Main Chick Quotes

Your grandmother used to say that you were two souls separated in heaven. She mainly meant you were both trouble and deserved each other.

Once I checked my email, I would get lost in a book so I could feel the main character's pain instead of mine, laugh at her missteps rather than lament my own, and cheer for the happy ending that seemed to elude me.

Sweetheart, look at me" Hank whispered. I looked at him, he moved inside me and it felt delicious. "Ït starts now" he told me. I moved with him, i wasn't really focusing on what he was saying, mainly because it was building again and i could feel it coming. "What starts now?" i asked. You and me". He moved faster, pressed harder, went deeper. Good god. "What?" i asked dazedly. "You and me", he said again

Mainly because not only did Lee not play by the book, Kai Mason had made an art of pissing all over the fucking book.

Excerpt from page 3 of "Wicked Washington" Shelly Williams, the main character, speaking about her life: And close and dangerous calls were almost my last name. Yet I felt as comfortable among the street hustlers, junkies, thieves, and criminals of D.C. as I did dining with my white-collar, college-pedigreed friends over filet mignon, Maine lobster, and strawberry cheesecake at LaMermaid Seafood Restaurant.

From my personal experiences, it is evident that so many wealthy females within the kingdom are devoted to little else but frivolity, with their thoughts focused mainly on their looks and their luxurious possessions.

Recently I had breakfast with Dan Cathy, the president of Chick-fil-A, a fast food chain headquartered in the Atlanta area. I told him that I was working on this book and I asked him if he made thinking time a high priority. Not only did he say yes, but he told me about what he calls his “thinking schedule.” It helps him to fight the hectic pace of life that discourages intentional thinking. Dan says he sets aside time just to think for half a day every two weeks, for one whole day every month, and for two or three full days every year. Dan explains, “This helps me ‘keep the main thing, the main thing,’ since I am so easily distracted.” You may want to do something similar, or you can develop a schedule and method of your own. No matter what you choose to do, go to your thinking place, take paper and pen, and make sure you capture your ideas in writing.

Jim Adkins: ...There was a girl who wrote us, explaining how she felt like an outsider at her school because the punk rock kids wouldn't accept her, even though she liked us and a lot of the really obscure bands we toured with. And I just thought 'It's not worth your time to trip on this. Punk rock is and should be inclusive. That's the one thing I know. No matter what your definition of punk is, everyone would say that it's inclusive, it welcomes outsiders. Freak flags welcome. Wave 'em around. These chicks don't get it at all, don't waste your time trying to get their approval.' That's where the main idea for the lyrics to 'The Middle' came from.

Humans have adopted such an extreme form of the peak-late strategy because, as a species, we have come to inhabit an equally extreme ecological niche. The main demands imposed upon us by the odd, crowded cave to which we have adapted can be summed up with what I’ll call the Three Cs: we are required to be creative, cultural, and communal. The demands of the Three Cs make us, like the helpless, blind, altricial crow chicks, more vulnerable than robust and less complicated animals. For instance: sharks. You’d never want to put a four-year-old human up against a four-year-old shark. Yet it remains the fact that our weak, mewling infants grow into relative masters of the universe, putting sharks in aquariums, eating their fins in soups, and now, unfortunately, driving them to extinction in many regions of the world.

For many years, a family of ospreys lived in a large nest near my summer home in Maine. Each season, I carefully observed their rituals and habits. In mid-April, the parents would arrive, having spent the winter in South America, and lay eggs. In early June, the eggs hatched. The babies slowly grew, as the father brought fish back to the nest, and in early to mid August were large enough to make their first flight. My wife and I recorded all of these comings and goings with cameras and in a notebook. We wrote down the number of chicks each year, usually one or two but sometimes three. We noted when the chicks first began flapping their wings, usually a couple of weeks before flying from the nest. We memorized the different chirps the parents made for danger, for hunger, for the arrival of food. After several years of cataloguing such data, we felt that we knew these ospreys. We could predict the sounds the birds would make in different situations, their flight patterns, their behavior when a storm was brewing. Reading our “osprey journals” on a winter’s night, we felt a sense of pride and satisfaction. We had carefully studied and documented a small part of the universe. Then, one August afternoon, the two baby ospreys of that season took flight for the first time as I stood on the circular deck of my house watching the nest. All summer long, they had watched me on that deck as I watched them. To them, it must have looked like I was in my nest just as they were in theirs. On this particular afternoon, their maiden flight, they did a loop of my house and then headed straight at me with tremendous speed. My immediate impulse was to run for cover, since they could have ripped me apart with their powerful talons. But something held me to my ground. When they were within twenty feet of me, they suddenly veered upward and away. But before that dazzling and frightening vertical climb, for about half a second we made eye contact. Words cannot convey what was exchanged between us in that instant. It was a look of connectedness, of mutual respect, of recognition that we shared the same land. After they were gone, I found that I was shaking, and in tears. To this day, I do not understand what happened in that half second. But it was one of the most profound moments of my life.

That was one of the main reasons why he didn’t kiss chicks and he would never kiss a chick if she had a man. He wasn’t into tasting another man’s dick.

When I watch a movie or read a book, be it a melodrama or horror, I always hate the female character... Well, most of the time I do. Why? Because she is always dumb. I shit you not. For example in this one chick-flick movie, "Serendipity", Sara tells that Jonathan guy that she won't give him her number because if they are meant to meet again, they will. Seriously? Romantic movie my ass, there's not anything romantic in letting go of someone when you can grab them with both of your hands. That is not romantic, THAT is stupid. In another movie the girl storms out, never hearing the guy out, just like in that one book I've been reading recently, "Tangled". Now this is an issue with most of the books and chick-flicks. Like why? Why won't you stop a minute, take a deep breath, count to ten and listen to the guy. Only after that, for God's sake, say ‘fuck you’ then ‘Namaste’ and then walk away while swaying your hips like there is no tomorrow? Let them know what they will be missing for the rest of their lives. In some other movies I hate the main female character because of the scriptwriters. The girl somehow always appears in front of the guy out of nowhere. Like he can be walking down the street and then boom! ABRACADABRA! The main girl bumps into him in NYC out of all places. They make it seem like whatever they do their steps always bring them back to each other. Dumb, I know.

If you haven’t learned anything, you should know that the side chick is only winning when the main chick isn’t around.” Nisei spoke from experience. She was the

I thought about Gobi and her sister and the way it had all come unraveled. I thought about my dad. When you’re young, you think your father can do anything. Unless he was this severely abusive person and beat you or got drunk and smashed things, you probably worshiped him. At least most of the guys I knew were like that. They might not have used those exact words, but they all have some cherished memory of something they did with their father, even if it was just a shiny, far-off moment. I remembered being eight years old and making a Pinewood Derby car for Boy Scouts. Dad had brought out a gleaming red Craftsman toolbox that I had never seen before and helped me carve the car out of a block of wood, and we sat at the kitchen table painting it silver and blue with red flames up the side. I drank Pepsi and he sipped a beer. When we finished, the car didn’t weigh enough, so we put lead weights in the bottom and sprayed lubricant on the wheels until it rolled freely from one side of the table to the other. I won third place, and he said, “I’m proud of you.” I remembered going fishing with him up in Maine, taking a little motorboat out across the foggy lake until it was too dark to see our bobbers. I remembered him teaching me how to tie a necktie on the morning of my cousin’s wedding. I remembered seeing him in the stands at my first junior high swimming tournament, standing next to my mom and cheering. I remembered waking up very early in the morning and hearing him downstairs making coffee before slipping out to work. I remembered the first time I ever heard him swear.

So, what is it that Rubin does? How has he helped artists make their best music for nearly forty years across such disparate genres and styles? The secret seems to be rooted in self-discovery. As Natalie Maines of the Dixie Chicks put it, the legendary pro- ducer “has the ability and the patience to let music be discovered, not manufactured.” In other words, to use our terminology, Rubin understands that magic needs to come from within.

Through the snowy silver maple trees, he could see the gray stone stronghold of St. Alban’s. She was in there, behind one of the diamond-paned windows, a block away and as far out of reach as the moon. On his CD player, Natalie Maines of the Dixie Chicks was crooning, Without you, I’m not okay, and without you, I’ve lost my way… If he lived through this mess, he was never listening to country music again.

A teacher’s job is to see students’ potential before they can see it themselves; teachers need to have the faith and foresight to know they can actualize that potential and the wisdom to help students chart their course. It is only with this inner knowing that a teacher can invite the student, over and over again, to the edge of their comfort—and then give them a gentle nudge. In effect, a teacher is like the mother bird who can see her chicks flying before they realize they have wings.

chuck roast, strip, chuck eye, sirloin and beef are beset. You’ll also want chick brisk, prime rib, brisket or other roasts. Ground beef is fine as long as you are getting fatty ground beef. You can also eat beef organs. There are many who practice the carnivore diet that believe that organs are necessary if you want to have complete nutrition on this diet.

The Dixie Chicks are another obvious absence, and it is hard not to suspect that they are being ostracized from the museum because of lead singer Natalie Maines’s criticism of George W. Bush for America’s invasion of Iraq in 2003, which provoked a storm of controversy.

to Freyja.” and Odin is like “Can I at least have the octohorse?” and Loki is like “Only if I don’t have to do what you say anymore.” and Odin is like “FINE.” and Loki is like “HAHA, I PRANKED YOU THAT HORSE CAME OUT OF MY HORSE VAGINA.” And Odin is like “Ew, ick. I still want the horse though.” So the moral of the story is that only a sucker pays full price for masonry. Oh, speaking of which let me tell you about another really gross thing Loki had sex with . . . FENRIR IS A DILF So one day, Loki’s wandering around Jotunheim and he sees this chick Angrboða pronounced ANGER BOW THE and he is like “Well, I know she’s pretty ugly and her name is kinda like a reference book entry for THE ANGER BOW but you know what? I’m gonna tap that and have three kids with that and all three of those kids are going to be horrible beasts that bring on the apocalypse. I see no problems with this.” So for now, let’s just focus on the first kid: a giant wolf named Fenrir. Now Loki brings baby Fenrir to Asgard and the Aesir all instantly know that this wolf is gonna be the death of them mainly because it is a GIANT WOLF NAMED FENRIR. But instead of doing anything about it they decide to see if they can just raise it as their own presumably because they don’t want to hurt Loki’s feelings. So this god Tyr the god of single combat and being awesome gets put in charge of feeding Fenrir because he’s the only person with sufficient testicular mass to actually go near the wolf and Fenrir gets bigger and bigger and holy shit bigger until the gods start to be like “Uhh . . . we should really do something about this wolf.” So what they do is they make a big metal chain. This chain is so incredibly massive that they don’t feel right until they give it a name that name is Leyding. So they go up to Fenrir like “Hey, man I bet you totally can’t break out of this chain.” And Fenrir is like “Okay, bring it.” So they tie him up and he pretty much just breaks the chains like cobwebs and he gets famous because of that and the gods are like “Fuck, that backfired. Okay, let’s make a better chain.” so they make a chain that is TWO TIMES AS STRONG and they name it Dromi and they go back to Fenrir like “Bet you can’t break THIS chain.” And Fenrir is like “I don’t know if I want to let you tie me up again.” And the gods are like “Don’t you want to be double famous?” and Fenrir is like “Ugh, okay.” So he lets them tie him up again and he flexes a little, but the chain doesn’t break so then he kicks the chain, and it does break and the gods are all like “Okay we definitely need a better chain. Somebody call some dwarves.” So the dwarves are like “Okay the mistake you guys have been making is you have been trying to make a chain out of actual things that exist such as metal instead of abstract concepts such as the sound of a cat’s footfall.” So what the dwarves do is they take the sound of a cat’s footfall along with the roots of a mountain the sinews of a bear the beard of a woman— remember, these are dwarves— and the breath of a fish, and the spit of a bird so that’s why you can’t hear cats walking around and mountains don’t have roots and fish don’t breathe, and birds don’t spit but I think bears still probably have sinews and I have definitely met me some bearded ladies so I guess the dwarves were not that thorough. But anyway somehow they manage to distill all this shit into THE ULTIMATE

She might've previously veered off track and landed straight into chick lit land, but how many chick lits had the main character recognize how unpredictable life is and then apologize to those she had hurt when she tried forcing things to fit in placr?

You gotta love a girl who reads…one of those girls that wakes you up at two a.m. clutching her books to her chest in tears. I just love a chick who reads. They see things that other people don’t. They can find magic in words and bring life into the mundane everyday things with their imagination. I'd just let her wake me up and give her a hug, pull her close. I’d let her tell me about the scene in the book that made her cry. Then, to comfort her, I’d kiss the fucking hell out of her lips, make her want to read a book that I was the main character in. Be a man worth immortalizing with words.