Managing Upwards Quotes

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In Venezuela Chavez has made the co-ops a top political priority, giving them first refusal on government contracts and offering them economic incentives to trade with one another. By 2006, there were roughly 100,000 co-operatives in the country, employing more than 700,000 workers. Many are pieces of state infrastructure – toll booths, highway maintenance, health clinics – handed over to the communities to run. It’s a reverse of the logic of government outsourcing – rather than auctioning off pieces of the state to large corporations and losing democratic control, the people who use the resources are given the power to manage them, creating, at least in theory, both jobs and more responsive public services. Chavez’s many critics have derided these initiatives as handouts and unfair subsidies, of course. Yet in an era when Halliburton treats the U.S. government as its personal ATM for six years, withdraws upward of $20 billion in Iraq contracts alone, refuses to hire local workers either on the Gulf coast or in Iraq, then expresses its gratitude to U.S. taxpayers by moving its corporate headquarters to Dubai (with all the attendant tax and legal benefits), Chavez’s direct subsidies to regular people look significantly less radical.
Naomi Klein
Onward and upward has been replaced by forward and toward.
Julie Winkle Giulioni (Help Them Grow or Watch Them Go: Career Conversations Employees Want)
So if you tend to worry, reduce your options and make quick decisions whenever possible. As soon as you make a decision, however small, everything starts to feel more manageable—
Alex Korb (The Upward Spiral: Using Neuroscience to Reverse the Course of Depression, One Small Change at a Time)
A manager’s ability to recognize when outcomes are inconsistent with goals and then modify designs and assemble people to rectify them makes all the difference in the world. The more often and more effectively a manager does this, the steeper the upward trajectory.
Ray Dalio (Principles: Life and Work)
Here’s what turns a successful hierarchy into one that impedes progress: when too many people begin, subconsciously, to equate their own value and that of others with where they fall in the pecking order. Thus, they focus their energies on managing upward while treating people beneath them on the organizational chart poorly. The people I have seen do this seem to be acting on animal instinct, unaware of what they are doing. This problem is not caused by hierarchy itself but by individual or cultural delusions associated with hierarchy, chiefly those that assign personal worth based on rank. By not thinking about how and why we value people, we can fall into this trap almost by default.
Ed Catmull (Creativity, Inc.: an inspiring look at how creativity can - and should - be harnessed for business success by the founder of Pixar)
You ask me how I manage to put some balance into my life. This is a question I ask myself, as each day I am swallowed up more by my work.… So often I feel I am on a rock, battered from all sides by rising waves. The only escape route is heavenwards. For an hour or a day, I let the waves beat upon the rock; I stop looking out to the horizon and only look upwards towards God.
Sean Salai (The Spiritual Exercises of St. Ignatius of Loyola: With Points for Personal Prayer From Jesuit Spiritual Masters)
As they neared the entrance to the hotel, Win saw a tall, dark form moving through the lobby. It was Merripen, looking moody and distracted as he walked with his gaze focused downward. She couldn't suppress the flutters of pleasure that went through her at the sight of him, the handsome, bad-tempered beast. He approached the stairs, glancing upward, and his expression changed as he saw her. There was a flash of hunger in his eyes before he managed to extinguish it. But that brief, bright flare caused Win's spirits to lift immeasurably. After the scene that morning, and Merripen's display of jealous rage, Win had apologized to Julian. The doctor had been amused rather than disconcerted. "He is exactly as you described," Julian had said, adding ruefully, "...only more." "More" was a fitting word to apply to Merripen, she thought. There was nothing understated about him. At the moment he looked rather like the brooding villain of a sensation novel. The kind who was always vanquished by the fair-haired hero. The discreet glances Merripen was attracting from a group of ladies in the lobby made it evident that Win was not the only one who found him mesmerizing.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
She sometimes takes her little brother for a walk round this way," explained Bingo. "I thought we would meet her and bow, and you could see her, you know, and then we would walk on." "Of course," I said, "that's enough excitement for anyone, and undoubtedly a corking reward for tramping three miles out of one's way over ploughed fields with tight boots, but don't we do anything else? Don't we tack on to the girl and buzz along with her?" "Good Lord!" said Bingo, honestly amazed. "You don't suppose I've got nerve enough for that, do you? I just look at her from afar off and all that sort of thing. Quick! Here she comes! No, I'm wrong!" It was like that song of Harry Lauder's where he's waiting for the girl and says, "This is her-r-r. No, it's a rabbut." Young Bingo made me stand there in the teeth of a nor'-east half-gale for ten minutes, keeping me on my toes with a series of false alarms, and I was just thinking of suggesting that we should lay off and give the rest of the proceedings a miss, when round the corner there came a fox-terrier, and Bingo quivered like an aspen. Then there hove in sight a small boy, and he shook like a jelly. Finally, like a star whose entrance has been worked up by the personnel of the ensemble, a girl appeared, and his emotion was painful to witness. His face got so red that, what with his white collar and the fact that the wind had turned his nose blue, he looked more like a French flag than anything else. He sagged from the waist upwards, as if he had been filleted. He was just raising his fingers limply to his cap when he suddenly saw that the girl wasn't alone. A chappie in clerical costume was also among those present, and the sight of him didn't seem to do Bingo a bit of good. His face got redder and his nose bluer, and it wasn't till they had nearly passed that he managed to get hold of his cap. The girl bowed, the curate said, "Ah, Little. Rough weather," the dog barked, and then they toddled on and the entertainment was over.
P.G. Wodehouse
You know, I still feel in my wrists certain echoes of the pram-pusher’s knack, such as, for example, the glib downward pressure one applied to the handle in order to have the carriage tip up and climb the curb. First came an elaborate mouse-gray vehicle of Belgian make, with fat autoid tires and luxurious springs, so large that it could not enter our puny elevator. It rolled on sidewalks in a slow stately mystery, with the trapped baby inside lying supine, well covered with down, silk and fur; only his eyes moved, warily, and sometimes they turned upward with one swift sweep of their showy lashes to follow the receding of branch-patterned blueness that flowed away from the edge of the half-cocked hood of the carriage, and presently he would dart a suspicious glance at my face to see if the teasing trees and sky did not belong, perhaps to the same order of things as did rattles and parental humor. There followed a lighter carriage, and in this, as he spun along, he would tend to rise, straining at his straps; clutching at the edges; standing there less like the groggy passenger of a pleasure boat than like an entranced scientist in a spaceship; surveying the speckled skeins of a live, warm world; eyeing with philosophic interest the pillow he had managed to throw overboard; falling out himself when a strap burst one day. Still later he rode in one of those small contraptions called strollers; from initial springy and secure heights the child came lower and lower, until, when he was about one and a half, he touched ground in front of the moving stroller by slipping forward out of his seat and beating the sidewalk with his heels in anticipation of being set loose in some public garden. A new wave of evolution started to swell, gradually lifting him again from the ground, when, for his second birthday, he received a four-foot-long, silver-painted Mercedes racing car operated by inside pedals, like an organ, and in this he used to drive with a pumping, clanking noise up and down the sidewalk of the Kurfurstendamm while from open windows came the multiplied roar of a dictator still pounding his chest in the Neander valley we had left far behind.
Vladimir Nabokov
This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics." "Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place. Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..." He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!" Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car. Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow. The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag. "I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors." "I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance. "Hey, I offered to carry you," Sage offered. "No, thank you." I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time. After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked. "We're here." There was nothing in front of us but more trees. "Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed. "You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest." "Thank you," Sage said.
Hilary Duff (Elixir (Elixir, #1))
He played with her, flicking and stroking, his fingers sinking into her wet, gripping depths. It aroused him to see how hard she was trying to be quiet and couldn't manage it, strangled moans and gasps slipping out. After unbuttoning his trousers and freeing his erection, West braced Phoebe up against the wall and entered her. She let out a cry of surprise at finding herself mounted on his hips, her legs dangling helplessly. Keeping her supported, he began to thrust, nudging against the bud of her sex with every upward plunge. "Is this good?" he asked gruffly, even though he could feel her throbbing response. "Yes." "Too deep?" "No. No. Keep doing that." She clutched at his shoulders, her pleasure rising rapidly toward climax.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
The day after you pop up at your distillery alive and kicking, someone will come to finish you off." "Let them try," Keir shot back. "I can defend myself." The duke arched a mocking brow. "Impressive. Only a matter of days ago, we were celebrating that you were able to drink through a straw. And now apparently you're well enough for an alley fight." Keir was instantly hostile. "I know how to keep up my guard." "That doesn't matter," Kingston replied. "As soon as your arm muscles fatigue, your elbows will drift outward, and he'll find an opening." "What would a toff like you know about fighting? Even with my ribs cracked, you couldn't take me down." The older man's stare was that of a seasoned lion being challenged by a brash cub. Calmly he picked up a small open pepper cellar from the table and dumped a heap of ground black pepper in the center of Keir's plate. Perplexed, Keir glanced down at it, as a puff of gray dust floated upward. His nose stung, and in the next breath, he sneezed. A searing bolt of agony shot through his rib cage. "Aghhh! He turned away from his plate and doubled over. "Devil take your sneakit arse!" he managed to gasp.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
He was so tall that Lottie had to stand on her toes to reach his mouth, and even then she couldn’t quite manage it. Catching her waist in his hands, he compacted her gently against his body. Suddenly there was a strange, lost look in his eyes, as if he were drowning. Hesitantly Lottie slid her hand around the back of his neck, where the interlaced muscles had gone rigid. He let her tug his head lower, lower, until their breath mingled and their lips touched in a sweet, supple kiss. His mouth remained warm and still against hers, and then his lips began to move in soft brushes. Disoriented, Lottie swayed in his grasp, and his arm slid around her back to hold her securely. Instinctively she nudged upward, straining on her toes as she sought to deepen the tender pressure. But he was careful to keep his passion under tight rein, refusing to take any more. Gradually she eased away from him, sinking back to her heels. She dared to touch the side of his face, relishing the warmth of his skin against her palm. “I’ve paid the toll,” she whispered. “May I pass through the gate now?” He nodded gravely and moved away from the threshold. -Nick & Lottie
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Behind her, Annabelle heard Daisy say to Lillian accusingly, “I thought you said that no one ever comes to this meadow!” “That’s what I was told,” Lillian replied, her voice muffled as she stepped into the circle of her gown and bent to jerk it upward. The earl, who had been mute until that point, spoke with his gaze trained studiously on the distant scenery. “Your information was correct, Miss Bowman,” he said in a controlled manner. “This field is usually unfrequented.” “Well, then, why are you here?” Lillian demanded accusingly, as if she, and not Westcliff, was the owner of the estate. The question caused the earl’s head to whip around. He gave the American girl an incredulous glance before he dragged his gaze away once more. “Our presence here is purely coincidental,” he said coldly. “I wished to have a look at the northwest section of my estate today.” He gave the word my a subtle but distinct emphasis. “While Mr. Hunt and I were traveling along the lane, we heard your screaming. We thought it best to investigate, and came with the intention of rendering aid, if necessary. Little did I realize that you would be using this field for…for…” “Rounders-in-knickers,” Lillian supplied helpfully, sliding her arms into her sleeves. The earl seemed incapable of repeating the ridiculous phrase. He turned his horse away and spoke curtly over his shoulder. “I plan to develop a case of amnesia within the next five minutes. Before I do so, I would suggest that you refrain from any future activities involving nudity outdoors, as the next passersby who discover you may not prove to be as indifferent as Mr. Hunt and I.” Despite Annabelle’s mortification, she had to repress a skeptical snort at the earl’s claim of indifference on Hunt’s behalf, not to mention his own. Hunt had certainly managed to get quite an eyeful of her. And though Westcliff’s scrutiny had been far more subtle, it had not escaped her that he had stolen a quick but thorough glance at Lillian before he had veered his horse away. However, in light of her current state of undress, it was hardly the time to deflate Westcliff’s holier-than-thou demeanor. “Thank you, my lord,” Annabelle said with a calmness that pleased her immensely. “And now, having dispensed such excellent advice, I would ask that you allow us some privacy to restore ourselves.” “With pleasure,” Westcliff growled.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Where are we going?" I called to him. "We'll come to a large field very soon." When we reached the field, there was a line of darkness scrawled on the deeper darkness. We stumped our bikes over the wet breathless earth. "There," he said. "Hmmm?" "Stars." I blinked at him and then I looked up. It was true. Away from the grubby muslin of London's light pollution in the fresh March night, the sky was full of stars. I turned back to him. As I adjusted to the dark, I could see he was staring upwards. "I can't manage it exactly without a sextant," he said, "but I wanted to be able to orient myself." "So that in the event of London flooding when the icecaps melt, you can sail to safer waters?" "So that I will know where I was when I met you." I had always thought of joy as a shouting flamboyant thing that tossed breath into the sky like a ball. Instead, it robbed me of my speech and of my air. I was pinned in place by joy and I didn't know what to do. "Come here," he said softly and pulled me into his arms. I pressed my face against his neck. My body sparked and I couldn't move it except to lean into him. I was filled with happiness so enormous and terrifying it was as if I'd committed a crime to get it. No one had given me permission to feel this way and I thought I might not be allowed it. He combed his fingers through my hair and I was frightened with happiness, harrowed by it. There was no way anyone could feel this much without also knowing they were going to lose it.
Kaliane Bradley (The Ministry of Time)
I’ve imagined you like this…many times…naked, sharing my bed,” he rasped, the fervent words warming her, making her relax. “You have no idea.” “I have some idea,” she managed. “I imagined you, too.” He looked skeptical. “Like this?” “Well, not exactly…I didn’t know…what to expect.” Or how shockingly intimate it would feel. A lock of his dark hair fell over one eye, making him look more like a dangerous character and less like the formal Jackson she knew. “And now that you do?” he asked. “I like it.” The motion had started to warm her below, to spark the same tingling she’d felt when he rubbed her. “It’s like a very naughty waltz.” He choked out a laugh. “Yes. I lead. You follow.” You move between my legs. Oh, so that’s why people thought the waltz so scandalous! “I’ll never be able to waltz again….without thinking of this,” she breathed. He bent to whisper. “Then I’ll have to claim you for the next waltz.” She liked that word, claim. “And the next…and the next…” He thrust more quickly into her and her tingling heightened, twisting into something hot and exciting and infinitely more thrilling than any waltz. “Jackson…ohhh, Jackson…” “Every waltz…from now…until eternity.” “Yes…” She felt as if she were spiraling upward, like sparks dancing up from the fire into the chimney and out, and now she was soaring, rising with him into the cloudless climes and starry skies where all the beauty walked… “Yes!” she cried as she reached that pinnacle. “Oh, yes, Jackson, yes…I’m yours…I’m yours…yours…” And with a fierce groan, he drove in deep and spent himself inside her. “As am I…” he whispered against her ear while he shuddered and shook over her. “Yours. Always.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
I sucked on a blade of grass and watched the millwheel turn. I was lying on my stomach on the stream's opposite bank, my head propped in my hands. There was a tiny rainbow in the mist above the froth and boil at the foot of the waterfall, and an occasional droplet found its way to me. The steady splashing and the sound of the wheel drowned out all other noises in the wood. The mill was deserted today, and I contemplated it because I had not seen its like in ages. Watching the wheel and listening to the water were more than just relaxing. It was somewhat hypnotic. … My head nodding with each creak of the wheel, I forced everything else from my mind and set about remembering the necessary texture of the sand, its coloration, the temperature, the winds, the touch of salt in the air, the clouds... I slept then and I dreamed, but not of the place that I sought. I regarded a big roulette wheel, and we were all of us on it-my brothers, my sisters, myself, and others whom I knew or had known-rising and falling, each with his allotted section. We were all shouting for it to stop for us and wailing as we passed the top and headed down once more. The wheel had begun to slow and I was on the rise. A fair-haired youth hung upside down before me, shouting pleas and warnings that were drowned in the cacophony of voices. His face darkened, writhed, became a horrible thing to behold, and I slashed at the cord that bound his ankle and he fell from sight. The wheel slowed even more as I neared the top, and I saw Lorraine then. She was gesturing, beckoning frantically, and calling my name. I leaned toward her, seeing her clearly, wanting her, wanting to help her. But as the wheel continued its turning she passed from my sight. “Corwin!” I tried to ignore her cry, for I was almost to the top. It came again, but I tensed myself and prepared to spring upward. If it did not stop for me, I was going to try gimmicking the damned thing, even though falling off would mean my total ruin. I readied myself for the leap. Another click... “Corwin!” It receded, returned, faded, and I was looking toward the water wheel again with my name echoing in my ears and mingling, merging, fading into the sound of the stream. … It plunged for over a thousand feet: a mighty cataract that smote the gray river like an anvil. The currents were rapid and strong, bearing bubbles and flecks of foam a great distance before they finally dissolved. Across from us, perhaps half a mile distant, partly screened by rainbow and mist, like an island slapped by a Titan, a gigantic wheel slowly rotated, ponderous and gleaming. High overhead, enormous birds rode like drifting crucifixes the currents of the air. We stood there for a fairly long while. Conversation was impossible, which was just as well. After a time, when she turned from it to look at me, narrow-eyed, speculative, I nodded and gestured with my eyes toward the wood. Turning then, we made our way back in the direction from which we had come. Our return was the same process in reverse, and I managed it with greater ease. When conversation became possible once more, Dara still kept her silence, apparently realizing by then that I was a part of the process of change going on around us. It was not until we stood beside our own stream once more, watching the small mill wheel in its turning, that she spoke.
Roger Zelazny (The Great Book of Amber (The Chronicles of Amber, #1-10))
You are driving me mad!” she exclaimed. “I want you to stop this, Kev! Do you have any idea how ridiculous you’re being? How badly you’ve behaved tonight?” “I’ve behaved badly?” he thundered. “You were about to let yourself be compromised.” “Perhaps I want to be compromised.” “That’s too bad,” he said, reaching out to grip her upper arm, preparing to haul her from the conservatory. “Because I’m going to make certain you stay safe.” “Don’t touch me!” Win wrenched free of him, incensed. “I’ve been safe for years. Tucked safely in bed, watching everyone around me enjoying their lives. I’ve had enough safety to last a lifetime, Kev. And if that’s what you want, for me to continue to be alone and unloved, then you can go to the devil.” “You were never alone,” he said harshly. “You’ve never been unloved.” “I want to be loved as a woman. Not as a child, or a sister, or an invalid—” “That’s not how I—” “Perhaps you’re not even capable of such love.” In her blazing frustration, Win experienced something she had never felt before. The desire to hurt someone. “You don’t have it in you.” Merripen moved through a shaft of moonlight that had slipped through the conservatory glass, and Win felt a little shock as she saw his murderous expression. In just a few words she had managed to cut him deeply, enough to open a vein of dark and furious feeling. She fell back a step, alarmed as he seized her in a brutal grip. He jerked her upward. “All the fires of hell could burn for a thousand years and it wouldn’t equal what I feel for you in one minute of the day. I love you so much there is no pleasure in it. Nothing but torment. Because if I could dilute what I feel for you to the millionth part, it would still be enough to kill you. And even if it drives me mad, I would rather see you live in the arms of that cold, soulless bastard than die in mine.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
His arms wrapped around her, and he rolled easily to his back, taking her with him. Surprised and flummoxed, Merritt floundered a little as he gently pushed her up and arranged her legs to straddle him. "What are you doing?" "Putting you to work," he said, "since you're so set on wringing me dry." She looked at the brawny male beneath her and shook her head slightly. A brief laugh escaped him as he saw her confusion. "You're a horsewoman, aye?" he asked, and nudged upward with his hips. "Ride." Genuinely shocked at finding herself in the dominant position, Merritt braced her hands on his chest for balance. Her first tentative movement was rewarded by an encouraging lift of his hips. It sent him even deeper than before, the angle seeming to open something inside her, and she quivered in sensitive reaction. Hot and excited and mortified, she understood what he wanted. As she began to move, she gradually lost her self-consciousness and found a rhythm, her sex rubbing and pumping against his. Every downstroke sent pleasure through her, every sensation connected to the thick length of him. Panting heavily, Keir reached up to cup her breasts, his thumbs stroking the stiff peaks. "Merry, love... I'm going to come soon." "Yes," she gasped, a tide of heat approaching fast. "You'll... you'll have to pull away, if you dinna want me to release inside you." "I want it," she managed to say. "Stay in me. I want to feel you come... Keir..." He began to pump fast and hard, his hands grasping her hips to keep her in place. His eyes half closed, the passion-drowsed intensity of his gaze pushing her over the edge. The release went on and on, new swells and crests washing over her, having her moaning and shivering in their wake. She felt his hands grip her thighs as he bucked beneath her once, twice, and held fast. When he subsided, trembling like a racehorse held in check, she lay on top of him with their bodies still fused. Feeling euphoric, she nuzzled the dark golden fleece of his chest.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Finding herself on the way to the village center again, she pulled over, intending to negotiate a three-point turn. The cottage was slightly out of the village, so she needed to get back onto the opposite side of the road and go back up the hill. Glancing over Hannah’s instructions again, she swung the car to the right—straight into the path of a motorcyclist. What happened next seemed to happen in slow motion. The rider tried to stop but couldn’t do so in time, although he did manage to avoid hitting her car. As he turned his handlebars hard to the right, his tires lost grip on the wet road and he flew off, sliding some way before coming to a halt. Layla sat motionless in her car, paralyzed temporarily by the shock. At last she managed to galvanize herself into action and fumbled for the door handle, her shaking hands making it hard to get a grip. When the door finally opened, another dilemma hit. What if she couldn’t stand? Her legs felt like jelly, surely they wouldn’t support her. Forcing herself upward, she was relieved to discover they held firm. Once she was sure they would continue to do so, she bolted over to where the biker lay, placed one hand on his soaking leather-clad shoulder and said, “Are you okay?” “No, I’m not bloody okay!” he replied, a pair of bright blue eyes meeting hers as he lifted his visor. “I’m a bit bruised and battered as it goes.” Despite his belligerent words, relief flooded through her: he wasn’t dead! “Oh, I’m so glad,” she said, letting out a huge sigh. “Glad?” he said, sitting up now and brushing the mud and leaves off his left arm. “Charming.” “Oh, no, no,” she stuttered, realizing what she’d just said. “I’m not glad that I knocked you over. I’m glad you’re alive.” “Only just, I think,” he replied, needing a helping hand to stand up. “Can I give you a lift somewhere, take you to the nearest hospital?” “The nearest hospital? That would be in Bodmin, I think, about fifteen miles from here. I don’t fancy driving fifteen miles with you behind the wheel.” Feeling a little indignant now, Layla replied, “I’m actually a very good driver, thank you. You’re the first accident I’ve ever had.” “Lucky me,” he replied sarcastically.
Shani Struthers
Catch Either/Or Thinking Anxious perfectionists will typically think “I need to perform flawlessly at all times,” with their underlying assumption being “or else it will result in disaster.” This is a common type of thinking trap termed either/or thinking. In this case, the either/or is this: Either there is flawless performance or complete and utter failure, and nothing in between. Not only can this style of thinking make you feel crushed when you don’t meet your own ideal standards, but it also often leads to perfectionism paralysis. Take, for example, an artist who sees his future career prospects as becoming either the next Picasso or a penniless flop; this person doesn’t see other possible outcomes in between. You can see how this would give the artist a creative block. For other folks, their hidden assumption may be slightly different: “Either I need to perform flawlessly at all times, or other people will reject me.” When I look back at my clinical psychology training, I realize I had this belief at that time. At a semiconscious level, I thought that the only way to prevent getting booted out of the program was to score at the top of the class for every test or assignment. Ultra-high standards often arise because a person is trying to hide imagined catastrophic flaws. In this scenario, people often think that if their flaws get revealed they’ll be shunned, and so the only way to conceal their defects is by always excelling. When people who have this belief do excel, their brain jumps to the conclusion that excelling was the only reason they managed to avoid catastrophe. This then perpetuates their belief that excelling is necessary for preventing future disasters. Researchers have used the term clinical perfectionism to describe the most problematic kind of perfectionism. When clinical perfectionists manage to meet their ultra-high standards, they often conclude that those standards must not have been high enough and revise them upward, meaning they can never feel any sense of peace. All this being said, I’m not suggesting you shoot for “acceptable” performance standards if you’re capable of excellence. Most of the anxious perfectionists I’ve worked with would hate that. It’s not in their nature to feel comfortable with mediocre performance.
Alice Boyes (The Anxiety Toolkit: Strategies for Fine-Tuning Your Mind and Moving Past Your Stuck Points)
I see the good in you.” “Don’t harbor illusions about me. In marrying me, you’re going to have to make the best of a bad bargain. You don’t understand the situation you’re in.” “You’re right.” Beatrix arched in bliss as he massaged the muscles on either side of her spine. “Any woman would pity me, being in this situation.” “It’s one thing to spend an afternoon in bed with me,” Christopher said darkly. “It’s another to experience day-to-day life with a lunatic.” “I know all about living with lunatics. I’m a Hathaway.” Beatrix sighed in pleasure as his hands worked the tender places low on her back. Her body felt relaxed and tingly all over, her bruises and aches forgotten. Twisting to glance at him over her shoulder, she saw the austere lines of his face. She had an overwhelming urge to tease him, to make him play. “You missed a place,” she told him. “Where?” Levering herself upward, Beatrix turned and crawled to where Christopher knelt on the mattress. He had donned a velvet dressing robe, the front parting to reveal a tantalizing hint of sun-browned flesh. Linking her arms around his neck, she kissed him. “Inside,” she whispered. “That’s where I need soothing.” A reluctant smile lurked at the corners of his lips. “This balm is too strong for that.” “No it’s not. It feels lovely. Here, I’ll show you--” She pounced for the tin of balm and coated her fingertips with the stuff. The rich scent of clove oil spiced the air. “Just hold still--” “The devil I will.” His voice had thickened with amusement, and he reached for her wrist. Fleet as a ferret, Beatrix twisted to evade him. Rolling once, twice, she dove for the belt of his robe. “You put it all over me,” she accused, giggling. “Coward. Now it’s your turn.” “Not a chance.” He grabbed her, grappled with her, and she thrilled to the sound of his husky laugh. Somehow managing to clamber over him, she gasped at the feel of his aroused flesh. She wrestled with him until he flipped her over with ease, pinning her wrists. The robe had become loosened during their tussle, their naked flesh rubbing together. Sparkling silver eyes stared into blue. Already breathless with laughter, Beatrix became positively lightheaded as she saw the way he was looking at her. Lowering his head, he kissed and licked at her smile as if he could taste it.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Wrath…” “What,” he murmured against her, working her with his nose. “You don’t like?” “Shut up and get back to doing—” His tongue slipping under the panties cut her off…and made him have to slow himself down. She was so slick and wet and soft and willing, it was all he could do to keep himself from hauling her on the rug and going at her deep and hard. And then they’d both miss out on the fun of anticipation. Moving the cotton aside with his hand, he kissed her pink flesh, then delved in. She was oh, so ready for him, and he knew it because of the honey that he swallowed as he dragged upward in a long, slow lick. But it wasn’t enough, and holding the panties to the side was distracting. With his fang, he punctured them, then split them apart right up the middle, leaving the two halves to hang off her hips. His palms went up to her ass and squeezed hard as he quit fooling around and got busy working out his female with his mouth. He knew exactly what she liked best, the sucking and the licking and the going in with his tongue. Closing his eyes, he took it all in, the scent and the taste and the feel of her shuddering against him as she peaked and came apart. Behind the fly of his leathers, his cock was screaming for attention, the rasp of the buttons not nearly sufficient to satisfy what it was demanding, but tough shit. His erection was going to have to chill for a while, because this was too sweet to stop anytime soon. When Beth’s knees wobbled, he took her down to the floor and stretched one of her legs up, keeping to his pace while shoving her fleece to her neck and putting his hand under her bra. As she orgasmed again, she grabbed onto one of the desk legs, pulling hard and bracing her free foot into the rug. His pursuit pushed them both farther and farther beneath where he discharged his kingly duties until he had to crouch down to fit his shoulders. Eventually her head was out the other side and she was gripping the pansy-ass chair he sat in and dragging it with her. As she cried out his name once more, he prowled up her body and glared at the stupid, nancy chair. “I need something heavier to sit in.” Last coherent thing he said. His body found the entrance to hers with an ease that spoke of all the practice they’d had and…Oh, yeah, still as good as the first time. Wrapping his arms around her, he rode her hard, and she was right there with him as the storm rolling through his body gathered in his balls until they stung. Together, he and his shellan moved as one, giving, receiving, going faster and faster until he came and kept going and came again and kept going until something hit his face. In full animal mode, he growled and swiped at it with his fangs. It was the drapes. He’d managed to fuck them out from under the desk, past the chair, and over to the wall. Beth burst out laughing and so did he, and then they were cradling each other.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Have no anxiety about anything,' Paul writes to the Philippians. In one sense it is like telling a woman with a bad head cold not to sniffle and sneeze so much or a lame man to stop dragging his feet. Or maybe it is more like telling a wino to lay off the booze or a compulsive gambler to stay away from the track. Is anxiety a disease or an addiction? Perhaps it is something of both. Partly, perhaps, because you can't help it, and partly because for some dark reason you choose not to help it, you torment yourself with detailed visions of the worst that can possibly happen. The nagging headache turns out to be a malignant brain tumor. When your teenage son fails to get off the plane you've gone to meet, you see his picture being tacked up in the post office among the missing and his disappearance never accounted for. As the latest mid-East crisis boils, you wait for the TV game show to be interrupted by a special bulletin to the effect that major cities all over the country are being evacuated in anticipation of a nuclear attack. If Woody Allen were to play your part on the screen, you would roll in the aisles with the rest of them, but you're not so much as cracking a smile at the screen inside your own head. Does the terrible fear of disaster conceal an even more terrible hankering for it? Do the accelerated pulse and the knot in the stomach mean that, beneath whatever their immediate cause, you are acting out some ancient and unresolved drama of childhood? Since the worst things that happen are apt to be the things you don't see coming, do you think there is a kind of magic whereby, if you only can see them coming, you will be able somehow to prevent them from happening? Who knows the answer? In addition to Novocain and indoor plumbing, one of the few advantages of living in the twentieth century is the existence of psychotherapists, and if you can locate a good one, maybe one day you will manage to dig up an answer that helps. But answer or no answer, the worst things will happen at last even so. 'All life is suffering' says the first and truest of the Buddha's Four Noble Truths, by which he means that sorrow, loss, death await us all and everybody we love. Yet "the Lord is at hand. Have no anxiety about anything," Paul writes, who was evidently in prison at the time and with good reason to be anxious about everything, 'but in everything by prayer and supplication with thanksgiving let your requests be made known to God.' He does not deny that the worst things will happen finally to all of us, as indeed he must have had a strong suspicion they were soon to happen to him. He does not try to minimize them. He does not try to explain them away as God's will or God's judgment or God's method of testing our spiritual fiber. He simply tells the Philippians that in spite of them—even in the thick of them—they are to keep in constant touch with the One who unimaginably transcends the worst things as he also unimaginably transcends the best. 'In everything,' Paul says, they are to keep on praying. Come Hell or high water, they are to keep on asking, keep on thanking, above all keep on making themselves known. He does not promise them that as a result they will be delivered from the worst things any more than Jesus himself was delivered from them. What he promises them instead is that 'the peace of God, which passes all understanding, will keep your hearts and your minds in Christ Jesus.' The worst things will surely happen no matter what—that is to be understood—but beyond all our power to understand, he writes, we will have peace both in heart and in mind. We are as sure to be in trouble as the sparks fly upward, but we will also be "in Christ," as he puts it. Ultimately not even sorrow, loss, death can get at us there. That is the sense in which he dares say without risk of occasioning ironic laughter, "Have no anxiety about anything." Or, as he puts it a few lines earlier, 'Rejoice in the Lord always. I will say, Rejoice!
Frederick Buechner
knowledge of cardiovascular disease and whether such knowledge reduces behaviors that put people at risk for cardiovascular disease. Simple regression is used to analyze the relationship between two continuous variables. Continuous variables assume that the distances between ordered categories are determinable.1 In simple regression, one variable is defined as the dependent variable and the other as the independent variable (see Chapter 2 for the definitions). In the current example, the level of knowledge obtained from workshops and other sources might be measured on a continuous scale and treated as an independent variable, and behaviors that put people at risk for cardiovascular disease might also be measured on a continuous scale and treated as a dependent variable. Scatterplot The relationship between two continuous variables can be portrayed in a scatterplot. A scatterplot is merely a plot of the data points for two continuous variables, as shown in Figure 14.1 (without the straight line). By convention, the dependent variable is shown on the vertical (or Y-) axis, and the independent variable on the horizontal (or X-) axis. The relationship between the two variables is estimated as a straight line relationship. The line is defined by the equation y = a + bx, where a is the intercept (or constant), and b is the slope. The slope, b, is defined as Figure 14.1 Scatterplot or (y2 – y1)/(x2 – x1). The line is calculated mathematically such that the sum of distances from each observation to the line is minimized.2 By definition, the slope indicates the change in y as a result of a unit change in x. The straight line, defined by y = a + bx, is also called the regression line, and the slope (b) is called the regression coefficient. A positive regression coefficient indicates a positive relationship between the variables, shown by the upward slope in Figure 14.1. A negative regression coefficient indicates a negative relationship between the variables and is indicated by a downward-sloping line. Test of Significance The test of significance of the regression coefficient is a key test that tells us whether the slope (b) is statistically different from zero. The slope is calculated from a sample, and we wish to know whether it is significant. When the regression line is horizontal (b = 0), no relationship exists between the two variables. Then, changes in the independent variable have no effect on the dependent variable. The following hypotheses are thus stated: H0: b = 0, or the two variables are unrelated. HA: b ≠ 0, or the two variables are (positively or negatively) related. To determine whether the slope equals zero, a t-test is performed. The test statistic is defined as the slope, b, divided by the standard error of the slope, se(b). The standard error of the slope is a measure of the distribution of the observations around the regression slope, which is based on the standard deviation of those observations to the regression line: Thus, a regression line with a small slope is more likely to be statistically significant when observations lie closely around it (that is, the standard error of the observations around the line is also small, resulting in a larger test statistic). By contrast, the same regression line might be statistically insignificant when observations are scattered widely around it. Observations that lie farther from the
Evan M. Berman (Essential Statistics for Public Managers and Policy Analysts)
relationships are nonlinear (parabolic or otherwise heavily curved), it is not appropriate to use linear regression. Then, one or both variables must be transformed, as discussed in Chapter 12. Second, simple regression assumes that the linear relationship is constant over the range of observations. This assumption is violated when the relationship is “broken,” for example, by having an upward slope for the first half of independent variable values and a downward slope over the remaining values. Then, analysts should consider using two regression models each for these different, linear relationships. The linearity assumption is also violated when no relationship is present in part of the independent variable values. This is particularly problematic because regression analysis will calculate a regression slope based on all observations. In this case, analysts may be misled into believing that the linear pattern holds for all observations. Hence, regression results always should be verified through visual inspection. Third, simple regression assumes that the variables are continuous. In Chapter 15, we will see that regression can also be used for nominal and dichotomous independent variables. The dependent variable, however, must be continuous. When the dependent variable is dichotomous, logistic regression should be used (Chapter 16). Figure 14.2 Three Examples of r The following notations are commonly used in regression analysis. The predicted value of y (defined, based on the regression model, as y = a + bx) is typically different from the observed value of y. The predicted value of the dependent variable y is sometimes indicated as ŷ (pronounced “y-hat”). Only when R2 = 1 are the observed and predicted values identical for each observation. The difference between y and ŷ is called the regression error or error term
Evan M. Berman (Essential Statistics for Public Managers and Policy Analysts)
(e). Hence the expressions are equivalent, as is y = ŷ + e. Certain assumptions about e are important, such as that it is normally distributed. When error term assumptions are violated, incorrect conclusions may be made about the statistical significance of relationships. This important issue is discussed in greater detail in Chapter 15 and, for time series data, in Chapter 17. Hence, the above is a pertinent but incomplete list of assumptions. Getting Started Conduct a simple regression, and practice writing up your results. PEARSON’S CORRELATION COEFFICIENT Pearson’s correlation coefficient, r, measures the association (significance, direction, and strength) between two continuous variables; it is a measure of association for two continuous variables. Also called the Pearson’s product-moment correlation coefficient, it does not assume a causal relationship, as does simple regression. The correlation coefficient indicates the extent to which the observations lie closely or loosely clustered around the regression line. The coefficient r ranges from –1 to +1. The sign indicates the direction of the relationship, which, in simple regression, is always the same as the slope coefficient. A “–1” indicates a perfect negative relationship, that is, that all observations lie exactly on a downward-sloping regression line; a “+1” indicates a perfect positive relationship, whereby all observations lie exactly on an upward-sloping regression line. Of course, such values are rarely obtained in practice because observations seldom lie exactly on a line. An r value of zero indicates that observations are so widely scattered that it is impossible to draw any well-fitting line. Figure 14.2 illustrates some values of r. Key Point Pearson’s correlation coefficient, r, ranges from –1 to +1. It is important to avoid confusion between Pearson’s correlation coefficient and the coefficient of determination. For the two-variable, simple regression model, r2 = R2, but whereas 0 ≤ R ≤ 1, r ranges from –1 to +1. Hence, the sign of r tells us whether a relationship is positive or negative, but the sign of R, in regression output tables such as Table 14.1, is always positive and cannot inform us about the direction of the relationship. In simple regression, the regression coefficient, b, informs us about the direction of the relationship. Statistical software programs usually show r rather than r2. Note also that the Pearson’s correlation coefficient can be used only to assess the association between two continuous variables, whereas regression can be extended to deal with more than two variables, as discussed in Chapter 15. Pearson’s correlation coefficient assumes that both variables are normally distributed. When Pearson’s correlation coefficients are calculated, a standard error of r can be determined, which then allows us to test the statistical significance of the bivariate correlation. For bivariate relationships, this is the same level of significance as shown for the slope of the regression coefficient. For the variables given earlier in this chapter, the value of r is .272 and the statistical significance of r is p ≤ .01. Use of the Pearson’s correlation coefficient assumes that the variables are normally distributed and that there are no significant departures from linearity.7 It is important not to confuse the correlation coefficient, r, with the regression coefficient, b. Comparing the measures r and b (the slope) sometimes causes confusion. The key point is that r does not indicate the regression slope but rather the extent to which observations lie close to it. A steep regression line (large b) can have observations scattered loosely or closely around it, as can a shallow (more horizontal) regression line. The purposes of these two statistics are very different.8 SPEARMAN’S RANK CORRELATION
Evan M. Berman (Essential Statistics for Public Managers and Policy Analysts)
Nick made himself release his grip on the timber. He swung free for one terrifying moment. He felt Sayer’s grip tighten to a crushing vise and a mighty tug upward as the runner hauled him just far enough to balance his weight on top of the crackling wood. “Move forward,” Sayer muttered, retaining his hold on Nick’s arm, and together they maneuvered away from the perilous fall. When they had both retreated from the beam and found the safety of some relatively sound planking, they collapsed side by side, gasping violently. “Damn,” Sayer rasped when he had sufficient breath to speak, “you’re a heavy bastard, Sydney.” Disoriented, his body racked with pain, Nick tried to make himself comprehend that he was still alive. He drew his sleeve over his sweat-soaked brow and found that his arm was cramping and shaking, the abused muscles going berserk. Sayer sat up and regarded him with clear anxiety. “It looks like you’ve strained some muscles. And your hand looks like it’s been pushed through a sieve.” But he was alive. It was too miraculous to believe. Nick had gotten a reprieve he didn’t deserve, and by all that was holy, he was going to take advantage of it. As he thought of Lottie, he was seized with dark longing. “Sayer,” he managed to say hoarsely, “I’ve just decided something.” “Oh?” “From now on, you’ll have to find your own fucking way around Fleet Ditch.” -Sayer & Nick
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
Journal of Interdisciplinary Science Topics How many lies could Pinocchio tell before it became lethal? Steffan Llewellyn The Centre for Interdisciplinary science, University of Leicester 25/03/2014 Abstract: This paper investigates how many lies Pinocchio could continuously tell before it would become fatal, treating the head and neck forces as a basic lever system with the exponential growth of the nose. This paper concludes that Pinocchio could only sustain 13 lies in a row before the maximum upward force his neck could exert cannot sustain his head and nose. The head’s overall centre of mass shifts over 85 metres after 13 lies, and the overall length of the nose is 208 metres. Pinocchio’s Nose Pinocchio is the fable of a wooden puppet, carved by Geppetto, who dreams of becoming a real boy [1]. Pinocchio was portrayed as a character prone to lying, which is manifested physically through the ability to grow his nose when he tells a lie. One issue of growing his nose would be the shift of Pinocchio’s centre of mass within his head, causing strain on his neck, which helps stabilise his head’s position with upwards force. If this continued, then his neck could not support his head, potentially decapitating the puppet. Outlined here is the minimum lie count Pinocchio could continuously expel. Where Pinocchio manages to form new is not addressed in this paper. Maximum Force Pinocchio’s Neck Can Exert The assumption is simplified by allowing the force exerted upwards through the neck to be positioned at the back of the head. The head is treated as a sphere, and the nose as a cylinder, as shown in The type of wood Pinocchio is carved from is disputed, but for this paper, it is concluded that Pinocchio is made from Oak, with a density of . Pinocchio’s neck will brake if its compression strength threshold is overcome by the weight of his head. The compression strength of oak is 1150Psi [2], and the circumference of the average human neck is 0.4m [3]. The maximum force Pinocchio’s neck can sustain is: ( ) ( ) Centre of Mass, and Force Exerted Figure 1. Figure 1: Illustrates the lever system of Pinocchio’s head and neck, with opposite forcesNeck muscles are required to balance the weight exerted by the skull.Usually, the weight of the nose can be considered negligible. In Pinocchio’s case, as the nose increases, it will have a significant impact on the centre of mass and weight of his head. The mass of the head is unchanged: ( )
Anonymous
Company To Experiment With Valuing Employees 148 words SAN DIEGO—Cautioning that the initiative was being instituted on a trial basis only, Forrest Logistics CEO Wayne Gartner announced Thursday that the company had recently begun experimenting with valuing its employees. “For the next three months, we’ll be treating our workers as skilled professionals we appreciate having on our staff instead of as disposable laborers whose morale could not matter less to us,” said Gartner, telling reporters that during this provisional period, management would be assessing the long-term viability of constructively addressing employee concerns and creating an overall positive work environment. “This is completely new to us, obviously, but that’s why we’re just testing it out. If need be, we can go back to essentially telling our workers that they’re lucky we hired them in the first place.” At press time, the initiative had been canceled after estimates revealed it would cost the company upwards of $2,500 annually.
Anonymous
Eric was listening to the managers, who were doing their old-school best to control the flow of information upward (the regurgitation and parsing technique works both ways, as any red-blooded middle manager worth his weight in plausible deniability knows full well). But Larry was listening to the engineers—not directly but via a smart little tool he had implemented called “snippets.” Snippets are like weekly status reports that cover a person’s most important activities for a week, but in a short, pithy format, so they can be written in just a few minutes or compiled (in a doc or draft email) as the week goes on. There is no set format, but a good set of snippets includes the most important activities and achievements of the week and quickly conveys what the person is working on right now, from cryptic (“SMB Framework,” “10% list”) to mundane (“completed quarterly performance reviews,” “started family vacation”). Like OKRs, they are shared with everyone. Snippets are posted on Moma, where anyone can see anyone else’s, and for years Larry received a weekly compendium of the snippets from engineering and product leads. That way he always could get at the truth.
Eric Schmidt (How Google Works)
carried the Makarov outside to watch the fireworks. Thirty yards beyond the spot where Brendan Magill lay dead was a rock wall running on a north-south axis. Gabriel took cover behind it after a 7.62x39mm round shredded the air a few inches from his right ear. Keller hit the ground next to him as rounds exploded against the stones of the wall, sending sparks and fragments flying. The source of the fire was silenced, so Gabriel had only a vague idea of the direction from which it was coming. He poked his head above the wall to search for a muzzle flash, but another burst of rounds drove him downward. Keller was now crawling northward along the base of the wall. Gabriel followed after him, but stopped when Keller suddenly opened up with the dead man’s AK-47. A distant scream indicated that Keller’s rounds had found their mark, but in an instant they were taking fire from several directions. Gabriel flattened himself on the ground at Keller’s side, the Glock in one hand, the dead man’s phone in the other. After a few seconds he realized it was pulsing with an incoming text. The text was apparently from Eamon Quinn. It read KILL THE GIRL . . . 79 CROSSMAGLEN, SOUTH ARMAGH A MID THE HEAP OF BROKEN and dismembered farm implements in Jimmy Fagan’s shed, Katerina had found a scythe, rusted and caked in mud, a museum piece, perhaps the last scythe in the whole of Ireland, north or south. She held it tightly in her hands and listened to the sound of men pounding up the track at a sprint. Two men, she thought, perhaps three. She positioned herself against the shed’s sliding door. Madeline was at the opposite end of the space, hooded, hands bound, her back to the bales of hay. She was the first and only thing the men would see upon entry. The latch gave way, the door slid open, a gun intruded. Katerina recognized its silhouette: an AK-47 with a suppressor attached to the barrel. She knew it well. It was the first weapon she had ever fired at the camp. The great AK-47! Liberator of the oppressed! The gun was pointed upward at a forty-five-degree angle. Katerina had no choice but to wait until the barrel sank toward Madeline. Then she raised the scythe and swung it with every ounce of strength she had left in her body. Two hundred yards away, crouched behind a stone wall at the western edge of Jimmy Fagan’s property, Gabriel showed the text message to Christopher Keller. Keller immediately poked his head above the wall and saw muzzle flashes in the doorway of the shed. Four flashes, four shots, more than enough to obliterate two lives. A burst of AK-47 fire drove him downward again. Eyes wild, he grabbed Gabriel savagely by the front of his coat and shouted, “Stay here!” Keller hauled himself over the wall and vanished from sight. Gabriel lay there for a few seconds as the rounds rained down on his position. Then suddenly he was on his feet and running across the darkened pasture. Running toward a car in a snowy square in Vienna. Running toward death. The blow that Katerina delivered to the neck of the man holding the AK-47 resulted in a partial decapitation. Even so, he had managed to squeeze off a shot before she wrenched the gun from his grasp—a shot that struck the hay bales a few inches from Madeline’s head. Katerina shoved the dying man aside and quickly fired two shots into the chest of the second man. The fourth shot she fired into the partially decapitated creature twitching at her feet. In the lexicon of the SVR, it was a control shot. It was also a shot of
Daniel Silva (The English Spy (Gabriel Allon, #15))
Here’s what turns a successful hierarchy into one that impedes progress: when too many people begin, subconsciously, to equate their own value and that of others with where they fall in the pecking order. Thus, they focus their energies on managing upward while treating people beneath them on the organizational chart poorly. The people I have seen do this seem to be acting on animal instinct, unaware of what they are doing.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
If your needs are not attainable through safe instruments, the solution is not to increase the rate of return by upping the level of risk. Instead, goals may be revised, savings increased, or income boosted through added years of work. . . . Somebody has to care about the consequences if uncertainty is to be understood as risk. . . . As we’ve seen, the chances of loss do decline over time, but this hardly means that the odds are zero, or negligible, just because the horizon is long. . . . In fact, even though the odds of loss do fall over long periods, the size of potential losses gets larger, not smaller, over time. . . . The message to emerge from all this hype has been inescapable: In the long run, the stock market can only go up. Its ascent is inexorable and predictable. Long-term stock returns are seen as near certain while risks appear minimal, and only temporary. And the messaging has been effective: The familiar market propositions come across as bedrock fact. For the most part, the public views them as scientific truth, although this is hardly the case. It may surprise you, but all this confidence is rather new. Prevailing attitudes and behavior before the early 1980s were different. Fewer people owned stocks then, and the general popular attitude to buying stocks was wariness, not ebullience or complacency. . . . Unfortunately, the American public’s embrace of stocks is not at all related to the spread of sound knowledge. It’s useful to consider how the transition actually evolved—because the real story resists a triumphalist interpretation. . . . Excessive optimism helps explain the popularity of the stocks-for-the-long-run doctrine. The pseudo-factual statement that stocks always succeed in the long run provides an overconfident investor with more grist for the optimistic mill. . . . Speaking with the editors of Forbes.com in 2002, Kahneman explained: “When you are making a decision whether or not to go for something,” he said, “my guess is that knowing the odds won’t hurt you, if you’re brave. But when you are executing, not to be asking yourself at every moment in time whether you will succeed or not is certainly a good thing. . . . In many cases, what looks like risk-taking is not courage at all, it’s just unrealistic optimism. Courage is willingness to take the risk once you know the odds. Optimistic overconfidence means you are taking the risk because you don’t know the odds. It’s a big difference.” Optimism can be a great motivator. It helps especially when it comes to implementing plans. Although optimism is healthy, however, it’s not always appropriate. You would not want rose-colored glasses in a financial advisor, for instance. . . . Over the long haul, the more you are exposed to danger, the more likely it is to catch up with you. The odds don’t exactly add, but they do accumulate. . . . Yet, overriding this instinctive understanding, the prevailing investment dogma has argued just the reverse. The creed that stocks grow steadily safer over time has managed to trump our common-sense assumption by appealing to a different set of homespun precepts. Chief among these is a flawed surmise that, with the passage of time, downward fluctuations are balanced out by compensatory upward swings. Many people believe that each step backward will be offset by more than one step forward. The assumption is that you can own all the upside and none of the downside just by sticking around. . . . If you find yourself rejecting safe investments because they are not profitable enough, you are asking the wrong questions. If you spurn insurance simply because the premiums put a crimp in your returns, you may be destined for disappointment—and possibly loss.
Zvi Bodie
He kept digging, kept scratching — every finger, both hands, until he could feel the wood scraping on raw flesh. His wrists throbbed, the plastic cutting into them. He called out as one of his nails peeled back off the bed, screaming with a voice barely his own. But he couldn’t give up. And after who knows how long, he could get his fingers around the tip. Now he needed to get it out. He didn’t really wear man-jewellery, but he had a ring he wore around his index finger. A ring she’d given him — stolen for him. For them. Grace. He had to get back to her. Tell her he was okay. He got the flat side against the point and pushed, wedging himself under it.  Whether it took an hour or five, he didn’t know. He could feel blood in his palms as the steel stabbed at his skin with every slip.  But slowly he made progress, a millimetre at a time, forcing it upwards. And then it landed softly in the dirt next to the box. He managed to fold himself up under the new hole and shove his heel against it.  With what little strength he had left he pushed upwards, feeling the wood bow in the absence of the nail. He kicked at it, then kicked at it again. And again. And again. Until the pain in his foot was unbearable. And then he kept kicking, not feeling it moving, but knowing that staying inside meant death. People didn’t get nailed into boxes if they were going to survive.  The fuzz of whatever was in his system was still lingering. He didn’t seem to be able to concentrate on more than one thing at a time — but Grace was always there. Thin, brown hair, pretty in all the right ways. She was all he had now. He had to get back to her. The lid came loose, nails creaking in the wood, and in a blur he was out. Sweat-soaked, filthy, crying, he flopped out and into the dirt.  The room smelled like a swimming pool and polythene sheets hung from the ceiling. He didn’t wait to see what else there was. At the far side of the room, he could make out a door, outlined in the dim red glow of a tiny bulb above the frame. Next to it there was a crowbar, rusted and rough, silhouetted in the half-light. He limped over, his legs numb from the box and the drugs, and pulled it open, grabbing the bar. The light blinked off, the little plastic control unit next to it clicking, but he didn’t care. He had to get out.  The stairs beyond creaked under his weight as he dragged himself up on bloody fingers, the crowbar clanging against the mouldy stonework walls.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
She stared at the water until the sun’s reflection became too much, and then reached for her single bag of belongings. Digging around, she found the clay turtle. It was made of earth. It was tiny. She could use it for practice. Small, she thought as she cradled it with both hands. Precise. Silent. Small. She curled her lips in concentration. It was like crooking the tip of her pinky while wiggling her opposite ear. She needed a whole-body effort to keep her focus sufficiently narrow. There was another reason why she didn’t want to seek instruction from a famous bending master with a sterling reputation and wisdom to spare. Such a teacher would never let her kill Jianzhu in cold blood. Her hunger to learn all four elements had nothing to do with becoming a fully realized Avatar. Fire, Air, and Water were simply more weapons she could bring to bear on a single target. And she had to bring her earthbending up to speed too. Small. Precise. The turtle floated upward, trembling in the air. It wasn’t steady the way bent earth should be, more of a wobbling top on its last few spins. But she was bending it. The smallest piece of earth she’d ever managed to control. A minor victory. This was only the beginning of her path. She would need much more practice to see Jianzhu broken in pieces before her feet, to steal his world away from him the way he had stolen hers, to make him suffer as much as possible before she ended his miserable worthless life— There was a sharp crack. The turtle fractured along innumerable fault lines. The smallest parts, the blunt little tail and squat legs, crumbled first. The head fell off and bounced over the edge of the saddle. She tried to close her grip around the rest of it and caught only dust. The powdered clay slipped between her fingers and was taken by the breeze. Her only keepsake of Kelsang flew away on the wind.
F.C. Yee (Avatar: The Rise of Kyoshi (The Kyoshi Novels, #1))
behind but gaining on the Orcs, gaining on them like a tide over the flats on folk straying in a quicksand. The Isengarders began to run with a redoubled pace that astonished Pippin, a terrific spurt it seemed for the end of a race. Then he saw that the sun was sinking, falling behind the Misty Mountains; shadows reached over the land. The soldiers of Mordor lifted their heads and also began to put on speed. The forest was dark and close. Already they had passed a few outlying trees. The land was beginning to slope upwards, ever more steeply; but the Orcs did not halt. Both Uglúk and Grishnákh shouted, spurring them on to a last effort. ‘They will make it yet. They will escape,’ thought Pippin. And then he managed to twist his neck, so as to glance back with one eye over his shoulder. He saw that riders away eastward were already level with the Orcs, galloping over the plain. The sunset gilded their spears and helmets, and glinted in their pale flowing hair. They were hemming the Orcs in, preventing
J.R.R. Tolkien (The Lord of the Rings)
Positive self-talk is the greatest tool you have for effective self-management. Practice on an ongoing basis being your own coach and cheerleader, ever encouraging yourself onward and upward to the life you’ve dreamed of.
William DeFoore
Beyond, between, and besides the upward climb toward promotions and positions, there are many other ways that employees want to grow.
Julie Winkle Giulioni (Promotions Are So Yesterday: Redefine Career Development. Help Employees Thrive.)
The pilot could also incline the Lewis gun upwards in such a way that he could shoot vertically upwards at a target that presented itself. As a matter of fact, these guns were rarely used in this manner, as it was quite a work of art to pull this gun down and shoot upwards, and at the same time manage one’s machine accurately.
James McCudden (Flying Fury: Five Years in the Royal Flying Corps)
OM CHANTING Various studies have shown that OM chanting deactivates the limbic part of the brain responsible for our basic emotions (fear, pleasure, anger) and our impulses (hunger, sex, dominance and care of offspring). Since the effectiveness of OM chanting is associated with the experience of vibrations around the ears, scientists have suggested that these sensations are transmitted through the auricular branch of the vagus nerve. As the vagus nerve branches off into the inner ear and larynx, controlling the opening and closing of the vocal cords and tone of the sound, it appears that this is stimulated during the vocalization of the O and M sounds. In addition, by performing chanting in exhalation, the vagus nerve is activated in its role as manager of the parasympathetic system. In addition, chanting, by facilitating the lengthening of the exhalation, further amplifies the effect on the parasympathetic system. This is why this practice helps to calm and relax the body and mind. -Find a quiet place to sit comfortably. -A good position is to sit with your legs crossed and your back straight. -Wear comfortable cotton clothes that do not tighten any part of your body. All body channels should be free and comfortable. Place the palm of your right hand (facing upwards) on the palm of your left hand at navel level. Close your eyes for a few minutes and relax your mind and body. Slowly feel the vibrations that occur in every part of your body. When the vibrations become more intense, start breathing deeply. Hold your breath for a second and then slowly exhale. Initially count to 7 as you exhale. This ought to be duplicated thrice. As you exhale the third time, sing "oooooooooo..." Feel the vibrations in your abdomen (and under your chest). After exhaling, relax for 2 seconds. Breathe in again (slow, deep breaths). As you exhale sing "ooooo..." and feel the vibrations in your chest and neck. After exhaling, relax for 2 seconds. Inhale again (long, deep breath). As you exhale, sing "mmmmmmmm...". Feel the vibrations in your head and neck. After exhaling, relax for 2 seconds. Inhale again and as you exhale say "oooommmm..." or "aaauuummm...". About 80% of the sound should be "aaauuu..." and 20% should be "mmmm...". Repeat the previous steps 3 times (you can do it up to 9 times). After the Om meditation, relax and concentrate on your regular breathing for about 5 minutes. TIPS -Wearing white clothes and being in a white environment will improve your experience. But the rule of white is not fundamental. -A good place could be a quiet room or a garden with shade. Your eyes, ears or other sensory organs should not be disturbed. -Do not consume alcohol for at least 8-10 hours before meditation. -It would be better not to eat or drink anything for at least 2 hours before meditation. The body's channels should not be blocked in order to achieve maximum results. This applies especially to the digestive system. -The best times for this meditation are early in the morning or late at night. -For beginners, singing "aum" can cause dizziness. It is recommended to proceed slowly and try to learn one step at a time. In this way you will prepare body and mind for the next step. -It is very important to open your eyes slowly when your breathing has stabilized. -If you cannot sit on the floor, you can try sitting on a bed or a chair. The most important thing is to keep your back straight. -Doing this kind of meditation in a group brings more peace and harmony to all members than doing it alone.
Nathan Blair (Vagus Nerve: The Ultimate Guide to Learn How to Access the Healing Power of the Vagus Nerve with Self-Help Exercises to Overcome Anxiety, Depression, Inflammation, Chronic Illness, PTSD and Trauma)
Baryonic matter continues to condense, though, to form the familiar disk shape of galaxies. Within these disks, many galaxies, including our own, form spiral arms which are moderately denser than their surroundings. And within these spiral arms, yet denser Giant Molecular Clouds form. Although denser than their surroundings, they are not very dense. A volume of a Giant Molecular Cloud the size of the Earth would have a mass of just 360 kilograms (kg), and if squashed down to a manageable size could be carried down the stairs by two strong movers. Still, Giant Molecular Clouds are dense enough that most of the hydrogen in them forms into hydrogen molecules (H2) consisting of two hydrogen atoms. That is why the clouds are called ‘molecular’. Within one such Giant Molecular Cloud, a smaller clump began to form, and the more matter there is in a given volume, the stronger its gravity, so the more matter is sucked in. This clump ultimately gave rise to our Solar System. The chemical composition of the Solar System suggests that the process got its initial nudge from the explosion of one or more nearby supernovae, which were themselves the product of massive, short-lived stars that formed in the same Giant Molecular Cloud as the Sun. In fact, hundreds to thousands of other stars, ranging from a few percent of the Sun’s mass to upwards of ten times the Sun’s mass formed in the same cloud.
Raymond T. Pierrehumbert (Planetary Systems: A Very Short Introduction (Very Short Introductions))
Shiva raised both his arms in an elegant circular movement to the sides to bring them in line with his shoulder. His right hand was holding an imaginary dumru, a small, handheld percussion instrument. His left hand was open with its palm facing upward, almost like it was receiving some divine energy. He held this pose for some time; his glowing face indicated that Shiva was withdrawing into his inner world. His right hand then moved effortlessly forward, almost as if it had a mind of its own. Its palm was now open and facing the audience. Somehow, the posture seemed to convey a feeling of protectiveness to a very surprised Sati. Almost languidly, his left arm glided at shoulder height and came to rest with the palm facing downwards and pointing at the left foot. Shiva held this pose for some time. And then began the dance. Sati stared in wonder at Shiva. He was performing the same steps as her. Yet it looked like a completely different dance. His lyrical hand movements graced the mystical motion of his body. How could a body this muscular also be so flexible? The Guruji tried helplessly to get his dhol to give Shiva the beats. But clearly that wasn’t necessary. As it was Shiva’s feet which were leading the beat for the dhol! The dance conveyed the various emotions of a woman. In the beginning it conveyed her feelings of joy and lust as she cavorted with her husband. The next emotion was anger and pain at the treacherous killing of her mate. Despite his rough masculine body, Shiva managed to convey the tender yet strong emotions of a grieving woman. Shiva’s eyes were open. But the audience realised that he was oblivious to them. Shiva was in his own world. He did not dance for the audience. He did not dance for appreciation. He did not dance for the music. He danced only for himself. In fact, it almost seemed like his dance was guided by a celestial force. Sati realised that Shiva was right. He had opened himself and the dance had come to him. After what seemed like an eternity the dance came to an end, with Shiva’s eyes firmly shut. He held the final pose for a long time as the glow slowly left him. It was almost as if he was returning to this world. Shiva gradually opened his eyes to find Sati, Krittika and the Guruji gaping at him wonder-struck.
Amish Tripathi (The Immortals of Meluha (Shiva Trilogy, #1))
Make upward feedback part of your team’s formal review process.
Rachel Pacheco (Bringing Up the Boss: Practical Lessons for New Managers)
Jesus has been delivering His goods to His servants age after age. One generation after another has been gathering up the hereditary trust; the talents have increased largely by use, and have descended to us. We are as His hired servants. He has brought us, paid the ransom money in His own blood to secure our willing service. . . . All He asks . . . is just to use the talents entrusted. If you think that God has given you five talents, then be consoled that He does not require of you the improvement of ten. In the name of Jesus of Nazareth, I bid you look up! The rainbow of promise is encircling the throne.—The Upward Look, p. 343.
Ellen Gould White (Managing for the Master - Ellen G. White Notes 1Q 2023: Till He Comes)
My knuckles brushed one of his wings- smooth and cool like silk, but hard as stone with it stretched taut. Fascinating, I blindly reached again... and dared to run a fingertip along some inner edge. Rhysand shuddered, a soft groan slipping past my ear. 'That,' he said tightly, 'is very sensitive.' I snatched my finger back, pulling away far enough to see his face. With the wind, I had to squint, and my braided hair ripped this way and that, but- he was entirely focused on the mountains around us. 'Does it tickle?' He flicked his gaze to me, then to the snow and pine that went on forever. 'It feels like this,' he said, and leaned in so close that his lips brushed the shell of my ear as he sent a gentle breath into it. My back arched on instinct, my chin tipping up at the caress of that breath. 'Oh,' I managed to say, I felt him smile against my ear and pull away. 'If you want an Illyrian male's attention, you'd be better off grabbing him by the balls. We're trained to protect our wings at all costs. Some males attack first, ask questions later, if their wings are touched without invitation.' 'And during sex?' The question blurted out. Rhys's face was nothing but feline amusement as he monitored the mountains. 'During sex, an Illyrian male can find completion just by having someone touch his wings in the right spot.' My blood thrummed. Dangerous territory; more lethal than the drop below. 'Have you found that to be true?' His eyes stripped me bare. 'I've never allowed anyone to see or touch my wings during sex. It makes you vulnerable in a way that I'm not... comfortable with.' 'Too bad,' I said, staring out too casually toward the mighty mountain that now appeared on the horizon, towering over the others. And capped, I noted, with that glimmering palace of moonstone. 'Why?' he asked warily. I shrugged, fighting the upward tugging of my lips. 'Because I bet you could get into some interesting positions with those wings.' Rhys loosed a barking laugh, and his nose grazed my ear. I felt him open his mouth to whisper something, but- Something dark and fast and sleek shot for us, and he plunged down and away, swearing.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Studies have found that gratitude can do wonders for mental health. It's been associated with increasing levels of dopamine, and recent research suggests it can also naturally boost serotonin—that "happiness chemical." In his book The Upward Spiral: Using Neuroscience to Reverse the Course of Depression, One Small Change at a Time, researcher Alex Korb writes that being grateful activates production in the anterior cingulate cortex. This can help people feel good and relaxed, as well as stabilize their mood so they’re better equipped to manage difficult emotions
Nick Trenton (Master Your Dopamine: How to Rewire Your Brain for Focus and Peak Performance (Mental and Emotional Abundance Book 11))
business life. Believe it or not, they’re more important to your future than the president of your company. This bit of knowledge has always seemed obvious, yet many new managers spend almost all their time planning their upward communication and give only a passing glance to the people who really control their future.
Jim McCormick (The First-Time Manager (First-Time Manager Series))
The tea was brought. Mumbling her thanks, she took the cup in her hands, not bothering with the saucer. She drank it all without tasting it. “What are you using to dress the wound?” West asked, looking over the collection of bottles on the table. “Glycerin and disinfecting drops, and a layer of oiled muslin.” “And you’re keeping him packed with ice.” “Yes, and trying to make him take a sip of water at least once every hour. But he won’t . . .” Garrett paused as a swoosh went through her head. She closed her eyes—a mistake—the entire room seemed to tilt. “What is it?” she heard West ask. His voice seemed to come from very far away. “Dizzy,” she mumbled. “Need more tea, or . . .” Her lashes fluttered upward, and she had to fight to keep her eyes open. West was in front of her, easing the china cup from her lax fingers before it could drop. His assessing gaze ran over her, and it was then that she realized what he’d done. “What was in my tea?” she asked in a panic, trying to rise from her chair. “What did you put in it?” The room revolved. She felt his arms close around her. “Nothing but a pinch of valerian,” West said calmly. “Which wouldn’t have had nearly this much of an effect if you weren’t ready to drop from exhaustion.” “I’m going to kill you,” she cried. “Yes, but to do that you’ll have to have a nice little rest first, won’t you?” Garrett tried to strike him with her fist, but he ducked easily beneath her flailing arm, and picked her up as her knees buckled. “Let go! I have to take care of him—he needs me—” “I can manage the basics of nursing him while you sleep.” “No, you can’t,” Garrett said weakly, and was horrified to hear a sob breaking from her throat. “Your patients all have four legs. H-he only has two.” “Which means he’ll be half the trouble,” West said reasonably. Garrett writhed with helpless rage. Ethan was on his deathbed, and this man was making light of the situation. He contained her struggles with maddening ease. As West carried her along the hallway, Garrett desperately tried to stop crying. Her eyes were on fire. Her head throbbed and ached, and it had become so heavy that she had to rest it on his shoulder. “There, now,” she heard him murmur. “It’s only for a few hours. When you awaken, you’ll have any revenge you want.” “Going to dissect you,” she sobbed, “into a million pieces—” “Yes,” West soothed, “just think about which instrument you’ll start with. Perhaps that two-sided scalpel with the funny handle.” He brought her into a pretty bedroom with flowered paper on the walls. “Martha,” he called. “Both of you. Come see to Dr. Gibson.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
He presses down lightly on my index finger. He meets my eyes. "This one," he says. "Give it to me." My heart is in my throat. In my gut. Beating behind my eyes. "Cut it off. Place it in my hand. And all will be forgiven." "Yes, sir," I whisper. With shaking hands, I press the blade to the tender skin at the base of my finger. The blade is so sharp t pierces the flesh instantly, and with a stifled, agonized cry I press it deeper, hesitating only when I feel resistance. Knife against bone. The pain explodes through me, blinding me. I fall on one knee. There's blood everywhere. I'm breathing so hard I'm heaving, trying desperately not to vomit from either the pain or the horror. I clench my teeth so hard it sends shocks of fresh pain upward, straight to my brain, and the distraction is helpful. I have to press my bloodied hand against the dirty floor to keep it steady, but with one final, desperate cry, I cut through the bone. The knife falls from my trembling hand, clattering to the floor. My index finger is still hanging on to my hand by a single scrap of flesh, and I rip it off in a quick, violent motion. My body is shaking so excessively I can hardly stand, but somehow I manage to deposit the finger in Anderon's outstretched palm before collapsing to the ground. "Good girl," he says softly. "Good girl." It's all I hear him say before I black out.
Tahereh Mafi (Imagine Me (Shatter Me, #6))
You can agree to this whole RAPID® process, but if there’s always a manager who can just veto the whole thing, the person who in theory has the decision really doesn’t. That’s the opposite of empowering a single-threaded leader. You say they have the authority to make decisions, but if you second-guess or, worse, veto those decisions, you’re actually just giving them agency in name, not in actions. They’ll be afraid to make decisions, and will delegate most things upward to you. I think of this as the great destroyer of intrinsic motivation.
Jeff Lawson (Ask Your Developer: How to Harness the Power of Software Developers and Win in the 21st Century)
It’s not uncommon for great software companies to invest upward of 50 percent of all R&D funds into infrastructure. But it will be tempting to question these investments. Every budget cycle, you’ll see a large expense around these infrastructure teams, and people will wonder if it’s really needed. Why are we hiring engineers to manage internal infrastructure instead of assigning more head count to the teams that create products for our customers? It’s because the software infrastructure makes all of your other developers more productive and more successful. Kill it, you’ll quickly realize how much leverage these
Jeff Lawson (Ask Your Developer: How to Harness the Power of Software Developers and Win in the 21st Century)
Believe me, if you ever manage to turn the tables on Jude and drag out a bunch of his uncomfortable memories for everyone to hear, I won’t jump in on his behalf either.” I couldn’t stop the corner of my mouth from quirking upward at the thought.
Eva Chase (Cruel Magic (Royals of Villain Academy, #1))
How on earth did 900 British civil servants and 70,000 British soldiers manage to govern upwards of 250 million Indians?
Niall Ferguson (Empire: The Rise and Demise of the British World Order and the Lessons for Global Power)
Today poetry is a modestly upwardly mobile, middle-class profession—not as lucrative as waste management or dermatology but several big steps above the squalor of bohemia.
Dana Gioia (Can Poetry Matter?: Essays on Poetry and American Culture)
Strong currencies for the individual to use upward include reliability, keeping the boss informed (no surprises), loyalty, exceeding expectations, providing support, and coming up with new ideas and suggestions.
Kevan Hall (Making the Matrix Work: How Matrix Managers Engage People and Cut Through Complexity)
I think part of the issue is people assuming that everyone MUST want to move upwards. Like... it's the next logical step for a person to want to move up the chain: from worker to manager, to district manager, eventually owner. But I always think of growth like plants. Aspens grow tall to reach the sun, for sure. But dandelions grow deep, understanding themselves fully so that if some misguided fool tries to uproot them they'd have to try damn hard. And then there's thyme and other creeping plants, which spread themselves out so much that if you chop a part of it off it roots wherever it can find dirt to root in. It's okay not to have lofty dreams. You know what kind of plant you are better than anyone else.
Libraford
We clergy have gotten ourselves into the job of “sin management” instead of sin transformation. “If you are not perfect, then you are doing something wrong,” we have taught people. We have blamed the victim, or have had little pity for victims, while daring to worship a victim image of God. Mistakes are something to be pitied and healed much more than hated, denied, or perfectly avoided.
Richard Rohr (Falling Upward, Revised and Updated: A Spirituality for the Two Halves of Life)
I think that Franco-American writers interact with this narrative by signifying their ethnic identity in class terms. Alan Bérubé in his autobiographical essay, “Intellectual Desire” finds his father’s ethnic agency in the active identification with a working class status: “my father was offered a low-level management position at work, which he turned down… But there was more to his refusal than class panic over becoming ‘one of them.’’ The distance he had traveled – away from his French working-class family, their farm, their land – was now so far from where he’d started that he began to lose the ground beneath his feet. He wanted to go home”). In many Franco-American texts, ethnic identity is signified through the intentional identification with a working class status; the refusal of upward mobility signifies an active embrace of an ethnic past and creation of an ethnic present. As a literary scholar, I focus on the way these issues are explored in literature, and I believe that literature offers insight into the interplay between the social and the personal not available through other means.
Susan Pinette
Scores climb with titles, from the bottom of the corporate ladder upward toward middle management. Middle managers stand out, with the highest EQ scores in the workforce. But up beyond middle management, there is a steep downward trend in EQ scores. For the titles of director and above, scores descend faster than a snowboarder on a black diamond. CEOs, on average, have the lowest EQ scores in the workplace.
Travis Bradberry (Emotional Intelligence 2.0)
Well-designed and relatively simplified information/knowledge solutions bound to unlock the enterprise knowledge, to turn a downward spiral into an upward spiral.
Pearl Zhu (12 CIO Personas: The Digital CIO's Situational Leadership Practices)
Leaders and managers appreciate it when employees take the initiative to offer help, build networks, gather new knowledge, and seek feedback. But there’s one form of initiative that gets penalized: speaking up with suggestions. In one study across manufacturing, service, retail, and nonprofit settings, the more frequently employees voiced ideas and concerns upward, the less likely they were to receive raises and promotions over a two-year period. And
Adam M. Grant (Originals: How Non-Conformists Move the World)
We clergy have gotten ourselves into the job of “sin management” instead of sin transformation. “If you are not perfect, then you are doing something wrong,” we have taught people. We have blamed the victim, or have had little pity for victims, while daring to worship a victim image of God. Our mistakes are something to be pitied and healed much more than hated, denied, or perfectly avoided. I do not think you should get rid of
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
How many times, she reflected ruefully, she had sought to understand a wounded wild creature. But it was another matter entirely to penetrate the mystery of a human being. Reaching Christopher’s door, she knocked softly. When there came no response, she let herself inside. To her surprise, the room brimmed with daylight, the late August sun illuminating tiny floating dust motes by the window. The air smelled like liquor and smoke and bath soap. A portable bath occupied one corner of the room, sodden footprints tracking across the carpet. Christopher reclined on the unmade bed, half propped on a haphazard stack of pillows, a bottle of brandy clasped negligently in his fingers. His incurious gaze moved to Beatri and held, his eyes becoming alert. He was clad in a pair of fawn-colored trousers, only partially fastened, and…nothing more. His body was a long golden arc on the bed, lean and complexly muscled. Scars marred the sun-browned skin in places…there was a ragged triangular shape where a bayonet had pierced his shoulder, a liberal scattering of marks from shrapnel, a small circular depression on his side that must have been caused by a bullet. Slowly Christopher levered himself upward and placed the bottle on the bedside table. Half leaning on the edge of the mattress, his bare feet braced on the floor, he regarded Beatrix without expression. The locks of his hair were still damp, darkened to antique gold. How broad his shoulders were, their sturdy slopes flowing into the powerful lines of his arms. “Why are you here?” His voice sounded rusty from disuse. Somehow Beatrix managed to drag her mesmerized gaze away from the glinting fleece on his chest. “I came to return Albert,” she said. “He appeared at Ramsay House today. He says you’ve been neglecting him. And that you haven’t taken him on any walks lately.” “Has he? I had no idea he was so loose-tongued.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
driveway, her hip scraping as she tumbled, her skin torn and bleeding. She knew she should have worn trousers. The world rocked to a stop, balanced itself out and she opened her eyes. The Infected were standing looking at her, and Dusk strode through them, his eyes narrowed and his lips curled in hatred. And then Valkyrie was up and running. She was sore, she felt blood on her legs and arms, but she ignored the pain. She looked back, saw the mass of Infected surge after her. She passed the club gates and took the first road to her left, losing a shoe in the process and cursing herself for not wearing boots. It was narrow, and dark, with fields on one side and a row of back gardens on the other. She came to a junction. Up one way she could see headlights, so she turned down the other, leading the Infected away from any bystanders. She darted in off the road, running behind the Pizza Palace and the video store, realising her mistake when she heard the voices around the next corner. The pub had a back door that smokers used. She veered off to her right, ran for the garden wall and leaped over it. She stayed low, and wondered for a moment if she’d managed to lose the Infected so easily. Dusk dropped on to her from above and she cried out. He sent her reeling. “I’m not following the rules any more,” he said. She looked at him, saw him shaking. He took a syringe from his coat and let it drop. “No more rules. No more serum. This time, there’ll be nothing to stop me tearing you limb from limb.” He grunted as the pain hit. “I’m sorry I cut you,” Valkyrie tried, backing away. “Too late. You can run if you want. Adrenaline makes the blood taste sweeter.” He smiled and she saw the fangs start to protrude through his gums. He brought his hands to his shirt, and then, like Superman, he ripped the shirt open. Unlike Superman, however, he took his flesh with it, revealing the chalk-white skin of the creature underneath. Valkyrie darted towards him and his eyes widened in surprise. She dived, snatched the syringe from the ground and plunged it into his leg. Dusk roared, kicked her on to her back, his transformation interrupted. He tried to rip off the rest of his humanity, but his human skin tore at the neck. This wasn’t the smooth shucking she’d seen the previous night. This was messy and painful. Valkyrie scrambled up. The Infected had heard Dusk’s anguished cries, and they were closing in. he Edgley family reunion was taking up the main function hall, at the front of the building, leaving the rear of the golf club in darkness. That was probably a good thing, Tanith reflected, as she watched Skulduggery fly backwards through the air. The Torment-spider turned to her and she dodged a slash from one of his talons. She turned and ran, but he was much faster. Tanith jumped for the side of the building and ran upwards, a ploy that had got her out of a lot of trouble in the past, but then, she had never faced a giant spider before. His talons clacked as he followed her up, chattering as he came.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
Here’s what turns a successful hierarchy into one that impedes progress: when too many people begin, subconsciously, to equate their own value and that of others with where they fall in the pecking order. Thus, they focus their energies on managing upward while treating people beneath them on the organizational chart poorly. The people I have seen do this seem to be acting on animal instinct, unaware of what they are doing. This problem is not caused by hierarchy itself but by individual or cultural delusions associated with hierarchy, chiefly those that assign personal worth based on rank.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Concentration of wealth was moving upward in the 14th century and enlarging the proportion of the poor, while the catastrophes of the century reduced large numbers to misery and want. The poor had remained manageable as long as their minimum subsistence could be maintained by charity, but the situation changed when urban populations were swelled by the flotsam of war and plague and infused by a new aggressiveness in the plague’s wake.
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
Why won't you be friends with me?" To Cassandra's chagrin, the question came out plaintive, almost childish. She looked down and rearranged the folds of her skirts, fidgeting with the crystal beads. "My lady," he murmured, but she refused to look at him. One of his hands came to the side of her face to angle it upward. It was the first time he'd ever touched her. His fingers were strong but gentle, slightly cool against her hot cheek, and it felt so amazingly good that she trembled. She couldn't move or speak, only stared up into his lean, slightly wolfish face. A trick of moonlight had turned his blue-green eyes iridescent. "That you'd even ask..." His thumb brushed over her skin in a slow stroke, and her breath stopped and started too fast, sounding like a tiny hiccup. There was no mistaking the experience in his touch, sending pleasure-chills down the back of her neck and all along her spine. "Do you really want to be friends?" His voice had softened into dark velvet. "Yes," she managed to say. "No, you don't.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
they reached as far upmarket as they could in each new product generation, until their drives packed the capacity to appeal to the value networks above them. It is this upward mobility that makes disruptive technologies so dangerous to established firms—and so attractive to entrants.
Clayton M. Christensen (The Innovator's Dilemma: When New Technologies Cause Great Firms to Fail (Management of Innovation and Change))
Here’s what turns a successful hierarchy into one that impedes progress: when too many people begin, subconsciously, to equate their own value and that of others with where they fall in the pecking order. Thus, they focus their energies on managing upward while treating people beneath them on the organizational chart poorly.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Company Team Buildingis a tool that can help inside inspiring a team for that satisfaction associated with organizational objectives. Today?azines multi-cultural society calls for working in a harmonious relationship with assorted personas, particularly in global as well as multi-location companies. Business team building events strategies is a way by which team members tend to be met towards the requirements of the firm. They help achieve objectives together instead of working on their particular. Which are the benefits of company team building events? Team building events methods enhance conversation among co-workers. The huge benefits include improved upon morality as well as management skills, capacity to handle difficulties, and much better understanding of work environment. Additional positive aspects would be the improvements inside conversation, concentration, decision making, party problem-solving, and also reducing stress. What are the usual signs that reveal the need for team building? The common signs consist of discord or even hostility between people, elevated competitors organizations between staff, lack of function involvement, poor decision making abilities, lowered efficiency, as well as poor quality associated with customer care. Describe different methods of business team development? Company team development experts as well as person programs on ?working collaboratively? can supply different ways of business team building. An important method of business team building is actually enjoyment routines that want communication between the members. The favored activities are fly-fishing, sailing regattas, highway rallies, snow boarding, interactive workshops, polls, puzzle game titles, and so forth. Each one of these routines would help workers be competitive and hone their own side considering abilities. Just what services are offered by the team building events trainers? The majority of the coaches offer you enjoyable functions, coming from accommodation to be able to dishes and much more. The actual packages include holiday packages, rope courses, on-going business office video games, and also ice-breakers. Coaching fees would depend on location, number of downline, classes, and sophistication periods. Special discounts are available for long-term deals of course, if the quantity of associates will be higher. Name some well-known corporate team development event providers within the U.Utes. Several well-liked companies are Accel-Team, Encounter Based Studying Inc, Performance Supervision Organization, Team development Productions, The education Haven Incorporated, Enterprise Upwards, Group Contractors In addition, and Team development USA.If you want to find out more details, make sure you Clicking Here
Business Team Building FAQs
Managing the Neutral Zone: A Checklist Yes No   ___ ___ Have I done my best to normalize the neutral zone by explaining it as an uncomfortable time that (with careful attention) can be turned to everyone’s advantage? ___ ___ Have I redefined the neutral zone by choosing a new and more affirmative metaphor with which to describe it? ___ ___ Have I reinforced that metaphor with training programs, policy changes, and financial rewards for people to keep doing their jobs during the neutral zone? ___ ___ Am I protecting people adequately from inessential further changes? ___ ___ If I can’t protect them, am I clustering those changes meaningfully? ___ ___ Have I created the temporary policies and procedures that we need to get us through the neutral zone? ___ ___ Have I created the temporary roles, reporting relationships, and organizational groupings that we need to get us through the neutral zone? ___ ___ Have I set short-range goals and checkpoints? ___ ___ Have I set realistic output objectives? ___ ___ Have I found the special training programs we need to deal successfully with the neutral zone? ___ ___ Have I found ways to keep people feeling that they still belong to the organization and are valued by our part of it? And have I taken care that perks and other forms of “privilege” are not undermining the solidarity of the group? ___ ___ Have I set up one or more Transition Monitoring Teams to keep realistic feedback flowing upward during the time in the neutral zone? ___ ___ Are my people willing to experiment and take risks in intelligently conceived ventures—or are we punishing all failures? ___ ___ Have I stepped back and taken stock of how things are being done in my part of the organization? (This is worth doing both for its own sake and as a visible model for others’ similar efforts.) ___ ___ Have I provided others with opportunities to do the same thing? Have I provided them with the resources—facilitators, survey instruments, and so on—that will help them do that? ___ ___ Have I seen to it that people build their skills in creative thinking and innovation? ___ ___ Have I encouraged experimentation and seen to it that people are not punished for failing in intelligent efforts that do not pan out? ___ ___ Have I worked to transform the losses of our organization into opportunities to try doing things a new way? ___ ___ Have I set an example by brainstorming many answers to old problems—the ones that people say we just have to live with? Am I encouraging others to do the same? ___ ___ Am I regularly checking to see that I am not pushing for certainty and closure when it would be more conducive to creativity to live a little longer with uncertainty and questions? ___ ___ Am I using my time in the neutral zone as an opportunity to replace bucket brigades with integrated systems throughout the organization?
William Bridges (Managing Transitions: Making the Most of Change)
I’m surprised you’re here.” Her mouth curved upward. “I warned you I’d be joining you.” He ignored the heat that spread inside him at the sight of her smile. “That’s just it.” Her smile grew wider. “A politician who keeps his word—what a remarkable aberration in the species.” “How could I have forgotten that keen wit of yours?” he marveled. “Yeah, I’m full of surprises. Might want to remember that.” Then, throwing caution to the wind, he let his eyes roam slowly over her, lingering. She’d have to be blind not to see the hunger in them. Which she clearly wasn’t. She retreated a step. He followed, his longer legs closing the distance, until his body almost brushed hers. That cool composer of Lily’s was unraveling, no matter how hard she struggled to pretend otherwise. The signs were there, in the fine trembling of her limbs, in the flush that stole over her porcelain smooth cheeks. Fierce satisfaction filled Sean at her involuntary reaction. He dipped his head until his lips hovered, a soft whisper away. “Lily?” “Yes?” There was a husky catch to her voice. Sean’s fingers reached up and traced the rosy bloom on her cheek. Was it the sweet flush of desire that made her skin so soft? he wondered, his eyes and fingers memorizing every detail, every sensation. God, he’d die for a taste of her. But Sean denied himself the pleasure. He raised his head, putting distance between himself and his greatest temptation, and forced himself to lower his hand. At the loss of contact, Lily’s head jerked, as if coming out of a trance. Sean stepped back before she could flay him alive. “You’re looking a little pink, Lily. I’ve got some zinc oxide in my bag. I’d be happy to put some on you. Especially on those hard to reach places.” He gave her a casual smile and pulled his sunglasses from the breast pocket of his T-shirt, ignoring the violent thudding of his heart against the cotton fabric. His hands shook, too, racked with tremors of need. Somehow, he managed to settle his shades across the slightly crooked bridge of his nose, before shoving them deep into his pocket, out of sight. Damn Sean and his effect on me, Lily swore silently. He had only to bestow the paltriest of caresses and she nearly swooned. Even more galling was the fact that she was equally helpless before Sean’s verbal taunts. The thought of Sean’s hands, slick with lotion, gliding over her body in long, sweeping caresses had her pulse racing. Lily’s voice was filled with contempt—never mind that it was self-directed—as she spoke. “You know, you and John Granger should get to know each other. You could compare notes on really great pickup lines. By the way, Sean, your nose? Does it trouble you still? I hope so.
Laura Moore (Night Swimming: A Novel)
These are cases of the upward redistribution of wealth—transfers of wealth from ordinary taxpayers to wealthy owners, managers, and stockholders. These interventions in the market promote what conservatives believe is the vital national interest. But when government intervenes on behalf of working people, consumers, or the environment, conservatives scream foul and invoke the “free-market” frame, because these interventions don’t mesh with their political philosophy. “Free market” is a slogan used to attack the essential rules that keep the market functioning for the common good. It’s time to end the “free-market” myths. Myth
George Lakoff (Thinking Points: Communicating Our American Values and Vision)
Experts estimate that upwards of ninety percent of disease is stress related. And perhaps nothing ages us faster, internally and externally, than high stress. While eliminating anxiety and pressure altogether in this fast-paced world may be idealistic, massage can, without a doubt, help manage stress. At Premier Body Massage we specialize in massages such as swedish massages and thai massages, if you require a different type we can point you in the right direction.
Premier Body Massage
You know that depression is a dysfunction in frontal-limbic communication. You know that the prefrontal cortex helps manage your emotions and desires so that you can plan for the future. The dorsal striatum acts out old habits, and the nucleus accumbens controls enjoyment and impulses. The anterior cingulate manages attention to the negative or the positive, and the insula is responsible for emotional sensations. The amygdala mediates anxiety. The hypothalamus regulates numerous hormones and controls the stress response. The hippocampus is closely tied to the amygdala and hypothalamus and is essential to learning and memory.
Alex Korb (The Upward Spiral: Using Neuroscience to Reverse the Course of Depression, One Small Change at a Time)
I am 52 years old, and have spent truly the better part of my life out-of-doors but yesterday I heard a new sound above my head a rustling, ruffling quietness in the spring air and when I turned my face upward I saw a flock of blackbirds rounding a curve I didn't know was there and the sound was simply all those wings just feathers against air, against gravity and such a beautiful winning the whole flock taking a long, wide turn as if of one body and one mind. How do they do that? Oh if we lived only in human society with its cruelty and fear its apathy and exhaustion what a puny existence that would be but instead we live and move and have our being here, in this curving and soaring world so that when, every now and then, mercy and tenderness triumph in our lives and when, even more rarely, we manage to unite and move together toward a common good, and can think to ourselves: ah yes, this is how it's meant to be.
Julie Cadwallader Staub
Skunk? Was there skunk in Ireland? Taking out an evidence bag, she tried to pinpoint the area it seemed strongest, but it was impossible to tell. In any case, she swabbed a small area from the wall and then the ground, bagged them, and in addition picked up a sample of grit from the same area on the floor. The tower, with its two battered old wooden slat windows, was completely empty, save for some pigeon droppings. As birds didn’t urinate, Reilly already knew the foul smell definitely wasn’t coming from them. Moving tighter into the wall, she began stepping in concentric circles inwards, her gaze scanning the ground area. Then, her keen eye noticed some tiny bluish dots that were slightly incongruous amongst the grit and the droppings. She pulled out her tweezers and, bending low, carefully lifted one up for inspection. With some idea of what it was, she held it to her nose, sniffed, and removed all doubt. Rubber. Reilly’s mind raced, wondering if this was of any significance. Had the killer dropped it? Probably not. Whoever had hoisted that poor man up into the tree and slashed open his torso surely wouldn’t have then gone to the trouble of coming all the way up here to watch him die. Or would he? She craned her neck, looking upwards into the gloom, then made her way to the window. As she did, she let out a breath. There, framed perfectly in the opening as if it were a painting, was the hawthorn tree, the misfortunate victim dramatically hanging front and center. Leaving little doubt in Reilly’s mind that such positioning was completely intentional. It took a while, but eventually the local police managed to arrange for a mobile elevating platform to be sent to the site from the nearest town. The ME, having repositioned the man’s innards as best she could, wrapped the mutilated body in the tarpaulin and, with the platform operator’s assistance, accompanied it down to the ground, where she could examine it more closely. Reilly took a lint roller from her bag, took samples from the body and then concentrated her efforts around the perimeter of the tree, walking in concentric circles around the base amongst the humongous roots poking through the soil. Granted the victim was not a heavy man, but even so, it
Casey Hill (CSI Reilly Steel Boxset (CSI Reilly Steel, #1-3))
Any fanciful ambition involves an overloaded opinion of my own capability, a wrong evaluation in an upward direction. If, for example, my dream is to become one of the great philosophers of the world, then my fanciful ambition might be to solve the problem of time. Why is it dangerous to nourish such ambitions? Because the precious mirage of ‘I’m going to do’ gets in the way of ‘I do’. The fanciful ambition is thus the project that prevents you from doing. An example would be the project of reading the works of the great thinkers in the most fundamental way. This is a fanciful ambition, because there can be no definitive reading of the great philosophers. This time it is no longer a matter of personal projection: I start with myself and see myself as a great hero. This time we are dealing with a mystification at the level of action. He who nourishes fanciful ambitions is a man of action sabotaged by his own project of doing. He sets out to do in his own space something that he cannot do. He wants to catch a whale with a flimsy fishing line. It is the very grandeur of his project that puts the brakes on its achievement. This lack of adjustment to one’s own possibilities is another source of failure. In my generation there was a guy called Ştefan Teodorescu who was always making up ample tables of contents. He never even got as far as writing the introduction. However the nourisher of fanciful ambitions is not an agonized failure; his life becomes a dolce far niente, a sort of continuous waltz among a host of projects endlessly taken up and abandoned again. There is a Chinese proverb: ‘Every road starts with the fi rst step’. The nourisher of fanciful ambitions never manages to make that fi rst step. Or if he does, he leaves the road before he has trodden firmly on it.
Alexandru Dragomir
I want to be loved as a woman. Not as a child, or a sister, or an invalid-" "That's not how I-" "Perhaps you are not even capable of love." In her blazing frustration, Win experienced something she had never felt before. The desire to hurt someone. "You don't have it in you." Merripen moved through a shaft of moonlight that had slipped through the conservatory glass, and Win felt a little shock as she saw his murderous expression. In just a few words she had managed to cut him deeply, enough to open a vein of dark and furious feeling. She fell back a step, alarmed as he seized her in a brutal grip. He jerked her upward. "All the fires of hell could burn for a thousand years and it wouldn't equal what I feel for you in one minute of the day. I love you so much there is no pleasure in it. Nothing but torment. Because if I could dilute what I feel for you to the millionth part, it would still be enough to kill you. And even if it drives me mad, I would rather see you live in the arms of that cold, soulless bastard than die in mine.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
His words caused a rush of heat in her already damp passage. Yeah, she was ready, but it was too fast. They had all night, and she wanted to take advantage. “Too soon,” she whispered, and moved her lower body out of his reach. “Jill,” he warned. “I’m close. You want me in you, then don’t make me come.” She didn’t answer, and instead lowered her mouth to swallow as much of his penis as she could fit. “Urgh,” Rowan made an incomprehensible noise, and she suddenly found herself on her back with him looming over her. “It’s my turn to dare you. Ready?” He held her down, with his knees on her thighs and his one arm pressed against her shoulder. She could try to overpower him, but it wouldn’t work. He was stronger. And that’s when it hit her how far she’d come under Rowan’s love and care. She’d never dreamed a man could hold her down, and not only wouldn’t it scare her; it aroused her. Because she liked feeling him dominate her. “Dare me,” she said. “It’s not going to be easy,” he warned. “I’m still a little pissed you ran from me, and I had to chase you down. We could’ve had our orgasms and been sleeping in our own bed already.” “I’m sorry,” she said. “Don’t feel too bad. I got a hotel room with my nearly naked girl. Life is good.” They smiled at each other. “Take off your jeans,” he ordered. “Is that the dare?” she teased, “because that’s easy. I’ve been doing it since kindergarten.” “Smart ass,” he muttered, but it was obvious he was distracted by her shimmying out of her worn jeans. “Naked ass,” she corrected and shook it at him while on her hands and knees. “Yep.” He gave it a sharp spank, and her head whirled around to stare at him in shock. She’d been hit on nearly every body part by Jack, and every punch and slap caused humiliation and pain, but when Rowan spanked her, she wanted to arch back and demand more. “You okay?” he asked, clearly attuned to her stunned surprise. She nodded and remained on all fours. “What’s the dare?” she asked, expecting a demand to get on her knees and open wide or on her back and spread her legs. Therefore she was stunned at his challenge. “I dare you to try to run from me again.” He lay back against the headboard and watched her reaction. It took her three seconds to catch on and another second to be off the bed, springing naked to the door. He’d better catch her before she made it to the hallway. She didn’t want to get kicked out of her hotel stay. Bam! Her hand was reaching for the doorknob, when Rowan’s big body slammed into her from behind, pressing her breasts against the wood of the door. His hand gripped one wrist and held it above their heads against the door. Her right hand shimmied out from between their bodies to try to free herself, but he managed to grab that too and bound both her wrists in his left hand, holding them captive above her head. “Get on your toes,” he growled in her ear. As she rose onto tippy–toes, every inch of his erection slid along her lower back and down the crease of her ass until it bobbed between her legs. She adjusted her stance so the head of his penis probed at her entrance. His hips shifted and he was embedded deep inside. With this angle, she felt full to bursting and every nerve ending touched a part of his body. He overwhelmed her, crushing her front to the door, and pressing his chest to her back. The wood of the door felt scratchy against her cheek, and her toes felt as though they might fly off the ground entirely as he thrust upward. “Move with me. I dare you,” he said in his deep voice against her right ear. “It’s my turn to dare,” she said and gasped on a deep thrust. “Go for it,” he grunted and continued thrusting. “I dare you to make me come,” she said.
Lynne Silver (Desperate Match (Coded for Love, #5))