Neon Sign Quotes

i give myself five days to forget you. on the first day i rust. on the second i wilt. on the third day i sit with friends but i think about your tongue. i clean my room on the fourth day. i clean my body on the fourth day. i try to replace your scent on the fourth day. the fifth day, i adorn myself like the mouth of an inmate. a wedding singer dressed in borrowed gold. the midas of cheap metal. tinsel in the middle of summer. crevice glitter, two days after the party. i glow the way unwanted things do, a neon sign that reads; come, i still taste like someone else’s mouth.

The Heart is a lonely hunter with only one desire! To find some lasting comfort in the arms of anothers fire...driven by a desperate hunger to the arms of a neon light, the heart is a lonely hunter when there's no sign of love in sight!

Additionally, you can paint a neon sign over our heads that says, 'Easy meal, follow the flashing lights.

Everyone always noticed Ashley. She was like a flashing neon sign for anyone with an ounce of testosterone.

The opposite of magical is not ordinary. The opposite of magical is mankind. The world is a neon sign; it says HUMANITY but everything is burnt out except MAN.

All that was missing was a neon sign that read EVIL AND CONFLICTED ABOUT IT with a flashing arrow pointing at his head.

I’m two hours late when I pull in to the driveway. It won’t matter that I’m always on time. People never see how good you are. Fuck up once, and it’s like you are wearing a neon sign.

I began to feel like I was wearing a sign on my forehead that said FUCKED UP in big neon letters.

When I came in this morning, I'd had a plan. I was going to walk in there, throw that receipt in his pretty little face, and tell him to shove it. But then he'd looked so goddamn sexy in that charcoal Prada suit, and his hair stuck up like a neon sign screaming, Do Me.

I'm the only one sitting alone, under the glowing neon sign which reads, "Complete and Total Loser, Not Quite Sane. Stay Away. Do Not Feed.

I agreed. By this time the drink was beginning to cut the acid and my hallucinations were down to a tolerable level. The room service waiter had a vaguely reptilian cast to his features, but I was no longer seeing huge pterodactyls lumbering around the corridors in pools of fresh blood. The only problem now was a gigantic neon sign outside the window, blocking our view of the mountains -- millions of colored balls running around a very complicated track, strange symbols & filigree, giving off a loud hum.... "Look outside," I said. "Why?" "There's a big ... machine in the sky, ... some kind of electric snake ... coming straight at us." "Shoot it," said my attorney. "Not yet," I said. "I want to study its habits.

Before the man could answer V cursed "If I have to hear all that Keanu Reeves, Matrix, I am Neo' kind of shit my head's going to explode." "Don't you mean Neon?" Butch shot back "Cause he reminds me of the Citgo sign." Wraths head turned "Shut the fuck up. All of you.

My father knew he was a bastard. He was the venomous serpent in a bed of roses. Apparently, he didn't just acknowledge that fact, he beat people over the head with it. All that was missing was a neon sign that read EVIL AND CONFLICTED ABOUT IT with a flashing arrow pointing at his head.

Maybe it’s just getting older. You become so palpably aware this is not a dress rehearsal. There’s a big sign in blazing neon that says You Haven’t Got Long. But I think it takes a beat to learn that. Life has to knock you down in order for you to realise it, because when you’re a kid you think you’re immortal.

Interesting choice," Sullivan said. He slid his gaze over to Paul, who was drumming his fingers on the table in a manic, caffeine-inspired way and blinking a lot. Paul wasn't out-and-out singing along with the king of the dead, but he might as well have put out a big neon sign saying "How's My Driving? Ask Me About My Nerves: 1-800-WIG-N-OUT." --James

Our beaches are still waiting for the end of a war that's been going on for so long people have stopped believing it's real. They build hotels, put up neon signs, but it's all fake, we're on a knife-edge, it could all give way any moment. We're living in limbo. In the winter that never ends.

This place is packed," Vee complained. "Where am I supposed to park?" She steered down an alley and slowed to a stop behind a bookstore. "This looks good. Lots of parking back here." "The sign says employee parking only." "How are they going to know that we aren't employees? The Neon blends right in. All these cars speak low class." "The sign says violators will be towed." "They just say that to scare people like you and me away. It's an empty threat. Nothing to worry about." ....... Vee came to a halt. "What is THAT?" We were standing in the parking lot behind the bookstore, a few feet from the Neon, and we were staring at a large piece of metal attached to the left rear tire. "I think it's a car boot," I said. "I can see that. What's it doing on my car?" "I guess when they say all violators will be towed, they mean it.

In the ensuing silence, I have time to contemplate the word cute— how dismissive it is, how it’s the equivalent of calling someone little, how it makes a person into a baby, how the word is a neon sign burning through the dark reading, “Feel Bad About Yourself.

Hmm. I suppose not everyone can have a cat's perfect night vision, but still..." Puck snorted. "Yeah, your perfect kitty vision does us no good if you don't warn us that something is coming once in a while. Poofing away doesn't count. This way, we can at least have a heads-up." The cat thumped his tail. "Additionally, you can paint a neon sign over our heads that says, 'Easy meal, follow the flashing lights.

Silly me, here I was thinking we needed big neon signs that said Here We Are, Shoot Us Please on top of the roof.

He took comfort in the neon signs, the wild strands of jazz creeping out of clubs whenever happy swells of people pushed through the doors in their finery.

The neon signs which hang over our cities and outshine the natural light of the night with their own are comets presaging the natural disaster of society, its frozen death.

I run until the blind rage has washed me clean, rid me of hope. And for the first time, on this afternoon alive with neon signs and stars, I leave my heart open to the benign indifference of the world.

This is the thing no one prepares you for where disaster are concerned. There is no ominous black cloud, no spooky chill, no neon sign that flashes: Stop! Please! Go back to bed! There's something really really dreadful waiting to happen around the corner! I beg of you, do not continue!

A word kept flashing in my head. One word, over and over, like a flashing neon sign. Lucky.

I showed up rich while feeling poor I didn’t knock but they opened the door Throwing stones, they pierce my eye Leave tiny cracks all down my spine We were royalty without a throne Our castle didn’t feel like home Echoes of “I love you” in the halls Our words absorbed into the walls I checked us in so we couldn’t leave Thought maybe time would make me believe If I took us back to the starting line We’d never cross the finish line My hands may not be red But my heart, it feels the bleed If my soul had a neon sign It would read No Vacancy If my soul had a neon sign It would read No Vacancy

So I thought I’d feel different afterward, after the visible neon sign proclaiming 'virgin' had blinked out on my forehead. I’d spent years obessessing about it, so it seemed like somthing should have changed. Maybe it would have if I’d still been at Ceder Falls High School surrounded by the gossip and the braggadocio of teenage boys. But on my uncle's farm, nobody noticed, or at least nobody said anything. The next day, like every day, we dug corn, chopped wood, and carried water. And it didn’t really change much between Darla and me, either. Yes, making love was fun, but it wasn’t really any more fun than anything we’d already been doing together. Just different.

My thoughts are so clear that I wouldn't be surprised if he could see them blazing above my head like a neon sign outside a fish and chip shop. I fancy you.

The best brothels in Bangkok seem to have a weakness for Greek names,' [Liz] commented acidly and got out. Harry looked up at a large neon sign proclaiming that the motel was called Olympussy.

and the city fireworked alive all around us: flashing with neon signs and flaring with red and gold lights, buzzing with motorbikes and pumping with stereos, streaming warm wind through the open windows. The road unrolled in front of us, it sent its deep pulse up into the hearts of our bones, it flowed on long and strong enough to last us forever.

The conductor said to go find God. Maybe he (or she—but who are we kidding? God’s definitely a guy. How else to explain war, pestilence, and morning wood?) is right here in Times Square just waiting to be found. As soon as I’m on the street, though, I remember that Times Square is a kind of hell (a fiery pit of flickering neon signs advertising all seven deadly sins). God would never hang out here.

How do you know they are Hunters?" Lucien asked. "They had guns and knives strapped to their bodies, and I saw the mark of infinity on one of their wrists." Branding themselves was foolish, if you asked him. Like putting a neon sign around their necks that read 'Shoot here'.

What does Christian know about love? Seems he didn’t get the unconditional love he was entitled to during his very early years. My heart twists, and my mother’s words waft like a zephyr through my mind: Yes, Ana. Hell, what do you need? A neon sign flashing on his forehead? She thinks Christian loves me, but then she’s my mother, of course she’d think that. She thinks I deserve the best of everything. I frown. It’s true, and in a moment of startling clarity, I see it. It’s very simple; I want his love. I need Christian Grey to love me. This is why I am so reticent about our relationship – because on some basic, fundamental level, I recognize within me a deep-seated compulsion to be loved and cherished.

A red neon sign flickered dimly, buzzed like a dying insect, as they passed.

The fancy things I like are sheets. Pots and pans. And the things I really like aren't fancy at all: old aprons and hankies. Butter wrappers from one pound blocks. Peony bushes, hardback books of poetry. And I like things less than that; the sticky remains at the bottom of the apple crisp dish. The way cats sometimes run sideways. The presence of a rainbow in a puddle of oil. Mayonaise jars. Pussy willows. Wash on a line. The tick-tock of clocks, the blue of the neon sign at the local movie house. The fact that there is a local movie house.

what I have done is risked everything for that hour, that hour in the black night, where one flashing light looks like love, I have pulled over my body’s car and let myself believe that the dance was only for me, that this gift of a breathing one-who-wants was always a gift, was the only sign worth stopping for, that the neon glow was a real star, gleaming in its dying, like us all, like us all.

If the world gives you the blues, if you wake up in the middle of the night with waves of fear and senseless panic washing over you, I am your friend. If you’re overcome by a desperation that makes your mouth open for a scream that never comes out but just freezes your face in mute despair, then you and I have something in common. If you can’t understand them for the life of you, even though you’ve tried so hard, when that dislocation makes you feel like you’re the only one of your species on the planet, I know I can confide in you. If this endless ghetto of lies and heart break, this life-long run of fences and flickering neon signs, night sweats and suicidal urges makes you feel like stopping, just stopping, like stopping breathing, wait. Wait. You don’t have to tell me your name. You don’t have to prove yourself to me. I accept you. If you’re finding life to be the one thing that’s trying to kill you, I want you to stay alive to rise with the sun and fight back.

The tone of his voice is like he expects a fight, like he’s challenging me to disagree, and I want to tell him that I don’t care one way or the other. That her blood-relative status makes no difference as long as she loves him. And she does. She wears it, beaming it around like a neon sign.

But now it’s too late. And that’s why, right at this moment, I feel so much hate. Toward myself. I deserve to be on this list. Because if I hadn’t been so afraid of everyone else, I might have told Hannah that someone cared. And Hannah might still be alive. I pull my gaze back from the neon sign.

There were two big differences between me and my brother: first, that he was extremely handsome, and second, that he didn’t walk around wearing a metaphorical neon sign nailed to his forehead flashing CAUTION, TERRORIST APPROACHING.

You don’t want someone angry at you, especially a man, so you say yes to things you don’t want to do because there’s no road map for where you are, nothing to guide you except a neon sign in your head that says Do not make men angry.

neon sign in red letters EXIT TO HELL…A walks under the arch….she seems not to notice where she is going….Just as the angels are preparing to carry the arch away B makes a desperate dash at it and dives through. Everything blacks out… What happens when you start the downward trip?...Of course there isn’t a hope of ever getting out again into the light. Once you’re on your way down, the machinery takes charge of you, you’re caught, trapped, finished for good and all…you might just as well give in and pluck the cruel thorn of hope out of your heart.

We’ve been through this, remember? I’m totally open.” He stretched his arms wide to prove it. “I’m an open book, an open door, an open sign that blinks in red and blue neon.” “Your fly’s open too,” Cameron said.

Oh yes, In Love, that demented rose-red circus tent whose half-light forgives all visuals, fig-leaves our lovers, and softens our own brains and the pain of our sawdust pratfalls.   So tempting, that midway faux-marble arch, both funfair and classical— so Greek, so Barnum, such a beacon, with a sign in gas-blue neon:   Love! This way! In!

What would become of me if I was never truly seen again?" - Joanna

Do I seem like the white-picket-fence sort of girl to you, Carl?" "No, you seem like the blood-soaked-walls kind of girl to me.

The last time she’d had sex had been so long ago her vagina probably had a vacancy sign with full blown neon lights down there.

I looked for it [heavy hydrogen, deuterium] because I thought it should exist. I didn't know it would have industrial applications or be the basic for the most powerful weapon ever known [the nuclear bomb] ... I thought maybe my discovery might have the practical value of, say, neon in neon signs. [He was awarded the 1931 Nobel Prize in Chemistry for discovering deuterium.]

This was not a loss that could be shared. Grief was a place every person had to go alone, a lonely country populated by mistakes and a futile desire to turn back time for an impossible “do-over.

That's what hiding away did, whether it was from the world or yourself, your past, or even your dreams. It took absolutely no effort to have a miserable life. But building a glorious one? A life worth living and sharing with others? That's what was hard." Joanna

In the ensuing silence, I have the time to contemplate the word cute – how dismissive it is, how it’s the equivalent of calling someone little, how it makes a person into a baby, how the word is a neon sign burning through the dark reading, “Feel Bad About Yourself.

[Adapted and condensed Valedictorian speech:] I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too.

...lovers, even those who are married, always exist autonomously of one another, no matter how close they are or how long they've known each other. That's why jealously can flare in even the most intimate relationships. Because you know that at some basic level this person exists separately from you. No mater how close you are, the landscape of their life is always tinted a different hue than your own." - Hunter to Joanna

My father knew he was a bastard. He was the venomous serpent in a bed of roses. Apparently, he didn’t just acknowledge that fact, he beat people over the head with it. All that was missing was a neon sign that read EVIL AND CONFLICTED ABOUT IT with a flashing arrow pointing at his head.

Outside the Bar Del Prado, night was coming on like a hopeless, drunken come-on, tequila on its breath, red neon signs and, outside the shops, strings of colored Christmas lights hung from the eaves like the sad, close-lipped smiles of boys who would lure you in with their loneliness, that melancholia you'd try and try to fix.

The single craziest thing about being a priest, he’d found, was that celibacy was simultaneously the most private and most public aspect of his life. One of his linguistics professors, a man named Samuel Goldstein, had helped him understand the consequences of that simple fact. Sam was Korean by birth, so if you knew his name, you knew he was adopted. "What got me when I was a kid was that people knew something fundamental about me and my family just by looking at us. I felt like I had a big neon sign over my head flashing ADOPTEE," Sam told him. "It’s not that I was ashamed of being adopted. I just wished that I had the option of revealing it myself.

This girl is not someone I should be fucking with. She’s got neon yellow hazardous signs written all over her slim body clearly warning me to stay the fuck away and yet all I seem to be doing is stupidly running towards it. Towards her. At full speed.

Airbag In the next world war in a jack knifed juggernaut, I am born again. In the neon sign, scrolling up and down, I am born again. In an interstellar burst, I am back to save the universe. In a deep deep sleep, of the innocent, I am born again. In a fast German car, I’m amazed that I survived, an airbag saved my life. In an interstellar burst, I am back to save the universe. In an interstellar burst, I am back to save the universe. In an interstellar burst, I am back to save the universe.

That autumn, I kept coming back to Hopper’s images, drawn to them as if they were blueprints and I was a prisoner; as if they contained some vital clue about my state. Though I went with my eyes over dozens of rooms, I always returned to the same place: to the New York diner of Nighthawks, a painting that Joyce Carol Oates once described as “our most poignant, ceaselessly replicated romantic image of American loneliness”... Green shadows were falling in spikes and diamonds on the sidewalk. There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green, which only came into being with the advent of electricity, and which is inextricably associated with the nocturnal city, the city of glass towers, of empty illuminated offices and neon signs.

A neon BUDWEISER sign hangs in the narrow window to scare the hip away.

Most people were oblivious to the luck already bestowed upon them. I’d certainly been guilty of it.

I wasn’t heading toward a future I wanted as much as I was running away from one I didn’t.

The neon sign reflected off his gun, like the moonlight reflects off my brother-in-law's bald head after a night of beer drinking and cow-tipping.

It’s so forbidden that the way there is practically lit up with neon signs. Maybe it is filled with the dismembered corpses of Mr Dainty’s previous wives.

man who designs neon signs for a living and whose most passionate interest is cars? Before I met Ben, I was one of those girls who was deliberately, prettily

Cruising down Sunset Boulevard with the Cramps blasting and palm trees silhouetted by the neon signs of strip clubs can sometimes repair the worst of moods.

Every night is Christmas Eve on old East Main, Sailors and their sweethearts all agree. Neon signs of red and green Shine upon the friendly scene, Welcoming you in from off the sea. Santa's bag is filled with all your dreams come true: Nickel beers that sparkle like champagne, Barmaids who all love to screw, All of them reminding you It's Christmas Eve on old East Main.

My old man 16 years old during the depression I’d come home drunk and all my clothing– shorts, shirts, stockings– suitcase, and pages of short stories would be thrown out on the front lawn and about the street. my mother would be waiting behind a tree: “Henry, Henry, don’t go in . . .he’ll kill you, he’s read your stories . . .” “I can whip his ass . . .” “Henry, please take this . . .and find yourself a room.” but it worried him that I might not finish high school so I’d be back again. one evening he walked in with the pages of one of my short stories (which I had never submitted to him) and he said, “this is a great short story.” I said, “o.k.,” and he handed it to me and I read it. it was a story about a rich man who had a fight with his wife and had gone out into the night for a cup of coffee and had observed the waitress and the spoons and forks and the salt and pepper shakers and the neon sign in the window and then had gone back to his stable to see and touch his favorite horse who then kicked him in the head and killed him. somehow the story held meaning for him though when I had written it I had no idea of what I was writing about. so I told him, “o.k., old man, you can have it.” and he took it and walked out and closed the door. I guess that’s as close as we ever got.

Fear is a funny, fickle thing. It’s there to protect you, to keep you from getting hurt, a glaring neon sign that warns you from getting too close, tells you to back up before it’s too late. But it keeps you stuck, weighed down in one spot, like feet stuck in mud. And more often than not? You get hurt anyway. Sometimes, like today, you hurt the person you care about in the process too.

That bitch should not be in a club like this. As if her language is not enough indication, there is also the matter of her Hot Topic mallrat outfit: short black leather skirt with buckles up the side, mass-produced “vintage” Ramones T-shirt, and piss-yellow leggings with some horrible pair of pink patent-leather shoes. She looks like a neon sign bumblebee by way of early Debbie Harry rip-off.

I didn't want to fall in love with you. I knew the risk and understood the consequences. All the warning signs had been in bright blinking neon lights. Telling me to run before I even got near. But our hearts are animals driven by instinct: it only wants and wants and wants. Mine simply wanted you.

*One clue that there’s something not quite real about sequential time the way you experience it is the various paradoxes of time supposedly passing and of a so-called ‘present’ that’s always unrolling into the future and creating more and more past behind it. As if the present were this car—nice car by the way—and the past is the road we’ve just gone over, and the future is the headlit road up ahead we haven’t yet gotten to, and time is the car’s forward movement, and the precise present is the car’s front bumper as it cuts through the fog of the future, so that it’s now and then a tiny bit later a whole different now, etc. Except if time is really passing, how fast does it go? At what rate does the present change? See? Meaning if we use time to measure motion or rate—which we do, it’s the only way you can—95 miles per hour, 70 heartbeats a minute, etc.—how are you supposed to measure the rate at which time moves? One second per second? It makes no sense. You can’t even talk about time flowing or moving without hitting up against paradox right away. So think for a second: What if there’s really no movement at all? What if this is all unfolding in the one flash you call the present, this first, infinitely tiny split-second of impact when the speeding car’s front bumper’s just starting to touch the abutment, just before the bumper crumples and displaces the front end and you go violently forward and the steering column comes back at your chest as if shot out of something enormous? Meaning that what if in fact this now is infinite and never really passes in the way your mind is supposedly wired to understand pass, so that not only your whole life but every single humanly conceivable way to describe and account for that life has time to flash like neon shaped into those connected cursive letters that businesses’ signs and windows love so much to use through your mind all at once in the literally immeasurable instant between impact and death, just as you start forward to meet the wheel at a rate no belt ever made could restrain—THE END." footnote ("Good Old Neon")

Everything is more meaningful because it is connected to the earth. There are no signs to read, no billboards or neon messages; instead I read the hills and the fields and the farmhouses and the sky. The houses, made of mud and stone and wood, are not hermetically sealed. The wind blows in through the cracks, the night seeps in through the rough wooden window slats.The line between inside and outside is not so clear.

It was like hundreds of roads he'd driven over - no different - a stretch of tar, lusterless, scaley, humping toward the center. On both sides were telephone poles, tilted this way and that, up a little, down... Billboards - down farther an increasing clutter of them. Some road signs. A tottering barn in a waste field, the Mail Pouch ad half weathered away. Other fields. A large wood - almost leafless now - the bare branches netting darkly against the sky. Then down, where the road curved away, a big white farmhouse, trees on the lawn, neat fences - and above it all, way up, a television aerial, struck by the sun, shooting out bars of glare like neon. ("Thompson")

You walk around with this huge fucking neon sign above your head and this arrow pointing down at you, like those signs in front of motels that say rooms available, except your sign says something terrible happened to me, and you keep that sign all lit up like that above you, and you want people to ask, you want the whole fucking world to feel sorry for you, but no matter how much you tell it, no one’s ever going to understand, and it’s never going to be enough.

Malaise invades me as the crowd around me grows. The compromises I have made with stupidity under the pressure of circumstances rush to meet me, swimming towards me in hallucinating waves of faceless heads. Edvard Munch's famous painting, The Cry, evokes for me something I feel ten times a day. A man carried along by a crowd, which only he can see, suddenly screams out in an attempt to break the spell, to call himself back to himself, to get back inside his own skin. The tacit acknowledgments, fixed smiles, lifeless words, listlessness and humiliation sprinkled in his path suddenly surge into him, driving him out of his desires and his dreams and exploding the illusion of 'being together'. People touch without meeting; isolation accumulates but is never realized; emptiness overcomes us as the density of the crowd grows. The crowd drags me out of myself and installs thousands of little sacrifices in my empty presence. Everywhere neon signs are flashing out the dictum of Plotinus: All beings are together though each remains separate. But we only need to hold out our hands and touch one another, to raise our eyes and meet one another, and everything comes into focus, as if by magic.

At daycare the next morning, I learned of the boy's accidental death. My throat tightened at the thought of the scream I'd heard: so it was him. It seemed he had been playing alone on an outside walkway, and he had gone over the railing. What was he seeing as he fell with that cry? It was nighttime; the glow of streetlamps, lighted windows, and neon signs must have streamed like water around his falling body. Perhaps he gazed in amazement at the unfamiliar torrents of lights, wondering where he was going.

Georges Claude made a fortune from his neon signs, but lost most of it in the 1930s with hair brained schemes to make electricity using the temperature difference between the top of the ocean and its icy depths. He almost ended his career imprisoned for life.

It rarely snows because Antarctica is a desert. An iceberg means it’s tens of millions of years old and has calved from a glacier. (This is why you must love life: one day you’re offering up your social security number to the Russia Mafia; two weeks later you’re using the word calve as a verb.) I saw hundreds of them, cathedrals of ice, rubbed like salt licks; shipwrecks, polished from wear like marble steps at the Vatican; Lincoln Centers capsized and pockmarked; airplane hangars carved by Louise Nevelson; thirty-story buildings, impossibly arched like out of a world’s fair; white, yes, but blue, too, every blue on the color wheel, deep like a navy blazer, incandescent like a neon sign, royal like a Frenchman’s shirt, powder like Peter Rabbit’s cloth coat, these icy monsters roaming the forbidding black.

But no life was without it's strain & strife, not if it was fully lived. Opening up to experience, even the good ones like trust & love, was to open yourself up to the pain. I suppose the key was to not compound matters by making the rest of it unnecessarily hard. My need for control had certainly done that in the past. So I made a promise to myself in that moment. I would make a concerted effort to reach for what was soft & good in this world. I'd find a place to settle into, and hold still so that this world's good and soft could reach back & touch me as well.

For a brief period of time the American electric-sign industry looked beyond its most immediate market and collaborated with store designers and architects in creating a style which became known as 'stream-line.' Later it became known as 'American Déco.' Whatever it was called or will be called in the future, it represents in terms of neon a thrust away from isolated signage toward an area of architectural ornamentation in which signage is but one element in an overall plan. — Rudi Stern

After the dinner-and-interrogation. John stopped short on the sidewalk: The theater was gone. Instead, two gigantic clown faces grinned at him from the windows of a gleaming new restaurant. The faces were almost as large as the wide front door, painted on either side, and above them was a sign, in red and yellow neon letters: CIRCUS BABY’S PIZZA.

Even as I wrote my note to Fern, for instance, expressing sentiments and regrets that were real, a part of me was noticing what a fine and sincere note it was, and anticipating the effect on Fern of this or that heartfelt phrase, while yet another part was observing the whole scene of a man in a dress shirt and no tie sitting at his breakfast nook writing a heartfelt note on his last afternoon alive, the blondwood table's surface trembling with sunlight and the man's hand steady and face both haunted by regret and ennobled by resolve, this part of me sort of hovering above and just to the left of myself, evaluating the scene, and thinking what a fine and genuine-seeming performance in a drama it would make if only we all had not already been subject to countless scenes just like it in dramas ever since we first saw a movie or read a book, which somehow entailed that real scenes like the one of my suicide note were now compelling and genuine only to their participants, and to anyone else would come off as banal and even somewhat cheesy or maudlin, which is somewhat paradoxical when you consider – as I did, setting there at the breakfast nook – that the reason scenes like this will seem stale or manipulative to an audience is that we’ve already seen so many of them in dramas, and yet the reason we’ve seen so many of them in dramas is that the scenes really are dramatic and compelling and let people communicate very deep, complicated emotional realities that are almost impossible to articulate in any other way, and at the same time still another facet or part of me realizing that from this perspective my own basic problem was that at an early age I’d somehow chosen to cast my lot with my life’s drama’s supposed audience instead of with the drama itself, and that I even now was watching and gauging my supposed performance’s quality and probable effects, and thus was in the final analysis the very same manipulative fraud writing the note to Fern that I had been throughout the life that had brought me to this climactic scene of writing and signing it and addressing the envelope and affixing postage and putting the envelope in my shirt pocket (totally conscious of the resonance of its resting there, next to my heart, in the scene), planning to drop it in a mailbox on the way out to Lily Cache Rd. and the bridge abutment into which I planned to drive my car at speeds sufficient to displace the whole front end and impale me on the steering wheel and instantly kill me. Self-loathing is not the same thing as being into pain or a lingering death, if I was going to do it I wanted it instant’ (175-176)

The cloak coupled with a black leather vest made me suitably menacing. All that was missing was a giant neon sign with rotating sparklers proclaiming HARD CASE. LINE TO GET YOUR ASS KICKED FORMS TO THE RIGHT. A wide smile stretched Raphael’s lips. “If you laugh, I’ll kill you,” I told him. “Why the rifle? Everybody knows you can’t shoot.” Who were these everybodies and would they like to stand in front of me, preferably within ten feet, so I could discuss this issue in greater detail? “I can shoot just fine.” I just missed eighty percent of the time. With the gun anyway. I did better with a crossbow and even better with the knife. “Do you know the runes on your sword are nonsense?” “Yes, but they look mysterious.

All that night, after I shut the door and left Number 16 empty, I went looking for the parts of my city that have lasted. I walked down streets that got their names in the Middle Ages: Copper Alley, Fishamble Street, Blackpitts where the plague dead were buried. I looked for cobblestones worn smooth and iron railings gone thin with rust. I ran my hand over the cool stone of Trinity’s walls and I crossed the spot where nine hundred years ago the town got its water from Patrick’s Well; the street sign still tells you so, hidden in the Irish that no one ever reads. I paid no attention to the shoddy new apartment blocks and the neon signs, the sick illusions ready to fall into brown mush like rotten fruit. They’re nothing; they’re not real. In a hundred years they’ll be gone, replaced and forgotten. This is the truth of bombed-out ruins: hit a city hard enough and the cheap arrogant veneer will crumble faster than you can snap your fingers; it’s the old stuff, the stuff that’s endured, that might just keep enduring. I tilted my head up to see the delicate, ornate columns and balustrades above Grafton Street’s chain stores and fast-food joints. I leaned my arms on the Ha’penny Bridge where people used to pay half a penny to cross the Liffey, I looked out at the Custom House and the shifting streams of lights and the steady dark roll of the river under the falling snow, and I hoped to God that somehow or other, before it was too late, we would all find our way back home.

Everything seemed bright and different after so long in the darkness. Even though most of the businesses were closed, there was one neon sign lit in the window of a narrow storefront. COFFEE AND PIE, it read. Two bikes were parked just outside. On the boardwalk, in the thrown light of the neon sign, his head dipped down as I pulled my fingers through his hair. The night still in progress, with daylight hours away.

The truth is you already know what it’s like. You already know the difference between the size and speed of everything that flashes through you and the tiny inadequate bit of it all you can ever let anyone know. As though inside you is this enormous room full of what seems like everything in the whole universe at one time or another and yet the only parts that get out have to somehow squeeze out through one of those tiny keyholes you see under the knob in older doors. As if we are all trying to see each other through these tiny keyholes. But it does have a knob, the door can open. But not in the way you think. But what if you could? Think for a second — what if all the infinitely dense and shifting worlds of stuff inside you every moment of your life turned out now to be somehow fully open and expressible afterward, after what you think of as you has died, because what if afterward now each moment itself is an infinite sea or span or passage of time in which to express it or convey it, and you don’t even need any organized English, you can as they say open the door and be in anyone else’s room in all your own multiform forms and ideas and facets? Because listen — we don’t have much time, here’s where Lily Cache slopes slightly down and the banks start getting steep, and you can just make out the outlines of the unlit sign for the farmstand that’s never open anymore, the last sign before the bridge — so listen: What exactly do you think you are? The millions and trillions of thoughts, memories, juxtapositions — even crazy ones like this, you’re thinking — that flash through your head and disappear? Some sum or remainder of these? Your history? Do you know how long it’s been since I told you I was a fraud? Do you remember you were looking at the respicem watch hanging from the rearview and seeing the time, 9:17? What are you looking at right now? Coincidence? What if no time has passed at all?* The truth is you’ve already heard this. That this is what it’s like. That it’s what makes room for the universes inside you, all the endless inbent fractals of connection and symphonies of different voices, the infinities you can never show another soul. And you think it makes you a fraud, the tiny fraction anyone else ever sees? Of course you’re a fraud, of course what people see is never you. And of course you know this, and of course you try to manage what part they see if you know it’s only a part. Who wouldn’t? It’s called free will, Sherlock. But at the same time it’s why it feels so good to break down and cry in front of others, or to laugh, or speak in tongues, or chant in Bengali — it’s not English anymore, it’s not getting squeezed through any hole. So cry all you want, I won’t tell anybody.

Twas the night before Christmas—well, the late afternoon, in fact, but who could tell at the North Pole in the middle of winter—and Matthias the werewolf was knee-deep in reindeer guts. Really, it was the deer’s own fault for having that glowing red nose that had made it ever so easy to pick him out in the gloom. There it had been, like a neon sign saying FAST FOOD and Matt being like Yellow Dog Dingo—always hungry—had taken the opportunity for a quick snack.

You ought to make something for Easter. You know. Eggs and stuff. Chocolate hens, rabbits, things like that. Like the shops in Agen." I remember them from my childhood; the Paris chocolateries with their baskets of foil-wrapped eggs, shelves of rabbits and hens, bells, marzipan fruits and marrons glacés, amourettes and filigree nests filled with petits fours and caramels, and a thousand and one epiphanies of spun-sugar magic carpet rides more suited to an Arabian harem than the solemnities of the Passion. "I remember my mother telling me about the Easter chocolates." There was never enough money to buy those exquisite things, but I always had my own cornet-surprise, a paper cone containing my Easter gifts, coins, paper flowers, hard-boiled eggs painted in bright enamel colors, a box of colored papier-mâché- painted with chickens, bunnies, smiling children among the buttercups, the same every year and stored carefully for the next time- encasing a tiny packet of chocolate raisins wrapped in cellophane, each one to be savored, long and lingeringly, in the lost hours of those strange nights between cities, with the neon glow of hotel signs blink-blinking between the shutters and my mother's breathing, slow and somehow eternal, in the umbrous silence.

There were streets, narrow and crowded with people and vehicles. Above them flashed neon lights and blinking billboards of every colour, shape and size. Some ran up the sides of buildings, others blinked on and off in store windows. In the space above the sidewalk, higher than a double-decker bus, hung flashing neon signs in bright pink, yellow, read, blue, orange, green and white. Yes, if white could be whiter than white, it was when it was in neon, Hong Mei thought. She knew Nathan Road in Kowloon was famous for its neon lights.

You’re not getting sick as much, you said. Maybe she wouldn’t notice.” “But my stomach.” Jade put her hand on her belly. “Twins, remember? I swear I’m growing by the hour.” He pulled her into his side, loving the soft feel of her against him. “You’re right. Besides, there’s the glow.” “What glow?” “The pregnancy glow. You have it.” “I do not.” He nudged her playfully. “You’re practically a neon sign.” “Stop it.” Ah, but he’d made her smile. Why did that make him feel like a million bucks? Like he could buy the world twice over with that smile. Of

You'd try to look elsewhere but you wouldn't be able to help yourself, and you'd look back again. Because there was something going on. There was some sort of special air around this person. Or a special light? Yes. That was it. If you just came in this crummy Lavomatic on the avenue de La Bourdonnais on December twenty-ninth at five o'clock in the afternoon and you saw this figure in the dreary neon lights, this is exactly what you would say to yourself: Holy shit. An angel. Camille raised her eyes just then, saw him, did not react right away as if she had not recognized him, then finally smiled. A very faint smile, a slight brilliance, a little sign of recognition among regulars. "Got your wings in there?" he asked, pointing to her bag. "Sorry?" "Nah, nothing.

I smiled as I stood by the curb. 4:20 in the morning. But you know what? I wanted to go somewhere, but not home. Only one place I could think of: Itaewon. Like destiny, an orange cab slowed down in front of me. I climbed in and yelled, "Hey Mister, Itaewon Fire Station." Had the streetlamps and neon signs always been this spectacularly bright? Why was Seoul so beautiful all of a sudden? Everything that was once nothing seemed special and amazing somehow. And wouldn't you know it, the taxi fare still was more than 10,000 won, even when the surcharge period was over. Only 20,000 won left on this card, how was I going to get home later? Eh, whatever. I'd survive. The traffic began getting bad at Hannam-dong. I hopped out in front of the CJ Building and ran the rest of the way to G—.

Sissie could see it all. In her uncertain eyes, on her restless hands and on her lips, which she kept biting all the time. But oh, her skin. It seemed as if according to the motion of her emotions Marija's skin kept switching on and switching off like a two-colour neon sign. So that watching her against the light of the dying summer sun, Sissie could not help thinking that it must be a pretty dangerous matter, being white. It made you feel awfully exposed, rendered you terribly vulnerable. Like being born without your skin or something. As though the Maker had fashioned the body of a human, stuffed it into a polythene bag instead of the regular protective covering, and turned it loose into the world. Lord, she wondered, is that why, on the whole, they have had to be extra ferocious? Is it so they could feel safe here on the earth, under the sun, the moon and the stars?

I took one step toward him and he took the sign as if it was in neon paint. Which it was. Neon paint with klieg lights. It said kiss me. Before I could complete the thought, I was against the wall and his lips were on mine. There was a fierceness to his mouth, a hunger that was the opposite of cold professionalism. His tongue fed me and his hands owned me. I could have melted into him so easily. I could have given myself over and loved every minute of it. I wanted to. My body wanted to. Every nerve in my body vibrated for him.

Julie Seagle stared straight ahead and promised herself one thing: She would never again rent an apartment via Craigslist. The strap of her overstuffed suitcase dug into her shoulder, and she let it drop onto the two suitcases that sat on the sidewalk. It wasn’t as if she had anywhere to carry them now. Julie squinted in disbelief at the flashing neon sign that touted the best burritos in Boston. Rereading the printout of the email again did nothing to change things. Yup, this was the correct address. While she did love a good burrito, and the small restaurant had a certain charm about it, it seemed pretty clear that the one-story building did not include a three-bedroom apartment that could house college students. She sighed and pulled her cell phone from her purse. “Hi, Mom.” “Honey! I gather you made it to Boston? Ohio is missing you already. I can’t believe you’re already off at college. How is the apartment? Have you met your roommates yet?” Julie cleared her throat and looked at the flat roof of the restaurant. “The apartment is…‌airy. It has a very

The Middengard Wyrm had arrived at last. Precisely according to Bryce’s plan. She’d been dripping blood for it all this way, leaving a trail, constantly scraping off her scabs to reopen her wounds—ones she’d intentionally inflicted on herself by “falling” into the stream. If the Wyrm relied on scent to hunt, then she’d left a veritable neon sign leading right to them. She hadn’t known when or how it would attack, but she’d been waiting. And she was ready. Bryce fell back as not only shadows, but blue light flared from Azriel—right alongside the ripple of silver flame from Nesta. Back-to-back, they faced the massive creature with razor-sharp focus. Ataraxia gleamed in Nesta’s hand. Truth-Teller pulsed with darkness in Azriel’s. Now or never. Her legs tensed, readying to sprint. Nesta’s eyes slid to Bryce’s for a heartbeat. As if understanding at last: Bryce’s “unhealing” hand. The blood she’d wiped on the walls. Her musing about the linked river system in these caves, sussing out what they knew regarding the terrain and the Wyrm. To unleash this thing—on them. “I’m sorry,” Bryce said to her. And ran.

The Sound Of Silence" Hello, darkness, my old friend I've come to talk with you again Because a vision softly creeping Left its seeds while I was sleeping And the vision that was planted in my brain Still remains Within the sound of silence In restless dreams I walked alone Narrow streets of cobblestone 'Neath the halo of a streetlamp I turned my collar to the cold and damp When my eyes were stabbed by the flash of a neon light That split the night And touched the sound of silence And in the naked light I saw Ten thousand people, maybe more People talking without speaking People hearing without listening People writing songs that voices never share No one dared Disturb the sound of silence "Fools," said I, "You do not know Silence like a cancer grows Hear my words that I might teach you Take my arms that I might reach you." But my words like silent raindrops fell And echoed in the wells of silence And the people bowed and prayed To the neon god they made And the sign flashed out its warning In the words that it was forming And the sign said, "The words of the prophets Are written on the subway walls And tenement halls And whispered in the sounds of silence." Paul Simon, Wednesday Morning, 3 AM (1964)

Come on. Let’s go get coffee, get your mind off it,” Silas says soothingly as I begin to take my frustration out on the bag of bread, violently twisting the end of the plastic into a knot. “I don’t like coffee,” I grumble without looking at him. Silas reaches forward and puts his hands over mine. Goose bumps erupt on my arms. He raises his eyebrows, voice gentle. “You can get chocolate milk, then. But let’s get out of here before you bend the entire loaf in half.” I sigh and look at him. Funny how he can go from being “just Silas” to Silas in a matter of seconds. I release the bread and follow him out the door, my frustration and the flutter feeling fighting for control of me. The diner Silas takes me to is just a few blocks away, a dingy but classic-looking place with black and white tile and red neon signs blinking things such as “Apple Pie!” and “Specialty Hash Browns!” We slide into a booth, and a waitress who is missing several teeth grins at us and asks us for our order. “Just a cup of coffee for me. You, Rosie?” “Chocolate milk,” I reply with a snide look at Silas. He laughs and the waitress hurries away. Then, silence. Silas rearranges the salt and pepper shakers, and I pretend to read a piece of paper outlining the history of the diner. Right. “So,” I blurt out, a little louder than I meant to, “I guess you didn’t get much time at home, did you? Back from California and now stuck here with us?” Is my voice shaking? I think my voice is shaking.

Okay.” The leader stood on the bed of his truck and clapped his hands over his head. “Listen up, everyone.” No one was really listening, though they had dressed right. Everyone was all in black. A few guys wore ski masks, and others had black marks on their cheeks like football players. Personally, I didn’t understand the need for the black camouflage. Caden had explained that the cops had already been looped in on the operation. A few of the lawns getting flocked tonight actually belonged to cops, and anyway the whole blending-with-the-night effect didn’t work when you were carrying a bright neon-pink flamingo. Still, I couldn’t deny the little spark of excitement building in my stomach. We were all standing in some guy’s driveway, and as I looked around, I seemed to be the only girl. These guys meant business. I was in the middle of a real life Call of Duty operation. The leader began speaking, his voice booming. “This is going to happen with precision and professionalism. No lingering, loitering, acting like stupid shits, and definitely no joking around. We’re not ladies. This isn’t going to be run like a bunch of pansy-shopping, pink-nail-polish pussies. You got that?!” I frowned, tucking my nails inside my jacket. “Every vehicle’s been filled with birds. The driver should have a text with all the locations, and the number of birds for each target. Pull up, find the group of birds labeled for that house, and work together. Take one bird a trip, two if you can manage, and ram those suckers down in the grass. Hurry back to the truck and keep going until all the birds for that location are in the ground. Shotgun Sally is in charge of hanging the sign on the bird closest to the street. Once the sign is hung, get back in the truck, and move to the next target. NO TALKING! This mission is all radio silent. Communicate with signals, and if you don’t know the appropriate signals, just SHUT THE HELL UP! Okay? Now, go flock some fuckers!