Hilary Mantel Quotes

It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.

Some of these things are true and some of them lies. But they are all good stories.

You're only young once, they say, but doesn't it go on for a long time? More years than you can bear.

The things you think are the disasters in your life are not the disasters really. Almost anything can be turned around: out of every ditch, a path, if you can only see it.

It is all very well planning what you will do in six months, what you will do in a year, but it’s no good at all if you don’t have a plan for tomorrow.

If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to ­music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be. Open a gap for them, create a space. Be patient.

You learn nothing about men by snubbing them and crushing their pride. You must ask them what it is they can do in this world, that they alone can do.

When you are writing laws you are testing words to find their utmost power. Like spells, they have to make things happen in the real world, and like spells, they only work if people believe in them.

Those who are made can be unmade.

He thinks, I remembered you, Thomas More, but you didn't remember me. You never even saw me coming.

The word 'however' is like an imp coiled beneath your chair. It induces ink to form words you have not yet seen, and lines to march across the page and overshoot the margin. There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.

Why are we so attached to the severities of the past? Why are we so proud of having endured our fathers and our mothers, the fireless days and the meatless days, the cold winters and the sharp tongues? It's not as if we had a choice.

No ruler in the history of the world has ever been able to afford a war. They're not affordable things. No prince ever says, 'This is my budget, so this is the kind of war I can have.

Truth can break the gates down, truth can howl in the street; unless truth is pleasing, personable and easy to like, she is condemned to stay whimpering at the back door.

Arrange your face

You can be merry with the king, you can share a joke with him. But as Thomas More used to say, it's like sporting with a tamed lion. You tousle its mane and pull its ears, but all the time you're thinking, those claws, those claws, those claws.

The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for ‘Back off, our prince is fucking this man's daughter.’ He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on.

When it was time to write, and he took his pen in his hand, he never thought of consequences; he thought of style. I wonder why I ever bothered with sex, he thought; there's nothing in this breathing world so gratifying as an artfully placed semicolon.

Over the city lies the sweet, rotting odor of yesterday's unrecollected sins.

At New Year's he had given Anne a present of silver forks with handles of rock crystal. He hopes she will use them to eat with, not to stick in people.

For what's the point of breeding children, if each generation does not improve on what went before.

She is very plain. What does Henry see in her?'" “He thinks she's stupid. He finds it restful.

Fortitude. ... It means fixity of purpose. It means endurance. It means having the strength to live with what constrains you.

But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.

This is what life does for you in the end; it arranges a fight you can't win.

I was always desired. But now i am valued. And that is a different thing, i find.

That's the point of a promise, he thinks. It wouldn't have any value, if you could see what it would cost you when you made it.

He needs guilty men. So he has found men who are guilty. Though perhaps not guilty as charged.

He once thought it himself, that he might die with grief: for his wife, his daughters, his sisters, his father and master the cardinal. But pulse, obdurate, keeps its rhythm. You think you cannot keep breathing, but your ribcage has other ideas, rising and falling, emitting sighs. You must thrive in spite of yourself; and so that you may do it, God takes out your heart of flesh, and gives you a heart of stone.

I have written books and I cannot unwrite them. I cannot unbelieve what I believe. I cannot unlive my life.

There is a pause, while she turns the great pages of her volume of rage, and puts her finger on just the right word.

The reader may ask how to tell fact from fiction. A rough guide: anything that seems particularly unlikely is probably true.

So many years of preparation, for what was called adult life: was it for this?

Suppose within each book there is another book, and within every letter on every page another volume constantly unfolding; but these volumes take no space on the desk. Suppose knowledge could be reduced to a quintessence, held within a picture, a sign, held within a place which is no place. Suppose the human skull were to become capacious, spaces opening inside it, humming chambers like beehives.

Men say," Liz reaches for her scissors, "'I can't endure it when women cry'--just as people say, 'I can't endure this wet weather.' As if it were nothing to do with the men at all, the crying. Just one of those things that happen.

It is better not to try people, not to force them to desperation. Make them prosper; out of superfluidity, they will be generous. Full bellies breed gentle manners. The pinch of famine makes monsters.

But if you cannot speak truth at a beheading, when can you speak it?

He turns to the painting. "I fear Mark was right." "Who is Mark?" "A silly little boy who runs after George Boleyn. I once heard him say I looked like a murderer." Gregory says, "Did you not know?

What is the nature of the border between truth and lies? It is permeable and blurred because it is planted thick with rumour, confabulation, misunderstandings and twisted tales. Truth can break the gates down, truth can howl in the street; unless truth is pleasing, personable and easy to like, she is condemned to stay whimpering at the back door.

It was not by a serpent, but by paper and ink that evil came into the world.

We are all dying, just at different speeds.

[T]he heart is like any other organ, you can weigh it on a scale.

If you marvel at your good fortune, you should marvel in secret: never let people see you.

There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing.

You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, in its strings, holds a concord. A shriveled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts.

But my sins are my strength, he thinks; the sins I have done, that others have not even found the opportunity of committing. I hug them close; they're mine.

It is almost a joke, but a joke that nobody tells.

Sometimes peace looks like war, you cannot tell them apart.

There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.

The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh.

...I shall be as tender to you as my father was not to me. For what's the point of breeding children, if each generation does not improve on who went before?

Erasmus says that you should praise a ruler even for qualities he does not have. For the flattery gives him to think. And the qualities he presently lacks, he might go to work on them.

At some point on your road you have to turn and start walking back towards yourself. Or the past will pursue you, and bite the nape of your neck, leave you bleeding in the ditch. Better to turn and face it with such weapons as you possess.

For one never thinks of you alone, Cremuel, but in company, studying the faces of other people, as if you yourself mean to paint them. You make other men think, not “what does he look like?” but “what do I look like?

...there is an art to being in a hurry but not showing it." 390

Let's say I will rip your life apart. Me and my banker friends." How can he explain that to him? The world is not run from where he thinks. Not from border fortresses, not even from Whitehall. The world is run from Antwerp, from Florence, from places he has never imagined; from Lisbon, from where the ships with sails of silk drift west and are burned up in the sun. Not from the castle walls, but from counting houses, not be the call of the bugle, but by the click of the abacus, not by the grate and click of the mechanism of the gun but by the scrape of the pen on the page of the promissory note that pays for the gun and the gunsmith and the powder and shot.

Our virtues make us; but virtues are not enough, we must deploy our vices at times.

If you are without impulses, you are, to a degree, without joy..." 469

[H]ope takes you by the throat like a stranger, it makes your heart leap...

But who would hold up his head, if people judged us by what we were like at twenty?" 398

What can you do but, as Cicero says, live hopefully, die bravely?

He wonders again if the dead need translators; perhaps in a moment, in a simple twist of unbecoming, they know everything they need to know.

Those who think a heart cannot break have led blessed and sheltered lives.

He saw that it was the gaps that were important, the spaces between the threads which made the pattern, and not the threads themselves.

There are some people in this world who like everything squared up and precise, and there are those who will allow some drift at the margins.

It's the living that turn and chase the dead. The long bones and skulls are tumbled from their shrouds, and words like stones thrust into their rattling mouths: we edit their writings, we rewrite their lives.

But the law is not an instrument to find out truth. It is there to create a fiction that will help us move past atrocious act and face our future. It seems there is no mercy in this world, but a kind of haphazard justice: men pay for crimes, but not necessarily their own.

A statute is written to entrap meaning, a poem to escape it.

But I had to think to myself that this was normal, because that was the attitude. I was 19 when I went to see my doctor and I was told it was all in the mind.

...an elegant woman, with a refinement that makes mere prettiness seem redundant.

She lives on the fumes of whiskey and the iron in the blood of her prey.

It is a sure sign of troubled minds, the habit of quotation.

A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.

It's not easy to diagnose because depending where the endometrial deposits are, the symptoms can be quite different. It's an unrecognized problem among teenage girls, and it's something that every young woman who has painful menstruation should be aware of ... it's a condition that is curable if it's caught early. If not, if it's allowed to run on, it can cause infertility, and it can really mess up your life. [Author Hilary Mantel on being asked about being a writer with endometriosis, Nov 2012 NPR interview]

He never lives in a single reality, but in a shifting shadow-mesh of diplomatic possibilities.

Oh, by the thrice-beshitten shroud of Lazarus!

Everybody wants something, if only for the pain to stop.

Robespierre has never forgiven his friends the injuries he has done them, nor the kindnesses he has received from them, nor the talents some of them possess that he doesn’t.

Edward Seymour says, ‘You should have been a bishop, Cromwell.’ ‘Edward,’ he says, ‘I should have been Pope.

It is not the stars that make us, Dr. Butts, it is circumstance and necessita, the choices we make under pressure; our virtues make us, but virtues are not enough, we must deploy our vices at times. Or don't you agree?

If a man spoke to you in that tone, you'd invite him to step outside and ask someone to hold your coat." 378

92, '93, '94. Liberty, Equality, Fraternity or Death.

Look at my face: I am not afraid of any man alive.

Your love of glory must conquer your will to survive; or why fight at all? Why not be a smith, a brewer, a wool merchant? Why are you in the contest, if not to win, and if not to win, then to die?

Damn it all, Cromwell, why are you such a . . . person? It isn’t as if you could afford to be.

Possibly it’s something women do: spend time imagining what it’s like to be each other. One can learn from that, he thinks.

Full bellies breed gentle manners. The pinch of famine makes monsters.

I was the subject of an experiment in love. I lived my life under her gaze, undergoing certain trials for her so that she would not have to undergo them for herself. But, how are our certainties forged, except by the sweat and tears of other people? If your parents don't teach you how to live; you learn it from books; and clever people watch you learn from your mistakes.

You mustn't stand about. Come home with me to dinner.’ ‘No.’ More shakes his head. ‘I would rather be blown around on the river and go home hungry. If I could trust you only to put food in my mouth – but you will put words into it.

You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy,’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.

...this is what death does to you, it takes and takes, so that all that is left of your memories is a faint tracing of spilled ash.

My lord, what do you call a whore when she is a knight’s daughter?” “Ah,” the cardinal says, entering into the problem. “To her face, ‘my lady.

He feared, in his secret heart, that one day in company the baby would sit up and speak; that it would engage his eyes, appraise him, and say, 'You prick.

It is not easy to talk about a condition once dismissed as ‘the career women’s disease’. But women will continue to suffer until we realise the cost of ignoring it

God knows our hearts. There is no need for an idle formula or an intermediary. No need for language either: God is beyond translation.

When he wakes he has to learn the lack of her all over again

The story of my own childhood is a complicated sentence that I am always trying to finish, to finish and put behind me. It resists finishing, and partly this is because words are not enough; my early world was synaesthesic, and I am haunted by the ghosts of my own sense impressions, which re-emerge when I try to write, and shiver between the lines.

The weight of the old world is stifling, and trying to shovel its weight off your life is tiring just to think about. The constant shuttling of opinions is tiring, and the shuffling of papers across desks, the chopping of logic and the trimming of attitudes. There must, somewhere, be a simpler, more violent world.

He knows different now. It's the living that chase the dead. The long bones and skulls are tumbled from their shrouds, and words like stones thrust into their rattling mouths: we edit their writings, we rewrite their lives. Thomas More had spread the rumor that Little Bilney, chained to the stake, had recanted as the fire was set. It wasn't enough for him to take Bilney's life away; he had to take his death too.

In England there is no mercy for the poor. You pay for everything, even a broken neck." 472

The world moves on so fast, and we lose all chance of being the women our mothers were; we lose all understanding of what shaped them.

This was an idea peculiar to Camille, Maximilien thought, that the worse things get, the better they get. No one else seems to think this way.

It doesn’t matter what the terms are, just that there are terms. It’s the goodwill that matters. When that runs out, the treaty is broken, whatever the terms say.

This was the usual thing. What I asked for was facts: what I got was a sermon.

Some say the Tudors transcend this history, bloody and demonic as it is: that they descend from Brutus through the line of Constantine, son of St Helena, who was a Briton. Arthur, High King of Britain, was Constantine's grandson. He married up to three women, all called Guinevere, and his tomb is at Glastonbury, but you must understand that he is not really dead, only waiting his time to come again. His blessed descendant, Prince Arthur of England, was born in the year 1486, eldest son of Henry, the first Tudor king. This Arthur married Katharine the princess of Aragon, died at fifteen and was buried in Worcester Cathedral. If he were alive now, he would be King of England. His younger brother Henry would likely be Archbishop of Canterbury, and would not (at least, we devoutly hope not) be in pursuit of a woman of whom the cardinal hears nothing good: a woman to whom, several years before the dukes walk in to despoil him, he will need to turn his attention; whose history, before ruin seizes him, he will need to comprehend. Beneath every history, another history.

He never sees More – a star in another firmament, who acknowledges him with a grim nod – without wanting to ask him, what's wrong with you? Or what's wrong with me? Why does everything you know, and everything you've learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too. Show me where it says, in the Bible, ‘Purgatory’. Show me where it says relics, monks, nuns. Show me where it says ‘Pope’.

DANTON: Could you indeed? It's you idealists who make the best tyrants. ROBESPIERRE: It seems a bit late to be having this conversation. I've had to take up violence now, and so much else. We should have discussed it last year.

a grey wrinkled vastness, like the residue of a dream

I think, if you're going to kill a man, do it. Don't write him a letter about it. Don't bluster and threaten and put him on his guard.

You . . . person,” he says; and again, “you nobody from Hell, you whore-spawn, you cluster of evil, you lawyer.

I begin to understand you.” She nods. “The blacksmith makes his own tools.

Nothing hurts, or perhaps it’s that everything hurts, because there is no separate pain that he can pick out.

Account books form a narrative as engaging as any tale of sea monsters or cannibals.

Feminism hasn't failed, it's just never been tried.

By the tits of Holy Agnes

The king never does an upleasent thing. Lord Cromwell does it for him.

No. I am not sad. I am not allowed to be. I am too useful to be sad.

Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time.

As Danton sees it, the most bizarre aspect of Camille's character is his desire to scribble over every blank surface; he sees a guileless piece of paper, virgin and harmless, and persecutes it till it is black with words, and then besmirches its sister, and so on, through the quire.

Once he had watched Liz making a silk braid. One end was pinned to the wall and on each finger of her raised hands she was spinning loops of thread, her fingers flying so fast he couldn’t see how it worked. ‘Slow down,’ he said, ‘so I can see how you do it,’ but she’d laughed and said, ‘I can’t slow down, if I stopped to think how I was doing it I couldn’t do it at all.

So now get up.' Felled, dazed, silent, he has fallen; knocked full length on the cobbles of the yard. His head turns sideways; his eyes are turned toward the gate, as if someone might arrive to help him out. One blow, properly placed, could kill him now.

Some said the world would end in 1533. Last year had its adherents too. Why not this year? There is always somebody ready to claim that these are the end times, and nominate his neighbor as the Antichrist.

Have you ever observed that when a man gets a son he takes all the credit, and when he gets a daughter he blames his wife? And if they do not breed at all, we say it is because her womb is barren. We do not say it is because his seed is bad.

He doesn't believe the dead need our prayers, nor can they use them. But anyone who knows the Bible as he does, knows that our God is a capricious God, and there's no harm in hedging your bets.

When have I, when have I ever forced anyone to do anything, he starts to say: but Richard cuts in, "No, you don't, I agree, it's just that you are practiced at persuading, and sometimes it's quite difficult, sir, to distinguish being persuaded by you from being knocked down in the street and stamped on." -Richard (?) nee Cromwell to Thomas Cromwell,358

No rational man could worship a God so simply vengeful

We may be tainted with pragmatism, but it only needs a clash of personalities to remind us of our principles.

The king is good to those who think him good.

How many men can say, as I must, 'I am a man whose only friend is the King of England'? I have everything, you would think. And yet take Henry away, and I have nothing.

Why did you let her take the head off London Bridge?" Cromwell:"You know me, Stephen. The fluid of benevolence flows through my veins and sometimes overspills.

They claim they're living the vita apostolica; but you didn't find the apostles feeling each other's bollocks.

...there are liasons which would put yours in the shade...

Slow down,’ he said, ‘so I can see how you do it,’ but she’d laughed and said, ‘I can’t slow down, if I stopped to think how I was doing it I couldn’t do it at all.

The prose,” Robespierre said. “It’s so clean, no conceits, no show, no wit. He means every word. Formerly, you see, he meant every other word. That was his style.

Writing's like running downhill; can't stop if you want to.

By the hairy balls of Jesus

It's always the wrong bits of the past people want back.

The multitude," Cavendish says, "is always desirous of a change. They never see a great man set up but they must pull him down--for the novelty of the thing.

Is a woman bound to wifely obedience, when the result will be to turn her out of the estate of wife?

Sometimes I'm at stool all night." 507

Do you know you can learn from pain?’ But, he explains, the circumstances must be right. To learn, you must have a future:

You should not desire, he knows, the death of any human creature. Death is your prince, you are not his patron; when you think he is engaged somewhere, he will batter down your door, walks in and wipes his boots on you.

I think now that this is the great division between people. There are people who find life hard and those who find it easy. There are those who have a natural, in-built, expectation of happiness, and there are those who feel that happiness is not to be expected: that it is not, in fact, one of the rights of man. Nor, God knows, one of the rights of women.

This revolution - will it be a living?' 'We must hope so. Look, I have to go, I'm visiting a client. He's going to be hanged tomorrow.' 'Is that usual?' 'Oh, they always hang my clients. Even in property and matrimonial cases.

is a prince even human? If you add him up, does the total make a man? He is made of shards and broken fragments of the past, of prophecies and of the dreams of his ancestral line. The tides of history break inside him, their current threatens to carry him away. His blood is not his own, but ancient blood.

I picked up a snake once. In Italy." "Why did you do that?" "For a bet." "Was it poisonous?" "We didn't know. That was the point of the bet." "Did it bite you?" "Of course." "Why of course?" "It wouldn't be much of a story, would it? If I'd put it down unharmed, and away it slid?

You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing.

I know she’s rather plain, but every girl has a right to conceal that fact from people who haven’t seen her.

The English will never be forgiven for the talent for destruction they have always displayed when they get off their own island.

Sólo eres joven una vez en la vida, dicen, ¿pero no se alarga mucho el tiempo? Más años de los que puedes soportar.

I was bound to step out of line, if only because I did not know where the line was: if only because I did not know anything.

Our schools kept from us, for as long as they could, the dangerous, disruptive, upsetting knowledge of our own female nature.

So this morning--waking early, brooding on what Liz said last night--he wonders, why should my wife worry about women who have no sons? Possibly it's something women do: spend time imagining what it's like to be each other.

Now, sensing that he has less than a week to live, he must pick up his images from where he has left them, walking his own inner terrain. . . He must traverse his whole life, waking and sleeping: you cannot leave your memories alone in this world, for other men to own.

He thinks, the cardinal would have known how best to manage this. Wolsey always said, work out what people want, and you might be able to offer it; it is not always what you think, and may be cheap to supply.

He is not a man wedded to action, Boleyn, but rather a man who stands by, smirking and stroking his beard; he thinks he looks enigmatic, but instead he looks as if he's pleasuring himself.

I look like a watermelon with a great slice hacked out. I say to myself, it's just another border post on the frontier between medicine and greengrocery; growths and tumour seem always to be described as "the size of a plum" or "the size of a grapefruit".

. . .She turns her head away, but through the thin film of her veil he can see her skin glow. Because women will coax: tell me, just tell me something, tell me your thoughts; and this he has done.

The maid found a handkerchief of hers, under the bed in which she had died. A ring that had been missing turned up in his own writing desk. A tradesman arrived with fabric she had ordered three weeks ago. Each day, some further evidence of a task half finished, a scheme incomplete. He found a novel, with her place marked. And this is it.

When Gregory says, ‘Are they guilty?’ he means, ‘Did they do it?’ But when he says, ‘Are they guilty?’ he means, ‘Did the court find them so?’ The lawyer’s world is entire unto itself, the human pared away.

Why does everything you know, and everything you’ve learned, confirm you in what you believed before? Whereas in my case, what I grew up with, and what I thought I believed, is chipped away a little and a little, a fragment then a piece and then a piece more. With every month that passes, the corners are knocked off the certainties of this world: and the next world too.

The authorities in Yorkshire have rounded up their rioters, and divided them into those to be charged with affray and manslaughter, and those to be indicted for murder and rape. Rape? Since when do food riots involve rape? But I forget, this is Yorkshire."530

The world corrupts me, I think. Or perhaps it's just the weather. It pulls me down and makes me think like you, that one should shrink inside, down and down to a little point of light, preserving one's solitary soul like a flame under glass

You can’t get away from dire health, but you may as well get some use out of it. It is not a question of making sense of suffering, because nothing does make sense of it. It is a question of not… sinking into it. It is talking back to whatever hurts, whether that is physical or psychological, so that it doesn’t submerge you.

When the cardinal came to a closed door he would flatter it--oh beautiful yielding door! Then he would try tricking it open. And you are just the same, just the same." He pours himself some of the duke's present. "But in the last resort, you just kick it in.

In the forest you may find yourself lost, without companions. You may come to a river which is not on a map. You may lose sight of your quarry, and forget why you are there. You may meet a dwarf, or the living Christ, or an old enemy of yours; or a new enemy, one you do not know until you see his face appear between the rustling leaves, and see the glint of his dagger. You may find a woman asleep in a bower of leaves. For a moment, before you don’t recognise her, you will think she is someone you know.

~ You know young Francis Weston? He that waits on the king? His people are giving out that you’re a Hebrew... Next time you’re at court, take your cock out and put it on the table and see what he says to that. ~ I do that anyway, if the conversation flags.

He looked the Prince up and down, like a hangman taking his measurements. 'Of course there will be a revolution,' he said. 'You are making a nation of Cromwells. But we can go beyond Cromwell, I hope. In fifteen years you tyrants and parasites will be gone. We shall have set up a republic, on the purest Roman model.

Rafe asks him, could the king's freedom be obtained, sir, with more economy of means? Less bloodshed? Look, he says: once you have exhausted the process of negotiation and compromise, one you have fixed on the destruction of an enemy, that destruction must be swift and it must be perfect. Before you even glance in his direction, you should have his name on a warrant, the ports blocked, his wife and friends bought, his heir under your protection, his money in your strong room and his dog running to your whistle. Before he wakes in the morning, you should have the axe in your hand.

Seven Wise Men, he tells Gregory: here are their sayings. Moderation in all things, nothing to excess (those two are the same, wisdom can be repetitious). Know yourself. Know your opportunity. Look ahead. Don’t try for the impossible. And Bias of Priene: pleistoi anthropoi kakoi, most men are bad.

If you help load a cart you get a ride in it, as often as not. It gives him to think, how bad people are at loading carts. Men trying to walk straight ahead through a narrow gateway with a wide wooden chest. A simple rotation of the object solves a great many problems.

Anne's lovers are phantom gentlemen, flitting by night with adulterous intent. They come and go by night, unchallenged. They skim over the river like midges, flicker against the dark, their doublets sewn with diamonds. The moon sees them, peering from her hood of bone, and Thames water reflects them, glimmering like fish, like pearls.

A lie is no less a lie because it is a thousand years old. Your undivided church has liked nothing better than persecuting its own members, burning them and hacking them apart when they stood by their own conscience, slashing their bellies open and feeding their guts to dogs.

His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop’s palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything.

Christ, he thinks, by my age I ought to know. You don't get on by being original. You don't get on by being bright. You don't get on by being strong. You get on by being a subtle crook; somehow he thinks that's what Norris is, and he feels an irrational dislike taking root, and he tries to dismiss it, because he prefers his dislikes rational, but after all, these circumstances are extreme, the cardinal in the mud, the humiliating tussle to get him back in the saddle, the talking, talking, on the barge, and worse, the talking, talking on his knees, as if Wolsey's unraveling, in a great unweaving of scarlet thread that might lead you back into a scarlet labyrinth, with a dying monster at its heart.

He cannot lock us all up.” “He has prisons enough.” “For bodies, yes. But what are bodies? He can take our goods, but God will prosper us. He can close the booksellers, but still there will be books. They have their old bones, their glass saints in windows, their candles and shrines, but God has given us the printing press.

The king believes that even if he were not king, he would still be a great man. This is because God likes him. He needs to be liked and he needs to be right. But above all he needs to be listened to, with very close attention. Never enter a contest of wills with the king. Do not flatter him. Instead, give him something he can take credit for. Ask him questions to which you know the answers. Do not ask him the other sort of question.

Concentrate on sharpening your memory and peeling your sensibility. Cut every page you write by at least one third. Stop constructing those piffling little similes of yours. Work out what it is you want to say. Then say it in the most direct and vigorous way you can. Eat meat. Drink blook. Give up your social life and don't think you can have friends. Rise in the quiet hours of the night and prick your fingertips and use the blood for ink; that will cure you of persiflage!

It is wise to conceal the past even if there is nothing to conceal. A man’s power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.

What is the nature of the border between truth and lies? It is permeable and blurred because it is planted thick with rumour, confabulation, misunderstandings and twisted tales. Truth can break the gates down, truth can howl in the street; unless truth is pleasing, personable and easy to like, she is condemned to stay whimpering at the back door.

Another man would have trouble imagining it, but he has no trouble. The red of a carpet’s ground, the flush of the robin’s breast or the chaffinch, the red of a wax seal or the heart of the rose: implanted in his landscape, cered in his inner eye, and caught in the glint of a ruby, in the color of blood, the cardinal is alive and speaking. Look at my face: I am not afraid of any man alive.

It is magnificent. At the moment of impact, the king's eyes are open, his body braced for the atteint; he takes the blow perfectly, its force absorbed by a body securely armoured, moving in the right direction, moving at the right speed. His colour does not alter. His voice does not shake. "Healthy?" he says. "Then I thank God for his favour to us. As I thank you, my lords, for this comfortable intelligence." He thinks, Henry has been rehearsing. I suppose we all have. The king walks away towards his own rooms. Says over his shoulder, "Call her Elizabeth. Cancel the jousts.

Richard goes with a bob of the head but without another word. It seems he interprets 'don't tell anybody' as 'don't tell anybody but Rafe', because ten minutes later Rafe comes in, and stands looking at him, with his eyebrows raised. Red-headed people can look quite strained when they are raising eyebrows that aren't really there.

The spectacles of pain and disgrace I see around me, the ignorance, the unthinking vice, the poverty and the lack of hope, and oh, the rain—the rain that falls on England and rots the grain, puts out the light in the man’s eye and the light of learning too, for who can reason if Oxford is a giant puddle and Cambridge is washing away downstream, and who will enforce the laws if the judges are swimming for their lives?

When Wyatt writes, his lines fledge feathers, and unfolding this plumage they dive below their meaning and skim above it. They tell us that the rules of power and the rules of war are the same, the art is to deceive; and you will deceive, and be deceived in your turn, whether you are an ambassador or a suitor. Now, if a man's subject is deception, you are deceived if you think you grasp his meaning. You close your hand as it flies away. A statute is written to entrap meaning, a poem to escape it.

Evidence is always partial. Facts are not truth, though they are part of it – information is not knowledge. And history is not the past – it is the method we have evolved of organising our ignorance of the past. It’s the record of what’s left on the record. It’s the plan of the positions taken, when we to stop the dance to note them down. It’s what’s left in the sieve when the centuries have run through it – a few stones, scraps of writing, scraps of cloth. It is no more “the past” than a birth certificate is a birth, or a script is a performance, or a map is a journey. It is the multiplication of the evidence of fallible and biased witnesses, combined with incomplete accounts of actions not fully understood by the people who performed them. It’s no more than the best we can do, and often it falls short of that.

He wants to say, because Anne is not a carnal being, she is a calculating being, with a cold slick brain at work behind her hungry black eyes. "I believe any woman who can say no to the King of England and keep on saying it, has the wit to say no to any number of men, including you, including Harry Percy, including anyone else she may choose to torment for her own sport while she is arranging her career in the way it suits her. So I think, yes, you've been made into a fool, but not quite in the way you thought.

Do you know Camille Desmoulins?” he asked. “Have you seen him? He’s one of these law-school boys. Never used anything more dangerous than a paper knife.” He shook his head wonderingly. “Where do they come from, these people? They’re virgins. They’ve never been to war. They’ve never been on the hunting field. They’ve never killed an animal, let alone a man. But they’re such enthusiasts for murder.

The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman’s sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh.

What is a woman’s life? Do not think, because she is not a man, she does not fight. The bedchamber is her tilting ground, where she shows her colours, and her theatre of war is the sealed room where she gives birth. She knows she may not come alive out of that bloody chamber. Before her lying-in, if she is prudent, she settles her affairs. If she dies, she will be lamented and forgotten. If the child dies, she will be blamed. If she lives, she must hide her wounds. Her injuries are secret, and her sisters talk about them behind the hand. It is Eve’s sin, the long continuing punishment it incurred, that tears at her from the inside and shreds her. Whereas we bless an old soldier and give him alms, pitying his blind or limbless state, we do not make heroes of women mangled in the struggle to give birth. If she seems so injured that she can have no more children, we commiserate with her husband.

Wolsey always said that the making of a treaty is the treaty. It doesn't matter what the terms are, just that there are terms. It's the goodwill that matters. When that runs out, the treaty is broken, whatever the terms say. It is the processions that matter, the exchange of gifts, the royal games of bowls, the tilts, jousts and masques; these are not preliminaries to the process, they are the process itself.

When men decided women could be educated - this is what I think - they educated them on the male plan; they put them into schools with mottoes and school songs and muddy team games, they made them were collars and ties. It was a way to concede the right to learning, yet remain safe; the products of the system would always be inferior to the original model. Women were forced to imitate men, and bound not to succeed at it.

Life’s going to change. You thought it already had? Not nearly as much as it’s going to change now. Everything you disapprove of you’ll call “aristocratic.” This term can be applied to food, to books and plays, to modes of speech, to hairstyles and to such venerable institutions as prostitution and the Roman Catholic Church. If “Liberty” was the watchword of the first Revolution, “Equality” is that of the second. “Fraternity” is a less assertive quality, and must creep in where it may.

And beneath Cornwall, beyond and beneath this whole realm of England, beneath the sodden marshes of Wales and the rough territory of the Scots border, there is another landscape; there is a buried empire, where he fears his commissioners cannot reach. Who will swear the hobs and boggarts who live in the hedges and hollow trees, and the wild men who hide in the woods? Who will swear the saints in their niches, and the spirits that cluster at holy wells rustling like fallen leaves, and the miscarried infants dug in to unconsecrated ground: all those unseen dead who hover in winter around forges and village hearths, trying to warm their bare bones? For they too are his countrymen: the generations of uncounted dead, breathing through the living, stealing their light from them, the bloodless ghosts of lord and knave, nun and whore, the ghosts of priest and friar who feed on living England, and suck the substance from the future.

I used to think that the interesting issue was whether we should have a monarchy or not. But now I think that question is rather like, should we have pandas or not? Our current royal family doesn’t have the difficulties in breeding that pandas do, but pandas and royal persons alike are expensive to conserve and ill-adapted to any modern environment. But aren’t they interesting? Aren’t they nice to look at? Some people find them endearing; some pity them for their precarious situation; everybody stares at them, and however airy the enclosure they inhabit, it’s still a cage. And what they see, are the curious spectators looking at them, and then the turned backs of those spectators as they walk away.

He thinks, if you were born in Putney, you saw the river every day, and imagined it widening out to the sea. Even if you had never seen the ocean you had a picture of it in your head from what you had been told by foreign people who sometimes came upriver. You knew that one day you would go out into a world of marble pavements and peacocks, of hillsides buzzing with heat, the fragrance of crushed herbs rising around you as you walked. You planned for what your journeys would bring you: the touch of warm terra-cotta, the night sky of another climate, alien flowers, the stone-eyed gaze of other people’s saints. But if you were born in Aslockton, in flat fields under a wide sky, you might just be able to imagine Cambridge: no farther.

It is not written that great men shall be happy men. It is nowhere recorded that the rewards of public office include a quiet mind. He sits in Whitehall, the year folding around him, aware of the shadow of his hand as it moves across the paper, his own inconcealable fist; and in the quiet of the house, he can hear the soft whispering of his quill, as if his writing is talking back to him. Can you make a new England? You can write a new story. You can write new texts and destroy the old ones, set the torn leaves of Duns Scotus sailing about the quadrangles, and place the gospels in every church. You can write on England, but what was written before keeps showing through, inscribed on the rocks and carried on floodwater, surfacing from deep cold wells. It’s not just the saints and martyrs who claim the country, it’s those who came before them: the dwarves dug into ditches, the sprites who sing in the breeze, the demons bricked into culverts and buried under bridges; the bones under your floor. You cannot tax them or count them. They have lasted ten thousand years and ten thousand before that. They are not easily dispossessed by farmers with fresh leases and law clerks who adduce proof of title. They bubble out of the ground, wear away the shoreline, sow weeds among the crops and erode the workings of mines.

Wolsey sits with his elbows on his desk, his fingers dabbing his closed lids. He takes a great breath, and begins to talk: he begins to talk about England. You can’t know Albion, he says, unless you can go back before Albion was thought of. You must go back before Caesar’s legions, to the days when the bones of giant animals and men lay on the ground where one day London would be built. You must go back to the New Troy, the New Jerusalem, and the sins and crimes of the kings who rode under the tattered banners of Arthur and who married women who came out of the sea or hatched out of eggs, women with scales and fins and feathers; beside which, he says, the match with Anne looks less unusual. These are old stories, he says, but some people, let us remember, do believe them.

Once, in Thessaly, there was a poet called Simonides. He was commissioned to appear at a banquet, given by a man called Scopas, and recite a lyric in praise of his host. Poets have strange vagaries, and in his lyric Simonides incorporated verses in praise of Castor and Pollux, the Heavenly Twins. Scopas was sulky, and said he would pay only half the fee: ‘As for the rest, get it from the Twins.’ A little later, a servant came into the hall. He whispered to Simonides; there were two young men outside, asking for him by name. He rose and left the banqueting hall. He looked around for the two young men, but he could see no one. As he turned back, to go and finish his dinner, he heard a terrible noise, of stone splitting and crumbling. He heard the cries of the dying, as the roof of the hall collapsed. Of all the diners, he was the only one left alive. The bodies were so broken and disfigured that the relatives of the dead could not identify them. But Simonides was a remarkable man. Whatever he saw was imprinted on his mind. He led each of the relatives through the ruins; and pointing to the crushed remains, he said, there is your man. In linking the dead to their names, he worked from the seating plan in his head. It is Cicero who tells us this story. He tells us how, on that day, Simonides invented the art of memory. He remembered the names, the faces, some sour and bloated, some blithe, some bored. He remembered exactly where everyone was sitting, at the moment the roof fell in.

In Paris the swaying lanterns are lit in the streets; lights shine through water, fuzzy, diffuse. Saint-Just sits by an insufficient fire, in a poor light. He is a Spartan after all, and Spartans don’t need home comforts. He has begun his report, his list of accusations; if Robespierre saw it now, he would tear it up, but in a few days’ time it will be the very thing he needs. Sometimes he stops, half-glances over his shoulder. He feels someone has come into the room behind him; but when he allows himself to look, there is nothing to see. It is my destiny, he feels, forming in the shadows of the room. It is the guardian angel I had, long ago when I was a child. It is Camille Desmoulins, looking over my shoulder, laughing at my grammar. He pauses for a moment. He thinks, there are no living ghosts. He takes hold of himself. Bends his head over his task. His pen scratches. His strange letterforms incise the paper. His handwriting is minute. He gets a lot of words to the page.