Natalie Babbitt Quotes

Don't be afraid of death; be afraid of an unlived life. You don't have to live forever, you just have to live.

Like all magnificent things, it's very simple.

Life's got to be lived, no matter how long or short. You got to take what comes.

You can't have living without dying. So you can't call it living, what we got. We just are, we just be, like rocks beside the road.

dont be afraid of death, be afraid of the unlived life.

Everything's a wheel, turning and turning, never stopping. The frogs is part of it, and the bugs, and the fish, and the wood thrush, too. And people. But never the same ones. Always coming in new, always growing and changing, and always moving on. That's the way it's supposed to be. That's the way it is.

For some, time passes slowly. An hour can seem like an eternity. For others, there was never enough. For Jesse Tuck, it didn't exist.

Nothing seems interesting when it belongs to you, only when it doesn't."---Tuck Everlasting

The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color.

Don't fear death, fear the un-lived life

And suddenly, she longed for a thunderstorm.

But dying's part of the wheel, right there next to being born. You can't pick out the pieces you like and leave the rest. Being part of the whole thing, that's the blessing.

Do not fear death, but rather the unlived life. You don't have to live forever. You just have to live.

...with white dawns and glaring moons, and sunsets smeared with too much color.

The first week of August hangs at the very top of the summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. There is no thunder, no relieving rain. These are strange and breathless days, the dog days, when people are led to do things they are sure to be sorry for after.

For, through the twilight sounds of crickets and sighing trees, a faint, surprising wisp of music came floating to them and all three turned toward it, toward the wood.

The ownership of land is an odd thing when you come to think of it. How deep, after all, can it go? If a person owns a piece of land, does he own it all the way down, in ever narrowing dimensions, till it meets all other pieces at the center of the earth? Or does ownership consist only of a thin crust under which the friendly worms have never heard of trespassing?

Closing the gate on her oldest fears as she had closed the gate of her own fenced yard, she discovered the wings she'd always wished she had.

Well, thought Winnie, crossing her arms on the windowsill, she was different. Things had happened to her that were hers alone, and had nothing to do with them. It was the first time. And no amount of telling about it could help them understand or share what she felt. It was satisfying and lonely, both at once.

You dont have to live forever just live.

How old are you, anyway?' she asked, squinting at him. There was a pause. At last he said, 'Why do you want to know?' I just wondered,' said Winnie. All right. I'm one hundred and four years old,' he told her solemnly. No, I mean really,' she persisted. Well then.' he said, 'if you must know, I'm seventeen.' Seventeen?' That's right.' Oh,' said Winnie hopelessly. 'Seventeen. That's old.' You have no idea,' he agreed with a nod.

Still-there's no use trying to figure why things fall the way they do. Things just are, and fussing don't bring changes.

No connection, you would agree. But things can come together in strange ways. The wood was at the center, the hub of the wheel. All wheels must have a hub. A ferris wheel has one, as the sun is the hub of the wheeling calendar. Fixed points they are, and best left undisturbed, for without them, nothing holds together. But sometimes people find this out too late.

I was having that dream again, the good one where we're all in heaven and never heard of Treegap.

I'm not exactly sure what I'd do, you know, but something interesting - something that's all mine. Something that would make some kind of difference in the world. It'd be nice to have a new name, to start with, one that's not all worn out from being called so much.

You really have to love words if you’re going to be a writer, because as a writer, you certainly spend a lot of time with words.

The way I see it," Miles went on, "it's no good hiding yourself away, like Pa and lots of other people. And it's no good just thinking of your own pleasure, either. People got to do something useful if they're going to take up space in the world.

The ownership of land is an odd thing when you come to think of it. How deep, after all, can it go?

(I)n reading . . . stories, you can be many different people in many different places, doing things you would never have a chance to do in ordinary life. It's amazing that those twenty-six little marks of the alphabet can arrange themselves on the pages of a book and accomplish all that. Readers are lucky - they will never be bored or lonely.

But it's enough, just having this day. It's the knowing there's something different, something special up there waiting. It's the knowing you could choose to change your days--climb up there and throw yourself right down the throat of the only and last and greatest terrible secret in the world. Except you don't climb up.

Outside, the night seemed poised on tiptoe, waiting, waiting, holding its breath for the storm.

What is your suggestion for someone who wants to start writing? Be a reader. It’s the only real way to learn how to tell a story.

He wasn't crazy. How could he be? He was just -- amazing. But she was struck dumb. All she could do was stare at him.

[B]elieving, was her own true, promising friend once more.

Life always seems to have worries, even if you own a big and beautiful house on the best street in town.

Facts are the barren branches on which we hang the dear, obscuring foliage of our dreams.

Life’s got to be lived, no matter how long or short,

The sky was a ragged blaze of red and pink and orange, and its double trembled on the surface of the pond like color spilled from a paintbox.

He looked solid, like an oar, whereas Jesse—well, she decided, Jesse was like water: thin, and quick.

Time is like a wheel. Turning and turning - never stopping. And the woods are the center; the hub of the wheel. It began the first week of summer, a strange and breathless time when accident, or fate, bring lives together. When people are led to do things, they've never done before. On this summer's day, not so very long ago, the wheel set lives in motion in mysterious ways.

She’s gone,” he answered.

The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning.

You got to take what comes. We just go along, like everybody else, one day at a time.

She was able to believe in this because she needed to; and, believing, was her own true, promising friend once more.

The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn.

Everything's a wheel, turning and turning, never stopping. The frogs is part of it, and the bugs, and the fish, and the wood thush, too. And people. But never the same ones. Always coming in new, always growing and changing, and always moving on. Thats the way it's suppose to be. That's the way it is. If we didn't move it out ourself, it would stay here forever, trying to get loose, but stuck. That's what us Tucks are, Winnie. We ain't part of the wheel anymore.

Life's got to be lived, no matter how long or short.

I got a feeling this whole thing is going to come apart like wet bread.

You can’t have living without dying. So you can’t call it living, what we got. We just are, we just be, like rocks beside the road.

I'm not exactly sure what I'd do, you know but something interesting - something that's all mine something that would make some kind of difference in the world.

So she was unprepared for the homely little house beside the pond, unprepared for the gentle eddies of dust, the silver cobwebs, the mouse who lived—and welcome to him!—in a table drawer.

It goes on,” Tuck repeated, “to the ocean. But this rowboat now, it’s stuck. If we didn’t move it out ourself, it would stay here forever, trying to get loose, but stuck. That’s what us Tucks are, Winnie. Stuck so’s we can’t move on. We ain’t part of the wheel no more. Dropped off, Winnie. Left behind. And everywhere around us, things is moving and growing and changing. You, for instance. A child now, but someday a woman. And after that, moving on to make room for the new children.

And finally she had sobbed the only truth there was into her mother’s shoulder, the only explanation: the Tucks were her friends. She had done it because—in spite of everything, she loved them.

I can't help what I dream.

Readers are lucky -– they will never be bored or lonely.

You can’t have living without dying.

lamp

A guilty conscience can be very troublesome, I've heard.

You Don't have to live forever you just have to live.

Pretty' doesn't mean 'good,' you know, Geneva. Real life isn't like fairy tales. 'Pretty' simply means that by accident you've got things arranged on your outside in an extra-pleasing manner. It doesn't tell a thing about your inside.

That doesn't sound like civil war to me," said Gaylen, turning back to his book with a smile. "It only sounds silly." "Of course it's silly," said the Prime Minister impatiently. "But a lot of serious things start silly.

Nothing ever seems interesting when it belongs to you—only when it doesn't.

And Winnie, laughing at him, lost the last of her alarm. They were friends, her friends. She was running away after all, but she was not alone. Closing

The shriek cut thinly though the drizzling dimness, holding for a long moment. At last it broadened and dropped to the old.

The house was so proud of itself that you wanted to make a lot of noise as you passed, and maybe even throw a rock or two.

Belong to yourself, then, like me," said Big Tom. "That way, when changes come, you'll always be ready to hold your tail high and move along.

The sweet earth opened out its wide four corners to her like the petals of a flower ready to be picked, and it shimmered with light and possibility till she was dizzy with it.

Nothing ever seems interesting when it belongs to you—only when it doesn’t.

A fresh breeze lifted Winnie’s hair, and from somewhere in the village behind them a dog barked.

Midville's best street was High Street. It was up on a hill. Not much of a hill, to tell the truth, but in that part of the state, the flat south-central part, hills are not taken for granted.

Nonsense. It's elves!

Life's got to be lived, no matter how long or short," she said calmly. "You got to take what comes. We just go along, like everybody else, one day at a time.

Nėra gyvenimo be mirties. Taigi mes negalime sakyti, kad gyvename. Mes tiesiog 'esame'...

another thought, far more revolutionary: “Maybe they just don’t care!

The pastures, fields, and scrubby groves they crossed were vigorous with bees, and crickets leapt before them as if each step released a spring and flung them up like pebbles.

Still—there’s no use trying to figure why things fall the way they do. Things just are, and fussing don’t bring changes.

Sitting relaxed with his back against the trunk was a boy, almost a man. And he seemed so glorious to Winnie that she lost her heart at once.

Now, remember Winifred, don't bite your fingernails. Don't interrupt when someone else is speaking, and don't go down to the jailhouse at midnight to change places with Prisoners

And then his throat closed. For it was there. He had wanted it to be there, but now that he saw it, he was overcome with sadness.

The way I see it,” Miles went on, “it’s no good hiding yourself away, like Pa and lots of other people. And it’s no good just thinking of your own pleasure, either. People got to do something useful if they’re going to take up space in the world.

Winnie did not believe in fairy tales. She had never longed for a magic wand, did not expect to marry a prince, and was scornful—most of the time—of her grandmother’s elves. So now she sat, mouth open, wide-eyed, not knowing what to make of this extraordinary story. It couldn’t—not a bit of it—be true. And yet:

When the world you're used to, that same old world you thought you knew so well, turns itself suddenly upside down, what can you do? Everything comes tumbling off the shelves of your expectations; nothing fits anymore.

You've got nothing that lasts, you know. That's not the first town that ever stood there. There was one before that, and one before that, and one before that one, on back for 900 years. But this tree has stood here all along. What do you make of that, boy?

He knows you?” said Mae, her frown deepening. “But you didn’t call out to him, child. Why not?” “I was too scared to do anything ,” said Winnie honestly. Tuck shook his head. “I never thought we’d come to the place where we’d be scaring children,” he said.

For the wood was full of light, entirely different from the light she was used to. It was green and amber and alive, quivering in splotches on the padded ground, fanning into sturdy stripes between the tree trunks. There were little flowers she did not recognize, white and palest blue; and endless, tangled vines; and here and there a fallen log, half rotted but soft with patches of sweet green-velvet moss.

A halál az örök körforgás része, akárcsak a párja, a születés. Nem lehet kiválogatni a nekünk tetsző darabokat, és a többit félredobni. A nagy egész részének lenni áldás. De minket, a Tuck családot kihagytak ebből. Az élet kemény munka, de félredobva élni, úgy, ahogy mi, felesleges. (…) A halál nélkül nincs élet. Úgyhogy azt, ami nekünk jutott nem lehet életnek nevezni. Mi csak vagyunk, mint a kövek az út mentén.

And then sometimes it comes over me and I wonder why it happened to us. We’re plain as salt, us Tucks. We don’t deserve no blessings—if it is a blessing. And, likewise, I don’t see how we deserve to be cursed, if it’s a curse. Still—there’s no use trying to figure why things fall the way they do. Things just are, and fussing don’t bring changes.

Into it all came Winnie, eyes wide, and very much amazed. It was a whole new idea to her that people could live in such disarray, but at the same time she was charmed. It was…comfortable. Climbing behind Mae up the stairs to see the loft, she thought to herself: “Maybe it’s because they think they have forever to clean it up.” And this was followed by

Here, child, said Mae hastily Hide your eyes. Boys? Are you decent? What'd you put on to swim in? I got Winnie Foster in the house? For goodness sake ma said Jesse emerging from the stairwell . You think were going to march around in our altogether with Winnie Foster in the house? And Miles behind him sain we just jumped in with our clothes on too tired to shed them It was true. They stood there side by side with their wet clothes plastered to their skins, little pools of water collecting at their feet.

No,” said Tuck calmly. “Not now. Your time’s not now. But dying’s part of the wheel, right there next to being born. You can’t pick out the pieces you like and leave the rest. Being part of the whole thing, that’s the blessing. But it’s passing us by, us Tucks. Living’s heavy work, but off to one side, the way we are, it’s useless, too. It don’t make sense. If I knowed how to climb back on the wheel, I’d do it in a minute. You can’t have living without dying. So you can’t call it living, what we got. We just are, we just be, like rocks beside the road.

The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning. The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot. It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. Often at night there is lightning, but it quivers all alone. There is no thunder, no relieving rain. These are strange and breathless days, the dog days, when people are led to do things they are sure to be sorry for after. One

Well, thought Winnie, crossing her arms of the windowsill, she was different. Things had happened to her that were hers alone, and had nothing to do with them. It was the first time. And no amount of telling about it could help them understand or share what she felt. It was satisfying and lonely, both at once. She rocked, gazing out at the twilight, and the soothing feeling came reliably into her bones. That feeling—it tied her to them, to her mother, her father, her grandmother, with strong threads too ancient and precious to be broken. But there were new threads now, tugging and insistent, which tied her just as firmly to the Tucks” "Winnie watched the sky slide into blackness over the wood outside her window. There was not the least hint of a breeze to soften the heavy August night. And then, over the treetops, on the faraway horizon, there was a flash of white. Heat lightning. Again and again it throbbed, without a sound. It was like pain, she thought. And suddenly she longed for a thunderstorm." "She cradled her head in her arms and closed her eyes. At once the image of the man in the yellow suit rose up. She could see him again, sprawled motionless on the sun-blanched grass. 'He can't die,' she whispered, thinking of Mae. 'He mustn't.

It was one thing to talk about being by yourself, doing important things, but quite another when the opportunity arose. The characters in the stories she read always seemed to go off without a thought or care, but in real life—well, the world was a dangerous place. People were always telling her so. And she would not be able to manage without protection. They were always telling her that, too. No one ever said precisely what it was that she would not be able to manage. But she did not need to ask. Her own imagination supplied the horrors.

After that we went sort of crazy,” said Jesse, grinning at the memory. “Heck, we was going to live forever. Can you picture what it felt like to find that out?” “But then we sat down and talked it over…” said Miles. “We’re still talking it over,” Jesse added. “And we figured it’d be very bad if everyone knowed about that spring,” said Mae. “We begun to see what it would mean.” She peered at Winnie. “Do you understand, child? That water--it stops you right where you are. If you’d had a drink of it today, you’d stay a little girl forever. You’d never grow up, not ever.” “We don’t know how it works, or even why,” said Miles. “Pa thinks it’s something left over from--well, from some other plan for the way the world should be,” said Jesse. “Some plan that didn’t work out too good. And so everything was changed. Except that the spring was passed over, somehow or other. Maybe he’s right. I don’t know. But you see, Winnie Foster, when I told you before I’m a hundred and four years old, I was telling the truth. But I’m really only seventeen. And, so far as I know, I’ll stay seventeen till the end of the world.

All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief  by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief  (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle

I’m getting thirstier every minute. If it didn’t hurt you, it won’t hurt me. If my papa was here, he’d let me have some.” “You’re not going to tell him about it, are you?” said Jesse. His face had gone very pale under its sunburn. He stood up and put a bare foot firmly on the pile of pebbles. “I knew this would happen sooner or later. Now what am I going to do?” As he said this, there was a crashing sound among the trees and a voice called, “Jesse?” “Thank goodness!” said Jesse, blowing out his cheeks in relief. “Here comes Ma and Miles. They’ll know what to do.” And sure enough, a big, comfortable-looking woman appeared, leading a fat old horse, and at her side was a young man almost as beautiful as Jesse. It was Mae Tuck with her other son, Jesse’s older brother. And at once, when she saw the two of them, Jesse with his foot on the pile of pebbles and Winnie on her knees beside him, she seemed to understand. Her hand flew to her bosom, grasping at the old brooch that fastened her shawl, and her face went bleak. “Well, boys,” she said, “here it is. The worst is happening at last.

There! The boys are in from the pond.” Winnie heard a burst of voices downstairs, and in a moment Miles and Jesse were climbing to the loft. “Here, child,” said Mae hastily. “Hide your eyes. Boys? Are you decent? What’d you put on to swim in? I got Winnie up here, do you hear me?” “For goodness’ sake, Ma,” said Jesse, emerging from the stairwell. “You think we’re going to march around in our altogether with Winnie Foster in the house?” And Miles, behind him, said, “We just jumped in with our clothes on. Too hot and tired to shed ’em.” It was true. They stood there side by side with their wet clothes plastered to their skins, little pools of water collecting at their feet. “Well!” said Mae, relieved. “All right. Find something dry to put on. Your pa’s got supper nearly ready.” And she hustled Winnie down the narrow stairs.

In Loving Memory Winifred Foster Jackson Dear Wife Dear Mother 1870--1948 “So,” said Tuck to himself. “Two years. She’s been gone two years.” He stood up and looked around, embarrassed, trying to clear the lump from his throat. But there was no one to see him. The cemetery was very quiet. In the branches of a willow behind him, a red-winged blackbird chirped. Tuck wiped his eyes hastily. Then he straightened his jacket again and drew up his hand in a brief salute. “Good girl,” he said aloud. And then he turned and left the cemetery, walking quickly. Later, as he and Mae rolled out of Treegap, Mae said softly, without looking at him, “She’s gone?” Tuck nodded. “She’s gone,” he answered. There was a long moment of silence between them, and then Mae said, “Poor Jesse.” “He knowed it, though,” said Tuck. “At least, he knowed she wasn’t coming. We all knowed that, long time ago.” “Just the same,” said Mae. She sighed. And then she sat up a little straighter. “Well, where to now, Tuck? No need to come back here no more.” “That’s so,” said Tuck. “Let’s just head on out this way. We’ll locate something.” “All right,” said Mae. And then she put a hand on his arm and pointed. “Look out for that toad.” Tuck had seen it, too. He reined in the horse and climbed down from the wagon. The toad was squatting in the middle of the road, quite unconcerned. In the other lane, a pickup truck rattled by, and against the breeze it made, the toad shut its eyes tightly. But it did not move. Tuck waited till the truck had passed, and then he picked up the toad and carried it to the weeds along the road’s edge. “Durn fool thing must think it’s going to live forever,” he said to Mae. And soon they were rolling on again, leaving Treegap behind, and as they went, the tinkling little melody of a music box drifted out behind them and was lost at last far down the road.

Afterward, when she thought about it, it seemed to Winnie that the next few minutes were only a blur. First she was kneeling on the ground, insisting on a drink from the spring, and the next thing she knew, she was seized and swung through the air, open-mouthed, and found herself straddling the bouncing back of the fat old horse, with Miles and Jesse trotting along on either side, while Mae ran puffing ahead, dragging on the bridle. Winnie had often been haunted by visions of what it would be like to be kidnapped. But none of her visions had been like this, with her kidnappers just as alarmed as she was herself. She had always pictured a troupe of burly men with long black moustaches who would tumble her into a blanket and bear her off like a sack of potatoes while she pleaded for mercy. But, instead, it was they, Mae Tuck and Miles and Jesse, who were pleading. “Please, child…dear, dear child…don’t you be scared.” This was Mae, trying to run and call back over her shoulder at the same time. “We…wouldn’t harm you…for the world.” “If you’d…yelled or anything”--this was Jesse--“someone might’ve heard you and…that’s too risky.” And Miles said, “We’ll explain it…soon as we’re far enough away." Winnie herself was speechless.

And then Winnie said something she had never said before, but the words were words she had sometimes heard, and often longed to hear. They sounded strange on her own lips and made her sit up straighter. “Mr. Tuck,” she said, “don’t worry. Everything’s going to be all right.” The constable glanced heavenward and shook his head. Then, clutching his shotgun, he climbed up behind Winnie and turned the horse toward the path. “You first,” he barked at Mae, “I got to keep an eye on you. And as for you,” he added grimly, speaking to Tuck, “you better hope that feller don’t die on you. I’ll be back soon as I can.” “Everything’ll be all right,” Tuck repeated slowly. Mae, slumped on the back of the fat old horse, did not respond. But Winnie leaned round the constable and looked back at Tuck. “You’ll see,” she said. And then she faced forward, sitting very straight. She was going home, but the thought of that was far from her mind. She watched the rump of the horse ahead, the swish of coarse, dusty hairs as he moved his tail. And she watched the swaying, sagging back of the woman who rode him. Up through the dim pine trees they went, the constable’s breath wheezing in her ears, and emerging from the coolness and the green, Winnie saw again the wide world spread before her, shimmering with light and possibility. But the possibilities were different now. They did not point to what might happen to her but to what she herself might keep from happening. For the only thing she could think of was the clear and terrible necessity: Mae Tuck must never go to the gallows. Whatever happened to the man in the yellow suit, Mae Tuck must not be hanged. Because if all they had said was true, then Mae, even if she were the cruelest of murderers and deserved to be put to death--Mae Tuck would not be able to die.