Manor Farm Quotes

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The Reeve collects the rents and taxes which those who dwell on the manor must pay to my uncle regularly for their housing and farms — and for other privileges such as the right to collect firewood in the forest.
Richard Platt (Castle Diary: The Journal of Tobias Burgess, Page)
When I was a little girl I lived in a tiny farm worker’s cottage on the edge of a small Norfolk village where the local school was expected to send girls up to the big house whenever they were needed – seems a bloody cheek now. Just because the lady of the manor had a servant sick was that any reason to take another girl away from school? We got little enough education back then anyway.
Nancy Jackman (The Cook's Tale: Life below stairs as it really was)
...Most peasants never traveled farther than twenty-five miles from the village of their birth. They had strong social ties to their communities, and could not imagine living anywhere else. "In many places, peasant villages were located within a noble's estate, which was called a manor. Manors could be as small as one hundred acres or as large as several thousand acres and typically encompassed a mixture of cultivated and uncultivated land. Forests provided wood, nuts, and berries; pastures and meadows offered grazing for livestock; and lakes and rivers gave water and fish. But the largest acreage was devoted to agriculture, apportioned among the peasants and the noble, although the noble did no farming himself. Instead the peasants collectively worked both his land and theirs.
Patricia D. Netzley (Life During Renaissance (The Way People Lived))
Our ancestral home is Blackwood Manor, an august if not overblown house in the grandest Greek Revival Style, replete with enormous and dizzying Corinthian columns, an immense structure on high ground.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
But I did love Blackwood Manor, with the irrational and possessive love that only great houses can draw from us—houses that say, “I was here before you were born and I’ll be here after you”; houses that seem a responsibility as much as a haven of dreams.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
Poppy took a deep, appreciative breath. “How bracing,” she said. “I wonder what makes the country air smell so different?” “It could be the pig farm we just passed,” Leo muttered. Beatrix, who had been reading from a pamphlet describing the south of England, said cheerfully, “Hampshire is known for its exceptional pigs. They’re fed on acorns and beechnut mast from the forest, and it makes the bacon quite lovely. And there’s an annual sausage competition!” He gave her a sour look. “Splendid. I certainly hope we haven’t missed it.” Win, who had been reading from a thick tome about Hampshire and its environs, volunteered, “The history of Ramsay House is impressive.” “Our house is in a history book?” Beatrix asked in delight. “It’s only a small paragraph,” Win said from behind the book, “but yes, Ramsay House is mentioned. Of course, it’s nothing compared to our neighbor, the Earl of Westcliff, whose estate features one of the finest country homes in England. It dwarfs ours by comparison. And the earl’s family has been in residence for nearly five hundred years.” “He must be awfully old, then,” Poppy commented, straight-faced. Beatrix snickered. “Go on, Win.” “‘Ramsay House,’” Win read aloud, “‘stands in a small park populated with stately oaks and beeches, coverts of bracken, and surrounds of deer-cropped turf. Originally an Elizabethan manor house completed in 1594, the building boasts of many long galleries representative of the period. Alterations and additions to the house have resulted in the grafting of a Jacobean ballroom and a Georgian wing.’” “We have a ballroom!” Poppy exclaimed. “We have deer!” Beatrix said gleefully. Leo settled deeper into his corner. “God, I hope we have a privy.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
But that did no harm, and a sad young mind found a way to match things up with an antagonist. Now, just stand a child up against your body. How tall is it? Possibly only up to your hip. Still, a man,—or an animal thinking that it is a man—will slap, whip, or viciously yank an arm of so frail, so soft a tiny body! That is what I call a coward!! By golly! almost a criminal! If a tot is what you call naughty, (and no child voluntarily is,) why not lift that young body up onto your lap, and talk—don’t shout—about what it just did? Shouting gains nothing with a tot. Man can shout at Man, at dogs, and at farm animals; but a man who shouts at a child is, at that instant, sinking in his own muck of bullyism; and bullyism is a sin, if anything in this world is. Ah Youth! You glorious dawn of Mankind! You bright, happy, glowing morning Sun; not at full brilliancy of noon, I know, but unavoidably on your way! Youth! How I do thrill at taking your warm, soft hand; walking with you; talking with you; but, most important of all, laughing with you! That is Man’s pathway to glory. A man who drops blossoms in passing, will carry joy to folks along his way; a man who drops crumbs will also do a kindly act; but a man who drops kind words to a sobbing child will find his joy continuing for many a day; for blossoms will dry up; crumbs may blow away; but a kind word to a child may start a blossom growing in that young mind, which will so far surpass what an unkindly man might drop, as an orchid will surpass a wisp of grass. Just stop a bit and look back at your footprints along your past pathway. Did you put many humps in that soil which a small child might trip on? Did you angrily slam a door, which might so jolt a high-strung tot as to bring on nights and nights of insomnia? Did you so constantly snarl at it that it don’t want you around? In fact, did you put anything in that back-path of yours which could bring sorrow to a child? Or start its distrust of you, as its rightful guardian? If so, go back right now, man, and fix up such spots by kindly acts from now on. Or, jump into a pond, and don’t crawl out again!! For nobody wants you around!
Ernest Vincent Wright (Gadsby)
dank water. They felt low, despite the presence of Ted’s name carved on a tree as a token of memory. As rain began to fall, Ted made one token cast himself, which he described as ‘a ceremonial farewell’, and there ‘among the rubbish’ he hooked ‘a huge perch’, one of the biggest he had ever caught: ‘It was very weird, a complete dream.’32 Manor Farm is now a gastropub, the Crookhill estate a golf course, the pond of the pike shrunk by mud and reed. The magic landscape survives only in Hughes’s writings.
Jonathan Bate (Ted Hughes: The Unauthorised Life)
Mr. Jones, of the Manor Farm, had locked the hen-houses for the night, but was too drunk to remember to shut the pop-holes.
George Orwell (Animal Farm)
He had only one criticism, he said, to make of Mr. Pilkington's excellent and neighbourly speech. Mr. Pilkington had referred throughout to 'Animal Farm'. He could not of course know - for he, Napoleon, was only now for the first time announcing it - that the name 'Animal Farm' had been abolished. Henceforward the farm was to be known as the 'Manor Farm' - which, he believed, was its correct and original name.
George Orwell (Animal Farm)
But my parents who died in the fire, they...they were part of a noble family in England. The family has always owned the Rockford Manor in Oxfordshire, which is a mansion that includes acres of land, plus a local village where people live and farm---" "Wait, noble? Do you mean like royalty?" Zoey interrupts, her eyes wide. "No, no. But in England there's a system called the peerage---dukes and duchesses, earls and countesses---and they're ranked just below royalty. My dad was the younger son of the Duke of Wickersham, which made him a lord and my mom a lady." Carole and Keith sit frozen, listening to me with a look of dread in their eyes. "So what does that make you?" Zoey asks breathlessly. "Well, when my parents were alive, it meant that I was treated a certain way just because I was part of this family of dukes and duchesses. But then after the fire, the line of succession changed---everything changed. My first cousin, Lucia, became next in line to inherit Rockford Manor and the title. So she would have been the Duchess of Wickersham." I swallow hard. "But she died in an accident last year---which I didn't even know about until today." My hands shake as I speak, and I can't look at Keith and Carole, unable to grasp how they could have kept this from me. "That's awful! But what does it mean for you?" Zoey presses. "Her death left me next in line after my grandfather. And he passed away last month---which I was also unaware of." This time I'm able to look at Carole and Keith, shooting them a withering glare. Zoey's mouth hangs open. "That means you're...you're a...?" "Yeah. You're looking at the new Duchess of Wickersham and owner of Rockford Manor.
Alexandra Monir (Suspicion)
midday on Sunday. The men had milked the cows in the early morning and then had gone out rabbiting, without bothering to feed the animals. When Mr. Jones got back he immediately went to sleep on the drawing-room sofa with the News of the World over his face, so that when evening came, the animals were still unfed. At last they could stand it no longer. One of the cows broke in the door of the store-shed with her horn and all the animals began to help themselves from the bins. It was just then that Mr. Jones woke up. The next moment he and his four men were in the store-shed with whips in their hands, lashing out in all directions. This was more than the hungry animals could bear. With one accord, though nothing of the kind had been planned beforehand, they flung themselves upon their tormentors. Jones and his men suddenly found themselves being butted and kicked from all sides. The situation was quite out of their control. They had never seen animals behave like this before, and this sudden uprising of creatures whom they were used to thrashing and maltreating just as they chose, frightened them almost out of their wits. After only a moment or two they gave up trying to defend themselves and took to their heels. A minute later all five of them were in full flight down the cart-track that led to the main road, with the animals pursuing them in triumph. Mrs. Jones looked out of the bedroom window, saw what was happening, hurriedly flung a few possessions into a carpet bag, and slipped out of the farm by another way. Moses sprang off his perch and flapped after her, croaking loudly. Meanwhile the animals had chased Jones and his men out on to the road and slammed the five-barred gate behind them. And so, almost before they knew what was happening, the Rebellion had been successfully carried through: Jones was expelled, and the Manor Farm was theirs.
George Orwell (Animal Farm)
I go through a heavy drugs phase round about now, lots of hash, poppers and tons of LSD. These were the times when I started going to my first, and indeed the first, raves. Raindance at Jenkins Lane was my first. I was terrified and I loved it. Others followed, unused farm buildings, weird old dilapidated manor houses near Basildon, industrial units near Tilbury, sometimes wine bars in Loughton.
Nick Frost (Truths, Half Truths and Little White Lies)
Along with every other male of his acquaintance he loathed the Naked Chef with messianic passion and prayed for the day he suffered a fatal accident on his scooter or burst into flames with the friction of sliding down that nauseating banister. Mark hated to think how rich he must be. And the fact that a mere bloody cook was taking up space in The Times that could be filled by a train journalist. Like himself, for example. Bastard.
Wendy Holden (Farm Fatale: A Comedy of Country Manors)