Magnolia Home Quotes

We've searched our database for all the quotes and captions related to Magnolia Home. Here they are! All 100 of them:

He laughs and for some reason it sounds like I'm ringing the doorbell of the home I grew up in.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
I’ll wear it like a badge of honour forever that he loved me first, that he loved me at all.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
Eternally sunny, then.” “Oh—” He grimaces. “Can’t promise that. Storms always come, they have to — brings balance.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
How many loves do you get in a lifetime? For me it's just the one. I've had more but as I float away there's only one I'm thinking of. He is what I'm thinking of. Not how he hurt me, not what he did to me, not what we've done to each other. Just him.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
I might cry later, at home, while watching Steel Magnolias and dressed like a homeless person. Sometimes I applied mascara before crying just to heighten the experience.
Penny Reid (Love Hacked (Knitting in the City, #3))
I wonder if we’ll ever not be like magnets… not be these two things that drift home to each other no matter what. If there is a way to break the spell, I don’t want to know a fucking thing about it.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
She pulls away from me and as she does, I slip my heart in her back pocket. That’s a lie. She already had it. But I give it to her again for good measure.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
I am convinced that most people do not grow up. We find parking spaces and honor our credit cards. We marry and dare to have children and call that growing up. I think what we do is mostly grow old. We carry accumulation of years in our bodies and on our faces, but generally our real selves, the children inside, are still innocent and shy as magnolias. We may act sophisticated and worldly but I believe we feel safest when we go inside ourselves and find home, a place where we belong and maybe the only place we really do.
Maya Angelou (Letter to My Daughter)
She could walk all over me, strangle me to death, and I wouldn’t notice. If the emerald eyes are out then I’m dying anyway.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
But he can't promise he won't hurt me so I don't know how to promise I'll stay.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
But I love you more than I’m angry at you, so I need to figure it out.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
Love is patient, love is kind. It does not envy, it does not boast, it’s not proud. It doesn’t dishonour others, it’s not self-seeking, it’s not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres. Love never fails. But it’s shit. It’s all a lie.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
Rummage through the drawer in my mind as fast as I can to find the words to tell her that I’m coming for her, I’m on my way back, that this is just the long way home.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
What?” Henry shrugs. “Like, it’s ironic. Because BJ went home with the Anti-Parks, and Parks went home with the BJ deluxe.
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
You can love someone and not have it rule you, not have it dictate your every waking thought and decision. You can love someone and still retain your power and autonomy. You can love someone and have it just be there, a part of you, and still have a completely functional life. Even if it's a life without them. Doesn't sound much like any life I'm interested in, actually.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
His voice, I remember it sounding like Christmas morning and my birthday and Valentine’s Day and home and I loved him.
Jessa Hastings (Magnolia Parks (The Magnolia Parks Universe, #1))
Edith Whisker’s version of “Home” starts playing
Jessa Hastings (Daisy Haites (Magnolia Parks Universe, #2))
In another life I reckon I could have loved you.” I tilt my head, looking up at him. “In another life I would have let you.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
We're fated Woven into the tapestry of the universe, my name right next to hers. We're in the stars.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
You want a metaphor for it? Alright, here goes. I come from a good family, everyone knows that. My parents were great, roof over my head. I never wanted for much, really, and still. She’s the only home I’ve ever been interested in having. Her body is the walls, heart’s the ceiling. I’ll live here forever.
Jessa Hastings (Magnolia Parks: Into the Dark (Magnolia Parks Universe, #5))
Touching Parks is like touching no one else. It’s like coming home.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
She's my Mecca.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
She's on the back foot here. All girls are on the back foot when it comes to me and Parks.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
She doesn’t know that I’m a wolf and Parks is the moon whose name I’ve howled since I was fifteen.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
WHAT ARE YOU SMILING ABOUT YOUR JEANS ARE FROM H&M FOR THE LOVE OF GOD.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
He is the drain in the centre of me where all the happy things fall through and that I feel his absence in everything.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
I think it means something. Or maybe it doesn't and I just want it to because that would give all our pain a purpose.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
Is it horrible or miraculous that you can feel that feeling so many times throughout your life? Miraculous you survive, horrible you live to feel the world slipping out from under you again.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
I wonder if he looks a little bit sad. And the thought rattles through my mind only for a second, but I wonder whether perhaps I’ve had more loves than I knew of in this lifetime.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
Whether you are in an eight-hundred-square-foot home or living in a dream house on a lake, contentment is found on the way.
Joanna Gaines (The Magnolia Story)
She’s the only home I’ve ever been interested in having. Her body is the walls, heart’s the ceiling. I’ll live here forever.
Jessa Hastings (Magnolia Parks: Into the Dark (Magnolia Parks Universe, #5))
she’s the current of everything and I’m always just drifting. . . Floating home to her.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
My whole childhood is littered with memories of being alone and lonely and abandoned and disregarded in our family, and the only part that makes it feel okay is that Bridget was there with me. Through all the ways our parents failed us, my sister did not. My sister is the lace trimming around all of it
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
How he was my teacher and my partner in so many key life areas. My best friend and my family and my pillow and my quilt. Each of them are like bricks laid in the house I built to love him, but the point is really that house I built isn’t a monument to a love I used to have. It’s a house I want to live inside of still.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
But this home over here: it needed paint but had flowers neatly planted all the way around it. That one over there had a tire swing out front, tied to a fat magnolia tree. Behind another, a lush vegetable garden. You got to fight not to give into despair, he told himself. You got to see the good that's mixed in with the bad.
Dan Baum (Nine Lives: Death and Life in New Orleans)
She had a woman’s swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body--of no interest to me at the time--was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn’t laugh; the girl filled that silly one-piece ensemble as if it were couture.
Jake Vander-Ark (The Accidental Siren)
This is what loving him does to me. It ruins me. Makes me stupid, makes my body act like it’s broken.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
The great monument to our love is a withering tree and a blank stone that means the world to me and maybe nothing to anyone else.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
in that moment we’re still each other’s and time wraps around us in the infinity we thought we had but we don’t anymore because he broke us.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
We watch the film. I watch Parks.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
Loving her like this is a kind of breathing that feels like dying.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
The fact is that the older I get the less sure I am that sex is ever just casual.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
He laughs and for some reason it sounds like I’m ringing the doorbell of the home I grew up in.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
Keep a secret long enough and it keeps you.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
Or maybe she’s reckoning with the fact that it just never stops feeling terribly impossible to watch someone who once was yours be with someone else.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
I look over at her more tenderly than I should, feel an old kind of missing her in my chest that I wish would just die but it can’t seem to take its last breath. Every time it takes one it takes another and another, and it’s never a last breath. Loving her like this is a kind of breathing that feels like dying.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
That pull we have, the undertow of the universe always dragging us back towards each other, it has to mean something, don’t you think? That great magnetic force I’ve spent the better (or worst) part of a year fighting and defying and I feel it still, my legs trying to walk me back into his orbit — I think it means something.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
It occurs to me somewhere in the background of my thinking - like the way the snow falls, quiet without you knowing, and then you look behind you and your entire backyard, everything you thought you knew, is blanketed all white.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
It’s like the morning sun when you forget to close the curtain—it’s my fault, I should have closed the curtain, I knew the sun was there, I knew the sun would eventually rise again, but I didn’t close the curtain and now this invasive, bright, shimmering light wakens me from the slumber I was using to avoid it. I still love him.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
Smart people don’t wallow in self-pity. They find a new dream.
Sherryl Woods (Stealing Home (The Sweet Magnolias #1))
That’s Julian Haites. I couldn’t break his heart if I hit it with a sledgehammer.” “Baby girl—” Gus gives me a look. “You are the sledgehammer.
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
listen, even if you don’t want to hear
Sherryl Woods (Home in Carolina (The Sweet Magnolias #5))
She's on the back foot here. All girls are on the back foot when it comes to me and Park.s
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
Some people are just optimists,” Helen told her. “Or maybe there’s something about love that can make you forget all the odds and statistics and pain.
Sherryl Woods (Stealing Home (The Sweet Magnolias #1))
How many loves do you get in a lifetime?
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
I’ll come,” he tells me.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
I wish I could crawl into his lap, curl up, face in his neck, tell him about all the ways this stupid boy broke my heart a few weeks ago, but I can’t because it’s him
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
There’s no place like home, especially if it’s Serenity, South Carolina.
Sherryl Woods (Home in Carolina (The Sweet Magnolias #5))
I thought we’d be a family always, but sometimes life doesn’t work out the way we expect. When it doesn’t, we just have to accept it and make the best of things.
Sherryl Woods (Stealing Home (The Sweet Magnolias #1))
That was the thing about best friends, she supposed. Sometimes they just acted without waiting to be asked.
Sherryl Woods (Stealing Home (The Sweet Magnolias #1))
It’s the great undoing of my heart as I know it. She’s made herself at home, kicked off those fucking cerulean heels, put her feet up on my left rib. Over the mantelpiece she hung her own portrait up herself, that little minx. Best painting I’ve ever seen, too. Better than any woman anyone has ever painted in the history of time, a face I’d win battles for. A face I’d lose anything for. Even her.
Jessa Hastings (Daisy Haites: The Great Undoing (Magnolia Parks Universe, #4))
would not cry, not in his apartment anyway. I might cry later, at home, while watching Steel Magnolias and dressed like a homeless person. Sometimes I applied mascara before crying just to heighten the experience.
Penny Reid (Love Hacked (Knitting in the City, #3))
And I feel a body saddle up next to me. Feel it. Even though he's not touching me at all, I feel it in my bones. A curious, deep ache and a mild episode of SVT. He leans against the bar. "How's the weather, Parks?
Jessa Hastings (Magnolia Parks: The Long Way Home (Magnolia Parks Universe, #3))
I want to hear her tell me about Quercus virginiana and Magnolia stellata and Syringa vulgaris in the way she did when she first came to my home, identifying the live oaks and the giant, starry trees and the lilacs with a scent that no perfumer has been able to match. She considered them God’s gifts, and I tolerated that. Whatever might be up there, he or she or it did a crackerjack job with trees and flowers.
Christina Dalcher (Vox)
I am convinced that most people do not grow up [...] I think what we do is mostly grow old. We carry accumulation of years in our bodies and on our faces, but generally our real selves, the children inside, are still innocent and shy as magnolias. We may act sophisticated and worldly but I believe we feel safest when we go inside ourselves and find home, a place where we belong and maybe the only place we really do.
Maya Angelou (Letter to My Daughter)
That’s our new home!” Chip said, beaming with pride at his purchase. “What? You are crazy. We are not living on a houseboat.” It quickly dawned on me that this wasn’t a joke and Chip wasn’t even close to kidding. I wasn’t mishearing him. He was dead serious about making that boat our home for the next six months. I just about lost it. “How can we live on the water, Chip? Three of our kids don’t even know how to swim!
Joanna Gaines (The Magnolia Story)
I slip into the bathroom, lock the door and lean against it as a terrible revelation dawns on me. It’s like the morning sun when you forget to close the curtain—it’s my fault, I should have closed the curtain, I knew the sun was there, I knew the sun would eventually rise again, but I didn’t close the curtain and now this invasive, bright, shimmering light wakens me from the slumber I was using to avoid it. I still love him.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
They knew Elwood’s route. Sometimes jeered at him for being a goody-two-shoes when he biked past Larry’s window on his way home. That night they jumped him. It was just getting dark and the smell of magnolias mingled with the tang of fried pork. They slammed him and his bike into the new asphalt the county had laid down that winter. The boys tore his sweater, threw his glasses into the street. As they beat him, Larry asked Elwood if he had any damned sense; Willie declared that he needed to be taught a lesson, and proceeded to do so. Elwood got a few licks in here and there, not much to talk about. He didn’t cry.
Colson Whitehead (The Nickel Boys)
Language, for them, had become an inescapable labyrinth of non-meaning. I imagine it must feel like being lost at sea. So, yes, I want to go back. I want to forge ahead with the serum and—when I’m ready—inject that potion into Mrs. Ray’s old veins. I want to hear her tell me about Quercus virginiana and Magnolia stellata and Syringa vulgaris in the way she did when she first came to my home, identifying the live oaks and the giant, starry trees and the lilacs with a scent that no perfumer has been able to match. She considered them God’s gifts, and I tolerated that. Whatever might be up there, he or she or it did a crackerjack job with trees and flowers. But I don’t give a shit about the president or his big brother or, really, any man.
Christina Dalcher (Vox)
That’s our new home!” Chip said, beaming with pride at his purchase. “What? You are crazy. We are not living on a houseboat.” It quickly dawned on me that this wasn’t a joke and Chip wasn’t even close to kidding. I wasn’t mishearing him. He was dead serious about making that boat our home for the next six months. I just about lost it. “How can we live on the water, Chip? Three of our kids don’t even know how to swim! Did you think this through?!” Then he fessed up and told me how much money he’d spent on it. As it all sank in, I realized I’d never been so mad at him--ever--and that’s saying something. “Come on. At least come look at it. I know this can work,” he pleaded. As soon as we walked a little closer, we could see the holes. Holes. In the boat.
Joanna Gaines (The Magnolia Story)
Looks like they might cancel school on Monday. Woot! Information like this coming from Lucy is generally pretty reliable, since she happens to live right next door to Mrs. Crawford, the principal of Magnolia Branch High. Yay, I can sit home and watch more Weather Channel! I text back. This is an intervention--step away from the TV! NOW! I laugh aloud at that. It’s such a typical Lucy-like thing to say. My mom’s worried about you. Wants you to pack up and come over here. Can’t. But Ryder’s coming over if the storm gets bad. Lucy’s next text is just a line of googly eyes. Not funny, I type, even though it kind of us. You two can plan your wedding menu. Choose your linens. Stuff like that, she texts, followed by a smiley face. I gaze at my phone with a frown. Also not funny.
Kristi Cook (Magnolia (Magnolia Branch, #1))
STAINS With red clay between my toes, and the sun setting over my head, the ghost of my mother blows in, riding on a honeysuckle breeze, oh lord, riding on a honeysuckle breeze. Her teeth, the keys of a piano. I play her grinning ivory notes with cadenced fumbling fingers, splattered with paint, textured with scars. A song rises up from the belly of my past and rocks me in the bosom of buried memories. My mama’s dress bears the stains of her life: blueberries, blood, bleach, and breast milk; She cradles in her arms a lifetime of love and sorrow; Its brilliance nearly blinds me. My fingers tire, as though I've played this song for years. The tune swells red, dying around the edges of a setting sun. A magnolia breeze blows in strong, a heavenly taxi sent to carry my mother home. She will not say goodbye. For there is no truth in spoken farewells. I am pregnant with a poem, my life lost in its stanzas. My mama steps out of her dress and drops it, an inheritance falling to my feet. She stands alone: bathed, blooming, burdened with nothing of this world. Her body is naked and beautiful, her wings gray and scorched, her brown eyes piercing the brown of mine. I watch her departure, her flapping wings: She doesn’t look back, not even once, not even to whisper my name: Brenda. I lick the teeth of my piano mouth. With a painter’s hands, with a writer’s hands with rusty wrinkled hands, with hands soaked in the joys, the sorrows, the spills of my mother’s life, I pick up eighty-one years of stains And pull her dress over my head. Her stains look good on me.
Brenda Sutton Rose
We were able to successfully downplay the whole going-to-the-dance-together thing to our parents. I guess our history of acting like we despise each other worked in our favor, because they actually believed that I changed my mind at the last minute and called Ryder to take me--just because he lives down the street. And then, since I didn’t have an escort, Ryder offered to stand in. Mama saw this as a perfect opportunity to remind me what a gentleman Ryder is--how selfless and generous and downright perfect he is. Only, this time, I agreed wither. Secretly, of course. I have no idea how Ryder and I are going to manage this from here on out. We didn’t talk about it last night. We didn’t really talk, period. We danced. We laughed. We had fun with our friends. We saved the kissing for later, when Ryder brought me home. He parked the Audi at the end of our road, far away from prying eyes. We leaned against the car under the bright moonlight and kissed until we were breathless, until my lips were swollen and my cheeks were flushed and I thought I was going to melt into a puddle of goo from the sheer rightness of it all. And then we’d driven up to the house and he’d walked me to the front door. We were careful then, keeping our distance. I figured my mom had her nose pressed to the glass, waiting for us. She probably did, considering how quickly she’d burst into the living room when I walked in the front door, firing a barrage of questions at me before I’d even made it out of the mudroom. And now I’m just lying in bed, purportedly napping since I’d gotten up early to go to church, but really texting with Ryder.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Your character and soul, intelligence and creativity, love and experiences, goodness and talents, your bright and lovely self are entwined with your body, and she has delivered the whole of you to this very day. What a partner! She has been a home for your smartest ideas, your triumphant spirit, your best jokes. You haven’t gotten anywhere you’ve ever gone without her. She has served you well. Your body walked with you all the way through childhood—climbed the trees and rode the bikes and danced the ballet steps and walked you into the first day of high school. How else would you have learned to love the smell of brownies, toasted bagels, onions and garlic sizzling in olive oil? Your body perfectly delivered the sounds of Stevie Wonder, Whitney Houston, and Bon Jovi right into your memories. She gave you your first kiss, which you felt on your lips and in your stomach, a coordinated body venture. She drove you to college and hiked the Grand Canyon. She might have carried your backpack through Europe and fed you croissants. She watched Steel Magnolias and knew right when to let the tears fall. Maybe your body walked you down the aisle and kissed your person and made promises and threw flowers. Your body carried you into your first big interview and nailed it—calmed you down, smiled charmingly, delivered the right words. Sex? That is some of your body’s best work. Your body might have incubated, nourished, and delivered a whole new human life, maybe even two or three. She is how you cherish the smell of those babies, the feel of their cheeks, the sound of them calling your name. How else are you going to taste deep-dish pizza and French onion soup? You have your body to thank for every good thing you have ever experienced. She has been so good to you. And to others. Your body delivered you to people who needed you the exact moment you showed up. She kissed away little tears and patched up skinned knees. She holds hands that need holding and hugs necks that need hugging. Your body nurtures minds and souls with her presence. With her lovely eyes, she looks deliberately at people who so deeply need to be seen. She nourishes folks with food, stirring and dicing and roasting and baking. Your body has sat quietly with sad, sick, and suffering friends. She has also wrapped gifts and sent cards and sung celebration songs to cheer people on. Her face has been a comfort. Her hands will be remembered fondly—how they looked, how they loved. Her specific smell will still be remembered in seventy years. Her voice is the sound of home. You may hate her, but no one else does.
Jen Hatmaker (Fierce, Free, and Full of Fire: The Guide to Being Glorious You)
Ben is Ryder’s cousin--second cousin, to be specific--and one of his best friends, even though they couldn’t be any more different. Ben is sweet, thoughtful. Kind. Whereas Ryder, well…I’ll tell you about Ryder. He’s the star quarterback of our Division 1A state-championship football team. Top student in our class, and he doesn’t even have to work at it. He plays the piano like some kind of freaking prodigy, and I wouldn’t be surprised if he composed sonatas or something in his spare time. Oh, and did I mention that he’s gorgeous? Of course he is. Six foot four, two hundred ten pounds of swoon-worthy good looks. Spiky dark hair, chocolate brown eyes, and full-on dimples. And his future? Right now half the SEC is courting him hard, and the other half is wishing they were. It’s a foregone conclusion that he’ll play for Ole Miss--Mississippi’s golden boy, kept right here at home.
Kristi Cook (Magnolia (Magnolia Branch, #1))
You’ve wanted me for five years and I’ve sort of wanted you maybe for, like, three and a half weeks, so really, it’s no skin off my back . . .” I pressed my tongue into the side of my cheek. The fucking mouth on this girl—unbelievable. “So.” She tapped her little impatient foot. “What’s it going to be?” I held her eyes, trying to make her look away first, but she didn’t. It was a power struggle and I was losing. Licked my bottom lip, shook my head and shrugged. “You heard the boss—” The other girl sort of tumbled off my lap onto the couch as I stood up and stepped towards Magnolia, slipping my arms around her waist. She gave me a defiant look, chin in the air. “Don’t you do that again.” “Fuck, you’re demanding . . .” “Oh, you have no idea . . . But you’re about to—” She gave me a tight smile as she nodded towards the door. “Let’s go. You’re going to take me home and put me to bed.
Jessa Hastings (Daisy Haites: The Great Undoing (The Magnolia Parks Universe, #4))
As soon as I was immersed in my work, cutting up the kabocha squash for the winter butternut squash soup, dicing the carrots to braise in orange juice, and starting another giant vat of chicken stock, I allowed the aromas and natural muscle rhythms of the kitchen to sweep me up in what I loved. I calmed down and experienced--- as corny as it might sound--- the joy of cooking. I was in love with food, obsessed with it. Food wasn't just fuel; it could heal a broken heart, it could entertain, it could bring you home. Magic happened when a perfectly balanced dish came together. A beautiful symphony of flavors. Salty, sweet, acidic, crunchy, colorful, soft, hard, warm, cold. It should take you on a journey. Once I had an Italian dish called Genovese, consisting of braised rabbit over thick noodles with a carrot and pea sauce. It was so beautiful, earthy, clever, and delicious, and it warmed you from the inside. It was what I liked to call a "circle of life plate.
Victoria Benton Frank (My Magnolia Summer)
Several days later I decided to go on a good long jog, trusting that Chip would not leave Drake again. As I was on my way back I saw Chip coming down the road in his truck with the trailer on it. He rolled up to me with his window down and said, “Baby, you’re doing so good. I’m heading to work now. I’ve got to go.” I looked in the back, thinking, Of course, he’s got Drake. But I didn’t see a car seat. “Chip, where’s Drake?” she said, and I was like, “Oh, shoot!” She took off without a word and ran like lightning all the way back to the house as I turned the truck around. She got there faster on foot than I did in my truck. I sure hope no one from Child Protective Services reads this book. They can’t come after me retroactively, can they? Chip promised it would never happen again. So the third time I attempted to take a run, I went running down Third Street and made it all the way home. I walked in, and Chip and Drake were gone. I thought, Oh, good. Finally he remembered to take the baby. But then I noticed his car was still parked out front. I looked around and couldn’t find them anywhere. Moments later, Chip pulled up on his four-wheeler--with Drake bungee-strapped to the handlebars in his car seat. “Chip!” I screamed, “What in the heck are you doing?” “Oh, he was crying, and I’d always heard my mom say she would drive me around the neighborhood when I was a baby, and it made me feel better,” Chip said. “He loved it. He fell right to sleep.” “He didn’t love it, Chip. He probably fell asleep because the wind in his face made it impossible to breathe.” I didn’t go for another run for the whole first year of Drake’s life, and I took him to the shop with me every single day. Some people might see that as a burden, but I have to admit I loved it. Having him in that BabyBjörn was the best feeling in the world. Drake was a shop baby. He would come home every night smelling like candles. We had friends who owned a barbecue joint, and their baby always came home smelling like a rack of ribs. I liked Drake’s smell a whole lot better.
Joanna Gaines (The Magnolia Story)
He takes out his cell and starts entering the address. “I was surprised to see you at Josh’s party on Saturday,” he says, his eyes glued to the screen. “I don’t know why. Everyone was there.” “Yeah, but you know…with Nan home and all, I just figured that you’d want to spend time with her.” “I have been spending time with Nan, thank you very much,” I snap in annoyance. How dare he insinuate that I’d abandoned my sister? She’s the one who made me go, who swore that it would make her somehow anxious to know I was “missing out”--her words, not mine. “You and Patrick looked awfully cozy,” Ryder says, setting Mama’s note back on the counter. So I was right--he had been watching us. “So?” “So, nothing.” He shrugs. “Just making an observation.” “Yeah, you never just make an observation. Oh, and you and Rosie looked pretty cozy, too. I sure hope you’re not leading her on. You know she likes you.” A muscle in his jaw works furiously as he shoves his cell phone back into his pocket. “That’s the kind of guy you think I am? Seriously, Jem?” I swallow hard, unable to reply. Because the truth is, I don’t know. “I’ll see you later,” he says, his voice cold and clipped. He turns and stalks out.
Kristi Cook (Magnolia (Magnolia Branch, #1))
From Tomorrow to Yesterday The tree trunks move in time with the rhythm of her rubber soles on the wet path, where the air is still cool after the night rain. The woodland floor is white with anemones; in one place, growing close to the roots of an ancient tree, they make her think of an old, wrinkled hand. She could go on and on without getting tired, without meeting anyone or thinking of anything in particular, and without coming to the edge of the woods. As if the town did not begin just behind the trees, the leafy suburb with its peaceful roads and its houses hidden behind close-trimmed hedges. She doesn't want to think about anything, and almost succeeds; her body is no more than a porous, pulsating machine. The sun breaks through the clouds as she runs back, its light diffused on the gravel drive and the magnolia in front of the kitchen window. His car is no longer parked beside hers, he must have left while she was in the woods. He hadn't stirred when she rose, and she'd already been in bed when he came home late last night. She lay with her back turned, eyes closed, as he undressed, taking care not to wake her. She leans against one of the pillars of the garage and stretches, before emptying the mailbox and letting herself into the house. She puts the mail on the kitchen table. The little light on the coffeemaker is on; she switches it off. Not so long ago, she would have felt a stab of irritation or a touch of tenderness, depending on her mood. He always forgets to turn off that machine. She puts the kettle on, sprinkles tea leaves into the pot, and goes over to the kitchen window. She observes the magnolia blossoms, already starting to open. They'll have to talk about it, of course, but neither of them seems able to find the right words, the right moment. She pauses on her way through the sitting room. She stands amid her furniture looking out over the lawn and the pond at the end of the garden. The canopies of the trees are dimly reflected in the shining water. She goes into the bathroom. The shower door is still spotted with little drops. As time went on they have come to make contact during the day only briefly, like passing strangers. But that's the way it has been since the children left home, nothing unusual in that. She takes off her clothes and stands in front of the mirror where a little while ago he stood shaving. She greets her reflection with a wry smile. She has never been able to view herself in a mirror without this moue, as if demonstrating a certain guardedness about what she sees. The dark green eyes and wavy black hair, the angularity of her features. She dyes her hair exactly the color it would have been if she hadn't begun to go gray in her thirties, but that's her only protest against age.
Jens Christian Grøndahl (An Altered Light)
With a sigh of resignation, I dial Ryder’s number. Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse. “Okay, where is he?” he asks with a frown. His hair is wet, his T-shirt clinging damply to his skin. I’d either caught him in the shower or in the pool. Probably the pool, since he smells vaguely of chlorine. I hook a thumb toward the living room. “In there. Passed out on the couch.” He looks at me sharply. “You haven’t been drinking, have you?” He’s lucky I don’t slap him. “I was sitting upstairs in my room, minding my own business, when he showed up at the door. What do you think? Asshat,” I add under my breath. His brow furrows. “What was that?” “Nothing. C’mon. Get him out of there before he makes a mess.” “What about his car?” I shrug. “I’ll drive it school tomorrow and get a ride home from Lucy or something.” “I’ll drive you home,” he offers. Correction: he asserts--arrogantly, as if he’s used to giving orders. “We need to go get those tarps and sandbags anyway.” “How did you…?” I trail off as the answer dawns on me. “My dad e-mailed you, didn’t he?” “Called me, actually. We’ll go after school tomorrow. After practice,” he amends. “Yeah. Fine, whatever.” Truthfully, I wasn’t looking forward to lugging sandbags by myself. I wasn’t even sure how I was going to fit them in my little Fiat. Problem solved. Now to solve my other problem--the one lying on my couch.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents’ proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans. Over a milkshake he told her his family owned a plantation and that after high school he’d study to be a lawyer and live in a columned mansion. But when the Depression deepened, the bank auctioned the land out from under the Clarks’ feet, and his father took Jake from school. They moved down the road to a small pine cabin that once, not so long ago really, had been occupied by slaves. Jake worked the tobacco fields, stacking leaves with black men and women, babies strapped on their backs with colorful shawls. One night two years later, without saying good-bye, Jake left before dawn, taking with him as many fine clothes and family treasures—including his great-grandfather’s gold pocket watch and his grandmother’s diamond ring—as he could carry. He hitchhiked to New Orleans and found Maria living with her family in an elegant home near the waterfront. They were descendants of a French merchant, owners of a shoe factory. Jake pawned the heirlooms and entertained her in fine restaurants hung with red velvet curtains, telling her that he would buy her that columned mansion. As he knelt under a magnolia tree, she agreed to marry him, and they wed in 1933 in a small church ceremony, her family standing silent.
Delia Owens (Where the Crawdads Sing)
With all cameras on me, Chip released the blindfold and said, “Ta-da!” I wasn’t sure what I was looking at. A shipwreck, maybe? On the back of a semi? “What is that?” I said. “I got this for you, Jo!” Chip replied. “That better not be for me,” I said. It was the ugliest, rundown-looking, two-story shack of a boat I’d ever seen. “What the heck are we going to do with a houseboat?” “That’s our new home!” Chip said, beaming with pride at his purchase. “What? You are crazy. We are not living on a houseboat.” It quickly dawned on me that this wasn’t a joke and Chip wasn’t even close to kidding. I wasn’t mishearing him. He was dead serious about making that boat our home for the next six months. I just about lost it. “How can we live on the water, Chip? Three of our kids don’t even know how to swim! Did you think this through?!” Then he fessed up and told me how much money he’d spent on it. As it all sank in, I realized I’d never been so mad at him--ever--and that’s saying something. “Come on. At least come look at it. I know this can work,” he pleaded. As soon as we walked a little closer, we could see the holes. Holes. In the boat. We pulled ourselves up onto the flatbed and went inside to find the interior covered in mold. Someone had taken the AC unit out on top and left a gaping hole in the roof, so for years it had rained straight into the boat. We tried turning the engine over, and of course it didn’t start. That’s when Chip got angry. “I think I got scammed,” he said. “Chip, did you even look at this thing before you bought it?” “Well, no,” he said. “It was a great deal, and there were all kinds of pictures. It looked like it was in great shape. Oh, wait a minute. I bet the guy just put up pictures of this thing from when he bought it, like in 1980 or something. That sorry sucker.” “Sorry sucker? Chip…” By this point I’m trying to decide if we could scrap it for parts.
Joanna Gaines (The Magnolia Story)
I’m really not in the mood for your bullshit, Patrick. Go, before Ryder sees your car in the driveway or something.” “Oh, you expectin’ Ryder?” he slurs. “He gonna ride in on his white horse like a knight and save you? Is that what your hopin’ for? Maybe that’s why you been holdin’ out on me. You wanna give it to him instead.” His eyes are glassy, slightly unfocused. It’s obvious I can’t let him drive home like this. Shit. Ignoring his drunken little tirade, I reach for his hand and drag him into the living room, pushing him toward the velvet sofa. “C’mon, Patrick, you need to lie down. I’m going to call someone to come pick you up.” His legs buckle the minute they hit the cushions, and he crumples into a heap--half on the floor, half on the sofa. He starts to make a retching noise, and I hurriedly slip off my hoodie and shove it under his face. “I swear, if you puke on my sofa, I’m going to freaking kill you.” Mercifully, he doesn’t. Instead, he starts making a quiet, snuffling noise. Like he’s passed out cold. I run upstairs and grab my cell from my bedroom, trying to decide who to call. Obviously, Ryder makes the most sense, since he lives just up the road and can be here in a matter of minutes. But what if he mentions it to his mom? I mean, I can tell him not to, but then it makes me look guilty, like I’m trying to hide something. It’s not my fault that Patrick showed up on my doorstep unannounced. I run through the other options in my head. Calling Ben or Mason is about the same as calling Ryder. They’re his best friends. They talk. I could try Tanner. He is my cousin, so I could invoke some sort of family loyalty oath of silence or something. Only problem is, Tanner lives on the far side of town--about as far away from here as anyone can be and still live in Magnolia Branch. Which means leaving a passed-out, about-to-puke Patrick on my couch for a good twenty minutes, waiting for a ride. Nope. Not gonna happen. With a sigh of resignation, I dial Ryder’s number. Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse.
Kristi Cook (Magnolia (Magnolia Branch, #1))
About four months into it, we were shooting hoops in my dad’s driveway when Chip stopped in his tracks, held me in his arms, looked into my eyes under the starry sky, and said, “I love you.” And I looked at him and said, “Thank you.” “Thank you?” Chip said. I know I should have said, “I love you too,” but this whole thing had been such a whirlwind, and I was just trying to process it all. No guy had ever told me he loved me before, and here Chip was saying it after what seemed like such a short period of time. Chip got angry. He grabbed his basketball from under my arm and went storming off with it like a four-year-old. I really thought, What in the world is with this girl? I just told her I loved her, and that’s all she can say? It’s not like I just went around saying that to people all the time. So saying it was a big deal for me too. But now I was stomping down the driveway going, Okay, that’s it. Am I dating an emotionless cyborg or something? I’m going home. Chip took off in his big, white Chevy truck with the Z71 stickers on the side, even squealing his tires a bit as he drove off, and it really sank in what a big deal that must have been for him. I felt bad--so bad that I actually got up the courage to call him later that night. I explained myself, and he said he understood, and by the end of the phone call we were right back to being ourselves. Two weeks later, when Chip said, “I love you” again, I responded, “I love you too.” There was no hesitation. I knew I loved him, and I knew it was okay to say so. I’m not sure why I ever gave him a second chance when he showed up ninety minutes late for our first date or why I gave him another second chance when he didn’t call me for two months after that. And I’m not sure why he gave me a second chance after I blew that romantic moment in the driveway. But I’m very glad I did, and I’m very glad he did too--because sometimes second chances lead to great things. All of my doubts, all of the things I thought I wanted out of a relationship, and many of the things I thought I wanted out of life itself turned out to be just plain wrong. Instead? That voice from our first date turned out to be the thing that was absolutely right.
Joanna Gaines (The Magnolia Story)
Our story begins on a sweltering August night, in a sterile white room where a single fateful decision is made amid the mindless ravages of grief. But our story does not end there. It has not ended yet. Would I change the course of our lives if I could? Would I have spent my years plucking out tunes on a showboat, or turning the soil as a farmer’s wife, or waiting for a riverman to come home from work and settle in beside me at a cozy little fire? Would I trade the son I bore for a different son, for more children, for a daughter to comfort me in my old age? Would I give up the husbands I loved and buried, the music, the symphonies, the lights of Hollywood, the grandchildren and great-grandchildren who live far distant but have my eyes? I ponder this as I sit on the wooden bench, Judy’s hand in mine, the two of us quietly sharing yet another Sisters’ Day. Here in the gardens at Magnolia Manor, we’re able to have Sisters’ Day anytime we like. It is as easy as leaving my room, and walking to the next hall, and telling the attendant, “I believe I’ll take my dear friend Judy out for a little stroll. Oh yes, of course, I’ll be certain she’s delivered safely back to the Memory Care Unit. You know I always do.” Sometimes, my sister and I laugh over our clever ruse. “We’re really sisters, not friends,” I remind her. “But don’t tell them. It’s our secret.” “I won’t tell.” She smiles in her sweet way. “But sisters are friends as well. Sisters are special friends.” We recall our many Sisters’ Day adventures from years past, and she begs me to share what I remember of Queenie and Briny and our life on the river. I tell her of days and seasons with Camellia, and Lark, and Fern, and Gabion, and Silas, and Old Zede. I speak of quiet backwaters and rushing currents, the midsummer ballet of dragonflies and winter ice floes that allowed men to walk over water. Together, we travel the living river. We turn our faces to the sunlight and fly time and time again home to Kingdom Arcadia. Other days, my sister knows me not at all other than as a neighbor here in this old manor house. But the love of sisters needs no words. It does not depend on memories, or mementos, or proof. It runs as deep as a heartbeat. It is as ever present as a pulse. “Aren’t they so very sweet?
Lisa Wingate (Before We Were Yours)
Chip and I were both exhausted when we finally pulled up in front of that house, but we were still riding the glow of our honeymoon, and I was so excited as he carried me over the threshold--until the smell nearly knocked us over. “Oh my word,” I said, pinching my nose and trying to hold my breath so I wouldn’t gag. “What is that?” Chip flicked the light switch, and the light didn’t come on. He flicked it up and down a few times, then felt his way forward in the darkness and tried another switch. “The electricity’s off,” he said. “The girls must’ve had it shut off when they moved out.” “Didn’t you transfer it back into your name?” I asked. “I guess not. I’m sorry, babe,” Chip said. “Chip, what is that smell?” It was the middle of June in Waco, Texas. The temperature had been up over a hundred degrees for days on end, and the humidity was stifling, amplifying whatever that rotten smell was coming from the kitchen. Chip always carries a knife and a flashlight, and it sure came in handy that night. Chip made his way back there and found that the fridge still had a bunch of food left in it, including a bunch of ground beef that had just sat there rotting since whenever the electricity went out. The food was literally just smoldering in this hundred-degree house. So we went from living in a swanky hotel room on Park Avenue in New York City to this disgusting, humid stink of a place that felt more like the site of a crime scene than a home at this point. Honestly, I hadn’t thought it through very well. But it was late, and we were tired, and I just focused on making the most of this awful situation. So we opened some windows and brought our bags in, and I told Jo we’d just tough it out and sleep on the floor and clean it all up in the morning. That’s when she started crying. I lay down on the floor thinking, Is his what my life is going to look like now that I married Chip? Is this my new normal? That’s when another smell hit me. It was in the carpet. “Chip, did those girls have a dog here?” I asked. “They had a couple of dogs,” he answered. “Why?” You could smell it. In the carpet. It was nasty. I was just lying there with my head next to some old dog urine stain that had been heated by the Texas summer heat. It was like microwaved dog pee. It was. It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.
Joanna Gaines (The Magnolia Story)
To this day, I am still not sure what it was about Chip Gaines that made me give him a second chance--because, basically, our first date was over before it even started. I was working at my father’s Firestone automotive shop the day we first met. I’d worked as my dad’s office manager through my years at Baylor University and was perfectly happy working there afterward while I tried to figure out what I really wanted to do with my life. The smell of tires, metal, and grease--that place was like a second home to me, and the guys in the shop were all like my big brothers. On this particular afternoon, they all started teasing me. “You should go out to the lobby, Jo. There’s a hot guy out there. Go talk to him!” they said. “No,” I said. “Stop it! I’m not doing that.” I was all of twenty-three, and I wasn’t exactly outgoing. She was a bit awkward--no doubt about that. I hadn’t dated all that much, and I’d never had a serious relationship--nothing that lasted longer than a month or two. I’d always been an introvert and still am (believe it or not). I was also very picky, and I just wasn’t the type of girl who struck up conversations with guys I didn’t know. I was honestly comfortable being single; I didn’t think that much of it. “Who is this guy, anyway?” I asked, since they all seemed to know him for some reason. “Oh, they call him Hot John,” someone said, laughing. Hot John? There was no way I was going out in that lobby to strike up a conversation with some guy called Hot John. But the guys wouldn’t let up, so I finally said, “Fine.” I gathered up a few things from my desk (in case I needed a backup plan) and rounded the corner into the lobby. I quickly realized that Hot John was pretty good-looking. He’d obviously just finished a workout--he was dressed head-to-toe in cycling gear and was just standing there, innocently waiting on someone from the back. I tried to think about what I might say to strike up a conversation when I got close enough and quickly settled on the obvious topic: cycling. But just as that thought raced through my head, he looked up from his magazine and smiled right at me. Crap, I thought. I completely lost my nerve. I kept on walking right past him and out the lobby’s front door. When I reached the safety of my dad’s outdoor waiting area, I realized just how bad I’d needed the fresh air. I sat on a chair a few down from another customer and immediately started laughing at myself. Did I really just do that?
Joanna Gaines (The Magnolia Story)
It doesn’t feel right. Not now.” “But you’re the same, Jemma. You haven’t changed. This is what you want, remember?” “See, that’s where you’re wrong. I have changed. And”--I shake my head--“I don’t even know what I want anymore.” He opens his mouth as if he’s about to say something, but closes it just as quickly. A muscle in his haw flexes as he eyes me sharply, his brow furrowed. “I thought you were stronger than this,” he says at last. “Braver.” I start to protest, but he cuts me off. “When I get home, I’m going to e-mail you these video files. I don’t know anything about making films, but if you need any help, well…” He shrugs. “You know my number.” With that, he turns and walks away. I leap to the ground. “Ryder, wait!” He stops and turns to face me. “Yeah?” “I…about Patrick. And then…you and me. I feel awful about it. Things were so crazy during the storm, like it wasn’t real life or something.” I take a deep, gulping breath, my cheeks burning now. “I don’t want you think that I’m, you know, some kind of--” “Just stop right there.” He holds out one hand. “I don’t think anything like that, okay? It was…” He trails off, shaking his head. “Shit, Jemma. I’m not going to lie to you. It was nice. I’m glad I kissed you. I’m pretty sure I’ve been wanting to for…well, a long time now.” “You did a pretty good job hiding it, that’s for sure.” “It’s just that…well, I’ve had to listen to seventeen years’ worth of how you’re the perfect girl for me. And goddamn, Jem. My mom already controls enough in my life. What food I eat. What clothes I wear. Hell, even my underwear. You wouldn’t believe the fight she put up a few years back when I wanted to switch to boxer briefs instead of regular boxers.” I swallow hard, remembering the sight of him wearing the underwear in question. Yeah, I’m glad he won that particular battle. “Anyway, if my parents want it for me, it must be wrong. So I convinced myself that you were wrong for me. You had to be.” His gaze sweeps across my face, and I swear I feel it linger on my lips. “No matter what I felt every single time I looked at you.” Oh my God. I did the exact same thing--thinking he had to be wrong for me just because Mama insisted we were a perfect match. Now I don’t know what to think. What to feel. What’s real and what’s a trying-to-prove-something fabrication. But Ryder…he gets it. He’s lived it too. I let out a sigh. “Can you imagine how different things would be if our families hated each other? If they were feuding like the First Methodists and the Cavalry Baptists?” “I bet it’d be a whole lot less complicated, to tell you the truth. Heck, we probably would’ve already run off together or something by now.” “Probably so,” I say, a smile tugging at my lips.
Kristi Cook (Magnolia (Magnolia Branch, #1))
A house isn’t a real home without some past, present, and future in it.
Carolyn Brown (The Magnolia Inn)
Once you
Sherryl Woods (Sweet Magnolias Collection Volume 2: Feels Like Family / Welcome to Serenity / Home in Carolina (The Sweet Magnolias #3-5))
Near our old apartment in Auburn, there is a trail of trees called the George Bengtson Historic Tree Trail, named after a white research forester and plant physiologist at the University of Auburn, Alabama. A great man, I’m sure. These trees are grafted from scions of heritage trees. Among the trees planted: Lewis & Clark Osage Orange. Trail of Tears Water Oak. General Jackson Black Walnut. General Robert E. Lee Sweetgum. Southern Baldcypress. Johnny Appleseed Apple Tree. Mark Twain Bur Oak. Lewis & Clark Cottonwood. Helen Keller Southern Magnolia. Amelia Earhart Sugar Maple. Chief Logan American Elm. Lincoln’s Tomb White Oak. John F. Kennedy Crabapple. John James Audubon Japanese Magnolia. No trees are named for Muskogee, the First People who died in the millions during epidemics, displacement, and land raids. Under the buildings and homes and replanted forests are remnants of Muskogee earthwork mounds, temples, and trenches, a complex network of pre-American cities. There is a single scion named for a northern Indian Iroquois, Chief Logan, another for the Trail of Tears, the only nod to the suffering of Indigenous people. There is no mention of Sacajawea, never mind that Lewis and Clark would’ve been lost in the American wilderness without her. George Washington Carver Green Ash is the only scion named after the Black inventor and scientist. No Black or Native women or femmes are named. No mention of a single civil rights leader, which Alabama birthed aplenty: Coretta Scott King, Rosa Parks, Angela Y. Davis. Imagine a Zora Neale Hurston Sweetgum or a Margaret Walker Poplar.
Tanaïs (In Sensorium: Notes for My People)
From excerpts I’d read in Philosophy 101 at Randolph-Macon, Marx was dead on, I thought, about the idiocy of rural life. I knew better than to quote Marx. I tuned out everyone on the home front.
Frances Mayes (Under Magnolia: A Southern Memoir)
Not my father, but someone will be bringing home passels of doves for a luckless woman to pluck and stack in mounds of mauve pink flesh. Those downy feathers rising in the air. Many’s the time I’ve bitten buckshot.
Frances Mayes (Under Magnolia: A Southern Memoir)
Like Cortona, my best beloved Tuscan hill town, Oxford invites you in, makes you a participant in the repetition and variation of its particular themes. As in Piazza Signorelli, you’re a star in the cast as you step into the daily play. Your breathing slows, your shoulders push back. All the proprioceptors agree: This is how a town should be built. But unlike any Italian town, here the green air under massive trees dislodges my senses: world in a jar. You may stroll in this vast terrarium, or so I felt growing up in a one-mile-square town in south Georgia. One reason I felt immediately at home in Tuscany was that certain strong currents of life reminded me of the South. The warmth of people and their astonishing generosity felt so familiar, and I knew well that identical y’all come hospitality. “It’s unhealthy to eat alone,” our neighbor in Italy told us early on. “We’re cooking every night so come on over.
Frances Mayes (Under Magnolia: A Southern Memoir)
her
Sherryl Woods (Home in Carolina (The Sweet Magnolias #5))
which
Sherryl Woods (Sweet Magnolias Collection Volume 1: Stealing Home / Slice of Heaven (The Sweet Magnolias #1-2))
My phone is vibrating, telling me: You have a new memory. Here is a stream of pictures collected into an album, all taken somewhere far away. Home is not a place but a string of colours threaded together and knotted at one end.
Nina Mingya Powles (Magnolia, 木蘭)
a wordless kind of pain. Some sort of betrayal that goes deeper than words, the kind of ache that gives your heart’s knee a limp that it can’t ever quite shake.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))
Life is weird like that, how it lets you love to a breaking point but the breaking point is just more ways to love that person.
Jessa Hastings (Magnolia Parks: The Long Way Home (The Magnolia Parks Universe, #3))