless wind inside a letter box
They tumble blindly as they make their way
Across the universe
Sounds of laughter shades of love are
Ringing through my open ears inciting and inviting me
Limitless undying love which shines around me like a
Million suns, and calls me on and on
Across the universe
β
β
John Lennon
β
I don't possess these thoughts I have --- they possess me. I don't possess these feelings I have --- They obsess me.
β
β
Ashly Lorenzana
β
Only write to me, write to me, I love to see the hop and skip and sudden starts of your ink.
β
β
A.S. Byatt (Possession)
β
These memories, which are my life--for we possess nothing certainly except the past--were always with me.
β
β
Evelyn Waugh (Brideshead Revisited)
β
When I am lonely for boys itβs their bodies I miss. I study their hands lifting the cigarettes in the darkness of the movie theaters, the slope of a shoulder, the angle of a hip. Looking at them sideways, I examine them in different lights. My love for them is visual: that is the part of them I would like to possess. Donβt move, I think. Stay like that, let me have that.
β
β
Margaret Atwood (Catβs Eye)
β
It is only when we have renounced our preoccupation with "I," "me," "mine," that we can truly possess the world in which we live. Everything, provided that we regard nothing as property. And not only is everything ours; it is also everybody else's.
β
β
Aldous Huxley (The Perennial Philosophy)
β
What I possess, seems far away to me, and what is gone becomes reality.
β
β
Johann Wolfgang von Goethe (Faust, First Part)
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
β
β
Richard Siken (Crush)
β
It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming up of themselves like grass. Yet regardless of where they come from, I cannot remember a time when I was not in love with them -- with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. Still illiterate, I was ready for them, committed to all the reading I could give them ...
β
β
Eudora Welty (One Writer's Beginnings)
β
I cannot choose but adhere to the word of God, which has possession of my conscience; nor can I possibly, nor will I even make any recantation, since it is neither safe nor honest to act contrary to conscience! Here I stand; I cannot do otherwise, so help me God! Amen.
β
β
Martin Luther
β
If only it were possible to love without injury β fidelity isnβt enough: I had been faithful to Anne and yet I had injured her. The hurt is in the act of possession: we are too small in mind and body to possess another person without pride or to be possessed without humiliation. In a way I was glad that my wife had struck out at me again β I had forgotten her pain for too long, and this was the only kind of recompense I could give her. Unfortunately the innocent are always involved in any conflict. Always, everywhere, there is some voice crying from a tower.
β
β
Graham Greene
β
Let me out," Harry said again.
"No," Dumbledore repeated.
"If you don't - if you keep me in here - if you don't let me-"
"By all means continue destroying my possessions," said Dumbledore. "I daresay I have too many.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
Elegance is not the prerogative of those who have just escaped from adolescence, but of those who have already taken possession of their future.
β
β
Coco Chanel
β
I am a creature of my pen. My pen is the best of me.
β
β
A.S. Byatt (Possession)
β
A dominant impulse on encountering beauty is to wish to hold on to it, to possess it and give it weight in oneβs life. There is an urge to say, βI was here, I saw this and it mattered to me.
β
β
Alain de Botton (The Art of Travel (Vintage International))
β
If I repent of anything, it is very likely to be my good behavior. What demon possessed me that I behaved so well?
β
β
Henry David Thoreau
β
My pacifism is an instinctive feeling, a feeling that possesses me because the murder of men is disgusting. My attitude is not derived from any intellectual theory but is based on my deepest antipathy to every kind of cruelty and hatred.
β
β
Albert Einstein
β
Where you just possessed?" Cookie asked after a long moment, awe softening her voice. "'Cause let me tell you, sweetheart, if that was possession, I'm selling my soul.
β
β
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
β
My whole life, all anyone's ever wanted was to possess me," said James. "The only one who ever set me free was you.
β
β
C.S. Pacat (Dark Rise (Dark Rise, #1))
β
I am grateful for what I am and have. My thanksgiving is perpetual. It is surprising how contented one can be with nothing definite - only a sense of existence. Well, anything for variety. I am ready to try this for the next ten thousand years, and exhaust it. How sweet to think of! my extremities well charred, and my intellectual part too, so that there is no danger of worm or rot for a long while. My breath is sweet to me. O how I laugh when I think of my vague indefinite riches. No run on my bank can drain it, for my wealth is not possession but enjoyment.
β
β
Henry David Thoreau
β
Of all that I have possessed in my life, my memories are the only things remaining to me. Indeed, I believe that memories are the only real treasure any human can hope to hold always.
β
β
Gary Jennings (Aztec (Aztec, #1))
β
Wolfy, is it? And what do you know about my turning?"
"I asked around when I figured out I was your... mate."
He stood, crossing to her. "Well, let's hear it."
"Basically, you'll lose your mind, turning animalistic, hunting me down until you claim me repeatedly, biting my neck and marking me as your possession. Nothing will stop you- no cage can hold you. Did I miss anything?
"Aye, Lousha." His gaze raked over her and his voice deepened. "The fact that you're going to like it.
β
β
Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #8))
β
[Moishe] explained to me, with great emphasis, that every question possessed a power that was lost in the answer....
And why do you pray, Moishe?' I asked him.
I pray to the God within me for the strength to ask Him the real questions.
β
β
Elie Wiesel (Night)
β
Prayer of an Anonymous Abbess:
Lord, thou knowest better than myself that I am growing older and will soon be old. Keep me from becoming too talkative, and especially from the unfortunate habit of thinking that I must say something on every subject and at every opportunity.
Release me from the idea that I must straighten out other peoples' affairs. With my immense treasure of experience and wisdom, it seems a pity not to let everybody partake of it. But thou knowest, Lord, that in the end I will need a few friends.
Keep me from the recital of endless details; give me wings to get to the point.
Grant me the patience to listen to the complaints of others; help me to endure them with charity. But seal my lips on my own aches and pains -- they increase with the increasing years and my inclination to recount them is also increasing.
I will not ask thee for improved memory, only for a little more humility and less self-assurance when my own memory doesn't agree with that of others. Teach me the glorious lesson that occasionally I may be wrong.
Keep me reasonably gentle. I do not have the ambition to become a saint -- it is so hard to live with some of them -- but a harsh old person is one of the devil's masterpieces.
Make me sympathetic without being sentimental, helpful but not bossy. Let me discover merits where I had not expected them, and talents in people whom I had not thought to possess any. And, Lord, give me the grace to tell them so.
Amen
β
β
Anonymous
β
There are many different types of kisses. Thereβs a passionate kiss of farewellβlike the kind Rhett gave Scarlett when he went off to war. The kiss of I-canβt-really-be-with-you-but-I-want-to-beβlike with Superman and Lois Lane. Thereβs the first kissβone that is gentle and hesitant, warm and vulnerable. And then thereβs the kiss of possessionβwhich was how Ren kissed me now.
It went beyond passion, beyond desire. His kiss was full of longing, need, and love, like all those other kisses. But, it was also filled with promises and pledges, some of which seemed sweet and tender while others seemed dangerous and exciting. He was taking me over. Staking a claim.
He seized me as boldly as the tiger captured his prey. There was no escape. And I didnβt want to. I would have happily died in his clutches. I was his. And he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything Iβd ever felt before that we belonged together.
β
β
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
β
Adrian Ivashkov wasnβt easy to surprise, but I surprised him then when I brought his mouth toward mine. I kissed him, and for a moment, he was too stunned to respond. That lasted for, oh, about a second. Then the intensity Iβd come to know so well in him returned. He pushed me backward, lifting me so that I sat at the table. The tablecloth bunched up, knocking over some of the glasses. I heard what sounded like a china plate crash against the floor.
Whatever logic and reason I normally possessed had melted away. There was nothing but flesh and fire left, and I wasnβt going to lie to myselfβat least not tonight.
β
β
Richelle Mead (The Indigo Spell (Bloodlines, #3))
β
Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand. They think, deep in their hearts, that they are better than we are because we had to discover the compensations and refuges of life for ourselves. Even when they enter deep into our world or sink below us, they still think that they are better than we
are. They are different.
β
β
F. Scott Fitzgerald
β
Most women fight wars on two fronts, one for whatever the putative topic is and one simply for the right to speak, to have ideas, to be acknowledged to be in possession of facts and truths, to have value, to be a human being.
β
β
Rebecca Solnit (Men Explain Things to Me)
β
Alec isnβt happy,β said Magnus, as if she hadnβt spoken.
βOf course he isnβt,β Isabelle snapped. βJaceββ
βJace,β said Magnus, and his hands made fists at his sides. Isabelle stared at him. She had always thought that he didnβt mind Jace; liked him, even, once the question of Alecβs affections had been settled. Out loud, she said:
βI thought you were friends.β
βItβs not that,β said Magnus. βThere are some people β people the universe seems to have singled out for special destinies. Special favors and special torments. God knows weβre all drawn toward whatβs beautiful and broken; I have been, but some people cannot be fixed. Or if they can be, itβs only by love and sacrifice so great it destroys the giver.β
Isabelle shook her head slowly. βYouβve lost me. Jace is our brother, but for Alec β heβs Jaceβs parabatai too ββ
βI know about parabatai,β said Magnus, his voice rising in pitch. βIβve known parabatai so close they were almost the same person; do you know what happens, when one of them dies, to the one thatβs leftββ
βStop it!β Isabelle clapped her hands over her ears, then lowered them slowly. βHow dare you, Magnus Bane,β she said.
βHow dare you make this worse than it is ββ
βIsabelle.β Magnusβ hands loosened; he looked a little wide-eyed, as if his outburst had startled even him. βI am sorry. I forget, sometimes . . . that with all your self-control and strength, you possess the same vulnerability that Alec does.β
βThere is nothing weak about Alec,β said Isabelle.
βNo,β said Magnus. βTo love as you choose, that takes strength. The thing is, I wanted you here for him. There are things I canβt do for him, canβt give him . . .β For a moment Magnus looked oddly vulnerable. βYou have known Jace as long as he has. You can give him understanding I canβt. And he loves you.β
βOf course he loves me. Iβm his sister.β
βBlood isnβt love,β said Magnus, and his voice was bitter. βJust ask Clary.
β
β
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β
I go out of my way to make sure you donβt have any reason to feel jealous, but when you do get possessive, I like it. I want you to fight for me. I want you to care that much. I want you crazy about me. But possessiveness without trust is hell. If you donβt trust me, weβve got nothing.
β
β
Sylvia Day (Reflected in You (Crossfire, #2))
β
I love you because you are not mine, because you are from the other side, from there where you invite me to jump and I cannot make the jump, because in the deepest moment of possession you are not in me, I cannot reach you, I cannot get beyond your body...
β
β
Julio CortΓ‘zar (Hopscotch)
β
I have never said this to anyone before.β Leoβs voice was like ragged velvet. βBut the idea of you with child is the most insanely arousing thing Iβve ever imagined. Your belly all swollen, your breasts heavy, the funny little way you would walk β¦ I would worship you. I would take care of your every need. And everyone would know that Iβd made you that way, that you belonged to me.
β
β
Lisa Kleypas (Married by Morning (The Hathaways, #4))
β
Too much excitement, Your Majesty?β I asked.
βHe was standing too close.β
βHe was asking about Andrea.β
βToo close. I didnβt like it.β Curran wrapped his arm around my shoulders and started walking,
steering me away from the group. His Possessive Majesty in all of his glory.
β
β
Ilona Andrews (Magic Slays (Kate Daniels, #5))
β
Too bad,Elizabeth. You're Stuck with me.Not for a few decades,not for centuries. You're tied to me forever. That boy and girl offspring you talked off? They'll come from me--or no one.
β
β
Kresley Cole (Lothaire (Immortals After Dark, #11))
β
For believe me! β the secret for harvesting from existence the greatest fruitfulness and the greatest enjoyment is: to live dangerously! Build your cities on the slopes of Vesuvius! Send your ships into uncharted seas! Live at war with your peers and yourselves! Be robbers and conquerors as long as you cannot be rulers and possessors, you seekers of knowledge! Soon the age will be past when you could be content to live hidden in forests like shy deer! At long last the search for knowledge will reach out for its due: β it will want to rule and possess, and you with it!
β
β
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
β
He'll be cross if he sees I have been crying. They don't like you to cry. He doesn't cry. I wish to God I could make him cry. I wish I could make him cry and tread the floor and feel his heart heavy and big and festering in him. I wish I could hurt him like hell.
He doesn't wish that about me. I don't think he even knows how he makes me feel. I wish he could know, without my telling him. They don't like you to tell them they've made you cry. They don't like you to tell them you're unhappy because of them. If you do, they think you're possessive and exacting. And then they hate you. They hate you whenever you say anything you really think. You always have to keep playing little games. Oh, I thought we didn't have to; I thought this was so big I could say whatever I meant. I guess you can't, ever. I guess there isn't ever anything big enough for that.
β
β
Dorothy Parker
β
My former people were not totally wrong. Love is a kind of possession. Itβs a poison. And if Alex no longer loves me, I canβt bear to think that he might love somebody else.
β
β
Lauren Oliver (Requiem (Delirium, #3))
β
He probably would've raised an eyebrow in that annoying/hot way he had, and made a dirty joke about Elodie possessing me.
β
β
Rachel Hawkins (Spell Bound (Hex Hall, #3))
β
Pretty much I would let Gemma know
that she is a fat cunt
and, um the shoes that she gave me were
not something that I would particularly
buy for myself.
They were old maiden type of shoes, and
she said that those shoes were meant to
be worn on a beautiful woman
So if that is the case she should have put
them back on the rack and she should
never even purchased them because she
was UNQUALIFIED to own those shoes if
that's the case
and, um I think that Gemma is just a
disgrace. She's a disgrace to women who are
actually beautiful and classy and, um she
just doesn't have the vernacular she
thinks she possesses
Somebody lied to her several times and
told her that she was fly, hot and sexy
and beautiful and she's nothing like that
She's nothing of the sort
β
β
Tiffany Pollard
β
Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.
β
β
T.S. Eliot (Four Quartets)
β
Stop this day and night with me and you shall possess the origin of all poems,
You shall possess the good of the earth and sun.... there are millions of suns left,
You shall no longer take things at second or third hand.... nor look through the eyes of the dead.... nor feed on the spectres in books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from yourself.
β
β
Walt Whitman (Leaves of Grass: The First (1855) Edition)
β
Youβre my obsession, Iβm your possession You own the deepest part of me You crawled into the darkness, set my monster free So scream, bleed, call out to me But never say stop, never flee
β
β
Pepper Winters (Quintessentially Q (Monsters in the Dark, #2))
β
Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help. Thatβs right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear.
β
β
Jess Rothenberg (The Catastrophic History of You and Me)
β
She frowned. βI did nothing to arouse you.β
He clenched his jaw, his stare growing more aggressive. βYou breathed.
β
β
Shayla Black (Possess Me at Midnight (Doomsday Brethren, #3))
β
I was surrounded by friends, my work was immense, and pleasures were abundant. Life, now, was unfolding before me, constantly and visibly, like the flowers of summer that drop fanlike petals on eternal soil. Overall, I was happiest to be alone; for it was then I was most aware of what I possessed. Free to look out over the rooftops of the city. Happy to be alone in the company of friends, the company of lovers and strangers. Everything, I decided, in this life, was pure pleasure.
β
β
Roman Payne (Rooftop Soliloquy)
β
How can I be angry with the other half of my soul?" he asked, his tone so tender it tore little pieces out of her heart. "I have a temper, baby, and I know I fucking brood. But even if I act pissed, even if I snarl, it doesn't mean I love you any less. Your soul shines, Tally, and I'm so damn glad it shines for me.
β
β
Nalini Singh (Mine to Possess (Psy-Changeling, #4))
β
Please, Lord Maccon, use one of the cups. My delicate sensibilities.β
The earl actually snorted.
βMy dear Miss Tarabotti, if you possessed any such things, you certainly have never shown them to me.
β
β
Gail Carriger (Soulless (Parasol Protectorate, #1))
β
I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful.
Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm?
A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are.
Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
β
β
Donna Tartt (The Goldfinch)
β
For me," he said. It came out as a cross between a choked growl and a whimpher. It was shocked, and it was possessive. Full of pain, and laced with joy. "You were made for me.
β
β
Jus Accardo (Touch (Denazen, #1))
β
I declare in the name of Jesus that I am a pioneer of new territories. I walk in favor with God and man, and I will possess all the land God has given me. There will be no holdups, no holdouts, no setbacks or delays. I will not look back to return to the old. Father, cause me to ascend into new realms of power and authority and access new dimensions of divine revelation. Breathe new life into every dormant dream. In the name of Jesus, amen.
β
β
Cindy Trimm (Commanding Your Morning Daily Devotional: Unleash God's Power in Your Life--Every Day of the Year)
β
I examined the poets, and I look on them as people whose talent overawes both themselves and others, people who present themselves as wise men and are taken as such, when they are nothing of the sort.
From poets, I moved to artists. No one was more ignorant about the arts than I; no one was more convinced that artists possessed really beautiful secrets. However, I noticed that their condition was no better than that of the poets and that both of them have the same misconceptions. Because the most skillful among them excel in their specialty, they look upon themselves as the wisest of men. In my eyes, this presumption completely tarnished their knowledge. As a result, putting myself in the place of the oracle and asking myself what I would prefer to be β what I was or what they were, to know what they have learned or to know that I know nothing β I replied to myself and to the god: I wish to remain who I am.
We do not know β neither the sophists, nor the orators, nor the artists, nor Iβ what the True, the Good, and the Beautiful are. But there is this difference between us: although these people know nothing, they all believe they know something; whereas, I, if I know nothing, at least have no doubts about it. As a result, all this superiority in wisdom which the oracle has attributed to me reduces itself to the single point that I am strongly convinced that I am ignorant of what I do not know.
β
β
Socrates
β
So here were the facts: I felt possessive of her. Not in a romantic sort of way, but in a "hit her over the head, drag her off by the hair, and fuck her" way. Like she was my toy and I was keeping the other boys in the sandbox from playing with her. How sick was that? If she ever heard me admit to that, she would cut off my balls and feed them to me.
β
β
Christina Lauren (Beautiful Bastard (Beautiful Bastard, #1))
β
I can't possess anyone else. Trust me, I've been trying to get inside Lara Casnoff ever since we got here. Which...sounds really wrong.
β
β
Rachel Hawkins (Spell Bound (Hex Hall, #3))
β
Trust me, They want you. They want what's mine." He pulls me against him, and I lift my arms to his shoulders, my hands in his hair, regarding him with amusement.
"Mine," he repeats, his eyes glowing possessively.
"Yes, yours." I reassure him, smiling.
β
β
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
β
We can express our feelings regarding the world around us either by poetic or by descriptive means. I prefer to express myself metaphorically. Let me stress: metaphorically, not symbolically. A symbol contains within itself a definite meaning, certain intellectual formula, while metaphor is an image. An image possessing the same distinguishing features as the world it represents. An image β as opposed to a symbol β is indefinite in meaning. One cannot speak of the infinite world by applying tools that are definite and finite. We can analyse the formula that constitutes a symbol, while metaphor is a being-within-itself, it's a monomial. It falls apart at any attempt of touching it.
β
β
Andrei Tarkovsky
β
Thus I progressed on the surface of life, in the realm of words as it were, never in reality. All those books barely read, those friends barely loved, those cities barely visited, those women barely possessed! I went through the gestures out of boredom or absent-mindedness. Then came human beings; they wanted to cling, but there was nothing to cling to, and that was unfortunate--for them. As for me, I forgot. I never remembered anything but myself.
β
β
Albert Camus (The Fall (Vintage International))
β
I, the man of color, want only this: That the tool never possess the man. That the enslavement of man by man cease forever. That is, of one by another. That it be possible for me to discover and to love man, wherever he may be.
β
β
Frantz Fanon (Black Skin, White Masks)
β
I'm not that hard to get to know, really." He flashed me a quick smile. "But you... I think you've made an art form out of deflection and self-possession.
β
β
Samantha Young (On Dublin Street (On Dublin Street, #1))
β
Like it or not, your business became mine the minute you let me inside your body.
β
β
Suzanne Wright (From Rags)
β
What's the trick to remembering that a sandwich is masculine? What qualities does it share with anyone in possession of a penis? I'll tell myself that a sandwich is masculine because if left alone for a week or two, it will eventually grow a beard.
β
β
David Sedaris (Me Talk Pretty One Day)
β
Derek's breath touched Sara's throat in unsteady urges. "Sometimes," he whispered, "I'm so close to you ... and I'm still not close enough. I want to share your breath ... every beat of your heart."
He cradled her head in both his hands, his mouth hot on her neck. "Sometimes," he murmured, "I want to punish you a little."
"Why?"
"For making me want you until I ache with it. For the way I wake at night just to watch you sleeping." His face was intense and passionate above her, his green eyes sharp in their brightness. "I want you more each time I'm with you. It's a fever that never leaves me. I can't be alone without wondering where you are, when I can have you again." His lips possessed hers in a kiss that was both savage and tender, and she opened to him eagerly.
β
β
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
β
At times the whole world seems to be in conspiracy to importune you with emphatic trifles. Friend, client, child, sickness, fear, want, charity, all knock at once at thy closet door and say,β'Come out unto us.' But keep thy state; come not into their confusion. The power men possess to annoy me I give them by a weak curiosity. No man can come near me but through my act.
β
β
Ralph Waldo Emerson (The Essays of Ralph Waldo Emerson (Belknap Press))
β
Somehow grasping at vanishing snowflakes is like grasping at happiness: an act of possession that instantly gives way to nothing. It reminded me that there was a world outside this house: a world of vastness and unimaginable beauty; a world that for now, remained out of my reach. That memory had repeatedly returned to me over the years. It's as if the misery that surrounded that brief moment of freedom made it burn even brighter: a tiny light surrounded by darkness.
β
β
Alex Michaelides (The Silent Patient)
β
You once asked me if I wanted a home and a family. I didnβt think that Iβd ever want one without Yesubai, but seeing you like that in my dream, with that little babyβ¦yeah. I want it. I want him. I wantβ¦you. I saw him, and I feltβ¦possessive and proud. I want the life that I saw in my dream more than just a little, Kells. I thought you should know that.
β
β
Colleen Houck
β
If all my possessions were taken from me with one exception, I would choose to keep the power of communication, for by it I would soon regain all the rest
β
β
Daniel Webster
β
In 2002, having spent more than three years in one residence for the first time in my life, I got called for jury duty. I show up on time, ready to serve. When we get to the voir dire, the lawyer says to me, βI see youβre an astrophysicist. Whatβs that?β I answer, βAstrophysics is the laws of physics, applied to the universeβthe Big Bang, black holes, that sort of thing.β Then he asks, βWhat do you teach at Princeton?β and I say, βI teach a class on the evaluation of evidence and the relative unreliability of eyewitness testimony.β Five minutes later, Iβm on the street.
A few years later, jury duty again. The judge states that the defendant is charged with possession of 1,700 milligrams of cocaine. It was found on his body, he was arrested, and he is now on trial. This time, after the Q&A is over, the judge asks us whether there are any questions weβd like to ask the court, and I say, βYes, Your Honor. Why did you say he was in possession of 1,700 milligrams of cocaine? That equals 1.7 grams. The βthousandβ cancels with the βmilli-β and you get 1.7 grams, which is less than the weight of a dime.β Again Iβm out on the street.
β
β
Neil deGrasse Tyson (Space Chronicles: Facing the Ultimate Frontier)
β
Ilse, a childhood friend of mine, once found a raspberry in the concentration camp and carried it in her pocket all day to present to me that night on a leaf. Imagine a world in which your entire possession is one raspberry and you give it to your friend.
β
β
Gerda Weissmann Klein (All But My Life)
β
Iβm not fit to occupy space. Excuse me for living.
β
β
Flora Rheta Schreiber (Sybil: The Classic True Story of a Woman Possessed by Sixteen Personalities)
β
What possessed ye, woman, to hit me in the heid wi' a fish whilst I was fighting for my life?
β
β
Diana Gabaldon (Drums of Autumn (Outlander, #4))
β
I mean to say, I know perfectly well that I've got, roughly speaking, half the amount of brain a normal bloke ought to possess. And when a girl comes along who has about twice the regular allowance, she too often makes a bee line for me with the love light in her eyes. I don't know how to account for it, but it is so."
"It may be Nature's provision for maintaining the balance of the species, sir.
β
β
P.G. Wodehouse
β
The greater part of what my neighbors call good I believe in my soul to be bad, and if I repent of anything, it is very likely to be my good behavior. What demon possessed me that I behaved so well?
β
β
Henry David Thoreau (Walden and Other Writings)
β
Yet even in the loneliness of the canyon I knew there were others like me who had brothers they did not understand but wanted to help. We are probably those referred to as "our brother's keepers," possessed of one of the oldest and possible one of the most futile and certainly one of the most haunting instincts. It will not let us go.
β
β
Norman Maclean (A River Runs Through It and Other Stories)
β
Eternal tourists of ourselves, there is no landscape but what we are. We possess nothing, for we donβt even possess ourselves. We have nothing because we are nothing. What hand will I reach out, and to what universe? The universe isnβt mine: itβs me.
β
β
Fernando Pessoa (The Book of Disquiet)
β
When, in disgrace with fortune and men's eyes,
I all alone beweep my outcast state
And trouble deaf heaven with my bootless cries
And look upon myself and curse my fate,
Wishing me like to one more rich in hope,
Featured like him, like him with friends possess'd,
Desiring this man's art and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee, and then my state,
Like to the lark at break of day arising
From sullen earth, sings hymns at heaven's gate;
For thy sweet love remember'd such wealth brings
That then I scorn to change my state with kings. a
β
β
William Shakespeare (Shakespeare's Sonnets)
β
What?β I grind out. She snorts. βPossessive, are we?β βI chained you to me. What do you think?
β
β
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
β
I become one of those people who walks alone in the dark at night while others sleep or watch Mary Tyler Moore reruns or pull all-nighters to finish up some paper that's due first thing tomorrow. I always carry lots of stuff with me wherever I roam, always weighted down with books, with cassettes, with pens and paper, just in case I get the urge to sit down somewhere, and oh, I don't know, read something or write my masterpiece. I want all my important possessions, my worldly goods, with me at all times. I want to hold what little sense of home I have left with me always.
β
β
Elizabeth Wurtzel (Prozac Nation)
β
Let us say in passing, to be blind and to be loved, is in fact--on this earth where nothing is complete--one of the most strangely exquisite forms of happiness. To have continually at your side a woman, a girl, a sister, a charming being, who is there because you need her, and because she cannot do without you, to know you are indispensable to someone necessary to you, to be able at all times to measure her affection by the degree of the presence that she gives you, and to say to yourself: She dedicates all her time to me, because I possess her whole love; to see the thought if not the face; to be sure of the fidelity of one being in a total eclipse of the world; to imagine the rustling of her dress as the rustling of wings; to hear her moving to and fro, going out, coming in, talking, singing, to think that you are the cause of those steps, those words, that song; to show your personal attraction at every moment; to feel even more powerful as your infirmity increases; to become in darkness, and by reason of darkness, the star around which this angel gravitates; few joys can equal that. The supreme happiness of life is the conviction that we are loved; loved for ourselves--say rather, loved in spite of ourselves; the conviction the blind have. In their calamity, to be served is to be caressed. Are they deprived of anything? No. Light is not lost where love enters. And what a love! A love wholly founded in purity. There is no blindness where there is certainty.
β
β
Victor Hugo (Les MisΓ©rables)
β
Sucking in air, Heather said, βFluffyβMrs. Allenβs ferocious dogβchased me all the way down Pine Street trying to tear me to shreds with his razor fangs. I barely got away.β
Scarlet scrunched her face. βIsnβt Fluffy a Chihuahua?β
Still panting, Heather said, βYes. A demon-possessed, human-eating Chihuahua.
β
β
Chelsea Fine (Anew (The Archers of Avalon, #1))
β
When I suddenly see myself in the depths of the mirror, I take fright. I can scarcely believe that I have limits, that I am outlined and defined. I feel myself to be dispersed in the atmosphere, thinking inside other creatures, living inside things beyond myself. When I suddenly see myself in the mirror, I am not startled because I find myself ugly or beautiful. I discover, in fact, that I possess another quality. When I haven't looked at myself for some time, I almost forget that I am human, I tend to forget my past, and I find myself with the same deliverance from purpose and conscience as something that is barely alive. I am also surprised to find as I gaze into the pale mirror with open eyes that there is so much in me beyond what is known, so much that remains ever silent.
β
β
Clarice Lispector (Near to the Wild Heart)
β
Wanting to Die
Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.
Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.
But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.
Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.
In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.
I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.
Still-born, they don't always die,
but dazzled, they can't forget a drug so sweet
that even children would look on and smile.
To thrust all that life under your tongue!β
that, all by itself, becomes a passion.
Death's a sad Bone; bruised, you'd say,
and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.
Balanced there, suicides sometimes meet,
raging at the fruit, a pumped-up moon,
leaving the bread they mistook for a kiss,
leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love, whatever it was, an infection.
β
β
Anne Sexton
β
I tried to keep myself away from him by using con words like "fidelity" and "adultery", by telling myself that he would interfere with my work, that I had him I'd be too happy to write. I tried to tell myself I was hurting Bennett, hurting myself, making a spectacle of myself. I was. But nothing helped. I was possessed. The minute he walked into a room and smiled at me, I was a goner.
β
β
Erica Jong (Fear of Flying)
β
I swear to you, Patch, to take your love and cherish it. And in return, to give you my body and my heartβeverything I possess, I give to you. I am yours. Wholly and completely. Love me. Protect me. Fulfill me. And I promise to do the same.
β
β
Becca Fitzpatrick (Finale (Hush, Hush, #4))
β
He gave her a sly, sideways look. "Did you
bring it?"
"My list? Heavens, no. What can you be thinking?"
His smile widened. "I brought mine."
Daphne gasped. "You didn't!"
"I did. Just to torture Mother. I'm going peruse it right in front of her, pull out my quizzing glassβ"
"You don't have a quizzing glass."
He grinnedβthe slow, devastatingly wicked smile that all Bridgerton males seemed to possess. "I bought one just for this occasion."
"Anthony, you absolutely cannot. She will kill you. And then, somehow, she'll find a way to blame me."
"I'm counting on it.
β
β
Julia Quinn (The Duke and I (Bridgertons, #1))
β
We really have to understand the person we want to love. If our love is only a will to possess, it is not love. If we only think of ourselves, if we know only our own needs and ignore the needs of the other person, we cannot love. We must look deeply in order to see and understand the needs, aspirations, and suffering of the person we love. This is the ground of real love. You cannot resist loving another person when you really understand him or her.
From time to time, sit close to the one you love, hold his or her hand, and ask, 'Darling, do I understand you enough? Or am I making you suffer? Please tell me so that I can learn to love you properly. I don't want to make you suffer, and if I do so because of my ignorance, please tell me so that I can love you better, so that you can be happy." If you say this in a voice that communicates your real openness to understand, the other person may cry.
That is a good sign, because it means the door of understanding is opening and everything will be possible again.
Maybe a father does not have time or is not brave enough to ask his son such a question. Then the love between them will not be as full as it could be. We need courage to ask these questions, but if we don't ask, the more we love, the more we may destroy the people we are trying to love. True love needs understanding. With understanding, the one we love will certainly flower.
β
β
Thich Nhat Hanh (Peace Is Every Step: The Path of Mindfulness in Everyday Life)
β
Everybody has a βgripping strangerβ in their lives, Andy, a stranger who unwittingly possesses a bizarre hold over you. Maybe itβs the kid in cut-offs who mows your lawn or the woman wearing White Shoulders who stamps your book at the libraryβa stranger who, if you were to come home and find a message from them on your answering machine saying βDrop everything. I love you. Come away with me now to Florida,β youβd follow them.
β
β
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
β
My job is unbearable to me because it conflicts with my only desire and my only calling, which is literature. Since I am nothing but literature and can and want to be nothing else, my job will never take possession of me, it may, however, shatter me completely, and this is by no means a remote possibility.
β
β
Franz Kafka (Diaries, 1910-1923)
β
Understand this, Glyndon, there's nothing noble or tender about what I feel for you. It's violent volcano of obsession, possession, and deranged lust. If you want love, then I do love you, but it's the unorthodox version of love. I love you enough to let you within my walls. I love you enough to let you talk to my demons. I love you enough to allow you to have a hold over me when I've never allowed anyone to have the power to destroy me from inside out.
β
β
Rina Kent (God of Malice (Legacy of Gods, #1))
β
Youβre mine, mo duinne,β he said softly, pressing himself into my depths. βMine alone, now and forever. Mine, whether ye will it or no.β I pulled against his grip, and sucked in my breath with a faint βahβ as he pressed even deeper. βAye, I mean to use ye hard, my Sassenach,β he whispered. βI want to own you, to possess you, body and soul.β I struggled slightly and he pressed me down, hammering me, a solid, inexorable pounding that reached my womb with each stroke. βI mean to make ye call me βMaster,β Sassenach.β His soft voice was a threat of revenge for the agonies of the last minutes. βI mean to make you mine.
β
β
Diana Gabaldon (Outlander (Outlander, #1))
β
He didnβt say a word and she didnβt ask anything else, just ran her fingers through his hair until his breathing began to calm. Without letting go of her or even pulling away to face her he finally whispered against her ear, βPlease donβt leave me. I promise Iβll try harder.β Slowly he pulled away and their eyes met. βIβm nothing without you, Izzy.
β
β
Elizabeth Reyes (Romero (The Moreno Brothers, #4))
β
Stardustβ©
If you came to me with a face I have not seen, with a voice I have never heard, I would still know you. Even if centuries separated us, I would still feel you. Somewhere between the sand and the stardust, through every collapse and creation, there is a pulse that echoes of you and I.β©
When we leave this world, we give up all our possessions and our memories. Love is the only thing we take with us. It is all we carry from one life to the next.
β
β
Lang Leav (Memories)
β
I want somebody to love, and I want somebody to love me. And nobody ever will. And that's why it hurts. Because it makes a difference. And when nobody cares, it makes you all mad inside and it makes you want to say things, tear up things, break things, get through the glass.
β
β
Flora Rheta Schreiber (Sybil: The Classic True Story of a Woman Possessed by Sixteen Personalities)
β
I wanted to fuck her and ruin her for anyone else. I wanted to crush her wings and then put them back together again so sheβd become dependent on me. I wanted her to need me. That dark, possessive, and dangerous feeling crawled through me every time she crossed my path.
Elena Abelli was my vice, and fuck if Iβd let it kill me.
β
β
Danielle Lori (The Sweetest Oblivion (Made, #1))
β
Bridaβs eyes filled with tears. She was proud of her Soulmate.
That is what the forest taught me. That you will never be mine, and that is why I will never lose you. You were my hope during my days of loneliness, my anxiety during moments of doubt, my certainty during moments of faith.
Knowing that my Soulmate would come one day, I devoted myself to learning the Tradition of the Sun. Knowing that you existed was my one reason for continuing to live.β
Brida could no longer conceal her tears.
Then you came, and I understood all of this. You came to free me from the slavery I myself had created, to tell me that I was free to return to the world and to the things of the world. I understood everything I needed to know, and I love you more than all the women I have ever known, more than I loved the woman who, quite unwittingly, exiled me to the forest. I will always remember now that love is liberty. That was the lesson it took me so many years to learn. That is the lesson that sent me into exile and now sets me free again.β
I will always remember you, and you will remember me, just as we will remember the evening, the rain on the windows, and all the things weβll always have because we cannot possess them.
β
β
Paulo Coelho
β
And he understands. He understands why people hold hands: heβd always thought it was about possessiveness, saying This is mine. But itβs about maintaining contact. It is about speaking without words. It is about I want you with me and donβt go.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
You have been a very foolish boy, wasting your time dreaming of impossible things when you speak of Mr. Pontellier setting me free! I am no longer one of Mr. Pontelliere's possessions to dispose of or not. I give myself where I choose. If he were to say, 'Here Robert, take her and be happy; she is yours,' I should laugh at you both.
β
β
Kate Chopin (The Awakening)
β
Discovering vocation does not mean scrambling toward some prize just beyond my reach but accepting the treasure of true self I already possess. Vocation does not come from a voice Βout thereΒ calling me to be something I am not. It comes from a voice Βin hereΒ calling me to be the person I was born to be, to fulfill the original selfhood given me at birth by God.
β
β
Thomas Merton
β
it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously - I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.
β
β
John Keats
β
The near enemy of love is attachment. Attachment masquerades as love. It says, βI will love this person (because I need something from them).β Or, βIβll love you if youβll love me back. Iβll love you, but only if you will be the way I want.β This isnβt the fullness of love. Instead there is attachmentβthere is clinging and fear. True love allows, honors, and appreciates; attachment grasps, demands, needs, and aims to possess.
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BrenΓ© Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)
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I had always found comfort in the leaves, in their silence. They were like a parchment that holds words of wisdom. Simply holding them in my hand gave me some of the peace a tree possesses. To be like that-to just be-that's the most noble thing of all.
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Silas House (A Parchment of Leaves)
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As much as I didn't want to, I had to read Jag's note. I pulled it out of my back pocket. His handwriting still made my breath catch, but when I opened it, I wanted to cry.
The paper contained two words: Fly, babe.
I shredded it into little pieces. Fly? The stupid boy wanted me to fly? I'd fly off the handle when I caught up to him. Then he'd see me fly.
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Elana Johnson (Possession (Possession, #1))
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He grinned. "You're jealous."
I considered it. "No. But when you stared at that woman like she was made of diamonds, it didn't feel very good."
"I stared at her because she smelled strange."
"Strange how?"
"She smelled like rock dust. Very strong dry smell." Curran put his arms around me. "I love it when you get all fussy and possessive."
"I never get fussy and possessive."
He grinned, showing his teeth. His face was practically glowing. "So you're cool if I go over and chat her up?"
"Sure. Are you cool if I go and chat up that sexy werewolf on the third floor?"
He went from casual and funny to deadly serious in half a blink. "What sexy werewolf?"
I laughed.
Curran's eyes focused. He was concentrating on something.
"You're taking a mental inventory of all people working on the third floor, aren't you?"
His expression went blank. I'd hit the nail on the head.
I slid off him and put my head on his biceps. The shaggy carpet was nice and comfortable under my back.
"Is it Jordan?"
"I just picked a random floor," I told him. "You're nuts, you know that?"
He put his arm around me. "Look who is talking.
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Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
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Iβve watched you barely escape death several times, and each instance killed me a little inside. They may be dormant now, but we have enemies both cunning and cruel. Knowing you possess the power to defeat most of them doesnβt threaten me, luv. It relieves me to my very core.
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Jeaniene Frost (One Grave at a Time (Night Huntress, #6))
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There was a time,β he finally said, βwhen I would have acknowledged your reticence and given you time and space to reach your own decision.β
He tipped my head down again and slid his fingers to the back of my neck, sending shivers down my spine. Then he lowered his lips to my ear.
βThis is not that time, Merit.β
And then his mouth was on mine, and he took my breath away again. He kissed me like a man possessed, like a man with nothing more on his mind but the taste and feel of me.
Like a man returned to life.
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Chloe Neill (Drink Deep (Chicagoland Vampires, #5))
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Yeah, well, to hear you talk, most men should come with warning labels. (She lifted her hands up to frame her next statement.) Attention, please, Psycho Alert. Me, he-man, am prone to nasty mood swings, lengthy pouts, and possess the ability to tell a woman the truth about her weight without warning. (Selena)
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Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
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Writing, if nothing else, is a bridge between two people, a bridge made of language. And language belongs to all of us. If I enjoy a poem, that just means I am recognizing within it something of myself, something I must already possess. Therefore, to love a poem is to love a part of myself revealed to me by another personβ¦
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Ocean Vuong
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Clay, if anyone followed anyone, it was me tagging along after you. I didnβt dare order you around.β
βLoad of shit,β he muttered, but she thought she heard a softening in his tone. βYou fucking made me attend tea parties.β
She remembered his threat before the first one: βTell anyone and Iβll eat you and use your bones as toothpicks.β
~ Talin and Clay dialogue
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Nalini Singh (Mine to Possess (Psy-Changeling, #4))
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Now let me say this: when you're traveling a good cloak is worth more than all of your other possessions put together. If you've nowhere to sleep, it can be your bed and blanket. It will keep the rain off your back and the sun from your eyes. You can conceal all manner of interesting weaponry beneath it if you are clever, and a smaller assortment if you are not.
But beyond all that, two facts remain to recommend a cloak. First, very little is as striking as well-worn cloak, billowing lightly about you in the breeze. And second, the best cloaks have innumerable little pockets that I have an irrational and overpowering attraction toward.
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Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
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It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours. I love to keep it by me: the idea of getting rid of it nearly breaks my heart.
You cannot give me too much work; to accumulate work has almost become a passion with me: my study is so full of it now, that there is hardly an inch of room for any more. I shall have to throw out a wing soon.
And I am careful of my work, too. Why, some of the work that I have by me now has been in my possession for years and years, and there isnβt a finger-mark on it. I take a great pride in my work; I take it down now and then and dust it. No man keeps his work in a better state of preservation than I do.
But, though I crave for work, I still like to be fair. I do not ask for more than my proper share.
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Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
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In this particular instance, he stroked her hand fondly. There was no attraction in the movement. "Sweetling," he had once said, "you are at no more risk with me in that regard than you are in danger of me unexpectedly biting you--both being equal impossibilities. In the one case, I do not possess the necessary equipment upon contact, in the other case you do not.
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Gail Carriger (Soulless (Parasol Protectorate, #1))
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Since there was nothing at all I was certain of, since I needed to be provided at every instant with a new confirmation of my existence, since nothing was in my very own, undoubted, sole possession, determined unequivocally only by me β in sober truth a disinherited son β naturally I became unsure even of the thing nearest to me, my own body.
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Franz Kafka (Letter to His Father)
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He felt me wake, and drew me close, as though to preserve a moment longer the union we had reached in those last seconds of our perilous joining. I curled beside him, putting my arms around him. He opened his eyes then and sighed, the long mouth curling in a faint smile as his glance met mine. I raised my brows in silent question. βOh, aye, Sassenach,β he answered a bit ruefully. βI am your masterΒ β¦Β and youβre mine. Seems I canna possess your soul without losing my own.
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Diana Gabaldon (Outlander (Outlander, #1))
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A man doesn't want to feel that a woman cares more for him than he cares for her. He doesn't want to feel owned, body and soul. It's that damned possessive attitude. This man is mine---he belongs to me! He wants to get away --- to get free. He wants to own his woman; he doesn't want her to own him.(Simon Boyle)
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Agatha Christie (Death on the Nile (Hercule Poirot, #18))
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My theme is memory, that winged host that soared about me one grey morning of war-time. These memories, which are my lifeβfor we possess nothing certainly except the pastβwere always with me. Like the pigeons of St. Markβs, they were everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning.
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Evelyn Waugh (Brideshead Revisited)
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ANY REAL CHANGE IMPLIES THE breakup of the world as one has always known it, the loss of all that gave one an identity, the end of safety. And at such a moment, unable to see and not daring to imagine what the future will now bring forth, one clings to what one knew, or thought one knew; to what one possessed or dreamed that one possessed. Yet, it is only when a man is able, without bitterness or self-pity, to surrender a dream he has long cherished or a privilege he has long possessed that he is set freeβhe has set himself freeβfor higher dreams, for greater privileges. All men have gone through this, go through it, each according to his degree, throughout their lives. It is one of the irreducible facts of life. And remembering this, especially since I am a Negro, affords me almost my only means of understanding what is happening in the minds and hearts of white Southerners today.
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James Baldwin (Nobody Knows My Name (Vintage International))
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Eventually, the room was cleared, and we stood there together, chests heaving, a spray of shifters and humans on the floor in front of us. We werenβt entirely undamagedβIβd taken a bruising shot to my right thigh, and Ethan had slices across his belly where heβd been caught with the edge of a bar of steel broken from someoneβs office chair.
But we were alive.
We glanced over at each other. I was just about to speak, but before I could get out words, his hand was at the back of my head, his mouth pressing against mine. The intensely possessive kiss left me gasping for breath, but even as he pulled back, his fingers stayed knotted in the back of my hair.
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Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
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And your will shall decide your destiny," he said: "I offer you my hand, my heart, and a share of all my possessions."
You play a farce, which I merely laugh at."
I ask you to pass through life at my side--to be my second self, and best earthly companion."
For that fate you have already made your choice, and must abide by it."
Jane, be still a few moments: you are over-excited: I will be still too."
A waft of wind came sweeping down the laurel-walk, and trembled through the boughs of the chestnut: it wandered away--away--to an indefinite distance--it died. The nightingale's song was then the only voice of the hour: in listening to it, I again wept. Mr. Rochester sat quiet, looking at me gently and seriously. Some time passed before he spoke; he at last said -
Come to my side, Jane, and let us explain and understand one another."
I will never again come to your side: I am torn away now, and cannot return."
But, Jane, I summon you as my wife: it is you only I intend to marry."
I was silent: I thought he mocked me.
Come, Jane--come hither."
Your bride stands between us."
He rose, and with a stride reached me.
My bride is here," he said, again drawing me to him, "because my equal is here, and my likeness. Jane, will you marry me?
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Charlotte BrontΓ« (Jane Eyre)
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The true value of man is not determined by his possession, supposed or real, of Truth, but rather by his sincere exertion to get to the Truth. It is not possession of Truth by which he extends his powers and in which his ever-growing perfectability is to be found. Possession makes one passive, indolent and proud. If God were to hold all Truth concealed in his right hand, and in his left only the steady and diligent drive for Truth, albeit with the proviso that I would always and forever err in the process, and to offer me the choice, I would with all humility take the left hand.
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Gotthold Ephraim Lessing
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The truth is, I do expect a lot out of my love story and the man Iβll share it with. I expect passion and butterflies, and one or two fairy tale moments. When we fight, I want it to hurt. When we fuck, I want to feel it with every fiber of my being. When a man confesses his love to me, I expect him to mean it. I donβt want to question the wordsβ authenticity. I want to be claimed and owned and ruled and possessed by love.
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Kate Stewart (Flock (The Ravenhood, #1))
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When you parent, itβs crucial you realize you arenβt raising a βmini me,β but a spirit throbbing with its own signature. For this reason, itβs important to separate who you are from who each of your children is. Children arenβt ours to possess or own in any way. When we know this in the depths of our soul, we tailor our raising of them to their needs, rather than molding them to fit our needs.
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Shefali Tsabary (The Conscious Parent: Transforming Ourselves, Emowering Our Children)
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I have never looked upon ease and happiness as ends in themselves -- this critical basis I call the ideal of a pigsty. The ideals that have lighted my way, and time after time have given me new courage to face life cheerfully, have been Kindness, Beauty, and Truth. Without the sense of kinship with men of like mind, without the occupation with the objective world, the eternally unattainable in the field of art and scientific endeavors, life would have seemed empty to me. The trite objects of human efforts -- possessions, outward success, luxury -- have always seemed to me contemptible.
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Albert Einstein (The World As I See It)
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Why do you pray?" he asked me, after a moment.
Why did I pray? A strange question. Why did I live? Why did I breathe?
"I don't know why," I said, even more disturbed and ill at ease. "I don't know why."
After that day I saw him often. He explained to me with great insistence that every question possessed a power that did not lie in the answer. "Man raises himself toward God by the questions he asks Him," he was fond of repeating. "That is the true dialogue. Man questions God and God answers. But we don't understand His answers. We can't understand them. Because they come from the depths of the soul, and they stay there until death. You will find the true answers, Eliezer, only within yourself!"
"And why do you pray, Moshe?" I asked him. "I pray to the God within me that He will give me the strength to ask Him the right questions.
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Elie Wiesel (Night)
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You ask me why I donβt love you, but surely you must believe I am very fond of you and if to desire to possess a person wholly, to admire and honour that person deeply, and to seek to secure that personβs happiness in every way is to βloveβ then perhaps my affection for you is a kind of love. I will tell you this that your soul seems to me to be the most beautiful and simple soul in the world and it may be because I am so conscious of this when I look at you that my love or affection for you loses much of its violence.
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James Joyce (PyhΓ€, rivo rakkaus β KirjeitΓ€ Noralle)
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When I consider that the nobler animal have been exterminated here - the cougar, the panther, lynx, wolverine, wolf, bear, moose, dear, the beaver, the turkey and so forth and so forth, I cannot but feel as if I lived in a tamed and, as it were, emasculated country... Is it not a maimed and imperfect nature I am conversing with? As if I were to study a tribe of Indians that had lost all it's warriors...I take infinite pains to know all the phenomena of the spring, for instance, thinking that I have here the entire poem, and then, to my chagrin, I hear that it is but an imperfect copy that I possess and have read, that my ancestors have torn out many of the first leaves and grandest passages, and mutilated it in many places. I should not like to think that some demigod had come before me and picked out some of the best of the stars. I wish to know an entire heaven and an entire earth.
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Henry David Thoreau (The Journal, 1837-1861)
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In light of my distanced telescopic exposure to the mayhem, I refused to plagiarise othersβ personal tragedies as my own. There is an authorship in misery that costs more than empathy. Often Iβd found myself dumbstruck in failed attempts to simulate that particular unfamiliar dolour. After all, no one takes pleasure in being possessed by a wailing father collecting the decapitated head of his innocent six year old. Even on the hinge of a willing attempt at full empathy with those cursed with such catastrophes, one had to have a superhuman emotional powers. I could not, in any way, claim the ability to relate to those who have been forced to swallow the never-ending bitter and poisonous pills of our inherited misfortune. Yet that excruciating pain in my chest seemed to elicit a state of agony in me, even from far behind the telescope. It could have been my tribal gene amplified by the ripple effect of the falling, moving in me what was left of my humanity.
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Asaad Almohammad (An Ishmael of Syria)
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You deserve better than me,β I whispered, and the selfish part of me hoped he wouldnβt hear.
He heard.
Marc spun me around so fast I would have slipped again if he werenβt holding me up. We were so close drops of water from his chin fell onto my chest, and I had to crane my neck to see him.
βYou are perfect for me, Faythe, just like you are, because youβre not perfect. Youβre headstrong, and impulsive, and outspoken, and Iβm possessive, and overprotective, and too easy to piss off. Weβre both wrong for a lot of things, but weβre right for each other. Do you understand?β
I nodded. I didnβt know what else to do.
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Rachel Vincent (Shift (Shifters, #5))
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Though I have always made it my practice to be pleasant to everybody, I have not once actually experienced friendship. I have only the most painful recollections of my various acquaintances with the exception of such companions in pleasure as Horiki. I have frantically played the clown in order to disentangle myself from these painful relationships, only to wear myself out as a result. Even now it comes as a shock if by chance I notice in the street a face resembling someone I know however slightly, and I am at once seized by a shivering violent enough to make me dizzy. I know that I am liked by other people, but I seem to be deficient in the faculty to love others. (I should add that I have very strong doubts as to whether even human beings really possess this faculty.) It was hardly to be expected that someone like myself could ever develop any close friendsβbesides, I lacked even the ability to pay visits. The front door of another personβs house terrified me more than the gate of Inferno in the Divine Comedy, and I am not exaggerating when I say that I really felt I could detect within the door the presence of a horrible dragon-like monster writhing there with a dank, raw smell.
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Osamu Dazai (No Longer Human)
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Jude," I said, biting my lip. "I just can't. I can't do this."
His expression darkened. "I know I don't deserve a second, or third, or whatever the hell this is chance, but you and I have something special, Luce, and you know it. Give me another chance, one more chance, and I'll walk a line so straight people will think I've been possessed." God I wanted to look away from those eyes, but I just couldn't. They were impossible to ignore. "One more chance. Not because I deserve it, but because we deserve one.
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Nicole Williams (Crash (Crash, #1))
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I was free with every road as my home. No limitations and no commitments. But then summer passed and winter came and I fell short for safety. I fell for its spell, slowly humming me to sleep, because I was tired and small, too weak to take or handle those opinions and views, attacking me from every angle. Against my art, against my self, against my very way of living. I collected my thoughts, my few possessions and built isolated walls around my values and character. I protected my own definition of beauty and success like a treasure at the bottom of the sea, for no one saw what I saw, or felt the same as I did, and so I wanted to keep to myself.
You hide to protect yourself.
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Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
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Nothing in the world scares me as much as bulimia. It was true then and it is true now. But at some point, the body will essentially eat of its own accord in order to save itself. Mine began to do that. The passivity with which I speak here is intentional. It feels very much as if you are possessed, as if you have no will of your own but are in constant battle with your body, and you are losing. It wants to live. You want to die. You cannot both have your way. And so bulimia creeps into the rift between you and your body and you go out of your mind with fear. Starvation is incredibly frightening when it finally sets in with a vengeance. And when it does,you are surprised. You hadn't meant this. You say: Wait, not this. And then it sucks you under and you drown.
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Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
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With that, I hurled the slipper at him, not caring if I caused his decapitation. (I did not.) Marshaling what little dignity I yet possessed, I stomped down the corridor - challenging indeed with one shoe - and around the corner. I lay awake for hours. The prince had no right, not one, to indict me so, and if I had held the slightest hope of the book's assistance, I would have climbed at once to my wizard room for a spell with which to punish him. Death, perhaps, or humiliation. A croaking frog would be nice, particularly a frog that retained Florian's dark eyes. I should keep it in a box and poke it occasionally with a stick; that would be satisfying indeed.
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Catherine Gilbert Murdock (Princess Ben)
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I want to tell you this story without having to confess anything,
without having to say that I ran out into the street to prove something,
that he didn't love me,
that I wanted to be possessed, thrown over, that I wanted to have the wounds
nailed shut.
I want to tell you this story without having to be in it:
Max in the wrong clothes. Max at the party, drunk again.
Max in the kitchen, in refrigerator Ught, his hands around the neck of a beer.
Tell me we're dead and I'll love you
even more.
I'm surprised that I say it with feeling.
There's a thing in my stomach about this. A simple thing. The last rung.
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Richard Siken (Crush)
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It's not unfortunate that people aren't genuine; what's unfortunate is that insincere people try to act sincere and in doing so, mislead and deceive the other. I would rather meet a person who is not amiable and who does not feel any burden to act amiable towards me, than to have the misfortune of knowing people who feel like they need to be gracious and compassionate so they will appear to be good people, whilst possessing none of those qualities within themselves! It's the latter that causes the pain in life. And that's another reason why I don't believe in religion; I have observed that religion tells people that it is highly prized a quality to act kind and compassionate and so on and so forth, but some people just do not have these innate qualities within them! We get deceived, and I'd rather not be deceived! I'd rather be able to see a person for who he/she is and not judge a brute for being a brute, but avoid the brute who carries the burden of acting like a wonderful one!
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C. JoyBell C.
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Love hath so long possess'd me for his own
And made his lordship so familiar
That he, who at first irk'd me, is now grown
Unto my heart as its best secrets are.
And thus, when he in such sore wise doth mar
My life that all its strength seems gone from it.
Mine inmost being then feels thoroughly quit
Of anguish, and all evil keeps afar.
Love also gathers to such power in me
That my sighs speak, each one a grievous thing.
Always soliciting
My Gabriel's salutation piteously.
Whenever he beholds me, it is so,
Who is more sweet than any words can show.
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Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
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I, being born a woman and distressed
By all the needs and notions of my kind,
Am urged by your propinquity to find
Your person fair, and feel a certain zest
To bear your body's weight upon my breast;
So subtly is the fume of life designed,
To clarify the pulse and cloud the mind,
And leave me once again undone, possessed.
Think not for this, however, the poor treason
Of my stout blood against my staggering brain,
I shall remember you with love, or season
My scorn with pity, - let me make it plain:
I find this frenzy insufficient reason
For conversation when we meet again.
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Edna St. Vincent Millay
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News flash: The whole thing is a huge mess and a giant nightmare and itβs all about to explode in your face and you have no idea what
youβve gotten yourself into. Love is no game. People cut their ears off over this stuff. People jump off the Eiffel Tower and sell all their
possessions and move to Alaska to live with the grizzly bears, and then they get eaten and nobody hears them when they scream for help.
Thatβs right. Falling in love is pretty much the same thing as being eaten alive by a grizzly bear.
Believe me, I should know.
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Jess Rothenberg (The Catastrophic History of You and Me)
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She could sense it very clearly: for me, no less than for her, the past counted far more than the present, remembering something far more than possessing it. Compared to memory, every possession can only ever seem disappointing, banal, inadequate ... She understood me so well! My anxiety that the present 'immediately' turned into the past so that I could love it and dream about it at leisure was just like hers, was identical. It was 'our' vice, this: to go forwards with our heads forever turned back.
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Giorgio Bassani
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I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms. I am a man of substance, of flesh and bone, fiber and liquids -- and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves, or figments of their imagination -- indeed, everything and anything except me.
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Ralph Ellison (Invisible Man)
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Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart."
Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?
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Donna Tartt (The Goldfinch)
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Possessing a creative mind, after all, is something like having a border collie for a pet: It needs to work, or else it will cause you an outrageous amount of trouble. Give your mind a job to do, or else it will find a job to do, and you might not like the job it invents (eating the couch, digging a hole through the living room floor, biting the mailman, etc.). It has taken me years to learn this, but it does seem to be the case that if I am not actively creating something, then I am probably actively destroying something (myself, a relationship, or my own peace of mind).
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Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
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Sometimes being crazy is a demon. And sometimes the demon is me. And I visit quiet sidewalks and loud parties and dark movies, and a small demon looks out at the world with me. Sometimes it sleeps. Sometimes it plays. Sometimes it laughs with me. Sometimes it tries to kill me. But itβs always with me. I suppose weβre all possessed in some way. Some of us with dependence on pills or wine. Others through sex or gambling. Some of us through self-destruction or anger or fear. And some of us just carry around our tiny demon as he wreaks havoc in our mind, tearing open old dusty trunks of bad memories and leaving the remnants spread everywhere. Wearing the skins of people weβve hurt. Wearing the skins of people weβve loved. And sometimes, when itβs worst, wearing our skins.
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Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
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I should like to be the landscape which I am contemplating, I should like this sky, this quiet water to think themselves within me, that it might be I whom they express in flesh and bone, and I remain at a distance. But it is also by this distance that the sky and the water exist before me. My contemplation is an excruciation only because it is also a joy. I can not appropriate the snow field where i slide. It remains foreign, forbidden, but I take delight in this very effort toward an impossible possession. I experience it as a triumph, not as a defeat.
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Simone de Beauvoir (The Ethics of Ambiguity)
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You don't think I could bring myself to mark your lovely skin? I'll take my knife to you, if that's the case. I'll carve my name in your breast so that every beat of your heart will remind you that you are mineβand mine alone. Because blood is binding, and because I would rather see you destroyed than see you free or in the possession of another, so I suggest you not try me, or you will suffer as no earthly creature has.β He slammed her back against the wall. βOr ever will. But that is a suggestion, and one you are free to disregard at your own peril. But you are are going to answer my question.
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Nenia Campbell (Terrorscape (Horrorscape, #3))
β
How can another see into me, into my most secret self, without my being able to see in there myself? And without my being able to see him in me. And if my secret self, that which can be revealed only to the other, to the wholly other, to God if you wish, is a secret that I will never reflect on, that I will never know or experience or possess as my own, then what sense is there in saying that it is my secret, or in saying more generally that a secret belongs, that it is proper to or belongs to some one, or to some other who remains someone. It's perhaps there that we find the secret of secrecy. Namely, that it is not a matter of knowing and that it is there for no one. A secret doesn't belong, it can never be said to be at home or in its place. The question of the self: who am I not in the sense of who am I but rather who is this I that can say who? What is the- I and what becomes of responsibility once the identity of the I trembles in secret?
β
β
Jacques Derrida (The Gift of Death)
β
If you try to find a replacement, you'll be sadly disappointed, I can't be replaced. I'm the only man in all the world who possesses the right combination of qualities for you.You can turn your Ballister stare upon me all you like, but you can't petrify me. You can knock me about to your heart's content without worrying about doing any damage. You can perpetrate any sort of outrage your wicked mind conceives and be sure I'll join in, with a will. You're a troublemaker, Lydia. A Ballister devil. Nothing less than a Mallory hellion would ever suit you."
- Vere Mallory -
β
β
Loretta Chase (The Last Hellion (Scoundrels, #4))
β
My illusions about the world caused me to think that in order to benefit by my reading I ought to possess all the knowledge the book presupposed. I was very far indeed from imagining that often the author did not possess it himself, but had extracted it from other books, as and when he needed it. This foolish conviction forced me to stop every moment, and to rush incessantly from one book to another; sometimes before coming to the tenth page of the one I was trying to read I should, by this extravagant method, have had to run through whole libraries. Nevertheless I stuck to it so persistently that I wasted infinite time, and my head became so confused that I could hardly see or take in anything.
β
β
Jean-Jacques Rousseau (Confessions)
β
Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Powerβs comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.β ImmaculΓ©e Constantin now looks up at me. βPower will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. βImperious Caesar, dead and turnβd to clay, might stop a hole to keep the wind away.
β
β
David Mitchell (The Bone Clocks)
β
I nodded, disappointed, but then I got an idea. "Hey, Grover. You want a magic item?"
His eyes lit up. "Me?"
Pretty soon we'd laced the sneakers over his fake feet, and the world's first flying goat boy was ready for launch.
"Maia!" he shouted.
He got off the ground okay, but then fell over sideways so his backpack dragged through the grass. The winged shoes kept bucking up and down like tiny broncos.
"Practice," Chiron called after him. "You just need practice!"
"Aaaaa!" Grover went flying sideways down the hill like a possessed lawn mower, heading toward the van.
β
β
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
β
He and Nina had never exchanged gifts or rings; theyβd had no possessions they shared. They had been wanderers and soldiers. Even so, she could not leave him with nothing. From her pocket, she drew a slender sprig of ash and let it drift down into the grave, followed by a smattering of withered red petals from the tulips their compatriots had placed on his chest when they bid him goodbye in Ketterdam.
βI know you never cared for sweets.β Her voice wobbled as she let a handful of toffees fall from her hand. They made a hollow patter. βBut this way Iβm with you, and you can keep them for me when I see you next. I know you wonβt eat them yourself.
β
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Leigh Bardugo (King of Scars (King of Scars, #1))
β
-If I somehow possessed a set of videotapes that contained all the most significant events of your childhood, in their entirety, would you want to see them?
-Absolutely. Right this very second.
-But why? Don't you think some of the tapes would be very sad?
-Most of them, yes. But if I could see them, then I could have them in my brain like regular memories-horrible memories, yes, but regular memories, not sinister little ghosts in my head that pop out of some part of me I don't even know, and take the rest of me away. Do you know what I mean?
-I think so, If you have to remeber, you'd rather do it in the front of your brain than in the back.
β
β
Martha Stout (The Myth of Sanity: Divided Consciousness and the Promise of Awareness)
β
The World
"You know the saddest thing," she said. "The saddest thing is that we're you."
I said nothing.
"In your fantasies," she said, "my people are just like you. Only better. We don't die or age or suffer from pain or cold or thirst. We're snappier dressers. We possess the wisdom of the ages. And if we crave blood, well, it is no more than the way you people crave food or affection or sunlight - and besides, it gets us out of the house. Crypt. Coffin. Whatever."
"And the truth is?" I ask her.
"We're you," she said. "We're you with all your fuckups and all the things that make you human - all your fears and lonelinesses and confusions... none of that gets better.
"But we're colder than you are. Deader. I miss daylight and food and knowing how it feels to touch someone and care. I remember life, and meeting people as people and not just as things to feed on or control, and I remember what it was to feel something, anything, happy or sad or anything..." And then she stopped.
"Are you crying?" I asked.
"We don't cry," she told me. Like I said, the woman was a liar."
Fifteen Painted Cards From A Vampire Tarot
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)
β
I profess not to know how womenβs hearts are wooed and won. To me they have always been matters of riddle and admiration. Some seem to have but one vulnerable point, or door of access; while others have a thousand avenues, and may be captured in a thousand different ways. It is a great triumph of skill to gain the former, but a still greater proof of generalship to maintain possession of the latter, for man must battle for his fortress at every door and window. He who wins a thousand common hearts is therefore entitled to some renown; but he who keeps undisputed sway over the heart of a coquette is indeed a hero.
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Washington Irving (The Legend of Sleepy Hollow)
β
Cosette, do you hear? he has come to that! he asks my forgiveness! And do you know what he has done for me, Cosette? He has saved my life. He has done more--he has given you to me. And after having saved me, and after having given you to me, Cosette, what has he done with himself? He has sacrificed himself. Behold the man. And he says to me the ingrate, to me the forgetful, to me the pitiless, to me the guilty one: Thanks! Cosette, my whole life passed at the feet of this man would be too little. That barricade, that sewer, that furnace, that cesspool,--all that he traversed for me, for thee, Cosette! He carried me away through all the deaths which he put aside before me, and accepted for himself. Every courage, every virtue, every heroism, every sanctity he possesses! Cosette, that man is an angel!
β
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Victor Hugo (Les MisΓ©rables)
β
Whenever anyone has called me a bitch, I have taken it as a compliment. To me, a bitch is assertive, unapologetic, demanding, intimidating, intelligent, fiercely protective, in control β all very positive attributes. But itβs not supposed to be a compliment, because thereβs that stupid double standard: When men are aggressive and dominant, they are admired, but when a woman possesses those same qualities, she is dismissed and called a bitch.
These days, I strive to be a bitch, because not being one sucks. Not being a bitch means not having your voice heard. Not being a bitch means you agree with all the bullshit. Not being a bitch means you donβt appreciate all the other bitches who have come before you. Not being a bitch means since Eve ate that apple, we will forever have to pay for her bitchiness with complacence, obedience, acceptance, closed eyes, and open legs.
β
β
Margaret Cho
β
Patch's eyes grazed me with silent heat. My reflection swirled in them, red hair and lips aflame. I was connected to him by a force I couldn't control, a tiny thread that tethered my soul to his. With the moon at his back, shadows painted the faint hollows beneath his eyes and cheekbones, making him look breathtakingly handsome and equally diabolical. His hands steadied my face, holding me still before him. The wind tangled my hair around his wrists, twining us together. His thumbs moved across my cheekbones in a slow, intimate caress. Despite the cold, a steady burn coiled up inside me, vulnerable to his touch. His fingers traced lower, lower, leaving behind a hot, delicious ache. I closed my eyes, my joints melting. He lit me up like a flame, light and heat burning at a depth I'd never fathomed. His thumb stroked my lip, a soft, seductive tease. I gave a sharp sigh of pleasure.
"Kiss you now?" he asked.
I couldn't speak; a wilted no was my reply.
His mouth, hot and daring, met mine. All play had left him, and he kissed me with his own black fire, deep and possessive, consuming my body, my soul, and laying waste to all past notions of what it meant to be kissed.
β
β
Becca Fitzpatrick (Finale (Hush, Hush, #4))
β
He isnβt like most guys, you know?'
I know.'
No, but do you really know? I mean hereβs the deal, what do most guys want from a woman? Iβll tell you what we want. We want a warm body to sleep next to, preferably one with a nice pair of tits, maybe someone whoβll cook for us and fuck us on a regular basis. Pretty simple, huh? Now, what we donβt want is someone whoβs going to come in and disrupt our lives and steal our souls. Thatβs what we fear most. We call it our freedom, but itβs our souls weβre talking about. You following me?'
I nodded.
Okay, good. Now forget it. Forget all that,' Pete said. 'Because Jacobβs not like that. Heβs never been like that. Heβs a damn fool and he wants the exact opposite of all that. He wants someone to obsess over, someone to possess his soul, and those are his corny words, by the way, not mine. Itβs what he lives for. Itβs what he thinks lifeβs all about. Do you get what Iβm saying?'
I nodded again.
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Tiffanie DeBartolo (God-Shaped Hole)
β
I promise I'll never tell."
"Don't promise that," he said in an ultraserious voice. "If they try to hurt you and the only way to protect yourself is to tell them what you know about me, then you tell them. Straight off, okay?"
"No."
"Promise me."
"No!"
"I will possess your heart."
Heat flared along the back of my neck. "What did you say?"
"My favorite song. 'I Will Possess Your Heart.'"
"By Death Cab for Cutie?"
He snorted. "No, the little known T.I. Hip-hop remix. Yes, Death Cab for Cutie."
... "Why? What's wrong with it?"
"Nothing, but it doesn't seem to fit you. It's kind of a sad song."
"No it's pure confident. It's not 'I want' or 'I need', none of that crap." He slipped his hand over mine. "It's 'I will.'"
A nervous laugh bubbled up. "You will, huh?"
His fingers brushed my cheek, then slid into my hair. "I will.
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Jeri Smith-Ready (Shade (Shade, #1))
β
I haven't had a lot of good, soft things in my life," he said against my forehead. "Not since my family sent me away. Apart from being your sire and feeling that pull to you, it's that goodness, that softness and warmth, along with the resolve and strength in you, that I love. Being turned hasn't taken that from you. If someone were going to design the perfect mate for me, it would be you. Even when you infuriate me with your pigheaded stubbornness and your temper and incredible lack of anything resembling self-preservationβ"
"Stop describing me please."
"You're the most fascinating, maddening, adorable creature I've ever met," he said, sighing and pushing my hair out of my eyes. "So, when I seem possessive or I'm raving like a lunatic, it's just that part of me is still very afraid that I'll lose thatβthat I'll lose you. I love you.
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Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
β
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
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Alice Sebold (The Lovely Bones)
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He reassures her, but he feels her soft laughter travel through their joined hands β how did that happen? β as they make their way downstairs.
And he understands. He understands why people hold hands: heβd always thought it was about possessiveness, saying This is mine. But itβs about maintaining contact. It is about speaking without words. It is about I want you with me and donβt go.
He wants her in his bedroom. And not in that way β no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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While I thus cogitate in disquiet and perplexity, half submerged in dark waters of a well in an Arabian oasis, I suddenly hear a voice from the background of my memory, the voice of an old Kurdish nomad: If water stands motionless in a pool it grows stale and muddy, but when it moves and flows it becomes clear: so, too, man in his wanderings. Whereupon, as if by magic, all disquiet leaves me. I begin to look upon myself with distant eyes, as you might look at the pages of a book to read a story from them; and I begin to understand that my life could not have taken a different course. For when I ask myself, 'What is the sum total of my life?' somthing in me seems to answer, 'You have set out to exchange one world for another-to gain a new world for yourself in exchange for an old one which you never really possessed.' And I know with startling clarity that such an undertaking might indeed take an entire lifetime.
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Muhammad Asad
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It is amazing to me," said Bingley, "How young ladies can have patience to be so very accomplished as they all are."
"All young ladies accomplished? My dear Charles, what do you mean?"
"Yes, all of them, I think. They all paint tables, cover screens and net purses. I scarcely know any one who cannot do all this, and I am sure I never heard a young lady spoken of for the first time without being informed that she was very accomplished."
"Your list of the common extent of accomplishments," said Darcy, "has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse or covering a screen. But I am very far from agreeing with you in your estimation of ladies in general. I cannot boast of knowing more than half a dozen, in the whole range of my acquaintance, that are really accomplished."
"Nor I, I am sure." said Miss Bingley.
"Then," observed Elizabeth, "you must comprehend a great deal in your idea of an accomplished woman."
"Yes, I do comprehend a great deal in it."
"Oh! certainly," cried his faithful assistant, "no one can really be esteemed accomplished who does not greatly surpass knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved."
"All this she must possess," added Darcy, "and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading."
"I am no longer surprised at your knowing only six accomplished women. I rather wonder at your knowing any.
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Jane Austen (Pride and Prejudice)
β
You need to have mercy on me, baby," his tone turned slightly threatening, "before I snap."
"I told you to stay the fuck away from him. I told you not to let him touch you. I told you not to let him kiss you. Did he fuckin' kiss you again? You let him fucking touch you again?"
"Am i gonna have to beat the shit out o' him? Is that what it's gonna take?"
"He can't fuck you, Elaina." His hands released her wrists and dropped down until his arms encircled her waist completely. He hugged her to him, running his hands up and down her back. "I get that you're too young for me. I can't have you yet." His hands clenched tight in pure possession. "But baby, you need to take care. You belong to me--" She jerked in his arms and caught him off guard. "I don't belong to you---" His head whipped up to glare at her face and his hand grabbed her chin and lifted it. "You're gonna fckin' belong to me. Just as soon as you get grown, I've told you before. But you need to take care, protect what's mine, or all bets are off and I'll move in now. Your choice. I'll give you time and space but you gotta promise. Nobody fucks you. Now. Promise Now.
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Lynda Chance (Staking His Claim (Ranchers of Chatum County, #1))
β
Besides intercourse (when the Image-repertoire goes to the devil), there is that other embrace, which is a motionless cradling: we are enchanted, bewitched: we are in the realm of sleep, without sleeping; we are within the voluptous infantilism of sleepiness: this is the moment for telling stories, the moment of the voice which takes me, siderates me, this is the return to the mother ("in the loving calm of your arms," says a poem set to music by Duparc). In this companionable incest, everything is suspended: time, law, prohibition: nothing is exhausted, nothing is wanted: all desires are abolished, for they seem definitively fulfilled.
Yet, within this infantile embrace, the genital unfailingly appears; it cuts off the diffuse sensuality of the incestuous embrace; the logic of desire begins to function, the will-to-possess returns, the adult is superimposed upon the child. I am then two subjects at once: I want maternity and genitality. (The lover might be defined as a child getting an erection: such was the young Eros.)
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Roland Barthes (A Lover's Discourse: Fragments)
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I want to be able to listen to recording of piano sonatas and know who's playing. I want to go to classical concerts and know when you're meant to clap. I want to be able to 'get' modern jazz without it all sounding like this terrible mistake, and I want to know who the Velvet Underground are exactly. I want to be fully engaged in the World of Ideas, I want to understand complex economics, and what people see in Bob Dylan. I want to possess radical but humane and well-informed political ideals, and I want to hold passionate but reasoned debates round wooden kitchen tables, saying things like 'define your terms!' and 'your premise is patently specious!' and then suddenly to discover that the sun's come up and we've been talking all night. I want to use words like 'eponymous' and 'solipsistic' and 'utilitarian' with confidence. I want to learn to appreciate fine wines, and exotic liquers, and fine single malts, and learn how to drink them without turning into a complete div, and to eat strange and exotic foods, plovers' eggs and lobster thermidor, things that sound barely edible, or that I can't pronounce...Most of all I want to read books; books thick as brick, leather-bound books with incredibly thin paper and those purple ribbons to mark where you left off; cheap, dusty, second-hand books of collected verse, incredibly expensive, imported books of incomprehensible essays from foregin universities.
At some point I'd like to have an original idea...And all of these are the things that a university education's going to give me.
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David Nicholls (Starter for Ten)
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O, that this too too solid flesh would melt
Thaw and resolve itself into a dew!
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter! O God! God!
How weary, stale, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely. That it should come to this!
But two months dead: nay, not so much, not two:
So excellent a king; that was, to this,
Hyperion to a satyr; so loving to my mother
That he might not beteem the winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? why, she would hang on him,
As if increase of appetite had grown
By what it fed on: and yet, within a month--
Let me not think on't--Frailty, thy name is woman!--
A little month, or ere those shoes were old
With which she follow'd my poor father's body,
Like Niobe, all tears:--why she, even she--
O, God! a beast, that wants discourse of reason,
Would have mourn'd longer--married with my uncle,
My father's brother, but no more like my father
Than I to Hercules: within a month:
Ere yet the salt of most unrighteous tears
Had left the flushing in her galled eyes,
She married. O, most wicked speed, to post
With such dexterity to incestuous sheets!
It is not nor it cannot come to good:
But break, my heart; for I must hold my tongue.
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William Shakespeare (Hamlet)
β
Lord, how unutterably disgusting life is! What dirty tricks it plays us, one moment free; the next, this. Here we are among the breadcrumbs and the stained napkins again. That knife is already congealing with grease. Disorder, sordidity and corruption surrounds us. We have been taking into our mouths the bodies of dead birds. It is with these greasy crumbs, slobbering over napkins, and little corpses that we have to build. Always it begins again; always there is the enemy; eyes meeting ours; fingers twitching ours; the effort waiting. Call the waiter. Pay the bill. We must pull ourselves up out of the chairs. We must find our coats. We must go. Must, must, must β detestable word. Once more, I who had thought myself immune, who had said, "Now I am rid of all that", find that the wave has tumbled me over, head over heels, scattering my possessions, leaving me to collect, to assemble, to head together, to summon my forces, rise and confront the enemy.
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Virginia Woolf (The Waves)
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A man worth being with is oneβ¦
That never lies to you
Is kind to people that have hurt him
A person that respects anotherβs life
That has manners and shows people respect
That goes out of his way to help people
That feels every person, no matter how difficult, deserves compassion
Who believes you are the most beautiful person he has ever met
Who brags about your accomplishments with pride
Who talks to you about anything and everything because no bad news will make him love you less
That is a peacemaker
That will see you through illness
Who keeps his promises
Who doesnβt blame others, but finds the good in them
That raises you up and motivates you to reach for the stars
That doesnβt need fame, money or anything materialistic to be happy
That is gentle and patient with children
Who wonβt let you lie to yourself; he tells you what you need to hear, in order to help you grow
Who lives what he says he believes in
Who doesnβt hold a grudge or hold onto the past
Who doesnβt ask his family members to deliberately hurt people that have hurt him
Who will run with your dreams
That makes you laugh at the world and yourself
Who forgives and is quick to apologize
Who doesnβt betray you by having inappropriate conversations with other women
Who doesnβt react when he is angry, decides when he is sad or keep promises he doesnβt plan to keep
Who takes his childrenβs spiritual life very seriously and teaches by example
Who never seeks revenge or would ever put another person down
Who communicates to solve problems
Who doesnβt play games or passive aggressively ignores people to hurt them
Who is real and doesnβt pretend to be something he is not
Who has the power to free you from yourself through his positive outlook
Who has a deep respect for women and treats them like a daughter of God
Who doesnβt have an ego or believes he is better than anyone
Who is labeled constantly by people as the nicest person they have ever met
Who works hard to provide for the family
Who doesnβt feel the need to drink alcohol to have a good time, smoke or do drugs
Who doesn't have to hang out a bar with his friends, but would rather spend his time with his family
Who is morally free from sin
Who sees your potential to be great
Who doesn't think a woman's place has to be in the home; he supports your life mission, where ever that takes you
Who is a gentleman
Who is honest and lives with integrity
Who never discusses your private business with anyone
Who will protect his family
Who forgives, forgets, repairs and restores
When you find a man that possesses these traits then all the little things you donβt have in common donβt matter. This is the type of man worth being grateful for.
β
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Shannon L. Alder
β
And when I look around the apartment where I now am,βwhen I see Charlotteβs apparel lying before me, and Albertβs writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,βwhen I think what I am to this familyβeverything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yetβif I were to die, if I were to be summoned from the midst of this circle, would they feelβor how long would they feelβthe void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,βvanish,βand that quickly.
I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.
Sometimes I donβt understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!
I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing.
One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!
Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,βit is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,βI feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
β
β
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
β
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window.
It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul
"Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!"
My soul does not reply.
"Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?"
My soul remains mute.
"Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty."
Not a word. -- Is my soul dead?
Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!"
Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
β
β
Charles Baudelaire (Paris Spleen)
β
There are moments in every relationship that define when two people start to fall in love.
A first glance
A first smile
A first kiss
A first fallβ¦
(I remove the Darth Vader house shoes from my satchel and look down at them.)
You were wearing these during one of those moments.
One of the moments I first started to fall in love with you.
The way you gave me butterflies that morning
Had absolutely nothing to do with anyone else,
and everything to do with you.
I was falling in love with you that morning
because of you.
(I take the next item out of the satchel. When I pull it out and look up, she brings her hands to her mouth in shock.)
This ugly little gnome
With his smug little grinβ¦
He's the reason I had an excuse to invite you into my house.
Into my life.
You took a lot of aggression out on him over those next few months.
I would watch from my window as you would kick him over every time you walked by him.
Poor little guy.
You were so tenacious.
That feisty, aggressive, strong-willed side of youβ¦.
The side of you that refused to take crap from this concrete gnome?
The side of you that refused to take crap from me?
I fell in love with that side of you
because of you.
(I set the gnome down on the stage and grab the CD)
This is your favorite CD
βLaykenβs shit.β
Although now I know you intended for shit to be possessive, rather than descriptive.
The banjo started playing through the speakers of your car
and I immediately recognized my favorite band.
Then when I realized it was your favorite band, too?
The fact that these same lyrics inspired both of us?
I fell in love with that about you.
That had absolutely nothing to do with anyone else.
I fell in love with that about you
because of you.
(I take a slip of paper out of the satchel and hold it up. When I look at her, I see Eddie slide her a napkin. I canβt tell from up here, but that can only mean sheβs crying.)
This is a receipt I kept.
Only because the item I purchased that night was on the verge of ridiculous.
Chocolate milk on the rocks? Who orders that?
You were different, and you didnβt care.
You were being you.
A piece of me fell in love with you at that moment,
because of you.
This? (I hold up another sheet of paper.)
This I didnβt really like so much.
Itβs the poem you wrote about me.
The one you titled 'mean?'
I donβt think I ever told youβ¦
but you made a zero.
And then I kept it
to remind myself of all the things I never want to be to you.
(I pull her shirt from my bag. When I hold it into the light, I sigh into the microphone.)
This is that ugly shirt you wear.
It doesnβt really have anything to do with why I fell in love with you.
I just saw it at your house and thought Iβd steal it.
β
β
Colleen Hoover (Point of Retreat (Slammed, #2))
β
Now he felt temper snapping at the nerves. βIf you canβt be comfortable in the house while Iβm not here, you can barricade yourself in this apartment. You can damn well barricade yourself in it while I am here. Itβs up to you.β
βYes, it is.β She took a deep breath and turned to him. βYou did this for me.β
Annoyed, he inclined his head. βThere doesnβt seem to be much I wouldnβt do for you.β
βI think thatβs starting to sink in.β No one had ever given her anything quite so perfect. No one, she realized, understood her quite so well. βThat makes me a lucky woman, doesnβt it?β
He opened his mouth, bit back something particularly nasty. βThe hell with it,β he decided. βI have to go.β
βRoarke, one thing.β She walked to him, well aware he was all but snarling with temper. βI havenβt kissed you good-bye,β she murmured and did so with a thoroughness that rocked him back on his heels. βThank you.β Before he could speak, she kissed him again. βFor always knowing what matters to me.β
βYouβre welcome.β Possessively, he ran a hand over her tousled hair.
βMiss me.β
βI already am.β
βDonβt take any unnecessary chances.β His hands gripped in her hair hard, briefly. βThereβs no use asking you not to take the necessary ones.β
βThen donβt.β Her heart stuttered when he kissed her hand. βSafe trip,β she told him when he stepped into the elevator. She was new at it, so waited until the doors were almost shut. βI love you.β The last thing she saw was the flash of his grin.
β
β
J.D. Robb (Glory in Death (In Death, #2))
β
A wonderful serenity has taken possession of my entire soul, like these sweet mornings of spring which I enjoy with my whole heart. I am alone, and feel the charm of existence in this spot, which was created for the bliss of souls like mine. I am so happy, my dear friend, so absorbed in the exquisite sense of mere tranquil existence, that I neglect my talents. I should be incapable of drawing a single stroke at the present moment; and yet I feel that I never was a greater artist than now. When, while the lovely valley teems with vapour around me, and the meridian sun strikes the upper surface of the impenetrable foliage of my trees, and but a few stray gleams steal into the inner sanctuary, I throw myself down among the tall grass by the trickling stream; and, as I lie close to the earth, a thousand unknown plants are noticed by me: when I hear the buzz of the little world among the stalks, and grow familiar with the countless indescribable forms of the insects and flies, then I feel the presence of the Almighty, who formed us in his own image, and the breath of that universal love which bears and sustains us, as it floats around us in an eternity of bliss; and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress, then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror of my soul, as my soul is the mirror of the infinite God! O my friend β but it is too much for my strength β I sink under the weight of the splendour of these visions!
β
β
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
β
Call the world, if you please, "the Vale of Soul Making". Then you will find out the use of the world....
There may be intelligences or sparks of the divinity in millions -- but they are not Souls till they acquire identities, till each one is personally itself.
Intelligences are atoms of perception -- they know and they see and they are pure, in short they are God. How then are Souls to be made? How then are these sparks which are God to have identity given them -- so as ever to possess a bliss peculiar to each one's individual existence. How, but in the medium of a world like this?
This point I sincerely wish to consider, because I think it a grander system of salvation than the Christian religion -- or rather it is a system of Spirit Creation...
I can scarcely express what I but dimly perceive -- and yet I think I perceive it -- that you may judge the more clearly I will put it in the most homely form possible. I will call the world a school instituted for the purpose of teaching little children to read. I will call the human heart the hornbook used in that school. And I will call the child able to read, the soul made from that school and its hornbook.
Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul? A place where the heart must feel and suffer in a thousand diverse ways....
As various as the lives of men are -- so various become their souls, and thus does God make individual beings, souls, identical souls of the sparks of his own essence.
This appears to me a faint sketch of a system of salvation which does not affront our reason and humanity...
β
β
John Keats
β
Xie Lian whipped his head over, and a biting chill flashed before his face. He straightened and stated solemnly:
βYou ask who I am? LISTEN WELL! ββI, AM THE EMINENT HIGHNESS THE CROWN PRINCE! You riotous radicals, BOW DOWN BEFORE ME!β
His voice boomed like thunder in clear skies. There were actually a few who almost dropped to their knees, and didnβt snap out of it until their companions pulled them up.
βWhat are you doing? Are you actually kneeling?β
βTh-thatβs weird, I did it before I realized itβ¦β
Xie Lian proclaimed sharply:
βI, AM OVER EIGHT HUNDRED. OLDER THAN ALL OF YOU COMBINED. IβVE CROSSED MORE BRIDGES THAN ALL THE ROADS YOUβVE WALKED.
βI, POSSESS SHRINES AND TEMPLES ACROSS THIS LAND; MY DEVOTEES AND WORSHIPPERS ARE SPREAD TO ALL FOUR SEAS. IF YOU DONβT KNOW MY NAME, ITβS BECAUSE YOU ARE IGNORANT AND UNLEARNED OF THE WORLD!
βI, DO NOT WORSHIP GODS.
βI, AM GOD!β
When the mob heard this speech, that was so shameless yet spoken with an incomparably impressive air, they were all stunned, and dropped their jaws.
ββ¦HUH???β
Xie Lian made up all that nonsense because he was waiting for this very moment. He flung that plate in his hand, and all those little white meatballs shot out through the air like iron pellets, scattering in all directions. Without any misses, they were hurled right into the open mouths of all those people in shock. Then he wiped away his sweat.
βWill everyone please forget everything I just said? Iβm actually only just a scrap collector!
β
β
MΓ² XiΔng TΓ³ng XiΓΉ
β
Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.
β
β
Mark Z. Danielewski (House of Leaves)
β
We are not our own any more than what we possess is our own. We did not make ourselves, we cannot be supreme over ourselves. We are not our own masters. We are God's property. Is it not our happiness thus to view the matter? Is it any happiness or any comfort, to consider that we are our own? It may be thought so by the young and prosperous. These may think it a great thing to have everything, as they suppose, their own wayβto depend on no oneβto have to think of nothing out of sight, to be without the irksomeness of continual acknowledgment, continual prayer, continual reference of what they do to the will of another. But as time goes on, they, as all men, will find that independence was not made for manβthat it is an unnatural stateβwill do for a while, but will not carry us on safely to the end β¦'" Mustapha Mond paused, put down the first book and, picking up the other, turned over the pages. "Take this, for example," he said, and in his deep voice once more began to read: "'A man grows old; he feels in himself that radical sense of weakness, of listlessness, of discomfort, which accompanies the advance of age; and, feeling thus, imagines himself merely sick, lulling his fears with the notion that this distressing condition is due to some particular cause, from which, as from an illness, he hopes to recover. Vain imaginings! That sickness is old age; and a horrible disease it is. They say that it is the fear of death and of what comes after death that makes men turn to religion as they advance in years. But my own experience has given me the conviction that, quite apart from any such terrors or imaginings, the religious sentiment tends to develop as we grow older; to develop because, as the passions grow calm, as the fancy and sensibilities are less excited and less excitable, our reason becomes less troubled in its working, less obscured by the images, desires and distractions, in which it used to be absorbed; whereupon God emerges as from behind a cloud; our soul feels, sees, turns towards the source of all light; turns naturally and inevitably; for now that all that gave to the world of sensations its life and charms has begun to leak away from us, now that phenomenal existence is no more bolstered up by impressions from within or from without, we feel the need to lean on something that abides, something that will never play us falseβa reality, an absolute and everlasting truth. Yes, we inevitably turn to God; for this religious sentiment is of its nature so pure, so delightful to the soul that experiences it, that it makes up to us for all our other losses.'" Mustapha Mond shut the book and leaned back in his chair. "One of the numerous things in heaven and earth that these philosophers didn't dream about was this" (he waved his hand), "us, the modern world. 'You can only be independent of God while you've got youth and prosperity; independence won't take you safely to the end.' Well, we've now got youth and prosperity right up to the end. What follows? Evidently, that we can be independent of God. 'The religious sentiment will compensate us for all our losses.' But there aren't any losses for us to compensate; religious sentiment is superfluous. And why should we go hunting for a substitute for youthful desires, when youthful desires never fail? A substitute for distractions, when we go on enjoying all the old fooleries to the very last? What need have we of repose when our minds and bodies continue to delight in activity? of consolation, when we have soma? of something immovable, when there is the social order?
β
β
Aldous Huxley (Brave New World)
β
I hear You saying to me:
"I will give you what you desire. I will lead you into solitude. I will lead you by the way that you cannot possibly understand, because I want it to be the quickest way.
"Therefore all the things around you will be armed against you, to deny you, to hurt you, to give you pain, and therefore to reduce you to solitude.
"Because of their enmity, you will soon be left alone. They will cast you out and forsake you and reject you and you will be alone.
"Everything that touches you shall burn you, and you will draw your hand away in pain, until you have withdrawn yourself from all things. Then you will be all alone.
"Everything that can be desired will sear you, and brand you with a cautery, and you will fly from it in pain, to be alone. Every created joy will only come to you as pain, and you will die to all joy and be left alone. All the good things that other people love and desire and seek will come to you, but only as murderers to cut you off from the world and its occupations.
"You will be praised, and it will be like burning at the stake. You will be loved, and it will murder your heart and drive you into the desert.
"You will have gifts, and they will break you with their burden. You will have pleasures of prayer, and they will sicken you and you will fly from them.
"And when you have been praised a little and loved a little I will take away all your gifts and all your love and all your praise and you will be utterly forgotten and abandoned and you will be nothing, a dead thing, a rejection. And in that day you shall being to possess the solitude you have so long desired. And your solitude will bear immense fruit in the souls of men you will never see on earth.
"Do not ask when it will be or where it will be or how it will be: On a mountain or in a prison, in a desert or in a concentration camp or in a hospital or at Gethsemani. It does not matter. So do not ask me, because I am not going to tell you. You will not know until you are in it.
"But you shall taste the true solitude of my anguish and my poverty and I shall lead you into the high places of my joy and you shall die in Me and find all things in My mercy which has created you for this end and brought you from Prades to Bermuda to St. Antonin to Oakham to London to Cambridge to Rome to New York to Columbia to Corpus Christi to St. Bonaventure to the Cistercian Abbey of the poor men who labor in Gethsemani:
"That you may become the brother of God and learn to know the Christ of the burnt men.
β
β
Thomas Merton (The Seven Storey Mountain)
β
To begin with, this case should never have come to trial. The state has not produced one iota of medical evidence that the crime Tom Robinson is charged with ever took place... It has relied instead upon the testimony of two witnesses, whose evidence has not only been called into serious question on cross-examination, but has been flatly contradicted by the defendant. Now, there is circumstantial evidence to indicate that Mayella Ewel was beaten - savagely, by someone who led exclusively with his left. And Tom Robinson now sits before you having taken the oath with the only good hand he possesses... his RIGHT. I have nothing but pity in my heart for the chief witness for the State. She is the victim of cruel poverty and ignorance. But my pity does not extend so far as to her putting a man's life at stake, which she has done in an effort to get rid of her own guilt. Now I say "guilt," gentlemen, because it was guilt that motivated her. She's committed no crime - she has merely broken a rigid and time-honored code of our society, a code so severe that whoever breaks it is hounded from our midst as unfit to live with. She must destroy the evidence of her offense. But what was the evidence of her offense? Tom Robinson, a human being. She must put Tom Robinson away from her. Tom Robinson was to her a daily reminder of what she did. Now, what did she do? She tempted a *****. She was white, and she tempted a *****. She did something that, in our society, is unspeakable. She kissed a black man. Not an old uncle, but a strong, young ***** man. No code mattered to her before she broke it, but it came crashing down on her afterwards. The witnesses for the State, with the exception of the sheriff of Maycomb County have presented themselves to you gentlemen, to this court in the cynical confidence that their testimony would not be doubted, confident that you gentlemen would go along with them on the assumption... the evil assumption that all Negroes lie, all Negroes are basically immoral beings, all ***** men are not to be trusted around our women. An assumption that one associates with minds of their caliber, and which is, in itself, gentlemen, a lie, which I do not need to point out to you. And so, a quiet, humble, respectable *****, who has had the unmitigated TEMERITY to feel sorry for a white woman, has had to put his word against TWO white people's! The defendant is not guilty - but somebody in this courtroom is. Now, gentlemen, in this country, our courts are the great levelers. In our courts, all men are created equal. I'm no idealist to believe firmly in the integrity of our courts and of our jury system - that's no ideal to me. That is a living, working reality! Now I am confident that you gentlemen will review, without passion, the evidence that you have heard, come to a decision and restore this man to his family. In the name of GOD, do your duty. In the name of God, believe... Tom Robinson
β
β
Harper Lee (To Kill a Mockingbird)