Makeup Brushes Quotes

We've searched our database for all the quotes and captions related to Makeup Brushes. Here they are! All 43 of them:

The power of beauty Lies within our soul And how we choose To see everything It is not found from The strokes of a make-up brush Nor the acceptance from others
Apple Blossom (My Bath My Cauldron)
Valkyrie smiled patiently. "I like how you do your make-up. Do you use a brush, or just dip your head in the bucket?
Derek Landy
Javier opened her makeup kit, held it edge to edge with the dressing table, and swept everything--every vial, brush, tube, and bottle--into the kit with his forearm. Laura gaped at him. "That stuff is worth hundreds of dollars." He shrugged, then shut the kit. "That's how SEALs pack makeup.
Pamela Clare (Striking Distance (I-Team, #6))
Jane was wearing a charcoal shift dress. The black dipped into a love V accented with a large black chiffon bow. A layer of delicate black lace peeked out from the bottom of her dress. Her long blond hair was pulled back tightly into a straight ironed ponytail. Her makeup was simple: coral blush on her cheeks and gunmetal shadow brushed under her blue eyes.
Lauren Conrad (L.A. Candy (L.A. Candy, #1))
Which on am I?" I drew my left eyebrow in a high, puzzled arch. "Which what?" Crack reached for her makeup kit. "Bottom or fool?" She pulled out a tiny mirror and put another layer of mascara on her giant fake lashes. She used a special oversized mascara brush for her oversized lashes, carried in a big tube. "No. Trixie, Twinkie, or Bubbles?" I asked. "Who, in the show?" She shrugged. "What ever you want, Sugar. Makes no diff to me. A name's just another kind of package. Marketing. Starts the day you're born" p.136
Monica Drake (Clown Girl)
You Hawthornes and your invisible ink,” I said, shaking my head. “Will we need anything except the powder?” “A makeup brush,” Zara answered immediately. Then the boys chimed in, all four of them in unison: “And a heat source.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
The sound of the tumblers in the locks of your apartment door puts you in mind of dungeons. The place is haunted. Just this morning you found a makeup brush beside the toilet. Memories lurk like dustballs at the backs of drawers. The stereo is a special model that plays only music fraught with poignant associations.
Jay McInerney (Bright Lights, Big City)
After dinner, I went upstairs and found Ren standing on the veranda again, looking at the sunset. I approached him shyly and stood behind him. “Hello, Ren.” He turned and openly studied my appearance. His gaze drifted ever so slowly down my body. The longer he looked, the wider his smile got. Eventually, his eyes worked their way back up to my bright red face. He sighed and bowed deeply. “Sundari. I was standing here thinking nothing could be more beautiful than this sunset tonight, but I was mistaken. You standing here in the setting sun with your hair and skin aglow is almost more than a man can…fully appreciate.” I tried to change the subject. “What does sundari mean?” “It means ‘most beautiful.’” I blushed again, which made him laugh. He took my hand, tucked it under his arm, and led me to the patio chairs. Just then, the sun dipped below the trees leaving its tangerine glow in the sky for just a few more moments. We sat again, but this time he sat next to me on the swinging patio seat and kept my hand in his. I ventured shyly, “I hope you don’t mind, but I explored your house today, including your room.” “I don’t mind. I’m sure you found my room the least interesting.” “Actually, I was curious about the note I found. Did you write it?” “A note? Ah, yes. I just scribbled a few notes to help me remember what Phet had said. It just says seek Durga’s prophecy, the Cave of Kanheri, Kelsey is Durga’s favored one, that sort of thing.” “Oh. I…also noticed a ribbon. Is it mine?” “Yes. If you’d like it back, you can take it.” “Why would you want it?” He shrugged, looking embarrassed. “I wanted a memento, a token from the girl who saved my life.” “A token? Like a fair maiden giving her handkerchief to a knight in shining armor?” He grinned. “Exactly.” I jested wryly, “Too bad you didn’t wait for Cathleen to get a little older. She’s going to be very pretty.” He frowned. “Cathleen from the circus?” He shook his head. “You were the chosen one, Kelsey. And if I had the option of choosing the girl to save me, I still would have picked you.” “Why?” “A number of reasons. I liked you. You are interesting. I enjoyed listening to your voice. I felt like you saw through the tiger skin to the person underneath. When you spoke, it felt like you were saying exactly the things I needed to hear. You’re smart. You like poetry, and you’re very pretty.” I laughed at his statement. Me, pretty? He can’t be serious. I was average in so many ways. I didn’t really concern myself with current makeup, hairstyles, or fashionable, but uncomfortable, clothes like other teenagers. My complexion was pale, and my eyes were so brown that they were almost black. By far, my best feature was my smile, which my parents paid dearly for and so did I-with three years of metal braces. Still, I was flattered. “Okay, Prince Charming, you can keep your memento.” I hesitated, and then said softly, “I wear those ribbons in memory of my mom. She used to brush out my hair and braid ribbons through it while we talked.” Ren smiled understandingly. “Then it means even more to me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
It's not about fear. It's about never feeling clean, spending years scrubbing your soul raw so you can eat without feeling nauseous, can look in the mirror and meet your own eyes when you put on makeup, brush your hair. To learn to be strong, to run your life and not be a victim of it, knowing in your heart that everything you've built is sitting on a foundation that can sink at any time. And you build it anyway, on faith alone that it won't be shattered, when everything in your life tells you that faith is a fucking joke, but you do it anyway. You do it anyway.(...)
Joey W. Hill (Mirror of My Soul (Nature of Desire, #4))
people are always trying to brush off the things that women love, like fashion and makeup, as superficial or frivolous. But they’re not, because for some people, those things are armor they put on to feel more confident in a world that can sometimes feel cruel. They’re transformative and empowering.
Meg Cabot (Enchanted to Meet You)
We are so busy with bullshit, we fail to stop and recognize the profound. So busy with brushing teeth and buying groceries and washing dishes and watching YouTube and checking Facebook and texting and putting on makeup and driving to here or there and looking for lost keys, it starts to feel like what we are really doing is hiding from how totally fucking scary life is.
Jamie Kain (The Good Sister)
She doesn’t like the makeup, either. “I once nearly blinded myself with a mascara brush,” she says, looking querulously at my eyeliner. I don’t want to point out that that says far more about her than it does about me. She might as well be telling me a story of how she once confused Push for Pull on a door, then banning me from using doors again—“Lest you also be betrayed by doors.
Caitlin Moran (How to Build a Girl)
EYE MAKEUP 1. Makeup should be just a frame for the eyes. When you lay on all the bright-colored goop and slather white under the brows the eyes themselves are lost in camouflage. Just accent whatever God has given you with a subtle hand. 2. The more makeup a woman applies after forty the older she looks. 3. Early in my career I had plucked and plucked so that I'd have those spindly little lines that were the fashion then. When eyebrows came back a lot of girls found that they couldn't grow them anymore. They's plucked out the roots. I encouraged new growth by using castor oil and yellow Vaseline - half and half - and rubbing it the wrong way, toward the nose, with a brush. I still use it, it makes my brows grow like mad. It's good for lashes, too, but I always get the oil in my eyes, then they water and turn red. Brows frame the eyes. Encourage them. for they're a great asset.
Joan Crawford (My Way of Life)
So, Like- always I am going too dragged myself out of my bed, brush my hair, brush my teeth.' 'Grab a bra out of my dresser and slide it up on me. Today it is an adorable baby pink one with black dots, and a little bow in the middle, so sweet- like me.' 'So anyway, I am going to clasp it in the back, as my long hair falls forward while doing it.' 'Then spin a white blouse through my arms and on top of my shoulders, I will fix my collar. Button everything it up, to a point; tie it up at the bottom so it is snug to my lower ribs. Then I slide a skirt up over my body, zip and button it in the front. I will use the bathroom one last time.' 'Fix my hair for the last time, while looking into my oval bathroom mirror, which is lit from both sides. That is where I do all my makeup. I like to use a nude shade of powder, pink blush on my cheeks, and a soft eyeshadow.
Marcel Ray Duriez
1. Start with your base. Bases come in convenient stick form, but I prefer a liquid one. A sallow skin need a pinkish tone. For a ruddy complexion, beige is flattering. Smooth the base right up to the hairline (you can always wipe spots off the hair with a tissue later) and blend it around the ears, on the earlobe, and down over the neck. 2. If your face is very round, smooth a darker shade at the sides, below the cheekbone, to narrow it. If your nose is too long, put the darker shade at the tip, and at the sides of the nostrils,. There are a number of possibilities depending on your bone structure. 3. A lighter shade will bring out receding features. [...]Use pale pink just under the brow and under the brow and under the eyes to bring out deep-set eyes. I don't use white under my brows because my bone structure doesn't lend itself to that. [...] I hate to see girls with TOO much white under the brow - or too much eye makeup of any kind, for that matter. If the forehead protrudes they shouldn't use the white under the brows at all. It exaggerates it. And if they have a tendency to be puffy - and everybody has puffy days - they look worse with great white blobs under the eyes. 4. The important thing about shading and contouring is to blend so carefully that you can never see where one shade ends and the other begins. 5. So start with three shades of base for the redesigning, plus white if you need it. Add a blusher that you brush on with a large soft brush made for the purpose. I like a brownish shade. It matches my natural complexion and I brush it on under my cheekbones to accent my bone structure. But a very fair skin could use a bluish pink blusher... 5. Translucent powder goes on next. It must be translucent or your careful job of shading will be covered over. And not too much. Just light dusting of it to cover the shine... 6. After powdering, take a tissue and BLOT. Then clothes won't get soiled. 7. I put on the lipstick and smooth it over with my finger - I never rub my lips together. Then I outline the lips carefully with a lipstick pencil. I never use a brush. Then BLOT. There's nothing uglier than lipstick on the teeth.
Joan Crawford (My Way of Life)
listen. it wouldn't have hurt so much if she wasn't the girl i always wanted to be. in high school i carved the word ugly into my skin so that even if i once reached that pivotal point of high self esteem i would always be reminded of who i was underneath it all and i wanted so badly to be the athletic girl who put makeup on effortlessly who knew a thing or two about fashion whose laughter sounded like flowers blooming who knew what it meant to be sad, and anxious, but in the beautiful way in the mysterious way in the way that could be cured by true love's kiss whose skin was always soft and hair always brushed - sometimes styled - long, and long, and dark, and wavy a fine contrast against her light eyes and pale skin that never led anyone to question just where she was from whose body hair was fine, or at least taken care of so frequently and expertly, that no one ever questioned just where she fell in human evolution whose body curved in all the right places whose skin was taut with muscle and soft with and inviting where it should be who ate right who never smoked and never tried to end her life; once, twice, seventeen times who liked art but didn't really understand it who studied hard even though she hated it who cared about injustice but not to the point that too much thought would led her to unending, selfish tears whose eyes could stop an army and whose lips never fell into a thin line whose kisses you remember and whose body you miss when you're lying in a bed without her whose warmth you reach out for not just from habit or desire but need - desperate need who didn't make loving her hard who you missed, even when you were with another the girl who everyone knew was beautiful - they just knew, ok. they just knew her name and they would say: 'yes, her. she's very beautiful.' (...) it wouldn't hurt so much if you weren't everything i was looking for, everything i wanted, and so was she
Kara Petrovic (beyond rock bottom: a collection of poetry)
Baines told his son that children always got in the way of a marriage. Finding a state boarding school in England for Roland was good for everyone ‘all round’. Rosalind Baines, neé Morley, army wife, child of her times, did not chafe or rage against her powerlessness or sulk about it. She and Robert had left school at fourteen. He became a butcher’s boy in Glasgow, she was a chambermaid in a middle-class house near Farnham. A clean and ordered home remained her passion. Robert and Rosalind wanted for Roland the education they had been denied. This was the story she told herself. That he might have attended a day school and stayed with her was an idea she must have dutifully banished. She was a small nervous woman, a worrier, very pretty, everyone agreed. Easily intimidated, fearful of Robert when he drank, which was every day. She was at her best, her most relaxed, in a long heart-to-heart with a close friend. Then she told stories and laughed easily, a light and liquid sound that Captain Baines himself rarely heard. Roland was one of her close friends. In the holidays, when they did the housework together, she told stories of her childhood in the village of Ash, near the garrison town of Aldershot. She and her brothers and sisters used to brush their teeth with twigs. Her employer gave her her first toothbrush. Like so many of her generation she lost all her teeth in her early twenties. In newspaper cartoons people in bed were often shown with their false teeth in a glass of water on the bedside table. She was the oldest of five and spent much of her childhood minding her sisters and brothers. She was closest to her sister Joy who still lived near Ash. Where was their mother when Rosalind was minding the children? Her reply was always the same, a child’s view unrevised in adulthood: your granny would take the bus to Aldershot and spend the day window-shopping. Rosalind’s mother fiercely disapproved of make-up. In her teens, on rare nights out, Rosalind would meet her friend Sybil and together they
Ian McEwan (Lessons)
I landed a bit too fast and stumbled in my unlaced sneakers before slamming face first into Darius’s chest as he lurched forward to catch me. “Sorry,” I laughed as I looked up at him with a grin and he fell still as he helped me steady myself. “What?” I asked, trying to blink the sleep out of my eyes. “You’ve never smiled at me like that before,” he said in a rough voice, reaching out to brush some tangled strands of black hair out of my face. “Shut up, I smile at you all the time,” I replied as heat touched my cheeks and I tried to run my fingers through my knotty hair. Really should have taken a minute to brush it dumbass. Let’s hope he assumes it’s from flying. “Not like that you don’t,” Darius countered, a smile tugging at the corner of his mouth too as his gaze ran over me. “You look…cute.” “I don’t know what you mean. And I don’t do cute.” Darius snorted at me. “You look like you got dressed in the dark…” “Gee thanks, any more observations, Sherlock?” I asked, rolling my eyes at him but I was still grinning so there wasn’t much bite with my snark. “Well… You’re not wearing any makeup.” “I…woke up late, so-” “I like it,” he said, his smile growing as he looked me over. “You look all sleepy and innocent. I could almost imagine you just woke up in my bed.” I was definitely goddamn blushing now and thanks to my lack of bronzer he was clearly well aware of it. The sky was darkening overhead already as we lingered, but I fought the stars for just another moment. “If I’d spent the night in your bed, there wouldn’t have been anything innocent about it,” I taunted to get him back onto safer, less mortifying topics of conversation. Like sex. “As much as I ache for the feeling of your body against mine – and I really fucking do – I think if I was allowed a single cheat against this curse that keeps us apart, I’d just want to be able hold you in my arms,” he replied. “Just to wake up with you there, knowing you were safe.” My heart pounded at his words, but a crash of thunder from the heavens stopped me from replying. I offered him a frustrated smile and turned away from him as I began my run. Darius followed behind me, far enough back to allow the clouds to scatter again and I tried not to dwell on the disappointment that lingered in me as I upped my pace. Did I just shoot over here at the speed of light without brushing my hair or putting any makeup on rather than risk missing out on our run? I shook my head at myself as I tried to figure out what was going on here. I’d been purposefully ignoring this question up until now, but I seriously needed to consider what I was doing. Running with him every morning, messaging him every night. Exchanging little looks whenever we ended up in the same place and thinking about him way too often. This felt a hell of a lot like the start of something instead of the end of it, but that wasn’t possible. Even if he wanted it. Even if I wanted it. We couldn’t have it. The damn stars wouldn’t allow it. My mind twisted around and around as we ran on and I cursed the stars out with everything I had. But why was I doing that? Hadn’t I made my mind up about this? Hadn’t I already made the only decision I could? Darius might have been showing me more of himself now, he might have stopped hurting me and be trying to change but had he done enough to make up for all the pain he’d caused me? When I really thought about it, I still wasn’t sure. But I was sure that he made me smile when he messaged me, that I looked for him whenever I arrived in a room, that he seemed to be trying to do everything he could to set things right. And that I fantasised about him more than I had about any man in all my life. Even Tom Hardy. Even. Tom. Hardy. Fuck it. We ran around Aqua Lake, circling the shore and heading on into The Wailing Wood. Darius kept pace behind me in silence like always, but I decided to drop back. (Tory)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor. Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.
Amanda M. Lyons
Immediately, I kicked into gear and did what the plan dictated: I got out of bed and took a shower, washing every last inch of myself until I squeaked. I shaved my legs all the way up to my groin and dried my hair and curled it, and put on layers of shimmery makeup. By the time I gently tapped Marlboro Man on the shoulder and told him the news, I looked like I was ready for a night on the town…and the contractions were intense enough to make me stop in my tracks and wait until they passed. “What?” Marlboro Man raised his head off the pillow and looked at me, disoriented. “I’m in labor,” I whispered. Why was I whispering? “Seriously?” he replied, sitting up and looking at my belly, as if it would look any different. Marlboro Man threw on his clothes and brushed his teeth, and within minutes we were in the car, driving to the hospital over sixty miles away. My labor was progressing; I could tell. I felt like something was inside my body and wanted to come out. It was a normal sensation, given the circumstances.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
to his, before pulling out slowly, leaving a void inside of me that quickly fills with a warm, honey-like fulfillment. I gather my breath and straighten up, leaning against the wall. My heart is pounding in my chest and my knees are shaking. All I can think is, I’ve never been fucked like this before. Dylan kisses the back of my neck gently and I purr happily. “Was it good?” I ask, softly. “You’re always good,” he says, brushing my hair over my shoulder to plant another soft peck along the upper part of my neck. “You’re just…perfect for me.”   As I get dressed afterward, Dylan stands near the doorway in the manner that boyfriends, husbands, and – well, whatever the hell we are – have waited for women since the beginning of time. Impatiently, inexplicably, and long-since ready. Once I’m finished with my outfit selection, make-up, and hair, I step out of the bathroom and walk towards him. “Ready now?” he says, doing a decent job of hiding
J.D. Hawkins (Bootycall, Part 2 (Bootycall, #2))
It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged
Ann Cleeves (The Glass Room (Vera Stanhope, #5))
A majority of the camera and sound and makeup crew are female, but a lot of these, too, have a similar look: 30ish, makeupless, insouciantly pretty, wearing faded jeans and old running shoes and black T-shirts, and with lush well-conditioned hair tied carelessly out of the way so that strands tend to escape and trail and have to be chuffed out of the eyes periodically or brushed away with the back of a ringless hand—in sum, the sort of sloppily pretty tech-savvy young woman you can just tell smokes pot and owns a dog.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
I let out a slow breath, looking at Darius’s mother instead. Holy fake tits! Mommy Acrux was stunningly beautiful and perfectly put together, her pale pink dress was cut with a sweetheart neckline which revealed a lot of cleavage. It was really hard to look away from it. I thought I had a pretty decent rack but beside her curvaceous glory I was a pancake with a face. Real flowers bloomed along the side of her dress, opening and closing their petals in various shades of blue to compliment her husband’s attire and I guessed that meant she held the Element of Earth, though I’d never seen magic used in such a pretty, pointless way before. Her face was painted with the exact right amount of makeup to accentuate her beauty. She had Darius’s dark hair, bronzed skin and deep brown eyes and she hung on her husband’s arm like the definition of arm candy. The men in the room were not so subtly checking her out but I couldn’t blame them. Hell, I even fancied her. The butler clearly had more work to do and he stepped forward to announce us to his High Lord and Lady. “May I present the Celestial Heirs, Max Rigel, Seth Capella, Caleb Altair and Master Acrux,” he said. The Heirs all moved forward to greet the Acruxes and I stifled my surprise as each of them bowed their heads to Daddy Acrux. Mommy Acrux offered out air kisses and embraces which pulled the Heirs against those breasts for a moment. Seth smirked as he moved aside and Darius approached last. His father barely spared him a glance and his mother didn’t offer him one of the hugs but she brushed a hand against his cheek. “How lovely to see you, Darius dear,” she murmured, her tone was sultry and she didn’t actually seem to be particularly pleased to see her son. “I’ve missed you, Mother,” Darius replied, his voice sounding like it was on autopilot even to me. (Tory)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))
She was trying to get into the bathroom to spray her hair. Her mother had laid waste in there, scattering brushes and girdles and makeup everywhere. Combs lay across the counter like fallen leaves from a plastic tree.
Luis Alberto Urrea (The House of Broken Angels)
Sasha McCandless blew the eyeshadow residue off the tiny mirror of the makeup palette she kept in the top left drawer of her desk and checked her reflection. The drawer was her home away from home. It held a travel toothbrush and toothpaste, a tin of mints, an unopened box of condoms, makeup, a spare pair of contact lenses, a pair of glasses, and a brush. She smiled at herself and opened the drawer again, tore open the box, and popped a condom into her beaded handbag.
Melissa F. Miller (Irreparable Harm (Sasha McCandless, #1))
What women do in front of a mirror with few brushes and colors is, indeed, an art.
Uday Mukerji (Love, Life, and Logic)
How could I have missed it? Easy. Deep in grief over Casey leaving, I’d gone on automatic pilot this morning, barely glancing in the mirror as I brushed my hair, smoothed on my makeup. I clamp down on the impulse to dig out a mirror and check out the ‘mark.
Magda Alexander (Storm Damages (Storm Damages, #1))
He then hands me my own yellow lanyard with a shiny badge on it. I wrinkle my nose at the picture. Of course I look like a convict who got caught on the run after shoplifting at Walmart, mouth a thin line, eyes hard. Brushing my hair and touching my makeup before they took it was a waste of time.
Nikki Jewell (The Game (Lakeview Lightning #3))
This is not a fit. It's the truth Do you know what it was like to live with you? The constant remarks about my weight? The diet printouts everywhere? The way you'd buy junk food and stock the house with snacks and then shame me for eating what was available? The way you brushed aside everything I cared about?” Her fingers ached from their grip on the bed frame. “I guess I should thank you, since your disinterest motivated me. But there’s always been this part of me that was empty, a hole I couldn’t fill be cause it was yours.
Jenny L. Howe (The Make-Up Test)
This is not a fit. It's the truth Do you know what it was like to live with you? The constant remarks about my weight? The diet printouts everywhere? The way you'd buy junk food and stock the house with snacks and then shame me for eating what was available? The way you brushed aside everything I cared about?” Her fingers ached from their grip on the bed frame. “I guess I should thank you, since your disinterest motivated me. But there’s always been this part of me that was empty, a hole I couldn’t fill because it was yours.
Jenny L. Howe (The Make-Up Test)
The door reveals what must be Clary’s bedroom. Feeling guilty for breaching her privacy, she quickly shuts the door. But not before she registers that Clary’s room is a juxtaposition of old and new, of past and present. Laurel’s room at her parents’ home is much the same: a ratty stuffed bunny sits beside an over-the-counter sleep aid, makeup brushes hunker in a clay pot formed by ten-year-old hands. The girl she was coexists with the woman she has become.
Marybeth Mayhew Whalen (Only Ever Her)
On a frosty December morning, with her best handbag, hat, and a small suitcase she handed over the keys to their flat to her maid and asked her to keep their most precious belongings safe there... Then she joined the disorderly progression of Jews heading for the Veletržní palác. Instead of taking something necessary and useful like tinned fish or packet soup, Anka carried a large hat box tied with string. In it were three dozen of her maid's delicious sugar-coated donuts, [her husband's] favorite treat... The young bride kept brushing her hair and reapplying her makeup. [The people around her] were even more intrigued when she knelt on the floor in her fine stockings to use her eyelash curlers. "I just wanted to look my best for the man I loved." A passage about Anka Bergman, a Czech Holocaust survivor, being transferred to the Theresienstadt ghetto
Wendy Holden (Born Survivors)
On a frosty December morning, with her best handbag, hat, and a small suitcase she handed over the keys to their flat to her maid and asked her to keep their most precious belongings safe there... Then she joined the disorderly progression of Jews heading for the Veletržní palác. Instead of taking something necessary and useful like tinned fish or packet soup, Anka carried a large hat box tied with string. In it were three dozen of her maid's delicious sugar-coated donuts, [her husband's] favorite treat... The young bride kept brushing her hair and reapplying her makeup. [The people around her] were even more intrigued when she knelt on the floor in her fine stockings to use her eyelash curlers. "I just wanted to look my best for the man I loved." A passage about Anka Bergman, a Czech Holocaust survivor, being transferred to the Theresienstadt ghetto.
Wendy Holden
It’s going out:  remove everything except what is attached to the floor or imbedded in the wall.  Whatever can be washed outside or in the kitchen, do it now and leave it to dry.  We’re talking baskets, floral arrangement, shelves and stuff.  Everything else is set outside the room on the floor and this includes the roll of toilet paper that’s hanging off the side of the vanity.  “Everything else” = towels, rugs (maybe you want to wash them now) toothbrush, tissue box, make-up, hair brush, dryer, blah, blah, blah, get my drift?
Jan Dougherty (The Lost Art of House Cleaning)
I heard you have a date with Oliver, and from the looks of it, you definitely do. You’re sweating like a whore in church!” Rob says as soon as he sees me. I punch him in the shoulder. “No I’m not! Oh God, am I?” I head toward the bathroom and look at myself, realizing that he was exaggerating. But, damn. I am nervous. “Why am I so nervous about this? And where is Meep?” “She’s in the shower, and you’re nervous because this is your first date together. I mean, real date. Shenanigans don’t count.” He raises a blonde eyebrow and laughs when I glare at him. “I need a drink,” I announce, heading to the kitchen. “No, you don’t. You need to sit and relax and be still. You’re going to give me a heart attack!” “Stop being a pest,” I mutter, plopping down on the couch. “Okay, but on your date, do not sit like that. Nothing is more gross than a careless sitter in a dress.” My eyes widen, and I cross my legs, sitting upright. “Damn you. Maybe I should have worn jeans.” Robert laughs, throwing his head back. He looks so much like Mia when he does that. “I was joking! Geez, you really are nervous.” “Who’s nervous?” Mia asks, walking over to us. “Jitterbug over here is acting like a virgin going to prom,” Rob says, earning a laugh from me, and a look from Mia. “Way to lay it all out there,” I say. “She looks fine,” Mia says walking over to me. “It’s just Bean.” “Exactly. It’s just Bean . . . do I look okay?” Mia gives me a once-over and nods. “You look beautiful, like you do every other day, when you wear make-up and brush your hair and dress up.” “Meaning not like every other day?” “Well, you have to save beauty for special occasions, Chicken.” “Bitch,” I say, laughing until the knock on the door swallows my smile. “Ohh here he comes,” Rob starts singing like he was singing Man Eater, and I want to crawl into a hole and die. Mia swings the door open and whistles loudly. “Looks like somebody wants to get laid tonight,” she announces. And this time, for real, I want to crawl into a hole and die. I can feel my face burning as I walk to the door and tell Mia and Robert to shut up. Oliver is wearing dark jeans, black shoes, a gray button-down, and a fedora on his head. It’s simple and hot, and it matches the gray dress I’m wearing, so I have to laugh. “It’s like they’re meant to be!” Rob states loudly. “They match! This is too fucking cute! Mia! Get the camera!” “I hate you.” I say, looking at him. “I hate you.” I say, turning to Mia’s face, red from laughing. “I don’t hate you . . . yet.” I say, turning to Oliver, who gives me a slow, cocky half grin that makes me melt a little. “Please have her home by midnight, and make sure she lays off the vodka,” As Mia starts rattling off her list, she stops to look at my blushing face and bursts out laughing. “Awww . . . I’m sorry, Elle, this is so cute though. You haven’t been this nervous since you lost your virginity to Hunter Grayson.” She stops laughing and turns to Oliver with a serious face. “All jokes aside, if you hurt her again, I will fucking murder you, and I’m not talking about a nice quiet murder, I’m talking dick cut off, internal organs everywhere kind of murder. So please, be mindful of that.
Claire Contreras (Kaleidoscope Hearts (Hearts, #1))
I’ve never had a man give me a bath, put lotion on me, take my makeup off or brush my teeth. I think to myself, I’ve never also had a man leave me. Lots of firsts for me tonight, I guess.
Jennifer Theriot (Out of the Box Awakening (Out of the Box, #1))
START WITH A CLEAN SKIN: For removing ordinary street makeup I use a good cleansing cream, and I have a set of brushes—soft, medium, and heavy—that I plug into an electric outlet so that they vibrate. They work the cream into the pores and generally stimulate the skin, bringing the blood to the surface—the skin's best nourishment. If your brushes don't plug in it doesn't matter. Just use elbow grease (good exercise for the arms) and you'll get the same results. I make sure that I get at all the ears, and down to wherever my dress began... Then I quickly apply a moisture cream.
Joan Crawford (My Way of Life)
nstead of running out of the office when her work was done, she’d gone to the ladies’ room and taken her time, brushing the frizz out of her auburn hair, and (for once) paying attention to her makeup. It must have worked, because Junior, the bar’s amiable, three-hundred-pound bouncer, nearly popped his uneven teeth when he saw her. “Marry me, Harper McClain,” he pleaded. “I know I can make you happy.” “I’m married to my job, Junior,
Christi Daugherty
The old man in the opposite seat has gone now. I can see my reflection in the dark glass, broken up every now and then by the flash of a light. A lock of thick, blonde hair has come loose from its up-do, and oh God, the make-up. I’d forgotten about that. I’m wearing way too much of the bloody stuff. Industrial quantities of it. I’ve been sponged and brushed to within an inch of my life. My eyes have been smothered with kohl and mascara. Apparently, it’s the smoky eyed look, but I’m not too sure. I look like I’ve gone ten rounds with Mike Tyson. If the house-mate hadn’t taken it on herself to give me a make-over first thing this morning, then I wouldn’t be looking like a cross between a tangerine and a clown right now. She’s good at plenty of things, Lucy, such as managing an art gallery and navigating her way around the London Underground, but she’s certainly useless when it comes to make-overs. I’ll swing by a shop when I get off the tube and source a packet of wipes
Mandy Lee (You Don't Know Me (You Don't Know Me, #1))
Now I am standing, yet I feel so woozy and woosy. My belly cramps in knots, worse than when I am on my period. I stumble to the bathroom bumping into everything down the hallway, the bathroom is by my mom and dad’s bedroom, I am holding my mouth. My legs trembling over what I have done, certainly, I’m going to throw up or shut myself, or both… I didn’t even think about closing the door when I got there or turn on the light… I barfed in the scarp can while side-saddling one leg on either of the toilets, as it runs coming out of me from both ends at the same time. I reached for the sink after I thought it was all over and brushed my teeth and then shower to wash off. My shower is way too hot and there’s thick steam everywhere, fogging up the mirror, drops are budding upon the tiles. I hear voices in the hallway, but the water rushing down on me, and it feels wonderful, it’s falling so hard on my head and body I can’t make them out, yet I'm sure if the mother says nasty things to me, dad. I stop the water flow overhead. I hear dad looking in at me saying: ‘Get out of the shower, and get going, your friend is out there waiting for you. I said- What? Oh my god, close the door dad, and don’t look at me. Yet he did not remember to close the door all the way. I step out of the shower stall dripping wet, I blot the remainder off with a towel, and there is no time for makeup or doing my hair. Jenny, early I thought… it has to be a miracle. I feel there is like an electric current running through my body, coming deep inside me when I look up and see my little sis looking up at me, saying- ‘Are you okay?’ Her fingers brushed against my lower back skin, as I was staring at her without expression on my face. My eyes widen in the phenomenon, yet I hide no idea why it was in such utter shock to me. She is always sneaking up on me. Yet you would think I saw a ghost by the look within my unconscious feeling eyes. I look into my hand mirrors, pulling it off the countertop, and- I see that my irises are surrounded by a jade green- a glowing circle of light, let me know that I have made it… the powers at be are letting me have my do-overs. My eye was always green but never like this, they're so alluring now, almost like glowing the light of the other universe above, letting me know that I am echoing the final days of my life.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
She took down the framed manuscript from the kitchen wall. It was Kendra's prized possession, and part of her felt guilty for what she planned, but it had to be done. She carefully removed the parchment from its frame, then searched through the piles of translations and notes on the kitchen table. Finally she found the Secret Scroll on the chair where Kendra had been the night before. She carried both manuscripts upstairs and set them on her desk. Next she gathered paints and brushes and sat down. She studied the artwork on the Secret Scroll, then slowly began copying its rich patterns of gold, red, and blue onto Kendra's old manuscript. It was late afternoon when she finished. She studied her work. She had managed to copy the exotic birds and animals hidden in the foliage on the borders, and even the detailed picture of the goddess locking the jaws of hell. Her work was rough, but at a distance it would fool Toby or any of the Regulators, especially since they were afraid to touch it. Satisfied, she went to her closet. She searched through her clothes until she found the strapless top with the slit in the front. She slipped it over her head, then grabbed a silky black skirt and stepped into it. She carried her stiletto boots to the bed and tugged them on. At last she drew black liquid eyeliner over her top lid, added green glitter shadow, rolled thick mascara on her lashes, and brushed her hair. She added gloss to her lips and rubbed sparkle lotion over her arms and chest. Then she remembered the dragon stencils. Soon, she had a sinuous dragon adorning her thigh between the bottom of her skirt and the top of her boots. She liked the look. She turned in front of the full-length mirror behind the bathroom door. "Dynamite," she whispered. Her reflection thrilled her. She looked vamped-out and mystical. At once, she sensed the fierce power of the dragon rising in her. She felt like an invincible goddess-warrior.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
I wasn’t one hundred percent certain you’d be down with the makeup.” “Oh?” He lifted an eyebrow, propping a hip against the table to sip his beer. “Why wear it, then?” I stepped closer, enough so that if he’d parted his knees a little bit, I could have pressed right up flush against him. I brushed my lips along his jaw, somewhere between a kiss and a nuzzle, not quite either. “Because I didn’t wear it for you.” I could swear I heard a soft groan escape his throat under the bass of the music, and then his knees did inch apart a bit more, his hands settling more firmly on my hips again to draw me closer until we were eye-to-eye and crotch-to-crotch. We gasped in unison at the friction of that first electric contact. “And that is why you’re so fucking hot,” he rasped. Our mouths were a breath apart and he could have kissed me, or I could have kissed him. But we didn’t. We just breathed together, savoring that madly intense moment of perfect wanting. After a moment he stepped back and led me to the dance floor.
Amelia C. Gormley (Saugatuck Summer (Saugatuck, #1))