Marvel Rivals Quotes

Plato calls her ‘the tenth Muse’; Strabo ‘a marvel’, and adds ‘In all the centuries since history began we know of no woman who could be said with any approach to truth to have rivalled her as a poet.’ To us, of all the ancient Greek poets, she stands supreme ...

Is it possible, I wonder, to study a bird so closely, to observe and catalogue its peculiarities in such minute detail, that it becomes invisible? Is it possible that while fastidiously calibrating the span of its wings or the length of its tarsus, we somehow lose sight of its poetry? That in our pedestrian descriptions of a marbled or vermiculated plumage we forfeit a glimpse of living canvases, cascades of carefully toned browns and golds that would shame Kandinsky, misty explosions of color to rival Monet? I believe that we do. I believe that in approaching our subject with the sensibilities of statisticians and dissectionists, we distance ourselves increasingly from the marvelous and spell binding planet of imagination whose gravity drew us to our studies in the first place. That is not to say that we should cease to establish facts and verify our information, but merely to suggest that unless those facts can be imbued with the flash of poetic insight then they remain dull gems; semi-precious stones scarcely worth the collecting.

Valliant. “Humor can be marvelously therapeutic,

How can such a love for Being be engendered? The things for the world clamor for our affection so incessantly that it may be marveled that Being who can neither be seen nor heard can ever become their rival. Enter Hinduism’s myths, her magnificent symbols, her several hundred images of God, her rituals that keep turning night and day like never ending prayer wheels. It is obtuse to confused Hinduism’s images with idolatry, and their multiplicity with polytheism. They are runways from which the sense-laden human spirit can rise for its “flight of the alone to the Alone.

The corner of my mouth crept up watching her in her element. Nothing amped her up the way discovering something new did, and I marveled at how curious she was, at how she was like an endless encyclopedia of fun facts, not because she’d studied and committed anything to memory, but because she simply loved learning that much.

Humor, like hope, permits one to focus upon and to bear what is too terrible to be borne,” writes George Valliant. “Humor can be marvelously therapeutic,” adds another observer. “It can deflate without destroying; it can instruct while it entertains; it saves us from our pretensions; and it provides an outlet for feeling that expressed another way would be corrosive.

A man like Hopkins, or like that dolt Richard Miller, will pray every day that God might strike his rivals down, or that a pretty young thing might look his way. And should it happen, he counts it a miracle, a marvel—proof of his standing among the righteous. All a supposed witch does, it seems to me, is everyone the courtesy of saying those prayers out loud, and in company.

Where were you yesterday?" "Yesterday? Where was I-let me see...." "I thought you took a powder." "Me? How could that be?" "You mean, you wouldn't run out on me?" Run out on fragrant, sexual, high-minded Ramona? Never in a million years. Ramona had passed through the hell of profligacy and attained the seriousness of pleasure. For when will we civilized beings become really serious? said Kierkegaard. Only when we have known hell through and through. Without this, hedonism and frivolity will diffuse hell through all our days. Ramona, however, does not believe in any sin but the sin against the body, for her the true and only temple of the spirit. "But you did leave town yesterday," said Ramona. "How do you know-are you having me tailed by a private eye?" "Miss Schwartz saw you in Grand Central with a valise in your hand." "Who? Ramona said, "Perhaps some lovely woman scared you on the train, and you turned back to your Ramona." "Oh..." said Herzog. Her theme was her power to make him happy. Thinking of Ramona with her intoxicating eyes and robust breasts, her short but gentle legs, her Carmen airs, thievishly seductive, her skill in the sack (defeating invisible rivals), he felt she did not exaggerate. The facts supported her claim. "Well, were you running away?" she said. "Why should I? You're a marvelous woman, Ramona." "In that case you're being very odd, Moses." "Well, I suppose I am one of the odder beasts." "But I know better than to be proud and demanding.” “Life has taught me to be humble." Moses shut his eyes and raised his brows. Here we go. "Perhaps you feel a natural superiority because of your education." "Education! But I don't know anything..." "Your accomplishments. You're in Who's Who. I'm only a merchant-a petit-bourgeois type." "You don't really believe this. Ramona." "Then why do you keep aloof, and make me chase you? I realize you want to play the field. After great disappointments, I've done it myself, for ego-reinforcement." "A high-minded intellectual ninny, square ..." "Who?" "Myself, I mean." She went on. "But as one recovers self-confidence, one learns the simple strength of simple desires.” “Please, Ramona, Moses wanted to say-you're lovely, fragrant, sexual, good to touch-everything. Ramona paused, and Herzog said, "It's true-I have a lot to learn.” Excerpt From: Bellow, Saul. “Herzog.” iBooks. This material may be protected by copyright.

To me the opinions of mankind, taken without any contrary prejudice (since I have no rival opinions to propose) but simply contrasted with the course of nature, seem surprising fictions; and the marvel is how they can be maintained. What strange religions, what ferocious moralities, what slavish fashions, what sham interests! I an explain it all only by saying to myself that intelligence is naturally forthright; it forges ahead; it piles fiction on fiction; and the fact that the dogmatic structure, for the time being, stands and grows, passes for a proof of its rightness. Right indeed it is in one sense, as vegetation is right; it is vital; it has plasticity and warmth, and a certain indirect correspondence with its soil and climate. Many obviously fabulous dogmas, like those of religion, might for ever dominate the most active minds, except for one circumstance. In the jungle one tree strangles another, and luxuriance itself is murderous. So is luxuriance in the human mind. What kills spontaneous fictions, what recalls the impassioned fancy from its improvisation is the angry void of some contrary fancy. nature, silently making fools of us all our lives, never would bring us to our senses; but the maddest assertions of the mind may do so, when they challenge one another. Criticism arises out of the conflict of dogmas.

You don’t have any apples to offer while you’re at it, do you?" she asked sourly. "Satan tempting Eve in the garden? Not a terribly flattering role for me, is it? And you’re overdressed for the part." Amy’s blush rivalled the hue of the dangerous fruit they had been discussing. Somehow, Lord Richard’s frankly admiring gaze made the yellow muslin of her gown feel as insubstantial as a string of fig leaves. Amy covered her confusion by saying quickly, "Might I ask a favour, my lord?" "A phoenix feather from the farthest deserts of Arabia? The head of a dragon on a bejewelled platter?" "Nothing quite that complicated," replied Amy, marvelling once again at the chameleon quality of the man beside her. How could anyone be so utterly infuriating at one moment and equally charming the next? Untrustworthy, she reminded herself. Mercurial. Changeable. "A dragon’s head wouldn’t be much use to me just now, unless it could offer me directions." Richard crooked an arm. "Tell me where you need to be, and I’ll escort you." Amy tentatively rested her hand on the soft blue fabric of his coat. "That’s quite a generous offer when you don’t know where I’m going." "Ten leagues beyond the wide world’s end?" suggested Richard with a lazy grin. "Methinks it is no journey?" Amy matched the quotation triumphantly, and was rewarded by the admiring light that flamed in Lord Richard’s eyes.

Our maids remove our curlers and begin the long process of giving us fancy updos to rival the most expensive salons in the twenty-first century. A marvel, really, considering they have no hair spray.

[In "The Night Gwen Stacy Died"], death took on an existential quality -- the beloved, innocent but weak Gwen is merely a victim, the casualty of a war between superpowered rivals -- and as such the episode proved a turning point int eh genre's depiction of mortality.

Buchanan tried to whip the devil out of me. “Find your tongue, lad!” Forgive this regression, but the man hated English. He may have hated everything by then, including me, but he was uncommon prickly when it came to English. You could tell by the way he bullied it. “The bastarde English,” the old man roared. “The verie whoore of a tongue.” We did our best to mimic him note for note, gesture for gesture. He hated that, too. The verie whoore. Old Greek before Breakfast Latin by Noon himself. The point is, what English I had was beaten or twisted into me. We were orphaned and crowned before we could speak or take our first step. No father. No mother. Too many uncles. Hounds for baying. Buchanan was the most religious of my keepers, and the unkindest of spirits among them. We have been told the young queen of Scots was once his student, and that he loved her. Just before giving her over to wreckage, methinks. Pious frauds. Their wicked Jesus. Then occasion smil’d. We were thirteen. The affection of Esme Stuart was one thing, lavished, as it was, so liberally upon us, but the music of his voice was another. We empowered our cousin, gave him name, station, a new sense of gravity, height, and reach, all the toys of privilege. We were told he spoke our mother’s French, the way it flutters about your neck like a small bird. But it was his English that moved us. For the first time, there was kindness in it, charity, heat and light. We didn’t know language could do such things, that could charm with such violence, make such a disturbance in us. Our cousin was our excess, our vice, our great transgression according to some, treason according to others. They came one night and stole him from us, that is, from me. They tore me out of his arms, called me wanton. Better that bairns should weepe, they said. Barking curs. We never saw our cousin again and were never the same after. But the charm was wound up. If we say we can taste words, we are not trying to be clever. And we are an insatiable king. Try now, if you can, to understand the nature of our thoughts touching the translation, its want of a poet. We will consult with Sir Francis. He is closer to the man, some say, than a brother. English is mistress between them. There, Bacon says, is empire. There, a great Britain. Where it is dull, where the glow . . . gleam . . . where the gleam of Majestie is absent or mute . . . When occasion smiles again, we will send for the man, Shakespere. Majestie has left its print on his art. After that hideous Scottish play, his best, darkest, and most complicated characters are . . . us. Lear. Antony. Othello. Fools all. All. The English language must be the best that is in us . . . We are but names, titles, antiquities, forgotten speeches, an accident of blood and historical memory. Aye . . . but this marvelously unexceptional little man. No more of this. By the unfortunate title of this history we must, it seems, prepare ourselves for a tragedy. Some will escape. Some will not. For bully Ben can never suffer a true rival. He killed an actor once for botching his lines. Actors. Southampton waits in our chambers. We will let him. First, to our thoughts. Only then to our Lord of Southampton.

A contemporary of Pittakos and Alkaios was Sappho—a marvel. In all the centuries since history began we know of no women who in any true sense can be said to rival her as a poet.