Ghetto Love Quotes

I exist not to be loved and admired, but to love and act. It is not the duty of those around me to love me. Rather, it is my duty to be concerned about the world, about man.

We were a mob a gang ghetto a pack of wolves animals thugs hoodlums men They were kids having fun home loved supported protected full of potential boys

it seems a shame to have to sneak to get to the truth.To make the truth such a dirty old nasty thing.You gotta sneak to get to the truth, the truth is condemned.The truth is in the gas chamber.The truth has been in your stockyards.Your slaughterhouses.The truth has been in your reservations, building your railroads, emtying your garbage.The truth is in your ghettos.In your jails.In your young love,not in your courts or congress where the old set judgement on the young.What the hell do the old know about the young?They put a picture of old George on the dollar and tell you that he's your father, worship him.Look at the madness that goes on, you can't prove anything that happened yesterday.Now is the only thing that's real.Everyday, every reality is a new reality.Every new reality is a new horizon,a brand new experience of living.I got a note last night from a friend of mine.He writes in this note that he's afraid of what he might have to do in order to save his reality, as i save mine.You can't prove anything.There's nothing to prove.Every man judges himself.He knows what he is. You know what you are, as i know what i am,we all know what we are.Nobody can stand in judgement, they can play like they're standing in judgement.They can play like they stand in judgement and take you off and control the masses, with your human body.They can lock you up in penitentiaries and cages and put you in crosses like they did in the past,but it doesn't amount to anything. What they're doing is, they're only persecuting a reflection of themselves. They're persecuting what they can't stand to look at in themselves,the truth.

He loves the painting. Whenever he stands before it he feels the world is sharing a secret with him.

I love living in the ghetto!" #PoorMindSet

I don't like the way people cherish the ghetto, as if it’s some royal palace, or kingdom. I also don't like the way people treat each other in the ghetto. It is really hard to find love, trust, and respect. You don't find too many people that want to do better for themselves in the ghetto because so many people seem to be satisfied with where they're at.

I know this kind of girl,” Grace was saying. “It’s the worst kind of combination of abuse and privilege, and growing up in this, like, greenhorn southern-Californian Asian upper-middle-class ghetto, where everyone is so shallow and money-craven.

Memories of shame have greater reserves of power to haunt than even memories of love.

Its ghetto paradise for some and hell on earth for others!

women should act like they had a vocabulary and talk like they were ladies.

A fog of despair so pervaded the ghetto that the smallest gesture of rebellion could seem like a bold, piercing light. Bad, said with a fond expression, was almost always a compliment.

Why do we remember the Boys of Summer? We remember because we were young when they were, of course. But more, we remember because we feel the ache of guilt and regret. While they were running, jumping, leaping, we were slouched behind typewriters, smoking and drinking, pretending to some mystic communion with men we didn't really know or like. Men from ghettos we didn't dare visit, or rural farms we passed at sixty miles an hour. Loving what they did on the field, we could forget how superior we felt towards them the rest of the time. By cheering them on we proved we had nothing to do with the injustices that kept their lives separate from ours. There's nothing sordid or false about the Boys of Summer. Only our memories smell like sweaty jockstraps.

I was a down bitch and don’t you ever forget that. It took for you to get with a hood bitch that didn’t have shit, for your ass to get a steady job only to take care of her dirty ass. I guess I was too much woman for you,

Well, the black man has functioned in the white man's world as a fixed star, as an immovable pillar: and as he moves out of his place, heaven and earth are shaken to their foundations. You, don't be afraid. I said that it was intended that you should perish in the ghetto, perish by never being allowed to go behind the white man's definitions, by never being allowed to spell your proper name. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp of reality. But these men are your brothers - your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what America must become. It will be hard, James, but you come from sturdy, peasant stock, men who picked cotton and damned rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets, some of the greatest poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off.

In Rome on the Campo dei Fiori Baskets of olives and lemons, Cobbles spattered with wine And the wreckage of flowers. Vendors cover the trestles With rose-pink fish; Armfuls of dark grapes Heaped on peach-down. On this same square They burned Giordano Bruno. Henchmen kindled the pyre Close-pressed by the mob. Before the flames had died The taverns were full again, Baskets of olives and lemons Again on the vendors' shoulders. I thought of the Campo dei Fiori In Warsaw by the sky-carousel One clear spring evening To the strains of a carnival tune. The bright melody drowned The salvos from the ghetto wall, And couples were flying High in the cloudless sky. At times wind from the burning Would drift dark kites along And riders on the carousel Caught petals in midair. That same hot wind Blew open the skirts of the girls And the crowds were laughing On that beautiful Warsaw Sunday. Someone will read as moral That the people of Rome or Warsaw Haggle, laugh, make love As they pass by martyrs' pyres. Someone else will read Of the passing of things human, Of the oblivion Born before the flames have died. But that day I thought only Of the loneliness of the dying, Of how, when Giordano Climbed to his burning There were no words In any human tongue To be left for mankind, Mankind who live on. Already they were back at their wine Or peddled their white starfish, Baskets of olives and lemons They had shouldered to the fair, And he already distanced As if centuries had passed While they paused just a moment For his flying in the fire. Those dying here, the lonely Forgotten by the world, Our tongue becomes for them The language of an ancient planet. Until, when all is legend And many years have passed, On a great Campo dei Fiori Rage will kindle at a poet's word.

The fully human person is in deep and meaningful contact with the world outside of him. He not only listens to himself, but to the voices of the world. The breadth of his own individual experience is infinitely multiplied through a sensitive empathy with others. He suffers with the suffering, rejoices with the joyful. He is born again in every springtime, feels the impact of the great mysteries of life: birth, growth, love, suffering, death. His heart skips along with the 'young lovers', and he knows something of the exhilaration that is in them. He also knows the ghetto's philosophy of despair, the loneliness of suffering without relief, and the bell never tolls without tolling in some strange way for him.

I refuse to give Calvin and Trina anymore of me. Like Jazz said, I will love them from a distance.

It is known all over the world that there are no secrets in the ghetto and as long as you keep those secrets, you may keep your life.

were a mob a gang ghetto a pack of wolves animals thugs hoodlums men They were kids having fun home loved supported protected full of potential boys

To hold an object that belonged to someone you have loved and lost alters for a moment the weight of your hand and then the weight of your entire body.

We were a mob a gang ghetto a pack of wolves animals thugs hoodlums men They were kids having fun home loved supported protected full of potential boys

...Would you like to know the view I have out of my window, since you love snow? So here you are: the broad whiteness of the Moldau, and along that whiteness, little black silhouettes of people cross from one shore to the other, like musical notes. For example, the figure of some boy is dragging behind him a D-sharp: a sledge. Across the river there are snowy roofs in a distant, lightweight sky... I walked around the cathedral along a slippery path between snowdrifts. The snow was light, dry: grab a handful, throw it up, and it disperses in the air like dust, as if flying back up. The sky darkened. In it appeared a thin golden moon: half of a broken halo. I walked along the edge of the fortress wall. Old Prague lay below in the thickening mist. The snowy roofs clustered together, cumbrous and dim. The houses seemed to have been piled anyhow, in a moment of terrible and fantastic carelessness. In this frozen storm of outlines, in this snowy semi-darkness, the streetlamps and windows were burning with a warm and sweet lustre, like well-licked punch lollipops. In just one place you could also see a little scarlet light, a drop of pomegranate juice. And in the fog of crooked walls and smoky corners I divined an ancient ghetto, mystical ruins, the alley of Alchemists...

When I watched all the children, their copper, brown, and beige faces staring up at me as I taught Sunday school, I felt that I was committing a crime in talking about the gentle Jesus, in telling them to reconcile themselves to their misery on earth in order to gain the crown of eternal life. Were only Negroes to gain this crown? Was Heaven, then, to be merely another ghetto? Perhaps I might have been able to reconcile myself even to this if I had been able to believe that there was any loving-kindness to be found in the haven I represented. But I had been in the pulpit too long and I had seen too many monstrous things. I don’t refer merely to the glaring fact that the minister eventually acquires houses and Cadillacs while the faithful continue to scrub floors and drop their dimes and quarters and dollars into the plate. I really mean that there was no love in the church. It was a mask for hatred and self-hatred and despair. The transfiguring power of the Holy Ghost ended when the service ended, and salvation stopped at the church door.

There are no parks in the ghetto; barely any trees. She misses the smell of the refreshed earth, the flickering green light beneath overhanging foliage, the flight of birds over water. She misses the distinctive individual timbre of each of Warsaw’s church bells. She misses walking home at night through the fragrance of tree pollen and the laughter of lovers. Only books now enable her to experience many of the blessings of the natural world she loves but has never until now fully appreciated. She lives wholeheartedly inside every novel she reads.

Stacy said, “Baby, remember that you must love yourself first. It hurt me like crazy to know that I would never see Pam or my daughter again; so bad that I fell into a state of depression, and I wanted to give up on life.” Stacy wiped the tears from her eyes.  “I almost did… but God.” Stacy paused; she had to take a breather to get herself together. Jazz was on the other end drying her tears also.  Stacy continued, “When I gave up on me, he kept me. When I did not know which way to turn, he guided me. When I was at my lowest point he was there to show me that I am strong and I can get through all things through Christ Jesus who strengthens me!!! That setback not only showed me that God loves me, but it showed me that others love and care about me also.” She looked at Pastor G and whispered, “Thank you for being a friend.” 

Anticipating their calamity and fright when deportation day came (August 6, 1942) he [Henryk Goldszmit, pen name: Janusz Korczak] joined them aboard the train bound for Treblinka, because, he said, he knew his presence would calm them—“You do not leave a sick child in the night, and you do not leave children at a time like this.” A photograph taken at the Umschlagplatz (Transshipment Square) shows him marching, hatless, in military boots, hand in hand with several children, while 192 other children and ten staff members follow, four abreast, escorted by German soldiers. Korczak and the children boarded red boxcars not much larger than chicken coops, usually stuffed with seventy-five vertical adults, though all the children easily fit. In Joshua Perle’s eyewitness account in The Destruction of the Warsaw Ghetto, he describes the scene: “A miracle occurred, two hundred pure souls, condemned to death, did not weep. Not one of them ran away. None tried to hide. Like stricken swallows they clung to their teacher and mentor, to their father and brother, Janusz Korczak.” In 1971, the Russians named a newly discovered asteroid after him, 2163 Korczak, but maybe they should have named it Ro, the planet he dreamed of. The Poles claim Korczak as a martyr, and the Israelis revere him as one of the Thirty-Six Just Men, whose pure souls make possible the world’s salvation. According to Jewish legend, these few, through their good hearts and good deeds, keep the too-wicked world from being destroyed. For their sake alone, all of humanity is spared. The legend tells that they are ordinary people, not flawless or magical, and that most of them remain unrecognized throughout their lives, while they choose to perpetuate goodness, even in the midst of inferno.

Segregate people into boxes of ghettos, barrios, closets, and prisons, rank the boxes as being fundamentally separate and unequal, and keep the entire system intact by forbidding individuals to get to know one another as fully human beings. In this context, laws and religious teachings that detail who people could not marry are fundamental in upholding social inequality. They regulate love and sexuality by mystifying segregation and keeping people alienated from one another. The Black gender ideology described in this volume is but one example of many powerful ideologies that serve this purpose. These belief systems encourage individuals to grant humanity only to those in their own segregated boxes and to dehumanize, objectify, and, upon occasion, commodify and demonize everyone else. People who are alienated from one another and from their own honest bodies become easier to rule.

Love makes more waves than hate. Wicked men will hate and fear you more for loving them than for hating them. They will quickly forgive you for being wrong, but they will never forgive you for being right. Saints always go into the ghettos, especially the moral ghettos. They make waves. Moses made waves. Jesus made waves. Muhammad made waves. The waves make the garbage come to the surface, and the waves of garbage often drown the saints and make them martyrs, white corpuscles that give themselves up to fight an infection. Saints are society's white corpuscles, society's saviors. If nobody wants to crucify you, you're not doing your job. Or else your job isn't his work.

This one girl here, Devon, she’s from Detroit. She’s brand-new too. One day I was about to leave to the grocery store, which is like a ten-minute walk away. She asked me to pick up a sandwich for her (which was kind of annoying), so I was like, “Why don’t you come with me?” She was like, “I can’t, ’cause I can’t walk very far.” I was like, “It’s not even ten minutes. Come on, don’t be lazy—if anything it’ll be a mini workout.” She was like, “Ever since I got shot, it hurts when I walk uphill.” (The walk on the way back is pretty much all on an incline.) I asked her why she got shot. I thought . . . Detroit? Ghetto, right? Probably domestic abuse, or a drug-related thing. She goes, “I got in a fight over a parking space, and the guy shot me in both of my knees.

I did not mean to be a Christian. I have been very clear about that. My first words upon encountering the presence of Jesus for the first time 12 years ago, were, I swear to God, “I would rather die.” I really would have rather died at that point than to have my wonderful brilliant left-wing non-believer friends know that I had begun to love Jesus. I think they would have been less appalled if I had developed a close personal friendship with Strom Thurmond. At least there is some reason to believe that Strom Thurmond is a real person. You know, more or less. But I never felt like I had much choice with Jesus; he was relentless. I didn’t experience him so much as the hound of heaven, as the old description has it, as the alley cat of heaven, who seemed to believe that if it just keeps showing up , mewling outside your door, you’d eventually open up and give him a bowl of milk. Of course, as soon as you do, you are fucked, and the next thing you know, he’s sleeping on your bed every night, and stepping on your chest at dawn to play a little push-push. I resisted as long as I could, like Sam-I-Am in “Green Eggs and Ham” — I would not, could not in a boat! I could not would not with a goat! I do not want to follow Jesus, I just want expensive cheeses. Or something. Anyway, he wore me out. He won. I was tired and vulnerable and he won. I let him in. This is what I said at the moment of my conversion: I said, “Fuck it. Come in. I quit.” He started sleeping on my bed that night. It was not so bad. It was even pretty nice. He loved me, he didn’t shed or need to have his claws trimmed, and he never needed a flea dip. I mean, what a savior, right? Then, when I was dozing, tiny kitten that I was, he picked me up like a mother cat, by the scruff of my neck, and deposited me in a little church across from the flea market in Marin’s black ghetto. That’s where I was when I came to. And then I came to believe.

I remembered the scene in the Bible when Jacob asks Rachel for water and on hearing her speak the words that were prophesied for him, throws up his hands to heaven and kisses the ground by the well. Me Jewish, Celan Jewish, Oliver Jewish—we were in a half ghetto, half oasis, in an otherwise cruel and unflinching world where fuddling around strangers suddenly stops, where we misread no one and no one misjudges us, where one person simply knows the other and knows him so thoroughly that to be taken away from such intimacy is galut,Hebrew word for exile and dispersal. Was he my home, then, my homecoming? You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make me like who I am, who I become when you’re with me, Oliver. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome. It never occurred to me that if one word word from him could make me so happy, another could just as easily crush me, that if I didn’t want to be unhappy, I should learn to beware of such small joys as well.

Imagine the problem is not physical. Imagine the problem has never been physical, that it is not biodiversity, it is not the ozone layer, it is not the greenhouse effect, the whales, the old-growth forest, the loss of jobs, the crack in the ghetto, the abortions, the tongue in the mouth, the diseases stalking everywhere as love goes on unconcerned. Imagine the problem is not some syndrome of our society that can be solved by commissions or laws or a redistribution of what we call wealth. Imagine that it goes deeper, right to the core of what we call our civilization and that no one outside of ourselves can effect real change, that our civilization, our governments are sick and that we are mentally ill and spiritually dead and that all our issues and crises are symptoms of this deeper sickness. Imagine the problem is not physical and no amount of driving, no amount of road will deal with the problem. Imagine that the problem is not that we are powerless or that we are victims but that we have lost the fire and belief and courage to act. We hear whispers of the future but we slap our hands against our ears, we catch glimpses but turn our faces swiftly aside.

Five Poems" 1 Well now, hold on maybe I won't go to sleep at all and it'll be a beautiful white night or else I'll collapse completely from nerves and be calm as a rug or a bottle of pills or suddenly I'll be off Montauk swimming and loving it and not caring where 2 an invitation to lunch HOW DO YOU LIKE THAT? when I only have 16 cents and 2 packages of yoghurt there's a lesson in that, isn't there like in Chinese poetry when a leaf falls? hold off on the yoghurt till the very last, when everything may improve 3 at the Rond-Point they were eating an oyster, but here we were dropping by sculptures and seeing some paintings and the smasheroo-grates of Cadoret and music by Varese, too well Adolph Gottlieb I guess you are the hero of this day along with venison and Bill I'll sleep on the yoghurt and dream of the Persian Gulf 4 which I did it was wonderful to be in bed again and the knock on my door for once signified "hi there" and on the deafening walk through the ghettos where bombs have gone off lately left by subway violators I knew why I love taxis, yes subways are only fun when you're feeling sexy and who feels sexy after The Blue Angel well maybe a little bit 5 I seem to be defying fate, or am I avoiding it?

There are people in this world whose central focus is to permeate cruelty with little regard for their own karmic penalties. Love is such a powerful emotion and overriding sentiment that it is unfathomable that life's most potent muse has escaped the psyche of so many of our men. I can't understand why somebody would think it is okay to rip two hundred and thirty girls from their families. I wonder who condones this type of behavior. I often look at children and wonder what they will become, I stare at school boys, babies and even the bareback boys on the street and wonder if in a few years one of these children might take my life. With that thought I am forced to wonder what might have gone wrong in their lives, what values did their parents impress upon them that made them morph into the brutish adults they have become. I wonder if their parents know about their atrocious acts and if they understand that they might be responsible for creating these monsters who in my opinion should have never seen the light of life.

When I reach the age of Twenty I will explore this world of plenty In a motorized bird myself I will sit And soar into space oh! so brightly lit I will float, I will fly to the world so lovely, so far I will float, I will fly above rivers and sea The cloud is my sister, the wind a brother to me. —from “A Dream,” written by Avraham (Abramek) Koplowicz, b. 1930. He was a child in the Łódź ghetto. He was taken from the ghetto on the final transport to Auschwitz-Birkenau in 1944 and was murdered there at age fourteen. This poem has been translated from the original Polish by Ida Meretyk-Spinka, 2012.

From his corner office on the ground floor of the St. Cyril station house, Inspector Dick has a fine view of the parking lot. Six Dumpsters plated and hooped like iron maidens against bears. Beyond the Dumpsters a subalpine meadow, and then the snow¬ capped ghetto wall that keeps the Jews at bay. Dick is slouched against the back of his two-thirds-scale desk chair, arms crossed, chin sunk to his chest, star¬ing out the casement window. Not at the mountains or the meadow, grayish green in the late light, tufted with wisps of fog, or even at the armored Dumpsters. His gaze travels no farther than the parking lot—no farther than his 1961 Royal Enfield Crusader. Lands¬man recognizes the expression on Dick's face. It's the expression that goes with the feeling Landsman gets when he looks at his Chevelle Super Sport, or at the face of Bina Gelbfish. The face of a man who feels he was born into the wrong world. A mistake has been made; he is not where he belongs. Every so often he feels his heart catch, like a kite on a telephone wire, on something that seems to promise him a home in the world or a means of getting there. An American car manufactured in his far-off boyhood, say, or a motor¬cycle that once belonged to the future king of England, or the face of a woman worthier than himself of being loved.

Indians abroad tend to stick together. They join Indian clubs, regularly visit mosques, temples and gurdwaras and eat Indian food at home or in Indian restaurants. Very rarely do they mix with the English on the same terms as they do with their own countrymen. This kind of island-ghetto existence feeds on stereotypes - the English are very reserved; they do not invite outsiders to their homes because they regard their homes as their castles; English women are frigid, etc. I discovered that none of this was true. In the years that followed, I made closer friends with English men and women than I did with Indians. I lived in dozens of English homes and shared their family problems. And I discovered to my delight that nothing was further from the truth that the canard that English women are frigid.

A True Account Of Talking To The Sun On Fire Island" The Sun woke me this morning loud and clear, saying "Hey! I've been trying to wake you up for fifteen minutes. Don't be so rude, you are only the second poet I've ever chosen to speak to personally so why aren't you more attentive? If I could burn you through the window I would to wake you up. I can't hang around here all day." "Sorry, Sun, I stayed up late last night talking to Hal." "When I woke up Mayakovsky he was a lot more prompt" the Sun said petulantly. "Most people are up already waiting to see if I'm going to put in an appearance." I tried to apologize "I missed you yesterday." "That's better" he said. "I didn't know you'd come out." "You may be wondering why I've come so close?" "Yes" I said beginning to feel hot wondering if maybe he wasn't burning me anyway. "Frankly I wanted to tell you I like your poetry. I see a lot on my rounds and you're okay. You may not be the greatest thing on earth, but you're different. Now, I've heard some say you're crazy, they being excessively calm themselves to my mind, and other crazy poets think that you're a boring reactionary. Not me. Just keep on like I do and pay no attention. You'll find that people always will complain about the atmosphere, either too hot or too cold too bright or too dark, days too short or too long. If you don't appear at all one day they think you're lazy or dead. Just keep right on, I like it. And don't worry about your lineage poetic or natural. The Sun shines on the jungle, you know, on the tundra the sea, the ghetto. Wherever you were I knew it and saw you moving. I was waiting for you to get to work. And now that you are making your own days, so to speak, even if no one reads you but me you won't be depressed. Not everyone can look up, even at me. It hurts their eyes." "Oh Sun, I'm so grateful to you!" "Thanks and remember I'm watching. It's easier for me to speak to you out here. I don't have to slide down between buildings to get your ear. I know you love Manhattan, but you ought to look up more often. And always embrace things, people earth sky stars, as I do, freely and with the appropriate sense of space. That is your inclination, known in the heavens and you should follow it to hell, if necessary, which I doubt. Maybe we'll speak again in Africa, of which I too am specially fond. Go back to sleep now Frank, and I may leave a tiny poem in that brain of yours as my farewell." "Sun, don't go!" I was awake at last. "No, go I must, they're calling me." "Who are they?" Rising he said "Some day you'll know. They're calling to you too." Darkly he rose, and then I slept.

I remembered the scene in the Bible when Jacob asks Rachel for water and on hearing her speak the words that were prophesied for him, throws up his hands to heaven and kisses the ground by the well. Me Jewish, Celan Jewish, Oliver Jewish—we were in a half ghetto, half oasis, in an otherwise cruel and unflinching world where fuddling around strangers suddenly stops, where we misread no one and no one misjudges us, where one person simply knows the other and knows him so thoroughly that to be taken away from such intimacy is galut, the Hebrew word for exile and dispersal. Was he my home, then, my homecoming? You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make me like who I am, who I become when you’re with me, Oliver. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome.

Let us march on segregated housing until every ghetto of social and economic depression dissolves and Negroes and whites live side by side in decent, safe, and sanitary housing. Let us march on segregated schools until every vestige of segregated and inferior education becomes a thing of the past and Negroes and whites study side by side in the socially healing context of the classroom. Let us march on poverty until no American parent has to skip a meal so that their children may eat. March on poverty until no starved man walks the streets of our cities and towns in search of jobs that do not exist. Let us march on ballot boxes, march on ballot boxes until race baiters disappear from the political arena. Let us march on ballot boxes until the Wallaces of our nation tremble away in silence. Let us march on ballot boxes until we send to our city councils, state legislatures, and the United States Congress men who will not fear to do justice, love mercy, and walk humbly with their God.

Spinoza" Las traslúcidas manos del judío Labran en la penumbra los cristales Y la tarde que muere es miedo y frío. (Las tardes a las tardes son iguales.) Las manos y el espacio de jacinto Que palidece en el confín del Ghetto Casi no existen para el hombre quieto Que está soñando un claro laberinto. No lo turba la fama, ese reflejo De sueños en el sueño de otro espejo, Ni el temeroso amor de las doncellas. Libre de la metáfora y del mito Labra un arduo cristal: el infinito Mapa de Aquél que es todas Sus estrellas. Here in the twilight the translucent hands Of the Jew polishing the crystal glass. The dying afternoon is cold with bands Of fear. Each day the afternoons all pass The same. The hands and space of hyacinth Paling in the confines of the ghetto walls Barely exists for the quiet man who stalls There, dreaming up a brilliant labyrinth. Fame doesn’t trouble him (that reflection of Dreams in the dream of another mirror), nor love, The timid love women. Gone the bars, He’s free, from metaphor and myth, to sit Polishing a stubborn lens: the infinite Map of the One who now is all His stars.

Those of us who hope to be their allies should not be surprised, if and when this day comes, that when those who have been locked up and locked out finally have the chance to speak and truly be heard, what we hear is rage. The rage may frighten us; it may remind us of riots, uprisings, and buildings aflame. We may be tempted to control it, or douse it with buckets of doubt, dismay, and disbelief. But we should do no such thing. Instead, when a young man who was born in the ghetto and who knows little of life beyond the walls of his prison cell and the invisible cage that has become his life, turns to us in bewilderment and rage, we should do nothing more than look him in the eye and tell him the truth. We should tell him the same truth the great African American writer James Baldwin told his nephew in a letter published in 1962, in one of the most extraordinary books ever written, The Fire Next Time. With great passion and searing conviction, Baldwin had this to say to his young nephew: This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it …. It is their innocence which constitutes the crime …. This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity …. You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp on reality. But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what it must become. It will be hard, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off …. We cannot be free until they are free. God bless you, and Godspeed.67

At the risk of oversimplifying a topic that deserves entire books, we can summarize like this: During enslavement, many Black cooks learned their way around kitchens because their lives could depend on having that knowledge and skill. After slavery was abolished, many took to slinging fried chicken (or cooking in general) as one way to make a living. Interestingly, it wasn’t until Black folks began navigating their supposed freedoms-applying to schools, looking for paid work, seeking housing-that cartoonish, offensive images of Black folks eagerly consuming chicken or stealing chickens began to appear in essays, comics, advertisements, and postcards, perpetuating a narrative by white society that Black people were subhuman and needed to be controlled, policed, and locked out of mainstream opportunities. Exacerbated by the deep white resentment of Black people’s increasing social and political mobility (this period saw the largest representation of Black people in Congress than any time since), the idea took root that being Black meant that you loved fried chicken so much that you couldn’t resist it. This narrative is a painful legacy of slavery that wasn’t of our own making and is ironic, given that people all over the world get down with wings and things. But the essence of this stereotype persists. We know folks who refuse to eat fried chicken around white people, or chefs who don’t cook it in their restaurants, because they feel that’s the only thing certain diners expect from them…American fried chicken tastes good. It’s also complicated.

This is the crime of which I accuse my country and my countrymen, and for which neither I nor time nor history will ever forgive them, that they have destroyed and are destroying hundreds of thousands of lives and do not know it and do not want to know it. . . . It is their innocence which constitutes the crime. . . . This innocent country set you down in a ghetto in which, in fact, it intended that you should perish. The limits of your ambition were, thus, expected to be set forever. You were born into a society which spelled out with brutal clarity, and in as many ways as possible, that you were a worthless human being. You were not expected to aspire to excellence: you were expected to make peace with mediocrity. . . . You have, and many of us have, defeated this intention; and, by a terrible law, a terrible paradox, those innocents who believed that your imprisonment made them safe are losing their grasp on reality. But these men are your brothers—your lost, younger brothers. And if the word integration means anything, this is what it means: that we, with love, shall force our brothers to see themselves as they are, to cease fleeing from reality and begin to change it. For this is your home, my friend, do not be driven from it; great men have done great things here, and will again, and we can make America what it must become. It will be hard, but you come from sturdy, peasant stock, men who picked cotton and dammed rivers and built railroads, and, in the teeth of the most terrifying odds, achieved an unassailable and monumental dignity. You come from a long line of great poets since Homer. One of them said, The very time I thought I was lost, My dungeon shook and my chains fell off. . . . We cannot be free until they are free. God bless you, and Godspeed.

Cochise Jones always liked to play against your expectations of a song, to light the gloomy heart of a ballad with a Latin tempo and a sheen of vibrato, root out the hidden mournfulness, the ache of longing, in an up-tempo pop tune. Cochise’s six-minute outing on the opening track of Redbonin’ was a classic exercise in B-3 revisionism, turning a song inside out. It opened with big Gary King playing a fat, choogling bass line, sounding like the funky intro to some ghetto-themed sitcom of the seventies, and then Cochise Jones came in, the first four drawbars pulled all the way out, giving the Lloyd Webber melody a treatment that was not cheery so much as jittery, playing up the anxiety inherent in the song’s title, there being so many thousand possible ways to Love Him, so little time to choose among them. Cochise’s fingers skipped and darted as if the keys of the organ were the wicks of candles and he was trying to light all of them with a single match. Then, as Idris Muhammad settled into a rolling burlesque-hall bump and grind, and King fell into step beside him, Cochise began his vandalism in earnest, snapping off bright bunches of the melody and scattering it in handfuls, packing it with extra notes in giddy runs. He was ruining the song, rifling it, mocking it with an antic edge of joy. You might have thought, some critics felt, that the meaning or spirit of the original song meant no more to Cochise Jones than a poem means to a shark that is eating the poet. But somewhere around the three-minute mark, Cochise began to build, in ragged layers, out of a few repeated notes on top of a left-hand walking blues, a solo at once dense and rudimentary, hammering at it, the organ taking on a raw, vox humana hoarseness, the tune getting bluer and harder and nastier. Inside the perfectly miked Leslie amplifier, the treble horn whirled, and the drivers fired, and you heard the song as the admission of failure it truly was, a confession of ignorance and helplessness. And then in the last measures of the song, without warning, the patented Creed Taylor strings came in, mannered and restrained but not quite tasteful. A hint of syrup, a throb of the pathetic, in the face of which the drums and bass fell silent, so that in the end it was Cochise Jones and some rented violins, half a dozen mournful studio Jews, and then the strings fell silent, too, and it was just Mr. Jones, fading away, ending the track with the startling revelation that the song was an apology, an expression, such as only the blues could ever tender, of limitless regret.

They were both comparative mirrors of each other. It was clear to her now more than he had used her and she was outraged that she had someone allowed it if not instigated it. Kitty retreated; she bit her lips to hold back the tears. She was a strong woman. The car purred to life and the tall shadowy figure of the boy she had the most earthshaking sex with a few nights ago gaped at her with contempt from behind the glass. She raced into traffic and a push cart man swung his arms at her motor car belting out expletives, scolding Kitty for her reckless driving. She wanted to go home but first she wanted to be at one with the wind. She listened to the sound of the cars whooshing by and the bubbly nature of the people heading into the Chinese owned supermarkets and knew she was finally home. It always found her. It found her in the men she fell in love with. Tom was a good man but he was safe and Kitty never liked safe, she was reckless and risqué like the malefactor blood that ran in her veins. She could not run from it. The Ghetto was not just a place; it was a state of mind. She always thought she was running from the Ghetto but the Ghetto was with her even to the deepest corners of the earth for the Ghetto was her. You could not run away from yourself.

The Axis was growing bolder in the final months of 1940. Japan invaded Vietnam, expanding its empire in East Asia. The Nazis confiscated the private radios and telephones of Jewish families and cordoned off the Warsaw Ghetto with barbed wire, trapping 400,000 adults and children, most of them Polish Jews.

He refuses to sell his paintings and writes "NOT FOR SALE" on some of them. He is furious because people are writing about his ghetto childhood and call him a "graffiti artist" and "primitive." "They don't invent a childhood for white artists," he says.

I never trusted the police. It was just something you were taught growing up in the ghetto, especially when your father ran dope.               “Can

Usually the chicks Trigga picked up were loud, ghetto, and uneducated.

The Night rains hot tar : The night rains hot tar into my throat, the taste is good to my heart’s tongue, into my heart the night pours down its moon like a yellow molten residue of dung: the night pours down the sea into my throat my heart drains off its blood in love and pain: the night pours a Negro song into my throat, bloodred is the color of this rain: like a bowstring of song across my throat, the wind through the pine-trees behind the shack, the loneliness i wear like a torn coat, the ghetto-terror kneeling thief-like on my back, the scream of a black man being burned alive, a black woman raped, blood trickling down her thigh, the anguish of her children, their anger to survive, the coal dust in their veins to come to fire before they die!

But we took it all with love, our desire to live was stronger than all the torture.

We can see all around our country what happens when a society is driven by fear rather than love. Fear leads to violence. When we create policies out of fear rather than love, we do really terrible things to people. We build walls and ghettos and prisons and defense shields. We rip apart families of immigrants and refugees, and threaten to send young people back to countries they have never lived in, all because of fear.

I thought of another European city—of Paris. I had felt the same way about Paris. I might even say that I loved the defects and the ugliness. I was in love with Paris. I don’t know any part of Paris which repels me, unless it be the sombre, dull, bourgeois section of Passy. In New York what I like best is the ghetto. It gives me a sense of life. The people of the ghetto are foreigners; when I am in their midst I am no longer in New York but amidst the peoples of Europe. It is that which excites me. All that is progressive and American about New York I loathe.

Never let a nigga talk crazy to anybody you claim to love, but make sure you know your opponent and the circumstances before you react. Impulsive niggas are usually the first to die. A man who can control his impulses is always the one in charge of the situation, no matter how the situation may look to the naked eye.

Love is more dangerous than a bullet which is why it has no place in my world.

It’s okay to cry over something you love. But, if a man can make you cry, then you’ve given him the power to hurt you.

Love of truth, indeed, is the quality which seems to a stranger in the Ghetto the great virtue of that section of the city. Truth, pleasant or unpleasant, is what the best of them desire.

Okay, sometimes—just being honest— Millie can be . . . a little ghetto." On the word little, Tyler held two fingers an inch apart. "Nooo. Don't say that. Ah love Millie." "But I'm not saying it like it's a bad thing." "No, I see what you mean," Jenna said. " Sometimes she'll be all like . . ." She pushed her hair behind her ears. She looked as if it were her turn in a game of charades and she was considering how well she knew the reference. "Ohmygod, I can't even do it," she laughed. "Okay, if we're being too loud or something? She'll be like, 'Gurl, you know iss quiet hours!" Then she poked her lips out. She put a hand on her hip and she shifted her head from side to side.

Love could make you blind, stupid, and make you feel like you’d rather die without

Sometimes you have to love people from a distance. And this is one of those times.

Dandy, I thought. When it gets too hot, the earth freezes over. Makes sense, though. A perfect incongruous symmetry. If life is filled with ironies, why shouldn’t nature be? Hard work leads to coronaries, love to heartbreak of another kind, life to death. As night follows day, sorrow follows joy. The affluent, many of whom labored mightily to get there, spawn indolent children. The kid from the ghetto gets an Ivy League scholarship, then is cut down in a gang fight at home. The rich get richer, the poor get poorer, and the meek shall inherit the shit.

Most of them [the soldiers—Warriors in New Pentagon Speak—of the all-volunteer military] come from small towns in the South or the rustbelt of the Midwest or the big city ghettoes. Many are following a family heritage of military service that has made veterans of past wars a relatively privileged class, enjoying special access to higher education, jobs, and a nationwide system of socialized medicine. But so many of them are so very young, enticed or strong-armed by smartly uniformed recruiters who work the corridors and classrooms of America's most impoverished and thoroughly militarized high schools. So many are badly educated, knowing nothing of the world and how it operates. So many are immigrants, risking their lives for a fast track to citizenship. So many are poor and short on promise. So many have such a slim chance of another job, another line of work [like the one who tells the author "where else can I get a job doing the stuff I love? . . . Shootin' people. Blowin' shit up. It's fuckin' fun. I fuckin' love it."], let alone a decent wage or a promotion. And because the Pentagon lowered standards to fill the ranks of the volunteer army, so many are high school dropouts, or gangbangers, or neo-Nazi white supremacists, or drug addicts, or convicted felons with violent crimes on their record. In just three years following the invasion of Iraq, the military issued free passes—so called "moral waivers"—to one of every five recruits, including more than 58,000 convicted drug users and 1,605 with "serious" felony convictions for offenses including rape, kidnapping, and murder. When the number of free passes rose in the fourth year, the Pentagon changed the label to "conduct waiver.

Kelis always thought she was better than me just because she made a little money and moved her uppity ass out the ghetto and into the white neighborhood. But to me, she was nothing but a muthafuckin’ traitor.

Ever since Julius had been killed, Sanchez had taken his spot. He’d easily won their loyalty and approval by giving out gifts to the ghetto; food, furniture, money, even free product to the junkies. No

to myself as I glanced over at her thick ass lying naked next to me. I was so in love with her smooth cocoa skin and that fat ghetto ass. She had me hypnotized by her big brown eyes... that long black hair...and her smell!!!               Damn my bitch was fine and I loved the shit out of her, but

Except for one thing: a home outside of the dangerous streets of East Harlem. He refused to move away from the ghetto because he said he was a product of the hood and raised in the streets.

Every time I was around Tyree I thought, damn bitch, how could you not know his ass was gay? After

At  the time I didn’t complain, I was just happy to have some new clothes.  I was young and naive and couldn't see what his true intentions were.

For the first time since he got with my mom he was nice to me.  I wasn't sure if this was a game or  if he actually cared. “Caesar,

This nigga actually thought he was being nice by fucking me before the others got a chance.  He

I'm sixteen years old and my mom hates me.  I know people that treat their dog better than she treats me, her own flesh and blood.  Her boyfriend is about to take my virginity and now I find out I'm about to work in his whore house. If

At sixteen I was dealing with issues some grown women couldn’t handle. “Can

I stayed in the hospital for almost a week.  I gave them false information and kept the police from asking questions that could get me taken away from my mom.

People thought my mom was on drugs, but she has never done a drug in her life except smoke some weed occasionally, so she had nothing to blame for the way she was. 

She didn't say happy birthday to me or anything.  She never acknowledged my birthday nor did she ever celebrate it.  She said the day I was born was the day her life was ruined.

food.”  I really didn’t know since I  hadn’t had a real meal outside of peanut butter and jelly since I was in elementary. “A’ight,

You ever meet somebody and don't like them, even though you don't know why? 

again.  I never understood why men acted like they never been around coochie a day in their life.  I

I could imagine what I looked like eating because it had been days since I’d eaten. 

She knew everything I went  through at home and what my mom be doing, so for her to say I fucked for these clothes was a low blow. 

Mega the type of nigga that want a strong bitch, not no weak minded, insecure young girl. What, you ain't wanna fuck with me ‘cause you thought you had a chance with him?  Naw baby girl, he sees you as a lil project, a charity case, but that’s it. 

dude.  I know Cherish got some kind of feelings for me and fucking her friend wouldn’t be a good look at all. Now here I was  at her best friend’s house with my dick in her mouth. 

Why the fuck was he so worried about what I had  going on with shorty?  He’s still mad because she didn’t want his ass. 

This girl was seventeen but carried herself better than bitches twice her age. 

but it got rid of the bulge in my neck that most people call an Adams apple.

In the end, I would have my man all to myself.

The only problem I had with Ashley’s ass is that she had a serious addiction to sniffing coke.

Mommy, you came back for me?” Jasmine said running up to Ashley. Hearing his daughter must have snapped him out of his angry rage because he stopped hitting me and looked up at Ashley.   “So

My uncle was raping me every day, and when social services found out from my neighbor, they took me away and sent me to a group home, that’s how I met Jason. He was in love with me, but all I wanted was to fuck as many men as I could. I felt wanted and loved, as crazy as that may seem. One day he caught me fucking the group home manager in the closet; he was heartbroken and wanted nothing to do with me.

Sometimes I want to just say fuck the games and just tell her ass to come home so we can work things out, but she needs to grow and mature more before I can do that.

up. I didn't like this shit, wasn't no reason in the world for them to be hanging out, but what could I say. I trusted Kaliah enough to believe that she wouldn't do shit to jeopardize my relationship with Cherish.

When I got home, I thought about everything that Kaliah said, and she was right. The last thing I wanted to do was hurt either of them, so maybe I needed to take a break from her until I figured this shit out between me and Cherish.

When I walked into his office for my interview, I knew I had to have him. Finding out his little girlfriend was pregnant, I ain't gonna lie was a little setback, but everybody knows a little set back makes for a big comeback.

After killing my mom, my step-dad and my friends, I thought that life would get normal for me; I didn't understand why everybody was out to get me. While walking to the car, a series of gunshots rang out, causing the masked man to let me go.

I swear I don't know how Jason tolerates her ass because I would have been slapped the shit out of her. Getting back into my car, I

I have a doctor that was willing to do house visits, and he says she’s in a deep depression. He suggested that someone stay with her at all times. I

I know I have these babies inside me that I have to be strong for, but I'm so tired of fighting and being strong. I was strong with my mom’s abuse, I was a fighter when I bounced back from Caesar and his perverted ways, but now my past and what they did is haunting me.

bout

Although nothing changed physically, she was a little woman in the making, and that scared me.