Among Us Christmas Quotes

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Jesus stands at the door knocking (Rev. 3:20). In total reality, he comes in the form of the beggar, of the dissolute human child in ragged clothes, asking for help. He confronts you in every person that you meet. As long as there are people, Christ will walk the earth as your neighbor, as the one through whom God calls you, speaks to you, makes demands on you. That is the great seriousness and great blessedness of the Advent message. Christ is standing at the door; he lives in the form of a human being among us.
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
Who among us will celebrate Christmas correctly? Whoever finally lays down all power, all honor, all reputation, all vanity, all arrogance, all individualism beside the manger; whoever remains lowly and lets God alone be high; whoever looks at the child in the manger and sees the glory of God precisely in his lowliness.5 Dietrich Bonhoeffer
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
Of course there is a Santa Claus. It’s just that no single somebody could do all he has to do. So the Lord has spread the task among us all. That’s why everybody is Santa Claus. I am. You are.
Truman Capote (One Christmas)
As long as there are people, Christ will walk the earth as your neighbor, as the one through whom God calls you, speaks to you, makes demands on you. That is the great seriousness and great blessedness of the Advent message. Christ is standing at the door; he lives in the form of a human being among us.
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
Happiness and goodness, according to canting moralists, stand in the relation of effect and cause. There was never anything less proved or less probable: our happiness is never in our own hands; we inherit our constitution; we stand buffet among friends and enemies; we may be so built as to feel a sneer or an aspersion with unusual keenness and so circumstanced as to be unusually exposed to them; we may have nerves very sensitive to pain, and be afflicted with a disease very painful. Virtue will not help us, and it is not meant to help us.
Robert Louis Stevenson (A Christmas Sermon)
Welcome, old aspirations, glittering creatures of an ardent underneath the holly! We know you, and have not outlived you yet. Welcome, old projects, and old loves, however fleeting, to your nooks among the steadier lights that burn around us
Charles Dickens
And numerous indeed are the hearts to which Christmas brings a brief season of happiness and enjoyment. How many families, whose members have been dispersed and scattered far and wide, in the restless struggles of life, are then reunited, and meet once again in that happy state of companionship and mutual goodwill, which is a source of such pure and unalloyed delight; and one so incompatible with the cares and sorrows of the world, that the religious belief of the most civilised nations, and the rude traditions of the roughest savages, alike number it among the first joys of a future condition of existence, provided for the blessed and happy! How many old recollections, and how many dormant sympathies, does Christmas time awaken! We write these words now, many miles distant from the spot at which, year after year, we met on that day, a merry and joyous circle. Many of the hearts that throbbed so gaily then, have ceased to beat; many of the looks that shone so brightly then, have ceased to glow; the hands we grasped, have grown cold; the eyes we sought, have hid their lustre in the grave; and yet the old house, the room, the merry voices and smiling faces, the jest, the laugh, the most minute and trivial circumstances connected with those happy meetings, crowd upon our mind at each recurrence of the season, as if the last assemblage had been but yesterday! Happy, happy Christmas, that can win us back to the delusions of our childish days; that can recall to the old man the pleasures of his youth; that can transport the sailor and the traveller, thousands of miles away, back to his own fireside and his quiet home!
Charles Dickens (The Pickwick Papers)
Katie stood alone... 'They think this is so good,' he thought. 'They think it's good- the tree they got for nothing and their father playing up to them and the singing and the way the neighbors are happy. They think they're mighty lucky that they're living and it's Christmas again. They can't see that we live on a dirty street in a dirty house among people who aren't much good. Johnny and the children can't see how pitiful it is that our neighbors have to make happiness out of this filth and dirt. My children must get out of this. They must come to more than Johnnny or me or all thse people around us. But how is this to come about? Reading a page from those books every day and saving pennies in the tin-can bank isn't enough. Money! Would that make it better for them? Yes, it would make it easy. But no, the money wouldn't be enough. McGarrity owns the saloon standing on the corner and he has a lot of money. His wife wears diamond earrings. But her children are not as good and smart as my children. They are mean and greedy towards others...Ah no, it isn't the money alone... That means there must be something bigger than money. Miss Jackson teaches... and she has no money. She works for charity. She lives in a little room there on the top floor. She only has the one dress but she keeps it clean and pressed. Her eyes look straight into yours when you talk to her... She understands about things. She can live in the middle of a dirty neighborhood and be fine and clean like an actress in a play; someone you can look at but is too fine to touch... So what is this difference between her and this Miss Jackson who has no money?... Education! That was it!...Education would pull them out of the grime and dirt. Proof? Miss Jackson was educated, the McGarrity wasn't. Ah! That's what Mary Rommely, her mother, had been telling her all those years. Only her mother did not have the one clear word: education!... 'Francie is smart...She's a learner and she'll be somebody someday. But when she gets educated, she will grow away from me. Why, she's growing away from me now. She does not love me the way the boy loves me. I feel her turn away from me now. She does not understand me. All she understands is that I don't understand her. Maybe when she gets education, she will be ashamed of me- the way I talk. but she will have too much character to show it. Instead she will try to make me different. She will come to see me and try to make me live in a better way and I will be mean to her because I'll know she's above me. She will figure out too much about things as she grows older; she'll get to know too much for her own happiness. She'll find out that I don't love her as much as I love the boy. I cannot help that this is so. But she won't understand that. Somethimes I think she knows that now. Already she is growing away from me; she will fight to get away soon. Changing over to that far-away school was the first step in her getting away from me. But Neeley will never leave me, that is why I love him best. He will cling to me and understand me... There is music in him. He got that from his father. He has gone further on the piano than Francie or me. Yes, his father has the music in him but it does him no good. It is ruining him... With the boy, it will be different. He'll be educated. I must think out ways. We'll not have Johnnny with us long. Dear God, I loved him so much once- and sometimes I still do. But he's worthless...worthless. And God forgive me for ever finding out.' Thus Katie figured out everything in the moments it took them to climb the stairs. People looking up at her- at her smooth pretty vivacious face- had no way of knowing about the painfully articulated resolves formulating hin her mind.
Betty Smith
The responsibility/fault fallacy allows people to pass off the responsibility for solving their problems to others. This ability to alleviate responsibility through blame gives people a temporary high and a feeling of moral righteousness. Unfortunately, one side effect of the Internet and social media is that it’s become easier than ever to push responsibility—for even the tiniest of infractions—onto some other group or person. In fact, this kind of public blame/shame game has become popular; in certain crowds it’s even seen as “cool.” The public sharing of “injustices” garners far more attention and emotional outpouring than most other events on social media, rewarding people who are able to perpetually feel victimized with ever-growing amounts of attention and sympathy. “Victimhood chic” is in style on both the right and the left today, among both the rich and the poor. In fact, this may be the first time in human history that every single demographic group has felt unfairly victimized simultaneously. And they’re all riding the highs of the moral indignation that comes along with it. Right now, anyone who is offended about anything—whether it’s the fact that a book about racism was assigned in a university class, or that Christmas trees were banned at the local mall, or the fact that taxes were raised half a percent on investment funds—feels as though they’re being oppressed in some way and therefore deserve to be outraged and to have a certain amount of attention. The current media environment both encourages and perpetuates these reactions because, after all, it’s good for business. The writer and media commentator Ryan Holiday refers to this as “outrage porn”: rather than report on real stories and real issues, the media find it much easier (and more profitable) to find something mildly offensive, broadcast it to a wide audience, generate outrage, and then broadcast that outrage back across the population in a way that outrages yet another part of the population. This triggers a kind of echo of bullshit pinging back and forth between two imaginary sides, meanwhile distracting everyone from real societal problems. It’s no wonder we’re more politically polarized than ever before. The biggest problem with victimhood chic is that it sucks attention away from actual victims. It’s like the boy who cried wolf. The more people there are who proclaim themselves victims over tiny infractions, the harder it becomes to see who the real victims actually are. People get addicted to feeling offended all the time because it gives them a high; being self-righteous and morally superior feels good. As political cartoonist Tim Kreider put it in a New York Times op-ed: “Outrage is like a lot of other things that feel good but over time devour us from the inside out. And it’s even more insidious than most vices because we don’t even consciously acknowledge that it’s a pleasure.” But
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
A poster of a woman in tights heralded the Christmas pantomime, and little red devils, who had come in again that year, were prevalent upon the Christmas-cards. Margaret was no morbid idealist. She did not wish this spate of business and self-advertisement checked. It was only the occasion of it that struck her with amazement annually. How many of these vacillating shoppers and tired shop-assistants realised that it was a divine event that drew them together? She realised it, though standing outside in the matter. She was not a Christian in the accepted sense; she did not believe that God had ever worked among us as a young artisan. These people, or most of them, believed it, and if pressed, would affirm it in words. But the visible signs of their belief were Regent Street or Drury Lane, a little mud displaced, a little money spent, a little food cooked, eaten, and forgotten. Inadequate. But in public who shall express the unseen adequately? It is private life that holds out the mirror to infinity; personal intercourse, and that alone, that ever hints at a personality beyond our daily vision.
E.M. Forster (Howards End)
Maggie felt an unexpected pang. She had thought beforehand chiefly at her own deliverance from her teasing hair and teasing remarks about it, and something also of the triumph she should have over her mother and her aunts by this very decided course of action; she didn't want her hair to look pretty,–that was out of the question,–she only wanted people to think her a clever little girl, and not to find fault with her. But now, when Tom began to laugh at her, and say she was like an idiot, the affair had quite a new aspect. She looked in the glass, and still Tom laughed and clapped his hands, and Maggie's cheeks began to pale, and her lips to tremble a little. "Oh, Maggie, you'll have to go down to dinner directly," said Tom. "Oh, my!" ...But Maggie, as she stood crying before the glass, felt it impossible that she should go down to dinner and endure the severe eyes and severe words of her aunts, while Tom and Lucy, and Martha, who waited at table, and perhaps her father and her uncles, would laugh at her; for if Tom had laughed at her, of course every one else would; and if she had only let her hair alone, she could have sat with Tom and Lucy, and had the apricot pudding and the custard! What could she do but sob? She sat as helpless and despairing among her black locks as Ajax among the slaughtered sheep. Very trivial, perhaps, this anguish seems to weather-worn mortals who have to think of Christmas bills, dead loves, and broken friendships; but it was not less bitter to Maggie–perhaps it was even more bitter–than what we are fond of calling antithetically the real troubles of mature life. "Ah, my child, you will have real troubles to fret about by and by," is the consolation we have almost all of us had administered to us in our childhood, and have repeated to other children since we have been grown up. We have all of us sobbed so piteously, standing with tiny bare legs above our little socks, when we lost sight of our mother or nurse in some strange place; but we can no longer recall the poignancy of that moment and weep over it, as we do over the remembered sufferings of five or ten years ago. Every one of those keen moments has left its trace, and lives in us still, but such traces have blent themselves irrecoverably with the firmer texture of our youth and manhood; and so it comes that we can look on at the troubles of our children with a smiling disbelief in the reality of their pain. Is there any one who can recover the experience of his childhood, not merely with a memory of what he did and what happened to him, of what he liked and disliked when he was in frock and trousers, but with an intimate penetration, a revived consciousness of what he felt then, when it was so long from one Midsummer to another; what he felt when his school fellows shut him out of their game because he would pitch the ball wrong out of mere wilfulness; or on a rainy day in the holidays, when he didn't know how to amuse himself, and fell from idleness into mischief, from mischief into defiance, and from defiance into sulkiness; or when his mother absolutely refused to let him have a tailed coat that "half," although every other boy of his age had gone into tails already? Surely if we could recall that early bitterness, and the dim guesses, the strangely perspectiveless conception of life, that gave the bitterness its intensity, we should not pooh-pooh the griefs of our children.
George Eliot (The Mill on the Floss)
You’re worried about Anna?” “Anna and the baby, who, I can assure you, are not worried about me.” “Westhaven, are you pouting?” Westhaven glanced over to see his brother smiling, but it was a commiserating sort of smile. “Yes. Care to join me?” The commiserating smile became the signature St. Just Black Irish piratical grin. “Only until Valentine joins us. He’s so eager to get under way, we’ll let him break the trail when we depart in the morning.” “Where is he? I thought you were just going out to the stables to check on your babies.” “They’re horses, Westhaven. I do know the difference.” “You know it much differently than you knew it a year ago. Anna reports you sing your daughter to sleep more nights than not.” Two very large booted feet thunked onto the coffee table. “Do I take it your wife has been corresponding with my wife?” “And your daughter with my wife, and on and on.” Westhaven did not glance at his brother but, rather, kept his gaze trained on St. Just’s feet. Devlin could exude great good cheer among his familiars, but he was at heart a very private man. “The Royal Mail would go bankrupt if women were forbidden to correspond with each other.” St. Just’s tone was grumpy. “Does your wife let you read her mail in order that my personal marital business may now be known to all and sundry?” “I am not all and sundry,” Westhaven said. “I am your brother, and no, I do not read Anna’s mail. It will astound you to know this, but on occasion, say on days ending in y, I am known to talk with my very own wife. Not at all fashionable, but one must occasionally buck trends. I daresay you and Emmie indulge in the same eccentricity.” St. Just was silent for a moment while the fire hissed and popped in the hearth. “So I like to sing to my daughters. Emmie bears so much of the burden, it’s little enough I can do to look after my own children.” “You love them all more than you ever thought possible, and you’re scared witless,” Westhaven said, feeling a pang of gratitude to be able to offer the simple comfort of a shared truth. “I believe we’re just getting started on that part. With every child, we’ll fret more for our ladies, more for the children, for the ones we have, the one to come.” “You’re such a wonderful help to a man, Westhaven. Perhaps I’ll lock you in that nice cozy privy next time nature calls.” Which
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
They’ll think the worst,” she said. “I don’t want them to think ill of me, Vim. Mr. Charpentier, oh—bother. What do I call you?” He stopped short in the process of turning Kit loose among his blankets. “If I’m to call you Lady Sophia, you might consider calling me Lord Sindal.” Her brows flew up, then down. “You’re titled?” “A courtesy title, much like your own, but humbler. I’m heir to the Rothgreb viscountcy. Baron Sindal.” “Oh. My goodness.” She did meet his gaze then, and he saw understanding and relief in her eyes. “You did not tell me because you thought I was just a what… a lady’s companion? A housekeeper?” “Something like that. Mostly I thought you were lovely.” He still did. “What do we tell your brothers, Sophie? They’ve left us these few moments out of respect for you, but they’ll be in here any minute, crockery be damned.” “I suppose we tell them as little as possible.” It wasn’t what he’d wanted to hear, though the constraints of honor allowed him one further attempt to secure his heart’s desire. “I will offer for you, if that’s what you want.” Offer for her again. He kept the hope from his voice only with effort. Though from the severe frown Sophie displayed, a renewed offer wasn’t what she sought from him. “I won’t ask it of you.” He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)
Elinor Wylie
At the Fishhouses Although it is a cold evening, down by one of the fishhouses an old man sits netting, his net, in the gloaming almost invisible, a dark purple-brown, and his shuttle worn and polished. The air smells so strong of codfish it makes one's nose run and one's eyes water. The five fishhouses have steeply peaked roofs and narrow, cleated gangplanks slant up to storerooms in the gables for the wheelbarrows to be pushed up and down on. All is silver: the heavy surface of the sea, swelling slowly as if considering spilling over, is opaque, but the silver of the benches, the lobster pots, and masts, scattered among the wild jagged rocks, is of an apparent translucence like the small old buildings with an emerald moss growing on their shoreward walls. The big fish tubs are completely lined with layers of beautiful herring scales and the wheelbarrows are similarly plastered with creamy iridescent coats of mail, with small iridescent flies crawling on them. Up on the little slope behind the houses, set in the sparse bright sprinkle of grass, is an ancient wooden capstan, cracked, with two long bleached handles and some melancholy stains, like dried blood, where the ironwork has rusted. The old man accepts a Lucky Strike. He was a friend of my grandfather. We talk of the decline in the population and of codfish and herring while he waits for a herring boat to come in. There are sequins on his vest and on his thumb. He has scraped the scales, the principal beauty, from unnumbered fish with that black old knife, the blade of which is almost worn away. Down at the water's edge, at the place where they haul up the boats, up the long ramp descending into the water, thin silver tree trunks are laid horizontally across the gray stones, down and down at intervals of four or five feet. Cold dark deep and absolutely clear, element bearable to no mortal, to fish and to seals . . . One seal particularly I have seen here evening after evening. He was curious about me. He was interested in music; like me a believer in total immersion, so I used to sing him Baptist hymns. I also sang "A Mighty Fortress Is Our God." He stood up in the water and regarded me steadily, moving his head a little. Then he would disappear, then suddenly emerge almost in the same spot, with a sort of shrug as if it were against his better judgment. Cold dark deep and absolutely clear, the clear gray icy water . . . Back, behind us, the dignified tall firs begin. Bluish, associating with their shadows, a million Christmas trees stand waiting for Christmas. The water seems suspended above the rounded gray and blue-gray stones. I have seen it over and over, the same sea, the same, slightly, indifferently swinging above the stones, icily free above the stones, above the stones and then the world. If you should dip your hand in, your wrist would ache immediately, your bones would begin to ache and your hand would burn as if the water were a transmutation of fire that feeds on stones and burns with a dark gray flame. If you tasted it, it would first taste bitter, then briny, then surely burn your tongue. It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.
Elizabeth Bishop
To those who have looked at Rome with the quickening power of a knowledge which breathes a growing soul into all historic shapes, and traces out the suppressed transitions which unite all contrasts, Rome may still be the spiritual centre and interpreter of the world. But let them conceive one more historical contrast: the gigantic broken revelations of that Imperial and Papal city thrust abruptly on the notions of a girl who had been brought up in English and Swiss Puritanism, fed on meagre Protestant histories and on art chiefly of the hand-screen sort; a girl whose ardent nature turned all her small allowance of knowledge into principles, fusing her actions into their mould, and whose quick emotions gave the most abstract things the quality of a pleasure or a pain; a girl who had lately become a wife, and from the enthusiastic acceptance of untried duty found herself plunged in tumultuous preoccupation with her personal lot. The weight of unintelligible Rome might lie easily on bright nymphs to whom it formed a background for the brilliant picnic of Anglo-foreign society; but Dorothea had no such defence against deep impressions. Ruins and basilicas, palaces and colossi, set in the midst of a sordid present, where all that was living and warm-blooded seemed sunk in the deep degeneracy of a superstition divorced from reverence; the dimmer but yet eager Titanic life gazing and struggling on walls and ceilings; the long vistas of white forms whose marble eyes seemed to hold the monotonous light of an alien world: all this vast wreck of ambitious ideals, sensuous and spiritual, mixed confusedly with the signs of breathing forgetfulness and degradation, at first jarred her as with an electric shock, and then urged themselves on her with that ache belonging to a glut of confused ideas which check the flow of emotion. Forms both pale and glowing took possession of her young sense, and fixed themselves in her memory even when she was not thinking of them, preparing strange associations which remained through her after-years. Our moods are apt to bring with them images which succeed each other like the magic-lantern pictures of a doze; and in certain states of dull forlornness Dorothea all her life continued to see the vastness of St. Peter's, the huge bronze canopy, the excited intention in the attitudes and garments of the prophets and evangelists in the mosaics above, and the red drapery which was being hung for Christmas spreading itself everywhere like a disease of the retina. Not that this inward amazement of Dorothea's was anything very exceptional: many souls in their young nudity are tumbled out among incongruities and left to "find their feet" among them, while their elders go about their business. Nor can I suppose that when Mrs. Casaubon is discovered in a fit of weeping six weeks after her wedding, the situation will be regarded as tragic. Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
George Eliot (Middlemarch)
But there was one notable occasion when Gagarin refused point-blank to help. A mother wrote to him saying that her son was in trouble for cutting down a fir tree in a forbidden area at Christmas time. Gagarin looked into the business, found out that it had probably been more than one tree and that the young man was selling them off for profit. He recommended the man be sacked from his job. According to his driver, Gagarin became pretty angry and said, ‘What happens if everyone goes and cuts down “just one” fir tree? Where are we going to live then? Any day now, we won’t have anything left.’ Leonov puts this (and other similar incidents) down to Gagarin’s perceptions of the earth from space. ‘After his flight he was always saying how special the world is, and how we had to be very careful not to break it.’ This is a common enough truism by modern standards, taught to all of us in school, but what must it have been like for the very first man in space to discover it for himself? In April 1961 Gagarin was the only human being among three billion who had actually seen the world as a tiny blue ball drifting through the infinite cosmic darkness.
Jamie Doran (Starman: The Truth Behind the Legend of Yuri Gagarin)
The baby who will be born in Bethlehem is the only begotten Son of God, consubstantial with the Father, eternal, having his own divine nature and also the human nature which he has assumed in Mary’s virginal womb. When we look at him this Christmas and see him helpless in the arms of his mother, we must not forget that this is God, made man for love of us, every single one of us. During these days when we read with profound wonder the words of the Gospel and dwelt among us, or when we say the Angelus, we shall have a good opportunity for making a deep and grateful act of faith, and for adoring the sacred Humanity of Our Lord.
Francisco Fernández-Carvajal (In Conversation with God – Volume 1 Part 1: Advent (In Conversation with God - Volume 1 Part 1))
THURSDAY, DECEMBER 24 Thursday of the Fourth Week of Advent No Place Like Home Like most Americans, I have wandered far from my family of origin. I miss my mother and my brother and my two sisters—and especially my little nieces and nephew!—most at Christmas. And so, a journey is planned. We will pack everyone in the car and drive to my mother’s home in Pennsylvania. For a short time the whole family will be together, and there will be joy. But after that, I know, I will come back to New York, and the sadness will return. I ask Christ to help me bear this. In the crèche we see him born among us, but in the manner of a refugee or exile. Everything around him speaks of being displaced: the smell of the manure, the rough feel of hay on skin, the cold air that comes in through a hole where there is no door. He knows our loneliness. But if we look again, we see he is at his Mother’s breast. Like every child, he could be anywhere, as long as he is with her. She is his all. He is her all. And Joseph is close by. And now the shepherds are crowding in, with their sheep. And now the angels are hovering, suffusing the space with golden light. This is the tender compassion of our God! Is it not amazing that we wanderers have found a home here, among the cows and the pigs, the grubby shepherds and the perfect angels—our very own home in the bosom of the Church?   Reflection based on Luke 1:67-79
Magnificat (2015 Magnificat Advent Companion)
Vasana is determinism that feels like free will. I’m reminded of my friend Jean, whom I’ve known for almost twenty years. Jean considers himself very spiritual and went so far in the early nineties as to walk way from his job with a newspaper in Denver to live in an ashram in western Massachusetts. But he found the atmosphere choking. “They’re all crypto Hindus,” he complained. “They don’t do anything but pray and chant and meditate.” So Jean decided to move on with his life. He’s fallen in love with a couple of women but has never married. He doesn’t like the notion of settling down and tends to move to a new state every four years or so. (He once told me that he counted up and discovered that he’s lived in forty different houses since he was born.) One day Jean called me with a story. He was on a date with a woman who had taken a sudden interest in Sufism, and while they were driving home, she told Jean that according to her Sufi teacher, everyone has a prevailing characteristic. “You mean the thing that is most prominent about them, like being extroverted or introverted?” he asked. “No, not prominent,” she said. “Your prevailing characteristic is hidden. You act on it without seeing that you’re acting on it.” The minute he heard this, Jean became excited. “I looked out the car window, and it hit me,” he said. “I sit on the fence. I am only comfortable if I can have both sides of a situation without committing to either.” All at once a great many pieces fell into place. Jean could see why he went into an ashram but didn’t feel like he was one of the group. He saw why he fell in love with women but always saw their faults. Much more came to light. Jean complains about his family yet never misses a Christmas with them. He considers himself an expert on every subject he’s studied—there have been many—but he doesn’t earn his living pursuing any of them. He is indeed an inveterate fence-sitter. And as his date suggested, Jean had no idea that his Vasana, for that’s what we’re talking about, made him enter into one situation after another without ever falling off the fence. “Just think,” he said with obvious surprise, “the thing that’s the most me is the thing I never saw.” If unconscious tendencies kept working in the dark, they wouldn’t be a problem. The genetic software in a penguin or wildebeest guides it to act without any knowledge that it is behaving much like every other penguin or wildebeest. But human beings, unique among all living creatures, want to break down Vasana. It’s not good enough to be a pawn who thinks he’s a king. We crave the assurance of absolute freedom and its result—a totally open future. Is this reasonable? Is it even possible? In his classic text, the Yoga Sutras, the sage Patanjali informs us that there are three types of Vasana. The kind that drives pleasant behavior he calls white Vasana; the kind that drives unpleasant behavior he calls dark Vasana; the kind that mixes the two he calls mixed Vasana. I would say Jean had mixed Vasana—he liked fence-sitting but he missed the reward of lasting love for another person, a driving aspiration, or a shared vision that would bond him with a community. He displayed the positives and negatives of someone who must keep every option open. The goal of the spiritual aspirant is to wear down Vasana so that clarity can be achieved. In clarity you know that you are not a puppet—you have released yourself from the unconscious drives that once fooled you into thinking that you were acting spontaneously.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
CROWN OF INDIA written by: Zaki Ansari @ZakiAshkim Sweets of Eid and holy Christmas cake and langar at Gurudwara everything pleasant for me Hindu, Muslim or belong to any religion loving humankind is pleasant for me there is a bit of suffocation in the new atmosphere somebody spreading the poison of hatred now, it seems to me of course, we may have new things. There is no averse but the old form of my nation is more pleasant for me any religion, any faith or anyone Everyone loves this soil It’s a mother for everyone dwell affection among all the children a mother feels happy, it seems to me blood stain of children on the land no mother can like it, it seems to me what will our generation’s inheritance be? it depends on us What kind of nation do we want to build? it depends on us but we all have to keep that in mind That’s most relevant, it seems to me the only crown of culture & etiquette of ganga jamuni suits on India’s head & it’s pleasant for me Hindu, Muslim or belong to any religion loving humankind is pleasant for me the only crown of culture & etiquette of ganga jamuni suits on India’s head & it’s pleasant for me Hindu, Muslim or belong to any religion loving humankind is pleasant for me
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
The Christmas story reminds us that God moves in and among those whom society most often leaves behind, that the thread of redemption woven throughout Scripture winds its way through a lot of small towns and seemingly little lives.
Daniel Darling (The Characters of Christmas: The Unlikely People Caught Up in the Story of Jesus)
Among the Facebook data scientists’ findings: Christmas is one of the happiest days of the year.
Seth Stephens-Davidowitz (Everybody Lies: Big Data, New Data, and What the Internet Can Tell Us About Who We Really Are)
When Moses came down off the mountain, his face was so bright with radiance that the people could not look at him (Exodus 34:29–30)—so great, so high and unapproachable is God. Can you imagine, then, if Moses were present today, and he were to hear the message of Christmas, namely that “the Word became flesh and made his dwelling among us. We have seen his glory, the glory of the one and only Son” (John 1:14)? Moses would cry out, “Do you realize what this means? This is the very thing I was denied! This means that through Jesus Christ you can meet God. You can know him personally and without terror. He can come into your life. Do you realize what’s going on? Where’s your joy? Where’s your amazement? This should be the driving force of your life!
Timothy J. Keller (Hidden Christmas: The Surprising Truth Behind the Birth of Christ)
On Christmas Day, we will shut out from our fireside, Nothing." "Not the shadow of a vast City where the withered leaves are lying deep?" the voice replies. "Not the shadow that darkens the whole globe? Not the shadow of the City of the Dead?" Not even that. Of all days in the year, we will turn our faces towards that City upon Christmas Day, and from its silent hosts bring those we loved, among us. City of the Dead, in the blessed name wherein we are gathered together at this time, and in the Presence that is here among us according to the promise, we will receive, and not dismiss, thy people who are dear to us!
Charles Dickens
The Hercule Poirot Reading List It is possible to read the Poirot stories in any order. If you want to consider them chronologically (in terms of Poirot’s lifetime), we recommend the following: ❑ The Mysterious Affair at Styles [1920] ❑ The Murder on the Links [1923] ❑ The Regatta Mystery and Other Stories (US Short Story Collection) [1939] ❑ Poirot Investigates (Short Story Collection) [1924] ❑ Poirot’s Early Cases (Short Story Collection) [1974] ❑ The Murder of Roger Ackroyd [1926] ❑ The Big Four [1927] ❑ The Mystery of the Blue Train [1928] ❑ Peril at End House [1932] ❑ Lord Edgware Dies [1933] ❑ Murder on the Orient Express [1934] ❑ Three Act Tragedy [1935] ❑ Death in the Clouds [1935] ❑ Poirot and the Regatta Mystery (Published in The Complete Short Stories: Hercule Poirot) [1936] ❑ The ABC Murders [1936] ❑ Murder in Mesopotamia [1936] ❑ Cards on the Table [1936] ❑ The Witness for the Prosecution and Other Stories (US Short Story Collection) [1948] ❑ Murder in the Mews (Short Story Collection) [1938] ❑ Dumb Witness [1937] ❑ Death on the Nile [1937] ❑ Appointment with Death [1937] ❑ Hercule Poirot’s Christmas [1938] ❑ Sad Cypress [1940] ❑ One, Two Buckle My Shoe [1940] ❑ Evil Under the Sun [1941] ❑ Five Little Pigs [1942] ❑ The Hollow [1946] ❑ The Labours of Hercules (Short Story Collection) [1947] ❑ Taken at the Flood [1945] ❑ Mrs. McGinty’s Dead [1952] ❑ After the Funeral [1953] ❑ Hickory Dickory Dock [1955] ❑ Hercule Poirot and the Greenshore Folly [2014] ❑ Dead Man’s Folly [1956] ❑ Cat Among the Pigeons [1959] ❑ Double Sin and Other Stories (US Short Story Collection) [1961] ❑ The Under Dog and Other Stories (US Short Story Collection) [1951] ❑ The Harlequin Tea Set and Other Stories (US Short Story Collection) [1997] ❑ The Clocks [1963] ❑ Third Girl [1966] ❑ Hallowe’en Party [1969] ❑ Elephants Can Remember [1972] ❑ Curtain: Poirot’s Last Case [1975]
Agatha Christie (The Man in the Brown Suit (Colonel Race, #1))
The preaching of Peter and Paul and all the witnesses of the risen Jesus says that two basic things are demanded of us. First: we must acknowledge our own share in what the cross is and represents; we must learn to see ourselves as caught up in a world where the innocent are scapegoated and killed and where we are all unwilling, to a greater or lesser degree, to face unwelcome truths about ourselves. We must learn to see that we cannot by our own wisdom and strength cut ourselves loose from the tangle of injustice, resentment, fear and prejudice that traps the human family in conflict and misery. And second: we must learn to trust that love and justice are not defeated by our failure; that God has provided from his own strength and resourcefulness a way to freedom, once we have become able to recognize in the face of the suffering Jesus his own divine promise of mercy and life. The resurrection is the manifesting to the world of the triumph of a love that uses no coercion or manipulation but is simply itself – an indestructible love. The challenge of Easter is to believe that God is not defeated by the most extreme rejection imaginable. Good news? Emphatically yes. But not easy news. To recognize God in the crucified Jesus alters so much: it alters what we think about God, and it alters where we look for God in the human world. It suggests uncomfortably that God is likeliest to be found among those we have, like the religious and political establishment of Jesus’ day, dismissed or shut out; it suggests that our models of success and failure have to be turned upside down; it suggests that our eternal future is bound up with whether we are able to turn to those we have hurt and seek forgiveness. And so much else. Put like that, it is not surprising that the gospel and the cross could provoke fear and an unwillingness to allow such thoughts to become part of the current of public discussion. And perhaps it is not surprising either that we who call ourselves Christians may secretly be happier treating the cross just as a ‘religious symbol’ than letting ourselves be shaken and unmade and remade by it.
Rowan Williams (Choose Life: Christmas and Easter Sermons in Canterbury Cathedral)
... Christmas, as we look at the baby in the manger and hear angels singing and see shepherds adoring, we know that God has come among us; the Eternal Word is made flesh. A child has been born. It is Christ, our Savior. And our world is changed forever.
Francis George
I stared around us. Christmas parcels were piled in every corner, pushed under tables among tired shoppers' feet. Above the steam from the teapots and the waft of the fresh buns there was a sharp scent of pine from the boughs hung up in the corners of the room—it was all wonderfully festive, and I loved it.
Robin Stevens (Mistletoe and Murder (Murder Most Unladylike, #5))
And the Word became flesh and lived among us. John 1:14
Kate Moorehead (I Witness: Living Inside the Stories of Advent and Christmas)
In strange, often unintended ways, the pursuit of “justice,” shalom, and a “holistic” gospel can have its own secularizing effect. What begins as a gospel-motivated concern for justice can turn into a naturalized fixation on justice in which God never appears. And when that happens, “justice” becomes something else altogether—an idol, a way to effectively naturalize the gospel, flattening it to a social amelioration project in which the particularity of the revelation of God becomes strangely absent. Given the newfound appreciation for justice and shalom among evangelicals, we do well to see such trajectories as a cautionary tale, like a visitation from the ghost of Christmas future showing us where we could end up.
James K.A. Smith (Awaiting the King: Reforming Public Theology)
Jesus came into the world to save us from our sins, and our political sins are not exempt from this salvation. Why would our political sins (which frequently have been among our foulest sins) be excluded? Jesus
Douglas Wilson (God Rest Ye Merry: Why Christmas is the Foundation for Everything)
Life was born in that manger; it’s what the Christmas story is about. Life was born among the dead so that the dead would come to life.
Paul David Tripp (Come, Let Us Adore Him: A Daily Advent Devotional)
We all have stories, and it's a wonderful thing when our stories catch up with just the right person. It's the beauty of God Himself, showing Himself among us by pulling our stories into His great story of grace."~ Astrid in Christmas in Gold
Olivia Newport (Colors of Christmas: Two Contemporary Stories Celebrate the Hope of Christmas)
Rather than elucidate further, Sophie peered into the teapot. “Empty. May you lot all find a lump of coal among your presents today.” Sindal passed her his teacup. “Our sister lives to castigate us,” St. Just said, spreading a liberal portion of butter on his toast. “We mustn’t deprive her of her few pleasures.” “And
Grace Burrowes (Lady Louisa's Christmas Knight (The Duke's Daughters, #3; Windham, #6))
Sanna measured the apple juice into a large glass beaker and added it to the carboy, swirling a cheery red- like Santa's suit. She wrote down the amount in her notebook and did the same with the next juice, this one a bold sapphire blue, which mixed with the red into a vivid purple. When it came to cider, colors and flavors blended together for her. She knew she had the right blend when it matched the color she had envisioned. It wasn't scientific- and it didn't happen with anything else Sanna tasted- but here, with her beloved trees, it worked. She carefully tracked the blends in her journal. The sun streamed through the window, lighting up the colors in the carboy like Christmas lights. She was close- one more juice should do it. She closed her eyes, calling to mind all the juices in the barn's cooler and their corresponding colors. Every juice she tasted from their apples had a slightly different hue, differing among individual varieties, but even varying slightly from tree to tree. When she was twenty-four, she had stood at the tall kitchen counter tasting freshly pressed juices she had made for the first time with the press she had unearthed from the old barn. Her plan had originally been to sell them in the farm stand, but she wanted to pick the best. As she sipped each one, an unmistakable color came to mind- different for each juice- and she finally understood the watercolor apple portraits above the fireplace. They were proof she wasn't the only family member who could see the colors. After she explained it to her dad, he smiled. "I thought you might have the gift." "You knew about this?" "It's family legend. My dad said Grandpa could taste colors in the apples, but no one in my lifetime has been able to, so I thought it might be myth. When you returned home after college- the way you were drawn to Idun's- I thought you might have it." He had put his hands on the side of her face. "This means something good, Sanna." "Why didn't you say anything? Why didn't I know before?" "Would you have believed me?" "I've had apple juice from the Rundstroms a thousand times. Why can't I see that with theirs?" "I think it has something to do with apples from our land. We're connected to it, and it to us." Sanna had always appreciated the sanctuary of the orchard, and this revelation bonded Sanna like another root digging into the soil, finding nourishment. She'd never leave. After a few years of making and selling apple juice, Sanna strolled through the Looms wondering how these older trees still produced apples, even though they couldn't sell them. They didn't make for good eating or baking- Einars called them spitters. Over the years, the family had stopped paying attention to the sprawling trees since no one would buy their fruit- customers only wanted attractive, sweet produce. Other than the art above the mantel, they had lost track of what varieties they had, but with a bit of research and a lot of comparing and contrasting to the watercolors and online photos, Sanna discovered they had a treasure trove of cider-making apples- Kingston Black, Ashton Bitter, Medaille d'Or, Foxwhelp, her favorite Rambo tree, and so many more. The first Lunds had brought these trees to make cider, but had to stop during Prohibition, packing away the equipment in the back of their barn for Sanna to find so many years later. She spent years experimenting with small batches, understanding the colors, using their existing press and carboys to ferment. Then, last year, Einars surprised her with plans to rebuild the barn, complete with huge fermentation tanks and modern mills and presses. Sanna could use her talent and passion to help move their orchard into a new phase... or so they had hoped.
Amy E. Reichert (The Simplicity of Cider)
Therefore, as we grow older, let us be more thankful that the circle of our Christmas associations and of the lessons that they bring, expands! Let us welcome every one of them, and summon them to take their places by the Christmas hearth. Welcome, old aspirations, glittering creatures of an ardent fancy, to your shelter underneath the holly! We know you, and have not outlived you yet. Welcome, old projects and old loves, however fleeting, to your nooks among the steadier lights that burn around us. Welcome, all that was ever real to our hearts; and for the earnestness that made you real, thanks to Heaven! Do we build no Christmas castles in the clouds now? Let our thoughts, fluttering like butterflies among these flowers of children, bear witness!
Annie Roe Carr (50 Classic Christmas Stories Maxipack: 100+ Authors, 200 Novels, Novellas, Stories, Poems & Carols)
For thus saith the LORD to the men of Judah and Jerusalem, Break up your fallow ground, and sow not among thorns.’ ” “Old Testament?” “Yes, Jeremiah 4, verse 3.” “So what does it mean to you?” “God has given us good resources; use them. Don’t choose the thorny or sin-laden fields because those are not meant for His people.
Donita K. Paul (Two Tickets to the Christmas Ball)