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Creativity cannot flourish and reach its deepest potential without the participation of its demons as well as its angels.
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Shaun McNiff (Trust the Process: An Artist's Guide to Letting Go)
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We learn from continual practice, but exercises need variety in order to solicit new responses.
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Shaun McNiff (Trust the Process: An Artist's Guide to Letting Go)
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Imagine consultants coming into an organization to help people look at their most routine daily action β¦ as extensions of the creative process.
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Shaun McNiff
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As Jung suggests, a better understanding of inner processes will benefit what we do in the βouterβ world of therapeutic practice.
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Shaun McNiff (Art as Medicine: Creating a Therapy of the Imagination)
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A personβs license to create is irrevocable, and it opens to every corner of daily life. But it is always hard to see that doubt, fear, and indirectness are eternal aspects of the creative path.
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Shaun McNiff (Trust the Process: An Artist's Guide to Letting Go)
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Writing and painting are modes of performance. We begin in stillness and make contact with what moves through us at the moment. If there is a resistance to expression, we acknowledge its presence and try to accept its place in our life at that moment. Relaxing with the resistance helps to release its negative hold on expression.
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Shaun McNiff (Trust the Process: An Artist's Guide to Letting Go)
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Spaces are forever acting on us and stimulating a creative range of expressions.
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Shaun McNiff (Trust the Process: An Artist's Guide to Letting Go)
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But there is very little emphasis within our educational systems on the education of the imagination, which requires sustained encounters with uncertainty.
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Shaun McNiff (Trust the Process: An Artist's Guide to Letting Go)
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The people with whom we live are often the ones whose presence arouses the least reaction from us. Although we are intimately accustomed to their expressions, we tend to be less aware of them. This unconsciousness often accounts for the ease of coexistence, but it has its shadow in a lack of appreciation. The same thing happens with our relationships with art materials.
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Shaun McNiff (Trust the Process: An Artist's Guide to Letting Go)
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The people with whome we live are often the ones whose presence arouses the least reaction from us. Although we are intimately accustomed to their expressions, we tend to be less aware of them. This unconsciousness often accounts for the ease of coexistence, but it has its shadow in a lack of appreciation. The same thing happens with our relationships with art materials.
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Shaun McNiff (Trust the Process: An Artist's Guide to Letting Go)
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Life is big, and overwhelming, and scary, Olly. But that's what makes it so beautiful.
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Taylor McNiff (Safe (Veterans of Callenburg #1))
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9 times out of 10, huck, it really is that simple. Us humans just like to complicate shit for no reason
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Taylor McNiff (Safe (Veterans of Callenburg #1))
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McNiff, S. (1992) Art as Medicine: Creating a Therapy of
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Debra Kalmanowitz (Art Therapy and Political Violence: With Art, Without Illusion)
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Itβs the books that are the hardest to read that are the most important. Theyβre the ones with something to say.
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Taylor McNiff (Safe (Veterans of Callenburg #1))
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I watched the movie version of Watership Down in second grade. It scarred me for life, Huck. For life.
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Taylor McNiff (Safe (Veterans of Callenburg #1))
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How is he going to walk to me on our wedding day? How is he going to chase our kids?
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Taylor McNiff (Stay)
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Youβre the love of my life. It had to be you. I needed you, Olly. You saved me. No one else would have.
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Taylor McNiff (Safe (Veterans of Callenburg #1))