Manhattan Cafe Quotes

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It is often difficult, I find, for people today to grasp the notion that one family, working through several restaurants could change the eating habit of an entire country. But such was the achievement of the Delmonicos in the United States of the last century. Before they opened their first small cafe on William Street in 1823, catering to the business and financial communities of Lower Manhattan, American food could generally be described as things boiled or fried whose purpose was to sustain hard work and hold down alcohol - usually bad alcohol. The Delmonicos, though Swiss, had brought the French method to America, and each generation of their family refined an expanded the experience ... The craving for first-rate dining became a kind of national fever in the latter decades of the century - and Delmonico's was responsible.
Caleb Carr (The Alienist (Dr. Laszlo Kreizler, #1))
En casa uno facilmente puede sentirse encerrado, agobiado por la falta de horizonte, por la excesiva familiaridad de las cosas. En el cafe se es a la vez sedentario y transeunte, y si uno tiene la suerte de ocupar una mesa junto al ventanal, la situacion es admirable, perfecta: uno es la estampa involuntaria del desconocido que mira la calle tras los cristales del cafe, y esa figura, ese anonimato, le concede una vision alejada y un poco novelesca de si mismo.
Antonio Muñoz Molina (Ventanas de Manhattan)
I had already imagined how it would be next year. I'd be at Columbia, and Marcus would move to Manhattan, or maybe one of the outer boroughs. I would study hard, and he would make money playing gigs at dingy bars. We'd spend countless hours going to clubs to see bands on the verge, touring obscure art exhibits, and sipping pot after pot of black coffee at hole-in-the-wall cafes. Many more hours would be spent lounging under the covers. We would never run out of witty and fascinating things to say to each other. Eventually, he'd apply to Columbia, and we'd be the sort of well-educated, cosmopolitan couple that confuse the suburbumpkins who never leave Pineville.
Megan McCafferty (Second Helpings (Jessica Darling, #2))
Some days I would take the train into Manhattan. There was so much money everywhere, money flowing out of bistros and cafes, money pushing the people, at incredible speeds, up the wide avenues, money drawing intergalactic traffic through Times Square, money in the limestones and brownstones, money out on West Broadway where white people spilled out of wine bars with sloshing glasses and without police. I would see these people at the club, drunken, laughing, challenging breakdancers to battles. They would be destroyed and humiliated in these battles. But afterward they would give dap, laugh, order more beers. They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother and father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
Ta-Nehisi Coates (Between the World and Me)
Ella's supersonic voice followed her all the way to Bleecker Street and then dissolved amid the noisy profusion of shops, cafes, and restaurants and the crush of people that made the West Village of Manhattan unique in the world. In a single block you could buy fertility statues from Tanzania, rare Amazonian orchids, a pawned brass tuba, Krispy Kreme doughnuts, or the best, most expensive cup of coffee you ever tasted. It was the doughnuts, incidentally, that attracted Gaia.
Francine Pascal (Sam (Fearless, #2))
Some days I would take the train into Manhattan. There was so much money everywhere, money flowing out of bistros and cafes, money pushing the people at incredible speeds, up the wide avenues, money drawing intergalactic traffic through Times Square, money in the limestones and brownstones, money out on West Broadway where white people spilled out of wine bars with sloshing glasses and without police. I would see these people at the club, drunken, laughing, challenging break dancers to battles. They would be destroyed and humiliated in these battles. But afterward they would give dap, laugh, order more beers They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother ad father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
Ta-Nehisi Coates (Between the World and Me)
By the time I learned what a Pit Bull really was, it was too late; I was already in love. Of course I'd heard the stories, but I had never put these almost mythological urban tales together with the dogs in my neighborhood. I was living in Manhattan, just blocks away from a dog park, and dog watching was a spectator sport among those of us who were still dogless. There were dogs of every shape and size, but my eye kept going to the short, stocky, exuberant dogs that seemed like cartoons. You could tell by the gleam in their eyes they felt very lucky to be here, in the city, walking with the person they kept on the other end of the leash. Their heads were blocky and human. Their short coats made it seem like they were wearing costumes made of felt. It wasn't hard to imagine there might be a little person inside. And they were everywhere that there were people: in cafes, outside bodegas, eating at restaurants.
Ken Foster (I'm a Good Dog: Pit Bulls, America's Most Beautiful (and Misunderstood) Pet)
Stepping outside, all finished, gold porchlight kissed my forehead. The animated nighttime island was a concrete jungle wild with promise, and around any cobblestone corner my big break might exist, disguised as a simple café, waiting for me to open the door.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)