Margo Roth Spiegelman Quotes

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Nothing ever happens like you imagine it will
John Green (Paper Towns)
You know your problem, Quentin? You keep expecting people not to be themselves. I mean, I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman, and for, like, never asking me about how it's going with my girlfriend - but I don't give a shit, man, because you're you. My parents have a shit ton of black Santas, but that's okay. They're them. I'm too obsessed with a reference website to answer my phone sometimes when my friends call, or my girlfriend. That's okay, too. That's me. You like me anyway. And I like you. You're funny, and you're smart, and you may show up late, but you always show up eventually.
John Green (Paper Towns)
The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightening, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the Queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
John Green (Paper Towns)
And all at once I knew how Margo Roth Spiegelman felt when she wasn't being Margo Roth Spiegelman: she felt empty. She felt the unscaleable wall surrounding her. I thought of her asleep on the carpet with only that jagged sliver of sky above her. Maybe Margo felt comfortable there because Margo the person lived like that all the time: in an abandoned room with blocked-out windows, the only light pouring in through holes in the roof. Yes. The fundamental mistake I had always made—and that she had, in fairness, always led me to make—was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.
John Green (Paper Towns)
My heart is really pounding," I said. "That's how you know you're having fun," Margo said.
John Green (Paper Towns)
Q, you're going to go to Duke. You're going to be a very successful lawyer-or-something and get married and have babies and live your whole little life, and then you're going to die, and in the last moments, when you're chocking on your own bile in the nursing home, you'll say to yourself:'Well, I wasted my whole goddamned life, but at least I broke into SeaWorld with Margo Roth Spiegelman my senior year of high school. At least I carpe'd that one diem.
John Green (Paper Towns)
All those paper people living in their paper houses, burning the future to stay warm.
John Green (Paper Towns)
You can’t divorce Margo the person from Margo the body. You can’t see one without seeing the other. You looked at Margo’s eyes and you saw both their blueness and their Margo-ness. In the end, you could not say that Margo Roth Spiegelman was fat, or that she was skinny, any more than you can say that the Eiffel Tower is or is not lonely. Margo’s beauty was a kind of sealed vessel of perfection – uncracked and uncrackable.
John Green (Paper Towns)
And now life has become the future. Every moment of your life is lived for the future-you go to high school so you can go to college so you can get a good job so you can get a nice house so you can afford to send your kids to college so they can get a good job so they can get a nice house so they can afford to send their kids to college.
John Green (Paper Towns)
Its a paper town, with paper houses and paper people, everything is uglier up close.
John Green
To find Margo Roth Spiegelman, you must become Margo Roth Spiegelman. And I had done many of the things she might have done: I had engineered a most unlikely prom coupling. I had quieted the hounds of caste warfare. I had come to feel comfortable inside the rat-infested haunted house where she did her best thinking. I had seen. I had listened. But I could not yet become the wounded person.
John Green (Paper Towns)
Physical space between us evaporates. We play the broken strings of our instruments one last time
John Green (Paper Towns)
You were with Margo Roth Spiegelman last night? At THREE A.M.? I nodded. Alone? I nodded. Oh my God, if you hooked up with her, you have to tell me every single thing that happened. You have to write me a term paper on the look and feel of Margo Roth Spiegelman's breasts. Thrity pages, minimum! I want you to do a photo-realistic pencil drawing. A sculpture would also be acceptable. I was wondering if it would be possible for you to write a sestina about Margo Roth Spiegelman's breasts? Your six words are: pink, round, firmness, succulent, supple, and pillowy. Personally, I think at least one of the words should be buhbuhbuhbuh.
John Green (Paper Towns)
And I don't really have anyone upon whom I want to rain down my wrath," I said, because in truth I didn't. I always felt like you had to be important to have enemies. Example: Historically, Germany has had more enemies than Luxembourg, Margo Roth Spiegelman was Germany. And Great Britain. And the United States. And czarist Russia. Me, I'm Luxembourg. Just sitting around, tending sheep, and yodeling.
John Green (Paper Towns)
As we walked, I kept taking glances at her through the crowd, quick snapshots: a photographic series entitled Perfection Stands Still While Mortals Walk Past.
John Green (Paper Towns)
Margo was so beautiful that even her fake smiles were convincing. (54)
John Green (Paper Towns)
Everything's uglier close up -Margo Roth Spiegelman
John Green (Paper Towns)
But there she is, and I am watching her through the Plexiglas, and she looks like Margo Roth Spiegelman, this girl I have known since I was two--this girl who was an idea that I loved.
John Green (Paper Towns)
there she is, and I am watching her through Plexiglas, and she looks like Margo Roth Spiegelman, this girl I have known since I was two–this girl who was an idea that I loved. And it is only now, when she closes her notebook and places it inside a backpack next to her and then stands up and walks toward us, that I realize that the idea is not only wrong by dangerous. What a treacherous thing it is to believe that a person is more than a person.
John Green
I always got very nervous whenever I heard that Margo was about to show up, on account of how she was the most fantastically gorgeous creature that God has ever created.
John Green (Paper Towns)
In the end, you could not say that Margo Roth Spiegelman was fat, or that she was skinny, any more than you can say that the Eiffel Tower is or is not lonely. Margo's beauty was a kind of sealed vessel of perfection-uncracked and uncrackable.
John Green (Paper Towns)
You see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean look at it Q: look at all those cul-de-sacs, those streets that turn in on themselves, all the houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with mania of owning things. All the things paper-thin and paper-frail. And all the people too.
John Green (Paper Towns)
I laugh, but I'm still thinking about ten-year-old Margo having a crush on ten-year-old me.
John Green (Paper Towns)
I couldn’t figure out which of these ideas, if any, was at the core of the poem. But thinking about the grass and all the different ways you could se it made me think about all the ways I’d seen and mis-seen Margo. There was no shortage of ways to see her. I’d been focused on what had become of her, but now with my head trying to understand the multiplicity of grass and her smell from the blanket still in my throat, I realized that the most important question was who I was looking for. If “What is the grass?” has such a complicated answer, I thought, so, too, must “Who is Margo Roth Spiegelman?” Like a metaphor rendered incomprehensible by its ubiquity, there was room enough in what she had left me for endless imaginings, for an infinite set of Margos.
John Green (Paper Towns)
A message from Margo Roth Spiegelman: Your friendship with her—it sleeps with the fishes
John Green (Paper Towns)
The way I figure it, everyone gets a miracle. Like, I will probably never get struck by lightning, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us.
John Green (Paper Towns)
I hit at the dirt with my heels of my fists, and then pounded it again and again, the sand scattering around my hands until I was hitting the bare roots of the tree, and I kept it up, the pain shooting up through my palms and wrists. I had not cried for Margo until then, but now finally I did, pounding against the ground and shouting because there was no one to hear: I missed her I missed her I missed her I miss her.
John Green (Paper Towns)
Well, I wasted my whole goddamned life, but at least I broke into SeaWorld with Margo Roth Spiegelman my senior year of high school. At least I carpe'd that one diem.
John Green (Paper Towns)
You're going to be a very successful lawyer-or-something and get married and have babies and live your whole little life, and then you're going to die, and in your last moments, when you're choking on your own bile in the nursing home, you'll say to yourself: 'Well I wasted my whole goddamned life, but at least I broke into SeaWorld with Margo Roth Spiegelman in my senior year of high school. At least I carpe'd the one diem
John Green (Paper Towns)
Like me. Margo Roth Spiegelman was a person, too. And I had never quite thought of her that way, not really; it was a failure of all my previous imaginings. All along—not only since she left, but for a decade before—I had been imagining her without listening, without knowing that she made as poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might read travel books to escape having to live in the town that so many people escape to. Someone who—because no one thought she was a person—had no one to really talk to.
John Green (Paper Towns)
My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
John Green (Paper Towns)
Margo Roth Spiegelman, whose six-syllable name was often spoken in its entirety with a kind of quiet reverence.
John Green (Paper Towns)
Mas o meu milagre foi diferente. O meu milagre foi o seguinte: de todas as casas em todas as urbanizações de toda a Florida, acabei a viver ao lado da Margo Roth Spiegelman.
John Green (Paper Towns)
Però aquí la tinc, […] i té l'aspecte de la Margo Roth Spiegelman […]; la noia que era una idea que jo estimava.
John Green (Paper Towns)
Hey, I notice you look like you're coming down off a meth binge and smell vaguely of algae. Were you perchance dancing with a snakebit Margo Roth Spiegelman a couple of hours ago?
John Green (Paper Towns)
The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightning, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all likely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stopped foot on Mars. I could have been eaten by a whale. I could have married the queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman
John Green (Paper Towns)
No puedes separar a la Margo persona de la Margo cuerpo. No puedes ver lo uno sin lo otro… Al final, no sabias si Margo Roth Spiegelman estaba gorda o estaba delgada, como no sabes si la torre Eiffel se siente o no se siente sola.
John Green (Paper Towns)
Here is Margo Roth Spiegelman, five feet away from me, her lips chapped to cracking, makeup-less, dirt in her fingernails, her eyes silent. I’ve never seen her eyes dead like that, but then again, maybe I’ve never seen her eyes before.
John Green (Paper Towns)
Radar half raised his hand. I dutifully called on him. “Yes, I was wondering if it would be possible for you to write a sestina about Margo Roth Spiegelman’s breasts? Your six words are: pink, round, firmness, succulent, supple, and pillowy.
John Green (Paper Towns)
That night,I lay on my side,staring out the window into the invisible world outside.I kept trying to fall asleep,but then my eyes would dart open,just to check.I couldn't help but hope that Margo Roth Spiegelman would return to my window and drag my tired ass through one more night I'd never forget.
John Green (Paper Towns)
You keep expecting people not to be themselves. I mean, I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman, and for, like, never asking me about how it’s going with my girlfriend – but I don’t give a shit, man, because you’re you.
John Green (Paper Towns)
Siempre había creído que había que ser importante para tener enemigos. Por ejemplo: históricamente, Alemania ha tenido más enemigos que Luxemburgo. Margo Roth Spiegelman era Alemania. Y Gran Bretaña. Y Estados Unidos. Y la Rusia de los zares. Yo soy Luxemburgo. Me siento por ahí, vigilo las ovejas y canto canciones tirolesas
John Green (Paper Towns)
A normal mother might have said, “Hey, I notice you look like you’re coming down off a meth binge and smell vaguely of algae. Were you perchance dancing with a snakebit Margo Roth Spiegelman a couple hours ago?” But no. They preferred dreams. I showered, put on a T-shirt and a pair of jeans. I was late, but then again, I was always late.
John Green (Paper Towns)
The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightning, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
John Green (Paper Towns)
. . . I'm not pretty, not close up anyway. Generally, the closer people get to me the less hot they find me.
Margo Roth Spiegelman
Ja. Ich bin eine große Verfechterin der spontanen Groß- und Kleinschreibung. Die gängigen Regeln der Groß- und Kleinschreibung sind unfair den kleinen Worten gegenüber.
John Green (Paper Towns)
Dieses Etwas, das tiefer liegt und geheimer ist. Es ist wie ein Riss tief in dir drin.
John Green (Paper Towns)
Nichts passiert so, wie man es sich vorstellt.
John Green (Paper Towns)
Because Margo knows the secret of leaving, the secret I have only just now learned: leaving feels good and pure only when you leave something important, something that mattered to you. Pulling life out by the roots. But you can’t do that until your life has grown roots. And so when she left, she left for good. But I could not believe she had left for a perpetual journey. She had, I felt sure, left for a place—a place where she could stay long enough for it to matter, long enough for the next leaving to feel as good as the last one had. There is a corner of the world somewhere far away from here where no one knows what “Margo Roth Spiegelman” means. And Margo is sitting in that corner, scrawling in her black notebook.
John Green (Paper Towns)
The thing about Margo Roth Spiegelman is that really all I could ever do was let her talk, and then when she stopped talking encourage her to go on, due to the facts that 1. I was incontestably in love with her, and 2. She was absolutely unprecedented in every way, and 3. She never really asked me any questions, so the only way to avoid silence was to keep her talking.
John Green (Paper Towns)
Observo com escriu. Tot i estar una mica bruta, té el mateix aspecte de sempre. No sé per què, però havia pensat que es veuria diferent. Més gran. Que amb prou feines la reconeixeria quan finalment la tornés a veure. Però aquí la tinc, i l'estic observant a través del metacrilat, i té l'aspecte de la Margo Roth Spiegelman, la noia que conec des que tenia dos anys; la noia que era una idea que jo estimava.
John Green (Paper Towns)
You know your problem,Quentin?You keep expecting people not to be themselves.I mean I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman,and for,like,never asking me about how it's going with my girlfriend - but I don't give a shit,man,because you're you.(...)And I like you.You're funny,and you're smart,and you may show up late,but you always show up eventually.
John Green (Paper Towns)
And so when she left, she left for good. But I could not believe she had left for a perpetual journey. She had, I felt sure, left for a place — a place where she could stay long enough for it to matter, long enough for the next leaving to feel as good as the last one had. There is a corner of the world somewhere far away from here where no one knows what “Margo Roth Spiegelman” means. And Margo is sitting in that corner, scrawling in her black notebook.
John Green (Paper Towns)
Und inzwischen besteht das ganze Leben nur aus Zukunft. Jeden Augenblick deines Lebens lebst du für die Zukunft - du machst deinen Schulabschluss, damit du aufs College gehen kannst, damit du einen guten Job kriegst, damit du dir ein schickes Haus kaufen kannst, damit du deinen Kindern die Ausbildung finanzieren kannst, damit sie eine guten Job kriegen, damit sie sich ein schickes Haus kaufen können, damit sie ihren Kindern eine gute Ausbildung finanzieren können.
John Green (Paper Towns)
She looks like she has always looked. I don’t know why, but I always thought she would look different. Older. That I would barely recognize her when I finally saw her again. But there she is, and I am watching her through the Plexiglas, and she looks like Margo Roth Spiegelman, this girl I have known since I was two—this girl who was an idea that I loved. And it is only now, when she closes her notebook and places it inside a backpack next to her and then stands up and walks toward us, that I realize that the idea is not only wrong but dangerous. What a treacherous thing it is to believe that a person is more than a person.
John Green (Paper Towns)
Of course he is. You know your problem, Quentin? You keep expecting people not to be themselves. I mean, I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman, and for, like, never asking me about how it’s going with my girlfriend — but I don’t give a shit, man, because you’re you. My parents have a shit ton of black Santas, but that’s okay. They’re them. I’m too obsessed with a reference Website to answer my phone sometimes when my friends call, or my girlfriend. That’s okay, too. That’s me. You like me anyway. And I like you. You’re funny, and you’re smart, and you may show up late, but you always show up eventually.
John Green (Paper Towns)
The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightning, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
John Green (Paper Towns)
The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightening, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the Queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
John Green (Paper Towns)
I’m not really in the mood.” “Can we call Ben then?” “No. Ben’s an asshole.” Radar looked at me sideways. “Of course he is. You know your problem, Quentin? You keep expecting people not to be themselves. I mean, I could hate you for being massively unpunctual and for never being interested in anything other than Margo Roth Spiegelman, and for, like, never asking me about how it’s going with my girlfriend—but I don’t give a shit, man, because you’re you. My parents have a shit ton of black Santas, but that’s okay. They’re them. I’m too obsessed with a reference Web site to answer my phone sometimes when my friends call, or my girlfriend. That’s okay, too. That’s me. You like me anyway. And I like you. You’re funny, and you’re smart, and you may show up late, but you always show up eventually.
John Green (Paper Towns)
on some fundamental level we find it difficult to understand that other people are human beings in the same way that we are? We idealize them as gods or dismiss them as animals.” “True. Consciousness makes for poor windows, too. I don’t think I’d ever thought about it quite that way.” I was sitting back. I was listening. And I was hearing something about her and about windows and mirrors. Chuck Parson was a person. Like me. Margo Roth Spiegelman was a person, too. And I had never quite thought of her that way, not really; it was a failure of all my previous imaginings. All along—not only since she left, but for a decade before—I had been imagining her without listening, without knowing that she made as poor a window as I did. And so I could not imagine her as a person who could feel fear, who could feel isolated in a roomful of people, who could be shy about her record collection because it was too personal to share. Someone who might read travel books to escape having to live in the town that so many people escape to. Someone who—because no one thought she was a person—had no one to really talk to. And all at once I knew how Margo Roth Spiegelman felt when she wasn’t being Margo Roth Spiegelman: she felt empty. She felt the unscaleable wall surrounding her. I thought of her asleep on the carpet with only that jagged sliver of sky above her. Maybe Margo felt comfortable there because Margo the person lived like that all the time: in an abandoned room with blocked-out windows, the only light pouring in through holes in the roof. Yes. The fundamental mistake I had always made—and that she had, in fairness, always led me to make—was this: Margo was not a miracle. She was not an adventure. She was not a fine and precious thing. She was a girl.
John Green (Paper Towns)