Maple Tree Leaves Quotes

Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.

The nine other students pack up their things and leave the classroom to carry on with their lives, to practices and rehearsals and club meetings. I leave the room, too, but I'm not part of them. They're the same, but I'm changed. I'm unhuman now. Unthetered. While they walk across campus, earthbound and ordinary, I soar, trailing a maple-red comet tail. I'm no longer myself; I am no one. I'm a red balloon caught in the boughts of a tree. I'm nothing at all.

Ars Poetica A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds. A poem should be motionless in time As the moon climbs, Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind— A poem should be motionless in time As the moon climbs. A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea— A poem should not mean But be.

And that's why I don't get to cry, I guess. Because they do. Because we're older but we're not the grown-ups who seem too far away to understand. I tuck that thought inside me, warm and small like balled hands inside hoodie pockets. Beneath the beech trees and sugar maples, feet crunching against dead leaves, I hope for strength. Because as much as I want to be the one crying, I want to be the kind of person someone can hold onto.

To me, the summer wind in the Midwest is one of the most melancholy things in all life. It comes from so far away and blows so gently and yet so relentlessly; it rustles the leaves and the branches of the maple trees in a sort of symphony of sadness, and it doesn't pass on and leave them still. It just keeps coming, like the infinite flow of Old Man River. You could -- and you do -- wear out your lifetime on the dusty plains with that wind of futility blowing in your face. And when you are worn out and gone, the wind -- still saying nothing, still so gentle and sad and timeless -- is still blowing across the prairies, and will blow in the faces of the little men who follow you, forever.

The maple tree in front of the doorstep burned like a gigantic red torch. The oaks along the roadway glowed yellow and bronze. The fields stretched like a carpet of jewels, emerald and topaz and garnet. Everywhere she walked the color shouted and sang around her. The dried brown leaves crackled beneath her feet and gave off a delicious smoky fragrance. No one had ever told her about autumn in New England. The excitement of it beat in her blood. Every morning she woke with a new confidence and buoyancy she could not explain. In October any wonderful unexpected thing might be possible.

Only a few leaves of deep red remain on the otherwise bare limbs of the maples; the oak leaves are russet and wrinkled; briefly through the trees is the glimpse of the bay, flat and steel-gray today with the overcast November sky.

She sat very still, listening to a stream gurgling, the breeze soughing through upper branches, the melodious kloo-klack of ravens, the nyeep-nyeep of nuthatches - all sounds chokingly beautiful. She felt she could hear the cool clean breath of growing things - fern fronds, maple leaves, white trillium petals, tree trunks, each in its rightful place.

Stop this!” he shouted. “Your woodland magic is no match for a Titan!” But the more he struggled, the faster the roots grew. They curled about his body, thickening and hardening into bark. His golden armor melted into the wood, becoming part of a large trunk. The music continued. Hyperion’s forces backed up in astonishment as their leader was absorbed. He stretched out his arms and they became branches, from which smaller branches shot out and grew leaves. The tree grew taller and thicker, until only the Titan’s face was visible in the middle of the trunk. “You cannot imprison me!” he bellowed. “I am Hyperion! I am—” The bark closed over his face. Grover took his pipes from his mouth. “You are a very nice maple tree.

Do you think of them as decoration? Think again. Here are maples, flashing. And here are the oaks, holding on all winter to their dry leaves. And here are the pines, that will never fail, until death, the instructions to be green.

I had always heard your entire life flashes in front of your eyes the second before you die. First of all, that one second isn't a second at all, it stretches on forever, like an ocean of time... For me, it was lying on my back at Boy Scout camp, watching falling stars... And yellow leaves, from the maple trees, that lined our street... Or my grandmother's hands, and the way her skin seemed like paper... And the first time I saw my cousin Tony's brand new Firebird... And Janie... And Janie... And... Carolyn. I guess I could be pretty pissed off about what happened to me... but it's hard to stay mad, when there's so much beauty in the world. Sometimes I feel like I'm seeing it all at once, and it's too much, my heart fills up like a balloon that's about to burst... And then I remember to relax, and stop trying to hold on to it, and then it flows through me like rain and I can't feel anything but gratitude for every single moment of my stupid little life... You have no idea what I'm talking about, I'm sure. But don't worry... you will someday.

It pained me to think something so inane, but that morning, as she’d subjected me to an endless T-Swift playlist, I realized that Liz was a fucking Taylor Swift song. She was. Vibey and romantic, but with the uncanny ability to reach inside of you and grab your heart with her absolute specificity. Liz Buxbaum wasn’t just a redhead; no, she was a girl whose hair was the color of the late September maple leaves that fluttered on the home base tree in her front yard. And Liz Buxbaum didn’t just wear a sweater, for God’s sake. No, she wore an apple green cardigan that smelled like Chanel No.5 and the front seat of your car, where she’d left it for a week. She said it reminded her of the way the rain sounded on the roof the first time you kissed her.

Is the soul solid, like iron? Or is it tender and breakable, like the wings of a moth in the beak of the owl? Who has it, and who doesn’t? I keep looking around me. The face of the moose is as sad as the face of Jesus. The swan opens her white wings slowly. In the fall, the black bear carries leaves into the darkness. One question leads to another. Does it have a shape? Like an iceberg? Like the eye of a hummingbird? Does it have one lung, like the snake and the scallop? Why should I have it, and not the anteater who loves her children? Why should I have it, and not the camel? Come to think of it, what about the maple trees? What about the blue iris? What about all the little stones, sitting alone in the moonlight? What about roses, and lemons, and their shining leaves? What about the grass? —Mary Oliver, “Some Questions You Might Ask

Each leaf on the maples and lindens was sharply outlined, as if chiselled from black stone. Taken as a whole, however, the great mass of trees seemed like a flat black pattern against the bright sky. The world’s beauty had surpassed itself. It was one of those moments when everyone stops to gaze in wonder—not only the idler with time on his hands but also the shift worker on his way home and the traveller half-dead on his feet. At times like this we cease to have distinct perceptions of light, space, silence, rustlings, warmth, sweet smells, the swaying of long grass or leaves—all the millions of ingredients that make up the world’s beauty. What we perceive then is true beauty, and it tells us only one thing: that life is a blessing.

Autumn in the country advances in a predictable path, taking its place among the unyielding rhythms of the passing seasons. It follows the summer harvest, ushering in cooler nights, and shorter days, enveloping all of Lanark County in a spectacular riot of colour. Brilliant hues of yellow, orange and red exclaim, in no uncertain terms, that these are the trees where maple syrup legends are born.

Maple leaves in autumn do not suddenly transform into stained glass pendants...in order to satisfy a human longing for beauty. Their scarlet, ochre, and golden colors emerge as chlorophyll production shuts down, in preparation for sacrificing the leaves that are vulnerable to winter cold, and ensuring the survival of the tree. But the tree survives, WHILE our vision is ravished. The peacock's display attracts a hen, AND it nourishes the human eye. The flower's fragrance entices a pollinator, BUT IT ALSO intoxicates the gardener. In that "while," in that "and," in that "but it also," we find the giftedness of life.

Under the trimmed willows, where brown children are playing And leaves tumbling, the trumpets blow. A quaking of cemeteries. Banners of scarlet rattle through a sadness of maple trees, Riders along rye-fields, empty mills. Or shepherds sing during the night, and stags step delicately Into the circle of their fire, the grove’s sorrow immensely old, Dancing, they loom up from one black wall; Banners of scarlet, laughter, insanity, trumpets

The morning of September 1st met the citizen of the village shining with beautiful sunny weather. A refreshing breeze, enriched by acerb fragrances of maple, oak, and poplar tree leaves that already began changing their colors for autumn, blew from the lake.

Many say autumn is by far the most spectacular season in Lanark County. During these brief few weeks Mother Nature paints our landscape with her most vivid palette, colouring our trees with broad strokes of the richest crimsons, fiery oranges, and the sunniest yellows, leaving no doubt in anyone's mind that these sugar maples are the crown jewels of our forests.

He could have spent the whole night watching her red lips form the words to the songs. Those lips-they were as bright as the red maple trees that glowed this time of year. Her blue eyes danced with each fast song, a wild swirl of crisp leaves in the autumn wind. That was how she haunted his heart. Every season, every corner of Gott's good land, he saw Annie there.

The Life of a Day Like people or dogs, each day is unique and has its own personality quirks which can easily be seen if you look closely. but there are so few days as compared to people, not to mention dogs, that it would be surprising if a day were not a hundred times more interesting than most people. But usually they just pass, mostly unnoticed, unless they are wildly nice, like autumn ones full of red maple trees and hazy sunlight, or if they are grimly awful ones in a winter blizzard that kills the lost traveler and bunches of cattle. For some reason we like to see days pass, even though most of us claim we don't want to reach our last one for a long time. We examine each day before us with barely a glance and say, no, this isn't one I've been looking for, and wait in a bored sort of way for the next, when, we are convinced, our lives will start for real. Meanwhile, this day is going by perfectly well-adjusted, as some days are, with the right amounts of sunlight and shade, and a light breeze scented with a perfume made from the mixture of fallen apples, corn stubble, dry oak leaves, and the faint odor of last night's meandering skunk.

Because it’s worth it. Worth the risk and the pain. Of all the glorious enchantments of this world—spring, snow, laughter, red roses, dogs, books—love is by far the best.” She released Harry and got down off the low stone wall. She took in the sugar maple, the wall, the forest. Hugged herself and smiled sorrowfully. “By its very nature, though, love is tragic. You can’t protect it. No matter how tightly you hold on to the one you love, they leave you or you leave them.

A week ago, this part of the river, where trees on each side of the bank touch and merge overhead to form a living tunnel, had been a green-and-black oil painting of dark water and moss-backed boulders. Now it was as though some vandal had hurled cheap emulsion at the canvas: the arterial red leaves of a low-lying maple branch streaked violently from one bank to another, and on the far side, little poplar leaves the exact color of twenty-four carat gold lay strewn over the boulders like pirate treasure.

Martin knew it was autumn again, for Dog ran into the house bringing wind and frost and a smell of apples turned to cider under trees. In dark clock-springs of hair, Dog fetched goldenrod, dust of farewell-summer, acorn-husk, hair of squirrel, feather of departed robin, sawdust from fresh-cut cordwood, and leaves like charcoals shaken from a blaze of maple trees. Dog jumped. Showers of brittle fern, blackberry vine, marsh-grass sprang over the bed where Martin shouted. No doubt, no doubt of it at all, this incredible beast was October!

The sun was gone, and the moon was coming Over the blue Connecticut hills; The west was rosy, the east was flushed, And over my head the swallows rushed This way and that, with changeful wills. I heard them twitter and watched them dart Now together now apart Like dark petals blown from a tree; The maples stamped against the west Were black and stately and full of rest, And the hazy orange moon grew up And slowly changed to yellow gold While the hills were darkened, fold on fold To a deeper blue than a flower could hold. Down the hill I went, and then I forgot the ways of men, For night-scents, heady, and damp and cool Wakened ecstasy in me On the brink of a shining pool. O Beauty, out of many a cup You have made me drunk and wild Ever since I was a child, But when have I been sure as now That no bitterness can bend And no sorrow wholly bow One who loves you to the end? And though I must give my breath And my laughter all to death, And my eyes through which joy came, And my heart, a wavering flame; If all must leave me and go back Along a blind and fearful track So that you can make anew, Fusing with intenser fire, Something nearer you desire; If my soul must go alone Through a cold infinity, Or even if it vanish, too, Beauty, I have worshipped you. Let this single hour atone For the theft of all of me

Praise the light of late November, the thin sunlight that goes deep in the bones. Praise the crows chattering in the oak trees; though they are clothed in night, they do not despair. Praise what little there’s left: the small boats of milkweed pods, husks, hulls, shells, the architecture of trees. Praise the meadow of dried weeds: yarrow, goldenrod, chicory, the remains of summer. Praise the blue sky that hasn’t cracked yet. Praise the sun slipping down behind the beechnuts, praise the quilt of leaves that covers the grass: Scarlet Oak, Sweet Gum, Sugar Maple. Though darkness gathers, praise our crazy fallen world; it’s all we have, and it’s never enough.

The little trees, the sapling sugar maples and the baby red oaks squatting close to the ground, were the first to turn, as if green were a feat of strength, and the smallest weaken first. Early in October, the Virginia creeper had suddenly drenched in alizarin crimson the tumbled boulder wall at the back of her property, where the bog began; the drooping parallel daggers of the sumac then showed a red suffused with orange. Like the slow sound of a great gong, yellow overspread the woods, from the tan of beech and ash to the hickory’s spotty gold and the Hat butter color of the mitten-shaped leaves of the sassafras, mitten that can have a thumb or two or none.

Fir, cedar, pines, oaks, and maples densely timbered this section. But it was the redwoods that never failed to fill him with awe. Their feathery-looking needles and reddish bark. The way they stretched up to incredible heights and the sheer magnitude of their circumferences. How long ago had God planted their seeds? Hundreds of years? Thousands? As he stood amongst those mighty giants, he realized the land wasn’t his at all. It was God’s. God had formed and planted the seeds. He’d tended the soil and caused it to rain. He’d needed no man. Least of all Joe. Yet over and over Joe had thought of this as his own. My land. My logging camp. My house. My woman. My everything. Picking up his ax, he returned to his work. But in his mind, he reviewed a list of men in the Bible who’d left everything they held dear for parts unknown. Abraham. Jacob. Joseph. Moses. Even a woman. Esther. In every case, their circumstances were much more severe than his. God hadn’t commanded Joe to leave his land, though he’d prayed for guidance. Fasted. Read his Bible. But God had remained silent. Joe simply assumed God was letting him choose. But no matter what he chose, none of it was really his. It was all God’s. And God was sharing it with him. So which did he want? Both. Like a spoiled child, he definitely wanted both. But if he could only have one, wouldn’t he still be a man blessed? Yes. And he’d praise God and thank Him. But that didn’t immediately make the grief shrivel up and blow away. Eyeing where he wanted the tree to fall, he adjusted his stance. I want Anna, Lord. I choose Anna. Yet as long as he lived, he’d always miss this land. He’d miss the Territory. He’d miss the logging. He’d miss his friends. The cypress began to pop and splinter. Jumping away, he braced his feet, threw back his head, and shouted with everything he had. “Timber-r-r-r-r-r-r-r-r-r-r-r-r!” The tree wavered, then crashed to the forest floor. Noise resounded through the copse. The ground shook. Debris flew. Before any of it settled, Joe fell to his knees, doubled over, and sobbed.

September, 1918" This afternoon was the colour of water falling through sunlight; The trees glittered with the tumbling of leaves; The sidewalks shone like alleys of dropped maple leaves, And the houses ran along them laughing out of square, open windows. Under a tree in the park, Two little boys, lying flat on their faces, Were carefully gathering red berries To put in a pasteboard box. Some day there will be no war, Then I shall take out this afternoon And turn it in my fingers, And remark the sweet taste of it upon my palate, And note the crisp variety of its flights of leaves. To-day I can only gather it And put it into my lunch-box, For I have time for nothing But the endeavour to balance myself Upon a broken world.

The instruments of murder are as manifold as the unlimited human imagination. Apart from the obvious—shotguns, rifles, pistols, knives, hatchets and axes—I have seen meat cleavers, machetes, ice picks, bayonets, hammers, wrenches, screwdrivers, crowbars, pry bars, two-by-fours, tree limbs, jack handles (which are not “tire irons;” nobody carries tire irons anymore), building blocks, crutches, artificial legs, brass bedposts, pipes, bricks, belts, neckties, pantyhose, ropes, bootlaces, towels and chains—all these things and more, used by human beings to dispatch their fellow human beings into eternity. I have never seen a butler use a candelabrum. I have never seen anyone use a candelabrum! Such recherché elegance is apparently confined to England. I did see a pair of sneakers used to kill a woman, and they left distinctive tread marks where the murderer stepped on her throat and crushed the life from her. I have not seen an icicle used to stab someone, though it is said to be the perfect weapon, because it melts afterward. But I do know of a case in which a man was bludgeoned to death with a frozen ham. Murderers generally do not enjoy heavy lifting—though of course they end up doing quite a bit of it after the fact, when it is necessary to dispose of the body—so the weapons they use tend to be light and maneuverable. You would be surprised how frequently glass bottles are used to beat people to death. Unlike the “candy-glass” props used in the movies, real glass bottles stand up very well to blows. Long-necked beer bottles, along with the heavy old Coca-Cola and Pepsi bottles, make formidable weapons, powerful enough to leave a dent in a wooden two-by-four without breaking. I recall one case in which a woman was beaten to death with a Pepsi bottle, and the distinctive spiral fluting of the bottle was still visible on the broken margins of her skull. The proverbial “lead pipe” is a thing of the past, as a murder weapon. Lead is no longer used to make pipes.

I have gone into the waste lonely places Behind the eye; the lost acres at the edge of smoky cities. What’s beyond never crumbles like an embankment, Explodes like a rose, or thrusts wings over the Caribbean. There are no pursuing forms, faces on walls: Only the motes of dust in the immaculate hallways, The darkness of falling hair, the warning from lint and spiders, The vines graying to a fine powder. There is no riven tree, or lamb dropped by an eagle. There are still times, morning and evening: The cerulean, high in the elm, Thin and insistent as a cicada, And the far phoebe, singing, The long plaintive notes floating down, Drifting through leaves, oak and maple, Or the whippoorwill, along the smoky ridges, A single bird calling and calling: A fume reminds me, drifting across wet gravel; A cold wind comes over stones; A flame, intense, visible, Plays over the dry pods, Runs fitfully along the stubble, Moves over the field, Without burning. In such times, lacking a god, I am still happy.

A sudden wind rustled through the birches; a gust of yellow leaves came storming down. I took a sip of my drink. If I had grown up in that house I couldn’t have loved it more, couldn’t have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon, and the strip of highway visible—just barely—in the hills, beyond the trees. The very colors of the place had seeped into my blood: just as Hampden, in subsequent years, would always present itself immediately to my imagination in a confused whirl of white and green and red, so the country house first appeared as a glorious blur of watercolors, of ivory and lapis blue, chestnut and burnt orange and gold, separating only gradually into the boundaries of remembered objects: the house, the sky, the maple trees. But even that day, there on the porch, with Charles beside me and the smell of wood smoke in the air, it had the quality of a memory; there it was, before my eyes, and yet too beautiful to believe.

Young developing leaves on normal trees are often tinged red thanks to a kind of sun block in their delicate tissue. This is anthocyanin, which blocks ultraviolet rays to protect the little leaves. As the leaves grow, the anthocyanin is broken down with the help of an enzyme. A few beeches or maples deviate from the norm because they lack this enzyme. They cannot get rid of the red color, and they retain it even in their mature leaves. Therefore, their leaves strongly reflect red light and waste a considerable portion of the light’s energy. Of course, they still have the blue tones in the spectrum for photosynthesis, but they are not achieving the same levels of photosynthesis as their green-leaved relatives. These red trees keep appearing in Nature, but they never get established and always disappear again. Humans, however, love anything that is different, and so we seek out red varieties and propagate them. One man’s trash is another man’s treasure is one way to describe this behavior, which might stop if people knew more about the trees’ circumstances.

Suddenly, the wind got colder for a moment. Colder and fiercer. I had to hold my hair down, the blonde locks thick with mousse and hairspray, as they were being whipped around my face. Something caught my eye. Out in the dark yard, behind the huge maple tree, I saw movement—a dark figure shifting as if to hide behind the tree. A Peeping Tom? Creepy. And you always think in the city you’ll see the weirdos, and there I was in a small town, blatantly staring at a man watching me. Maybe it was Josh. But wouldn’t he just say hi and be my Romeo to his Juliet? Holding my hair to my face, I tried to focus my eyes. But with so little light behind the shape, it was hard to see clearly, and I lost it completely when it stopped moving. I squinted in disbelief at two red slits glowing mid-trunk on the tree. I would’ve thought they were cat’s eyes catching the light, but they seemed much too large and far too high up the trunk of the tree. Not to mention, they were red. If I didn’t know better, I would’ve thought they belonged to the dark figure hiding behind the tree trunk, but that had clearly been a man spying on me. What man had red eyes? I blinked several times, assuming it was a hallucination. When the red eyes didn’t leave and the figure didn’t move from the tree, my stomach sank and my heart raced, but I didn’t move. I was frozen in fear, no—terror. After

Reading Group Guide Questions Discussion questions for The Three Pines Mysteries, by Louise Penny 1. How important is the use of humor in this book? 2. Which Three Pines villager would you most like to have cafe au lait with at the bistro? 3. Why is Ruth a villager? 4. Louise Penny says her books are about murder, but at their heart they’re about other things. What else is this book about? What are some other themes? 5. Agent Nichol is an extremely controversial character in the books. What do you think of her? What purpose does she serve? Discussion questions for Still Life 1. At the beginning of Still Life, we are told that “violent death still surprised” Chief Inspector Armand Gamache. Why is that odd for a homicide detective, and how does it influence his work? What are his strengths and his weaknesses? 2. The village of Three Pines is not on any map, and when Gamache and Agent Nicole first arrive there, they see “the inevitable paradox. An old stone mill sat beside a pond, the mid-morning sun warming its fieldstones. Around it the maples and birches and wild cherry trees held their fragile leaves, like thousands of happy hands waving to them on arrival. And police cars. The snakes in Eden.” Can you find other echoes of Paradise in Three Pines, and what role do snakes—real or metaphorical—play there? 3. There are three main couples in the book: Clara and Peter, Olivier and Gabri, and

And lifting water is just one of the many jobs that the phloem, xylem, and cambium perform. They also manufacture lignin and cellulose; regulate the storage and production of tannin, sap, gum, oils, and resins; dole out minerals and nutrients; convert starches into sugars for future growth (which is where maple syrup comes into the picture); and goodness knows what else. But because all this is happening in such a thin layer, it also leaves the tree terribly vulnerable to invasive organisms. To combat this, trees have formed elaborate defense mechanisms. The reason a rubber tree seeps latex when cut is that this is its way of saying to insects and other organisms, “Not tasty. Nothing here for you. Go away.” Trees can also deter destructive creatures like caterpillars by flooding their leaves with tannin, which makes the leaves less tasty and so inclines the caterpillars to look elsewhere. When infestations are particularly severe, some trees can even communicate the fact. Some species of oak release a chemical that tells other oaks in the vicinity that an attack is under way. In response, the neighboring oaks step up their tannin production the better to withstand the coming onslaught. By such means, of course, does nature tick along. The problem arises when a tree encounters an attacker for which evolution has left it unprepared, and seldom has a tree been more helpless against an invader than the American chestnut against Endothia parasitica. It enters a chestnut effortlessly, devours the cambium cells, and positions itself for attack on the next tree before the tree has the faintest idea,

As long as the earth endures, seedtime and harvest, cold and heat, summer and winter, day and night will never cease.” —Genesis 8:22 (NIV) As I walked to my mom’s house next door, I looked at the silhouettes of birds in the trees with the sun setting behind them. The road was still warm beneath my bare feet, and my leg muscles were tired from hours spent doing yard work and clearing the garden for winter (or “putting it to bed” as my husband calls it). Blackbirds rested on the stark branches, watching me until I was just beneath them, and then they flew away in a rush of energy. Today was warm. The sun bright. Most of our trees have lost their leaves, but our maple by the barn was holding on, wearing its marvelous colors like an ornate cloak. “Sabra, put shoes on!” the neighbor shouted from her doorway. “It’s nearly winter, don’t you know?” This is our joke. Every season she notices my feet and my tendency to be barefoot as long as possible. In March she calls out, “It must be spring! You don’t have shoes on!” And then when the snow falls, she yells, “Oh no, look at those boots! We must be in for a long winter.” With each step, I feel the warm tarry road beneath my feet. In a week or two, I’ll be wearing big thick socks and warm shoes. For now, I take in the beauty of a sunny path and hold it as a gift to help me through the long winter ahead. Dear Lord, may I always be mindful of the beauty in every season You have placed beneath my feet. —Sabra Ciancanelli Digging Deeper: Ps 19:1; Eccl 3:1–4

I watched water dripping off the ferns and the needles of the Western Red Cedar next door. I watched it running in runnels down the bark of the Cherry tree, and I looked at the small droplets of misty water that were accumulating on the broad leaves of the Bigleaf Maple.I touched one of the accumulated droplets, and instantly it was gone.

Autumn days were often silent; under skies bluer than any other time of the year, and maple trees ablaze in vivid hues, nearly impossible to describe to those not familiar with our Eastern Ontario landscape.

The month of August was upon them already. Where did the time go? The leaves were turning that special red—not a bright red or burgundy, an in-between red-and-orange. Other leaves were turning a beautiful golden shade. There was a splash of yellow leaves threading through the branches. Different variations of green leaves remained. The array of colour was breathtaking. Maple trees do not grow in England. What a pity, it is such a beautiful tree.

I continue my search for the place of origin of the bonsaied white pine. The forest’s plants evoke in me a feeling that reality has slipped. All is familiar wind in Japanese oaks and maples sounds as it does in the Americas: coarse grained and deep voiced in oaks, sandy and light in the thin-leaved maples. Yet when I attend to a visual detail- the contour of a leaf, the runnels in bark, the hue of a fruit, I am unmoored by strangeness. My mind is foundering in the geographic manifestation of plant evolution’s deep history. The plants of east Asia, seemingly so far from eastern North America, are in fact close kin to the plants of the mountain slopes of Appalachia, closer kin by far than the plants of the northwestern US, or of Florida, or the arid lands of the Southwest. On Miyajima, I walk with sumac, maple, ash, juniper, fir, oak, persimmon, and rhododendron. A few Asian specialties spice this thoroughly Appalachian community, curiosities like Japanese cedar, snake vines, and umbrella pines. The cedars intermingle their soft, extended sighs with the more familiar sounds of oak and maple.

Right here is my favorite sanctuary in Tokyo," said Ryuu. "It's called Momijidani. It means 'autumn leaf valley.'" We'd reached an artificial ravine with a waterfall tumbling down from a high rock formation about three stories tall, surrounded by a variety of rocks, and maple trees with red autumn leaves. A stream ran below the waterfall, with a picturesque bridge path over it. The effect was spectacular, like being deep in a valley surrounded by mountains- serene, private, magical- but with Tokyo Tower looming over it, a reminder of the bustling city just beyond.

It was a beautiful garden: the proportions, the plants, the feeling of enclosure granted by the surrounding stone wall. The fragrance, too, was heady: a hint of late-blooming jasmine mingled with lavender and honeysuckle. Birds flitted in the gaps between leaves, and bees and butterflies hovered over flowers in the ample garden beds. The gate through which she'd come was the side entrance, Juliet saw now, for another, larger path led away from the house towards a solid wooden gate set into the stones of the front wall. The wider path was lined on either side by standard roses wearing soft pink petals, and at its end was a large Japanese maple tree that had grown to reach across the front entrance.

She was going to plant a Japanese maple tree on top. She had already procured it, a lovely sapling with pale bark and the most elegant limbs, long and even, fine but strong. It had been one of Edward's favorite trees; the leaves were red in spring, turning by autumn to a most beautiful bright copper color, just like Lily Millington's hair. No, not Lily Millington, she corrected herself, for that had never been her real name. "Albertine," Lucy whispered, thinking back to that mild Hampstead afternoon when she had seen the shock of red in the glass house at the bottom of the garden and Mother had instructed her to take two cups of tea "in the finest china." "Your name was Albertine Bell." Birdie, to those who loved her.

There’s a way of triumphant accomplishment that comes from lowering dead or unwanted trees. (Not to say the joys of yelling, But that feeling fades pretty quickly once you look down and see unsightly—and very stubborn—Stump milling. If you hire a landscaper or arborist to chop down the trees, they typically leave the stumps behind, unless you pay a further fee. Stump-removal prices vary widely across the country and are supported by the diameter of the stump, but it typically costs between $100 and $200 to get rid of a stump that’s 24 inches in diameter or smaller. And that’s a good price if you’ve only got one stump to get rid of . But, if you've got two or more stumps, you'll save a substantial amount of cash by renting a stump grinder. A gas-powered stump grinder rents for about $100 per day, counting on the dimensions of the machine. And if you share the rental expense with one or two stump-plagued neighbors, renting is certainly the more economical thanks to going. you will need a vehicle with a trailer hitch to tow the machine, which weighs about 1,000 pounds. Or, for a nominal fee, most rental dealers will drop off and devour the grinder. To remove the 30-in.-dia. scarlet maple stump, I rented a Vermeer Model SC252 stump grinder. it's a strong 25-hp engine and 16-in.-dia. cutting wheel that's studded with 16 forged-steel teeth. this is often a loud, powerful machine with a classy mechanism , but it's surprisingly simple to work . But, before you crank up the motor and begin grinding away, it’s important to prep the world for the stumpectomy. Start by ensuring all kids and pets are indoors, or if they’re outdoors, keep them well faraway from the world and under constant adult supervision. Then, use a round-point shovel or garden mattock to get rid of any rocks from round the base of the stump [1]. this is often important because if the spinning cutting wheel hits a rock, it can shoot out sort of a missile and cause serious injury. Plus, rocks can dull or damage the teeth on the cutting wheel, which are expensive to exchange. Next, check the peak of the stump. If it’s protruding out of the bottom quite 6 inches approximately, use a sequence saw to trim it as on the brink of the bottom as possible [2]. While this step isn’t absolutely necessary, it'll prevent quite little bit of time because removing 6 inches of the Stump grinding with a chainsaw is far quicker than using the grinder. After donning the acceptable safety gear, start the grinder and drive it to within 3 feet of the stump. Use the hydraulic lever to boost the cutting wheel until it’s a couple of inches above the stump. Slowly drive the machine forward to position the wheel directly over the stump's front edge [3]. Engage the facility lever to start out the wheel spinning, then slowly lower it about 3 in. in to the stump grinding. Next, use the hydraulic lever to slowly swing the wheel from side to side to filter out all the wood within the cutting range. Then, raise the wheel, advance the machine forward a couple of inches, and repeat the method. While operating the machine, always stand at the instrument panel, which is found near the rear of the machine and well faraway from the cutting wheel. Little by little, continue grinding and advancing your way through to the opposite side of the stump. Raise the cutting wheel, shift into reverse, and return to the starting spot. Repeat the grinding process until the surface of the Stump removal is a minimum of 4 in. below the extent of the encompassing ground. At now, you'll drive the grinder off to at least one side, far away from the excavated hole. Now, discover all the wood chips and fill the crater with screened topsoil [4]. (The wood chips are often used as mulch in flowerbeds and around trees and shrubs.) Lightly rake the soil, opened up a good layer of grass seed, then rake the seeds into the soil [5]. Water the world and canopy the seeds with mulch hay.

It was Nicholas' pride to have one example of every tree which could be grown in that locality, and many of these he had imported by schooner from Europe and the Orient straight to the Dragonwyck dock- the Incense Cedar, the Weeping Cypress, the Judas Tree, the Gingko with its fan-shaped leaves, and the delicate bronze Japanese Maple- these were hardly enough to live outside; but the palms and aloes, the oleanders and the orchids, grew in the elaborate greenhouses or in the conservatory off the dinging-room.

The residence sat toward the back of the property, which sloped up across a masterfully landscaped yard shaded with maple and spruce trees, dotted with stone sculptures—fountains, birdbaths, angels—and not a leaf to be seen on the pockets of lush green grass. An engine turned over near the house. Letty stepped off the drive and crawled into a thicket of mountain laurel as a boxy Mercedes G-Class rolled past. Through the branches and tinted glass, she glimpsed Chase at the wheel, a young boy in a booster in the backseat. The car ride over had only intensified her nausea, and as the diesel engine faded away, she put her finger down her throat and retched in the leaves. She felt instantly better. Weaker. Less drunk. But better.

Leaving the Connecticut River March 8, 1704 Temperature 40 degrees The only good thing about this rough land was firewood. No human had ever gathered a fallen branch here. So they could stay warm, but they had nothing to cook over the flames. It seemed to Eben the Indians ought to worry more about this than they did. They spent every daylight hour looking for game, found nothing and did not mention it. Instead, they sat by the fire, smoked and told war stories. It was the captives who discussed food, describing meals they had had a month ago or hoped to have in the future. They discussed pancakes, maple syrup and butter. Stew and biscuits and apple pie. Ruth said to Mercy, “You and Eben and Joseph are so proud of your savage vocabulary. Tell them they’re Indians, they’re supposed to know how to find deer.” “There aren’t any deer,” said Joseph. Ruth snorted. “We just have stupid Indians.” Suddenly the whole thing seemed hilarious to Mercy: a little circle of starving white children, crouching in the snow, and a little circle of apparently not starving Indian men, sitting in the snow, all of them surrounded by hundreds of miles of trees, while Ruth spat fire. “Ruth,” said Mercy, “do you know what your name means?” “My name is Ruth.” “Your name is Mahakemo,” Mercy told her. “And it means ‘Fire Eats Her’.” Mercy began to laugh, and Joseph and Eben and Sarah laughed with her. Even Eliza looked interested, but Ruth, furious to find that the Indians were laughing at her instead of being respectful of her, began throwing things at Mercy. Mercy rolled out of range while Ruth pelted her with Joseph’s hat and Tannhahorens’s mittens and then with snowballs; finding them too soft, Ruth grabbed her Indians powder horn. Mercy jumped up and ran away from Ruth and out into the snow, and in front of her were a pair of yellow eyes. The eyes were level with Mercy’s waist. They were not human eyes. No deer for humans also meant no deer for wolves. Mercy meant to scream, but Tannhahorens got there first, in the form of a bullet. Wolf for dinner. It turned out that the English could eat anything if they were hungry enough.

Fall" Fall, falling, fallen. That’s the way the season Changes its tense in the long-haired maples That dot the road; the veiny hand-shaped leaves Redden on their branches (in a fiery competition With the final remaining cardinals) and then Begin to sidle and float through the air, at last Settling into colorful layers carpeting the ground. At twilight the light, too, is layered in the trees In a season of odd, dusky congruences—a scarlet tanager And the odor of burning leaves, a golden retriever Loping down the center of a wide street and the sun Setting behind smoke-filled trees in the distance, A gap opening up in the treetops and a bruised cloud Blamelessly filling the space with purples. Everything Changes and moves in the split second between summer’s Sprawling past and winter’s hard revision, one moment Pulling out of the station according to schedule, Another moment arriving on the next platform. It Happens almost like clockwork: the leaves drift away From their branches and gather slowly at our feet, Sliding over our ankles, and the season begins moving Around us even as its colorful weather moves us, Even as it pulls us into its dusty, twilit pockets. And every year there is a brief, startling moment When we pause in the middle of a long walk home and Suddenly feel something invisible and weightless Touching our shoulders, sweeping down from the air: It is the autumn wind pressing against our bodies; It is the changing light of fall falling on us.

Camden in the winter of 1954 was a bleak place. It is difficult to see it this way if you’ve only been there in the summer, but most of Maine can be dismal, especially along the coast, during the long nights and short days. Once the colorful leaves have fallen from the majestic maple trees, and the last tourist has gone home, things become grim. So it was, during that cold January day, when I was on the road hoping to get a ride to New Jersey. On the radio, the weather forecasters predicted an overnight blizzard, but here it was only late afternoon and snow was already accumulating on the road. This would be my last opportunity to get home to see my family and friends, before cruising back on down to the Caribbean. I had really hoped to get an earlier start, to get far enough south to miss the brunt of the storm. Maine is known for this kind of weather, and the snowplows and sanders were ready. In fact, I didn’t see many other vehicles on the road any longer. Schools had let out early and most businesses were closed in anticipation of the storm. My last ride dropped me off in Belfast, telling me that he was trying to get as far as Augusta, before State Road 3 became impassable. Standing alongside the two-lane coastal highway with darkness not far off, I was half thinking that I should turn back. My mind was made up for me when I stepped back off the road, making room for a big State DOT dump truck with a huge yellow snowplow. His airbrakes wheezed as he braked, coming to a stop, at the same time lifting his plow to keep from burying me. The driver couldn’t believe that I was out hitchhiking in a blizzard. This kind of weather in Maine is no joke! The driver told me that the year before a body had been found under a snow bank during the spring thaw. Never mind, I was invincible and nothing like that could happen to me, or so I thought. He got me as far as Camden and suggested that I get a room. “This storm is only going to get worse,” he cautioned as I got off. I waved as he drove off. Nevertheless, still hoping that things would improve, I was determined to continue…

A sudden wind rustled through the birches; a gust of yellow leaves came storming down. I took a sip of my drink. If I had grown up in that house I couldn't have loved it more, couldn't have been more familiar with the creak of the swing, or the pattern of the clematis vines on the trellis, or the velvety swell of land as it faded to gray on the horizon, and the strip of highway visible—just barely—in the hills, beyond the trees. The very colors of the place had seeped into my blood: just as Hampden, in subsequent years, would always present itself immediately in my imagination in a confused whirl of white and green and red, so the country house first appeared as a glorious blur of watercolors, of ivory and lapis blue, chestnut and burnt orange and gold, separating only gradually into the boundaries of remembered objects: the house, the sky, the maple trees. But even that day, there on the porch, with Charles beside me and the smell of wood smoke in the air, it had the quality of a memory; there it was, before my eyes, and yet too beautiful to believe.

Night thinks it’s crying again and I keep listening to a song about autumn where an apple tastes like longing and every leaf in the maple tree tries to explain loss through a series of colors—hectic orange, indifferent red, a kind of gold that speaks directly to god or moonbeams and in the dark as I drive down wet roadways watching for deer, the only thing I can see clearly are the yellow leaves christening my windshield and I think how we are taught not to love too many, too much, the night, the darkness, and I think I am crying but it is only rain. — Kelli Russell Agodon, “Night thinks it’s crying again,” Southern Indiana Review (Spring 2021)

Neither Bradford nor Winslow mention it, but the First Thanksgiving coincided with what was, for the Pilgrims, a new and startling phenomenon: the turning of the green leaves of summer to the incandescent yellows, reds, and purples of a New England autumn. With the shortening of the days comes a diminishment in the amount of green chlorophyll in the tree leaves, which allows the other pigments contained within the leaves to emerge. In Britain, the cloudy fall days and warm nights cause the autumn colors to be muted and lackluster. In New England, on the other hand, the profusion of sunny fall days and cool but not freezing nights unleashes the colors latent within the tree leaves, with oaks turning red, brown, and russet; hickories golden brown; birches yellow; red maples scarlet; sugar maples orange; and black maples glowing yellow. It was a display that must have contributed to the enthusiasm with which the Pilgrims later wrote of the festivities that fall.

After a long summer of green, the prairie towns have their brief season of colour. The leaves on the trees begin to turn—first a branch, then a tree, then a whole street of trees, like middle-aged people falling in love. The maples turn bright orange or scarlet, the elms a pale poetic yellow, and before the colour has reached its height, the leaves begin to detach themselves, to drift down. – William Maxwell, Time Will Darken It (Random House, 2010)

It’s not just breaking down because it’s old and getting cold,” Spicer said. “It’s being deliberately broken down. Because it is precious.” Spicer explained that every molecule of chlorophyll contains four atoms of nitrogen. If the maple tree in the Arbo simply dropped its leaves in the fall, it would have to make a huge effort in the spring to gather a fresh supply of nitrogen from the soil, which it would then have to pump up from its roots to its branches. Instead, the tree spent the autumn carefully dismantling its chlorophyll into molecular parts, which it moved down little tunnels from the leaves into the branches. There the parts would spend the winter in safekeeping, ready to be quickly moved into new leaves in the spring and reassembled into fresh chlorophyll. It was a smart strategy

A veiled hush had fallen over the world. All the young breezes that had been whispering and rustling so importantly along the Dawlish Road had folded their wings and become motionless and soundless. Not a leaf stirred, not a shadow flickered. The maple leaves at the bend of the road turned wrong side out until the trees looked as if they were turning pale from fear. A huge cool shadow seemed to engulf them like a green wave... the cloud had reached them. Then the rain, with a rush and sweep of wind. The shower pattered sharply down on the leaves, danced along the smoking red road and pelted the roof of the old forge right merrily.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded.

The old sable house sat nestled in maple, oak, and sweet gum trees dripping with her Autumnal hues. Agatha might prefer black, but she claimed it was because her trees demanded all the luxurious brilliance. This time, her lips tipped up as the chill breeze brushed her cheek and the trees’ branches swayed in its caress. She had to admit, her little corner of the woods was more devoid of light than most, even in midday—like someone had taken a burnt amber brush and painted Agatha’s abyss in hues of warm gloom. But that was precisely how she liked it. The barest tendrils of smoke rose from her chimney—curious, considering the flames had been strong and of magical nature when she’d left. In her short absence, fog had also begun crawling in, curling up to her pumpkins and nestling amongst the leaves. Sister Autumn’s Season had truly arrived.

Leaves on the maple tree beyond it swayed innocently in the breeze.

Poplars, cherries, and oaks have leaves and branches that alternate. Maples and ashes have opposing leaves and branches.

Monopodial trees Most conifers Beech Holly Ash Prunus family, including cherry Dogwood Sympodial trees Plane Oak Maple Birch Elm Linden Sycamore Willow

While he watched, a fresh breeze brushed against the big tulip trees, red oaks, sugar maples. Heavy branches rose and fell in slow motion, and a million leaves twisted on their stems, showing silver underneath. The forest was eerily animate, a gigantic green beast dreaming, its skin twitching and rippling. Not quite threatening, but powerful. Watchful.

On the way back to Nádori, the driver stopped at Emerence’s old home. It was still apparently referred to as the Szeredás house. It stood out clearly in the gathering dusk of one of those improbable summer evenings when the sun doesn’t linger but withdraws its rays suddenly, leaving variegated streaks of orange, blue and violet glowing behind the grey. We took a good look at this scene from the past. It was just as Emerence had described it — the painted façade, the trees round the side, the general line and height of the building. She had neither embellished nor understated. What was most surprising was her perfect recall of the proportions. She hadn’t dreamed up a fairy-tale castle in place of her charming old home. It was quite beautiful enough the way József Szeredás had built it, a house designed not just with affection but with love. It had all the force of a timeless statement. There was still a workshop where the old one had stood, but this one had a power saw standing inside, and chained dogs that barked a warning. The little garden was still there. The roses had aged into trees, someone had planted a pair of maples near the sycamore and the walnut had filled out and shot up. A swing hung from one of its branches and there were children playing beneath it. I didn’t find the farmyard.

White of snow or white of page is not" the white of your skin, for skin, except when truly albino, always has some other color sleeping within it—a hint of red maple leaf, a touch of the blue ice at the edge of a melting stream, a richness implied of its many layers, the deltas of cells and blood, that deep fecundity that lies within and makes the skin shed, not like a snake, but as a tree (one of those golden cottonwoods flaring just now at the edge of the river) that sheds its leaves each moment while an eternity of leaf remains. Oh, nothing seems to me as white as your skin, all your languid ease of being—one resting upon the other, the sliver of your shoulder against the black fabric—reminds me so of the lost realm of beauty that I am afraid of nothing, and only dazed (as I was that day at the aquarium when the beluga whales came swimming toward me—how white they were, slipping out of the darkness, radiant and buoyant as silence and snow, incandescent as white fire, gliding through the weight of water, and when they sang in that chamber as small as the chambers of the human heart, murky with exhaustion and captivity and the fragments of what they had consumed, I was almost in love with them; they seemed the lost children of the moon, carrying in their milky mammalian skins a hint of glacial ice and singing to each other of all the existences they had left behind, their fins like the wings of birds or angels, clicking and whistling like canaries of the sea: there was no darkness in their bodies, like clouds drifting through unkempt skies, they illuminated the room). So I did not think of you so much as I felt you drifting through my being, in some gesture that held me poised like a hummingbird above the scarlet blossoms of the trumpet vine, I kissed you above the heart, and by above I mean there, not that geometric center, the breastbone that so many use to divide the body in half and so mistake for the place where the heart lies, but the exact location, a little to the left, just on the crescent where the breast begins to rise; oh, I know all that drift of white implies, the vanished clothing, the disappearing room, that landscape of the skin and night that opens in imagination and in feeling upon a sea of snow, so that just one kiss above the heart is a kiss upon the heart, as if one could kiss the very pulse of being, light upon the head of that pin that pins us here, that tiny disk where angels were once believed to dance, and all that nakedness without could not have been except for all that burning deep within

The uneven surface forced me to slow down, but the autumn view was enough to keep my spirits up. The leaves of the tall maples on either side of the road had changed from green to gold, and every turn of my bike’s wheels sent grasshoppers flying into the air, while late monarchs fluttered about. After a minute or two of pedaling, I spotted the orchard. My eyes trailed over the rows of apple trees lining the gently sloped hills. There was a red barn cheerfully nestled in the midst, and beyond that, a stone farmhouse with neat white fencing.

The troutberry trees had already bloomed and gone; on the forest floor, delicate white petals of starflowers and goldthread and Carolina springbeauty sparkled when a stray beam of sunshine caught them. Wild onions were the only plant that had fully leafed out, brilliant bright green under maple and elm and birch and oak whose own leaves were still pregnant thoughts. All of nature was just waking up, fulling, becoming large and new.

My roommate, Remi, was a kid from Haiti who was at Saint Ignatius on a scholarship. The day I moved into the dorm he was losing his mind because the leaves on some of the maple trees on campus were starting to turn red. He’d never seen anything like it.

There's a subdivision near us called Mill Run. By a stroke of good luck, the planners decided to line the streets with silver maples instead of those trees from the pit of Gehenna known as Bradford pears. (Bradford pears, by the way, are an abomination. I'm not using that word flippantly. They were engineered in the 1960s and because they cross-pollinate with every other kind of pear tree, their prolific offspring is destroying forests faster than kudzu. I think of them as a tree version of the velociraptors in Jurassic Park. They're preferred by developers because they're cheap, they grow fast, and they produce malodorous but pretty white flowers in the spring, which happens to be when most home sales happen. But after the developers leave, the trees require regular pruning, a gust of wind can split them in half, and they're producing an inhospitable forest of non-native offspring that's riddled with thorns. Left unchecked, they'll soon overtake all the lovely oaks, maples, sycamores, and ashes that are native to our part of the world. Take my word for it: they're awful. If you have one in your yard, for goodness sake, cut it down and spend $25 on a maple at Lowe’s.

I felt as though I were communing directly with a plant for the first time and that certain ideas I had long thought about and written about—having to do with the subjectivity of other species and the way they act upon us in ways we’re too self-regarding to appreciate—had taken on the flesh of feeling and reality. I looked through the negative spaces formed by the hydrangea leaves to fix my gaze on the swamp maple in the middle of the meadow beyond, and it too was now more alive than I’d ever known a tree to be, infused with some kind of spirit—this one, too, benevolent. The idea that there had ever been a disagreement between matter and spirit seemed risible, and I felt as though whatever it is that usually divides me from the world out there had begun to fall away. Not completely: the battlements of ego had not fallen; this was not what the researchers would deem a “complete” mystical experience, because I retained the sense of an observing I. But the doors and windows of perception had opened wide, and they were admitting more of the world and its myriad nonhuman personalities than ever before.

Camden in the winter of 1954 was a bleak place. It is difficult to see it this way if you’ve only been there in the summer, but most of Maine can be dismal, especially along the coast, during the long nights and short days. Once the colorful leaves have fallen from the majestic maple trees, and the last tourist has gone home, things become grim. So it was, during that cold January day, when I was on the road hoping to get a ride to New Jersey. On the radio, the weather forecasters predicted an overnight blizzard, but here it was only late afternoon and snow was already accumulating on the road. This would be my last opportunity to get home to see my family and friends, before cruising back on down to the Caribbean. I had really hoped to get an earlier start, to get far enough south to miss the brunt of the storm. Maine is known for this kind of weather, and the snowplows and sanders were ready. In fact, I didn’t see many other vehicles on the road any longer. Schools had let out early and most businesses were closed in anticipation of the storm. My last ride dropped me off in Belfast, telling me that he was trying to get as far as Augusta, before State Road 3 became impassable. Standing alongside the two-lane coastal highway with darkness not far off, I was half thinking that I should turn back. My mind was made up for me when I stepped back off the road, making room for a big State DOT dump truck with a huge yellow snowplow. His airbrakes wheezed as he braked, coming to a stop, at the same time lifting his plow to keep from burying me. The driver couldn’t believe that I was out hitchhiking in a blizzard. This kind of weather in Maine is no joke! The driver told me that the year before a body had been found under a snow bank during the spring thaw. Never mind, I was invincible and nothing like that could happen to me, or so I thought. He got me as far as Camden and suggested that I get a room. “This storm is only going to get worse,” he cautioned as I got off. I waved as he drove off. Nevertheless, still hoping that things would improve, I was determined to continue.

The uterus, then, is like a deciduous tree, an oak or a maple, and the endometrium acts like the leaves. When the weather is warm, when sunlight sings, the tree awakes and invests in leaves. The branching pattern of the tree—its trunk, its branches, its twigs—is like the branching of the body’s vascularization, parceling out water rather than blood. The homology of the pattern is no coincidence. Holy water, sacred blood, they are one and the same, and branching is the most hydraulically efficient means of pumping the fluid from a central source—the heart, the trunk—out to all extremities. Thus nourished, the leaves bud, unfurl, thicken, and darken. The leaves are photosynthetic factories, transforming sunlight into usable energy. That energy allows the tree to create seeds and nuts, the acorns that are embryonic trees. The leaves are expensive to maintain—the tree must deliver them water, nitrogen, potassium, the nutrients from the soil—but they repay the tree by spinning sunlight into gold.

Furl your banners and hang you heads,” muttered the wind, “this is no time for tourney. Cast into my four arms those gaudy trappings, for what can cause you joy, O trees, at such a time as this?” “This rising Sun and the long bright bright day,” the beech cried out. “The setting Sun and the cool dark night,” the oak said quietly. “And the rain,” the pine murmured gratefully, “wit it’s gentle fingers finer than my needles.” The maple was silent. The wind spun around it’s rough gray trunk and sent a shower of gold into the sky. “O wind,” the maple said, “the side passage of the year from cold to heat, from growing to fruition, from birds nesting to their migrations, is joy enough for us. Let us celebrate it, O wind, before the snow lays it’s white fingers on us and bids us be silent for a time.” The maple spoke wistfully, golden leaves tumbling down the day at every word. “You speak of memories,” the wind went on. “I who have roamed the earth have seen suffering and cruelty and sorrow. You who stand so still in one place always must believe me.” “For you, O wind, perhaps it has been a year of sad revelation,” the beech said softly; “but for us it has been a year like all others—rising suns and waxing moons, rains and dews and storms, and the seasons marching in orderly procession around us.” “Ah,” the wind wailed, clutching at gold and scarlet and green, “how can you hold those banners high when evil still stalks the earth?” The trees quivered and were silent. The wind raged around them, and his fury brought down cascades of leaves, which he sent hurling over the dry ground. “We hold our banners high in faith, O wind,” the pine spoke out, lifting its voice so the wind would hear, “emblem for this brief moment of the pledge we have made. We have heard before of these things that you would tell us. The stars have told us many strange tales, and the moon has told us even stranger ones. But we must still be faithful.” “To what?” moaned the wind, annoyed that his words could not deter the trees from their galliard ways. “To the everlasting right at the heart of things,” replied the maple. “Evil has but a little day, O wind, and good has a thousand.” The banners were fading and falling, and the wind laughed to himself that the brave words of the trees must be as thin and fleeting. He stamped and reached high, swept over the ground and leapt aloft, while leaves fell in a gilded shower about him. Cheering at his triumph, he looked through bare branches to the sky, heavy with scudding clouds. Oak, maple, beech were silenced now. Dark trunks stood rooted in the earth, crossed boughs were held uplifted to the heavens. The pine swayed slowly, it’s heraldic blazon of sable and vert gleaming darkly. “Look higher, wind, than those bare boughs. Look wider.” The wind looked, and there, outlined against the sunset gold, on every twig tight buds were tipping: the crimson secret of the oak, the enscaled cradle of the maple, the little sheathed sword of the beech. “Faith, my friend,” the pine said in a whisper, “faith has the last word always.” The wind bowed low, low enough to kiss the leaves that swirled around him in a moment of ecstasy; then the wind went on his way down the archway of the year that was luminous with promise.

I always thought we’d have our song. About the small town girl and the big city snob. The song would be about our first date, first fight, and our first kiss. Then maybe you’d leave, but you’d come back, because there’d be something about me, you’d miss. It would be about the late night drives, busy streets and traffic lights. You’d look at me eye to eye, then you’d kiss me a deep sorry for the big fight last night We’d sing our song even in our seventies. In the front porch, under the maple tree. The song would be about our mini-van, Where you’d play the guitar with your old wrinkly hands. It’d be about our fortieth anniversary night, Our extraordinary love might have become ordinary over time. But trust me, we’d be fine, and I’d desperately fall for your smile, Not only in our seventies, even when you’d be as old as eighty-five.