Anthem Important Quotes

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HOME no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
I will never give up on what I love. I will never back down. I will never let go of anything that is important to me. I will hold my course steady and my God will help me see it through. This is my promise, my anthem and my path. This is my future and I own it.
Shannon L. Alder
In order to find some solution to the bullying problem, we’ll have to be more tolerant of ambiguity, subtlety, and strangeness not just in other people but in ourselves. It may be important to your identity that you are a soccer player, but it may be equally important that you can whistle the national anthem backward and make the world’s best spicy popcorn and do a wicked impression of Victoria Beckham. Schools, parents, and educational endeavors should encourage people not just to empathize but to discover and celebrate the weirdness in others and in ourselves. We need not just to think but to live outside the box. Weirdness is good. It keeps things interesting.
Megan Kelley Hall (Dear Bully)
As we were wrapping up the book, I sat down and thought about all the lessons I’d learned over the past two years. I couldn’t list them all, but here are a few: Never complain about the price of a gift from your spouse--accept it with love and gratitude. You can’t put a price on romance. Take lots of videos, even of the mundane. You will forget the sound of your children’s voices and you will miss your youth as much as theirs. Celebrate every wedding anniversary. Make time for dates. Hug your spouse every single morning. And always, ALWAYS, say “I love you.” Believe in your partner. When you hit hard times as a couple, take a weekend away or at least a night out. The times that you least feel like doing it are likely the times that you need it the most. Write love notes to your spouse, your children, and keep the ones they give you. Don’t expect a miniature pig to be an “easy” pet. Live life looking forward with a goal of no regrets, so you can look back without them. Be the friend you will need some day. Often the most important thing you can do for another person is just showing up. Question less and listen more. Don’t get too tied up in your plans for the future. No one really knows their future anyway. Laugh at yourself, and with life. People don’t change their core character. Be humble, genuine, and gracious. Before you get into business with someone, look at their history. Expect them to be with you for the long haul, even if you don’t think they will be. If they aren’t someone you could take a road trip across the country with, don’t do business with them in the first place. Real families and real sacrifices live in the fabric of the Red, White, and Blue; stand for the national anthem.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Indeed, the very cost of the flag makes the ritual more effective. Of all rituals, sacrifice is the most potent, because of all the things in the world, suffering is the most real. You can never ignore it or doubt it. If you want to make people really believe in some fiction, entice them to make a sacrifice on its behalf. Once you suffer for a story, it is usually enough to convince you that the story is real. If you fast because God commanded you to do so, the tangible feeling of hunger makes God present more than any statue or icon. If you lose your legs in a patriotic war, your stumps and wheelchair make the nation more real than any poem or anthem. On a less grandiose level, by preferring to buy inferior local pasta to imported high-quality Italian pasta you might make a small daily sacrifice that makes the nation feel real even in the supermarket.
Yuval Noah Harari (21 Lessons for the 21st Century)
no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilet sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
It was important to me back then to feel, to be wily. To feel small, slick, quick, amphibious, dexterous, capable. I didn’t know then Barthes’s book The Neutral, but if I had, it would have been my anthem—the Neutral being that which, in the face of dogmatism, the menacing pressure to take sides, offers novel responses: to flee, to escape, to demur, to shift or refuse terms, to disengage, to turn away. The otter was thus a complex sort of stand-in, or fake-out, another identity I felt sure I could shimmy out of. But whatever I am, or have since become, I know now that slipperiness isn’t all of it. I know now that a studied evasiveness has its own limitations, its own ways of inhibiting certain forms of happiness and pleasure. The pleasure of abiding. The pleasure of insistence, of persistence. The pleasure of obligation, the pleasure of dependency. The pleasures of ordinary devotion. The pleasure of recognizing that one may have to undergo the same realizations, write the same notes in the margin, return to the same themes in one’s work, relearn the same emotional truths, write the same book over and over again-not because one is stupid or obstinate or incapable for change, but because such revisitations constitute a life.
Maggie Nelson (The Argonauts)
By the time he came around to shake hands at the conclusion of his speech, I’d been reduced to a twelve-year-old girl at a One Direction concert. I was shaking and nervous and sweating and seriously crushing. If it had been socially acceptable, I would’ve started screaming at the top of my lungs like the fangirl that I am. I tried to hold on to my politics. But Jacob, you have to remain critical. He still hasn’t issued an executive order banning workplace discrimination against LGBTQ Americans. Statistically, he hasn’t slowed deportations. You still disagree with some of this man’s foreign policy decisions. And you don’t like drone warfare. You must remain critical, my brain said. It is important. NAH FUCK THAT! screamed my heart and girlish libido, gossiping back and forth like stylists at a hair salon. Can you even believe how handsome he is? He is sooooo cute! Oh my God, is he looking at you right now? OH MY GOD JACOB HE’S LOOKING AT YOU! And he was. Before I knew what was happening, it was my turn to shake his hand and say hello. And in my panic, in my giddy schoolgirl glee, all I could muster, all I could manage to say at a gay party at the White House, was: “We’re from Duke, Mr. President! You like Duke Basketball don’t you?” “The Blue Devils are a great team!” he said back, smiling and shaking my hand before moving on. WHAT. Jacob. jacob jacob jacob. JACOB. You had ONE CHANCE to say something to the leader of the free world and all you could talk about was Duke Basketball, something you don’t even really like? I mean, you’ve barely gone to one basketball game, and even then it was only to sing the national anthem with your a cappella group. Why couldn’t you think of something better? How about, “Do you like my shoes, Mr. President?” Or maybe “Tell Michelle I’m her number one fan!” Literally anything would’ve been better than that.
Jacob Tobia (Sissy: A Coming-of-Gender Story)
Flows and stocks in the national system of innovation Earlier we pointed out that the flows within the system of innovation take the form of complex and systemic information – messages difficult to translate into quantities. This is also true for the stocks of the system. Knowledge, scientific as well as know-how and tacit knowledge, is difficult to measure. Other important ‘stocks’ may be the inventiveness and creativity of individuals and organizations, and those are even more difficult to assess in quantitative terms.
Bengt-Åke Lundvall (The Learning Economy and the Economics of Hope (Anthem Studies in Innovation and Development))
The president fundamentally wants to be liked” was Katie Walsh’s analysis. “He just fundamentally needs to be liked so badly that it’s always … everything is a struggle for him.” This translated into a constant need to win something—anything. Equally important, it was essential that he look like a winner. Of course, trying to win without consideration, plan, or clear goals had, in the course of the administration’s first nine months, resulted in almost nothing but losses. At the same time, confounding all political logic, that lack of a plan, that impulsivity, that apparent joie de guerre, had helped create the disruptiveness that seemed to so joyously shatter the status quo for so many. But now, Bannon thought, that novelty was finally wearing off. For Bannon, the Strange-Moore race had been a test of the Trump cult of personality. Certainly Trump continued to believe that people were following him, that he was the movement—and that his support was worth 8 to 10 points in any race. Bannon had decided to test this thesis and to do it as dramatically as possible. All told, the Senate Republican leadership and others spent $ 32 million on Strange’s campaign, while Moore’s campaign spent $ 2 million. Trump, though aware of Strange’s deep polling deficit, had agreed to extend his support in a personal trip. But his appearance in Huntsville, Alabama, on September 22, before a Trump-size crowd, was a political flatliner. It was a full-on Trump speech, ninety minutes of rambling and improvisation—the wall would be built (now it was a see-through wall), Russian interference in the U.S. election was a hoax, he would fire anybody on his cabinet who supported Moore. But, while his base turned out en masse, still drawn to Trump the novelty, his cheerleading for Luther Strange drew at best a muted response. As the crowd became restless, the event threatened to become a hopeless embarrassment. Reading his audience and desperate to find a way out, Trump suddenly threw out a line about Colin Kaepernick taking to his knee while the national anthem played at a National Football League game. The line got a standing ovation. The president thereupon promptly abandoned Luther Strange for the rest of the speech. Likewise, for the next week he continued to whip the NFL. Pay no attention to Strange’s resounding defeat five days after the event in Huntsville. Ignore the size and scale of Trump’s rejection and the Moore-Bannon triumph, with its hint of new disruptions to come. Now Trump had a new topic, and a winning one: the Knee.
Michael Wolff (Fire and Fury: Inside the Trump White House)
In April 1814, just months before he penned his most famous words, he wrote to a minister friend, “When I thought a few years ago of preparing myself for the ministry, it seemed to me, from all the consideration I could give it, that I was peculiarly situated, & had entered, almost necessarily, into engagements that made such a step impossible. — At the same time I hoped (as I still do) that if the path of duty would lead me to this change of life, I should be enabled to see it, & that my present course should be stopped if I could serve God more acceptably in the ministry…I have doubts how far, even in this way, an abandonment of my profession could be reconciled with the necessities of my present arrangements. — I have been obliged to contract…a very considerable debt — and the relinquisment of my present pursuits would materially affect others…to whom I seem to have become bound…Under these circumstances you will perceive I ought not lightly nor without mature consideration, to make so important a change in my situation…. That I could support my family upon the terms you have mentioned I think probable: But I should find it difficult (if not impossible) to do more; and to do more I seem to be necessarily bound. Would it be practicable to make anything as an author of religious & Literary publications? And would I have any leisure for such engagements?
Charles River Editors (Francis Scott Key: The Life and Legacy of the Man Who Wrote America’s National Anthem)
Many students don't do well in School because they don't know you expect them to do well They want to do well, but it doesn't seem so important to do so. They don't have reasons to. You don’t give them reasons to. And worse you don't even ask them to. Indecision - Shulai or shulai not? Is it worth it? What's the point? Questions like that sap a Student's enegy and motivation. Plus affect his emotions. Schools who use anthems where students "say they pledge to do well and be diligent and so on" yet they aren't held RESPONSIBLE for their pledge are messing these kids up. It's like taking an oath and not caring to fulfill it. It's like conditioning a person to not take pledge seriously. I pledge to NIGERIA my country... How many of us all stay true to that pledge? The issue is if a thing is important to YOU as a parent or school enough for you to get your child or students to pledge it or promise it, then you MUST FOLLOW IT UP. Underachievers need to MAKE decision to be better day in day out. GIVE them a CHOICE. One that can FUEL their achievements.
Asuni LadyZeal
The Americans have spent a great deal of time in setting the game up. They spent close to 220 years to identify the rules of the game and to make it an important part of their culture. It is rightly called the American dream. A person who is willing to work hard or someone who has the eye for the right moves will always triumph! This has now become the anthem for people all across the world!
Ian Dunross (Poker: Everything You Need To Know About Poker From Beginner To Expert (2017 Ultimiate Poker Book Book 1))
A little clunky in places—which only added to its charm—“The London Boys” was an anthem for a new generation of kids, an obvious ancestor of Bowie epics like “Lady Stardust” and “All the Young Dudes”: a celebration of otherness, right down to the clothing, the hint of homoeroticism, and the evocation of Judy Garland in its “too late now, ’cos you’re on the run” climax. Its combination of world-weariness and naïveté embodies the persona that David would inhabit for a decade or more: a man-child—a strangely calm and mature youth, and a waiflike, childishly earnest adult. In future years, David Bowie’s androgyny would be widely—and justifiably—celebrated, but this man-child aura was an important part of his personal, often devastating charm.
Paul Trynka (David Bowie: Starman)
Our national anthem is the symbols of our country. it represents the tradition, history, and beliefs of our nation and its people. We South Sudanese do not need President Kiir's presence to sing it. Oh God we Praise and Glorify you For your grace on South Sudan Land of great abundance Uphold us United in Peace and Harmony Whenever we are singing our national anthem with our chest up and our eyes in the sky, we feel the unity, love, peace and togetherness among us as Citizens of South Sudan. Oh! Motherland Arise, raise your flag with the guiding star And sing-song of freedom with joy For justice, Liberty and prosperity shall forever reign, The national anthem reminds Us of Our nation’s glory, beauty, rich heritage, and most importantly it is about us, and our martyrs who sacrificed their lives for our beautiful country South Sudan but not for only you Mr President. Oh! great patriots Let us stand up in silence and respect saluting our martyrs whose blood Cemented our national foundation, we protect our nation oh God blessed South Sudan The national anthem helps evoke feelings of patriotism among us South Sudanese It also helps us South Sudan united in peace and harmony by singing it. The questions are: Who is President Kiir to deny us this feeling of Patriotism? Does president Kiir's presence anywhere install that feeling in our heart? Does Sudan Sudan mean President Kiir? Was the national anthem composed for Mr President or for our nation, its heroes, heroines, martyrs and its people who you forbid from singing it today? Therefore, we all feel the enthusiasm when we sing.. and we don't need your permission, Mr President. Despite the tribal and ethnic differences, we rise in Unison and Listen or Sing the national anthem with great enthusiasm. Your Government took away our basic rights and gave us tribalism and hatred. Now Mr. president you want to take away the only things that united us. Therefore, we all feel the enthusiasm when we sing our national anthem and we don't need your permission, Mr President. Note: People of South Sudan. Kiir and his government want to rewrite our history into Kiir story! Don't let them. we vow to protect our nation not Kiir and now is the time for us Citizens of South Sudan to stand up for our country.
Abuzik Ibni Farajalla