Maid Of Honour Quotes

This, Tietjens thought, is England! A man and a maid walk through Kentish grass fields: the grass ripe for the scythe. The man honourable, clean, upright; the maid virtuous, clean, vigorous; he of good birth; she of birth quite as good; each filled with a too good breakfast that each could yet capably digest. Each come just from an admirably appointed establishment: a table surrounded by the best people, their promenade sanctioned, as it were, by Church - two clergy - the State, two Government officials; by mothers, friends, old maids.

Robin: Golden arrow? And what would we do with a golden arrow? Give it to Alan for a lute string? I could hang it around my neck on a chain, perhaps, and let it stab me in the ribs when I tried to sit. Marian: And your honour as an outlaw? Robin: My honour as an outlaw concerns staying alive; and presenting my neck anywhere near the Sheriff of Notingham, who feels it wants lengthening, runs directly counter to that honour. Marian: The sheriff will be gravely disappointed. Robin: That's the best news I've heard all week.

Robin Hood. To a Friend. No! those days are gone away, And their hours are old and gray, And their minutes buried all Under the down-trodden pall Ofthe leaves of many years: Many times have winter's shears, Frozen North, and chilling East, Sounded tempests to the feast Of the forest's whispering fleeces, Since men knew nor rent nor leases. No, the bugle sounds no more, And the twanging bow no more; Silent is the ivory shrill Past the heath and up the hill; There is no mid-forest laugh, Where lone Echo gives the half To some wight, amaz'd to hear Jesting, deep in forest drear. On the fairest time of June You may go, with sun or moon, Or the seven stars to light you, Or the polar ray to right you; But you never may behold Little John, or Robin bold; Never one, of all the clan, Thrumming on an empty can Some old hunting ditty, while He doth his green way beguile To fair hostess Merriment, Down beside the pasture Trent; For he left the merry tale, Messenger for spicy ale. Gone, the merry morris din; Gone, the song of Gamelyn; Gone, the tough-belted outlaw Idling in the "grene shawe"; All are gone away and past! And if Robin should be cast Sudden from his turfed grave, And if Marian should have Once again her forest days, She would weep, and he would craze: He would swear, for all his oaks, Fall'n beneath the dockyard strokes, Have rotted on the briny seas; She would weep that her wild bees Sang not to her---strange! that honey Can't be got without hard money! So it is; yet let us sing Honour to the old bow-string! Honour to the bugle-horn! Honour to the woods unshorn! Honour to the Lincoln green! Honour to the archer keen! Honour to tight little John, And the horse he rode upon! Honour to bold Robin Hood, Sleeping in the underwood! Honour to maid Marian, And to all the Sherwood clan! Though their days have hurried by Let us two a burden try.

let not thy sword skip one: Pity not honour'd age for his white beard; He is an usurer: strike me the counterfeit matron; It is her habit only that is honest, Herself's a bawd: let not the virgin's cheek Make soft thy trenchant sword; for those milk-paps, That through the window-bars bore at men's eyes, Are not within the leaf of pity writ, But set them down horrible traitors: spare not the babe, Whose dimpled smiles from fools exhaust their mercy; Think it a bastard, whom the oracle Hath doubtfully pronounced thy throat shall cut, And mince it sans remorse: swear against objects; Put armour on thine ears and on thine eyes; Whose proof, nor yells of mothers, maids, nor babes, Nor sight of priests in holy vestments bleeding, Shall pierce a jot. There's gold to pay soldiers: Make large confusion; and, thy fury spent, Confounded be thyself! Speak not, be gone.

Wherefore also, when Sarah was   jealous at Hagar being preferred to her, Abraham, as choosing only what   was profitable in secular philosophy, said, "Behold, thy maid is in   thine hands: deal with her as it pleases thee;" [1867] manifestly   meaning, "I embrace secular culture as youthful, and a handmaid; but   thy knowledge I honour and reverence as true wife." And Sarah afflicted   her; which is equivalent to corrected and admonished her.

Mad world, mad kings, mad composition! John, to stop Arthur’s title in the whole, Hath willingly departed with a part; And France, whose armour conscience buckled on, Whom zeal and charity brought to the field As God’s own soldier, rounded in the ear With that same purpose-changer, that sly devil, That broker that still breaks the pate of faith, That daily break-vow, he that wins of all, Of kings, of beggars, old men, young men, maids,— Who having no external thing to lose But the word ‘maid’, cheats the poor maid of that— That smooth-faced gentleman, tickling commodity; Commodity, the bias of the world, The world who of itself is peisèd well, Made to run even upon even ground, Till this advantage, this vile-drawing bias, This sway of motion, this commodity, Makes it take head from all indifferency, 580 From all direction, purpose, course, intent; And this same bias, this commodity, This bawd, this broker, this all-changing word, Clapped on the outward eye of fickle France, Hath drawn him from his own determined aid, From a resolved and honourable war, To a most base and vile-concluded peace. And why rail I on this commodity? But for because he hath not wooed me yet— Not that I have the power to clutch my hand When his fair angels would salute my palm, But for my hand, as unattempted yet, Like a poor beggar raileth on the rich. Well, whiles I am a beggar I will rail, And say there is no sin but to be rich, And being rich, my virtue then shall be To say there is no vice but beggary. Since kings break faith upon commodity, Gain, be my lord, for I will worship thee.

Oh, Captain Aubrey,' cried she, 'I have a service to beg of you.' Mrs Fielding had but to command, said Jack, smiling at her with great affection; he was at her orders entirely - very happy - delighted - could not be more so. 'Why then,' she said, 'you know I am a little talkative - the dear Doctor has often said so, desiring me to peep down - but alas I am not at all writative, at least not in English. English spelling! Corpo di Baccho, English spelling! Now if I give you a dictation and you write it down in good English, I can use the words when I write to my husband.' 'Very well,' said Jack, his smile fading. It was just as he had feared: and he must have been quite mistaken about the signals. Mr Fielding was to understand that the excellent Captain Aubrey had saved Ponto from being drowned: Ponto now doted upon Captain Aubrey and ran up to him in the street. Wicked people therefore said that Captain Aubrey was Laura's lover. Should these rumours reach Mr Fielding he was to pay no attention. On the contrary. Captain Aubrey was an honourable man, who would scorn to insult a brother-officer's wife with dishonest proposals; indeed she had such confidence in his perfect rectitude that she could visit him without even the protection of a maid. Captain Aubrey knew very well that she would not ply the oar. 'Ply the oar, ma'am?' said Jack, looking up from his paper, his pen poised. 'Is it not right? I was so proud of it.' 'Oh yes,' said Jack. 'Only the word is spelt rather odd, you know,' and he wrote she would not play the whore very carefully, so that the letters could not be mistaken, smiling secretly as he did so, his frustration and disappointment entirely overcome by his sense of the ridiculous.

My brave husband came back from fighting the Turks and brought me a robe of silk and a necklace of human teeth. He sat up at night by his hearth telling tales of battle. Apparently the Turks are ten times more ferocious and fearless than the Scots. 'Perhaps we should invite them here to drive the Scots back,' I suggested, and he laughed, but he didn't kiss me. That's when I learned the truth about scars. A man with a battle scar is a veteran, a hero, given an honoured place at the fire. Small boys gaze up fascinated, dreaming of winning such badges of courage. Maids caress his thighs with their buttocks as they bend over to mull his ale. Women cluck and cosset, and if in time other men grow a little weary of that tale of honour, then they call for his cup to be filled again and again until he is fuddled and dozes quietly in the warmth of the embers. But a scarred woman is not encouraged to tell her story. Boys jeer and mothers cross themselves. Pregnant women will not come close for fear that if they look upon such a sight, the infant in their belly will be marked. You've heard of the tales of Beauty and the Beast no doubt. How a fair maid falls in love with a monster and sees the beauty of his soul beneath the hideous visage. But you've never heard the tale of the handsome man falling for the monstrous woman and finding joy in her love, because it doesn't happen, not even in fairytales. The truth is that the scarred woman's husband buys her a good thick veil and enquires about nunneries for the good of her health. He spends his days with his falcons and his nights instructing pageboys in their duties. For if nothing else, the wars taught him how to be a diligent master to such pretty lads.

Yoo hoo! Mr Nobody! Mr Nameless! Mr Master of Illusion! Mr Sleight of Hand, grandson of thieves and liars! We're here too, the ones without names. The other ones without names. The ones with shame stuck onto us by others. The ones pointed at, the ones fingered. The chore girls, the bright-cheeked girls, the juicy gigglers, the cheeky young wigglers, the young bloodscrubbers. Twelve of us. Twelve moon-shaped bums, twelve yummy mouths, twenty-four feather-pillow tits, and best of all, twenty-four twitching feet. Remember us? Of course you do! We brought the water for you to wash your hands, we bathed your feet, we rinsed your laundry, we oiled your shoulders, we laughed at your jokes, we ground your corn, we turned down your cosy bed. You roped us in, you strung us up, you left us dangling like clothes on a line. What hijinks! What kicks! How virtuous you felt, how righteous, how purified, now that you'd got rid of the plump young dirty dirt-girls inside your head! You should have buried us properly. You should have poured wine over us. You should have prayed for our forgiveness. Now you can't get rid of us, wherever you go: in your life or your afterlife or any of your other lives. We can see through all your disguises: the paths of day, the paths of darkness, whichever paths you take -- we're right behind you, following you like a trail of smoke, like a long tail, a tail made of girls, heavy as memory, light as air: twelve accusations, toes skimming the ground, hands tied behind our backs, tongues sticking out, eyes bulging, songs choked in out throats, Why did you murder us? What had we done to you that required our deaths? You never answered that. It was an act of grudging, it was an act of spite, it was an honour killing. Yoo hoo, Mr Thoughtfulness, Mr Goodness, Mr Godlike, Mr Judge! Look over your shoulder! Here we are, walking behind you, close, close by, close as a kiss, close as your own skin. We're the serving girls, we're here to serve you. We're here to serve you right. We'll never leave you, we'll stick to you like your shadow, soft and relentless as glue, Pretty maids, all in a row.

O happy age, which our first parents called the age of gold! Not because of gold, so much adored in this iron age, was then easily purchased, but because those two fatal words mine and thine, were distinctions unknown to the people of those fortunate times; for all things were in common in that holy age: men, for their sustenance, needed only lift their hands and take it from the sturdy oak, whose spreading arms liberally invited them to gather the wholesome savoury fruit; while the clear springs, and silver rivulets, with luxuriant plenty, ordered them their pure refreshing water. In hollow trees, and in the clefts of rocks, the laboring and industrious bees erected their little commonwealths, that men might reap with pleasure and with ease the the sweet and fertile harvest of their toils. The tough and strenuous cork-trees did of themselves, and without other art than their native liberality, dismiss and impart their broad light bark, which served to cover these lowly huts, propped up with rough-hewn stakes, that were first built as a shelter against the inclemencies of air. All then was union, all peace, all love and friendship in the world; as yet no rude plough-share with violence to pry into the pious bowels of our mother earth, for she, without compulsion, kindly yielded from every part of her fruitful and spacious bosom, whatever might at once satisfy, sustain, and indulge her frugal children. Then was the when innocent, beautiful young sheperdesses went tripping over the hills and vales; their lovely hairs sometimes plaited, sometimes loose and flowing, clad in no other vestment but what was necessary to cover decently what modesty would always have concealed. The Tyrian dye and the rich glossy hue of silk, martyred and dissembled into every color, which are now esteemed so fine and magnificent, were unknown to the innocent plainness of that age; arrayed in the most magnificent garbs, and all the most sumptous adornings which idleness and luxury have taught succeeding pride: lovers then expressed the passion of their souls in the unaffected language of the heart, with the native plainness and sincerity in which they were conceived, and divested of all that artificial contexture, which enervates what it labours to enforce: imposture, deceit and malice had not yet crept in and imposed themselves unbribed upon mankind in the disguise of truth and simplicity: justice, unbiased either by favour or interest, which now so fatally pervert it, was equally and impartially dispensed; nor was the judge's fancy law, for then there were neither judges nor causes to be judged: the modest maid might walk wherever she pleased alone, free from the attacks of lewd, lascivious importuners. But, in this degenerate age, fraud and a legion of ills infecting the world, no virtue can be safe, no honour be secure; while wanton desires, diffused into the hearts of men, corrupt the strictest watches, and the closest retreats; which, though as intricate and unknown as the labyrinth of Crete, are no security for chastity. Thus that primitive innocence being vanished, the opression daily prevailing, there was a necessity to oppose the torrent of violence: for which reason the order of knight-hood-errant was instituted to defend the honour of virgins, protect widows, relieve orphans, and assist all the distressed in general. Now I myself am one of this order, honest friends; and though all people are obliged by the law of nature to be kind to persons of my order; yet, since you, without knowing anything of this obligation, have so generously entertained me, I ought to pay you my utmost acknowledgment; and, accordingly, return you my most hearty thanks for the same.

These portraits were extraordinary enough, but dominating the whole room was a painting the like of which I’d never seen before, of a small girl, perhaps four or five years old, encased in a stiff satin dress as wide as a table at the hips, very strange on a child. Las Meninas, it was called, which means The Maids of Honour, and sure enough the princess was surrounded by courtiers, a nun, a finely dressed female dwarf and a small boy, or perhaps he was another dwarf, prodding a dog with his foot. To the left, a painter with a comically Spanish moustache – a likeness, I supposed, of Velázquez himself – stood in front of a huge canvas, facing out as if he was painting not the little girl but the viewer, specifically me, Douglas Timothy Petersen, the illusion so convincing that I wanted to crane around the canvas to see what he’d made of my nose. A mirror on the back wall showed two other figures, the girl’s parents I guessed, Mariana and Philip IV, the large-chinned gentleman on the wall to my left. Despite being distant and blurred, it seemed that they were the true subject of the artist’s portrait, but nevertheless the artist, the little girl, the female dwarf all seemed to stare out of the painting at me with such level intensity that I began to feel rather self-conscious, and confused, too, as to how a painting could have so many subjects: the little princess, the ladies in waiting, the artist, the royal couple, and me. It was as disorientating as the moment when you step between two mirrors and see infinite versions of yourself stretching into, well, infinity. Clearly there was ‘a lot going on’ in this painting too, and I’d return with Albie soon.

When we got married, in the spring of 2007, the wedding had been as minimal as it was possible to make it. Linda’s maid of honour Helena, my best man Geir and his girlfriend Christina, Linda’s mother Ingrid and my mother Sissel. Five people attended our wedding in the town hall, lasting two minutes, plus Vanja and Heidi. An hour later only five people sat around the table we had booked in Västra Hammen and ate with us. No speeches, no dancing, no fuss. That was how I wanted it, I hated being the centre of attention, even with people I knew.

Don Fabrizio remembered a conversation with Father Pirrone some months before in the sunlit observatory. What the Jesuit had predicted had come to pass. But wasn’t it perhaps good tactics to insert himself into the new movement, make at least part use of it for a few members of his own class? The worry of his imminent interview with Don Calogero lessened. “But the rest of his family, Don Ciccio, what are they really like?” “Excellency, no one has laid eyes on Don Calogero’s wife for years, except me. She only leaves the house to go to early Mass, the five o’clock one, when it’s empty. There’s no organ-playing at that hour; but once I got up early just to see her. Donna Bastiana came in with her maid, and as I was hiding behind a confessional I could not see very much; but at the end of Mass the heat was too great for the poor woman and she took off her black veil. Word of honour, Excellency, she was lovely as the sun, one can’t blame Don Calogero, who’s a beetle of a man, for wanting to keep her away from others. But even in the best kept houses secrets come out; servants talk; and it seems Donna Bastiana is a kind of animal: she can’t read or write or tell the time by a clock, can scarcely talk; just a beautiful mare, voluptuous and uncouth; she’s incapable even of affection for her own daughter! Good for bed and that’s all.” Don Ciccio, who, as protégé of queens and follower of princes, considered his own simple manners to be perfect, smiled with pleasure. He had found a way of getting some of his own back on the suppressor of his personality. “Anyway,” he went on, “one couldn’t expect much else. You know whose daughter Donna Bastiana is, Excellency?” He turned, rose on tiptoe, pointed to a distant group of huts which looked as if they were slithering off the edge of the hill, nailed there just by a wretched-looking bell-tower: a crucified hamlet. “She’s the daughter of one of your peasants from Runci, Peppe Giunta he was called, so filthy and so crude that everyone called him Peppe “Mmerda” . . . excuse the word, Excellency.” Satisfied, he twisted one of Teresina’s ears round a finger. “Two years after Don Calogero had eloped with Bastiana they found him dead on the path to Rampinzeri, with twelve bullets in his back. Always lucky, is Don Calogero, for the old man was getting above himself and demanding, they say.” Much of this was known to Don Fabrizio and had already been balanced up in his mind; but the nickname of Angelica’s grandfather was new to him; it opened a profound historical perspective, and made him glimpse other abysses compared to which Don Calogero himself seemed a garden flowerbed. The Prince began to feel the ground giving way under his feet; how ever could Tancredi swallow this? And what about himself? He found himself trying to work out the relationship between the Prince of Salina, uncle of the bridegroom, and the grandfather of the bride; he found none, there wasn’t any. Angelica was just Angelica, a flower of a girl, a rose merely fertilised by her grandfather’s nickname. Non olet, he repeated, non olet; in fact optime foeminam ac contuberninum olet.

if your book were a judicious mixture of Zola, Huysmans and Baudelaire, or had for its heroine a 'modest' maid who considered honourable marriage a 'degradation,' it would be quite sure of success in these days of new Sodom and Gomorrah.