Lettuce Sayings And Quotes

We've searched our database for all the quotes and captions related to Lettuce Sayings And. Here they are! All 64 of them:

And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
Toni Morrison (Song of Solomon)
I have them a few minutes to absorb everything while I teased Ubie, who only had to recover from his near-death experience. I was so glad Reyes hadn't ripped him to shreds. I liked him much better un-shredded. Unlike, say, my preference for lettuce or heavy metal guitar solos.
Darynda Jones
Superorganism. A biologist coined that word for our great African ant colonies, claiming that consciousness and intelligence resided not in the individual ant but in the collective ant mind. The trail of red taillights stretching to the horizon as day broke around us made me think of that term. Order and purpose must reside somewhere other than within each vehicle. That morning I heard the hum, the respiration of the superorganism. It's a sound the new immigrant hears but not for long. By the time I learned to say "6-inch Number 7 on rye with Swiss hold the lettuce," the sound, too, was gone. It became part of the what the mind would label silence. You were subsumed into the superorganism.
Abraham Verghese (Cutting for Stone)
Kit," said a female voice, "what's wrong with the fridge? All the food's gone. No, wait, there's a really ugly alien in here disguised as a leaky lettuce. Hey, I guess I shouldn't be rude to it; it's a visitor. Welcome to our planet, Mr. Alien!" This was followed by some muffled remark that Nita couldn't make out, possibly something Kit was saying. A moment later, Kit's sister Carmela's voice came out of Nita's refrigerator again. "Hola, Nita, are your phone bills getting too big? This is a weird way to deal with it...
Diane Duane (Wizard's Holiday (Young Wizards, #7))
No," I shout, because my mother doesn't know what I like anymore. "I don't eat things that bleed. Just cheese with lettuce or tomato and mayo. No dead fish or animals, please." "You see what I have to put up with?" my mother says.
Laura Wiess (Such a Pretty Girl)
Sybil entered, with a plate. "You're not eating enough, Sam," she announced. "And the canteen here is a disgrace. It's all grease and garbage!" "That's what the men like, I'm afraid," said Vimes guiltily. "I've cleaned out the tar in the tea urn, at least," Sybil went on, with satisfaction. "You cleaned out the tar urn?" said Vimes in a hollow voice. It was like being told that someone had wiped the patina off a fine old work of art. "Yes, it was like tar in there. There really wasn't much proper food in the store, but I managed to make you a bacon, lettuce, and tomato sandwich." "Thank you, dear." Vimes cautiously lifted a corner of the bread with his broken pencil. There seemed to be too much lettuce, which is to say, there was some lettuce.
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
By the time I learned to say “Six-inch number seven on rye with Swiss hold the lettuce,” the sound, too, was gone. It became part of what the mind would label silence. You were now subsumed into the superorganism. The
Abraham Verghese (Cutting for Stone)
Harvest Time When Daddy's garden is ready it is filled with words that make me laugh when I say them -- pole beans and tomatoes, okra and corn sweet peas and sugar snaps, lettuce and squash. Who could have imagined so much color that the ground disappears and we are left walking through an autumn's worth of crazy words that beneath the magic of my grandmother's hands become side dishes.
Jacqueline Woodson (Brown Girl Dreaming)
A cat met up with a big male rat in the attic and chased him into a corner. The rat, trembling, said, ‘Please don’t eat me, Mr. Cat. I have to go back to my family. I have hungry children waiting for me. Please let me go.’ The cat said, ‘Don’t worry, I won’t eat you. To tell you the truth, I can’t say this too loudly, but I’m a vegetarian. I don’t eat any meat. You were lucky to run into me.’ The rat said, ‘Oh, what a wonderful day! What a lucky rat I am to meet up with a vegetarian cat!’ But the very next second, the cat pounced on the rat, held him down with his claws, and sank his sharp teeth into the rat’s throat. With his last, painful breath, the rat asked him, ‘But Mr. Cat, didn’t you say you’re a vegetarian and don’t eat any meat? Were you lying to me?’ The cat licked his chops and said, ‘True, I don’t eat meat. That was no lie. I’m going to take you home in my mouth and trade you for lettuce.’ 
Haruki Murakami (1Q84 (1Q84, #1-3))
You think dark is just one color, but it ain’t. There’re five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don’t stay still. It moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
Toni Morrison (Song of Solomon: A Novel (Vintage International))
There is no room in History for conjecture. History is fact because it deals with facts, you’ll learn in time...' 'Fuck that, man. That’s like saying botany is a lettuce because it deals with lettuces.
D.L. Christopher (Immemorial)
Konstance is old enough to understand that Father’s farm is unlike the other three: those spaces are tidy and systematic, while Farm 4 is a tangle of wires and sensors, grow-racks skewed at every angle, individual trays crowded with different species, creeping thyme beside radishes beside carrots. Long white hairs sprout from Father’s ears; he’s at least two decades older than the other children’s fathers; he’s always growing inedible flowers just to see what they look like and muttering in his funny accent about compost tea. He claims he can taste whether a lettuce has lived a happy life; he says one sniff of a properly grown chickpea can whisk him three zillion kilometers back to the fields who grew up in Scheria.
Anthony Doerr (Cloud Cuckoo Land)
I saw a cartoon that describes this. A head of iceberg lettuce is sitting in a garden saying, “Oh, no, how did I get in this vegetable garden again? I wanted to be a wildflower!” The caption reads, “Oscar is born again as a head of iceberg lettuce in order to overcome his fear of being eaten.” One can think from a bigger perspective than this whole notion of reward and punishment. You could see your life as an adult education course. Some of the curriculum you like and some you don’t like; some of what comes up you find workable, some you don’t. That’s the curriculum for attaining enlightenment. The question is, how do you work with it?
Pema Chödrön (Start Where You Are: A Guide to Compassionate Living (Shambhala Classics))
The view from our garden is spectacular. I thought about people I knew who right at that moment might be plucking chickens, picking strawberries and lettuce, just for us. I felt grateful to the people involved, and the animals also. I don't say this facetiously. I sent my thanks across the county, like any sensible person saying grace before a meal.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary … You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
My wife says Ambersons don’t make lettuce salad the way other people do; they don’t chop it up with sugar and vinegar at all. They pour olive oil on it with their vinegar, and they have it separate—not along with the rest of the meal. And they eat these olives, too: green things they are, something like a hard plum, but a friend of mine told me they tasted a good deal like a bad hickory-nut. My wife says she’s going to buy some; you got to eat nine and then you get to like ‘em, she says.
Booth Tarkington (The Magnificent Ambersons)
We were lost then. And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still. It moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
Toni Morrison (Song of Solomon)
by have a home in the first place? Good question! When I have a tea party for my grandchildren, I'm passing on to them the things my mama passed on to me-the value of manners and the joy of spending quiet time together. When Bob reads a Bible story to those little ones, he's passing along his deep faith. When we watch videos together, play games, work on projects-we're building a chain of memories for the future. These aren't lessons that can be taught in lecture form. They're taught through the way we live. What we teach our children-or any child who shares our lives-they will teach to their children. What we share with our children, they will share with generations to come. friend of mine loves the water, the out doors, and the California sunshine. She says they're a constant reminder of God's incredible creativity. Do you may have a patio or a deck or a small balcony? Bob and I have never regretted the time and expense of creating outdoor areas to spend time in. And when we sit outside, we enhance our experience with a cool salad of homegrown tomatoes and lettuce, a tall glass of lemonade, and beautiful flowers in a basket. Use this wonderful time to contemplate all God is doing in your life. ecome an answer to prayer! • Call and encourage someone today.
Emilie Barnes (365 Things Every Woman Should Know)
Your father says the boy lost his mother,” she said. She was washing lettuce in the sink and shouting above the water. “No, not quite. She made a suicide attempt, but she’s okay.” Marta shook her head. “Oh, they always succeed sooner or later. How hard can it be? This is a crazy country, that people want to kill themselves. Other countries, people struggle to stay alive every day, they run between the bullets, they eat five little pieces of rice, and here the people say, Oh, stay alive in this beautiful country with lots to eat? No thank you, not for me.” I was sure there were plenty of suicides back in the country that invented Russian roulette, but now was not the time to say
Rebecca Makkai (The Borrower)
A cat met up with a big male rat in the attic and chased him into a corner. The rat, trembling, said, ‘Please don’t eat me, Mr. Cat. I have to go back to my family. I have hungry children waiting for me. Please let me go.’ The cat said, ‘Don’t worry, I won’t eat you. To tell you the truth, I can’t say this too loudly , but I’m a vegetarian. I don’t eat any meat. You were lucky to run into me.’ The rat said, ‘Oh, what a wonderful day! What a lucky rat I am to meet up with a vegetarian cat!’ But the very next second, the cat pounced on the rat, held him down with his claws, and sank his sharp teeth into the rat’s throat. With his last, painful breath, the rat asked him, ‘But Mr. Cat, didn’t you say you’re a vegetarian and don’t eat any meat? Were you lying to me?’ The cat licked his chops and said, ‘True, I don’t eat meat. That was no lie. I’m going to take you home in my mouth and trade you for lettuce.
Haruki Murakami (1Q84 (1Q84, #1-3))
For my first home-cooked meal in Tokyo, I took an assortment of beautiful Japanese ingredients and did what came naturally: I made Chinese food. I stir-fried some beautifully marbled kurobuta (Berkshire breed) pork with bok choy, ginger, and leeks, sauced it with soy sauce, mirin, and vinegar, and served it over rice, sprinkled with shichimi tōgarashi seven-spice mixture. This seemed like a reasonable act of Japanese-Chinese fusion. I made some quick-pickled cucumbers on the side. This was before we discovered that anything you do to a Japanese cucumber diminishes it. I should have known this; once I interviewed a Japanese-American farmer who grows more than a hundred Asian vegetables in Washington state. Naturally, I asked him about his personal favorite. Cucumber, he said. "How do you prepare it?" I asked. "Slice and eat." The whole meal was about the same as something I'd make at home, but I cooked it in Japan. It was like the SpongeBob SquarePants episode where SpongeBob has to work the night shift at the Krusty Krab, and he keeps saying things like, "I'm chopping lettuce... at night!" I was slicing cucumbers... in Tokyo!
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
When she was finished with the mailbox, Lisey trudged back down the driveway with her buckets in the long evening light. Breakfast had been coffee and oatmeal, lunch little more than a scoop of tuna and mayo on a scrap of lettuce, and dead cat or no dead cat, she was starved. She decided to put off her call to Woodbody until she had some food in her belly. The thought of calling the Sheriff's Office—anyone in a blue uniform, for that matter—hadn't yet returned to her. She washed her hands for three minutes, using very hot water and making sure any speck of blood was gone from under her nails. Then she found the Tupperware dish containing the leftover Cheeseburger Pie, scraped it onto a plate, and blasted it in the microwave. While she waited for the chime, she hunted a Pepsi out of the fridge. She remembered thinking she'd never finish the Hamburger Helper stuff once her initial lust for it had been slaked. You could add that to the bottom of the long, long list of Things in Life Lisey Has Been Wrong About, but so what? Big diddly, as Cantata had been fond of saying in her teenage years. "I never claimed to be the brains of the outfit," Lisey told the empty kitchen, and the microwave bleeped as if to second that. The reheated gloop was almost too hot to eat but Lisey gobbled it anyway, cooling her mouth with fizzy mouthfuls of cold Pepsi. As she was finishing the last bite, she remembered the low whispering sound the cat's fur had made against the tin sleeve of the mailbox, and the weird pulling sensation she'd felt as the body began, reluctantly, to come forward. He must have really crammed it in there, she thought, and Dick Powell once more came to mind, black-and-white Dick Powell, this time saying And have some stuffing! She was up and rushing for the sink so fast she knocked her chair over, sure she was going to vomit everything she'd just eaten, she was going to blow her groceries, toss her cookies, throw her heels, donate her lunch. She hung over the sink, eyes closed, mouth open, midsection locked and straining. After a pregnant five-second pause, she produced one monstrous cola-burp that buzzed like a cicada. She leaned there a moment longer, wanting to make absolutely sure that was all. When she was, she rinsed her mouth, spat, and pulled "Zack McCool"'s letter from her jeans pocket. It was time to call Joseph Woodbody.
Stephen King (Lisey's Story)
A Girl's Garden" A neighbor of mine in the village Likes to tell how one spring When she was a girl on the farm, she did A childlike thing. One day she asked her father To give her a garden plot To plant and tend and reap herself, And he said, 'Why not?' In casting about for a corner He thought of an idle bit Of walled-off ground where a shop had stood, And he said, 'Just it.' And he said, 'That ought to make you An ideal one-girl farm, And give you a chance to put some strength On your slim-jim arm.' It was not enough of a garden Her father said, to plow; So she had to work it all by hand, But she don't mind now. She wheeled the dung in a wheelbarrow Along a stretch of road; But she always ran away and left Her not-nice load, And hid from anyone passing. And then she begged the seed. She says she thinks she planted one Of all things but weed. A hill each of potatoes, Radishes, lettuce, peas, Tomatoes, beets, beans, pumpkins, corn, And even fruit trees. And yes, she has long mistrusted That a cider-apple In bearing there today is hers, Or at least may be. Her crop was a miscellany When all was said and done, A little bit of everything, A great deal of none. Now when she sees in the village How village things go, Just when it seems to come in right, She says, 'I know! 'It's as when I was a farmer...' Oh never by way of advice! And she never sins by telling the tale To the same person twice.
Robert Frost
Gian Pero Frau, one of the most important characters in the supporting cast surrounding S'Apposentu, runs an experimental farm down the road from the restaurant. His vegetable garden looks like nature's version of a teenager's bedroom, a rebellious mess of branches and leaves and twisted barnyard wire. A low, droning buzz fills the air. "Sorry about the bugs," he says, a cartoonish cloud orbiting his head. But beneath the chaos a bloom of biodynamic order sprouts from the earth. He uses nothing but dirt and water and careful observation to sustain life here. Every leaf and branch has its place in this garden; nothing is random. Pockets of lettuce, cabbage, fennel, and flowers grow in dense clusters together; on the other end, summer squash, carrots, and eggplant do their leafy dance. "This garden is built on synergy. You plant four or five plants in a close space, and they support each other. It might take thirty or forty days instead of twenty to get it right, but the flavor is deeper." (There's a metaphor in here somewhere, about his new life Roberto is forging in the Sardinian countryside.) "He's my hero," says Roberto about Gian Piero. "He listens, quietly processes what I'm asking for, then brings it to life. Which doesn't happen in places like Siddi." Together, they're creating a new expression of Sardinian terreno, crossing genetic material, drying vegetables and legumes under a variety of conditions, and experimenting with harvesting times that give Roberto a whole new tool kit back in the kitchen. We stand in the center of the garden, crunching on celery and lettuce leaves, biting into zucchini and popping peas from their shells- an improvised salad, a biodynamic breakfast that tastes of some future slowly forming in the tangle of roots and leaves around us.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
...but my favorite already-discovered aspect of critical thinking in cooking is the demand for thought experimentation when trying to innovate with food. For instance, today, I made you that crab salad (although the crab was actually just imitation crab), but anyways, I observed that there was this sweetness to the imitation crab, so I conducted a thought experiment with myself. I thought that the sweetness of the crab made the crab delicate, so I deduced that it would be best to use iceberg lettuce in the salad to enhance the delicacy of the crab, because iceberg lettuce is light and crisp, as opposed to cabbage, which is thicker and has a stronger and most likely overpowering flavor that may be incompatible with the delicacy of the crab. In that same thought experiment, I also thought that bell peppers would go well with the salad, because they also have a sweetness similar to the imitation crab, and they have a fresh flavor to them, so I thought it would compliment the crab. I also added that lite ranch dressing, because I knew that the lightness of the dressing would still be cohesively connected to the overall delicacy of the salad, and plus, a lot of the components in the salad were sweet, so the ranch balanced the ratio of sweetness to savoriness. Then, in the thought experiment, I reasoned that if I sprinkle sunflower seeds on it, the dish would be more elevated because of the nuttiness of the seeds. Overall, because of my experiment, the dish had most of the flavors that you and I wanted, but you did say that you wanted more vegetables to balance out the crab, so while we were eating, I conducted another thought experiment, where I thought, of course, about adding more vegetables, and I also thought about the possibilities of adding lemon juice or some citrus fruit like tangerines into my revised version of the salad.
Lucy Carter (The Reformation)
Sidney, is that what you girls go for these days?” Kathleen asked, pointing toward her oldest son. “All this scruffy whatnot?” Well, nothing like putting her on the spot here. Personally, Sidney thought that the dark hint of scruff along Vaughn’s angular jaw looked fine. Better than fine, actually. She would, however, rather be trapped for the next thirty-six hours in a car with the crazy pregnant lady before admitting that in front of him. “I generally prefer clean-shaven men.” She shrugged—sorry—when Vaughn gave her the side-eye as he began setting the table. “See? If you don’t believe me, at least listen to her,” Kathleen said, while peeling a carrot over a bowl at the island. “If you want to find a woman of quality, you can’t be running around looking like you just rolled out of bed.” “I’ll keep that in mind. But for now, the ‘scruffy whatnot’ stays. I need it for an undercover role,” Vaughn said. Surprised to hear that, Sidney looked over as she dumped the tomatoes into a large salad bowl filled with lettuce. “You’re working undercover now?” “Well, I’m not in the other identity right this second,” Vaughn said. “I’m kind of guessing my mother would be able to ID me.” Thank you, yes, she got that. “I meant, how does that work?” Sidney asked him. “You just walk around like normal, being yourself, when you’re not . . . the other you?” “That’s exactly how it works. At least, when we’re talking about a case that involves only part-time undercover work.” “But what if I were to run into the other you somewhere? Say . . . at a coffee shop.” A little inside reference there. “If I called you ‘Vaughn’ without realizing that you were working, wouldn’t that blow your cover?” “First of all, like all agents who regularly do undercover work, I tell my friends and family not to approach me if they happen to run into me somewhere—for that very reason. Second of all, in this case, the ‘other me’ doesn’t hang out at coffee shops.” “Where does the other you hang out?” Sidney asked. Not to contribute to his already healthy ego, but this was pretty interesting stuff. “In dark, sketchy alleys doing dark, sketchy things,” Vaughn said as he set the table with salad bowls. “So the other you is a bad guy, then.” Sidney paused, realizing something. “Is what you’re doing dangerous?” “The joke around my office is that the agents on the white-collar crime squad never do anything dangerous.” Sidney noticed that wasn’t an actual answer to her question
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.
Peter MacDonald (Best Joke Book for Kids: Best Funny Jokes and Knock Knock Jokes (200+ Jokes) : Over 200 Good Clean Jokes For Kids)
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary ... You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
A distraught man goes to his doctor and says, “Doc, there’s a piece of lettuce sticking out of my butt!” The doctor asks him to drop his pants and examines him. The man asks, “Doc, is it serious?!” The doctor replies, “Sorry to tell you this, but it’s just the tip of the iceberg.
Bathroom Readers' Institute (Uncle John's Perpetually Pleasing Bathroom Reader (Uncle John's Bathroom Reader, #26))
It's called a Horologium Florae," Martha explained later that afternoon. She'd dug a large circle in the grass. The circle was sectioned off into twelve wedges. "A flower clock. It was first hypothesized by a Swedish botanist in the 1700s. You plant a dozen flowers, each of them programmed to open and close at a specific hour. At the one o'clock section you plant a flower whose blooms open at one. At the two o'clock section you plant a flower whose blooms open at two. The blooms tell you what time it is. Like a sundial, only with flowers. Of course, I'll have to wait until summer to plant, but I wanted to mark out the space before the first frost." She pointed at each section in turn: "Goatsbeard there, then morning glory, then hawkweed, then purple poppy mallow. Then, I'm sorry to say, I'll have to use lettuce- there's nothing else that will bloom at that hour. On to swamp rose mallow and marsh sowthistle. Then flameflower and hawkbit.
Melanie Gideon (Valley of the Moon)
When Flury looked at the plants under a confocal microscope, which shines lasers that make the fluorescent dye in the plastics glow, he found particles had attached to the roots but hadn't penetrated them. So this is worrisome in that plastics might be accumulating around the roots we eat-carrots, sweet potatoes, radishes but it's good news in that neither a fibrous nor taproot system seemed to uptake plastic into the plant itself, unlike how crops readily soak up nutrients like nitrogen and iron. "The plant has probably an incentive to take up an iron particle, whereas a plastic particle will not be used by the plant," says Flury. This contradicts previous lab studies on wheat and other crops, like beans and onions and lettuce, showing that roots do take up plastics. Over at ETH Zürich, analytical chemist Denise Mitrano took a different tack, tagging nanoplastics not with fluorescence but with the rare metal palladium. And instead of growing wheat in agar, she grew it hydroponically, exposing the growing plants to the "doped" particles. She could then track the nanoplastics as the wheat plants took them up into their roots and shoots. "We didn't let the wheat go to grains, so we don't know if the nanoplastic would eventually get into the food source, but it did go up further into the plant," says Mitrano. However, she didn't see any big changes in the physiology of the plants, like growth rate or chlorophyl production. "But we did see that it changed the root structure a bit and the cellular structure in the root, which would indicate that the plant was still under stress.
Matt Simon (A Poison Like No Other: How Microplastics Corrupted Our Planet and Our Bodies)
8 Sam insisted they stop off at the baker’s on their way back; she had a feeling they were in for a long day. Once they arrived at the station, she told Bob to go on ahead while she hung around to speak to the desk sergeant. “Do you have anyone free, Nick?” “I can always find someone to help you out, Inspector. What do you need?” “A team of officers, actually. They need to go out to the Chatley farm in Mosser, more to the point, the surrounding area. Knock on the neighbours’ doors, see if they saw any suspicious vehicles in the area in the last few days.” “I can instigate that for you. Leave it with me.” “Good, thanks, Nick. Let me know if they come up with anything. I won’t be holding my breath. I think we have a crafty killer in our midst.” Nick tilted his head and winked. “They all slip up sooner or later, you know that as well as I do.” “How true.” She smiled, turned and tapped the number on the security keypad which released the door. Wearily, she made her way up the stairs to the incident room. She paused, wondering whether she should take a detour to the chief’s office, to keep him up to date. Her stomach rumbled which helped to make up her mind. The chief could wait. The incident room was buzzing, but it quietened down as soon as she entered the room. “Don’t let me stop you. Let’s get lunch underway and chuck around a few ideas while we eat, yes?” Bags rustled and Bob joined Sam at the drinks’ area. He added sugar to the cups. She touched his forehead. “Are you feeling all right?” He tutted. “Bugger off. I thought I’d better show willing, considering you bought the sandwiches.” “Thanks, it’s appreciated. I’m sure the rest of the team will agree.” Between them they handed around the drinks. In between bites and sips, Sam ran through what they had discovered up at the farmhouse. Crap, I wish I’d finished my lunch first. Her stomach objected and she placed half of her sandwich aside, to maybe go back to later. “That’s what we have, ladies and gents. Any suggestions?” Claire raised a hand, lettuce poking out from the corner of her mouth. She finished what she was chewing on and wiped her lips with a serviette. “Sorry about that, boss. Messy eater, I know, Scott’s always saying the same. Going back to the case, do you want me to delve into their backgrounds, the three who knew each other? Would that help?” “Anything we can find out about the three of them is going to help, Claire, so go for it. They’ve been friends for over fifty years, I seem to recall, so they might have a few skeletons in the cupboard to
M.A. Comley (To Die For (DI Sam Cobbs, #1))
Next stop: the cake. The couple had ordered theirs through one of Alfie's hotel pastry chefs, and it was three tiers of buttercream-frosted flowers that cascaded down all sides. One thing Cedric taught his planners was to consider where a wedding would take place and what was most appropriate for that setting---especially when it came to the cake. For example, if the couple wanted their wedding cake displayed at an outsider reception, they were limited to the type of frosting since many varieties melted in warm temperatures. Obviously, ice cream cakes were almost always out of the question, not only because they melted but also because they should only appear at toddler's parties, as Cedric was quick to say. Meanwhile fondant, while gorgeous, wasn't always the tastiest but could withstand a nuclear attack. We gave Camila and Alfie the gentler version of this spiel, but they insisted on savory buttercream regardless---and agreed to leave the cake inside on the big day. I had doubts about how much the bride actually loved cake anyway, given that she looked as if she maybe one piece of lettuce a day. But, "A wedding without a cake isn't really a wedding"---another one of Cedric's truisms, this one inspired by the Candy Bar Craze of 2009 and the Great Doughnuts of 2013.
Mary Hollis Huddleston (Without a Hitch)
Don’t you think that if SPYDER wants me to be part of an operation, it’d make sense for me to know what that operation is?” “Not necessarily.” Murray took a bite of his sandwich. It was ostensibly bacon, lettuce, and tomato, but it was really more like bacon, lettuce, bacon, tomato, and more bacon. Murray had been consuming an absolutely astonishing amount of bacon since getting out of prison, as well as astonishing amounts of soda, ice cream, candy, cake, and sausage, too. Even though he’d been at Hidden Forest for only a few days, he seemed to have gained several pounds in that time. Across the room, Ashley hopped out of the pool and headed for the water slide. “Why would SPYDER want to keep its agents in the dark?” I asked. Murray said, “When the Allies were about to invade France on D-day in World War Two, do you think the generals told everyone what the plan was? No. Because they knew that if they did, someone might blab it. Not on purpose, mind you. But it happens. People talk. One guy shoots his mouth off, and the next thing you know, the Allies show up on Normandy Beach to find the entire Nazi army waiting to massacre them.” Murray’s comparing SPYDER to the Allied Forces made me feel uneasy. After all, if SPYDER was anyone in a World War II scenario, it was the Nazis. “I get the need for secrecy, but at some point before D-day, the Allies told the soldiers what the plan was. They didn’t just drop them off on the beach and say, ‘Surprise! You’re invading France today!’ ” “And you will find out. When the time is right.” Murray took another bite of his sandwich. The single slice of tomato he’d put on it slipped out and plopped into the hot tub, where it quickly disappeared beneath the bubbles. Murray didn’t seem
Stuart Gibbs (Evil Spy School)
The new Christians in Corinth also had such questions, asking the apostle Paul, ‘How are the dead raised? With what kind of a body will they come?’ (1 Corinthians 15: 35). To answer their question, Paul uses the analogy of a seed. When you sow you do not place the mature plant in the ground but a tiny ‘simple’ seed. Yet God has created the seed so that it grows into a plant that is far more complex and glorious than the seed. I have a small vegetable patch where I plant a few seeds every spring. To me all the seeds look roughly the same, so I always find it amazing, even miraculous, that these tiny identical dry, black specks grow into delicious lettuce, rocket, spinach or carrots. Paul says that our earthly bodies and resurrected bodies are like the relationship of seeds to plants. There is a continuity between seed and plant, just as there is a continuity between our body here on earth and our bodies in the new creation. Yet there is also a difference: ‘The body that is sown is perishable, it is raised imperishable; it is sown in dishonour, it is raised in glory; it is sown in weakness, it is raised in power; it is sown a natural body, it is raised a spiritual body’ (1 Corinthians 15: 42–44). Our resurrected bodies will not be less than our earthly bodies, just as a plant is not less than the seed it comes from. Our risen bodies will not be physicality-minus, but physicality-plus, just as Jesus’ resurrected body was physicality-plus. When Jesus unites heaven and earth, we will not just have earthly bodies but bodies that are also part of the eternal, imperishable, glorious dimension of heaven. They will not just be natural bodies, but ‘spiritual’ bodies; not because they are made of some non-material ‘spirit’ matter, but because they are filled with the empowering Spirit of God, the same Spirit that was given at Pentecost as the firstfruits of the new creation. So we don’t need to worry about what happens to the specific atoms of our bodies after we have died. The God who not only transforms seeds into plants, but who in the beginning created from nothing every atom of the entire material universe, is more than capable of recreating our bodies at the resurrection of the dead. It is his power that holds every molecule of the universe together so that it does not disintegrate into chaos (Colossians 1: 17) and on the last day will bring every molecule together to ‘transform our lowly bodies so that they will be like his glorious body’ (Philippians 3: 21). But what happens if I am alive on earth on the day that Jesus returns? What kind of a body will I have then?
James Paul (What on Earth is Heaven?)
Every day at noon, Saban eats the same exact lunch—a salad with lettuce, cherry tomatoes, and turkey slices served in a Styrofoam container. Automating his lunch decision allows Saban to focus on more important tasks at hand. That minor decision is eliminated.1 Saban says that if you can “Eliminate the clutter and all the things that are going on outside and focus on the things that you can control with how you sort of go about and take care of your business. That's something that's ongoing, and it can never change.
Ben Carlson (A Wealth of Common Sense: Why Simplicity Trumps Complexity in Any Investment Plan (Bloomberg))
In terms of the validate-early or validate-late debate, while I do see merit in both arguments, I have to come down on the side of the late validators. Again, it’s a matter of trust. When you validate early, every other module or routine that processes the data has to trust that the validation actually was performed and was performed correctly. A colleague of mine refers to this as the “Lettuce Issue.” She says that while the grocery store may claim to sell you pre-washed lettuce, she always washes it again herself before she makes her salads, since that’s the only way to really be sure. The same principle applies to input validation: give that user input a good thorough washing right before you use it.
Bryan Sullivan (Web Application Security, A Beginner's Guide)
Patrick is with Luke. I’ve left my key on the counter. Keep an eye on my boy for me. Chase sighs, worried that he’s forced Shannon into making a decision she wasn’t comfortable with, but also relieved that Patrick is with his dad at last. And who knows? Maybe she’ll get her shit together and find someone or something that makes her happy. He’ll check in on Patrick tomorrow. Not now. He’s got too much to do. He showers quickly and the cool water brings down his core temperature, making him not want to get out. After dressing, he heads to the kitchen. The house feels eerily quiet as he throws together ham, cheese and some wilting lettuce leaves. It’s a little too quiet. Maybe he liked having house guests. Or maybe he should get a cat. A cat would be someone to talk to in the evenings. He laughs at the thought. “How about you get yourself a damn woman instead?” he says aloud. Settling down to eat in front of the TV, he switches it on and sees the crime scene he just left. It looks busy, but the cameras don’t pick up anything they shouldn’t see. The body has been taken away already.
Wendy Dranfield (The Birthday Party)
People say that Yazidism isn’t a “real” religion because we have no official book like the Bible or the Koran. Because some of us don’t shower on Wednesdays—the day that Tawusi Melek first came to earth, and our day of rest and prayer—they say we are dirty. Because we pray toward the sun, we are called pagans. Our belief in reincarnation, which helps us cope with death and keep our community together, is rejected by Muslims because none of the Abrahamic faiths believe in it. Some Yazidis avoid certain foods, like lettuce, and are mocked for their strange habits. Others don’t wear blue because they see it as the color of Tawusi Melek and too holy for a human, and even that choice is ridiculed.
Nadia Murad (The Last Girl: My Story of Captivity, and My Fight Against the Islamic State)
He stops before me. “There’s no real way to harness this power. The rage will always be there, but you have to control it. I was calm all the time. Not because that was my personality, but because… I couldn’t let the rage consume me.” “Is that why you baked?” Derrick asks. “And why you get baked?” My father looks at him, frowning. “Get baked? What does that even mean?” Killian lets out a laugh, wiping his tears. “You know, the devil’s lettuce.” “We have lettuce?” I can’t help but laugh at the dad jokes. It almost feels like he’s still here. “Drugs, Dad!” He looks at me with wide eyes. “Never in my life have I ever tried drugs.” “Not what the fae tells me,” Derrick said. “Oh, the devil!” my father says. “They are lying. I swear. I was a good child.” “Not with the way you fuck,” I mutter to myself. He
Rune Hunt (Hell's Queen (Soul Reaper Academy, #4))
I know I’ve been nothing but a pain to you ever since I came here.” “Not true,” I said, kissing her palm. “You’ve helped me and healed me. Fed me more bacon than any one man—or wolf—ought to eat in one sitting…” “Victor…” She laughed at that and I was glad to see the smile on her face. “Come on, it was only three packs.” “But now I got nothing to make BLTs with,” I complained. “So that’s what the lettuce and tomato in the fridge are for,” she said. “I thought maybe they were for salad.” “Salad? No fucking way.” I grinned at her. “I’m a wolf, baby—I can’t live on bunny food.” “How about a steak then?” She looked at the clock on the bedside table. “It’s almost dinnertime and I thought I saw one in there. Let me make you something to eat.” “The only thing I want to eat right now…” I started and saw her creamy cheeks flush red. “Victor…” “Is a big juicy medium rare steak,” I finished. Taylor slapped me on the chest. “Now stop that—you’re making me embarrassed.” “What?” I spread my hands innocently. “I was just saying how hungry I am. So yes, I’d love a steak. Uh, do you know how to cook though?” “I’ve only been a vampire for six years,” she reminded me. “I’m an excellent cook.” “Go to it, then, woman.” I pointed at the door. “Go make me a steak.” “Yes, sir!” She gave me a little salute and giggled, a soft sound that made me want to take her down to the bed and kiss her and tickle her until she made that sound again—as well as a lot of others.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
What’s going to happen to Wes?” She lifted her eyes steadily to her brother’s, but she didn’t answer at once. “I don’t know. He’s admitted himself into a drug treatment program.” “Why?” Bud asked. Again she paused. “For drug treatment. It’s not unusual for some of those traders to get hooked on... You know... Uppers?” It was stated as a question. And Preacher thought, it was meth. It wasn’t a little bitty innocent drug. “And you couldn’t do anything about that?” “Like what, Bud?” she returned. “I don’t know. Like help him with that. I mean, what did you have to do?” Paige put down her fork and glared into her brother’s eyes. “No, Bud. I couldn’t help with that. It was completely beyond my control.” Bud tilted his eyes toward his lettuce, stabbed a piece with his fork and muttered, “Maybe you could’ve kept your stupid mouth shut.” Preacher’s fork went down sharply. And Preacher, who rarely used profanity and only in the most heated moments, said, “You’re fucking kidding me, right?” Bud’s eyes snapped up to Preacher’s face. His jaw ground and he scowled. “She tell you she had six thousand square feet and a pool?” Preacher glanced at Paige, Paige glanced at Preacher and then swiveled her eyes slowly to Bud. She spoke to Preacher while she looked at Bud and said, “My brother doesn’t understand. The size of the house you live in has nothing to do with anything.” “The hell,” Bud said. “I’m just saying, there are times to keep your mouth shut, that’s all I’m saying. You had it fucking made.” It took every red blood cell in Preacher’s body to stay in his chair. He wanted to shout, He beat her up in the street in front of me! He killed their baby with his foot! He was squeezing and releasing his fork with such tension, he was unaware he was bending it. It wasn’t his right to speak out; he was a guest. He didn’t see himself as Bud’s guest, he was Paige’s guest. He got a sick feeling in his stomach at the thought he could’ve dropped her here for a visit, alone. He felt his blood pressure going up; his temples were pulsing. “Bud, he was abusive.” “Jesus Christ, you had a few problems. The guy was loaded, for Christ’s sake!” Preacher thought he might explode, his heated blood was expanding so fast. He could hear his own heartbeat. And he felt a small, light hand on top of his coiled fist. He raised his eyes and met the dull, nervous stare of Paige’s mother, pleadingly looking at him from across the table. “Bud doesn’t mean exactly that,” she said. “It’s just that we’ve never had a divorce in the family. I raised the kids to understand, you have to try to get beyond the problems.” “Everyone has problems,” Gin said, nodding. Those same eyes. Begging. Preacher didn’t think he could do it. Sit through it. He was pretty sure he’d never get to the steak without shoving Bud up against the wall and challenging him to keep his mouth shut through something like his fists. The struggle was, that was like Wes. Get mad, take it to the mat. Beat the living shit out of someone. Someone you could beat into submission real easy. “They weren’t problems,” Paige said insistently. “He was violent.” “Aw, Jesus Christ,” Bud said, lifting his beer. A
Robyn Carr (Shelter Mountain (Virgin River, #2))
Mel was just here. She’s complaining about the food.” “Huh?” Jack answered. “Mel?” “Yeah. She says my food is making her fat.” Jack chuckled. “Oh, that. Yeah, she’s making noises about that. Don’t worry about it.” “She didn’t make it sound like I shouldn’t worry about it. She was pretty much loaded for bear.” “She had two babies in fourteen months, plus a hysterectomy. And—she doesn’t like to be reminded about this—she’s getting older in spite of herself. Women get a little thicker. You know.” “How do you know that?” “Four sisters,” Jack said. “It’s all women ever worry about—the size of their butts and boobs. And thighs—thighs come up a lot.” “She yelled at me,” he said, still kind of startled. Paul laughed and Jack just shook his head. “Did you tell her that?” Preacher asked. “About women getting thicker with age?” “Do I look like I have a death wish? Besides, I don’t think she’s getting fat—but my opinion about that doesn’t count for much.” “She wants salads. And fresh fruit.” “How hard is that?” Jack asked. “Not hard,” Preacher said with a shrug. “But I don’t stuff that pie down her neck every day.” A sputter of laughter escaped Paul, and Jack said, “You’re gonna want to watch that, Preach.” “She wants me to use less butter and cream, take a few calories out of my food. Jack, it isn’t going to taste as good that way. You can’t make sauces and gravies without cream, butter, fat, flour. People love that stuff, salmon in dill sauce, fettuccine Alfredo, stuffed trout, brisket and garlic mash. Stews with thick gravy. People come a long way for my food.” “Yeah, I know, Preach. You don’t have to change everything—but make Mel a little something, huh? A salad, a broiled chicken breast, fish without the cream sauce, that kind of thing. You know what to do. Right?” “Of course. You don’t think she wants everyone in this town on a diet? Because she says it’s not healthy, the way I cook.” “Nah. This is a phase, I think. But if you don’t want to hear any more about it, just give her lettuce.” He grinned. “And an apple instead of the pie.” Preacher shook his head. “See, I think no matter what she says, that’s going to make her pissy.” “She said it’s what she wants, right?” “Right.” “May the force be with you,” Jack said with a grin.
Robyn Carr (Temptation Ridge)
When Daddy's garden is ready it is filled with words that make me laugh when I say them- pole beans and tomatoes, okra and corn sweet peas and sugar snaps, lettuce and squash. Who could have imagined so much color that the ground disappears and we are left walking through an autumn's worth or crazy words that beneath the magic of my grandmother's hands become side dishes.
Jacqueline Woodson
He’s wrong, you know. However glorified he made it sound. Maybe my perspective is skewed, but that’s not how I recall it.” I pulled out a head of lettuce and a knife. “After you, everything seems mediocre.” Mason walked over and leaned on the counter next to me. “Thanks. Even if you’re only saying that to make me feel better.” I placed the lettuce on a cutting block and chopped it for salad. “I’m not just saying that. You were there. You should know. It wasn’t just sex. It was super freaking hot and unlike any other experience I’ve had.” He grinned. “Hearing you talk like that has me pretty turned on, but the way you’re murdering that lettuce has me kind of intimidated, as well.” I laughed and set the knife down. “I’m sorry. I’m just so pissed. I can’t believe he was talking about any of this.” “I really don’t think he was doing it to be an ass, honest. He was talking, thinking about the past.” Mason grabbed my hands and pulled me to his chest. “It just sucked to hear on my end and, if anything, I should be the one murdering the lettuce right now.” He tilted my chin up and kissed me. “Do you maybe have a tomato or something I can take my aggression out on?” “Cucumber?” “There’s some symbolism there. A little dark and disturbing, but I like it.” Laughing, I pulled the cucumber out of the small refrigerator. “Have at it.” He set it on the cutting block and picked up the knife. “You sure you don’t want to hack into this one?” “It’s all you.” I moved the lettuce to a big bowl then set it in front of Mason, who was moving the cucumber around the cutting board, seemingly unsure where to start. “You’re supposed to be murdering it, not trying to score a second date.” “I’m going to be honest. It feels a little barbaric.” I bit back a smile. “Okay, well, when you’re done sweet-talking the cucumber, will you coax it into the salad bowl for me?” “Why? You going to toss it for me?” “Yes, Mason. I’m going to toss your salad.” He rubbed his chin. “Okay, why not.” I nudged him out of the way and started cutting the cucumber myself. “Stop corrupting my dinner.” “Hey.” He wrapped his arms around my waist. “I’m just helping. I have no idea what you’re talking about
Renita Pizzitola (Just a Little Kiss (Crush, #3))
And one cannot help feeling that some alternative occupation—lettuce farming, say—would offer somewhat less of a risk of being put to death by installments. Why do you persist in it?” Goldeneyes Dactylos shrugged. “I’m good at it,” he said.
Terry Pratchett (The Color of Magic (Discworld, #1))
One cannot help feeling that some alternative occupation—lettuce farming, say—would offer somewhat less of a risk of being put to death by installments. Why do you persist in it?” Goldeneyes Dactylos shrugged. “I’m good at it,” he said.
Terry Pratchett (The Color of Magic (Discworld, #1; Rincewind, #1))
Would my head were a head of lettuce. I drove the last car over the Sagamore Bridge before the state police closed it off. The Cape Cod Canal all atempest beneath. No cars coming, no cars going. The bridge cables flapping like rubber bands. You think in certain circumstances a few thousand feet of bridge isn’t a thousand miles? The hurricane wiped out Dennis. Horace thanked God for insurance. I saved our little girl. You want me to say, Hurrah! Hurrah! but I can’t, I won’t, because to save her once isn’t to save her, and still she thumps as if the world was something thumpable. As if it wasn’t silence on a fundamental level. Yap on, wife, yap on. Thump, daughter, thump. Louder, Orangutan, louder. I can’t hear you.
Peter Orner (Last Car Over the Sagamore Bridge: Stories)
St. Gregory of Nice relates a story of a nun who forgot to say her benedicite, and make the sign of the cross, before she sat down to supper, and who, in consequence, swallowed a demon concealed among the leaves of a lettuce.
Charles Mackay (Extraordinary Popular Delusions and The Madness of Crowds: All Volumes - Complete and Unabridged [Illustrated])
Now, no one likes to grill more than I do. But everyone in the business knows there's a huge difference between grill and sauté. Grill guys- and by no means would I want to imply that grilling isn't an art- but grill guys tend to be the cavemen of the kitchen. The guys who don't possess much in the way of artistic flair but can give you a perfectly pink tenderloin of venison after sprinkling it with salt and pepper, searing it, and poking it a couple of times. These are not the men for delicate seasonings and sauce making. They stick to the meat, mostly. And they can take a lot of heat. Sautéing is the highest station in the kitchen, below the sous chef and chef. And I, for one, goddammit, have piled enough skyscraper salads to be given consideration. I'm not working my way up the kitchen ladder for my goddamn health. I know all too well the sting of vinegar in an open cut. Oh yes, that salad you're eating as a light appetizer? My bare hands have massaged dressing into every leaf. Lettuce loves me. But I've got ambition and, I don't mind saying, a decent palate. I believe I'm capable of executing the finer sauce nuances. I want to start my own place. I want to be The Chef. And the only way to do this (aside from buying a place outright) is by becoming the greatest cook I can be. Which means kicking ass on the line, not just salads and desserts. These are my hopes. These are my dreams.
Hannah Mccouch (Girl Cook: A Novel)
There is the standing prime rib roast, which I salted three days ago and have left uncovered in the extra fridge to dry out. I place the roast in a large Ziploc bag and put it in the bottom of the first rolling cooler, and then the tray of twice-baked potatoes enriched with cream, butter, sour cream, cheddar cheese, bacon bits, and chives, and topped with a combination of more shredded cheese and crispy fried shallots. My coolers have been retrofitted with dowels in the corners so that I can put thin sheets of melamine on them to create a second level of storage; that way items on the bottom don't get crushed. On the top layer of this cooler I placed the tray of stuffed tomatoes, bursting with a filling of tomato pudding, a sweet-and-sour bread pudding made with tomato paste and orange juice and lots of butter and brown sugar, mixed with toasted bread cubes. I add a couple of frozen packs, and close the top. "That is all looking amazing," Shawn says. "Why, thank you. Can you grab me that second cooler over there, please?" He salutes and rolls it over. I pull the creamed spinach out of the fridge, already stored in the slow cooker container, and put it in the bottom of the cooler, and then add three large heads of iceberg lettuce, the tub of homemade ranch dressing and another tub of crispy bacon bits, and a larger tub of popover batter. I made the pie at Lawrence's house yesterday morning before heading to the airport- it was just easier than trying to transport it- and I'll make the whipped cream topping and shower it with shards of shaved chocolate just before serving. I also dropped off three large bags of homemade salt-and-pepper potato chips, figuring that Lawrence can't eat all of them in one day and that there will hopefully be at least two bags still there when we arrive. Lawrence insisted that he would pick up the oysters himself.
Stacey Ballis (How to Change a Life)
distracted by your feelings, biases, and other inner trains of thought. Your mind must be open enough to let information come through from the conversation so that you can respond appropriately. And speaking of your mental state… An Open Mind It is often part of human nature to make a mental note of the person’s distinct features and mannerisms when they are talking to you. For instance, if they say something incredulous, your mind immediately makes a mental note along the lines of well, that was a stupid thing to say, followed by an instinctive raising of the eyebrows. Or what if the person has a visible distraction on their face like a mole on their cheek or a piece of lettuce in their teeth? Your eyes would immediately travel there,
James W. Williams (Communication Skills Training: How to Talk to Anyone, Connect Effortlessly, Develop Charisma, and Become a People Person)
WE LEAVE THE DORM, and Ethan shows us the gym, where he proudly informs us that in one month he’s already doubled the weight he can curl, then the community room, which has an enormous flat-screen TV and a bunch of pinball and video games, then the computer room, and then his little corner patch of their big community garden, where he’s growing lettuce and beets. “But you don’t eat vegetables,” David says. “Sammy says food tastes better when you grow it yourself.” “It’s true,” I say. David rolls his eyes and makes a snorting sound. “It is,” I insist. “I once had a tomato plant, and I hate tomatoes, but I ate the one little tomato I succeeded in growing, and it was delicious. Then the plant died.” “I didn’t want to grow tomatoes,” Ethan says. “I don’t blame you. It only leads to heartbreak.
Claire LaZebnik (Things I Should Have Known)
Maybe tangled will be a spectacular rump. maybe i will adore it: it could happen. But one thing is for sure: tangled will not be rapunzel. And thats too bad , because rapunzel is an specially layered and relevant fairytale, less about the love between a man and a woman than the misguided attempts of a mother trying to protect her daughter from (what she perceives ) as the worlds evils. The tale, you may recall, begins with a mother-to-bes yearning for the taste of rapunzel, a salad green she spies growing in the garden of the sorceress who happens to live next door. The womans craving becomes so intense , she tells her husband that if he doesn't fetch her some, she and their unborn baby will die. So he steals into the baby's yard, wraps his hands around a plant, and, just as he pulls... she appears in a fury. The two eventually strike a bargain: the mans wife can have as much of the plant as she wants- if she turns over her baby to the witch upon its birth. `i will take care for it like a mother,` the sorceress croons (as if that makes it all right). Then again , who would you rather have as a mom: the woman who would do anything for you or the one who would swap you in a New York minute for a bowl of lettuce? Rapunzel grows up, her hair grows down, and when she is twelve-note that age-Old Mother Gothel , as she calls the witch. leads her into the woods, locking her in a high tower which offers no escape and no entry except by scaling the girls flowing tresses. One day, a prince passes by and , on overhearing Rapunzel singing, falls immediately in love (that makes Rapunzel the inverse of Ariel- she is loved sight unseen because of her voice) . He shinnies up her hair to say hello and , depending on the version you read, they have a chaste little chat or get busy conceiving twins. Either way, when their tryst is discovered, Old Mother Gothel cries, `you wicked child! i thought i had separated you from the world, and yet you deceived me!` There you have it : the Grimm`s warning to parents , centuries before psychologists would come along with their studies and measurements, against undue restriction . Interestingly the prince cant save Rapuzel from her foster mothers wrath. When he sees the witch at the top of the now-severed braids, he jumps back in surprise and is blinded by the bramble that breaks his fall. He wanders the countryside for an unspecified time, living on roots and berries, until he accidentally stumbles upon his love. She weeps into his sightless eyes, restoring his vision , and - voila!- they rescue each other . `Rapunzel` then, wins the prize for the most egalitarian romance, but that its not its only distinction: it is the only well-known tale in which the villain is neither maimed nor killed. No red-hot shoes are welded to the witch`s feet . Her eyes are not pecked out. Her limbs are not lashed to four horses who speed off in different directions. She is not burned at the stake. Why such leniency? perhaps because she is not, in the end, really evil- she simply loves too much. What mother has not, from time to time, felt the urge to protect her daughter by locking her in a tower? Who among us doesn't have a tiny bit of trouble letting our children go? if the hazel branch is the mother i aspire to be, then Old Mother Gothel is my cautionary tale: she reminds us that our role is not to keep the world at bay but to prepare our daughters so they can thrive within it. That involves staying close but not crowding them, standing firm in one`s values while remaining flexible. The path to womanhood is strewn with enchantment , but it also rifle with thickets and thorns and a big bad culture that threatens to consume them even as they consume it. The good news is the choices we make for our toodles can influence how they navigate it as teens. I`m not saying that we can, or will, do everything `right,` only that there is power-magic-in awareness.
Peggy Orenstein (Cinderella Ate My Daughter: Dispatches from the Frontlines of the New Girlie-Girl Culture)
Opening the freezer, Easy smiled. God bless the Rixeys’ ice-cream addiction. There were so many containers, it seemed entirely plausible that they’d robbed an ice-cream delivery truck. He sorted through the tubs until he found a container of chocolate. Bingo. Next, he grabbed the milk from the fridge. And then he opened a bunch of cabinets until he found a blender at the back of one of them. The layer of dust on its surfaces told of how long it had gone unused. He rinsed and wiped it off, then brought the detachable pitcher to the other counter, where the ice cream lay waiting. Shane’s expression was two seconds away from amused. “Not a word, McCallan.” He held up his hands and shook his head, but he couldn’t hold back the smile. Fucker. Scoop, scoop, scoop, milk. Lid on, Easy placed the container on the blender and hit mix. Two minutes later, he had something approximating a very thick milk shake. He spooned it into a glass, then gathered the bagel and soup. Next he built his sandwich, sneaking pieces of beef and cheese as he worked. “Damn, that looks good,” Shane said, pushing off the stool and grabbing a plate for himself. “Think I’ll make some food for me and Sara, too.” Easy suddenly felt less self-conscious with Shane making food for his woman, too. Whoa. He froze with a piece of rye bread in his hand. Jenna was not his woman. But maybe she could be. Slapping the bread on top of the lettuce, Easy’s thoughts spun—he came up with lots of reasons why it probably wasn’t a good idea, but that didn’t make him want it any less. Mid-sandwich-making, Shane spoke in low, even tones. “We don’t have to do that thing where I tell you to handle Jenna with care if you’re thinking of starting something with her, do we?” For. Fuck. Sake. Not that Easy was particularly surprised by the question. Hadn’t he been half expecting it? And, his brain noted with interest, it wasn’t a warning off. “Nope.” “I didn’t think so,” Shane said in that same casual, even tone. “I see how protective you are of her, Easy, and I’m glad for that. I know you’ll treat her right, so I’m not saying a thing about it, except handle with care.” Nodding, Easy concentrated on making the floor stand still under his feet. “I like her, Shane,” he finally said, echoing the conversation he and Shane had had a few nights ago about Shane’s growing feelings for Sara. And, well, hi, how ya doin’, Mr. Hypocrite, Easy had told Shane he had to come clean with the team. Despite the fact that Easy hadn’t done so himself. Still. “Yeah,” Shane said, clapping him on the back of the neck and squeezing. “I know.” Wow. From the thin cabinet next to the oven Easy retrieved a baking sheet to use as a tray. Improvisation he could do. He loaded it down with everything he thought they’d need, lifted it into his arms and then he was all about getting back to Jenna.
Laura Kaye (Hard to Hold on To (Hard Ink, #2.5))
Small, Medium, Large, Extra Large Think of these plants as if they were shirt sizes. Shirts come in all four sizes: small, medium, large, and extra large, and so do our plants. It’s that simple. The extra large, of course, are those that take up the entire square foot—plants like cabbages, peppers, broccoli, cauliflower, and geraniums. Next are the large plants—those that can be planted four to a square foot, which equals 6 inches apart. Large plants include leaf lettuce, dwarf marigolds, Swiss chard, and parsley. Several crops could be one per square foot if you let it grow to its full size or it can be planted four per square foot if you harvest the outer leaves throughout the season. This category includes parsley, basil, and even the larger heads of leaf lettuce and Swiss chard. Using the SFG method, you snip and constantly harvest the outer leaves of edible greens, so they don’t take up as much space as in a conventional garden. Medium plants come next. They fit nine to every square foot, which equals 4 inches apart. Medium plants include bush beans, beets, and large turnips. Another way to get the proper spacing and number per square foot is to be a little more scientific and do a little arithmetic as shown below. You can see that one, four, nine, or sixteen plants should be spaced an equivalent number of inches apart. This is the same distance the seed packet will say “thin to.” Of course we don’t have to “thin to” because we don’t plant a whole packet of seeds anymore. So if you’re planting seeds, or even putting in transplants that you purchased or grew from seed, just find the seed packet or planting directions to see what the distance is for thinning. This distance then determines whether you’re going to plant one, four, nine, or sixteen plants.
Mel Bartholomew (All New Square Foot Gardening: The Revolutionary Way to Grow More In Less Space)
Do you remember when you told me that you’d bought something ridiculously luxurious, and it was a mango?” he asks. “I was so fucking jealous of you. I wished that I could feel what that was like. I wanted to want something like that. I wanted to have that so badly.” I don’t have answers to any of his problems. I don’t even have solutions to mine. But this one thing? This, I can handle. “Come on,” I say. “Let’s get some mangoes.” We pull off the freeway a few miles later and follow the computer’s directions to a little grocery store. Fifteen minutes later, we’re sitting in a rest stop, cutting our mangoes to bits. “Here,” I tell him. “Trade me. Pretend you’re me. Let me tell you what it was like when I had that mango.” He shuts his eyes obligingly. “I didn’t have a lot of money,” I tell him. “And that meant one thing and one thing only—fried rice.” He smiles despite himself. “Kind of a stereotype, don’t you think?” “Whose stereotype? Rice is peasant food for more than half the world. It’s easy. It’s cheap. You can dress it up with a lot of other things. A little bit of onion, a bag of frozen carrots and peas. A carton of eggs. With enough rice, that can last you basically forever. It does for some people.” “It actually sounds good.” “If you have a decent underlying spice cabinet, you can break up the monotony a little. Fried rice with soy sauce one day. Spicy rice the next. And then curry rice. You can fool your tongue indefinitely. You can’t fool your body. You start craving.” He’s sitting on the picnic table, his eyes shut. “For me, the thing I start craving first is greens. Lettuce. Pea shoots. Anything that isn’t coming out of a bag of frozen veggies. And fruit. If you have an extra dollar or two, you buy apples and eat them in quarters, dividing them throughout the day.” I slide next to him on the table. The sun is warm around us. “But you get sick of apples, too, pretty soon. And so that’s where I want you to imagine yourself: sick to death of fried rice. No respite. No letting up. And then suddenly, one day, someone hands you a debit card and says, ‘Hey. Here’s fifteen thousand dollars.’ No, I’m not going to buy a stupid purse. I’m going to buy this.” I hold up a piece of mango to his lips. He opens his mouth and the fruit slides in. His lips close on my fingers like a kiss, and I can’t bring myself to draw away. He’s warmer than the sun, and I feel myself getting pulled in, closer and closer. “Oh, God.” He doesn’t open his eyes. “That’s so good.” I feed him another slice, golden and dripping juice. “That’s what it felt like,” I tell him. “Like there’s a deep-seated need, something in my bones, something missing. And then you take a bite and there’s an explosion of flavor, something bigger than just the taste buds screaming, yes, yes, this is what I need.” I hand him another piece of mango. He bites it in half, chews, and then takes the other half. “That’s what it felt like,” I say. “It felt like I’d been starving myself. Like I…” He opens his eyes and looks at me. “Like there was something I needed,” I say softly. “Something I’ve needed deep down. Something I’ve been denying myself because I can’t let myself want it.” My voice trails off. I’m not describing the taste of mango anymore. My whole body yearns for his. For this thing I’ve been denying myself. For physical affection. For our bodies joined. For his arms around me all night. It’s going to hurt when he walks away. But you know what? It’ll hurt more if he walks away and we leave things like this, desperate and wanting, incomplete. My voice drops. “It’s like there’s someone I’ve been denying myself. All this time.
Courtney Milan
Love does not have wings Love is to fly the sky You have a heart that is swollen with your fine breath Balloon 해당업체들에서는 각각 해당 장,단점이 존재하기 때문에 무엇이 어디가 좋고 옳고 그렇다고 판단하기는 조금 곤란하지 않나 싶습니다. 카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】 저희는 2015년도 부터 지금 2018년도 까지 온라인상 (구글)에서 만 4년간 판매를 해온업체입니다. 이때까지 단 한번의 가품으로 스캔들 난적도 없을뿐더러, 사고율 0% 재구매율 1등 추천율 1등 합리적인 패키지 가격으로 믿음과 신뢰가 두터운 업체 입니다. 24시간언제든지 연락주세요 Love is not good Love is a laugh If you just stay with it This mamma seems to have a world Shorey Jay) Love is not as many times in your life as the number of letters. The more we think of ourselves now, More mysterious and magical encounters If I had not been there before then I wonder if I had met you before Sometimes it feels like there 's someone in heaven who' I do not need to listen to sad songs anymore. I'll give you a sunny morning instead of sleeping and a rainy night. And those flowers, I love your beauty, what do you like? When asked, the rainbow in the sky is not the color of a beautiful one. It's beautiful itself, just like you Love does not have wings Love is to fly the sky You have a heart that is swollen with your fine breath Balloon 아이스,아이스 구입,아이스 구매,아이스 판매,아이스 가격,아이스 구매방법,아이스 구입방법,아이스 성분,아이스지속시간,아이스 증상,아이스 후기,아이스 처방전,아이스 구매처,아이스 구입처,아이스 판매처,아이스 팝니다,아이스 파는곳,아이스 효과,아이스 효능,아이스 삽니다,아이스 사는곳,아이스 구매사이트,아이스 판매사이트,아이스 인터넷구입,아이스 인터넷판매,아이스 복용법,아이스 사용법,아이스 사용방법,아이스 부작용,아이스 치사량,아이스 처방전,아이스 내성,아이스이뭔가요,아이스가 뭐에요,아이스 섭취방법,아이스 구입하기,아이스 용량,아이스정품판매처,아이스정품구매처,아이스정품구입처,정품아이스 Love is not good Love is a laugh If you just stay with it This mamma seems to have a world Lettuce) Love is when you first hold my hand, Love is the thrill of the moment when the phone rings, I can not answer my question about why you laugh Love is like a tear of my heart Love is living in a dream, flying in the sky with you Knowing that giving is happier now, not in writing, but in the heart Endless excitement and happy waiting Many stories of crying and laughing under his name You are another name for love This melody and rhythm is for you love song You do not have to say love Love is to read the mind One smile on your smile Heart Love is not sad Love is the flow of tears I want to give you more everything I have. Name of chest pain
아이스드랍처,카톡【AKR331】아이스직구,필로폰파는곳,텔레【RDH705】필로폰가격,필로폰팝니다
Susan read her letter. ‘Mother says I must give you plenty of lettuces and peas and things, or else you’ll all get scurvy. What is scurvy?
Arthur Ransome (Swallows and Amazons (Vintage Children's Classics))
...so even if spring continues to disappoint we can say at least the lettuce loved the rain.
Lisa Olstein
To break the mummified silence, Reyha says, "Thank you, Mom, it is delicious." A gold-rimmed china bowl filled with lettuce, wheat sprouts, and beans. I have requested a massacre of plants for lunch. The sound of the lettuce crunching between my teeth echoes in my ears... "Lettuce and carrots love human teeth," I say. They don't know that they should laugh. Mother's skin is so fair. Her lips bitterly curved downward, just like Reyhaneh's, show no sign of her usual naive smile. "It's great that you all eat meat. If everyone was a vegetarian, the sheep would die of hunger." I laugh at my own inane joke, dig out the unchewable lettuce string stuck between my teeth, and I put it on the side of the bowl. "At the front they used to tell us that if we were martyred, we would go to heaven. I have heard that in heaven, the instant you crave grapes or apples, the tree branches bend down to you. But the Quran doesn't say if there are carrots in heaven or not. Our house is better than heaven. It has lettuce, it has carrots. And I crave these every day...
Shahriar Mandanipour
The waitress comes over with a tray of the official cocktail of the evening, the ELT French 40. It's a riff on a French 75, adjusted to suit us, with bourbon instead of gin, champagne, lemon juice, and simple syrup, with a Luxardo cherry instead of a lemon twist. "Here you go, ladies. As soon as your guests are here we will start passing hors d'oeuvres, but I thought you might want a little sampler plate before they arrive." "That is great, thanks so much!" I say, knowing that in a half hour when people start to come in, we'll have a hard time eating and mingling. We accept the flutes and toast each other. The drink is warming and refreshing at the same time. The platter she has brought us contains three each of all the passed appetizers we chose: little lettuce cups with spicy beef, mini fish tacos, little pork-meatball crostini, fried calamari, and spoons with creamy burrata topped with grapes and a swirl of fig balsamic. There will also eventually be a few of their signature pizzas set up on the buffet, and then, for dinner, everyone has their choice of flat-iron steak, roasted chicken, or grilled vegetables, served with roasted fingerlings. For dessert, there is either a chocolate chunk or apple oatmeal cookie, served toasty warm with vanilla ice cream and either hot fudge or caramel on top, plus there will be their famous Rice Krispies Treats on the tables to share.
Stacey Ballis (How to Change a Life)
The Man of Wrath says he never met a young woman who spent her money that way before; I remarked that it must be nice to have an original wife; and he retorted that the word original hardly described me, and that the word eccentric was the one required. Very well, I suppose I am eccentric, since even my husband says so; but if my eccentricities are of such a practical nature as to result later in the biggest cauliflowers and tenderest lettuce in Prussia, why then he ought to be the first to rise up and call me blessed.
Elizabeth von Arnim (Elizabeth and Her German Garden)