Grand Rising Quotes

This grand show is eternal. It is always sunrise somewhere; the dew is never all dried at once; a shower is forever falling; vapor is ever rising. Eternal sunrise, eternal sunset, eternal dawn and gloaming, on sea and continents and islands, each in its turn, as the round earth rolls.

I was just a girl again, but this girl didn’t owe her strength to fate or chance or a grand destiny. I’d been born with my power; the rest I’d earned.

There is no morality to him. No goodness. No evil intent when he killed Eo. He believes he is beyond morality. His aspirations are so grand that he has become inhuman in his desperate desire to preserve humanity.

Right. And our first job is to teach her to give a speech on the Grand Balcony in three days.” “That does not sound too difficult. Has she done much public speaking?” Amilia forced a smile. “A week ago she said the word no.

My mother, Nicolette, is the Katagaria Grand Regis Ursulan- so don’t start no shit, won’t be no shit. Quick rule rundown. No fighting, no biting, no magick. You break the rules, we break body parts and you’re banned from here…if you survive. In short, come in peace or leave in pieces. (Dev)

I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned

You want to start some shit, boy? Let’s go outside. (Devyn) Oh, good. I’m just in time for another round of Grand Testosterone Overdose. Ooooh, Alix, Claira…anyone got popcorn? Or maybe I should get Taryn? Then we could insult his manhood and watch him pop a gasket, too. (Zarina)

I want to see with my own eyes the hind lie down with the lion and the victim rise up and embrace his murderer.

In the grand scheme of life, nobody grows old keeping their soul unblemished.

She will not come back, but her beauty, her voice, will echo until the end of time. She believed in something beyond herself, and her death gave her voice power it didn’t have in life. She was pure, like your father. We, you and I” — he touches my chest with the back of his index finger — “are dirty. We are made for blood. Rough hands. Dirty hearts. We are lesser creatures in the grand scheme of things, but without us men of war, no one except those of Lykos would hear Eo’s song. Without our rough hands, the dreams of the pure hearts would never be built.

Growing up doesn't mean that you are older than someone, it means that you are no longer an amateur.

Everything grand is made from a series of ugly little moments.

This poem is very long So long, in fact, that your attention span May be stretched to its very limits But that’s okay It’s what’s so special about poetry See, poetry takes time We live in a time Call it our culture or society It doesn’t matter to me cause neither one rhymes A time where most people don’t want to listen Our throats wait like matchsticks waiting to catch fire Waiting until we can speak No patience to listen But this poem is long It’s so long, in fact, that during the time of this poem You could’ve done any number of other wonderful things You could’ve called your father Call your father You could be writing a postcard right now Write a postcard When was the last time you wrote a postcard? You could be outside You’re probably not too far away from a sunrise or a sunset Watch the sun rise Maybe you could’ve written your own poem A better poem You could have played a tune or sung a song You could have met your neighbor And memorized their name Memorize the name of your neighbor You could’ve drawn a picture (Or, at least, colored one in) You could’ve started a book Or finished a prayer You could’ve talked to God Pray When was the last time you prayed? Really prayed? This is a long poem So long, in fact, that you’ve already spent a minute with it When was the last time you hugged a friend for a minute? Or told them that you love them? Tell your friends you love them …no, I mean it, tell them Say, I love you Say, you make life worth living Because that, is what friends do Of all of the wonderful things that you could’ve done During this very, very long poem You could have connected Maybe you are connecting Maybe we’re connecting See, I believe that the only things that really matter In the grand scheme of life are God and people And if people are made in the image of God Then when you spend your time with people It’s never wasted And in this very long poem I’m trying to let a poem do what a poem does: Make things simpler We don’t need poems to make things more complicated We have each other for that We need poems to remind ourselves of the things that really matter To take time A long time To be alive for the sake of someone else for a single moment Or for many moments Cause we need each other To hold the hands of a broken person All you have to do is meet a person Shake their hand Look in their eyes They are you We are all broken together But these shattered pieces of our existence don’t have to be a mess We just have to care enough to hold our tongues sometimes To sit and listen to a very long poem A story of a life The joy of a friend and the grief of friend To hold and be held And be quiet So, pray Write a postcard Call your parents and forgive them and then thank them Turn off the TV Create art as best as you can Share as much as possible, especially money Tell someone about a very long poem you once heard And how afterward it brought you to them

Once I thought that writing this book would be impossible. It was a skyscraper, massive and complete and unbearably far off. It taunted me from the horizon. But do we ever look at such buildings and assume they sprung up overnight? No. We’ve seen the traffic congestion that attends them. The skeleton of beams and girders. The swarm of builders and the rattle of cranes… Everything grand is made from a series of ugly little moments. Everything worthwhile by hours of self-doubt and days of drudgery. All the works by people you and I admire sit atop a foundation of failures. So whatever your project, whatever your struggle, whatever your dream, keep toiling, because the world needs your skyscraper. Per aspera, ad astra! —Pierce Brown

We’re all blurry-eyed wanderers of time, and the unfortunance of it all is that we’d probably all go on to do great things if only we searched for what corrected and focused our vision instead of relying on our past – life’s grand kaleidoscope – to help us find our way forward.

The power to narrate, or to block other narratives from forming and emerging, is very important to culture and imperialism, and constitutes one of the main connections between them. Most important, the grand narratives of emancipation and enlightenment mobilized people in the colonial world to rise up and throw off imperial subjection; in the process, many Europeans and Americans were also stirred by these stories and their protagonists, and they too fought for new narratives of equality and human community.

And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb--on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost--climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!--for it seems at times, as though the ear also possessed a sight of its own,--behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries.

Sacredness and profanity and prayers and wishes: they're all held together by the broken limbs of this dead tree, raking the night sky with its blackened branches. We are so small, the two of us. The tree and sky are so large and grand. We could fail so easily, fall before we've begun to rise.

The sun rises over the Grand Canyon, igniting rocks that have been there for two billion years before we were born and will likely remain two billion years after we're gone. My heart aches with the cruel and unimaginable beauty of it. We are nothing. We are everything.

My father, who lived to ninety-four, often said that the eighties had been one of the most enjoyable decades of his life. He felt, as I begin to feel, not a shrinking but an enlargement of mental life and perspective. One has had a long experience of life, not only one’s own life, but others’ too. One has seen triumphs and tragedies, booms and busts, revolutions and wars, great achievements and deep ambiguities. One has seen grand theories rise, only to be toppled by stubborn facts. One is more conscious of transience and, perhaps, of beauty. At eighty, one can take a long view and have a vivid, lived sense of history not possible at an earlier age. I can imagine, feel in my bones, what a century is like, which I could not do when I was forty or sixty. I do not think of old age as an ever grimmer time that one must somehow endure and make the best of, but as a time of leisure and freedom, freed from the factitious urgencies of earlier days, free to explore whatever I wish, and to bind the thoughts and feelings of a lifetime together. I am looking forward to being eighty.

As I have pointed out before, characters are not born like people, of woman; they are born of a situation, a sentence, a metaphor containing in a nutshell a basic human possibility that the author thinks no one else has discovered or said something essential about. But isn't it true that an author can write only about himself? Staring impotently across a courtyard, at a loss for what to do; hearing the pertinacious rumbling of one's own stomach during a moment of love; betraying, yet lacking the will to abandon the glamorous path of betrayal; raising one's fist with the crowds in the Grand March; displaying one's wit before hidden microphones—I have known all these situations, I have experienced them myself, yet none of them has given rise to the person my curriculum vitae and I represent. The characters in my novels are my own unrealized possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented. It is that crossed border (the border beyond which my own "I" ends) which attracts me most. For beyond that border begins the secret the novel asks about. The novel is not the author's confession; it is an investigation of human life in the trap the world has become.

If you study the rhythm of life on this planet, you will find that everything moves in perfect symphony with everything else — by grand divine design. The earth has the ability to heal and regenerate itself, just as our oceans have the ability to replenish themselves by turning over their debris with the waves to wash them ashore. This perfect orchestration of the cycle of life is one of the Creator's greatest and most beautiful miracles. The earth will continue to exist with or without us. So the real concern should be, will we be able to continue to co-exist with each other?

I tell students, when in doubt, to title their story after the smallest concrete object in their story. I warn them off plays on words, ('The Rent Also Rises'--no; 'Life in My Cat House'--no) and no grand reaches, either. 'Reverence,' 'Respect,' 'Regret,' 'Greed,' 'Adventure,' 'Retribution.' And never use the worst title of all time, 'The Gift,' a story I read six times a year.

What we don't often realize is that the rebirth and collapse of grand things do not begin with grand things at all, like the things we see, but with the small, like the things we are - in the things we do - in the things we say.

Villains. Stories are nothing without them. Heroes cannot rise to greatness without them. In the absence of an enemy, our beloved protagonists are left kicking rocks in the Shire or taking tea and biscuits in a mind-numbingly cheery Spare Oom. We love villains because they turn their aches into action, their bruises into battering rams. They push through niceties and against societal restraints to propel the story forward. Unlike our lovable protagonists, villains - for better or worse - stop at literally nothing to achieve their goals. It's why we secretly root for them, why we find ourselves hoping they make their grand escape, and it's why our shoulders sag with equal parts relief and disappointment when they are caught. After all, how can you not give it up to someone who works that damned hard for what they want?... Look into a villain's eyes long enough and we might find our shadow selves, our uncut what-ifs and unchecked ambitions, a blurry line if ever there was one.

Under the redwood tree my grave was laid, and I beguiled my true love to lie down. The stream of our kiss put a waterway around the world, where love like a refugee sailed in the last ship. My hair made a shroud, and kept the coyotes at bay while we wrote our cyphers with anatomy. The winds boomed triumph, our spines seemed overburdened, and our bones groaned like old trees, but a smile like a cobweb was fastened across the mouth of the cave of fate. Fear will be a terrible fox at my vitals under my tunic of behaviour. Oh, canary, sing out in the thunderstorm, prove your yellow pride. Give me a reason for courage or a way to be brave. But nothing tangible comes to rescue my besieged sanity, and I cannot decipher the code of the eucalyptus thumping on my roof. I am unnerved by the opponents of God, and God is out of earshot. I must spin good ghosts out of my hope to oppose the hordes at my window. If those who look in see me condescend to barricade the door, they will know too much and crowd in to overcome me. The parchment philosopher has no traffic with the night, and no conception of the price of love. With smoky circles of thought he tries to combat the fog, and with anagrams to defeat anatomy. I posture in vain with his weapons, even though I am balmed with his nicotine herbs. Moon, moon, rise in the sky to be a reminder of comfort and the hour when I was brave.

Gavroche had fallen only to rise again; he remained in a sitting posture, a long thread of blood streaked his face, he raised both arms in the air, glanced in the direction whence the shot had come, and began to sing: "Je suis tombe par terre, "I have fallen to the earth, C'est la faute a Voltaire; 'Tis the fault of Voltaire; Le nez dans le ruisseau, With my nose in the gutter, C'est la faute a . . . " 'Tis the fault of . . . " He did not finish. A second bullet from the same marksman stopped him short. This time he fell face downward on the pavement, and moved no more. This grand little soul had taken its flight.

The tale of Enron is a story of human weakness, of hubris and greed and rampant self-delusion; of ambition run amok; of a grand experiment in the deregulated world; of a business model that didn’t work; and of smart people who believed their next gamble would cover their last disaster—and who couldn’t admit they were wrong.

Everything grand is made from a series of ugly little moments. Everything worthwhile by hours of self-doubt and days of drudgery.

Moon, moon, rise in the sky to be a reminder of comfort and the hour when I was brave.

This is what it looks like to rise above the circumstances and determine to hold on to the greater good in the grand scheme of things: honoring God.

Commala-come-come There’s a young man with a gun. Young man lost his honey When she took it on the run. Commala-come-one! She took it on the run! Left her baby lonely But he baby ain’t done. Commala-come-coo The wind’ll blow ya through. Ya gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-two! Nothin else to do! Gotta go where ka’s wind blows ya Cause there’s nothin else to do. Commala-come-key Can you tell me what ya see? Is it ghosts or just the mirror That makes ya wanna flee? Commala-come-three! I beg ya, tell me! Is it ghosts or just your darker self That makes ya wanna flee? Commala-come-ko Whatcha doin at my do’? If ya doan tell me now, my friend I’ll lay ya on de flo’. Commala-come-fo’! I can lay ya low! The things I’ve do to such as you You never wanna know. Commala-gin-jive Ain’t it grand to be alive? To look out on Discordia When the Demon Moon arrives. Commala-come-five! Even when the shadows rise! To see the world and walk the world Makes ya glad to be alive. Commala-mox-nix! You’re in a nasty fix! To take a hand in traitor’s glove Is to grasp a sheaf of sticks! Commala-come-six! Nothing there but thorns and sticks! When your find your hand in traitor’s glove You’re in a nasty fix. Commala-loaf-leaven! They go to hell or up to heaven! The the guns are shot and the fires hot, You got to poke em in the oven. Commala-come-seven! Salt and yow’ for leaven! Heat em up and knock em down And poke em in the oven. Commala-ka-kate You’re in the hands of fate. No matter if it’s real or not, The hour groweth late. Commala-come-eight! The hour groweth late! No matter what shade ya cast You’re in the hands of fate. Commala-me-mine You have to walk the line. When you finally get the thing you need It makes you feel so fine. Commala-come-nine! It makes ya feel fine! But if you’d have the thing you need You have to walk the line. Commala-come-ken It’s the other one again. You may know her name and face But that don’t make her your friend. Commala-come-ten! She is not your friend! If you let her get too close She’ll cut you up again! Commala-come-call We hail the one who made us all, Who made the men and made the maids, Who made the great and small. Commala-come-call! He made us great and small! And yet how great the hand of fate That rules us one and all. Commala-come-ki, There’s a time to live and one to die. With your back against the final wall Ya gotta let the bullets fly. Commala-come-ki! Let the bullets fly! Don’t ‘ee mourn for me, my lads When it comes my day to die. Commala-come-kass! The child has come at last! Sing your song, O sing it well, The child has come to pass. Commala-come-kass, The worst has come to pass. The Tower trembles on its ground; The child has come at last. Commala-come-come, The battle’s now begun! And all the foes of men and rose Rise with the setting sun.

The path of destiny pulls you forward. It exhumes you from a state of being and propels you towards the juncture you were created for. A new frontier that you are forced to tread with a cross on your back, heavy as a boulder. When you fall to your knees at the hands of your betrayer, you can only hope to find the one sent to carry you burden- shoulder the journey towards your final punishment. Sometimes duplicity and treason are markers of the ememy, and sometimes, the failed intention of a masterful ally. But, nevertheless, as they burden you with a vexing brand of love, they become nothing more than the kisdd of Judas, pressing a crown of thorns into your flesh. Seemingly with out reason- vastly disappointing, Although I am submerged in violent water, I will rise above. My enemies, my friends, are incapable of derailing me from destiny’s design. So, I press forward-move-rely on the hope of the future- create the possible out of the impossible as I weave into life’s grand tapestry. I believe in the things that wait for me- my enemies, my friends- most of all love. It is the finish line I hunger for, the promise of love in all of its glory. I can endure all things in the hold name of love. And I will.

Calling resists privatization by insisting on the totality of faith. Calling resists politicization by demanding a tension with every human allegiance and association. Calling resists polarization by requiring an attitude toward, and action in, society that is inevitably transforming because it is constantly engaged. Grand Christian movements will rise and fall. Grand campaigns will be mounted and grand coalitions assembled. But all together such coordinated efforts will never match the influence of untold numbers of followers of Christ living out their callings faithfully across the vastness and complexity of modern society.

The path of destiny pulls you forward. It exhumes you from a state of being and propels you towards the juncture you were created for. A new frontier that you are forced to tread with a cross on your back, heavy as a boulder. When you fall to your knees at the hands of your betrayer, you can only hope to find the one sent to carry you burden- shoulder the journey towards your final punishment. Sometimes duplicity and treason are markers of the enemy and sometimes, the failed intention of a masterful ally. But, nevertheless, as they burden you with a vexing brand of love, they become nothing more than the kiss of Judas, pressing a crown of thorns into your flesh. Seemingly without reason— vastly disappointing. Although I am submerged in violent water, I will rise above. My enemies, my friends, are incapable of derailing me from destiny’s design. So, I press forward-move-rely on the hope of the future- create the possible out of the impossible as I weave into life’s grand tapestry. I believe in the things that wait for me- my enemies, my friends- most of all love. It is the finish line I hunger for, the promise of love in all of its glory. I can endure all things in the hold name of love. And I will.

Look well at this, and speak no towering word             yourself against the gods, nor walk too grandly             because your hand is weightier than another’s, 130      or your great wealth deeper founded. One short day             inclines the balance of all human things             to sink or rise again. Know that the gods             love men of steady sense and hate the wicked.

Peace, he knows, can be shattered in a million variations: great visions of the end, a rain of ash, a disease on the wind, a blast in the distance, the sun dying like a kerosene lamp clicked off. And in smaller ways: an overheard remark, his daughter’s sour mood, his own body faltering. There’s no use in anticipating the mode. He will wait for the hushed spaces in life, for Ellis’s snore in the dark, for Grete’s stealth kiss, for the warm light inside the gallery, his images on the wall broken beyond beauty into blisters and fragments, returning in the eye to beauty again. The voices of women at night on the street, laughing; he has always loved the voices of women. Pay attention, he thinks. Not to the grand gesture, but to the passing breath. He sits. He lets the afternoon sink in. The sweetness of the soil rises to him. A squirrel scolds from high in a tree. The city is still far away, full of good people going home. In this moment that blooms and fades as it passes, he is enough, and all is well in the world.

Her voice was polished with a hint of a New England-boarding-school accent that shouted refinement over geographic locale. I was trying not to stare. She saw that and smiled a little. I don't want to sound like some kind of pervert because it wasn't like that. Femal beauty gets to me. I don't think I'm alone in that. It gets to me like a work of art gets to me. It gets to me like a Rembrandt or Michelangelo. It gets to me like night views of Paris or when the sun rises on the Grand Canyon or sets in the turquoise Arizona sky. My thoughts were not illicit. Ther were, I self-rationalized, rather artistic.

I've just come to my room, Livy darling, I guess this was the memorable night of my life. By George, I never was so stirred since I was born. I heard four speeches which I can never forget... one by that splendid old soul, Col. Bob Ingersoll, — oh, it was just the supremest combination of English words that was ever put together since the world began... How handsome he looked, as he stood on that table, in the midst of those 500 shouting men, and poured the molten silver from his lips! What an organ is human speech when it is played by a master! How pale those speeches are in print, but how radiant, how full of color, how blinding they were in the delivery! It was a great night, a memorable night. I doubt if America has seen anything quite equal to it. I am well satisfied I shall not live to see its equal again... Bob Ingersoll’s music will sing through my memory always as the divinest that ever enchanted my ears. And I shall always see him, as he stood that night on a dinner-table, under the flash of lights and banners, in the midst of seven hundred frantic shouters, the most beautiful human creature that ever lived... You should have seen that vast house rise to its feet; you should have heard the hurricane that followed. That's the only test! People might shout, clap their hands, stamp, wave their napkins, but none but the master can make them get up on their feet. {Twain's letter to his wife, Livy, about friend Robert Ingersoll's incredible speech at 'The Grand Banquet', considered to be one of the greatest oratory performances of all time}

And here in this other realm she looms over him, vast and sprawling, wildly patchwork and dense. Not just older and bigger. Stronger in many ways: her arms and core are thick with muscled neighborhoods that each have their own rhythms and reputations. Williamsburg, Hasidim enclave and artist haven turned hipster ground zero. Bed Stuy (do or die). Crown Heights, where now the only riots are over seats at brunch. Her jaw is tight with the stubborn ferocity of Brighton Beach's old mobsters and the Rockaways' working-class holdouts against the brutal inevitability of rising seas. But there are spires at Brooklyn's heart, too- perhaps not as grand as his own, and maybe some of hers are actually the airy, fanciful amusement-park towers of Coney Island- but all are just as shining, just as sharp.

My Childhood Home I See Again by Abraham Lincoln My childhood home I see again, And sadden with the view; And still, as memory crowds my brain, There's pleasure in it too. O Memory! thou midway world 'Twixt earth and paradise, Where things decayed and loved ones lost In dreamy shadows rise, And, freed from all that's earthly vile, Seem hallowed, pure, and bright, Like scenes in some enchanted isle All bathed in liquid light. As dusky mountains please the eye When twilight chases day; As bugle-notes that, passing by, In distance die away; As leaving some grand waterfall, We, lingering, list its roar-- So memory will hallow all We've known, but know no more. Near twenty years have passed away Since here I bid farewell To woods and fields, and scenes of play, And playmates loved so well. Where many were, but few remain Of old familiar things; But seeing them, to mind again The lost and absent brings. The friends I left that parting day, How changed, as time has sped! Young childhood grown, strong manhood gray, And half of all are dead. I hear the loved survivors tell How nought from death could save, Till every sound appears a knell, And every spot a grave. I range the fields with pensive tread, And pace the hollow rooms, And feel (companion of the dead) I'm living in the tombs.

Rise. «I grandi quadri – la gente accorre per vederli, attirano folle, sono riprodotti all’infinito sulle tazze e sui tappetini dei mouse e su qualunque cosa. E, questo riguarda anche me, puoi passare una vita intera a visitare musei con grande piacere, un bel giretto, e poi via, a pranzo da qualche parte. Ma…» tornò a sedersi sul tavolo, «se un quadro ti affonda davvero nel cuore e cambia il tuo modo di vedere, e di pensare, e di provare emozioni, non pensi, “oh, amo questo quadro perché è universale”, “amo questo quadro perché parla a tutto il genere umano”. Non è questa la ragione per cui ci si innamora di un’opera d’arte. È un sospiro segreto in un vicolo. Pss, tu. Ehi ragazzino. Sì, proprio tu.»

Striding forward, she passed through the gates, throwing out her hands as she went in a grand gesture. “Come my minions, rise for your master~!

I’d hoped for a grand destiny, but I would settle for a clean kill.

When he went out it was freezing, and a pale winter sun was rising over Paris. No thought of escape had as yet crossed Monsieur Monde's mind. 'Morning, Joseph.' 'Morning, monsieur.' As a matter of fact, it started like an attack of flu. In the car he felt a shiver. He was very susceptible to head colds. Some winters they would hang on for weeks, and his pockets would be stuffed with wet handkerchiefs, which mortified him. Moreover, that morning he ached all over, perhaps from having slept in an awkward position, or was it a touch of indigestion due to last night's supper? 'I'm getting flu,' he thought. Then, just as they were crossing the Grands Boulevards, instead of automatically checking the time on the electric clock as he usually did, he raised his eyes and noticed the pink chimney pots outlined against a pale blue sky where a tiny white cloud was floating. It reminded him of the sea. The harmony of blue and pink suddenly brought a breath of Mediterranean air to his mind, and he envied people who, at that time of year, lived in the South and wore white flannels.

One brisk morning I stood in a field chilled frosty by autumn’s touch. Suddenly, the hordes of geese that surrounded me lifted off into the sky in a thunderous roar of nature on a grand mission. Standing stunned and awed in a field now fallen silent, it dawned on me that something is most powerful when it believes in its mission and rises without hesitation to achieve it.

Grande parte do aconselhamento convencional oferecido aos trabalhadores e aos estudantes que se preparam para entrar no mercado de trabalho não tem, muito provavelmente, nenhuma eficácia.

O where does he stalk like a horse in pastures very far afield? I cannot hear him, and silence writes more terrible things than he can ever deny. Is there a suspicion the battle is lost? Certainly he killed me fourteen nights in succession. To rise again from such slaughter Messiah must indeed become a woman. He said this absence was the mere mechanics of the thing. But It is not the same.

I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bull-fighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while I was praying for myself I found I was getting sleepy, so I prayed that the bullfights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it, and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn’t seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself as praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun. The sunlight was hot and hard, and I crossed over beside some buildings, and walked back along side-streets to the hotel.

What he confessed was this. He had not been serving God, after all, when he followed Allen Dulles. He had been on a satanic quest. These were some of James Jesus Angleton’s dying words. He delivered them between fits of calamitous coughing—lung-scraping seizures that still failed to break him of his cigarette habit—and soothing sips of tea. “Fundamentally, the founding fathers of U.S. intelligence were liars,” Angleton told Trento in an emotionless voice. “The better you lied and the more you betrayed, the more likely you would be promoted. . . . Outside of their duplicity, the only thing they had in common was a desire for absolute power. I did things that, in looking back on my life, I regret. But I was part of it and loved being in it.” He invoked the names of the high eminences who had run the CIA in his day—Dulles, Helms, Wisner. These men were “the grand masters,” he said. “If you were in a room with them, you were in a room full of people that you had to believe would deservedly end up in hell.” Angleton took another slow sip from his steaming cup. “I guess I will see them there soon.

Everything grand is made from a series of ugly little moments. Everything worthwhile by hours of self-doubt and days of drudgery. All the works by people you and I admire sit atop a foundation of failures. So whatever your project, whatever your struggle,

Balzac has incomparably described how the example of Napoleon electrified an entire generation in France. To Balzac the brilliant rise of the insignificant Lieutenant Bonaparte to the rank of emperor of the world meant not only the triumph of an individual, but the victory of the idea of youth. That one did not have to be born a prince or a duke to achieve power at an early age, that one might come from any humble and even poor family and yet be a general at twenty-four, ruler of France at thirty and of the entire world, caused hundreds, after this unique success, to abandon petty vocations and provincial abodes. Lieutenant Bonaparte had fired the minds of an entire generation of youth. He drove them to aspire to higher things, he made the generals of the Grande Armée the heroes and careerists of the comédie humaine. It is always an individual young person who achieves the unattainable for the first time in any field, and thus encourages all the youngsters around him or who come after him, by the mere fact of his success.

RECUERDE LA FLOR DE LOTO Las grandes personas siempre se burlaban de los que se sienten más pequeños que ellos. Un león no se inmuta a la risa que viene de una hiena. Un gorila no se mueve de un plátano lanzado en ello por un mono. Un ruiseñor no para cantar su canción hermosa por la intrusión de un pájaro carpintero molesto. Siempre que usted debe dudar de su autoestima, recuerda la flor de loto. A pesar de que se sumerge a la vida de debajo del lodo, que no permite que la suciedad que lo rodea para afectar a su crecimiento o la belleza. Sé que la flor de loto siempre. No permita que cualquier negatividad o la fealdad en su entorno destruyan su confianza, afectan su crecimiento, o te hacen la pregunta de su autoestima. Es muy normal que uno de malezas feo no quiere estar solo. Recuerda esto siempre. si usted fuera feo, o simplemente tan pequeño como ellos sienten que son, entonces ellos no se sienten tan amargo y envidioso cada vez que se ven obligados a mirar hacia magníficamente Divina USTED ". SUZY KASSEM : filósofo, poeta de la Verdad

Una sociedad democrática verdadera debe servir a su pueblo, no a grandes empresas, al bienestar de sus ciudadanos, no a los bolsillos corporativos. Pero cuando tienes corporaciones que compran los asientos de nuestros líderes políticos, a quién piensan que van a servir?

my English teacher, Mrs. Harbor. She’s always going off on tangents. Sometimes I’ll zone out for a few minutes, and all of a sudden she’ll be talking about underwear in the eighteenth century or oppression in Africa or the way the sun looks rising over the Grand Canyon.

More truth: I have an infatuation problem. It’s not just Beardsley. It’s all of them. I’ve felt this for a hundred other men—the rush of the encounter, the way my stomach heats and bubbles, the adrenaline, the urge to run five miles and move my bowels and puke at the same time. It’s a frenzy for the story and what it could be. The ability to escape from my life, the chance at a grand renovation of self within another person. It’s the sense of possibility, so good it feels like it will salvage everything. How hard it is to beat the dream. How it traps you. It’s embarrassing. It’s lonely. It’s unsatisfying. It’s impossible. At day’s end, I just want a life where I’m laughing and eating and coming all the time. I could do this for the rest of my life—this rise and fall, defined increasingly by what I cannot have.

There’s a story my father used to tell about the peak. She was a grand old thing, a cathedral of a mountain. The range had other mountains, taller, more imposing, but Buck’s Peak was the most finely crafted. Its base spanned a mile, its dark form swelling out of the earth and rising into a flawless spire. From a distance, you could see the impression of a woman’s body on the mountain face: her legs formed of huge ravines, her hair a spray of pines fanning over the northern ridge. Her stance was commanding, one leg thrust forward in a powerful movement, more stride than step

She sighed heavily before whispering, “I’m still a bit confused as to what we are waiting for.” “We are waiting for one of the constants in our world, Miss Braun,” Wellington assured her. “At the end of every opera, there is the grand finale, where the music continues its gradual crescendo, the tenor and tempo rising ever so gradually for that pinnacle of dramatic tension, that moment of anticipation—” “Welly, are you talking about opera or about sex?” His next words caught in his throat. For a woman of higher tastes and seeming refinement, this woman could be utterly crass.

O progresso da tecnologia da informação tem o seu próprio lado negro, e se resultar no desemprego generalizado ou ameaçar a segurança económica de uma grande parte da nossa população, os perigos apresentados pelas alterações climáticas passarão a ser politicamente ainda mais difíceis de tratar.

Una verdadera sociedad democrática se supone que debe servir a los ciudadanos, no a las grandes empresas. El bienestar de sus ciudadanos, no de los bolsillos corporativos. Pero cuando se tiene corporaciones que compran los asientos de nuestros líderes políticos, a quien piensan que van a servir?

Tsundoku (Japanese) Buying books and not reading them; letting books pile up on shelves or floors or nightstands. My parents used to joke about making furniture out of them; instead of being coffee table books, they could be the coffee table. Ditto on nightstands, counters, roofs. When we were kids, my brother and I, teased about always reading, built a wall. Right through the middle of the neighborhood, protected ourselves with fiction and with facts. I loved the encyclopedias best; the weight of them, how my grandmother made me walk with one on my head to practice being a lady. It wasn’t until college that I built a grand stairway out of them; their glossy blue jackets looked like marble in the moonlight. I climbed it, to the top of the wall. Peering over, I found you, on the other side, alone in your bed, asleep. That was the first time you dreamed me. In your dream, you told me not to jump. But to be patient. (We were young then, it would be years before we’d meet) and then this morning, I found you in my bedroom. In your hands, How to Rope and Tie a Steer, a mug of coffee, a piece of slightly burned toast. I took The Sun Also Rises from the wall, made the first window into your heart.

The white nationalist, nativist politics that we see today were first imagined and applied by David Duke during the heyday of his Grand Wizardshop, and the time of my undercover Klan investigation. This hatred is never gone away, but has been reinvigorated in the dark corners of the internet, Twitter trolls, alt-right publications, and a nativist president in Trump. The Republican Party of the 19th century, being the party of Lincoln, was the opposition to the rise of the Ku Klux Klan and white supremacist domination insofar as America's newly freed Black slaves were concerned; it is my belief that the Republican Party of the 21st century finds a symbiotic connection to white nationalist groups like the Klan, neo-Nazis, skinheads, militias, and alt-right white supremacist thinking. Evidence of this began in the Lyndon Johnson administration with the departure of Southern Democrats (Dixiecrats) to the Republican Party in protest of his civil rights agenda. The Republicans began a spiral slide to the far right that embrace all things abhorrent to nonwhites. David Duke twice ran for public office in Louisiana as a Democrat and lost. When he switched his affiliation to Republican, because he was closer in ideology and racial thinking to the GOP than to the Democrats, and ran again for the Louisiana House of Representatives, the conservative voters in his district rewarded him with a victory. In each case his position on the issues remain the same; white supremacist/ethno-nationalist endorsement of a race-centered rhetoric and nativist populism. What change were the voters. Democrats rejected Duke politics while Republicans embraced him.

Lift up your eys and see. How does a man lift up his eyes to see a little higher than himself? The grand premise of religion is that man is able to surpass himself; that man who is part of this world may enter into a relationship with Him who is greater than the world; that man may lift up his mind and be attached to the absolute; that man who is conditioned by a multiplicity of factors is capable of living with demands that are unconditioned. How does one rise above the horizon of the mind? How does one free oneself from the perspectives of ego, group, earth, and age? How does one find a way in this world that would lead to an awareness of Him who is beyond this world?

I knelt and started to pray and prayed for everybody I thought of, Brett and Mike and Bill and Robert Cohn and myself, and all the bullfighters, separately for the ones I liked, and lumping all the rest, then I prayed for myself again, and while i was praying for myself I found I was getting sleepy, so I prayed that the bull-fights would be good, and that it would be a fine fiesta, and that we would get some fishing. I wondered if there was anything else I might pray for, and I thought I would like to have some money, so I prayed that I would make a lot of money, and then I started to think how I would make it and thinking of making money reminded me of the count, and I started wondering about where he was, and regretting I hadn't seen him since that night in Montmartre, and about something funny Brett told me about him, and as all the time I was kneeling with my forehead on the wood in front of me, and was thinking of myself praying, I was a little ashamed, and regretted that I was such a rotten Catholic, but realized there was nothing I could do about it, at least for a while, and maybe never, but that anyway it was a grand religion, and I only wished I felt religious and maybe I would the next time; and then I was out in the hot sun on the steps of the cathedral, and the forefingers and the thumb of my right hand were still damp, and I felt them dry in the sun.

It had been a windy night, that night where his life had taken its turning. The atmosphere, in flood, was trying to wash the trees right off the hills. The big oaks twisted and shuddered like black flames in the moonlight, and the white grass rippled and bannered. The wind that night made him feel his chronic longing. The wind, trying to stampede the trees, was roaring for a grand, universal departure to another solar system, a better deal, and the grass struggled to join the rootless giant of the air. All that lives strives to fly, to master time. All tribes of beings strain to rise in insurrection, all knowing their time is short, all, when the wind blows, wanting to climb aboard. ("The Growlimb")

It was called A Ford, Not a Lincoln, and in it, Richard Reeves described him as “slow, plodding, pedestrian, unimaginative,” “inarticulate,” and “ignorant”—though you didn’t have to take Reeves’s word for it. He also quoted the president’s Grand Rapids pastor: “Gerald Ford is a normal, decent, God-fearing man, but you can say that about a lot of people.

Everything grand is made from a series of ugly little moments. Everything worthwhile by hours of self-doubt and days of drudgery. All the works by people you and I admire sit atop a foundation of failures. So whatever your project, whatever your struggle, whatever your dream, keep toiling, because the world needs your skyscraper. Per aspera, ad astra! —Pierce Brown

A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.

A automatização do colarinho branco irá traduzir-se em grande medida em histórias de consultores de tecnologia da informação a caírem sobre grandes organizações e a construírem sistemas completamente personalizados com o potencial de revolucionar a maneira como funciona o negócio, enquanto ao mesmo tempo eliminam a necessidade de centenas ou até milhares de trabalhadores de elevada qualidade.

There was a natural overlap, for example, between the deep anti-Semitism of the Nazi regime and that of some leading Islamic scholars. The Grand Mufti of Jerusalem, Muḥammad al-Ḥusaynī, had welcomed the rise of a man he later referred to as “al-ḥajj Muḥammad Hitler.” The German leader’s anti-Semitic views were grist to the mill of a man happy to call for the death of Jews, whom he referred to as “scum and germs.

The Talmud is not only an encyclopedia of law but a work of folk art, a hymn to the Lord rising out of many generations of men who spent their lives in the quest for him. This quest for God, the confident search for the holy in every busy detail of life, is its grand single theme. The Talmud recaptures a long golden age of intelligence and insight, and it is to this day the circulating heart's blood of the Jewish religion.

Hiking the Pacific Crest Trail may be one of the greatest metaphors for life. No matter what obstacle is put in your path, if you simply keep putting one foot in front of the other, eventually you will rise above it. One day, you’ll look back at the mountains you’ve climbed and the trials you’ve endured and you’ll realize you are where you are at today, not despite those obstacles, but because of them. Life itself is a grand adventure.

We pair off on the metal bridge in the hydra. Victra taking the right, me the left. My Praetorian is shorter than I. Her helmet off, hair in a tight bun, ready to proclaim the grand laurels of her family. “My name is Felicia au…” I feint a whip at her face. She brings her blade up, and Victra goes diagonal and impales her at the belly button. I finish her off with a neat decapitation. “Bye, Felicia,” Victra spits, turning to the last Praetorian.

What we’re doing is buying time, some buffer, in which to wrap our heads around the fact that—in the grand scheme of things—this isn’t going to work,” Jeremy says. “We’re going to have to move infrastructure; we’re going to have to move people. Lots of them. And in the meantime, if we can make our marshes more resilient to buy us all—humans, plants, and animals—some breathing room in which to figure out how to retreat responsibly, then let’s do that.

…She wanders with her sad mouth And the grand mystery of amber eyes, Across the night, toward forgetfulness Like a star, fugitive and white. Like a dethroned exotic queen With comely gestures and rare utterings. Her undereyes are violated horizons And her irises–two stars of amber– Open wet and weary and sad Like ulcers of light that weep. She is a grief which thrives and does not hope, She is a gray aurora rising From the shadowy bed of night, Exhausted, without splendor, without anxiousness. And her songs are like dolorous fairies Jeweled in teardrops…

It is likely that the stage for Satan’s final deception began to be set in the twentieth century with the intense proliferation of aliens and unidentified flying objects (UFO’s) in the media, especially movies and television. My belief is that these demonic phenomena will be part of the final grand deception, perhaps in concert with human intervention. More recently, the rise in popularity of vampirism, ghosts, mediums, witchcraft, and other forms of forbidden supernatural phenomena will serve to prepare a generation saturated in every form of evil for the ultimate Satanic deception to come.

Grand Sky/Grand Prairie Both harbor the vastness of space. One holds the space Of starlight, thunder snow, rock and icy comets, scrolls Of clouds; the other the spaces inside see heart and ovum, Root webs, spider webs, budded blossoms. They lean together tightly day and night, pressing One into the other, each creating the horizon of the other. They exchange themselves. At evening one becomes The steady night in which the other lives. Yet witness How the moon first rises from the body of the prairie Into the height of the sky that then possesses it. Their horizons are persistent illusion.

The truth was that, with the Duchess de Luxembourg, with Mme de Morienval, Mme de Saint-Euverte and any number of others, the features that made their faces distinctive were a big red nose next to a hare-lip, or two wrinkled cheeks and a faint moustache. Such features cast their own spell well enough since, as a merely conventional form of handwriting, they enabled one to read a famous and impressive name; but ultimately they also gave rise to the notion that ugliness was somehow aristocratic, that it was a matter of indifference that the face of a grand lady should be beautiful, provided that it was distinguished.

Let's see, we've got the Empress of Manticore, the President of the Republic of Haven, the Protector of Grayson, the chairman of the Beowulf Board of Directors, Queen Berry, and the Andermani emperor's first cousin. Not to mention your own humble self as Steadholder Harrington and the commander of the Grand Fleet, followed by a scattering of mere planetary grand dukes, dukes, earls, members of the Havenite cabinet, three other members of the Beowulf Board of Directors, the chairman of the Alliance joint chiefs of staff, the First Space Lord, the Havenite chief of naval operations, the Beowulfan chief of naval operations, High Admiral Yanakov, Admiral Yu, two or three dozen ambassadors, and God alone only knows who else.

Asia is rising against me. I haven't got a chinaman's chance. I'd better consider my national resources. My national resources cousist of two joints of marijuana millions of genitals an unpublishable private literature that goes 1400 miles an hour and twentyfive-thousand mental institutions. I say nothing about my prisons nor the millions of underprivileged who live in my flowerpots under the light of five hundred suns. I have abolished the whorehouses of France, Tangiers is the next to go. My ambition is to be President despite the fact that I'm a Catholic. America how can I write a holy litany in your silly mood? I will continue like Henry Ford my strophes are as individual as his automobiles more so they're all different sexes. America I will sell you strophes $2500 apiece $500 down on your old strophe America free Tom Mooney America save the Spanish Loyalists America Sacco & V anzetti must not die America I am the Scottsboro boys. America when I was seven momma took me to Communist Cell meetings they sold us garbanzos a handful per ticket a ticket costs a nickel and the speeches were free everybody was angelic and sentimental about the workers it was all so sincere you have no idea what a good thing the party was in 1835 Scott Nearing was a grand old man a real mensch Mother Bloor made me cry I once saw Israel Amter plain. Everybody must have been a spy. America you don't really want to go to war. America it's them bad Russians. Them Russians them Russians and them Chinamen. And them Russians. The Russia wants to eat us alive. The Russia's power mad. She wants to take our cars from out our garages. Her wants to grab Chicago. Her needs a Red Readers' Digest. Her wants our auto plants in Siberia. Him big bureaucracy running our fillingstations. That no good. Ugh. Him make Indians learn read. Him need big black niggers. Hah. Her make us all work sixteen hours a day. Help. America this is quite serious. America this is the impression I get from looking in the television set. America is this correct? I'd better get right down to the job. It's true I don't want to join the Army or turn lathes in precision parts factories, I'm nearsighted and psychopathic anyway. America I'm putting my queer shoulder to the wheel.

David Lester, a psychology professor at Richard Stockton College in New Jersey, has likely thought about suicide longer, harder, and from more angles than any other human. In more than twenty-five-hundred academic publications, he has explored the relationship between suicide and, among other things, alcohol, anger, antidepressants, astrological signs, biochemistry, blood type, body type, depression, drug abuse, gun control, happiness, holidays, Internet use, IQ, mental illness, migraines, the moon, music, national-anthem lyrics, personality type, sexuality, smoking, spirituality, TV watching, and wide-open spaces. Has all this study led Lester to some grand unified theory of suicide? Hardly. So far he has one compelling notion. It’s what might be called the “no one left to blame” theory of suicide. While one might expect that suicide is highest among people whose lives are the hardest, research by Lester and others suggests the opposite: suicide is more common among people with a higher quality of life. “If you’re unhappy and you have something to blame your unhappiness on—if it’s the government, or the economy, or something—then that kind of immunizes you against committing suicide,” he says. “It’s when you have no external cause to blame for your unhappiness that suicide becomes more likely. I’ve used this idea to explain why African-Americans have lower suicide rates, why blind people whose sight is restored often become suicidal, and why adolescent suicide rates often rise as their quality of life gets better.

I'd take her to the top of the widow's tower at Ainsdale Castle, late at night, and we'd watch the moon rise. The widow's tower was very high but she wasn't afraid. Sometimes I'd steal a pie from the kitchens and we'd picnic up there. I brought up a blanket, too, so she wouldn't have to sit on the bare stone floor." Mrs. Crumb made an aborted movement, as if she'd meant to turn to face him and then changed her mind. He let the wineglass dangle by his side. "I told her a rabbit lived on the moon and she believed me. She believed everything I told her then." "What rabbit?" "There." He roused himself, straightening. He drew back, fitting her against his chest and setting his chin on her shoulder. She smelled of tea and housekeeperly things, and she was warm, so warm. He caught up her right hand in his and traced the moon with it. "D'you see? There are the long ears, there the tail, there the forepaws, there the back." "I see," she whispered. "I told her the rabbit had lavender fur and ate pink moon clover up there." His mouth twisted, as he remembered. "She'd watch me with big blue eyes, her mouth half-open, a bit of piecrust on her dress. She hung on every word." He could hear her breath, could feel the tremble of her limbs. Did she fear him? "D'you believe me?" he asked against her ear, his lips wet with wine. She was a housekeeper and housekeepers didn't matter in the grand schemes of kings and dukes and little girls who wished upon rabbit moons. But she was silent, damnable housekeeper. They breathed together for a moment, there in the night air, London twinkling before them, overhung by a pagan moon. At last she stirred and asked, "What happened to the girl?" He broke away from her, draining his glass of wine. "She grew up and knew me for a liar.

There is one chief work that defines and centers all of human history. It is God’s work of salvation. History is the history of redemption. It is a grand narrative that shapes all of life and meaning. Redemption is the center, guiding and governing all the details. There is not chaos; there is nothing random. God has bent His bow. He has taken aim, and the arrow of His purposes and intentions will hit squarely on the mark. Not only does redemption give shape and meaning to human history, redemption gives shape and meaning to individual lives. The movie playing out on the big screen has not been left to chance. God governs history and moves it along toward His desired end and purpose as surely as the sun rises. The short clip, playing out on the small screen, has not been left to chance, either. God’s purposes for His people, the individual purposes for His individual people, will come to pass. We can have confidence in God’s work of redemption.

Five Hundred Years of Solitude The rise of modern science and industry brought about the next revolution in human–animal relations. During the Agricultural Revolution humankind silenced animals and plants, and turned the animist grand opera into a dialogue between man and gods. During the Scientific Revolution humankind silenced the gods too. The world was now a one-man show. Humankind stood alone on an empty stage, talking to itself, negotiating with no one and acquiring enormous powers without any obligations. Having deciphered the mute laws of physics, chemistry and biology, humankind now does with them as it pleases. When an archaic hunter went out to the savannah, he asked the help of the wild bull, and the bull demanded something of the hunter. When an ancient farmer wanted his cows to produce lots of milk, he asked some great heavenly god for help, and the god stipulated his conditions. When the white-coated staff in Nestlé’s Research and Development department want to increase dairy production, they study genetics – and the genes don’t ask for anything in return.

Though Eros and Psyche sat vast and magnificent in the front lawn, a prologue to the grand house itself, there was something wonderful- a mysterious and melancholic aspect- about the smaller fountain, hidden within its sunny clearing at the bottom of the south garden. The circular pool of stacked stone stood two feet high and twenty feet across at its widest point. It was lined with tiny glass tiles, azure blue like the necklace of sapphires Lord Ashbury had brought back for Lady Violet after serving in the Far East. From the center emerged a huge craggy block of russet marble, the height of two men, thick at the base but tapering to a peak. Midway up, creamy marble against the brown, the life-size figure of Icarus had been carved in a position of recline. His wings, pale marble etched to give the impression of feathers, were strapped to his outspread arms and fell behind, weeping over the rock. Rising from the pool to tend the fallen figure were three mermaids, long hair looped and coiled about angelic faces: one held a small harp, one wore a coronet of woven ivy leaves, and one reached beneath Icarus’s torso, white hands on creamy skin, to pull him from the deep.

To the untrained eye, the Wall Street people who rode from the Connecticut suburbs to Grand Central were an undifferentiated mass, but within that mass Danny noted many small and important distinctions. If they were on their BlackBerrys, they were probably hedge fund guys, checking their profits and losses in the Asian markets. If they slept on the train they were probably sell-side people—brokers, who had no skin in the game. Anyone carrying a briefcase or a bag was probably not employed on the sell side, as the only reason you’d carry a bag was to haul around brokerage research, and the brokers didn’t read their own reports—at least not in their spare time. Anyone carrying a copy of the New York Times was probably a lawyer or a back-office person or someone who worked in the financial markets without actually being in the markets. Their clothes told you a lot, too. The guys who ran money dressed as if they were going to a Yankees game. Their financial performance was supposed to be all that mattered about them, and so it caused suspicion if they dressed too well. If you saw a buy-side guy in a suit, it usually meant that he was in trouble, or scheduled to meet with someone who had given him money, or both. Beyond that, it was hard to tell much about a buy-side person from what he was wearing. The sell side, on the other hand, might as well have been wearing their business cards: The guy in the blazer and khakis was a broker at a second-tier firm; the guy in the three-thousand-dollar suit and the hair just so was an investment banker at J.P. Morgan or someplace like that. Danny could guess where people worked by where they sat on the train. The Goldman Sachs, Deutsche Bank, and Merrill Lynch people, who were headed downtown, edged to the front—though when Danny thought about it, few Goldman people actually rode the train anymore. They all had private cars. Hedge fund guys such as himself worked uptown and so exited Grand Central to the north, where taxis appeared haphazardly and out of nowhere to meet them, like farm trout rising to corn kernels. The Lehman and Bear Stearns people used to head for the same exit as he did, but they were done. One reason why, on September 18, 2008, there weren’t nearly as many people on the northeast corner of Forty-seventh Street and Madison Avenue at 6:40 in the morning as there had been on September 18, 2007.

Do you ever feel that same need? Your life is so very different from my own. The grandness of the world, the real world, the whole world, is a known thing for you. And you have no need of dispatches because you have seen so much of the American galaxy and its inhabitants—their homes, their hobbies—up close. I don’t know what it means to grow up with a black president, social networks, omnipresent media, and black women everywhere in their natural hair. What I know is that when they loosed the killer of Michael Brown, you said, “I’ve got to go.” And that cut me because, for all our differing worlds, at your age my feeling was exactly the same. And I recall that even then I had not yet begun to imagine the perils that tangle us. You still believe the injustice was Michael Brown. You have not yet grappled with your own myths and narratives and discovered the plunder everywhere around us. Before I could discover, before I could escape, I had to survive, and this could only mean a clash with the streets, by which I mean not just physical blocks, nor simply the people packed into them, but the array of lethal puzzles and strange perils that seem to rise up from the asphalt itself. The streets transform every ordinary day into a series of trick questions, and every incorrect answer risks a beat-down, a shooting, or a pregnancy. No one survives unscathed. And yet the heat that springs from the constant danger, from a lifestyle of near-death experience, is thrilling. This is what the rappers mean when they pronounce themselves addicted to “the streets” or in love with “the game.” I imagine they feel something akin to parachutists, rock climbers, BASE jumpers, and others who choose to live on the edge. Of course we chose nothing. And I have never believed the brothers who claim to “run,” much less “own,” the city. We did not design the streets. We do not fund them. We do not preserve them. But I was there, nevertheless, charged like all the others with the protection of my body. The crews, the young men who’d transmuted their fear into rage, were the greatest danger. The crews walked the blocks of their neighborhood, loud and rude, because it was only through their loud rudeness that they might feel any sense of security and power. They would break your jaw, stomp your face, and shoot you down to feel that power, to revel in the might of their own bodies.

Whatever their contradictions, Americans were consistent, before and after their first revolution, in deeply distrusting government. Having been left on their own for so long, the colonists saw as sinister any British action affecting them: “[ T] he most minor incidents,” the historian Gordon Wood has shown, “erupted into major constitutional questions involving the basic liberties of the people.” 49 Allergies that extreme don’t easily disappear, and this one lasted long after Great Britain accepted the independence of the United States in 1783. The Americans simply turned it upon themselves. Perhaps victory made forbearance less necessary. Perhaps it exposed an issue they’d so far evaded: had the revolution secured equality of opportunity—the right to rise to inequality—or of condition—the obligation not to? Perhaps corruptions in British society had now, like smallpox, infected its American counterpart. Perhaps legislation, if unchecked, always produced tyranny, whether in parliaments or confederations. Perhaps the people themselves weren’t to be trusted. Perhaps the British had been right, some Americans thought but couldn’t say, in having tried to replace neglect with a heavier hand.

He noticed the hole in the wall. “What the hell happened?” “We redecorated.” I kept my voice level. “Where have you been?” “Did they succeed?” “Hell no. Everybody was tired from the hunt and irritable as fuck. They bickered about inheriting the pass, and did their grandstanding, and accused each other of things. Radomil fell asleep. For a few minutes it looked like they might actually agree on something. Then the younger brother—Ignazio—decided it would be a grand idea to jump up and announce that when his nephew was born, at least he would be born smart like his father, so he should inherit the pass and not the other kid, who’s been fathered by a citrullo.” “What’s a citrullo?” “From what I gathered, it’s either a cucumber or a half-wit.” Curran shook his head. “Then the Volkodavi started yelling. The Belve yelled back. Radomil woke up and someone clued him in that he had been insulted but apparently not who’d done it, because Radomil went after Gerardo and called him parazeet and viridok.” “Parasite and bastard,” I translated. Voron was Russian. I spoke it well enough, better now that I had someone in Atlanta to practice with, and I’d hung out enough with Ukrainians to pick up the language. Curses were the second thing you learned, right behind yes, no, help, stop, and where is the bathroom? “Ahh.” Curran nodded. “That explains why Gerardo’s mother went furry.

A FAIR IMPRESSION of the pace of Roosevelt’s candidacy for Mayor may be gained by following him through one night of his campaign—Friday, 29 October.44 At 8:00 P.M., having snatched a hasty dinner near headquarters, he takes a hansom to the Grand Opera House, on Twenty-third Street and Eighth Avenue, for the first of five scheduled addresses in various parts of the city. His audience is worshipful, shabby, and exclusively black. (One of the more interesting features of the campaign has been Roosevelt’s evident appeal to, and fondness for, the black voter.) He begins by admitting that his campaign planners had not allowed for “this magnificent meeting” of colored citizens. “For the first time, therefore, since the opening of the campaign I have begun to take matters a little in my own hands!” Laughter and applause. “I like to speak to an audience of colored people,” Roosevelt says simply, “for that is only another way of saying that I am speaking to an audience of Republicans.” More applause. He reminds his listeners that he has “always stood up for the colored race,” and tells them about the time he put a black man in the chair of the Chicago Convention. Apologizing for his tight schedule, he winds up rapidly, and dashes out of the hall to a standing ovation.45 A carriage is waiting outside; the driver plies his whip; by 8:30 Roosevelt is at Concordia Hall, on Twenty-eighth Street and Avenue A. Here he shouts at a thousand well-scrubbed immigrants, “Do you want a radical reformer?” “YES WE DO!” comes the reply.46

I am listening to Istanbul" I am listening to Istanbul, intent, my eyes closed; At first there blows a gentle breeze And the leaves on the trees Softly flutter or sway; Out there, far away, The bells of water carriers incessantly ring; I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed; Then suddenly birds fly by, Flocks of birds, high up, in a hue and cry While nets are drawn in the fishing grounds And a woman’s feet begin to dabble in the water. I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed. The Grand Bazaar is serene and cool, A hubbub at the hub of the market, Mosque yards are brimful of pigeons, At the docks while hammers bang and clang Spring winds bear the smell of sweat; I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed; Still giddy since bygone bacchanals, A seaside mansion with dingy boathouses is fast asleep, Amid the din and drone of southern winds, reposed, I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed. Now a dainty girl walks by on the sidewalk: Cusswords, tunes and songs, malapert remarks; Something falls on the ground out of her hand, It’s a rose I guess. I am listening to Istanbul, intent, my eyes closed. I am listening to Istanbul, intent, my eyes closed; A bird flutters round your skirt; I know your brow is moist with sweat And your lips are wet. A silver moon rises beyond the pine trees: I can sense it all in your heart’s throbbing. I am listening to Istanbul, intent, my eyes closed.

You know,” I said, “you don’t owe New Fiddleham anything. You don’t need to help them.” “Look,” Charlie said as we clipped past Market Street. He was pointing at a man delicately painting enormous letters onto a broad window as we passed. NONNA SANTORO’S, it read, although the RO’S was still just an outline. “That Italian restaurant?” “Yes,” he smiled. “They will be opening their doors for the first time very soon. Sweet family. I bought my first meal in New Fiddleham from that man. A couple of meatballs from a street cart were about all I could afford at the time. He’s an immigrant, too. He’s going to do well. His red sauce is amazing.” “That’s grand for him, then,” I said. “I like it when doors open,” said Charlie. “Doors are opening in New Fiddleham every day. It is a remarkable time to be alive anywhere, really. Do you think our parents could ever have imagined having machines that could wash dishes, machines that could sew, machines that do laundry? Pretty soon we’ll be taking this trolley ride without any horses. I’ve heard that Glanville has electric streetcars already. Who knows what will be possible fifty years from now, or a hundred. Change isn’t always so bad.” “Your optimism is both baffling and inspiring,” I said. “The sun is rising,” he replied with a little chuckle. I glanced at the sky. It was well past noon. “It’s just something my sister and I used to say,” he clarified. “I think you would like Alina. You often remind me of her. She has a way of refusing to let the world keep her down.” He smiled and his gaze drifted away, following the memory. “Alina found a rolled-up canvas once,” he said, “a year or so after our mother passed away. It was an oil painting—a picture of the sun hanging low over a rippling ocean. She was a beautiful painter, our mother. I could tell that it was one of hers, but I had never seen it before. It felt like a message, like she had sent it, just for us to find. “I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.” “I think I like Alina already. It’s a heartening philosophy. I only worry that it’s wasted on this city.” “A city is just people,” Charlie said. “A hundred years from now, even if the roads and buildings are still here, this will still be a whole new city. New Fiddleham is dying, every day, but it is also being constantly reborn. Every day, there is new hope. Every day, the sun rises. Every day, there are doors opening.” I leaned in and kissed him on the cheek. “When we’re through saving the world,” I said, “you can take me out to Nonna Santoro’s. I have it on good authority that the red sauce is amazing.” He blushed pink and a bashful smile spread over his face. “When we’re through saving the world, Miss Rook, I will hold you to that.

Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…

And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs. Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.

It told me many things, and among them that a new dispensation of justice, kindness, and human brotherhood was dawning not only in the North, but in the South; that the war and the slavery that caused the war were things of the past, and that the rising generation are turning their eyes from the sunset of decayed institutions to the grand possibilities of a glorious future.

Mosaic also marked a new stage in the evolution of the power law. Venture-capital returns are dominated by grand slams partly because of the dynamics of startups: most young businesses fail, but the ones that gain traction can grow exponentially. This is true of fashion brands or hotel chains as well as technology companies. But tech-focused venture portfolios are dominated by the power law for an additional reason: tech startups are founded upon technologies that may themselves progress exponentially. Because of his experience and temperament, Doerr was especially attuned to this phenomenon. As a young engineer at Intel, he had seen how Moore’s law transformed the value of companies that used semiconductors: the power of chips was doubling every two years, so startups that put them to good use could make better, cheaper products. For any given modem, digital watch, or personal computer, the cost of the semiconductors inside the engine would fall by 50 percent in two years, 75 percent in four years, and 87.5 percent in eight. With that sort of wind at a tech startup’s back, no wonder profits could grow exponentially. Mosaic, and the internet more generally, turbocharged this phenomenon. Again, Doerr grasped this better than most others. As well as working at Intel, he had known Bob Metcalfe, so he understood that Metcalfe’s law was even more explosive than Moore’s law. Rather than merely doubling in power every two years, as semiconductors did, the value of a network would rise as the square of the number of users.[70] Progress would thus be quadratic rather than merely exponential; something that keeps on squaring will soon grow a lot faster than something that keeps on doubling. Moreover, progress would not be tethered to the passage of time; it would be a function of the number of users. At the moment when Doerr met Clark, the number of internet users was about to triple over the next two years, meaning that the value of the network would jump ninefold, an effect massively more powerful than the mere doubling in the power of semiconductors over that same period. What’s more, Metcalfe’s law was not supplanting Moore’s law, which would have been dramatic enough. Rather, it was compounding it. The explosion of internet traffic would be fueled both by its rapid growth in usefulness (Metcalfe’s law) and by the falling cost of modems and computers (Moore’s law).[71] After listening to Clark’s pitch, Doerr was determined to invest. A magical browser that attracted millions to the internet had almost limitless potential. The price Doerr had to pay was secondary.

cropse FW 55.8 n. In A Guide Through “Finnegans Wake,” Edmund Epstein writes that “’corpse’ combines with ‘crops’ to make a wholly new and richly evocative contra-dictory word, ‘cropse,’ combining the idea of death with resurrection.” This is the grand theme of the Wake, falling and rising, decline and renewal, death and rebirth. (“on the bunk of our breadwinning lies the cropse of our seedfather”) Epstein adds that “’seedfather’ does not create a wholly new word, for both elements of ‘seedfather’ are already existent words, with a double meaning contained in ‘seed’; only the combination is novel.

The first Superfortress reached Tokyo just after midnight, dropping flares to mark the target area. Then came the onslaught. Hundreds of planes—massive winged mechanical beasts roaring over Tokyo, flying so low that the entire city pulsed with the booming of their engines. The US military’s worries about the city’s air defenses proved groundless: the Japanese were completely unprepared for an attacking force coming in at five thousand feet. The full attack lasted almost three hours; 1,665 tons of napalm were dropped. LeMay’s planners had worked out in advance that this many firebombs, dropped in such tight proximity, would create a firestorm—a conflagration of such intensity that it would create and sustain its own wind system. They were correct. Everything burned for sixteen square miles. Buildings burst into flame before the fire ever reached them. Mothers ran from the fire with their babies strapped to their backs only to discover—when they stopped to rest—that their babies were on fire. People jumped into the canals off the Sumida River, only to drown when the tide came in or when hundreds of others jumped on top of them. People tried to hang on to steel bridges until the metal grew too hot to the touch, and then they fell to their deaths. After the war, the US Strategic Bombing Survey concluded: “Probably more persons lost their lives by fire at Tokyo in a six-hour period than at any time in the history of man.” As many as 100,000 people died that night. The aircrews who flew that mission came back shaken. [According to historian] Conrad Crane: “They’re about five thousand feet, they are pretty low... They are low enough that the smell of burning flesh permeates the aircraft...They actually have to fumigate the aircraft when they land back in the Marianas, because the smell of burning flesh remains within the aircraft. (...) The historian Conrad Crane told me: I actually gave a presentation in Tokyo about the incendiary bombing of Tokyo to a Japanese audience, and at the end of the presentation, one of the senior Japanese historians there stood up and said, “In the end, we must thank you, Americans, for the firebombing and the atomic bombs.” That kind of took me aback. And then he explained: “We would have surrendered eventually anyway, but the impact of the massive firebombing campaign and the atomic bombs was that we surrendered in August.” In other words, this Japanese historian believed: no firebombs and no atomic bombs, and the Japanese don’t surrender. And if they don’t surrender, the Soviets invade, and then the Americans invade, and Japan gets carved up, just as Germany and the Korean peninsula eventually were. Crane added, The other thing that would have happened is that there would have been millions of Japanese who would have starved to death in the winter. Because what happens is that by surrendering in August, that givesMacArthur time to come in with his occupation forces and actually feedJapan...I mean, that’s one of MacArthur’s great successes: bringing in a massive amount of food to avoid starvation in the winter of 1945.He is referring to General Douglas MacArthur, the supreme commander for the Allied powers in the Pacific. He was the one who accepted theJapanese emperor’s surrender.Curtis LeMay’s approach brought everyone—Americans and Japanese—back to peace and prosperity as quickly as possible. In 1964, the Japanese government awarded LeMay the highest award their country could give a foreigner, the First-Class Order of Merit of the Grand Cordon of the Rising Sun, in appreciation for his help in rebuilding the Japanese Air Force. “Bygones are bygones,” the premier of Japan said at the time.

Merida wondered at how splendid the castle looked in this light, old DunBroch, a castle made new. The rising sun caught each of the panes of glass and lit them like spring fire. The ivy was green and lush. The berries in the Christmas boughs were bright as battle. It was a grand and welcoming and beautiful sight, vibrant and alive. Yes, there was smoking fire in the background and walls had newly been knocked down, but it was impossible not to see that beneath that, the castle had a live and beating heart. It had changed. It had earned its freedom from Feradach's destruction. It had become something new. Or rather, it was still DunBroch, but it was DunBroch, grown, changing, moving onward, and Merida was fiercely proud.

When they topped a small rise and the dust-wife stopped, Marra looked up for the first time in what felt like hours. The prince’s city shone savagely before her, high walls leading to an endless spiral to the Northern palace. People streamed through the gates, vanishing into the maw of the city, and all she could think was that there were so many people, hundreds, thousands, all of them living in the prince’s city and loyal to him and what was she? What could they do? It is too much, she thought bleakly. we have grand plans, but in reality? Most likely we’ll get into the city, and look up at the palace, and talk and plan and talk some more, and eventually realize there’s nothing we can actually do, and leave again. That’s the way it happens outside of the stories. The weight of this thought was suddenly very real, more than a feeling, a physical burden, heavy in her stomach and tight in her chest.

Never to feel his own feelings sincerely, and to rise his pallid triumph to the point of regarding his own ambitions, longings and desires with indifference; to pass alongside his joys anxieties as if passing by someone who doesn't interest him … The greatest self-mastery is to be indifferent towards ourselves, to see our body and soul as merely the house and grounds where Destiny willed that we spend our life. To treat our own dreams and deepest desires with arrogance, en grand seigneur, politely and carefully ignoring them. To act modestly in our own presence; to realize that we are never truly alone, since we are our own witnesses, and should therefore act before ourselves as before a stranger, with a studied and serene outward manner – indifferent because it's noble, and cold because it's indifferent. In order not to sink in our own estimation, all we have to do is quit having ambitions, passions, desires, hopes, whims or nervous disquiet. The key is to remember that we're always in our presence – we are never so alone that we can feel at ease. With this in mind, we will overcome having passions and ambitions, for this make us vulnerable; we won't have desires or hopes, since desires and hopes are plebeian and inelegant; and we won't have whims or be disquieted, because rash behavior is unpleasant for others to witness, and agitated behaviors is always a vulgarity. The aristocrat is the one who never forgets that he's never alone, that's why etiquette and decorum are the privilege of aristocrats. Let take him out of his gardens and drawing rooms and place him in our soul and in our consciousness of existing. Let's always treat ourselves with etiquette and decorum, with studied and for-other-people gestures. Each of us is an entire community, an entire neighborhood of the great Mystery, and we should at least make sure that the life of our neighborhood is distinctive and elegant, that the feasts of our sensations are genteel and restrained, and that the banquets of our thoughts are decorous and dignified. Since other souls may build poor and filthy neighborhoods around us, we should clearly define where our begins and ends, and from the facades of our feelings to the alcoves of our shyness, everything should be noble and serene, sculpted in sobriety, without ostentation. We should try to find a serene way to realize each sensation. To reduce love to the shadow of a dream of love, a pale and tremulous interval between the crests of two tint, moonlit waves. To turn desire into a useless and innocuous thing, a kind of knowing smile in our soul; to make it into something we never dream of achieving or even expressing. To lull hearted to sleep like a captive snake, and to tell fear to give up all its outer manifestations except for anguish in our eyes, or rather, in our eyes of soul, for only this attitude can be considered aesthetic.

Silverbell, and his human companion Doughty called back to her with a responding, “Heigh-ho!” and lifted their bows in salute. Aleina noted the bandages wrapping the fingers of the duo, digits rubbed skinless by a thousand bowshots a day. She grimly nodded as she rode on, taking heart that most of those arrows had probably found a mark. On her last trip to the city’s outer wall, she had seen a frost giant lying dead in a heap, its body so thick with arrows that it more resembled a giant porcupine than any humanoid creature. Aleina had noted the fletching on some of those arrows, and had recognized several at least that had come from Plenerond Silverbell’s quiver. King Firehelm awaited her in the city’s grand central citadel, a fortress within the fortress. As she rode up to the main door of that massive and impregnable keep, she spotted the king on a balcony, hands gripping an iron rail as he stared out over the city courtyard, the walls, and the bloody fields. He took note of her and looked down with an approving nod, but his eyes went right back to the fields, to the carnage. His shoulders had slumped under the weight of it all, Aleina thought. She handed the reins to an attendant at the door and bounded up the stairs to the king’s chamber, entering

As I have pointed out before, characters are not born like people, of woman; they are born of a situation, a sentence, a metaphor containing in a nutshell a basic human possibility that the author thinks no one else has discovered or said something essential about. But isn't it true that an author can write only about himself? Staring impotently across a courtyard, at a loss for what to do; hearing the pertinacious rumbling of one's own stomach during a moment of love; betraying, yet lacking the will to abandon the glamorous path of betrayal; raising one's fist with the crowds in the Grand March; displaying one's wit before hidden microphones—I have known all these situations, I have experienced them myself, yet none of them has given rise to the person my curriculum vitae and I represent. The characters in my novels are my own unrealized possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented. It is that crossed border (the border beyond which my own ‘I’ ends) which attracts me most. For beyond that border begins the secret the novel asks about. The novel is not the author's confession; it is an investigation of human life in the trap the world has become.

On his Grand Tour, McAllister made a careful study of all aspects of social life: court manners, architecture, fashion, food, drink, watering spots, dances. He returned to the United States as what one contemporary called “the most complete dandy in America,” and established himself in New York as essentially a professional snob.

So much that it seems consistent only for porosity37—seen as a kind of productive fragility that overcomes rigid dualisms—to be the key concept by which the nature of the city is revealed and interpreted in all its profundity. Porosity is the principle of the true life of Naples: At the base of the cliff itself, where it touches the shore, caves have been hewn. As in the paintings of hermits from the Trecento, a door appears here and there in the cliffs. If it is open, one looks into large cellars that are at once sleeping places and storerooms. Steps also lead to the sea, to fishermen’s taverns that have been installed in natural grottoes. Faint light and thin music rise up from there in the evening. As porous as those stones is the architecture. Buildings and action merge in courtyards, arcades, and staircases. The space is preserved to act as a stage for new and unforeseen configurations. What is avoided is the definitive, the fully formed. No situation appears as it is, intended forever, no form asserts its “thus and not otherwise.” . . . Because nothing is finished and concluded. Porosity results not only from the indolence of the southern craftsman but above all from the passion for improvisation. For that space and opportunity must be preserved at all costs. Buildings are used as a popular stage. They are divided into innumerable theaters, animated simultaneously. All share innumerable stages, brought to life simultaneously. Balcony, forecourt, window, gateway, staircase, roof are at once stage and theater box. Even the most miserable wretch is sovereign in his dim, twofold awareness of contributing, however deprived he may be, to one of the images of the Neapolitan street that will never return and, in his poverty, the leisure of enjoying the grand panorama. What is played out on the stairs is the highest school in theatrical direction. The stairs, never entirely revealed, but closed off in the dull northern house-

In Work Be Restless (The Sonnet) In work, be restless, In love, be limitless, In care, be oceandeep, In service, be selfless. In virtue, be skywide, In justice, be incorruptible, In integrity, be unbending, In honor, be uncompromisable. In culture, be without walls, In courage, be endless, In compassion, be senseless, In character, be borderless. Life's too grand to be wasted in gutter. Expand your heart and you'll rise higher.

Third, he recalls what happens when an emperor or grand official pays a state visit to a city or province. The leading citizens, seeing him coming, go out to meet him in the open country in order then to escort him royally into the city. Like that, those “who are alive,” he says, will “meet the Lord in the air.” How else can he describe the coming together of heaven and earth? The point is not that people will be snatched away from earth and end up in “heaven.” As we see frequently in his letters, that is never Paul’s view. The point is that heaven and earth will come together14 and those who belong to the Messiah will be part of it. The one “literal” statement in this text is the central and important one—the Messiah’s people who have already died will rise first.15 Those who have died while believing in Jesus are safe in his presence, and they will be raised when he appears. Then all these other things will happen too.

The King of all Chimeras makes impossibilities possible for He has given us the pieces of a grand puzzle with the freedom to discover how it all fits, individually and collectively.

ENDING UP IN the care of one’s child is generally seen as a natural outcome of a life well lived, but it is unlikely that Stan knew peace once his daughter was calling the shots in his life. Stan’s existence grew quieter for the remainder of his days, insofar as there were no more visits from the cops or notarized statements attesting to Grand Guignol circumstances. But based on all we know about Stan’s relationship with JC, from testimony and his own recorded words, we can only assume that his hours were still privately hellish. As a source close to the Lees says, JC is “very fear-based” and prone to verbal violence. “It’ll be something simple,” the person says, “like ‘Oh, I forgot to pick up the milk,’ and suddenly this whole avalanche of ‘You’re a terrible person and you’re just trying to use me!’ That kind of thing will happen. It’s incredibly hard to be around. It’s incredibly toxic.

you close your heart and you think it is a safety, but it is a violence against yourself in the quietest of ways, yes, quiet, but still a violence, a brutal, aching violence, and to love, it is bravery, and no small bravery, but a fearless, grand reach into an uncontrollable unknown, yes, an uncertainty, but maybe, what a beautiful unknown

When I finished my tour of 154 Grand Street, I noticed that I had several missed calls from an unknown phone number. I stepped outside to call the number back. It belonged to a longtime WeWork executive who heard I was working on a story about the company. He was interested in sharing his experience, but hesitant to speak openly. He stood to benefit handsomely if WeWork successfully made it to an IPO; plus, he had seen how the company treated Joanna Strange and other employees who broke ranks. He believed the business was a good one, but found the ideas WeWork had been spinning up about being a tech company, or revolutionizing education, or improving corporate culture to be laughable. “WeWork has the worst corporate culture I’ve ever encountered in my life,” he said. I heard a similar story from a former WeWork employee I met for an off-the-record conversation a few days later at a coffee shop in Dumbo, near the original Green Desk. “I’ve been involved in some of WeWork’s previous puff pieces,” he said when we sat down. He wanted to know if my article would be one of those.

Without identifying me or naming me or tracking my movements, the shapes in the sky spoke with me about transformation and we respired together accepting the way the light changed o the terrain below. It was all free form, an endless dirt path, a sage brushing Indian plant, a bristling grass hill rising, sloping, grading only the day's glow slipping slowly into evening sun. It was time and I alone with the colors observing a free afternoon.

THESE MANIFESTATIONS OF BACKLASH—against family breakup, illegitimacy, welfare, crime, riots, black activists, anti-war demonstrators, long-haired hippies, government programs that favored minorities, elitists, liberals generally—exposed a major development of the mid-1960s: rapidly rising polarization along class, generational, and racial lines.

Many of those who railed against family break-up assailed the rise of welfare, especially the Aid to Families of Dependent Children (AFDC) program, which mainly aided low-income divorced, separated, or single women and their children. The rolls of AFDC, like divorce and illegitimacy, rose rapidly in the 1960s, from 3.1 million recipients in 1960 to 4.4 million in 1965 to 6.1 million in 1968. Costs of the program, which was supported by both the federal and state governments, increased during the same eight years from $3.8 billion to $9.8 billion.

William O'Neill, another historian, observed wryly that many universities prior to the rise of student unrest had at least required hard work and discipline—training for life in the real world. In some of the post-protest universities, he lamented, "The Protestant ethic gave way to the pleasure principle in college but not in life."22 Reactions such as these reflected a widespread sense among Americans that the students were spoiled brats.23

vital historical fact: that Gamal Abdel Nasser signifies the only truly Egyptian developmental project in the country's history since the fall of the pharaonic state. There had been other projects: a Greek one in Alexandria, an Arab–Islamic one under the Ummayads (the first dynasty to rule the Islamic world after the end of the era of the ‘Rightly Guided Caliphs’), military–Islamic ones under Saladin and the grand Mamelukes, a French one under Napoleon's commanders and a dynastic (Ottoman-inspired) one under Mohamed Ali Pasha and Khedive Ismael. But this was different – in origin, meaning and impact. For Nasser was a man of the Egyptian soil who had overthrown the Middle East's most established and sophisticated monarchy in a swift and bloodless move – to the acclaim of the millions of poor, oppressed Egyptians – and ushered in a programme of ‘social justice’, ‘progress and development’ and ‘dignity’: a nation-centred developmental vision.

The speed of these social changes outpaced the development of Egyptian society and the people. Land reform and asset nationalization resulted in a far more equitable land and asset distribution across the economy, but the new owners and managers were hardly on a par with the grand objectives of the developmental endeavour they were leading;

At that time, a grand Arabic project emanating from Cairo had credibility. That is not true today. The relative standing of Egyptians (the country, the people and the culture) in the Arabic milieu has significantly declined. The major socio-economic challenges that ordinary Egyptians have struggled with for thirty-five years have exacted their price on the country's living standards, income levels, educational quality, as well as on the people's skills, aptitudes, behaviours and attitudes. Such deterioration was taking place while many Arab countries, especially in the Gulf (but also in the Levant), were improving their indices in all these areas.

The divorce rate in 1945 shot up to double that of the prewar years, to 31 divorces for every 100 marriages—or 502,000 in all. Although the divorce rate dropped in 1946 and returned to prewar levels by the early 1950s, its jump in 1945 exposed the rise of domestic tensions in the immediate aftermath of war.

During the racial confrontations of the 1960s, An American Dilemma encountered rising criticism from activists and scholars who disputed Myrdal's optimism about white liberalism, as well as his negative statements about certain aspects of African-American culture. In the mid- and late 1940s, however, the study received virtually unsparing praise. W.E.B. Du Bois, the nation's most distinguished black historian and intellectual, hailed the book as a "monumental and unrivaled study." So did other black leaders, ranging from the sociologist E. Franklin Frazier, whose criticisms of lower-class black culture influenced Myrdal's arguments, to the novelist Richard Wright, whose bitter autobiography, Black Boy, appeared in 1945.

But the rise of rock 'n' roll was nonetheless one of the most shocking cultural phenomena of the mid- and late 1950s, especially to people over the age of twenty-five. Like jazz in the 1920s, the new music seemed to separate young Americans from their elders and to usher in the beginnings of a strange and powerful "youth culture." Rock 'n' roll gave millions of young people—especially "teenagers" (a noun that came into widespread use only in 1956)—a sense of common bond: only they could appreciate it.75

Less apparent at the time, but in many ways more problematic, were deep-seated structural developments in the work force. By the late 1960s millions of baby boomers were already crowding the job market. Ever-higher percentages of women were also looking for employment outside the home. A rise in immigrant workers, made possible after 1968 by the immigration law of 1965, did not affect most labor markets but further intensified popular unease. These developments combined to hike the numbers seeking work by 10.1 million between 1964 and 1970, or 1.6 million per year. Many of these people landed in the service sector of the economy—as employees in fast-food chains, discount retail outlets, hospitals, and nursing homes—or as clerical or maintenance workers. Most of these jobs tended to be part-time, offering low pay and benefits.80

In its broadest sense, the scandal of Watergate arose from the tumultuous and destabilizing trends of the 1960s, especially the war in Vietnam and the deviousness and power-grabbing associated with the rise of an imperial presidency.2

All the structural problems that economists had warned about coalesced after 1973–74 to jolt American life. These included sagging productivity, declining competitiveness in world markets, accelerating inflation, rising unemployment, especially among minorities and the millions of baby boomers now seeking work, and a slowing down in the creation of good-paying, career-enhancing jobs outside of the increasingly dominant service sector.35

Verchínin - Essa é boa! (Ri-se). Saber coisas a mais! Acho que não existe cidade, nem pode existir, por mais aborrecida e tristonha que seja , onde uma pessoa inteligente e culta não seja necessária. Suponhamos que entre os 100 mil habitantes desta cidade, sem dúvida tacanhos e grosseirões, só existem três pessoas como vocês. É evidente que serão incapazes de vencer a massa obscura que as circunda; com o correr da vida ireis cedendo pouco a pouco, perdidas na grande multidão dos cem mil, abafadas pela vida, mas não vão desaparecer, não deixarão de ter influência. Depois talvez apareçam mais seis pessoas como vocês, depois doze, e assim por diante, até que gente assim se torne a maioria. Daqui a duzentos ou trezentos anos a vida na terra será inimaginavelmente bela, admirável. O homem precisa de uma vida assim, e se ainda a não tem, precisa de a pressentir, esperar, sonhar, preparar-se para ela; para isso tem de ver e de saber mais do que viam e sabiam o pai e o avô. (Ri-se). E queixa-se esta gente de que sabe muita coisa a mais!

High in a turret of a great castle rising on a black crag above snowy plains, besieged and grand, crammed full of an empire’s treasure, and he sitting by a log fire with a sad and lovely princess. . . . I used to dream about such things, he thought. I used to long for them, ache for them. They seemed the very stuff of life, its essence. So why does all this taste of ashes?

The United States was not always on top.  In fact prior to World War II, the country barely cracked the top thirty list of most influential nations on the globe.  Most people attributed the nation’s rise to developing the atomic bomb first.  That technological advantage lasted a grand total of four short years; a relative flash in the pan.  Ascension from obscurity to superpower took a sustained technological edge for decades that the rest of the world was powerless to match.  NASA provided that edge. Computers, integrated circuit boards, metallic alloys, heat shielding, fiber optics, Kevlar, nylon, and the ability to place satellites in orbit all came into commercial use after first being perfected by NASA to serve their needs.  Even the program’s failures and useless passion projects, like studying the dust particles trailing behind a comet, led to new materials, new software, better propulsion systems, and the list went on and on. 

Their expectations, however, had grown grand indeed, and they were impatient. Increasingly, they sought not only benefits but also guarantees and entitlements. The rise of rights-consciousness, having flourished in the early and mid-1960s, became central to the culture by 1970.

Few Americans—or members of Congress—read The Public Interest. Still, the rapid rise of the "neo-cons" to intellectual respectability was revealing. And their complaints, especially about the "dead hand of bureaucracy," epitomized a new mood of doubt.

since the decline of America and the rise of China became axiomatic as the key geopolitical transformation of our era—one celebrated, decried, or cautioned against, with various degrees of nuance, depending on the author’s point of view. Assessing the concomitant decline of Europe and rise of the BRICS (Brazil, Russia, India, China, and South Africa) bloc and “the rest” has become the great parlor game among professional and amateur globe-twirlers. But while rivalries among nations are in flux (they always have been), the fixation with who is declining and who is rising is a grand and perilous distraction.

Osiris will rise in splendor from the dead and rule the world through those sages and philosophers in whom wisdom has become incarnate. —Manly P. Hall, 33rd-Degree Freemason   The World will soon come to us for its Sovereigns and Pontiffs. We shall constitute the equilibrium of the Universe, and be rulers over the Masters of the World. —Albert Pike, Sovereign Grand Commander of the Scottish Rite Freemasonry   I am Yesterday and I am Today; and I have the power to be born a second time. —Statement of Osiris from the Egyptian Book of the Dead

No one lives on Hobe's Hill today. Only a few abandoned shacks remain. The land has greatly changed. When Walker Evans took his pictures, it was a grand, open place, full of cotton. Now forest has reclaimed the land. There is still some field, planted in soybeans, and this provides some sense of how things once were. These soybeans, as well as those down by the main highway, were planted by Joe Bridges and his son Huey. Amid the soybeans, the ground is stony, and the water-starved beans grow with more courage than success. This same dust was breathed by Fred Ricketts as he plowed behind the seat rump of a mule fifty years ago. He and his children stared at this ground as they chopped weeds and, later, hunched over the long rows to pick. They knew this same sun, this silence, the awful loneliness of this red plateau. The heat dulls the senses. Even sulfur butterflies, those neurotic field strutters, are slothful. The whole South seems under a hot Augustan pause--all the highways blurry beneath the burden of hear, be they four-lane marchers, two-lane winders, single-track dirt poems. From this hill, it's hard to imagine life going on in this hear anywhere across the six hundred miles of the South, in any of those terrible little towns...

The reason for the displeasure at Corey’s position as an on-air political commentator was partly because he was being paid simultaneously by CNN and the Trump campaign. Nearly two years earlier, when Corey had taken the job as Mr. Trump’s campaign manager, he had asked for and was given a three-month severance package in his contract. When Don Jr. fired him, his severance was extended to six months, through December 2016. Considering he was making twenty grand a month as Trump’s campaign manager,

She will not come back, but her beauty, her voice, will echo until the end of time. She believed in something beyond herself, and her death gave her voice power it didn’t have in life. She was pure, like your father. We, you and I”—he touches my chest with the back of his index finger—“are dirty. We are made for blood. Rough hands. Dirty hearts. We are lesser creatures in the grand scheme of things, but without us men of war, no one except those of Lykos would hear Eo’s song. Without our rough hands, the dreams of the pure hearts would never be built.

Well! Being born into this world there are, I suppose, many aims which we may strive to attain. The Imperial Throne of the Mikado inspires us with the greatest awe; even the uttermost leaf of the Imperial Family Tree is worthy of honour and very different from the rest of mankind. As to the position of a certain august personage (i.e. the Mikado's regent) there can be no question, and those whose rank entitles them to a Palace Guard are very magnificent also - their sons and grandsons, even if they fall into poverty, are still gentlefolk. But when those who are of lower degree chance to rise in the world and assume an aspect of arrogance, though they may think themselves grand, it is very regrettable. Now there is no life so undesirable as that of a priest. Truly indeed did Sei Shô-nagon write, 'People think of them as if they were only chips of wood.' Their savage violence and loud shouting does not show them to advantage, and I feel sure that, as the sage Zôga said, their desire for notoriety is not in accordance with the sacred precepts of Buddha. To retire from the world in real earnest, on the contrary, is indeed praiseworthy, and some I hope there may be who are willing to do so. A man should preferably have pleasing features and a good style; one never tires of meeting those who can engage in some little pleasant conversation and who have an attractive manner, but who are not too talkative. It is a great pity, however, if a man's true character does not come up to his prepossessing appearance. One's features are fixed by nature; but, if we wish to, may we not change our hearts from good to better? For, if a man though handsome and good-natured has no real ability, his position will suffer, and in association with men of a less engaging aspect his deficiency will cause him to be thrown into the background, which is indeed a pity. The thing to aim at, therefore, is the path of true literature, the study of prose, poetry, and music; to be an accepted authority for others on ancient customs and ceremonies is also praiseworthy. One who is quick and clever at writing and sketching, who has a pleasant voice, who can beat time to music, and who does not refuse a little wine, even thoughhe cannot drink much, is a good man.

Truth be told, Nathaniel, I’m beginning to believe it might be better to risk returning and staying in Boston rather than making the people of Sandwich uncomfortable with my presence. Tories are not welcome in these circles. I don’t belong here.” “Don’t speak foolishness, of course you belong.” Nathaniel’s dark brow lowered and his pointed gaze softened. He stepped forward and brushed her elbow with his fingers. “Kitty, you and I were always very good friends. I have never been ignorant of your political leanings. Neither have Thomas and Eliza.” He paused. Strength and caring framed his character while the fire framed his face. “Nothing will ever change the way we feel about you. Thomas and Eliza will love you without fail—and you and I shall always be friends.”  “I’m sure we shall.” Kitty smiled and tamped her ballooning emotions down with the same force as a fist to a rising lump of dough. Friends. She drew in a long breath. “I wish you to know that even though I believe differently, I won’t go against your cause, despite my reservations about your beliefs.” “Very generous of you, milady.” Nathaniel’s mouth tilted into a droll grin. “Though I hope you know I won’t stop trying to convert you to our grand cause. That is my mission for every person whom I meet who is not yet a believer in the values of freedom.” Kitty crossed her arms. “You may try, Nathaniel, but I fear you will not succeed.” She smiled, enjoying the volley of wits. “I shall never abandon the teachings of my father. He was a true, honest man and I know—no matter what Eliza has come to believe—the way he raised us is the right way. I can never leave the safety of the king’s rule, no matter what anyone may say to persuade me otherwise.” Nathaniel stepped closer and leaned in, the reflection of the fire burning in his gaze. “Now that is a challenge I am most ready to accept.” Frozen

The inverse-square law singles out no particular scale of length as special and has an infinite range. To explain objects of particular sizes requires a balance between gravity and some other force. Boscovich proposed a grand unified force law which included all known physical effects. This was his 'Theory', as he called it. It approached the inverse-square law of Newtonian gravitation at large distances as required by observations of the lunar motions. But on smaller length scales, it is alternately attractive and repulsive and so gives rise to equilibrium structures whose sizes are dictated by the characteristic length scales built into the force law.

Such indirection and ambivalence typify the politics of Wong's work. He's not in any conventional sense an ideological filmmaker. "It's never been my intention," he said at the Cannes press conference for 2046, "to make films with any political content whatsoever." A cautious man allergic to grand pronouncements, he doesn't make message movies, much less give political speeches or man the barricades. The rise of China has been the biggest story in the world for the last 20 years--no place has felt this more deeply than Hong Kong--yet Wong's work is notable for its apparent lack of interest in post-revolutionary China, either in its Maoist incarnation or today's hyper-capitalist model launched by Deng Xiaoping, whose death appears in a news report Lai watches in Happy Together. It's not that he doesn't thing about political issues, but he weaves his ideas (and they are intuitions more than ideological stances) into the intricate fabric of his work. This makes him ripe for interpretation, especially by critical admirers who, almost to a one, prefer to think of him as being some sort of social radical whose political ideas bubble beneath the surface of his work.

SU GRAN ANIMAL Dicen que si usted es Confrontado por Un león o un oso, Nunca actue con miedo. En su lugar actue como El animal más grande Y que ellos son La liebre De lo que eres Para hacerlos llorar. Esto ha sido Probado Y comparado. Así es como los presidentes Son amados Y temidos. Cada uno de nosotros tiene un animal Entre nosotros Que está armado con Mental, Físico o Regalos Espirituales Eso podría disparar lanzas A través del aire. Así que la próxima vez Que te enfrentes en Una pelea que parece injusta, Sólo recuerde el león y el oso. AUMENTAR Tu mayor animal Y todo lo que sientes en tu magnificencia Rápidamente este se alejará Y desaparecera. ~ Suzy Kassem, Rise Up y Salute the Sun: Los escritos de Suzy Kassem

Blanchet himself turned his attention to the rivers, establishing observation posts on the Chagres, Trinidad, Obispo, and the Río Grande; these were equipped with fluviographs, which confirmed the challenge that the rainy season would bring to the successful construction and running of the canal, with rivers rising 20 feet in as many hours and their rate of discharge increasing overnight from 3,000 to over 60,000 cubic feet per second. By

L'acqua era diventata fredda. Jaime apri' gli occhi, stava fissando il moncone della mano con cui un tempo impugnava la spada. "La mano che ha fatto di me lo Sterminatore di Re." Con quell'unico colpo, Vargo Hoat il Caprone gli aveva strappato la gloria e la vergogna. 'Lasciando che cosa? Chi sono io adesso?' Brienne appariva ridicola, con l'asciugamano stretto a coprire le inesistenti tette e le grosse gambe bianche torreggianti. "La mia storia ti ha lasciato senza parole? Avanti fa' qualcosa: maledicimi, baciami, chiamami bugiardo. Qualsiasi cosa." "Se tutto questo e' vero, come mai nessuno ne e' al corrente?" "I cavalieri della Guardia reale giurano di tenere i segreti del re. Non avresti voluto che io infrangessi il mio solenne giuramento, vero?" Jaime rise. "Credi davvero che il nobile lord di Grande Inverno fosse interessato ad ascoltare le mie futili spiegazioni? Un uomo cosi' onorevole, Eddard Stark. Gli basto' meno di un'occhiata per giudicarmi colpevole." Balzo' in piedi, mentre l'acqua ormai fredda gli ruscellava contro il petto. "Ma con quale diritto il lupo giudica il leone? Con quale diritto?" Jaime fu colto da un brivido violento. Mentre cercava di uscire dalla vasca, fini' con l'urtare il moncone contro il bordo. La sofferenza dilago'... e di colpo, i bagni di Harrenhal si misero a ruotare attorno a lui. Brienne lo affero' prima che potesse cadere. Le sue braccia, irte di pelle d'oca, erano viscide e gelide, le gambe inerti come un cazzo moscio. Ma la donzella era forte, e piu' delicata di quanto lui avrebbe creduto. 'Piu' delicata di Cersei...' Quel pensiero gli attraverso' la mente mentre Brienne lo aiutava a uscire dalla vasca. "Guardie! Guardie!" la udi' gridare. "Lo Sterminatore di Re..." 'Jaime... il mio nome e' Jaime

what set the left apart from the right was its unambiguous embrace of the future. The future was to be an improvement over the present in material, social and political terms. By contrast, the forces of the political right were, with a few notable exceptions, defined by their defence of tradition and their essentially reactionary nature.17 This situation was reversed during the rise of neoliberalism, with politicians like Thatcher commanding the rhetoric of modernisation and the future to great effect. Co-opting these terms and mobilising them into a new hegemonic common sense, neoliberalism’s vision of modernity has held sway ever since. Consequently, discussions of the left in terms of the future now seem aberrant, even absurd. With the postmodern moment, the seemingly intrinsic links between the future, modernity and emancipation were prized apart. Philosophers like Simon Critchley can now confidently assert that ‘we have to resist the idea and ideology of the future, which is always the ultimate trump card of capitalist ideas of progress’.18 Such folk-political sentiments blindly accept the neoliberal common sense, preferring to shy away from grand visions and replace them with a posturing resistance. From the radical left’s discomfort with technological modernity to the social democratic left’s inability to envision an alternative world, everywhere today the future has largely been ceded to the right. A skill that the left once excelled at – building enticing visions for a better world – has deteriorated after years of neglect. If

My father, who lived to ninety-four, often said that the eighties had been one of the most enjoyable decades of his life. He felt, as I begin to feel, not a shrinking but an enlargement of mental life and perspective. One has had a long experience of life, not only one’s own life, but others’ too. One has seen triumphs and tragedies, booms and busts, revolutions and wars, great achievements and deep ambiguities. One has seen grand theories rise, only

Venice was a woman, la bella donna, elegant in her age, sensual in her watery curves, mysterious in her shadows. The first sight of her, rising over the Grand Canal with her colors tattered and faded like old ballgowns, called to the blood. The light, a white, washing sun, would sweep over her and lose itself like a wanderer in her sinuous veins, her secret turns. Here

And what do I care if I spend twenty years in the mines, breaking ore with a hammer? I am not a bit afraid of that -- it's something else I am afraid of now: that that new man may leave me. Even there, in the mines, underground, I may find a human heart in another convict and murderer by my side, and I may make friends with him, for even there one may live and love and suffer. One may thaw and revive a frozen heart in that convict, one may wait upon him for years, and at last bring up from the dark depths a lofty soul, a feeling, suffering creature; one may bring forth an angel, create a hero! There are so many of them, hundreds of them, and we are all to blame for them. Why was it I dreamed of that 'babe' at such a moment? 'Why is the babe so poor?' That was a sign to me at that moment. It's for the babe I'm going. Because we are all responsible for all. For all the 'babes,' for there are big children as well as little children All are 'babes.' I go for all, because someone must go for all. I didn't kill father, but I've got to go. I accept it. It's all come to me here, here, within these peeling walls. There are numbers of them there, hundreds of them underground, with hammers in their hands. Oh, yes, we shall be in chains and there will be no freedom, but then, in our great sorrow, we shall rise again to joy, without which man cannot live nor God exist, for God gives joy: it's His privilege -- a grand one. Ah, man should be dissolved in prayer! What should I be underground there without God? Rakitin's laughing! If they drive God from the earth, we shall shelter Him underground. One cannot exist in prison without God; it's even more impossible than out of prison. And then we men underground will sing from the bowels of the earth a glorious hymn to God, with Whom is joy. Hail to God and His joy! I love Him!

Indonesia’s political geography has an amplifying effect on Indonesia’s rise. It is the largest archipelagic state in the world, and oversees maritime trade routes, which are critical lifelines for the East Asian powers, such as China, Japan and South Korea. Indonesia is the only rising Asian power that has its feet both in the Pacific and Indian Oceans, entitling it to play a leadership role in an expansive canvas stretching from eastern African shores to the western coast in the Americas.

Mom isn’t here,” Corey said. “Neither is Travis. So much for my grand resurrection.” He slumped onto the sofa. “We’ll have to wait for them. Which is a little anticlimactic.” We decided to clean up and eat. Start looking and feeling human again. “There’s not much in the way of food,” Sam said. She’d come out of the kitchen with a Coke and a spoon heaped with peanut butter. “What?” Corey said. “Mom knows better than to let our cupboards get empty or I’ll dig up her stash of fancy chocolate bars.

Mom isn’t here,” Corey said. “Neither is Travis. So much for my grand resurrection.” He slumped onto the sofa. “We’ll have to wait for them. Which is a little anticlimactic.

You know, my queen,” Lutian said thoughtfully, “there is another solution that I see.” She turned to look at Lutian, who was riding just behind them. “And that is?” “All you truly need for proof is Prince Christian’s heraldic emblem. Return home pregnant, with it, and they will have no choice except to accept your word for the baby’s father.” Christian was even more aghast at that proposition than he’d been at Adara’s. “And just who would be the father of her unborn child that she would pass off as mine?” Lutian straightened up in the saddle. “I humbly submit myself to Her Grace’s will to use my meek and virile body in any manner she sees fit.” Adara squelched a laugh at his kind offer. Leave it to Lutian to come up with such a solution. But if looks could kill, Lutian would be severed in twain by Christian’s heated glare. “I beg your pardon, fool?” Adara was almost amused by the anger in Christian’s tone. It would be nice if she could attribute it to jealousy, but she knew better. “Aye,” she said, wanting to nettle her husband even more. “It just might work.” Christian gaped at her. “You would bed the village idiot?” Lutian snorted at that. “Pray tell who is the greater idiot? The man who would see his son king or the one who is holding a beautiful woman in his lap, with full matrimonial rites to her, who refuses her, a throne, and a wealthy kingdom full of people to do his every bidding? I think, in the grand scheme of this, I am by far the wisest man here.” Lutian kicked his horse abreast of theirs and bowed low in his saddle to Adara. “Take me, my queen, and I will give you your heir. I will gladly lay myself down for your pleasure.” Christian’s nostrils flared in warning. “You lay yourself down for her pleasure, fool, and you won’t be getting back up. Ever.” Lutian went pale as he reined his horse away from them…out of Christian’s direct reach. “Very good, then, my prince.” He shifted his gaze to Adara. “My apologies, my queen, but you’re on your own.” “Lutian,” she cried in feigned outrage. “What about my problem?” Her fool took it good-naturedly. “Well, my lady, ’tis your problem. Sorry. I…um…I intend to live a long and fruitful life.” “Fruitful?” Christian asked with a gimlet stare. Lutian twisted up his face as he contemplated his choice of words. “Did I say fruitful? Methinks I spoke too soon. Suddenly I fear I may be impotent. Truly, I can no longer rise to any occasion. I shall be old and fruitless. My fruit is shriveling even as we speak.” -Lutian, Adara, & Christian

One of the misconceptions in minor hockey is a belief that players have to get on “big city” teams as young as possible to gain exposure when being identified by major junior clubs. For example, the Greater Toronto Hockey League (GTHL) has long been considered a strong breeding ground, with three or four elite AAA teams each year producing some of the top players for the OHL draft. However, on the list of players from Ontario since 1975 who have made the NHL, only 16.8 percent of those players came from GTHL programs while the league itself represents approximately 20 percent of the registered players in the province—that means the league has a per capita development rate of about –3 percent. What the research found was that players from other Ontario minor hockey leagues who elevated to the NHL actually had an edge in terms of career advancement on their GTHL counterparts by the age of nineteen. Each year several small-town Ontario parents, some with players as young as age eight, believe it’s necessary to get their kids on a GTHL superclub such as the Marlboros, Red Wings, or Jr. Canadiens. However, just twenty-one GTHL “import” players since 1997 have played a game in the NHL in the last fifteen years. This pretty much indicates that regardless of where he plays his minor hockey from the ages of eight through sixteen, a player eventually develops no matter how strong his team is as a peewee or bantam. An excellent example comes from the Ontario players born in 1990, which featured a powerhouse team in the Markham Waxers of the OMHA’s Eastern AAA League. The Waxers captured the prestigious OHL Cup and lost a grand total of two games in eight years. In 2005–06, when they were in minor midget (age fifteen), they compiled a record of 64-1-2. The Waxers had three future NHL draft picks on their roster in Steven Stamkos (Tampa Bay), Michael Del Zotto (New York Rangers), and Cameron Gaunce (Colorado). One Waxers nemesis in the 1990 age group was the Toronto Jr. Canadiens of the GTHL. The Jr. Canadiens were also a perennial powerhouse team and battled the Waxers on a regular basis in major tournaments and provincial championships over a seven-year period. Like the Waxers, the Jr. Canadiens team also had three future NHL draft picks in Alex Pietrangelo (St. Louis), Josh Brittain (Anaheim), and Stefan Della Rovere (Washington). In the same 1990 age group, a “middle of the pack” team was the Halton Hills Hurricanes (based west of Toronto in Milton). This club played in the OMHA’s South Central AAA League and periodically competed with some of the top teams. Over a seven-year span, they were marginally over the .500 mark from novice to minor midget. That Halton Hills team produced two future NHL draft picks in Mat Clark (Anaheim) and Jeremy Price (Vancouver). Finally, the worst AAA team in the 1990 group every year was the Chatham-Kent Cyclones—a club that averaged about five wins a season playing in the Pavilion League in Southwestern Ontario. Incredibly, the lowly Cyclones also had two future NHL draft picks in T.J. Brodie (Calgary) and Jason Missiaen (Montreal). It’s a testament that regardless of where they play their minor hockey, talented players will develop at their own pace and eventually rise to the top. You don’t need to be on an 85-5-1 big-city superclub to develop or get noticed.

The Kennedy brothers seemed neither as grand and omniscient as the “court histories” that sprang up after the president’s assassination portrayed them, nor as cunning and shameless as later books, such as Seymour Hersh’s The Dark Side of Camelot, argued. They were both self-creative and self-destructive.

While the Right Bank of Paris has seen internationalism and the irrepressible rise of “bobos” (the Parisian form of hipsters) change its landscape in recent years, the Left Bank has been able to preserve the soul of the French capital. Walk through the Latin Quarter’s crooked cobblestone corridors or down the grand plane-tree-lined boulevards of St.-Germain-des-Prés and, more than once, you’ll think you’re inside a black-and-white Robert Doisneau photo. Cafe terraces, limestone buildings and nattily dressed locals create a timeless tableau. That’s not to say that Paris south of the dividing Seine is immune to change. But at least for now, the classic charms outweigh the contemporary influences. Friday 1.

A young husband and wife are sunning on a nude beach when a wasp buzzes into the woman’s vagina. She screams! Thinking quickly, the husband covers her with a coat, pulls on his shorts, carries her to the car, and makes a dash to the hospital. After examining her, the doctor explains that the wasp is too far in to be reached with forceps. He suggests that the husband try to entice it out by putting honey on his penis, penetrating her, and withdrawing as soon as he feels the wasp. The man agrees to try right there and then, but because he is so nervous, he can’t rise to the occasion. “If neither of you objects,” the doctor says, “I could give it a try.” The woman is clearly suffering, so both agree. The doctor quickly undresses, slathers on some honey, and mounts the woman. The husband watches with increasing annoyance as the doctor’s thrusts continue for several long minutes. “Hey, what do you think you’re doing?” “Change of plans,” the physician pants. “I’m going to drown the little bastard!

NIAGARA FALLS. Niagara, thou mighty flood. I've seen thee fall, I've heard thee roar, And on the frightful verges stood, That overhang thy rocky shore. I've sailed o'er surging waves below, And view'd the rainbow's colour'd light, And felt the spray, thy waters throw, When leaping, with resistless might. I've seen the rapids in their course, Like madden'd, living things rush on, With wild, unhesitating force, To where thy mighty chasms yawn. And there to take the awful leap, And fall, with hoarse and sullen roar, Into th' unfathomable deep, Which rolleth on, from shore to shore. Niagara, thou'rt mighty, grand, Thou fill'st human souls with awe, For thee, and for that mighty Hand, Which maketh thee, by nature's law. Thou'rt great, thou mighty, foaming mass Of water, plunging, roaring down, But so are we, yea, we surpass Thee, and we wear a nobler crown. Thy mighty head is crowned with foam, And rainbows wreathe thy robes of blue; Our earthly forms—our present home— Are insignificant to you. But look, thou mighty thund'rer, thou, Tho' puny be our forms to thine, These forms possess, yea, even now, A spark, a ray of life divine. Rush on, O waters! proudly hurl Thyself to roaring depths below, And let the mists of ages curl, And generations come and go. But know, stupendous wonder, know, Thy rocks would crumble, at the nod Of Him, who lets thy waters flow; Thy Maker, but our Friend and God. Thy rocks shall crumble, fall they must; Thy waters, then, shall plunge no more, But we shall rise, e'en from the dust, To live upon another shore.

They came all that distance just to see a baby?” she whispered. “For heaven’s sake, they’re not a war party. Nothing’s going on. Just because Polly’s folks were Tories and Gideon lived at that school in Canada doesn’t make them dangerous.” “What if he’s a British agent, Eph?” “Don’t be ridiculous, Livy. That’s a harebrained, womanish idea.” “Why?” she said angrily. “It’s your pa said there were plenty of them making trouble out here. He said those British in Upper Canada keep telling the western tribes the king will come to their aid if they war with the Americans.” “Gideon lives right in the middle of Americans. What would he have to gain by starting a war in his own backyard?” “I don’t know, Eph. All I know is what Uncle John said. Upper Canada wants Indian territory sitting between it and America. A strip below Lake Ontario and Lake Erie. If Gideon helps them, maybe the British will give him land as a reward. Rising Hawk’s probably in on it, too. He’s always traveling over to Canada to the nations at Grand River. Couldn’t he be carrying messages to the British garrisons there?” “Rising Hawk’s not a sneak, Livy. Besides, he could never keep big secrets. He’d turn them into stories and blab to everyone.

«Salta su.» Ethan rise e si arrampicò sulla sua schiena. «Mio principe azzurro.» Le stava provando tutte per riuscire a rilassarsi un po’ e le battute sembravano funzionare alla grande. Ma anche quella schiena forte così vicina a lui aiutava. Robert aveva un profumo così buono e pareva che non gli importasse che Ethan stesse spargendo brillantini su tutto il suo completo. «Vivo per servire,» disse Rob iniziando a salire con lentezza le scale dalla balaustra di vetro. «Sarà strano, ma questa cosa mi eccita.» Ethan rise e lo strinse più forte. Una parte dell'attrazione veniva dal modo in cui Rob stava mettendo in mostra la propria

Opera was born in Florence at the end of the sixteenth century. It derived almost seamlessly from its immediate precursor, the intermedio, or lavish between-the-acts spectacle presented in conjunction with a play on festive occasions. Plays were spoken, and their stage settings were simple: a street backed by palace facades for tragedies, by lower-class houses for comedies; for satyr plays or pastorals, the setting was a woodland or country scene. Meanwhile the ever-growing magnificence of state celebrations in Medici Florence on occasions such as dynastic weddings gave rise to a variety of spectacles involving exuberant scenic displays: naval battles in the flooded courtyard of the Pitti Palace, tournaments in the squares, triumphal entries into the city. These all called upon the services of architects, machinists, costume designers, instrumental and vocal artists. Such visual and aural delights also found their way into the theater—not in plays, with their traditional, sober settings, but between the acts of plays. Intermedi had everything the plays had not: miraculous transformations of scenery, flying creatures (both natural and supernatural), dancing, singing. The plays satisfied Renaissance intellects imbued with classical culture; the intermedi fed the new Baroque craving for the marvelous, the incredible, the impossible. By all accounts, no Medici festivities were as grand and lavish as those held through much of the month of May 1589 in conjunction with the marriage of Grand Duke Ferdinand I and Christine of Lorraine. The intermedi produced between the acts of a comedy on the evening of May 2 were considered to be the highlight of the entire occasion and were repeated, with different plays, on May 6 and 13. Nearly all the main figures we will read about in connection with the birth of opera took part in the extravagant production, which was many months in the making: Emilio de' Cavalieri acted as intermediary between the court and the theater besides being responsible for the actors and musicians and composing some of the music; Giovanni Bardi conceived the scenarios for the six intermedi and saw to it that his highly allegorical allusions were made clear in the realization. Jacopo Peri and Giulio Caccini were among the featured singers, as was the madrigal composer Luca Marenzio, who wrote the music for Intermedio 3, described below. The poet responsible for the musical texts, finally, was Ottavio Rinuccini, who wrote the poetry for the earliest operas...

~ The sun rises and in its glory is the perfection of Oneness ~

On September 11, 2001, the FAA’s “no-fly list” included a grand total of twelve names.25 By contrast, the State Department’s so-called TIPOFF terrorist watchlist included sixty thousand names. Yet the FAA’s head of civil aviation security didn’t even know that the State Department list existed.26 Two names on that State Department list were Nawaf al-Hazmi and Khalid al-Mihdhar, both on board Flight 77.

It was part of what made Reagan's national prospects seem grand. Because nostalgia was becoming a national cult.

It should be remembered that against a dictatorship the objective of the grand strategy is not simply to bring down the dictators but to install a democratic system and make the rise of a new dictatorship impossible. To accomplish these objectives, the chosen means of struggle will need to contribute to a change in the distribution of effective power in the society. Under the dictatorship the population and civil institutions of the society have been too weak, and the government too strong. Without a change in the imbalance, a new set of rulers can, if they wish, be just as dictatorial as the old ones. A 'palace revolution' or a coup d'etat therefore is not welcome.

It was in Switzerland, during his first year, in the early part of it, in fact. Then he was almost like an idiot; he could not even speak properly - and sometimes could not understand what was wanted of him. He once went up into the mountain-side, on a bright, sunny day, and walked a long time, his mind possessed with an agonising but unformulated idea. Before him was the brilliant sky, below, the lake, and all around an horizon, bright and boundless which seemed to have no ending. He gazed a long time in distress. He remembered now how he had stretched out his hand to that bright, infinite blue, and had shed tears. What tortured him was that he was utterly outside all this. What was this festival? what was this grand, everlasting pageant to which there was no end, to which he had always, from his earliest childhood, been drawn and in which he could never take part? Every morning the same bright sun rises, every morning the same rainbow in the waterfall, every evening that highest snow mountain glows, with a flush of purple against the distant sky, every 'little fly that buzzes about him in the hot sunshine has its part in the chorus; knows its place, loves it and is happy'. Every blade of grass grows and is happy! Everything has its path, and everything knows its path, and with a song goes forth, and with a song returns. Only he knows nothing, and understands nothing, neither men nor sounds; he is outside it all, and an outcast.

In September 1767, while Haidar was engaging the main Madras army near Trinomalee, the seventeen-year-old Tipu led a daring raid behind Company lines into the garden suburbs of Madras. He rode at speed across the plains of the Carnatic with his crack cavalry and, finding no opposition, began burning and looting the grand weekend Georgian villas of the Madras Council that covered the slopes of St Thomas Mount. He also came close to capturing the Governor of Madras, and might actually have done so had his cavalry

And once more I see him the way he appeared to me at the very beginning of the novel: standing at the window and staring across the courtyard at the walls opposite. This is the image from which he was born. As I have pointed out before, characters are not born like people, of woman; they are born of a situation, a sentence, a metaphor containing in a nutshell a basic human possibility that the author thinks no one else has discovered or said something essential about. But isn't it true that an author can write only about himself? Staring impotently across a courtyard, at a loss for what to do; hearing the pertinacious rumbling of one's own stomach during a moment of love; betraying, yet lacking the will to abandon the glamorous path of betrayal; raising one's fist with the crowds in the Grand March; displaying one's wit before hidden microphones—I have known all these situations, I have experienced them myself, yet none of them has given rise to the person my curriculum vitae and I represent. The characters in my novels are my own unrealized possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented. It is that crossed border (the border beyond which my own I ends) which attracts me most. For beyond that border begins the secret the novel asks about. The novel is not the author's confession; it is an investigation of human life in the trap the world has become.

The invading First Order had left open the grand doors and a wind straight off the sea swept through the building, slicking the white stone floors and leaving the salt and sea so thick in the air Poe could almost taste it under the acrid burn of smoke.

Everyone watched the older gentleman wearing a smeared white apron who did all the cooking. It was Mr. Smoot, a longtime friend of her dad's. He gave her a nod of recognition right before he dumped an entire bucket of red potatoes into the boiling cauldron of water, then added a huge scoop of salt. "What's the white stuff?" Bass asked. "That's the salt. The fish boil here is just four ingredients: water, salt, potatoes, and whitefish from Lake Michigan. Some places add in corn on the cob or onions, but I like their simple approach best." "So what happens?" "In a little while, they'll add another basket that's full of whitefish and more salt. As the fish cooks, the oil will rise to the top. They have a special trick for removing it you aren't going to want to miss. It's the best part. Then we go inside, fill a plate, then pour warm melted butter and lemon over it and eat until we're stuffed." Sanna's stomach growled. She'd forgotten how much she enjoyed fish boils here. Rustic and delicious. As they waited for the fish to cook, she answered Bass's and Isaac's questions, but saved the best part as a secret. When everyone began to gather around the cooking pit, Sanna maneuvered Bass to the front so he could have a perfect view for the grand finale with her and Isaac behind him. When Mr. Smoot splashed the kerosene on the fire, it caused the fish oil to boil over the edge of the pot into the fire, making a huge flare- like a fireball. Bass jumped and the crowd oohed as one.

Mayors of paper-mill towns are fond of grandly pronouncing “That’s the smell of money” whenever anyone points out the odor.

We are already acquainted with the phenomena of the growing sensitiveness of conscience. We know how we come to see sin, where we saw none before, and what a feeling of insecurity about the past that new vision has often given us. Yet death is a sudden stride into the light. Even in our General Confessions, the past was discernible in a kind of soft twilight; now it will be dragged out into unsheltered splendour. The dawn of the judgment, mere dawn though it will be, is brighter than any terrestrial noon; and it is a light which magnifies more than any human microscope. There lie fifty crowded years, or more. O, such an interminable-seeming waste of life, with actions piled on actions, and all swarming with minutest incredible life, and an element of eternity in every nameless moving point of that teeming wilderness! How colossal will appear the sins we know of, so gigantic now that we hardly know them again! How big our little sins! How full of malice our faults that seemed but half-sins, if they were sins at all. Then again, the forgotten sins, who can count them? Who believed they were half so many or half so serious? The unsuspected sins, and the sinfulness of our many ignorances, and the deliberateness of our indeliberations, and the rebellions of our self-will, and the culpable recklessness of our precipitations, and the locust-swarms of our thought-peopled solitudes, and the incessant persevering cataracts of our poisoned tongues, and the inconceivable arithmetic of our multiplied omissions—and a great solid neglected grace lying by the side of each one of these things—and each one of them as distinct, and quiet, and quietly compassed, and separately contemplated, and overpoweringly light-girdled, in the mind of God, as if each were the grand sole truth of His self-sufficing unity! Who will dare to think that such a past will not be a terrific pain, a light from which there is no terrified escape? Or who will dare to say that his past will not look such to him, when he lies down to die? Surely it would be death itself to our entrapped and amazed souls, if we did not see the waters of the great flood rising far off, and sweeping onward with noiseless, but resistless, inundation, the billows of that Red Sea of our salvation, which takes away the sins of the world, and under which all those Egyptians of our own creation, those masters whom we ourselves appointed over us, with their living hosts, their men, their horses, their chariots, and their incalculable baggage, will look in the morning- light of eternity, but a valley of sunlit waters.

Oh, yes, we shall be in chains and there will be no freedom, but then, in our great sorrow, we shall rise again to joy, without which man cannot live nor God exist, for God gives joy : it's His privilege—a grand one. Ah, man should be dissolved in prayer ! What should I be underground there without God Rakitin's laughing! If they drive Godfrom the earth, we shall shelter Him underground. One cannot exist in prison without God; it's even more impossible than out of prison. And then we men underground will sing from the bowels of the earth a glorious hymn to God, with Whom is joy. Hail to God and His joy! I love Him!

Theories are great tools to think with. They open your mind, broaden your perspective. But it is people who make the world go round. Individual human beings, with all their idiosyncrasies and contradictions and baggage, with their ideas sculpted by culture and belief and education and economics and family, are the agents of every grand historical force that future generations will see smoldering in the tangled wreckage of the past.

Akbar's Rajput policy, however, did not result from any grand, premeditated strategy. Rather, it began as a response to the internal politics of one of the Rajput lineages, the Kachwaha clan, based in the state of Amber in northern Rajasthan. In 1534 the clan's head, Puran Man, died with no adult heir and was succeeded by his younger brother, Bharmal. Puran Mal, however, did have a son who by the early 1560s had come of age and challenged Bharmal's right to rule Amber. Feeling this pressure from within his own clan, Bharmal approached Akbar for material support, offering in exchange his daughter in marriage. The king agreed to the proposal. In 1562 the Kachwaha chieftain entered Mughal service, with Akbar assuring him of support in maintaining his position in the Kachwaha political order, while his family entered the royal household. Besides his daughter, Bharmal also sent his son Bhagwant Das and his grandson Man Singh (1550-1614) to the court in Agra. For several generations thereafter, the ruling clan continued to give its daughters to the Mughal court, thereby making the chiefs of these clans the uncles, cousins or even father-in-laws of Mughal emperors. The intimate connection between the two courts had far-reaching results. Not only did Kachwaha rulers quickly rise in rank and stature in the Mughal court, but their position within their own clan was greatly enhanced by Akbar's confirmation of their political leadership. Akbar's support also enhanced the position of the Kachwahas as a whole -- and hence Amber state -- in the hierarchy of Rajasthan's other Rajput lineages. Neighbouring clans soon realised the political wisdom of attaching themselves to the expanding Mughal state, a visibly rising star in North Indian politics. [...] Driving these arrangements, though, was not just the incentive of courtly patronage. The clans of Rajasthan well understood that refusal to engage with the Mughals would bring the stick of military confrontation. Alone among the Rajput clans, the Sisodiyas of Mewar in southern Rajasthan, north India's pre-eminent warrior lineages, obstinately refused to negotiate with the Mughals. In response, Akbar in 1568 led a four-month siege of the Sisodiyas' principal stronghold of Chittor, which ultimately fell to the Mughals, but only after a spectacular 'jauhar' in which the fort's defenders, foreseeing their doom, killed their women and gallantly sallied forth to meet their deaths. In all, some 30,000 defenders of the fort were killed, although its ruler, Rana Pratap, managed to escape. For decades, he and the Sisodiya house would continue to resist Mughal domination, whereas nearly every other Rajput lineage had acknowledged Mughal overlordship.

Not long ago archaeologists with new techniques unraveled the tragedy of Cahokia, near modern St. Louis, which was once the greatest population center north of the Río Grande. Construction began in about 1000 A.D. on an earthen structure that would eventually cover fifteen acres and rise to a height of about a hundred feet, higher than anything around it for miles. Atop the mound was the temple for the divine kings, who arranged for the weather to favor agriculture. As if to lend them support, fields of maize rippled out from the mound almost as far as the eye could see.

Of the rise of this singular people few authentic records appear to exist. It is, however, probable that they represent a later wave of that race, whether true Sudras, or a later wave of immigrants from Central Asia, which is found farther south as Mahratta; and perhaps they had, in remote times, a Scythian origin like the earlier and nobler Rajputs. They affect Rajput ways, although the Rajputs would disdain their kinship; and they give to their chiefs the Rajput title of "Thakur," a name common to the Deity and to great earthly lords, and now often used to still lower persons. So much has this practice indeed extended, that some tribes use the term generically, and speak of themselves as of the "Thakur" race. These, however, are chiefly pure Rajputs. It is stated, by an excellent authority, that even now the Jats "can scarcely be called pure Hindus, for they have many observances, both domestic and religious, not consonant with Hindu precepts. There is a disposition also to reject the fables of the Puranic Mythology, and to acknowledge the unity of the Godhead." (Elliot's Glossary, in voce "Jat.") Wherever they are found, they are stout yeomen; able to cultivate their fields, or to protect them, and with strong administrative habits of a somewhat republican cast. Within half a century, they have four times tried conclusions with the might of Britain. The Jats of Bhartpur fought Lord Lake with success, and Lord Combermere with credit; and their "Sikh" brethren in the Panjab shook the whole fabric of British India on the Satlaj, in 1845, and three years later on the field of Chillianwala. The Sikh kingdom has been broken up, but the Jat principality of Bhartpur still exists, though with contracted limits, and in a state of complete dependence on the British Government. There is also a thriving little principality — that of Dholpur — between Agra and Gwalior, under a descendant of the Jat Rana of Gohad, so often met with in the history of the times we are now reviewing (v. inf. p. 128.) It is interesting to note further, that some ethnologists have regarded this fine people as of kin to the ancient Get¾, and to the Goths of Europe, by whom not only Jutland, but parts of the south-east of England and Spain were overrun, and to some extent peopled. It is, therefore, possible that the yeomen of Kent and Hampshire have blood relations in the natives of Bhartpur and the Panjab. The area of the Bhartpur State is at present 2,000 square miles, and consists of a basin some 700 feet above sea level, crossed by a belt of red sandstone rocks. It is hot and dry; but in the skilful hands that till it, not unfertile; and the population has been estimated at near three-quarters of a million. At the time at which our history has arrived, the territory swayed by the chiefs of the Jats was much more extensive, and had undergone the fate of many another military republic, by falling into the hands of the most prudent and daring of a number of competent leaders. It has already been shown (in Part I.) how Suraj Mal, as Raja of the Bhartpur Jats, joined the Mahrattas in their resistance to the great Musalman combination of 1760. Had his prudent counsels been followed, it is possible that this resistance would have been more successful, and the whole history of Hindustan far otherwise than what it has since been. But the haughty leader of the Hindus, Sheodasheo Rao Bhao, regarded Suraj Mal as a petty landed chief not accustomed to affairs on a grand scale, and so went headlong on his fate.

They are sceptical towards the claims of grand social theories or narratives, whether Marxist, liberal or Christian. There are no universal truths. They were used in the past to legitimate the power of those who know and deny power to those who do not know, and so should be criticised (‘deconstructed’).

I live in a world not at all like your own. In this world, there are four essential places. The Green is the places above ground, the places where trees and grass grow, where mountains rise up, the places where cows might moo woefully, waiting for a purpose in their lives. We live in the Green. There is the Underground, all places which must be reached from caves or mine shafts or great rifts in the ground. These are the places where the sun does not and never has touched, where the creatures of story and legend are said to roam. There is the Nether, a horrible, blasted landscape overrun by fire and the beasts that embody it, where infernal castles and strongholds dot the maps which never are finished. This place must be reached from a certain archway made of black stone, anointed with a drop of blood and burned. There is the End, from which no man has ever returned. There are legends that talk of a grand gate somewhere in the Green that pulsates with an acrid energy, which can only be seen by the stricken eyes of the already-dead. Nobody knows what is there.

Romantic retrospect aside, the night spent in the truck is distinctly unpleasant. We are cramped and cold. The much-vaunted heating of the truck is ineffectual. The wind prises through the cracks in the sides of the windows, and penetrates us to the bone. My feet are moist in my shoes, yet to take my socks off is to chill my feet even further. We take every warm item of clothing out of our bags and swaddle ourselves into immobility. The sheepskin on the seat cuts out a bit of the cold rising from below. We share a blanket and Sui, before he goes off to sleep, makes sure I get a generous part of this. He then drops off to sleep, and tugs it away. He jockeys for space, and I am forced to lean forward. He begins to snore. To make it all worse, both he and Gyanseng sleeptalk. They have told me before tat I do, too, but I've never noticed it. What I do notice, however, late at night, with my two territorially acquisitive companions wedging me forwards, is that I have started talking to myself: naming the constellations I can see move across the mud-stained windscreen, interviewing myself, reciting odd snatches of poetry. I also notice that I am hungry, which is curious, because during the day I was not; and itchy, which is to be expected after so much unwashed travel; and sleepy, though I cannot sleep for cold and headache and discomfort; and alas, bored out of my mind. When things get really bad, I imagine myself in a darkened room, up to my shoulders in a tub of hot water, with a glass of Grand Marnier beside me and the second movement of Mozart's Clarinet Quintet sounding gently in my ears. This voluptuous vision, rather than making my present condition seem even more insupportable, actually enables me to escape for a while from the complaints of my suffering body.

After World War II the Allies refused to recognize Karl Dönitz as the president or führer, Reichspräsident, of Germany. Instead they declared the complete legal extinction of the Third Reich, following the death of Adolf Hitler on April 30, 1945. At the Nuremberg Trials following the war, Dönitz was tried on three criminal counts: (1) conspiracy to commit crimes against peace, war crimes, and crimes against humanity; (2) planning, initiating and waging wars of aggression; and (3) crimes against the laws of war. Dönitz was found not guilty on the first count of the indictment, but guilty on the rest. Many high ranking Allied officers backed him and recommended leniency. After the trial, Admiral Dönitz was imprisoned for 10 years in Spandau Prison. He was released on October 1, 1956, and retired to the small village of Aumühle. He died there of a heart attack on December 24, 1980. As the last German naval officer to hold the highest rank of Grand Admiral, he was praised and honored by many former German officers and servicemen, as well as British and other foreign naval officers, who came to his funeral in full dress uniform, to pay their final respects.

Briette sighed. “I don’t think your intentions were bad, Sir Ansley. And in the end, you warned Calister of what the king planned to do. I simply have a favor to ask.” She smiled. “Which brings me to Calister.” Calister stiffened. “At your service, my lady.” Briette raised her voice so they would all hear. “At the castle, King Jarrod tried to have me arrested. Calister not only fended off the knights, he fought actually King Jarrod himself. A man nearly a foot taller and three times his weight. I have never seen such courage. Noble deeds deserve a noble reward, don’t you think? Calister… come here, please.” Calister crept toward her, uncertain. Briette carefully extracted the long sword she wore at her side. “I must ask you to kneel before me.” “Kneel?” Calister looked confused, then his eyes popped with understanding. “Oh!” He dropped to one knee. Briette lifted the sword and touched the flat of it to his shoulder. “Calister, do swear that you will honor and defend the kingdom of Runa under Princess Maelyn?” “I will,” said Calister. “That you will defend truth and justice, and strive to protect those weaker than yourself?” “I will,” said Calister. “And that you will uphold the noble ideals of chivalry to the benefit of your good name and the greater glory of our land?” “I will,” said Calister. Briette smiled. “Then, by the power invested in me, I now dub you Sir Calister, a knight of Runa Realm. Quite possibly the youngest knight this kingdom has ever known. You may rise.” Calister stood, blinking hard to hold back tears. “Th-thank you, my lady. I – I promise to be a faithful knight, and….” His face crumpled and he fell against Briette and squeezed her tightly. “Thank you, my lady!” “Bree. I am always Bree to you,” she said, returning the hug. She could see the servants over his shoulder. Rupy sobbed openly, Sir Ansley beamed with pride, Old Shivey nodded her head, and Havi wore a crooked smile. The duke, however, remained hard and impassive, his eyes turned away. Calister released her and wiped his eyes. Briette turned back to the group. “I will send for Calister in a few days. We shall make arrangements for him to be transferred to Lumen Fortress where he will continue his training with the knights there. Sir Ansley, I will rely on you to check on him regularly and see that he is progressing in his studies. Can you do this?” “Of course I can! Gladly!” said Sir Ansley. “Thank you. His lost hand is but a minor setback and I intend to have equipment made that will compensate for it. And please continue taking him to visit his mother. I’m sure she will be very proud of him.” Calister smiled, his face red. He rubbed his eyes again and laughed at himself. “I’m sorry, a knight shouldn’t cry.” “The good ones do.” Briette grinned and held out the sword. “Here. Take this as my gift to you. And wear it proudly! I’m sure you will have many adventures, Sir Calister.” Calister clasped the sword and bowed grandly. “I will strive to be worthy of this honor, my lady Bree.” “Oh, he’s adorable!” Miriella cried. Maelyn’s smile was more reserved. Briette hadn’t told her that she would knight a fourteen-year-old

As I listened to him describing the scene of the procurer seducing the young girl, I found myself torn between two conflicting emotions, between a powerful desire to laugh and an overwhelming surge of indignation. I was in agony. Again and again a roar of laughter prevented my rage bursting forth; again and again the rage rising in my heart became a roar of laughter. I was dumbfounded by such shrewdness and such depravity; by such soundness of ideas alternating with such falseness; by so general a perversity of feeling, so total a corruption, and so exceptional a candour. He saw how agitated I was. 'What's the matter?' he asked. ME: Nothing. HIM: I think you're upset. ME: Indeed I am. HIM: So what do you think I should do? ME: Talk about something else. What a wretched fate, to have been born and to have fallen so low! HIM: I agree. But don't let my state affect you too much. In opening my heart to you, it was not my intention to upset you. I've managed to save a little, while I was with those people. Remember I wanted for nothing, nothing whatsoever, and they also made me a small allowance for incidentals. [Here he began to strike himself on the forehead with his fist, bite his lips, and roll his eyes like a lunatic, then he said:] What's done is done. I've put a bit aside. Time's passed, so I'm that much to the good. ME: You mean to the bad. HIM: No, to the good. Live one day less, or have an ecu more, it's all the same. The important thing is to open your bowels easily, freely, enjoyably, copiously, every evening; 'o stercus pretiosum!' That's the grand outcome of life in every condition. At the final moment, we're all equally rich - Samuel Bernard who by dint of theft, pillage, and bankruptcy leaves twenty-seven millions in gold, and Rameau who'll leave nothing, Rameau for whom charity will provide the winding-sheet to wrap him in.

Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.

Everything grand is made from a series of ugly little moments. Everything worthwhile by hours of self-doubt and days of drudgery. All the works by people you and I admire sit atop a foundation of failures.

She has a litany of names by you and in her constant bulb of longing, she whispers them into her bent elbow, into this grand imagination that you wouldn't cause her pain, that you think of her, too, but dare not erase her fantastic yearning.

We are three quarters of a mile in the depths of the earth, and the great river shrinks into insignificance, as it dashes its angry waves against the walls and cliffs, that rise to the world above; they are but puny ripples, and we but pigmies, running up and down the sands, or lost among the boulders. We have an unknown distance yet to run; an unknown river yet to explore. What falls there are, we know not; what rocks beset the channel, we know not; what walls rise over the river, we know not. Powell wasn’t overstating their ignorance. At this point, they had no clear idea how far they had come or how much canyon lay ahead of them. They did not know how many turns the river would make, how many rapids there might be, or whether their supplies would sustain them through the time it would take to negotiate these obstacles. And they had no way of knowing that their most serious challenges lay ahead. Just

Well! Being born into this world there are, I suppose, many aims which we may strive to attain. The Imperial Throne of the Mikado inspires us with the greatest awe; even the uttermost leaf of the Imperial Family Tree is worthy of honour and very different from the rest of mankind. As to the position of a certain august personage (i.e. the Mikado's regent) there can be no question, and those whose rank entitles them to a Palace Guard are very magnificent also - their sons and grandsons, even if they fall into poverty, are still gentlefolk. But when those who are of lower degree chance to rise in the world and assume an aspect of arrogance, though they may think themselves grand, it is very regrettable. Now there is no life so undesirable as that of a priest. Truly indeed did Sei Shô-nagon write, 'People think of them as if they were only chips of wood.' Their savage violence and loud shouting does not show them to advantage, and I feel sure that, as the sage Zôga said, their desire for notoriety is not in accordance with the sacred precepts of Buddha. To retire from the world in real earnest, on the contrary, is indeed praiseworthy, and some I hope there may be who are willing to do so. A man should preferably have pleasing features and a good style; one never tires of meeting those who can engage in some little pleasant conversation and who have an attractive manner, but who are not too talkative. It is a great pity, however, if a man's true character does not come up to his prepossessing appearance. One's features are fixed by nature; but, if we wish to, may we not change our hearts from good to better? For, if a man though handsome and good-natured has no real ability, his position will suffer, and in association with men of a less engaging aspect his deficiency will cause him to be thrown into the background, which is indeed a pity. The thing to aim at, therefore, is the path of true literature, the study of prose, poetry, and music; to be an accepted authority for others on ancient customs and ceremonies is also praiseworthy. One who is quick and clever at writing and sketching, who has a pleasant voice, who can beat time to music, and who does not refuse a little wine, even though he cannot drink much, is a good man.

Seduced by our tantalizing nakedness, my bidder dared himself to enter our homoerotic realm – a realm that defied time and space and only Divine Providence was left to forfeit active participation. Nothing but our lustful releases could satisfy our overwhelming genital hunger; when the cocks crowed treis, we savored our afterglow from the rising sun. This Bacha Bazi was a splendid reminder of Mario, Andy and me floating on a private gondola in Venezia’s Grand Canal. I was already infatuated with my bidder before morning broke.

Lovingly, yet sadly withal, does our evening sky bend over and meet the earth in the distance. It casts a mournful light on the earth it leaves behind ⎯ a light which gives us a taste of the divine grief of the Eternal Separation; and eloquent is the silence which then broods over earth, sky, and waters. As I gaze on in rapt motionlessness, I fall to wondering. ⎯ If ever this silence should fail to contain itself, if the expression for which this hour has been seeking from the beginning of time should break forth, would a profoundly solemn, poignantly moving music rise from earth to starland? With a little steadfast concentration of effort we can, for ourselves, translate the grand harmony of light and colour which permeates the universe into music. We have only to close our eyes and receive with the ear of the mind the vibration of this ever-flowing panorama. But how often shall I write of these sunsets and sunrises? I feel their renewed freshness every time; yet how am I to attain such renewed freshness in my attempts at expression?

Recall that the recently resurgent, militarized U.S. police forces have grown up at the same time as the spectacular rise of the U.S. prison industry. Indeed, the buildup of the U.S. prison archipelago, with its unprecedented rate of construction is itself a kind of spectacle, a grand SWAT operation worked upon our social landscape. Both the rise of prisons and the rising up of militarized policing make a show of spectacular force in the nation today.

When I got to the main street I saw that the town was in turmoil. To my surprise I found people breaking into the shops, looting in broad daylight, and to my shame I joined in! Not having any money, I rationalized that this would be a way to get my gift for Mrs. Koestoll. First I found some nice embroidered pillowcases, which I filled with food and dry goods. I can still remember vaulting across a counter to get boots for Mr. Koestoll. I knotted the laces and hung them around my neck. As I continued to pillage the shop, other young women from the village joined in. We had a grand time taking whatever we wanted. I ran around with the boots swinging and hitting my breasts, however in the excitement I ignored them. With both pillowcases filled, until I could hardly carry them, I looked around to take stock of what was happening. It seemed as if the entire town had come downtown for a street party. Everyone was in a frenzy to find food and clothing for their families. These otherwise orderly German people were resorting to a mob mentality and were running amuck.

Thomas Moran Paints This place gets inside you with its soft reds And tans. You can feel the lithe sweep of brushes Inside your head. Your empty hands moving From side to side involuntarily. It is like seeing An angel’s brilliancy for the first time and trying To describe it to your own soul in a language Of the eye your heart can understand The light is always different here getting darker Near the river paler near the rim. But it is The way the canyon breathes warm air rising Cool air settling that makes the colors vibrant Gives them luster. I can pile and scrape paint On a canvas forever and miss the one rare Note that hides in the throat of a canyon wren But I can dream that bird within me and capture It on silk where its song will bring this magical Secret landscape into my art on its wings.

understand the extent of my neurosis before this book, he sure as hell does now. Few authors are as lucky as I am to have an editor like Mike. He’s humble, patient, and diligent, even when I’m not. That this book was brought to you only a year after Golden Son is a miracle of his making. I doff my cap to you, my goodman. And to each and every reader, thank you. Your passion and excitement have allowed me to live my life on my own terms, and for that I am ever grateful and humbled. Your creativity, humor, and support come through in every message, tweet, and comment. Getting to meet you and hear your stories at conventions and signings is one of the perks of being an author. Thank you, Howlers, for all that you do. Hopefully we’ll have a chance to howl together soon. Once I thought that writing this book would be impossible. It was a skyscraper, massive and complete and unbearably far off. It taunted me from the horizon. But do we ever look at such buildings and assume they sprung up overnight? No. We’ve seen the traffic congestion that attends them. The skeleton of beams and girders. The swarm of builders and the rattle of cranes… Everything grand is made from a series of ugly little moments. Everything worthwhile by hours of self-doubt and days of drudgery. All the works by people you and I admire sit atop a foundation of failures.

«Siamo quasi a casa. Ti scoperò finché vorrai quando arriveremo, okay?» Una grande promessa per uno che stava per venire nei pantaloni. «Nicky?» Luka fece scivolare le dita sotto la sua camicia, e Nick fece lo stesso con lui: aveva bisogno del contatto con la sua pelle. «Sì?» «Non sei come pensavo che fossi. Per niente.» «Non sono nemmeno come io pensavo di essere.» Nick rise dolcemente. Si mise seduto e lasciò ciondolare la testa all’indietro contro il poggiatesta. «E preferisco così»

Oh, yes, we shall be in chains and there will be no freedom, but then, in our great sorrow, we shall rise again to joy, without which man cannot live nor God exist, for God gives joy: it’s His privilege – a grand one. Ah, man should be dissolved in prayer! What should I be underground without God? …If they drive God from the earth, we shall shelter Him underground. One cannot exist in prison without God; it’s even more impossible than out of prison. And then we men underground will sing from the bowels of the earth a glorious hymn to God, with Whom is joy. Hail to God and His joy! I love Him!

It is hardly surprising that the initial stage of most mountain journeys involves laborious uphill hiking. Coming at a time when the typical hiker is out of shape, unacclimated, and transporting the heaviest load of the entire trip, the seemingly endless hillsides can elicit rumblings from even the hardiest backpackers. The first section of the High Route qualifies as a splendid example of such unremitting travel, for the hiker must toil up 6,000 feet to the first major pass, a disheartening prospect. Weathered dead pine at timberline Optimistic hikers who seek the brighter side of unpleasant situations, however, will quickly discover mitigating factors on this interminable slope. The well-manicured trail zigzags up the north wall of Kings Canyon with such a gentle gradient that the traveler can slip into a rhythmic pace where the miles pass far more quickly than would be possible on a steeper, rockier path. Thus freed from scrutinizing the terrain immediately ahead, the hiker can better appreciate the two striking formations on the opposite side of the canyon. Directly across the way towers the enormous facade of Grand Sentinel, rising 3,500 feet above the meadows lining the valley floor. Several miles to the east lies the sculpted oddity known as the Sphinx, a delicate pinnacle capping a sweeping apron of granite. These two landmarks, visible for much of the ascent to the Monarch Divide, offer travelers a convenient means of gauging their progress; for instance, when one is finally level with the top of the Sphinx, the upward journey is two-thirds complete. Hikers able to identify common Sierra trees

But, as it happens, I have a better idea. One that won’t affect my marital status or my occupation.” He eyed her warily. “And what would that be?” “I think you should keep him.” He reared back. “Me? I can’t keep him. My assignments take me from the Rio Grande to the Louisiana border to the Gulf of Mexico. I spend half my time chasing gun-toting, fast-shooting men on the run and the other half hauling them in. I can’t be towing a little one along. Out of the question.” She shrugged. “So get married.” His jaw dropped. “Married? To who?” “I don’t know. I’m sure I could find somebody for you.” His ire began to rise. “Well, aren’t you the one thinking the sun comes up just to hear you crow.

If we believe the Greek poet, "it is sometimes pleasant to be mad" again, Plato always knocked in vain at the door of poetry when he was sober; or, if we trust Aristotle, no great genius has ever been without a touch of insanity. The mind cannot use lofty language, above that of the common herd, unless it be excited. When it has spurned aside the commonplace environments of custom, and rises sublime, instinct with sacred fire, then alone can it chant a song too grand for mortal lips: as long as it continues to dwell within itself it cannot rise to any pitch of splendor: it must break away from the beaten track, and lash itself to frenzy, till it gnaws the curb and rushes away bearing up its rider to heights whither it would fear to climb when alone.

You are a world entire. You are grand and lovely. But you have to see it before anyone else does.

Spread over the extravagant supper table was a silk tapestry of moons and stars and the six symbols of death. Talis couldn’t help but stare at the design, for the weavings glowed and the drawing was animated with a nefarious life of its own. A frightful illustration that seemed to follow his eyes as they perused the tapestry. Etched along the tassels flowed a river of blood, the river leading into the Underworld. Farther up, layers of bodies were piled high, their vicious fumes rising as incense to the lesser demons above, who devoured the mortals’ flesh. Then above them were the taskmasters of the Underworld, great demons with spiked whips. They endlessly struck the lesser demons as punishment for the act of consuming the mortals’ flesh. Arranged around the center of the tapestry were the gods themselves. At the head stood Zagros, the Lord of the Underworld, then Ractan, the Lord of the Dragons, and Ishta, the Lord of the Genie Sorcerers. At the other side hovered Nestria, the Goddess of the Sky, and Nacrea, the Goddess of the Sun, and opposite her was Satvis, the God of Darkness. Between both sets of gods sat two mythological heroes: Nyx the Destroyer and Lord Heti of Calabastria. Here were the triumphant gods, playing with the lives and flesh of all mortals. Talis stifled a groan. Atop the tapestry were glass jars filled with what looked like trapped souls. Their ghastly faces peered out, eyes desperate and longing for freedom. How did they get inside? He felt a sickness rising in his stomach. The dark sorcerers studied him with grave looks, as if they glimpsed something distasteful inside. He could tell they were suspicious of him. He was too young, from a strange land untouched by their power, and to their murmuring voices, unsuitable to attend this grand feast. Now, all he could think about was leaving this wretched city. Whatever danger lay ahead, he’d rather face it than fester here in the insidious poison seeping through the black and gold walls of Darkov. “To your charmed fortune.” A sorcerer raised a crystal vial filled with some bubbling substance. The man appeared to be hundreds of years old. Deep, harsh wrinkles lined his eyes and forehead, and yet his hands were perfectly smooth. He wore a black silk cloak fastened around his neck with a gold broach, ornately designed like the sun. He drank the vial and after a while, he appeared as youthful as a young man. Talis was taken aback at the man’s sudden transformation. He steadied his wine cup with his other hand. “Fortune smiles on you...” “Every day.” The sorcerer frowned at Talis. “You’d be wise to remember that. Without fortune shining on you daily”—he leaned in close to Talis—”your life is at risk.” Turning, the man whisked away and disappeared behind another group of sorcerers mingling in the corner of the room. Talis tried to discover where he’d gone, but the man had vanished. Just then Talis felt a cold hand settle on his right shoulder. He turned, glimpsed the eyes of Aurellia, and resisted the desire to flee. “I see you’ve finally joined us here in our illustrious

Cooper, a host of works by American nature writers, and I’ve never in reading a single one of those pages felt one tenth of the emotion that fills me before these shores. And yet I’ll keep on reading, and writing. Two or three times an hour, a sharp crack breaks up my thoughts. The lake is shattering along a fault line. Like surf, birdsong, or the roar of waterfalls, the crumpling of an ice mass won’t keep us awake. A motor running, or someone snoring, or water dripping off a roof, on the other hand, is unbearable. I can’t help thinking of the dead. The thousands of Russians swallowed up by the lake.5 Do the souls of the drowned struggle to the surface? Can they get past the ice? Do they find the hole that opens up to the sky? Now there’s a touchy subject to raise with Christian fundamentalists. It took me five hours to reach Elohin. Volodya welcomed me with a hug and a “Hello, neighbor.” Now there are seven or eight of us around the wooden table dunking cookies in our tea: some fishermen passing through, myself, and our hosts. We talk about our lives and I’m exhausted already. Intoxicated by the potluck company, the fishermen argue, constantly correcting one another with grand gestures of disgust and jumping down one another’s throats. Cabins are prisons. Friendship doesn’t survive anything, not even togetherness. Outside the window, the wind keeps up its nonsense. Clouds of snow rush by with the regularity of phantom trains. I think about the titmouse. I miss it already. It’s crazy how quickly one becomes attached to creatures. I’m seized with pity for these struggling things. The titmice stay in the forest in the icy cold; they’re not snobs like swallows, which spend the winter in Egypt. After twenty minutes, we fall silent, and Volodya looks outside. He spends hours sitting in front of the window pane, his face half in shadow, half bathed in the light off the lake. The light gives him the craggy features of some heroic foot soldier. Time wields over skin the power water has over the earth. It digs deep as it passes. Evening, supper. A heated conversation with one of the fishermen, in which I learn that Jews run the world (but in France it’s the Arabs); Stalin, now there was a real leader; the Russians are invincible (that pipsqueak Hitler bit off more than he could chew); communism is a top-notch system; the Haitian earthquake was triggered by the shockwave from an American bomb; September 11 was a Yankee plot; gulag historians are unpatriotic; and the French are homosexuals. I think I’m going to space out my visits. FEBRUARY 26 Volodya and Irina live like tightrope walkers. They have no contact with the inhabitants on the other side of Baikal. No one crosses the lake. The opposite shore is another world, the one where the sun rises. Fishermen and inspectors living north or south of this station sometimes visit my hosts, who rarely venture into the mountains of their

Those fearful noises are loudly re-echoed by all the other men, who strain themselves so vigorously at the oars, that the boat, flying forwards, almost keeps way with the wave, on the back of which it is the object of the steersman to keep her. As she is swept impetuously towards the bar, a person seated in the boat can distinctly feel the sea under him gradually rising under a sheer wave, and lifting the boat up—and up—and up, in a manner exceedingly startling. At length the ridge, near the summit of which the boat is placed, begins to curl, and its edge just breaks into a line of white fringe along the upper edge of the perpendicular face presented to the shore, towards which it is advancing with vast rapidity. The grand object of the boatmen now appears to consist in maintaining their position, not on the very crown of the wave, but a little further to seaward, down the slope, so as to ride upon its shoulders, as it were.

Always be guided by your heart rather than by your head, and your life will be transformed. Happiness does not consist in living in a palace or enjoying a large fortune; these can be lost. True happiness is something that neither men nor events can take from you. You will find it in Faith, in Hope and in Charity. Try to make those around you happy, and you will be happy yourself.” – Grand Duchess Elizabeth Feodorovna of Russia have been reading the Bible a good deal lately, and if we believe in the sublime sacrifice of God the Father in sending His Son to die and rise again for us, we shall feel the Holy Spirit lighting our way, and our joy will become eternal, even if our poor human hearts and earthly minds pass through moments which seem terrible. – Grand Duchess Elizabeth Feodorovna of Russia