Makeup Remover Quotes

When I hug her, I notice she's still wearing yesterday's false eyelashes. Mom? You know those come off with a little makeup remover and a cotton pad?" I'm not taking them off." Why not?" I spent $180 on that makeup job and I refuse to wash my face until I get my money's worth.

We discover that we do not know our role; we look for a mirror; we want to remove our make-up and take off what is false and real. But somewhere a piece of disguise that we forgot still sticks to us. A trace of exaggeration remains in our eyebrows; we do not notice that the corners of our mouth are bent. And so we walk around, a mockery and a mere half: neither having achieved being nor actors.

It feels like shit to be alone. To be in a place full of people and feel like they don't want you there. To feel like you're at a party you weren't invited to. No one even knows your name. No one wants to. No one cares. Are they laughing at you? Talking about you? Are they sneering at you like their perfect world would be so much better if you weren't there, messing up their view? Are they just wishing you'd get the hint already and leave? I feel like that a lot. I know it's pathetic to want a place among other people, and I know you'll say it's better to stand in a crowd and be wrong, but... I still feel that need all the time. Do you ever feel it? I wonder if the cheerleader feels it. When the music stops and everyone goes home? When the day is gone and she doesn't have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there's no one else to play with? I guess not. Narcissists don't have insecurities, right? Must be nice.

So I can take off the makeup, but I'm still a good person. But there's no such thing as bitch remover.

When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there’s no one else to play with?

I only believe in the easy things, like red lipstick and coffee before noon and writing essays in pen. I make my mind up about boys and then I unmake it, compare us to continental drift, two ships passing. I hit the snooze button too often. Write disposable poems on napkins and old homework, try to discipline myself when it comes to removing my makeup before bed. I am trying to understand men better, cut them some slack, write about them less. I dream about oceans and mountains and wolves. I do not always love myself. I do not always forgive myself. I write apology letters and do not send them. Usually, I do not mean it when I tell someone goodbye.

This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.

How are you supposed to be believed about the harm that you experience when people don't even believe that you exist? The assumption is that being a masculine man or a feminine woman is normal, and that being "us" is an accessory. Like if you remove our clothing, our makeup, and our pronouns, underneath the surface we are just men and women playing dress-up.

Outside much has changed. I don't know how. But inside and before you, O my God, inside before you, spectator, are we not without action? We discover, indeed, that we do not know our part, we look for a mirror, we want to rub off the make-up and remove the counterfeit and be real. But somewhere a bit of mummery still sticks to us that we forget. A trace of exaggeration remains in our eyebrows, we do not notice that the corners of our lips are twisted. And thus we go about, a laughing-stock, a mere half-thing: neither existing, not actors.

Throughout their lifetime, most women learn to be uncomfortable with their physical appearance. They create a mask of makeup that is intended to “fix” their “imperfections.” They identify so much with this mask they reject their true beauty. Feminine Transitions encourages women to remove their masks and love their true selves, completely.

The more that consciousness is influenced by prejudices, errors, fantasies, and infantile wishes, the more the already existing gap will widen into a neurotic dissociation and lead to a more or less artificial life far removed from healthy instincts, nature, and truth. The general function of dreams is to try to restore our psychological balance by producing dream material that re-establishes, in a subtle way, the total psychic equilibrium. This is what I call the complementary (or compensatory) role of dreams in our psychic make-up.

When the day is gone and she doesn’t have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there’s no one else to play with?

we want to remove our make-up and take off what is false and be real. But somewhere a piece of disguise that we forgot sticks to us … And so we walk around, a mockery and a mere half: neither having achieved being nor actors. RAINER MARIA RILKE

Even though men have very little interest in wearing women’s clothes, this has not prevented a gigantic industry from arising, dedicated to satisfying women’s desires in fashion. Industries which provide makeup, hair styling, nail polish, hair removal, and weight loss services are similarly “biased” in the direction of females: they disproportionately serve women. These phenomena would be very difficult to understand on the feminist model that female wants are ignored or deprecated in the male’s favor.

I wonder if the cheerleader feels it. When the music stops and everyone goes home? When the day is gone and she doesn’t have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there’s no one else to play with?

Where would tourism be without a little luxury and a taste of night life? There were several cities on Deanna, all moderate in size, but the largest was the capital, Atro City. For the connoisseur of fast-foods, Albrechts’ famous hotdogs and coldcats were sold fresh from his stall (Albrecht’s Takeaways) on Lupini Square. For the sake of his own mental health he had temporarily removed Hot Stuff Blend from the menu. The city was home to Atro City University, which taught everything from algebra and make-up application to advanced stamp collecting; and it was also home to the planet-famous bounty hunter – Beck the Badfeller. Beck was a legend in his own lifetime. If Deanna had any folklore, then Beck the Badfeller was one of its main features. He was the local version of Robin Hood, the Davy Crockett of Deanna. The Local rumor mill had it he was so good he could find the missing day in a leap year. Once, so the story goes, he even found a missing sock.

Later, he'd walked by the open bathroom door and heard her talking to herself as she removed her makeup. "I repent nothing," he'd heard her say to her reflection in the mirror. He'd turned and walked away, but the words stayed with him. Years later in Toronto, on the plywood second storey of the King Lear set, the words clarified the problem. he found he was a man who repented almost everything, regrets crowding in around him like moths to a light. This was actually the main difference between twenty-one and fifty-one, he decided, the sheer volume of regret.

In the modern world, we often find ourselves in the unnatural position of meeting someone who knows little or nothing about us. That can add a little pressure to the occasion, and it may add more if your mother was prone to saying “You get only one chance to make a good first impression!” You may find yourself scanning the person for feedback so intensively that you start seeing things that aren’t there. A social psychology experiment from the 1980s makes the point. A makeup artist put realistic-looking “scars” on the faces of the subjects, who had been told that the purpose of the experiment was to see how a scar affected the way people reacted to them. The subjects were to have a conversation with someone, and the experimenters would observe the reaction. The subjects were shown their scars in a mirror, but then, right before their social encounter, they were told that the scar needed a bit of work; moisturizer would be added to keep it from cracking. In fact, though, the scar was removed. Then the subjects headed out to their social encounters with a warped idea of what they looked like. After the encounters, they were debriefed: Had they noticed their conversation partner reacting to the scar? Oh yes, many of them said. In fact, when they were shown video of the conversation partner, they could point to these reactions. Sometimes, for example, the person would look away from them—obviously averting their eyes from the scar. So again, a feeling—an uncomfortable feeling of self-consciousness—sponsors a kind of perceptual illusion, a basic misreading of the behavior of others.

When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.

Wife's Letter (excerpt) It was not the mask that died among the boots, but you. The girl with the yoyo was not the only one to know about your masked play. From the very first instant, when, elated with pride, you talked about the distortion of the magnetic field, I too saw through you completely. Please don’t insult me any more by asking how I did it. Of course, I was flustered, confused, and frightened to death. Under any circumstances, it was an unimaginably drastic way of acting, so different from your ordinary self. It was hallucinatory, seeing you so full of self-confidence. Even you knew very well that I had seen through you. You knew and yet demanded that we go on with the play in silence. ... But you went from one misunderstanding to the next, didn’t you? You write that I rejected you, but that’s not true. Didn’t you reject yourself all by yourself?.. In a happy frame of mind, I reflected that love strips the mask from each of us, and we must endeavor for those we love to put the mask on so that it can be taken off again. For if there is no mask to start with, there is no pleasure in removing it, is there? ... Is what you think to be the mask in reality your real face, or is what you think to be your real face really a mask? Yes, you do understand. Anyone who is seduced is seduced realizing this. ... At first you were apparently trying to get your own self back by means of the mask, but before you knew it you had come to think of it only as your magician’s cloak for escaping from yourself. So it was not a mask, but somewhat the same as another real face, wasn’t it? You finally revealed your true colors. It was not the mask, but you yourself. It is meaningful to put a mask on, precisely because one makes others realize it is a mask. Even with cosmetics, which you abominate so, we never try to conceal the fact that it is make-up. After all, it was not that the mask was bad, but that you were too unaware of how to treat it. Even though you put the mask on, you could not do a thing while you were wearing it. Good or bad, you could not do a thing. All you could manage was to wander through the streets and write long, never-ending confessions, like a snake with its tail in its mouth. It was all the same to you whether you burned your face or didn’t, whether you put on a mask or didn’t. You were incapable of calling the mask back. Since the mask will not come back, there is no reason for me to return either. ... While you spoke of the face as being some kind of roadway between fellow human beings, you were like a snail that thinks only of its own doorway. You were showing off. Even though you had forced me into a compound where I had already been, you set up a fuss as if I had scaled a prison wall, as if I had absconded with money. And so, when you began to focus on my face you were flustered and confused, and without a word you at once nailed up the door of the mask. Indeed, as you said, perhaps death filled the world. I wonder if scattering the seeds of death is not the deed of men who think only of themselves, as you do. You don’t need me. What you really need is a mirror. Because any stranger is for you simply a mirror in which to reflect yourself.

*Wife's Letter* Pt1 ... It was not the mask that died among the boots, but you. The girl with the yoyo was not the only one to know about your masked play. From the very first instant, when, elated with pride, you talked about the distortion of the magnetic field, I too saw through you completely. Please don’t insult me any more by asking how I did it. Of course, I was flustered, confused, and frightened to death. Under any circumstances, it was an unimaginably drastic way of acting, so different from your ordinary self. It was hallucinatory, seeing you so full of self-confidence. Even you knew very well that I had seen through you. You knew and yet demanded that we go on with the play in silence. I considered it a dreadful thing at first, but I soon changed my mind, thinking that perhaps you were acting out of sympathy for me. Then, though the things you did seemed a little embarrassing, they began to present the appearance of a delicate and suave invitation to a dance. And as I watched you become amazingly serious and go on pretending to be deceived, my heart began to fill with a feeling of gratitude, and so I followed after you meekly. But you went from one misunderstanding to the next, didn’t you? You write that I rejected you, but that’s not true. Didn’t you reject yourself all by yourself? I felt that I could understand your wanting to. In view of the accident and all, I had more than half resigned myself to sharing your suffering. For that very reason, your mask seemed quite good to me. In a happy frame of mind, I reflected that love strips the mask from each of us, and we must endeavor for those we love to put the mask on so that it can be taken off again. For if there is no mask to start with, there is no pleasure in removing it, is there? Do you understand what I mean? I think you do. After all, don’t even you have your doubts? Is what you think to be the mask in reality your real face, or is what you think to be your real face really a mask? Yes, you do understand. Anyone who is seduced is seduced realizing this. But the mask did not return. At first you were apparently trying to get your own self back by means of the mask, but before you knew it you had come to think of it only as your magician’s cloak for escaping from yourself. So it was not a mask, but somewhat the same as another real face, wasn’t it? You finally revealed your true colors. It was not the mask, but you yourself. It is meaningful to put a mask on, precisely because one makes others realize it is a mask. Even with cosmetics, which you abominate so, we never try to conceal the fact that it is make-up. After all, it was not that the mask was bad, but that you were too unaware of how to treat it. Even though you put the mask on, you could not do a thing while you were wearing it. Good or bad, you could not do a thing. All you could manage was to wander through the streets and write long, never-ending confessions, like a snake with its tail in its mouth. It was all the same to you whether you burned your face or didn’t, whether you put on a mask or didn’t. You were incapable of calling the mask back. Since the mask will not come back, there is no reason for me to return either.

It really was too early in the day to deal with all of that energy. She didn't dislike Stella Darling. More than anything Ellie felt a twitch of pity for her. At just under five feet, Stella could barely contain herself within her clothes. Ellie wasn't sure if they were too small for her, or if she just happened to own one of those unlucky bodies nothing seemed to fit right. Her hair was an unnatural red that flew out in every direction and she wore too much makeup. At the paper, Stella's specialty was weather and farm reports. She also knew a fair bit about natural remedies for everyday problems. She always had great tips for things like curing earaches with a hair dryer and various surefire stain removal techniques. Truth be told, Ellie often felt like she had more in common with Stella than she did anyone else. She recognized the invisibility magic wrapped around Stella's uncontrollable curves. But unlike Ellie, Stella fought it with everything she had. She tried too hard, and although she was not invisible physically the way Ellie could be, she slipped the minds of those around her. She invited herself loudly, brazenly to be included. It was that brazen energy that Ellie wasn't always keen to deal with at nine in the morning.

Removing all estrogenic food (soy, PUFA, alcohol) from your diet. 2. Stopping the use of xenoestrogens (man-made estrogenic substances), plastics, lotions, makeup, and many soaps that contain phytoestrogens.

One sister. Younger, of course. I terrorized her for most of our childhood. On the other hand, every time I fell asleep in the family room, she put makeup on my face and took pictures. So I guess it evens itself out. Plus, I'm the only man you'll ever meet who understands just how hard it is to remove waterproof mascara. And I guess I'll never run for political office. The photos alone would ruin me.

Theatre Impressions For me the tragedy's most important act is the sixth: the raising of the dead from the stage's battlegrounds the straightening of wigs and fancy gowns removing knives from stricken breasts, taking nooses from lifeless necks, lining up among the living to face the audience. The bows, both solo and ensemble the pale hand of the wounded heart, the curtseys of the hapless suicide, the bobbing of the chopped-off head. The bow in pairs- rage extends its arm to meekness, the victim's eyes smile at the torturer, the rebel indulgently walks besides the tyrant. Eternity trampled by the golden slipper's toe. Redeeming values swept aside with the swish of a wide- brimmed hat. The unrepentant urge to start all over tomorrow. Now enter, single file, the hosts who died early on, in Acts 3 and 4, or between scenes. The miraculous return of all those without a trace. The thought that they've been waiting patiently offstage without taking off their makeup or their costumes moves me more than all the tragedy's tirades. But the curtain's fall is the most uplifting part, the things you see before it hits the floor: here one hand quickly reaches for a flower, there another hand picks up a fallen sword. Only then one last, unseen hand does its duty and grabs me by the throat.

Theatre Impressions For me the tragedy's most important act is the sixth: the raising of the dead from the stage's battlegrounds the straightening of wigs and fancy gowns removing knives sfrom stricken breasts, taking nooses from lifeless necks, lining up among the living to face the audience. The bows, both solo and ensemble the pale hand of the wounded heart, the curtseys of the hapless suicide, the bobbing of the chopped-off head. The bow in pairs- rage extends its arm to meekness, the victim's eyes smile at the torturer, the rebel indulgently walks besides the tyrant. Eternity trampled by the golden slipper's toe. Redeeming values swept aside with the swish of a wide- brimmed hat. The unrepentant urge to start all over tomorrow. Now enter, single file, the hosts who died early on, in Acts 3 and 4, or between scenes. The miraculous return of all those without a trace. The thought that they've been waiting patiently offstage without taking off their makeup or their costumes moves me more than all the tragedy's tirades. But the curtain's fall is the most uplifting part, the things you see before it hits the floor: here one hand quickly reaches for a flower, there another hand picks up a fallen sword. Only then one last, unseen hand does its duty and grabs me by the throat.

She rubbed at her face to make sure her make-up was blended, unknowingly removing any remaining foundation. Ready! Her brown eyes shone. ‘Come on, let’s go!

I looked at Win. Win’s face was as usual unreadable. The woman with the paintball makeup—hard to say an age, could have been an easy fifty or a hard twenty-five, and I was counting on the latter—said to Win, “I live near here.” Win gave her the superior gaze that made people hate him. “In that alley perhaps?” “No,” she said with a big hearty laugh. Win was such a card. “I have a basement flat.” “Must be divine,” Win said in a voice richly marinated in sarcasm. “Oh, it’s nothing special,” Paintball said, not picking up on Win’s tone. “But it’s got a bed.” She pulled up on her pink ’n’ purple leg warmers and winked at Win. “A bed,” she repeated. In case he wasn’t getting the drift. “Sounds enchanting.” “Want to see it?” “Madam”—Win faced her full—“I would rather have my semen removed via a catheter.” Another

He went into the hall bathroom that separated the two bedrooms and lifted the lid. He yawned. He scratched his head and felt foreign objects in his hair. While he continued to aim the stream into the commode, he leaned to the left to look in the small mirror over the sink and almost had heart failure. He actually might have jumped and briefly missed the pot. Sean had little-girl “things” in his short hair—clips, bows, ponytail bands, jeweled bobby pins. And there was something else—he scraped off some Scotch Tape. His hair was too short so some of that stuff was taped on! But that was the least of it—he had a bright red Angelina Jolie mouth that went way out of the lines. Blue eyelids and pink cheeks. He looked like a clown. He zipped his pants. Then he wet a finger under the faucet and rubbed it over his eyelid. Nothing changed, except that he saw his fingernails were bright green. He washed his hands vigorously. Oh, God—he’d been tattooed in his sleep! He took the bar of soap to his lips; no amount of scrubbing helped. “Frannnnn-ciiiii!” he yelled. A moment later she tapped at the door and he jerked it open. She was casually drying her hands on a dish towel while he was scowling. “Magic marker, I think,” she said, before he could ask the question. “Why?” he asked desperately, totally stunned. Franci shrugged. “She’s not allowed to touch my makeup. And she thinks you look wonderful.” Then she grinned. He stiffened and pursed his lips. “I’m pretty sure I’m out of uniform.” She chuckled. “We’ll think of something. Are you staying for dinner?” “I can’t go out like this!” “Okay, let’s try some fingernail polish remover on your green nails, have some dinner, and then I’ll see what I can do about your, ah, makeup. Really, Sean, rule number one—never close your eyes on a three-year-old.” *

her on the dorm board. We had only twenty girls in a batch of two hundred. Goodlooking ones were rare; girls don't get selected to IIM for their looks. They get in because they can solve mathematical problems faster than 99.99% of India's population and crack the CAT. Most IIM girls are above shallow things like makeup, fitting clothes, contact lenses, removal of facial hair, body odour and feminine charm. Girls like Ananya, if and when they arrive by freak chance, become instant pin-ups in out testosterone-charged, estrogen-starved campus.

These entities, angelic, or of other nature and origins have been called forth through deep resonance in your soul. They are here to support and honor your specific makeup and the particular life missions and themes you came to experience and alchemize within your system. Opening to them may be likened unto you purchasing a car which is designed specifically to hug and support every curve of your body, and it being designed in a way that every switch or control in the vehicle is in the very place which works best for you. The smell of the interior is specifically enlivening to your senses, the headlights offer different unique clarity and views, the tires adjust for all weather patterns and conditions. You feel held and have the tools to go on any adventure and explore. In saying this, we are not implying that knowing your guides will remove all pain or suffering from this experience of life, for there are specific pains and sufferings that we have chosen to step into for our highest understanding and maturation. Under the nurturance and care of our guides, we may be held and lovingly nudged down the path to our own reconciliation and joy.

I did," Ace says. "I think Ms. Manning will be pleased to know that her daughter suffered before she died.” Corina steps out from behind him. My expression goes slack with shock. She's cleaned her face, removed all evidence of her earlier crocodile tears—if what my memory is telling me is true. She's redressed in a black pencil skirt and heels that flash red on the bottoms as she makes her way towards me. Her makeup is perfectly applied once more—black eyeliner and red lipstick to match the rest of her. Her hair has been pulled back into a high ponytail, and I suddenly have the urge to do to her what I did to Kate. No. I have the urge to do far worse than simply make her piss herself as I chop off her hair. I’d rather take a blade to her motherfucking throat and let her drown in her own blood.

Unlike women’s make-up or cow manure, the vanity that comes with popular celebrity is an organic stain with a life of its own that the owners choose to shamelessly exploit rather than remove.

Your words control me and imprison me into being a pretty but silent photo. I have to dress and primp myself the way you want. I have to be quiet, since you'll abandon me when I'm ruined. But I am going to fight, and I'm not going to do what you want me to do. I'm going to step out from the photo. Because I am alive. I'm not just a photo!

I'm just like a chameleon. I adapt myself to other people's tastes to be popular. It's easier to fit in that way.

You know how ducks and swans look like they're floating gracefully, but they're actually paddling really hard to keep themselves afloat? Do you think they would feel sad if they realized nobody could see how much effort they're putting in?

When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there's no one else to play with?

I’ve lost twenty-eight pounds since Emily’s death. I’ve stopped coloring my hair and wearing makeup and I had the bolt-ons removed, and so I am literally no longer the woman I once was. There is no reason to watch me. No flattering reason, anyway.

Tristan ran his fingers through his hair and was so incredibly glad not to meet the long tangles he'd been dealing with for weeks. Makeup had kindly removed the extensions he'd had in for filming and he hadn't even put any product in his hair after washing it, so it was curling wildly. Being free of the black contacts he'd been wearing was also heaven and he had every intention of enjoying the wrap party to the fullest.

It’s going out:  remove everything except what is attached to the floor or imbedded in the wall.  Whatever can be washed outside or in the kitchen, do it now and leave it to dry.  We’re talking baskets, floral arrangement, shelves and stuff.  Everything else is set outside the room on the floor and this includes the roll of toilet paper that’s hanging off the side of the vanity.  “Everything else” = towels, rugs (maybe you want to wash them now) toothbrush, tissue box, make-up, hair brush, dryer, blah, blah, blah, get my drift?

three or more Oily Skin Care Ideas For oily skin varieties, the process to keep typically the skin from looking junk and too shiny is fairly a daunting task. When your sebaceous glands are very active, you will find that you have extra oil all over your current face. You face even more problems like acne, whiteheads, and clogged pores. It is also frustrating when you are applying makeup foundation as it just produces even a lot more oil making your encounter look too greasy. With regard to this reason, oily skin types want to have got a perfect solution where they can control the particular oil production in their own skin. Here are three or more effective oily skin care tips. 1. Cleanse your skin twice or thrice a day. Perhaps the most tried and tested techniques to control the essential oil production within your face is usually to keep it clear at all times. In addition to that is by washing it twice or 3 times a day. This way, an individual will be able to be able to remove each of the dirt plus oil build-up all through the day. Use foaming cleansers that are manufactured for oily skin. two. Make sure to clean your skin once or perhaps twice a week. A single important skin care idea you shouldn’t skip is to be sure you scrub your current face once or two times per week. Excess oil manufacturing in the skin results in typically the formation of dead epidermis cells and once this takes place; your pores could possibly get blocked resulting in acne. That is why, make sure you slough off all those dead skin cells from your face. 3. Apply a rigorous face mask weekly. Face masks are quite effective when this comes to controlling the oil production in your current skin. It’s the most effective methods to manage your oily skin. Do this at least once a week and a person will see a big difference in no time. Your current pores could possibly get smaller in addition to your face won’t end up being that greasy.

START WITH A CLEAN SKIN: For removing ordinary street makeup I use a good cleansing cream, and I have a set of brushes—soft, medium, and heavy—that I plug into an electric outlet so that they vibrate. They work the cream into the pores and generally stimulate the skin, bringing the blood to the surface—the skin's best nourishment. If your brushes don't plug in it doesn't matter. Just use elbow grease (good exercise for the arms) and you'll get the same results. I make sure that I get at all the ears, and down to wherever my dress began... Then I quickly apply a moisture cream.

Chapatis will soon become EXTINCT A renowned cardiologist explains how eliminating wheat can IMPROVE your health. Cardiologist William Davis, MD, started his career repairing damaged hearts through angioplasty and bypass surgeries. “That’s what I was trained to do, and at first, that’s what I wanted to do,” he explains. But when his own mother died of a heart attack in 1995, despite receiving the best cardiac care, he was forced to face nagging concerns about his profession. "I’d fix a patient’s heart, only to see him come back with the same problems. It was just a band-aid, with no effort to identify the cause of the disease.” So he moved his practice toward highly uncharted medical territory prevention and spent the next 15 years examining the causes of heart disease in his patients. The resulting discoveries are revealed in "Wheat Belly", his New York Times best-selling book, which attributes many of our physical problems, including heart disease, diabetes and obesity, to our consumption of wheat. Eliminating wheat can “transform our lives.” What is a “Wheat Belly”? Wheat raises your blood sugar dramatically. In fact, two slices of wheat bread raise your blood sugar more than a Snickers bar. "When my patients give up wheat, weight loss was substantial, especially from the abdomen. People can lose several inches in the first month." You make connections between wheat and a host of other health problems. Eighty percent of my patients had diabetes or pre-diabetes. I knew that wheat spiked blood sugar more than almost anything else, so I said, “Let’s remove wheat from your diet and see what happens to your blood sugar.” They’d come back 3 to 6 months later, and their blood sugar would be dramatically reduced. But they also had all these other reactions: “I removed wheat and I lost 38 pounds.” Or, “my asthma got so much better, I threw away two of my inhalers.” Or “the migraine headaches I’ve had every day for 20 years stopped within three days.” “My acid reflux is now gone.” “My IBS is better, my ulcerative colitis, my rheumatoid arthritis, my mood, my sleep . . .” and so on, and so on". When you look at the makeup of wheat, Amylopectin A, a chemical unique to wheat, is an incredible trigger of small LDL particles in the blood – the number one cause of heart disease. When wheat is removed from the diet, these small LDL levels plummet by 80 and 90 percent. Wheat contains high levels of Gliadin, a protein that actually stimulates appetite. Eating wheat increases the average person’s calorie intake by 400 calories a day. Gliadin also has opiate-like properties which makes it "addictive". Food scientists have known this for almost 20 years. Is eating a wheat-free diet the same as a gluten-free diet? Gluten is just one component of wheat. If we took the gluten out of it, wheat will still be bad since it will still have the Gliadin and the Amylopectin A, as well as several other undesirable components. Gluten-free products are made with 4 basic ingredients: corn starch, rice starch, tapioca starch or potato starch. And those 4 dried, powdered starches are some of the foods that raise blood sugar even higher. I encourage people to return to REAL food: Fruits Vegetables and nuts and seeds, Unpasteurized cheese , Eggs and meats Wheat really changed in the 70s and 80s due to a series of techniques used to increase yield, including hybridization. It was bred to be shorter and sturdier and also to have more Gliadin, (a potent appetite stimulant) The wheat we eat today is not the wheat that was eaten 100 years ago. If you stop eating breads/pasta/chapatis every day, and start eating chicken, eggs, salads and vegetables you still lose weight as these products don’t raise blood sugar as high as wheat, and it also doesn’t have the Amylopectin A or the Gliadin that stimulates appetite. You won’t have the same increase in calorie intake that wheat causes.

She took down the framed manuscript from the kitchen wall. It was Kendra's prized possession, and part of her felt guilty for what she planned, but it had to be done. She carefully removed the parchment from its frame, then searched through the piles of translations and notes on the kitchen table. Finally she found the Secret Scroll on the chair where Kendra had been the night before. She carried both manuscripts upstairs and set them on her desk. Next she gathered paints and brushes and sat down. She studied the artwork on the Secret Scroll, then slowly began copying its rich patterns of gold, red, and blue onto Kendra's old manuscript. It was late afternoon when she finished. She studied her work. She had managed to copy the exotic birds and animals hidden in the foliage on the borders, and even the detailed picture of the goddess locking the jaws of hell. Her work was rough, but at a distance it would fool Toby or any of the Regulators, especially since they were afraid to touch it. Satisfied, she went to her closet. She searched through her clothes until she found the strapless top with the slit in the front. She slipped it over her head, then grabbed a silky black skirt and stepped into it. She carried her stiletto boots to the bed and tugged them on. At last she drew black liquid eyeliner over her top lid, added green glitter shadow, rolled thick mascara on her lashes, and brushed her hair. She added gloss to her lips and rubbed sparkle lotion over her arms and chest. Then she remembered the dragon stencils. Soon, she had a sinuous dragon adorning her thigh between the bottom of her skirt and the top of her boots. She liked the look. She turned in front of the full-length mirror behind the bathroom door. "Dynamite," she whispered. Her reflection thrilled her. She looked vamped-out and mystical. At once, she sensed the fierce power of the dragon rising in her. She felt like an invincible goddess-warrior.

the CAT. Most IIM girls are above shallow things like makeup, fitting clothes, contact lenses, removal of facial hair, body odour and feminine charm. Girls like Ananya, if and when they arrive