Life Is Slippery Quotes

Life is slippery. We all need a loving hand to hold onto.

I walked down the hall and saw that [she] was sitting on the floor next to a chair. This is always a bad sign. It's a slippery slope, and it's best just to sit in chairs, to eat when hungry, to sleep and rise and work. But we have all been there. Chairs are for people, and you're not sure if you are one.

You see, I want a lot. Perhaps I want everything the darkness that comes with every infinite fall and the shivering blaze of every step up. So many live on and want nothing And are raised to the rank of prince By the slippery ease of their light judgments But what you love to see are faces that do work and feel thirst. You love most of all those who need you as they need a crowbar or a hoe. You have not grown old, and it is not too late To dive into your increasing depths where life calmly gives out its own secret.

Something is broken when the food comes on a Styrofoam tray wrapped in slippery plastic, a carcass of a being whose only chance at life was a cramped cage. That is not a gift of life; it is a theft.

It is one of the peculiar truths of life that people often say things that they know full well are ridiculous.

As it has the quality to transmit skills and knowledge, our personal history is a brilliant coach teaching us how to act and play along the meanders of life. While it inhabits our living it comes to be our fellow traveler shielding us from slippery slopes; and sometimes from ourselves. ("Going back to yesterday" )

The central theme of Anna Karenina," he said, "is that a rural life of moral simplicity, despite its monotony, is the preferable personal narrative to a daring life of impulsive passion, which only leads to tragedy." "That is a very long theme," the scout said. "It's a very long book," Klaus replied. [...] "Or maybe a daring life of impulsive passion leads to something else," the scout said, and in some cases this mysterious person was right. A daring life of impulsive passion is an expression which refers to people who follow what is in their hearts, and like people who prefer to follow their head, or follow a mysterious man in a dark blue raincoat, people who lead a daring life of impulsive passion end up doing all sorts of things.

Life's too slippery for books, Clarice; anger appears as lust, lupus presents as hives.

Easy climb, Kurokuma. You do it easily.' 'Not on your life,' Horace said... 'That's what we have Rangers for. They climb up sheer rock walls and crawl along narrow, slippery ledges. I'm a trained warrior, and I'm far to valuable to risk such shenanigans.' 'We're not valuable?' Will said, feigning insult. Horace looked at him. 'We've got two of you. We can always afford to lose one,' he said firmly.

Outlaws, like lovers, poets, and tubercular composers who cough blood onto piano keys, do their finest work in the slippery rays of the moon.

In general, people are not drawn to perfection in others. People are drawn to shared interests, shared problems, and an individual's life energy. Humans connect with humans. Hiding one's humanity and trying to project an image of perfection makes a person vague, slippery, lifeless, and uninteresting.

wisdom is like a bottomless pond. You throw stones in and they sink into darkness and dissolve. Her eyes looking back do not reflect anything. I think this to myself even though I love my daughter. She and I have shared the same body. There is a part of her mind that is a part of mine. But when she was born she sprang from me like a slippery fish, and has been swimming away ever since. All her life, I have watched her as though from another shore.

And there you are on the shore, fitful and thoughtful, trying to attach them to an idea — some news of your own life. But the lilies are slippery and wild—they are devoid of meaning, they are simply doing, from the deepest spurs of their being, what they are impelled to do every summer. And so, dear sorrow, are you.

He thought perhaps all the pain would sour the love, but instead it drew him further in, as if he were Marc Antony, falling on his own sword. And it was a magical thing, to love someone so much; it was a feeling so strange and slippery, like a sheath of fabric cut from the sky.

Slippery use of the word “privilege” is part of a vogue of calling achievements “privileges”—a vogue which extends far beyond educational issues, spreading a toxic confusion in many other aspects of life.

I am thinking about the way that life can be so slippery; the way that a twelve-year-old girl looking into the mirror to count freckles reaches out toward herself and that reflection has turned into that of a woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent/teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking into the mirror to count age spots.

I don’t want these memories to become slippery, to just disappear into the thin air of life the way most things seem to. I want them to stick – even the bad ones – so I repeat them often.

Walking on the path of Buddha is a slippery slope. One bad experience, just one mistake, and enlightenment goes wrong. One becomes a raging beast, instead of a God.

And now he is once again finding life more and more difficult, each day a little less possible than the last. In his every day stands a tree, black and dying, with a single branch jutting to its right, a scarecrow's sole prosthetic, and it is from this branch that he hangs. Above him a rain is always misting, which makes the branch slippery. But he clings to it, as tired as he is, because beneath him is a hole bored into the earth so deep that he cannot see where it ends. He is petrified to let go because he will fall into the hole, but eventually he knows he will, he knows he must: he is so tired. His grasp weakens a bit, just a little bit, with every week. So it is with guilt and regret, but also with a sense of inevitability, that he cheats on his promise to Harold.

Life is a slippery thing to define, but it consists of two very different skills: the ability to replicate, and the ability to create order.

Subjugation requires vigilance; if you relax your brutality even for a moment, the people you're oppressing will revolt at the first sign of weakness. That's why dictatorial regimes are always a slippery slope of cruelty doomed to end in failure.

Whatever I am, or have since become, I know now that slipperiness isn’t all of it. I know now that a studied evasiveness has its own limitations, its own ways of inhibiting certain forms of happiness and pleasure. The pleasure of abiding. The pleasure of insistence, of persistence. The pleasure of obligation, the pleasure of dependency. The pleasures of ordinary devotion. The pleasure of recognizing that one may have to undergo the same realizations, write the same notes in the margin, return to the same themes in one’s work, relearn the same emotional truths, write the same book over and over again—not because one is stupid or obstinate or incapable of change, but because such revisitations constitute a life.

I feel that from the very beginning life played a terrible conjurer’s trick on me. I lost faith in it. It seems to me that every moment now it is playing tricks on me. So that when I hear love I am not sure it is love, and when I hear gaiety I am not sure it is gaiety, and when I have eaten and loved and I am all warm from wine, I am not sure it is either love or food or wine, but a strange trick being played on me, an illusion, slippery and baffling and malicious, and a magician hangs behind me watching the ecstasy I feel at the things which happen so that I know deep down it is all fluid and escaping and may vanish at any moment. Don’t forget to write me a letter and tell me I was here, and I saw you, and loved you, and ate with you. It is all so evanescent and I love it so much, I love it as you love the change in the days.

Cooking without remuneration" and "slaving over a hot stove" are activities separated mostly by a frame of mind. The distinction is crucial. Career women in many countries still routinely apply passion to their cooking, heading straight from work to the market to search out the freshest ingredients, feeding their loved ones with aplomb. [...] Full-time homemaking may not be an option for those of us delivered without trust funds into the modern era. But approaching mealtimes as a creative opportunity, rather than a chore, is an option. Required participation from spouse and kids is an element of the equation. An obsession with spotless collars, ironing, and kitchen floors you can eat off of---not so much. We've earned the right to forget about stupefying household busywork. But kitchens where food is cooked and eaten, those were really a good idea. We threw that baby out with the bathwater. It may be advisable to grab her by her slippery foot and haul her back in here before it's too late.

For men, the softer emotions are always intertwined with power and pride. That was why Karna waited for me to plead with him though he could have stopped my suffering with a single world. That was why he turned on me when I refused to ask for his pity. That was why he incited Dussasan to an action that was against the code of honor by which he lived his life. He knew he would regret it—in his fierce smile there had already been a glint of pain. But was a woman's heart any purer, in the end? That was the final truth I learned. All this time I'd thought myself better than my father, better than all those men who inflicted harm on a thousand innocents in order to punish the one man who had wronged them. I'd thought myself above the cravings that drove him. But I, too, was tainted with them, vengeance encoded into my blood. When the moment came I couldn't resist it, no more than a dog can resist chewing a bone that, splintering, makes his mouth bleed. Already I was storing these lessons inside me. I would use them over the long years of exile to gain what I wanted, no matter what its price. But Krishna, the slippery one, the one who had offered me a different solace, Krishna with his disappointed eyes—what was the lesson he'd tried to teach?

She says isn’t it funny how every second, every minute, every day, month, year, is accounted for, capable of being named—when time, or life, is so unwieldy, so intangible and slippery? This makes her feel compassion toward the people who invented the concept of “telling time.” How hopeful, she says. How beautifully futile. How perfectly human.

I don't want these memories to become slippery, to disapper into the thin air of life the way most things seem to. I want them to stick- even the bad ones-so I repeat them often.

American human beings are a slippery and protean bunch in real life, hard as hell to get any kind of universal handle on.

A dream is a slippery thing, plucking and bending and toying with our memories, sometimes acting as a bridge between the living, the loved, and the loved no-longer-living, but more often than not acting as a lesson not quite learned.

It's possible to find order in chaos, and it's equally possible to find chaos underlying apparent order. Order and chaos are slippery concepts. They're like a set of twins who like to swap clothing from time to time. Order and chaos frequently intermingle and overlap, the same as beginnings and endings. Things are often more complicated, or more simple, than they seem. Often it depends on your angle. I think that telling a story is a way of trying to make life's complexity more comprehensible. It's a way of trying to separate order from chaos, patterns from pandemonium.

He had to lie to himself about life, pretend it was less hard than it really was, and then press forward by one slippery means or another, all the while deluding himself into believing that he was conquering the world.

Three things: 1- Stop letting pride win. Don't let it destroy and unravel friendships and loves. We blinked, and it's the holidays again. How many more laps around the sun are left? Life is slippery and fleeting, and distance so cold. Stay humble and warm. Remember what counts. 2- Be unapologetically in love with everything. People and the cosmos. Poetry and oceans. The growth everywhere from roses to your heart to the messes that brought you to this level. The ground beneath you. The feeling. Any feeling. The fact that you can feel at all- forever a privilege. 3- Stay tender. Always tender.

Call me its successor Of slippery little world Hanging on the hedge With moist rim eyes I lay upon my couch With confusing sleep Of my stretched life.

On Jesus' rock, my life abounds; all other floors are slippery grounds. His love for me, is mercy band; any other love is sinking sand.

But there was in the air that kind of distortion that bent you a little; it caused your usual self to grow slippery, to wander off and shop, to get blurry, bleed, bevel with possibility.

Life was like being dragged through concrete in circles, wet and setting concrete that dried with each rotation of my unwilling body. As a child, I was light. It didn’t matter too much; I slid through it, and maybe it even felt like a game, like I was just playing in mud, like nothing about that slipperiness would ever change, not really. But then I got bigger and it started drying on me and eventually I turned into an uneven block, chipping and sparking on the hard ground, tearing off into painful chunks. I wanted to stay empty, like the eagle in the proverb, left to perch, my bones filled with air pockets, but heaviness found me and I couldn’t do anything about it. I couldn’t shake it off; I couldn’t transform it, evaporate or melt it. It was distinct from me, but it hooked itself into my body like a parasite. I couldn’t figure out if something was wrong with me or if this was just my life—if this was just how people felt, like concrete was dragging their flesh off their bones.

Grief-work. It sounds such a clear and solid concept, with its confident two-part name. But it is fluid, slippery, metamorphic. Sometimes it is passive, a waiting for time and pain to disappear; sometimes active, a conscious attention to death and loss and the loved one; sometimes necessarily distractive (the bland football match, the overwhelming opera).

[The book, Anna Karenina, is] a mirror held up to the real, grimy, quotidian interactions of married life, of which romance is little more than a passing mood: marriage, that slippery social contract that, if it works at all, depends more on indulgent disconnection than on some kind of sacred accord.

If this constant sliding and hiding of meaning were true of conscious life, then we would of course never be able to speak coherently at all. If the whole of language were present to me when I spoke, then I would not be able to articulate anything at all. The ego, or consciousness, can therefore only work by repressing this turbulent activity, provisionally nailing down words on to meanings. Every now and then a word from the unconscious which I do not want insinuates itself into my discourse, and this is the famous Freudian slip of the tongue or parapraxis. But for Lacan all our discourse is in a sense a slip of the tongue: if the process of language is as slippery and ambiguous as he suggests, we can never mean precisely what we say and never say precisely what we mean. Meaning is always in some sense an approximation, a near-miss, a part-failure, mixing non-sense and non-communication into sense and dialogue.

Whether it’s ourselves, our lovers, bosses, children, local Scrooge, or the political situation, it’s more daring and real not to shut anyone out of our hearts and not to make the other into an enemy. If we begin to live like this, we’ll find that we actually can’t make things completely right or completely wrong anymore, because things are a lot more slippery and playful than that. Everything is ambiguous; everything is always shifting and changing, and there are as many different takes on any given situation as there are people involved. Trying to find absolute rights and wrongs is a trick we play on ourselves to feel secure and comfortable.

she runs for her life because to slip up is to begin descending the slippery slope to giving in to failure, to inertia, to feeling sorry for herself about that moment in her life which still creeps to the front of her memory when she least expects it

hold every hour in your grasp. Lay hold of to-day's task, and you will not need to depend so much upon to-morrow's. While we are postponing, life speeds by. Nothing, Lucilius, is ours, except time. We were entrusted by nature with the ownership of this single thing, so fleeting and slippery that anyone who will can oust us from possession.

Mrs. Fisher had never cared for macaroni, especially not this long, worm-shaped variety. She found it difficult to eat--slippery, wriggling off her fork, making her look, she felt, undignified when, having got it as she supposed into her mouth, ends of it yet hung out. Always, too, when she ate it she was reminded of Mr. Fisher. He had during their married life behaved very much like macaroni. He had slipped, he had wriggled, he had made her feel undignified, and when at last she had got him safe, as she thought, there had invariably been little bits of him that still, as it were, hung out.

For years afterward, I had dreams in which my mother appeared in strange forms, her features sewn onto other beings in combinations that seemed both grotesque and profound: as a slippery white fish at the end of my hook, with a trout’s gaping, sorrowful mouth and her dark, shuttered eyes; as the elm tree at the edge of our property, its ragged clumps of tarnished gold leaves replaced by knotted skeins of her black hair; as the lame gray dog that lived on the Mueller’s property, whose mouth, her mouth, opened and closed in yearning and who never made a sound. As I grew older, I came to realize that death had been easy for my mother; to fear death, you must first have something to tether you to life. But she had not. It was as if she had been preparing for her death the entire time I knew her. One day she was alive; the next, not. And as Sybil said, she was lucky. For what more could we presume to ask from death — but kindness?

She says isn’t it funny how every second, every minute, every day, month, year, is accounted for, capable of being named—when time, or life, is so unwieldy, so intangible and slippery?

If only feelings and ideas and stories and history really could be contained in a block of marble—if only there could be a gathering up of permanence—how reassuring it would be, how comforting to think that something you loved could be held in place, moored and everlasting, rather than bobbing along on the slippery sea of reminiscence, where it could always drift out of reach.

But you will be back, and you will always be here. Don’t think that in death you go far from the earth; you remain down here with everything—the part of you that loved, which is the most important part. That part of you will patiently be here as the earth changes colour, exhausts itself, breathes in fresh life again, and revives. That part of you will be here all along, through that whole entire time, while the slugs make their sluggish art, beautiful little swirls in the mud, and whatever will populate the sea, and the greatest beasts that will ever be; slippery with green gills and lots of scales, feathers and fur. Even the swimming creatures will have their own ways of moving which will be radically new. And you will be here for that, too! Why am I so stuck in the art of the past? Because you are stuck in this situation, thinking it is the only one. There will be a second draft, and the part of you that loves, which is the best part of you, and the most eternal part, will be in the bears, the lizards, the mammoths, and the birds, there in the second draft of life.

Resentment is a powerful and corrosive force, both on the slippery left and the slippery right, and the history of humankind can largely be read as a history of resentment. Aside from a profound philosophy of capital, what we really need is a profound psychology and philosophy of resentment. We must learn to live for ourselves, without reference to the other, and, at the same time, to rise above and beyond ourselves. Or else history will keep repeating itself, and our life will be a living death.

Death always wins. Life is just a blip. It's a shiny, hyperactive blip, but a blip nonetheless, and no matter how strong or wily or rich a life may be, the slippery slope always leads to the great nothing.

But whatever I am, or have since become, I know now that slipperiness isn’t all of it. I know now that a studied evasiveness has its own limitations, its own ways of inhibiting certain forms of happiness and pleasure. The pleasure of abiding. The pleasure of insistence, of persistence. The pleasure of obligation, the pleasure of dependency. The pleasures of ordinary devotion. The pleasure of recognizing that one may have to undergo the same realizations, write the same notes in the margin, return to the same themes in one’s work, relearn the same emotional truths, write the same book over and over again—not because one is stupid or obstinate or incapable of change, but because such revisitations constitute a life.

Speaking about time’s relentless passage, Powell’s narrator compares certain stages of experience to the game of Russian Billiards as once he used to play it with a long vanished girlfriend. A game in which, he says, “...at the termination of a given passage of time...the hidden gate goes down...and all scoring is doubled. This is perhaps an image of how we live. For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected; so that before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity."

And now he is once again finding life more and more difficult, each day a little less possible than the last. In his every day stands a tree, black and dying, with a single branch jutting to its right, a scarecrow’s sole prosthetic, and it is from this branch that he hangs. Above him a rain is always misting, which makes the branch slippery. But he clings to it, as tired as he is, because beneath him is a hole bored into the earth so deep that he cannot see where it ends. He is petrified to let go because he will fall into the hole, but eventually he knows he will, he knows he must: he is so tired. His grasp weakens a bit, just a little bit, with every week.

I took a sip of my coffee, sat the folder on the counter, and began reading the newspaper. “In the cold, gray dawn of September the twenty-eighth . . .” Dickens. “. . . The slippery bank where the life of Cody Pritchard came to an ignominious end . . .” Faulkner. “Questioning society with the simple query, why?” Steinbeck. “Dead.” Hemingway. Ernie

I even spent a certain amount of time worrying about the Spiritualist doctrines: If The Other Side was so wonderful, why did the spirits devote most of their messages to warnings? Instead of telling their loved ones to avoid slippery stairs and unsafe cars and starchy foods, they should have been luring them over cliffs and bridges and into lakes, spurring them on to greater feats of intemperance and gluttony, in order to hasten their passage to the brighter shore.

n the wake of catastrophes, fungal diversity helps restore devastated habitats. Evolutionary trends generally lead to increased bio-diversity. However, due to human activities we are losing many species before we can even identify them. In effect, as we lose species, we are experiencing devolution--turning back the clock on biodiversity, which is a slippery slope toward massive ecological collapse. The interconnectedness of life is an obvious truth that we ignore at our peril.

Something is broken when the food comes on a Styrofoam tray wrapped in slippery plastic, a carcass of a being whose only chance at life was a cramped cage. That is not a gift of life; it is a theft. How, in our modern world, can we find our way to understand the earth as a gift again, to make our relations with the world sacred again? I know we cannot all become hunter-gatherers—the living world could not bear our weight—but even in a market economy, can we behave “as if ” the living world were a gift? We could start by listening to Wally. There are those who will try to sell the gifts, but, as Wally says of sweetgrass for sale, “Don’t buy it.” Refusal to participate is a moral choice. Water is a gift for all, not meant to be bought and sold. Don’t buy it. When food has been wrenched from the earth, depleting the soil and poisoning our relatives in the name of higher yields, don’t buy it.

He believed in nothing. Which is why his departures and his pursuit of the most intense feelings and acts were so radical, so deep and honest. The truth of life was perfectly clear to him. Nothing was made, every new morning was clear. His only challenge was inward. He had not been disillusioned or had some bad experience that he could put it all down to. He had simply seen the world and that was that. And he understood how slippery every moment was and he liked the thrill of it. Slipping from the knowable to the unknown, walking from one street to the next, being different all the time. In one afternoon he could slip from one personality to another. Why not?

Everything in his life was temporary, ungrounded. Language itself had lost its solidity; it had become thin, contingent, slippery, a viscid film on which he was sliding around like an eyeball on a plate. An eyeball that could still see, however. That was the trouble.

In a way, a garden is the most useless of creations, the most slippery of creations: it is not like a painting or a piece of sculpture—it won’t accrue value as time goes on. Time is its enemy’ time passing is merely the countdown for the parting between garden and gardener.

for us to get to our final destination, the road is not always level or smooth. Sometimes it’s full of rocks and cliffs, and slippery slopes, and to make matters worse, we’re walking in the dark. Perhaps life isn’t to question the road, but to persevere until the light comes.

This is perhaps an image of how we live. For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected, so that, before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity.

People imagined poems were wispy things, she said, frilly things, like lace doilies. But in fact they were like claws, like the metal spikes mountaineers use to find purchase on the sheer face of a glacier. By writing a poem, the lady poets could break through the slippery, nothingy surface of the life they were enclosed in, to the passionate reality that beat beneath it. Instead of falling down the sheer face, they could haul themselves up, line by line, until at last they stood on top of the mountain. And then maybe, just maybe, they might for an instant see the world as it really is.

ROOT CELLAR" Nothing would sleep in that cellar, dank as a ditch, Bulbs broke out of boxes hunting for chinks in the dark, Shoots dangled and drooped, Lolling obscenely from mildewed crates, Hung down long yellow evil necks, like tropical snakes. And what a congress of stinks!-- Roots ripe as old bait, Pulpy stems, rank, silo-rich, Leaf-mold, manure, lime, piled against slippery planks. Nothing would give up life: Even the dirt kept breathing a small breath.

I shook my head. Akil was right about one thing. Stefan would never understand. He spent his life killing demons. He had it simple. I’d spent my life among them. I might despise the majority of them, but I knew them. They were family. Twisted, bitter, dangerous, slippery, back-stabbing, but family all the same.

Jimmy held on to the reins for dear life, and thought that a horse was about the most slippery creature to sit on that he had ever met. He slithered first one way and then another, and at last he slid off altogether and landed with a bump on the ground. Sticky Stanley and Lotta held on to one another and laughed till the tears ran down their faces. They thought it was the funniest sight in the world to see poor Jimmy slipping about on the solemn, cantering horse.

Thoughts can be such slippery things sometimes, Very hard to handle. But to a well-trained mind, They are easy to bind

Calling everything that goes wrong “stress” is a cop out. The blanket term is a slippery slope that can contribute to feeling you have no control over your “stressful” life. You do!

Being naked strips away more than your clothes, it reveals unknown facets of your true nature. I had thought of myself as a career girl on the slippery pole of achievement and success. But really, I was just as content to follow where the road of life led. Had he seen something in me I had not known existed? Did he look at me and see a girl who wanted to be spanked?

For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected, so that, before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity.

While we are postponing, life speeds by. Nothing, Lucilius, is ours, except time. We were entrusted by nature with the ownership of this single thing, so fleeting and slippery that anyone who will can oust us from possession. What fools these mortals be! They allow the cheapest and most useless things, which can easily be replaced, to be charged in the reckoning, after they have acquired them; but they never regard themselves as in debt when they have received some of that precious commodity, – time! And yet time is the one loan which even a grateful recipient cannot repay. You

I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.

There had been a slice of time, somewhere sliding away from him now and fading into the slippery past, where Walker had been a happy man. Where his life should've ended to keep him from enduring any of the suffering beyond. But he had made it through that brief bliss and now could hardly recall it. He couldn't imagine what it felt like to rise with anticipation every morning, to fall asleep with contentment at the end of every day.

Here, here is my skin that feels like your skin, my muscles and frailties that feel like yours, the lift of your flesh something I intuitively know from my own body, inner maps that, for most of my life, I thought were purely shameful and mine alone. And here, with you, with me, for minutes, for hours, if nothing else—a line from a book Wendy couldn’t remember appeared to her in a slippery ripple of memory—If I loved you, this is how I would love you.

But whatever I am, I know that slipperiness isn't all of it. I know now that a studied evasiveness has its own limitations, its own ways of inhibiting certain forms of happiness and pleasure. The pleasure of abiding. The pleasure of insistence, persistence. The pleasure of obligation, the pleasure of dependency. The pleasures of ordinary devotion. The pleasure of recognizing that one may have to undergo the same realizations, write the same notes in the margin, return to the same themes in one's work, relearn the same emotional truths, write the same book over and over again--not because one is stupid or obstinate or incapable of change, but because such revisitations constitute a life.

The all-consuming selves we take for granted today are “merely empty receptacles of desire.” Infinitely plastic and decentered, the modern citizen of the republic of consumption lives on slippery terrain, journeying to nowhere in particular. So too, nothing could be more corrosive of the kinds of social sympathy and connectedness that constitute the emotional substructure of collective resistance and rebellion. Instead, consumer culture cultivates a politics of style and identity focused on the rights and inner psychic freedom of the individual, one not comfortable with an older ethos of social rather than individual liberation. On the contrary, it tends to infantilize, encouraging insatiable cravings for more and more novel forms of a faux self-expression. The individuality it promises is a kind of perpetual tease, nowadays generating, for example, an ever-expanding galaxy of internet apps leaving in their wake a residue of chronic anticipation. Hibernating inside this “material girl” quest for more stuff and self-improvement is a sacramental quest for transcendence, reveries of what might be, a “transubstantiation of goods, using products and gear to create a magical realm in which all is harmony, happiness, and contentment… in which their best and most admirable self will emerge at last.” The privatization of utopia! Still, what else is there?

We said it from the beginning. No strings. No regrets. We lay, tangled in a web of sheets, Limbs and anemic light, And we passed promises back and forth like slippery stars. You told me you were recovering from A broken heart. I told you I was recovering from A broken life. Fair enough, we agreed and laughed.   We wrote stories on our bodies. Middles and endings Etched onto our feet and the palms of our hands. Our hopes were lettered in black and silver On a background of stark white flesh. We traded words on our tongues like tiny drops of melted sugar.

Science may explain how humans came into being, but it has no answer to the slippery question of how humans should live. Only literature makes it possible to pose such questions in the first place. And if there is no answer, only literature can point to the impossibility of ever finding one.

He saw the reflection of her face in a compact mirror as she painted on her re lips. She did it with such care, he had felt she was trapping something behind the colour. She had touched life, played with it a little, bit it was a slippery bugger,and finally we must close the door, and leave it behind.

But I do know that all the chickies come home to roost in middle age. Yeah? You can spend your life shooing them away, locking the door, making the roof too shiny for a perch, too slippery; you can chop down all the trees around the house, never come home, keep moving, keep shifting so they don't come, they don't settle; you can sell your house. All the way through your twenties, your thirties, your forties you can do this, and then whammo, you hit your fifties, and there they come, there little fluttering, their hoo-hoos, the faint scratching of their claws upon your roof. Settling down, settling in ---

The impulse to eschew the unpleasant leads to avoidance; avoidance leads to aversion; aversion leads to fear; fear leads to hatred; hatred leads to aggression. Unwittingly, the oh-so-natural instinct to avoid the unpleasant becomes the root of hatred. It leads to war: war within, war without. Entertaining aversion is a slippery slope.

For the love that has been purged by gentleness of all tendency towards tyranny can give a joy more exquisite, more tender, more capable of transmuting the base metal of daily life into the pure gold of mystic ecstasy, than any emotion that is possible to the man still fighting and struggling to maintain his ascendency in this slippery world.

hold every hour in your grasp. Lay hold of to-day's task, and you will not need to depend so much upon to-morrow's. While we are postponing, life speeds by. Nothing, Lucilius, is ours, except time. We were entrusted by nature with the ownership of this single thing, so fleeting and slippery that anyone who will can oust us from possession. What fools these mortals be! They allow the cheapest and most useless things, which can easily be replaced, to be charged in the reckoning, after they have acquired them; but they never regard themselves as in debt when they have received some of that precious commodity, – time! And yet time is the one loan which even a grateful recipient cannot repay.

I'm actually aware of how flimsy the space is between us now, slippery, finite, closable. Maybe this is why people take trips, for that feeling of your real life liquefying around you, like nothing you do will tug on any strand of your carefully built world. It's a feeling not unlike reading a really good book; all-consuming, worry-obliterating.

I've spent so much time these last years wondering what I'm supposed to be. A wife? A lover? A celibate? An Italian? A glutton? A traveler? An artist? A Yogi? But I'm not any of these things, at least not completely. And I'm not Crazy Aunt Liz, either. I'm just a slippery antevasin - betwixt and between - a student on the ever-shifting border near the wonderful, scary forest of the new.

No more light answers. Let our officers Have note what we purpose. I shall break The cause of our expedience to the Queen And get her leave to part. For not alone The death of Fulvia, with more urgent touches, Do strongly speak to us, but the letters too Of many our contriving friends in Rome Petition us at home. Sextus Pompeius Hath given the dare to Caesar and commands The empire of the sea. Our slippery people, Whose love is never linked to the deserver Till his deserts are past, begin to throw Pompey the Great and all his dignities Upon his son, who - high in name and power, Higher than both in blood and life - stands up For the main soldier; whose quality, going on, The sides o' th' world may danger. Much is breeding Which, like the courser's hair, hath yet but life And not a serpent's poison.

Life isn’t built on even steps one after the next, a straight line. Not mine, not any ones. If life is built on anything it’s built on a slippery slope. The angle isn’t aware of our good intentions or our bad. There are lots of loose rocks. Lots of muddy paths. Lots of places to make a mistake and fall. It’s bound to happen. Your knees will get scraped and you’ll break some bones. You’re lucky if there is someone beside you, offering you their hand. Helping you back up.

At a law school in Canada, we are in deep discussion of the law as a universal instrument that feminists should expect to be flexible. I am arguing that this is what judges are for - otherwise, justice could be meted out by a computer. The mostly male law students are arguing that any exception is dangerous and creates a "slippery slope." Make one exception, and the number will grow until the law will be overturned de facto. I am not a lawyer. I am stuck. Those young men may or may not represent the common-sense majority in the audience, but they have triumphed. Then a tall young woman in jeans rises from the back of the room. "Well," she says calmly, "I have a boa constrictor." This quiets the audience right down. "Once a month," she continues, "I go to the dissection lab on campus to get frozen mice to feed my boa constrictor. But this month, there is a new professor in charge, and he said to me 'I can't give you frozen mice. If I give you frozen mice, everyone will want frozen mice." There is such an explosion of laughter that even the argumentative young men can't resist. She has made her point: not everyone wants the same thing. A just law can be flexible. To be just, a law has to be flexible. She has saved the day.

the agonisingly stilted telephone call with George. Chapter 5 Disturbing Siesta Time Marigold deigned to join me for a stroll around the village in lieu of the promised dip. An enormous pair of rather glamorous sunglasses paired with a jaunty wide-brimmed straw sunhat, obscured her face, making it impossible to read her expression though I guessed she was still miffed at being deprived of her swim. As we walked past the church and the village square the leafy branches of the plane trees offered a shaded canopy against the sun. Our steps turned towards one of the narrow lanes that edged upwards through the village, the ancient cobbles worn smooth and slippery from the tread of donkeys and people. The sound of a moped disturbed the peace of the afternoon and we hastily jumped backwards at its approach, pressing our bodies against a wall as the vehicle zapped past us, the pensioned-off rider’s shouted greeting muffled by the noisy exhaust. Carrier bags of shopping dangling from the handlebars made me reflect the moped was the modern day equivalent of the donkey, though less useful; the old man was forced to dismount and cart the bags of shopping on foot when the cobbled lane gave way to steps. Since adapting to village life we had become less reliant on wheels. Back in Manchester we would have thought nothing of driving to the corner shop, but here in Meli we delighted in exploring on foot, never tiring of discovering

She kissed him kind, and hard, and desperately, and the Colonel could not think about any fights or any picturesque or strange incidents. He only thought of her and how she felt and how close life comes to death when there is ecstasy. And what the hell is ecstasy and what’s ecstasy’s rank and serial number? And how does her black sweater feel? And who made all her smoothness and delight and the strange pride and sacrifice and wisdom of a child? Yes, ecstasy is what you might have had and instead you drew sleep’s older brother. Death is a lot of shit, he thought. It comes to you in small fragments that hardly show where it has entered. It comes, sometimes, atrociously. It can come from unboiled water; an un-pulled-up mosquito boot, or it can come with the great, white-hot, clanging roar we have lived with. It comes in small cracking whispers that precede the noise of the automatic weapon. It can come with the smoke-emitting arc of the grenade, or the sharp, cracking drop of the mortar. I have seen it come, loosening itself from the bomb rack, and falling with that strange curve. It comes in the metallic rending crash of a vehicle, or the simple lack of traction on a slippery road. It comes in bed to most people, I know, like love’s opposite number. I have lived with it nearly all my life and the dispensing of it has been my trade. But what can I tell this girl now on this cold, windy morning in the Gritti Palace Hotel?

Taken to extremes, life is a process of reorientation after shame or glory and when anxiety sweeps in there is a relief at not having left any definite tracks. Before you understand where the emotion is going to lead, you talk to anyone and everyone about the object of your love. All of a sudden, this stops. By then the ice is already thin and slippery. You realize that every word could expose your infatuation. Feigning indifference is as hard as acting normally and fundamentally the same thing. There is a resistance in the party who wants to leave, a fear of the unknown, of the hassle and of changing one's mind. A party not wanting to be left must exploit that resistance. But then they must restrain their need for clarity and honesty. The matter must remain unformulated. A party not wanting to be left must leave it to the one wanting to go to express the change. That is the only way to keep a person who does not want to be with you. Hence the widespread silence in the relationships of the world. Love needs no words. For a short period you can put your trust in wordless emotion. But in the long run there is no love without words and no love with words alone. Love is a hungry beast. It feeds off touch and repeated assurances. The sense of desolation in a flat that your lover has just left is the most complete sense of desolation that exists. Her desperation being real, she was extra-sensitive to the ways desperation could be expressed. When the brain perceives contact as possible, every houris too long. That is the state of enslavement. The state in which the prospect of intoxication takes over the organism.

Another traveling companion remembered the Rockefellers sitting at a private dining room in a Roman hotel as the paterfamilias dissected the weekly bill, trying to ascertain whether they had really consumed two whole chickens, as these slippery foreigners alleged: Mr. Rockefeller listened for a while to the discussion, and then said quietly: “I can settle that very easily. John, did you have a chicken leg?” “Yes.” “Alta, did you have a chicken leg?” “Yes.” “Well, Mother, I think I remember that you had one. Is that right?” “Yes,” said the mother. “I know that I had one, and no chicken has 3 legs. The bill is correct.” I can still see the faces of that family group and hear the tone of Mr. Rockefeller’s voice as he so quietly and so uniquely settled that dispute.59 As he grew older, Junior was deputized to handle tips and bills, which he later cited as excellent business training.

Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S

She used to hate people like him, people who gave up something good, shucked warm meals and solid roofs as if they didn’t matter. But then Barron died and Lila realized that in a way she’d done the same thing. Run away from what could have been a good life. Or at least a happy one. Because it wasn’t enough to be happy, not for Lila. She wanted more. Wanted an adventure. She used to think that if she stole enough, the want would fade, the hunger would go away, but maybe it wasn’t that simple. Maybe it wasn’t a matter of what she didn’t have, of what she wasn’t, but what she was. Maybe she wasn’t the kind of person who stole to stay alive. Maybe she just did it for the thrill. And that scared her, because it meant she didn’t need to do it, couldn’t justify it, could have stayed at the Stone’s Throw, could have saved Barron’s life.... It was a slippery slope, that kind of thinking, one that ended in a cliff, so Lila backed away.

What is a novel, anyway? Only a very foolish person would attempt to give a definitive answer to that, beyond stating the more or less obvious facts that it is a literary narrative of some length which purports, on the reverse of the title page, not to be true, but seeks nevertheless to convince its readers that it is. It's typical of the cynicism of our age that, if you write a novel, everyone assumes it's about real people, thinly disguised; but if you write an autobiography everyone assumes you're lying your head off. Part of this is right, because every artist is, among other things, a con-artist. We con-artists do tell the truth, in a way; but, as Emily Dickenson said, we tell it slant. By indirection we find direction out -- so here, for easy reference, is an elimination-dance list of what novels are not. -- Novels are not sociological textbooks, although they may contain social comment and criticism. -- Novels are not political tracts, although "politics" -- in the sense of human power structures -- is inevitably one of their subjects. But if the author's main design on us is to convert us to something -- - whether that something be Christianity, capitalism, a belief in marriage as the only answer to a maiden's prayer, or feminism, we are likely to sniff it out, and to rebel. As Andre Gide once remarked, "It is with noble sentiments that bad literature gets written." -- Novels are not how-to books; they will not show you how to conduct a successful life, although some of them may be read this way. Is Pride and Prejudice about how a sensible middle-class nineteenth-century woman can snare an appropriate man with a good income, which is the best she can hope for out of life, given the limitations of her situation? Partly. But not completely. -- Novels are not, primarily, moral tracts. Their characters are not all models of good behaviour -- or, if they are, we probably won't read them. But they are linked with notions of morality, because they are about human beings and human beings divide behaviour into good and bad. The characters judge each other, and the reader judges the characters. However, the success of a novel does not depend on a Not Guilty verdict from the reader. As Keats said, Shakespeare took as much delight in creating Iago -- that arch-villain -- as he did in creating the virtuous Imogen. I would say probably more, and the proof of it is that I'd bet you're more likely to know which play Iago is in. -- But although a novel is not a political tract, a how-to-book, a sociology textbook or a pattern of correct morality, it is also not merely a piece of Art for Art's Sake, divorced from real life. It cannot do without a conception of form and a structure, true, but its roots are in the mud; its flowers, if any, come out of the rawness of its raw materials. -- In short, novels are ambiguous and multi-faceted, not because they're perverse, but because they attempt to grapple with what was once referred to as the human condition, and they do so using a medium which is notoriously slippery -- namely, language itself.

It was important to me back then to feel, to be wily. To feel small, slick, quick, amphibious, dexterous, capable. I didn’t know then Barthes’s book The Neutral, but if I had, it would have been my anthem—the Neutral being that which, in the face of dogmatism, the menacing pressure to take sides, offers novel responses: to flee, to escape, to demur, to shift or refuse terms, to disengage, to turn away. The otter was thus a complex sort of stand-in, or fake-out, another identity I felt sure I could shimmy out of. But whatever I am, or have since become, I know now that slipperiness isn’t all of it. I know now that a studied evasiveness has its own limitations, its own ways of inhibiting certain forms of happiness and pleasure. The pleasure of abiding. The pleasure of insistence, of persistence. The pleasure of obligation, the pleasure of dependency. The pleasures of ordinary devotion. The pleasure of recognizing that one may have to undergo the same realizations, write the same notes in the margin, return to the same themes in one’s work, relearn the same emotional truths, write the same book over and over again-not because one is stupid or obstinate or incapable for change, but because such revisitations constitute a life.

The secret—to being you, to being Happy?” “Just keep on smiling. Even when you’re sad. Keep on smiling.” Not the most profound advice, admittedly. But Happy is wise, for only a fool or a philosopher would make sweeping generalizations about the nature of happiness. I am no philosopher, so here goes: Money matters, but less than we think and not in the way that we think. Family is important. So are friends. Envy is toxic. So is excessive thinking. Beaches are optional. Trust is not. Neither is gratitude. To venture any further, though, is to enter treacherous waters. A slippery seal, happiness is. On the road, I encountered bushels of inconsistencies. The Swiss are uptight and happy. The Thais are laid-back and happy. Icelanders find joy in their binge drinking, Moldovans only misery. Maybe an Indian mind can digest these contradictions, but mine can’t. Exasperated, I call one of the leading happiness researchers, John Helliwell. Perhaps he has some answers. “It’s simple,” he says. “There’s more than one path to happiness.” Of course. How could I have missed it? Tolstoy turned on his head. All miserable countries are alike; happy ones are happy in their own ways. It’s worth considering carbon. We wouldn’t be here without it. Carbon is the basis of all life, happy and otherwise. Carbon is also a chameleon atom. Assemble it one way—in tight, interlocking rows—and you have a diamond. Assemble it another way—a disorganized jumble—and you have a handful of soot. The arranging makes all the difference. Places are the same. It’s not the elements that matter so much as how they’re arranged and in which proportions. Arrange them one way, and you have Switzerland. Arrange them another way, and you have Moldova. Getting the balance right is important. Qatar has too much money and not enough culture. It has no way of absorbing all that cash. And then there is Iceland: a country that has no right to be happy yet is. Iceland gets the balance right. A small country but a cosmopolitan one. Dark and light. Efficient and laid-back. American gumption married to European social responsibility. A perfect, happy arrangement. The glue that holds the entire enterprise together is culture. It makes all the difference. I have some nagging doubts about my journey. I didn’t make it everywhere. Yet my doubts extend beyond matters of itinerary. I wonder if happiness is really the highest good, as Aristotle believed. Maybe Guru-ji, Sri Sri Ravi Shankar, is right. Maybe love is more important than happiness. Certainly, there are times when happiness seems beside the point. Ask a single, working mother if she is happy, and she’s likely to reply, “You’re not asking the right question.” Yes, we want to be happy but for the right reasons, and,

The thin woman in the green sari stood on the slippery rocks and gazed at the dark waters around her. The warm wind loosened strands of her scanty hair, pulling them out of her bun. Behind her, the sounds of the city were muted, shushed into silence by the steady lapping of the water around her bare feet. Other than the crabs that she heard and felt scuttling around the rocks, she was all alone here—alone with the murmuring sea and the distant moon, stretched thin as a smile in the nighttime sky. Even her hands were empty, now that she had unclenched them and released her helium-filled cargo, watching until the last of the balloons had been swallowed up by the darkness of the Bombay night. Her hands were empty now, as empty as her heart, which itself was a coconut shell with its meat scooped out. Balancing gingerly on the rocks, feeling the rising water tonguing her feet, the woman raised her face to the inky sky for an answer. Behind her was the lost city and a life that at this very moment felt fictitious and unreal. Ahead of her was the barely visible seam where the sea met the sky. She could scramble over these rocks, climb over the cement wall, and reenter the world; partake again of the mad, throbbing, erratic pulse of the city. Or she could walk into the waiting sea, let it seduce her, overwhelm her with its intimate whisperings. She looked to the sky again, searching for an answer. But the only thing she could hear was the habitual beating of her own dutiful heart…

Night after night I would speak to Violet in the womb (no matter how strange that may seem to some people) because I was looking forward to the day when I would hold her in my arms, no longer just talking to my wife’s pajamas like a fucking lunatic. When the day finally came, I was nervously packing up the car to go to the hospital when I noticed a huge rainbow overhead, something that happens maybe once every thousand years in Los Angeles. I was immediately calmed. Yes, it sounds nauseatingly romantic, but yes, it’s true, and I took it as a sign. After a long and difficult labor, Violet was born to the sound of the Beatles in the background, and she arrived screaming with a predetermined vocal capacity that made the Foo Fighters sound like the Carpenters. Once she was cleaned up and put under the little Arby’s heat-lamp bed, I put my face close to hers, stared into her gigantic blue eyes, and said, “Hey, Violet, it’s Dad.” She immediately stopped screaming and her eyes locked with mine. She recognized my voice. We stared at each other in silence, our first introduction, and I smiled and talked to her as if I had known her my whole life. I am happy to say that, still to this day, when we lock eyes it’s the same feeling. This was a love I had never experienced before. There is an inevitable insecurity that comes along with being a famous musician that makes you question love. Do they love me? Or do they love “it”? You are showered with superficial love and adoration on a regular basis, giving you something similar to a sugar high, but your heart crashes once the rush dies off. Is it possible for someone to see a musician without the instrument being a part of their identity? Or is that a part of the identity that the other loves? Regardless, it’s a dangerous and slippery slope to question love, but one thing is for certain: there is nothing purer than the unconditional love between a parent and their child.

Oil “Soviet Russia cannot survive without Baku’s oil,” told comrade Vladimir Lenin. One of the plans was to drain the Caspian Sea: “Is it possible? Can you drain the Caspian Sea?” said the powerful Stalin. It was more an order than a question.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Azerbaijan - Oil Country). Mafia “With his wife Victoria, they reigned here for nineteen years. This period Georgians called ironically the Victorian Era, and his wife got the name Queen Victoria. Victoria created the system when all was for sale: state documents ten times the price; 5,000 roubles to enter the Communist party; 50,000 for the judge job, … “ (- Angelika Regossi, “Russian Colonial Food”. Chapter: Gruzia - Where Soviet Mafia Was Born). Smoking “Smoking breaks in the USSR were long and often—and became an official excuse not to work, causing huge damage to the already failing state economy. But on the other hand, with zero unemployment and prison terms, if you are not on a payroll, the state could not provide enough work for everybody. People had to show up every day in the workplace. Boredom from nothing-to-do turned into massive laziness and Soviet workers spent long hours in the smoke rooms. For some, it was a place to relax, for others, to provoke a frank conversation—because … Well, let’s talk about it later.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Litva - Friends and Rebels). God “The bus was driving slowly, just forty km an hour on the slippery winter road. Outside was a spectacular view of the Caucasus mountains. Here and there appeared churches: nearby and far away, but always on the top of the hill: “Closer to God, as high as possible,” crossed His mind. The bus stopped with a creaking sound, and He slowly got off: “For me, Khor Virap Monastery will be the resting place: from the Soviet life … from the communist lies … I shall spend here the rest of my life. And from here … I shall go to eternity …” these were His last thoughts before He entered the monastery gate. He was dead tired from all that happened, walking uphill closer to God.” (- Angelika Regossi, “Russian Colonial Food”. Chapter: Armenia - Road in the First Christian State).

Here, for example, is a hypothetical: A football team is going to an away game when one of their vans breaks down. So they ask the mother of one of the players if they can borrow her van to transport them. Sure, she says, but I’m not going to drive. And so she asks the assistant coach to drive the team for her. But then, as they’re driving along, something horrible happens: the van skids off the road and flips over; everyone inside dies. There is no criminal case here. The road was slippery, the driver wasn’t intoxicated. It was an accident. But then the parents of the team, the mothers and fathers of the dead players, sue the owner of the van. It was her van, they argue, but more important, it was she who appointed the driver of her van. He was only her agent, and therefore, it is she who bears the responsibility. So: What happens? Should the plaintiffs win their suit? Students don’t like this case. I don’t teach it that often—its extremity makes it more flashy than it is instructive, I believe—but whenever I did, I would always hear a voice in the auditorium say, “But it’s not fair!” And as annoying as that word is—fair—it is important that students never forget the concept. “Fair” is never an answer, I would tell them. But it is always a consideration. He never mentioned whether something was fair, however. Fairness itself seemed to hold little interest for him, which I found fascinating, as people, especially young people, are very interested in what’s fair. Fairness is a concept taught to nice children: it is the governing principle of kindergartens and summer camps and playgrounds and soccer fields. Jacob, back when he was able to go to school and learn things and think and speak, knew what fairness was and that it was important, something to be valued. Fairness is for happy people, for people who have been lucky enough to have lived a life defined more by certainties than by ambiguities. Right and wrong, however, are for—well, not unhappy people, maybe, but scarred people; scared people. Or am I just thinking this now? “So were the plaintiffs successful?” I asked. That year, his first year, I had in fact taught that case. “Yes,” he said, and he explained why: he knew instinctively why they would have been. And then, right on cue, I heard the tiny “But it’s not fair!” from the back of the room, and before I could begin my first lecture of the season—“fair” is never an answer, etc., etc.—he said, quietly, “But it’s right.