Mary Sears Quotes

We've searched our database for all the quotes and captions related to Mary Sears. Here they are! All 21 of them:

It shouldn't have mattered, not when Miel and the other girls in his class wore jeans more than they wore skirts. Not when they told their brothers what to do, and borrowed their fathers' books. But there was everything else. The idea of being called Miss or Ms. or worse, Mrs. The thought of being grouped in when someone called out 'girls' or 'ladies.' The endless, echoing use of 'she' and 'her,' 'miss' and 'ma'am.' Yes, they were words. They were all just words. But each of them was wrong, and they stuck to him. Each one was a golden fire ant, and they were biting his arms and his neck and his bound-flat chest, leaving him bleeding and burning. 'He.' 'Him.' 'Mister.' 'Sir.' Even teachers admonishing him and his classmates with 'boys, settle down' or 'gentlemen, please.' These were sounds as perfect and clean as winter rain, and they calmed each searing bite of those wrong words.
Anna-Marie McLemore (When the Moon Was Ours)
Pain seared through Cassandra as if the Gods answered by slicing her belly with a serrated knife, wanting to extract the horror from inside of her before she could let it loose into the world.
Marie Montine (Arising Son: Part One (The Guardians of the Temple Saga))
You tell me that my pain feels searing and that I'm missing four layers of skin. Your pain is an empty room. I agree.
Terese Marie Mailhot (Heart Berries)
Only now, his own barriers crumbling, did he realize how deep and absolute had been his need for her; and in the very moment of fullest realization she was here and she was his; his anchor, his still center, his searing flame, his peace....
Mary Stewart (Thunder on the Right)
Her eyes narrowed, and her lips parted around a knowing laugh. "Oh. It's you." "Pardon?" He was taken aback. "Do we know each other, lass?" He was quite certain they didn't; he could never have forgotten this woman. The enticing manner in which her lips were currently pursed would have been seared into his memory. "The answer is no. I don't know you. But every other woman in this room does. Duncan Douglas, isn't it?" she said dryly. Duncan studied her face. Although she was young-perhaps no more than twenty-she had a regal bearing beyond her years. "I do have some reputation with the lasses," he conceded, downplaying his prowess, confident of her impending maidenly swoon. The look she gave him was far from admiring. He did a double take when he realized her gaze was downright disparaging. "Not something I care for in a man," she said coolly. "Thank you for your offer, but I'd sooner dance with last week's rushes. They would be less used. Who wants what everyone else has already had?" The words were delivered in a cool, modulated tone, shaped by an odd accent he couldn't place. Quite finished with him, she presented her back and resumed talking to her companion. Duncan was immobilized by shock.
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
Margery," I blurted out in a passion of frustration. "I don't know what to make of you!" Nor I you, Mary. Frankly, I cannot begin to comprehend the motives of a person who dedicates a large portion of her life to the contemplation of a God in whom she only marginally believes." I felt stunned, as if she had struck me in the diaphragm. She looked down at me, trying to measure the effect of her words. Mary, you believe in the power that the idea of God has on the human mind. You believe in the way human beings talk about the unknowable, reach for the unattainable, pattern their imperfect lives and offer their paltry best up to the beingless being that created the universe and powers its continuation. What you balk as it believing the evidence of your eyes, that God can reach out and touch a single human life in a concrete way." She smiled a sad, sad smile. "You mustn't be so cold, Mary. If you are, all you will see is a cold God, cold friends, cold love. God is not cold-never cold. God sears with heat, not ice, the heat of a thousand suns, heat that inflames but does not consume. You need warmth, Mary-you, Mary, need it. You fear it, you flirt with it, you imagine that you can stand in its rays and retain your cold intellectual attitude towards it. You imagine that you can love with your brain. Mary, oh my dear Mary, you sit in the hall and listen to me like some wild beast staring at a campfire, unable to leave, fearful of losing your freedom if you come any closer. It won't consume you; I won't capture you. Love does not do either. It only brings life. Please, Mary, don't let yourself be tied up by the bonds of cold academia." Her words, the power of her conviction, broke over me like a great wave, inundating me, robbing me of breath, and, as they receded in the room, they pulled hard at me to folllow. I struggled to keep my footing against the wash of Margery's vision, and only when it began to lose its strength, dissipated against the silence in the room, was I seized by a sudden terror at the nearness of my escape.
Laurie R. King (A Monstrous Regiment of Women (Mary Russell and Sherlock Holmes, #2))
But it’s a neurological fact that the scared self holds on while the reasoned one lets go. The adrenaline that let our ancestors escape the sabertooth tiger sears into the meat of our brains the extraordinary, the loud. The shrieking fight or the out-of-character insult endures forever, while the daily sweetness dissolves like sugar in water.
Mary Karr
The fact that Aracely might understand what he could not say, it seeded in him a want, new and raw, like not knowing he was thirsty until water was in front of him. No one else, not his mother, not even Miel, could understand this wanting to live a life different from the one he was born into, so much that his own skin felt like ice cracking. It shouldn't have mattered, not when Miel and the other girls in his class wore jeans more than they wore skirts. Not when they went out as late as they wanted. Not when they told their brothers what to do, and borrowed their fathers' books. But there was everything else. The idea of being called Miss or Ms. or, worse, Mrs. The thought of being grouped in when someone called out 'girls' or 'ladies.' The endless, echoing use of 'she' and 'her,' 'miss' and 'ma'am.' Yes, they were words. They were all just words. But each of them was wrong, and they stuck to him. Each one was a golden fire ant, and they were biting his arms and his neck and his bound-flat chest, leaving him bleeding and burning. 'He. Him. Mister. Sir.' Even teachers admonishing him and his classmates with 'boys, settle down,' or 'gentlemen, please.' These were sounds as perfect and clean as winter rain, and they calmed each searing bite of those wrong words.
Anna-Marie McLemore (When the Moon Was Ours)
Not for the first time, it strikes her that she will never feel that again, that it is an experience now closed to her, at her age, at her stage in life. The loss of that possibility sears her sometimes: it is hard for a woman to let go of; harder still if another woman in your household is just entering that state. The sight of this girl’s stomach, every time, makes Mary think of the emptiness, the quiet of her own.
Maggie O'Farrell (Hamnet)
There was an irony in Vogt’s invitation to Sears. While she was an undisputed authority on plankton, she had managed to achieve this status without ever once going on an overnight seafaring expedition. At Woods Hole in Massachusetts, where Sears had trained as one of the first ten research fellows at the institution and had been a member of the staff ever since, women were not allowed to sail on the institution’s research vessel Atlantis.
Catherine Musemeche (Lethal Tides: Mary Sears and the Marine Scientists Who Helped Win World War II)
Under dark eyes rimmed with long black lashes, a mysterious grace in his movements, an expression that could somehow switch between shy and mischievous in the space of a second. But it was more than that. Many people were objectively gorgeous, but then there were those few, the stars with some undefinable quality so searingly bright that they birthed obsession. Once the world got a glimpse of them, it would move heaven and earth just to see them again
Marie Lu (Stars and Smoke (Stars and Smoke, #1))
The menu is spectacular. Passed hors d'oeuvres include caramelized shallot tartlets topped with Gorgonzola, cubes of crispy pork belly skewered with fresh fig, espresso cups of chilled corn soup topped with spicy popcorn, mini arepas filled with rare skirt steak and chimichurri and pickle onions, and prawn dumplings with a mango serrano salsa. There is a raw bar set up with three kinds of oysters, and a raclette station where we have a whole wheel of the nutty cheese being melted to order, with baby potatoes, chunks of garlic sausage, spears of fresh fennel, lightly pickled Brussels sprouts, and hunks of sourdough bread to pour it over. When we head up for dinner, we will start with a classic Dover sole amandine with a featherlight spinach flan, followed by a choice of seared veal chops or duck breast, both served with creamy polenta, roasted mushrooms, and lacinato kale. Next is a light salad of butter lettuce with a sharp lemon Dijon vinaigrette, then a cheese course with each table receiving a platter of five cheeses with dried fruits and nuts and three kinds of bread, followed by the panna cottas. Then the cake, and coffee and sweets. And at midnight, chorizo tamales served with scrambled eggs, waffle sticks with chicken fingers and spicy maple butter, candied bacon strips, sausage biscuit sandwiches, and vanilla Greek yogurt parfaits with granola and berries on the "breakfast" buffet, plus cheeseburger sliders, mini Chicago hot dogs, little Chinese take-out containers of pork fried rice and spicy sesame noodles, a macaroni-and-cheese bar, and little stuffed pizzas on the "snack food" buffet. There will also be tiny four-ounce milk bottles filled with either vanilla malted milk shakes, root beer floats made with hard root beer, Bloody Marys, or mimosas.
Stacey Ballis (Wedding Girl)
Prisoners work, often through subcontractors, for major corporations such as Chevron, Bank of America, IBM, Motorola, Microsoft, McDonald’s—which makes its uniforms in prison—AT&T, Starbucks, which manufactures holiday products, Nintendo, Victoria’s Secret, JC Penney, Sears, Walmart, Kmart, Eddie Bauer, Wendy’s, Procter & Gamble, Johnson & Johnson, Fruit of the Loom, Caterpillar, Sara Lee, Quaker Oats, Mary Kay, Microsoft, Texas Instruments, Dell, Honeywell, Hewlett-Packard, Nortel, Nordstrom’s, Revlon, Macy’s, Pierre Cardin, and Target. Prisoners
Chris Hedges (America: The Farewell Tour)
Over and over again, growing increasingly hostile as he went, he blackened the earth, drawing with the magnet of his rage the storm of the bloody century to my demesne. Worms screamed in anguish as they burned. Moles, disturbed from slumber, whimpered once then crumbled to ash. I suffered the soft implosion of larvae not yet formed enough to rue the beauty they were losing; subterranean life in all its dark, earthy grandeur. The occasional burrowing snake hissed defiance as it was seared to death. Sean O’Bannion walks—the earth turns black, barren, and everything in it dies, a dozen feet down. Hell of a princely power. Again, what the fuck was the Unseelie king thinking? Was he? Incensed by failure, Sean insisted hotly, as we stood in the bloody deluge—it wasn’t raining, that scarce-restrained ocean that parked itself above Ireland at the dawn of time and proceeded to leak incessantly, lured by the siren-song of Sean’s broodiness decamped to Scotland and split wide open—that I was either lying or it didn’t work the same for each prince. Patiently (okay, downright pissily, but, for fuck’s sake, I could be having sex again and gave that up to help him), I explained it did work the same for each of us but, because he wasn’t druid-trained, it might take time for him to understand how to tap into it. Like learning to meditate. Such focus doesn’t come easy, nor does it come all at once. Practice is key. He refused to believe me. He stormed thunderously and soddenly off, great ebon wings dripping rivers of water, lightning bolts biting into the earth at his heels, Kat trailing sadly at a safe distance behind. I was raised from birth to be in harmony with the natural world. Humans are the unnatural part of it. Animals lack the passel of idiotic emotions we suffer. I’ve never seen an animal feel sorry for itself. While other children played indoors with games or toys, my da led me deep into the forest and taught me to become part of the infinite web of beating hearts that fill the universe, from the birds in the trees to the insects buzzing about my head, to the fox chasing her cubs up a hillside and into a cool, splashing stream, to the earthworms tunneling blissfully through the vibrant soil. By the age of five, it was hard for me to understand anyone who didn’t feel such things as a part of everyday life. As I matured, when a great horned owl perched nightly in a tree beyond my window, Uncle Dageus taught me to cast myself within it (gently, never usurping) to peer out from its eyes. Life was everywhere, and it was beautiful. Animals, unlike humans, can’t lie. We humans are pros at it, especially when it comes to lying to ourselves.
Karen Marie Moning (Kingdom of Shadow and Light (Fever, #11))
The supply of Peruvian guano, a lucrative resource for the country and considered some of the finest fertilizer worldwide, was under threat. Sears was one of the few people who could help save it.
Catherine Musemeche (Lethal Tides: Mary Sears and the Marine Scientists Who Helped Win World War II)
More importantly to Sears though was what she had proven to herself and to anyone else who dared to question her skills. A woman could hold her own on a multiday expedition, even one that took place entirely in another country during wartime, alongside a crew with whom she shared a bathroom but not a common language. She had found a way to get her fieldwork done and withstood the primitive conditions aboard ship.
Catherine Musemeche (Lethal Tides: Mary Sears and the Marine Scientists Who Helped Win World War II)
For John and me, every detail of that early morning was seared into our minds. But our son had no memory of it. He wanted to understand, to remember something, so he kept asking us to describe it to him: What did we hear? What did we see? What was the inside of the ambulance like? We described the scene as best we could—“you were here on the floor, son; this is where we found you”—leaving out the parts no child wants to hear their parents say: We left our bodies. We bargained with God. I did not say, I knew when I saw your feet that the universe had come to take you from me, and that I had known without really knowing that this was coming. I didn’t mention that the more I remembered, the more I was sure that here on earth my hands may have been dialing 911 and my voice may have been asking for help, but somewhere on another plane I was standing at the mouth of a fiery tunnel, holding my arms out like a shield, pushing back flames with my hands and screaming, NO, STAY BACK, LEAVE HIM HERE. I didn’t explain that I went to war with the universe then, that I squared off against Life, which is also Death, that I threw my body between them and him. I remember these scenes like I remember running down the hall, as if they all happened, equally real. All that is hard to explain to someone so young.
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
leaving a searing impression of a brilliant, emotional, and deeply caring woman—one who, with a startling degree of selflessness, poured her considerable passion into helping the downtrodden.
Mary McAuliffe (Dawn of the Belle Epoque: The Paris of Monet, Zola, Bernhardt, Eiffel, Debussy, Clemenceau, and Their Friends)
And he was Robert, the man she had always loved, the only man who had ever touched her, the only man she had ever wanted. And wanted now with a searing passion.
Mary Balogh (A Chance Encounter (Denning-Mainwaring, #1))
Mother [Lois Marie Pattillo] began meeting with a few others from our community who were also determined to be admitted to the graduate school of education at the university.
Melba Pattillo Beals (Warriors Don't Cry: A Searing Memoir of the Battle to Integrate Little Rock's Central High)
Why did some images stay with us that way, he wondered, arbitrary flashes of life seared into memory, while others vanished without a trace?
Justin Cronin (Mary and O'Neil)