Maternal Grandparents Quotes

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It's special, grandparents and grandchldren. So much simpler. Is it always so, I wonder? I think perhaps it is. While one's child takes a part of one's heart to use and misuse as they please, a grandchild is different. Gone are the bonds of guilt and responsibility that burden the maternal relationship. The way to love is free.
Kate Morton (The House at Riverton)
It seemed to Leila that human beings exhibited a profound impatience with the milestones of their existence. For one thing, they assumed that you automatically became a wife or a husband the moment you said, ‘I do!’ But the truth was, it took years to learn how to be married. Similarly, society expected maternal – or paternal – instincts to kick in as soon as one had a child. In fact, it could take quite a while to figure out how to be a parent – or a grandparent, for that matter. Ditto with retirement and old age.
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
Why one enjoys maternal grandparents more than the paternal ones, i have never understood, but it was like that for me.
Aporva Kala (Life... Love... Kumbh...)
You can begin a story in the middle and create confusion by striking out boldly, backward and forward. You can be modern, put aside all mention of time and distance and, when the whole thing is done, proclaim, or let someone else proclaim, that you have finally, at the last moment, solved the space-time problem. Or you can declare at the very start that it is impossible to write a novel nowadays, but then, behind your own back so to speak, give birth to a whopper, a novel to end all novels. I have also been told that it makes a good impression, an impression of modesty so to speak, if you begin by saying that a novel can't have a hero anymore because there are no more individualists, because individuality is a thing of the past, because man- each men and all men together- is alone in his loneliness and no one is entitled to individual loneliness, and all men lumped together make up a "lonely mass" without names and without heroes. (...) I shall begin far away from me, for no one ought to tell the story of his life who hasn't the patience to say a word or two at least half of his grandparents before plunging into his own existence. And so to you personally, dear reader, who are no doubt leading a muddled life outside this institution, to you my friends and weekly visitors, I introduce Oskar's maternal grandmother
Günter Grass
I didn’t make much of a distinction between them and my grandparents, maternal and paternal, creatures who in my eyes all led a sort of cold life, an existence that had nothing in common with mine, with Lila’s, Stefano’s, Antonio’s, Pasquales. It was we who were truly consumed by the heat of feelings, by the outburst of thoughts.
Elena Ferrante (My Brilliant Friend (Neapolitan Novels, #1))
All social orders command their members to imbibe in pipe dreams of posterity, the mirage of immortality, to keep them ahead of the extinction that would ensue in a few generations if the species did not replenish itself. This is the implicit, and most pestiferous, rationale for propagation: to become fully integrated into a society, one must offer it fresh blood. Naturally, the average set of parents does not conceive of their conception as a sacrificial act. These are civilized human beings we are talking about, and thus they are quite able to fill their heads with a panoply of less barbaric rationales for reproduction, among them being the consolidation of a spousal relationship; the expectation of new and enjoyable experiences in the parental role; the hope that one will pass the test as a mother or father; the pleasing of one’s own parents, not to forget their parents and possibly a great-grandparent still loitering about; the serenity of taking one’s place in the seemingly deathless lineage of a familial enterprise; the creation of individuals who will care for their paternal and maternal selves in their dotage; the quelling of a sense of guilt or selfishness for not having done their duty as human beings; and the squelching of that faint pathos that is associated with the childless. Such are some of the overpowering pressures upon those who would fertilize the future. These pressures build up in people throughout their lifetimes and must be released, just as everyone must evacuate their bowels or fall victim to a fecal impaction. And who, if they could help it, would suffer a building, painful fecal impaction? So we make bowel movements to relieve this pressure. Quite a few people make gardens because they cannot stand the pressure of not making a garden. Others commit murder because they cannot stand the pressure building up to kill someone, either a person known to them or a total stranger. Everything is like that. Our whole lives consist of metaphorical as well as actual bowel movements, one after the other. Releasing these pressures can have greater or lesser consequences in the scheme of our lives. But they are all pressures, all bowel movements of some kind. At a certain age, children are praised for making a bowel movement in the approved manner. Later on, the praise of others dies down for this achievement and our bowel movements become our own business, although we may continue to praise ourselves for them. But overpowering pressures go on governing our lives, and the release of these essentially bowel-movement pressures may once again come up for praise, congratulations, and huzzahs of all kinds.
Thomas Ligotti (The Conspiracy Against the Human Race)
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
Adam Begley (Updike)
my lifetime. My maternal grandparents, Dr. Peter P. Cobbs (1892–1960), and Rosa Mashaw Cobbs (1899–1989), and their children, who were born in Los Angeles—Prince (1925–2019), Marcelyn (1927–95), and Price (1928–2018)—bore witness to this time, due to a decision to migrate to Los Angeles, California, from Montgomery, Alabama, in 1925, to begin new lives and start their own family. Upon their arrival, my grandfather was one of the few black physicians in the city,
Alison Rose Jefferson (Living the California Dream: African American Leisure Sites during the Jim Crow Era)
International Socialist Review Issue 24, July–August 2002 Stephen Jay Gould: Dialectical Biologist by Phil Gasper Every major newspaper carried an obituary of Gould after his death, praising his scientific accomplishments. But most said nothing about another important aspect of Gould’s life–his radical politics. Gould was a red diaper baby. His maternal grandparents were Jewish immigrants who worked in Manhattan’s garment sweatshops in the early years of the last century, just blocks from the horrific Triangle Shirtwaist fire that killed 146 workers in 1911. "I grew up in a family of Jewish immigrant garment workers," Gould wrote, "and this holocaust (in the literal meaning of a thorough sacrifice by burning)…set their views and helped to define their futures."4 Gould’s parents were New York leftists, probably in or around the Communist Party in the 1930s, and he once boasted that he had learned his Marxism "literally at [my] daddy’s knee.
Stephen Jay Gould (The Mismeasure of Man)
And whose very snug-looking place is this? said Charlotte as, in a sheltered dip within two miles of the sea, they passed close by a moderate-sized house, well fenced and planted, and rich in the garden, orchard and meadows which are the best embellishments of such a dwelling. (This is basically the description of my maternal great grandparents on Prince Edward Island who lived closer to the sea than two miles. <3)
Jane Austen
Giovanni, in love with her unabashed feminine strength and her reconciliation of love and revolution. I spent nearly every waking moment around Nikki, and I loved her dearly. But sibling relationships are often fraught with petty tortures. I hadn’t wanted to hurt her. But I had. At the time, I couldn’t understand my mother’s anger. I mean this wasn’t really a woman I was punching. This was Nikki. She could take it. Years would pass before I understood how that blow connected to my mom’s past. My mother came to the United States at the age of three. She was born in Lowe River in the tiny parish of Trelawny, Jamaica, hours away from the tourist traps that line the coast. Its swaths of deep brush and arable land made it great for farming but less appealing for honeymoons and hedonism. Lowe River was quiet, and remote, and it was home for my mother, her older brother Ralph, and my grandparents. My maternal great-grandfather Mas Fred, as he was known, would plant a coconut tree at his home in Mount Horeb, a neighboring area, for each of his kids and grandkids when they were born. My mom always bragged that hers was the tallest and strongest of the bunch. The land that Mas Fred and his wife, Miss Ros, tended had been cared for by our ancestors for generations. And it was home for my mom until her parents earned enough money to bring the family to the States to fulfill my grandfather’s dream of a theology degree from an American university. When my mom first landed in the Bronx, she was just a small child, but she was a survivor and learned quickly. She studied the other kids at school like an anthropologist, trying desperately to fit in. She started with the way she spoke. She diligently listened to the radio from the time she was old enough to turn it on and mimicked what she heard. She’d always pull back enough in her interactions with her classmates to give herself room to quietly observe them, so that when she got home she could practice imitating their accents, their idiosyncrasies, their style. Words like irie became cool. Constable became policeman. Easy-nuh became chill out. The melodic, swooping movement of her Jamaican patois was quickly replaced by the more stable cadences of American English. She jumped into the melting pot with both feet. Joy Thomas entered American University in Washington, D.C., in 1968, a year when she and her adopted homeland were both experiencing
Wes Moore (The Other Wes Moore: One Name, Two Fates)
Right ain't changed in all these years. From my maternal grandmother, Pearl C. Parker
Deborah L. Parker (Tools to Cultivate the Promised Land: Working Wisdom From My Grandparents' Garden)
Luisa Santiaga Márquez Iguarán de García had given birth to three more children since that time and this was her first return to Aracataca since her husband, Gabriel Eligio García, took her away to live in Barranquilla, leaving little “Gabito” in the care of his maternal grandparents,
Gerald Martin (Gabriel Garcia Marquez: A Life)
this was her first return to Aracataca since her husband, Gabriel Eligio García, took her away to live in Barranquilla, leaving little “Gabito” in the care of his maternal grandparents,
Gerald Martin (Gabriel Garcia Marquez: A Life)
The dusty facts are that; Ferdinand II, the Regent of Castile, was 63 years old when he died on January 23, 1516; his wife Queen Isabella was 53 years old when she died on November 26, 1504; and Columbus had passed away almost 10 years prior on May 20, 1506. The earlier death of Isabella and the death of her children changed the normal succession of heirs, forcing Ferdinand to yield the government of Castile to Philip of Habsburg, the husband of his second daughter Joanna. The son of Joanna and her husband Philip I of Castile was Charles I, who would inherit Spain from his maternal grandparents as well as the Habsburg and Burgundian Empires of his paternal family. Thus, the grandson of Ferdinand and Isabella became the most powerful ruler in Europe and by 1516 King Charles I of Spain also ruled the Netherlands. In 1519 as Charles V, he became the ruler of the Holy Roman Empire, King of Germany, as well as the King of Italy.
Hank Bracker
For how long can you remain in an imagined (false) state? For how long can you remain as imagined father-in-law to someone? And what happens when you visit your in-laws? You have to become the son-in-law. And when you visit your maternal grandparents? You have to become a nephew. Would it be acceptable to call you a nephew in satsang?
Dada Bhagwan (Aptavani-2)
I also took care of a four year-old that was in the dying process. Both of his parents were already dead. His maternal grandparents were caring for him. In the weeks before he died he told everyone he was taking a trip, that he was going to live with his “parents.” In the hours before his death, he began looking around the room as if searching for something or someone. We asked him what he was doing, and he told us he was looking for his mother. It was as if the room was filled with people we couldn’t see. Just before he died, he raised his arm, pointed to the corner of his room and called his mother by name. He stayed focused on that corner until his last breath. You can’t convince me his mother wasn’t there to help him make the change from this world to the next. We do not die alone!
Barbara Karnes (The Final Act of Living: Reflections of a Longtime Hospice Nurse)
How many fathers pay no mind to their daughter's clothes? How many care not when the police drop her off after finding her somewhere? How many have no sense of the shame or potential shame brought on their homes? They do not care, but for the moment, a permanent reminder of their failure, a new baby, enters the home. Then the household swarms to protect. This is a maternal move. Often, the father is enraged, but his wife tells him they will provide for this new child. This only encourages more dishonorable behavior.Who is watching the babies of young single moms? The grandparents will care for it and raise the bastard child because it is the right thing, the honorable thing to do. A good father helps in this moment. Honor matters then, but it is a fraud. It is a crystal statue that shatters when the smallest of observers knock on it. “Where were you for the days,week,months and years leading up to that moment," we might ask. "Where was your honor then?" No one asks this because it would be rude. Such a comment implies a functioning community with corrective mechanisms, but it would be shouted down in this matriarchal culture that celebrates single mothers.
Ryan Landry (Masculinity Amidst Madness)
My maternal grandparents, Dr. Peter P. Cobbs (1892–1960), and Rosa Mashaw Cobbs (1899–1989), and their children, who were born in Los Angeles—Prince (1925–2019), Marcelyn (1927–95), and Price (1928–2018)—bore witness to this time, due to a decision to migrate to Los Angeles, California, from Montgomery, Alabama, in 1925, to begin new lives and start their own family. Upon their arrival, my grandfather was one of the few black physicians in the city, and my grandmother had a teaching degree.
Alison Rose Jefferson (Living the California Dream: African American Leisure Sites during the Jim Crow Era)
You could clone Elvis Presley and, while the clone would look identical, it would not have the utterly unique life experiences that made The King who he was. After all that time, effort and expense, the clone might choose to be a gardener instead of a singer! There's also the ethical dilemma of recreating all the genetic problems Elvis had due to his maternal grandparents being first cousins.
Stewart Stafford