Mad Lib Quotes

The Bible looks like it started out as a game of mad libs.

Emma Coats, a former storyboard artist at Pixar, outlined the basic structure of a fairy tale as a kind of Mad Lib that you can fill in with your own elements: “Once upon a time, there was _____. Every day, _____. One day, _____. Because of that, _____. Because of that, _____. Until finally, _____.

The thing about women is that they got liberated too fast. They never learned to be straightforward about life because they had to sneak around for about a thousand years tricking men into doing things they wanted. So they manipulate you instead of telling you what they want, so you never know where the hell you are. And then they get mad at you and bitch.

Hop on the good foot and do the bad thing.

We're obsessed with filling in the blank for a Mad Libs line that goes: "_____ makes us human." Why? Scratch and sniff the "what makes us human" obsession and you get a strong whiff of something that could fit into that blank: our insecurity.

Mad Lib Elegy" There are starving children left on your plate. There are injuries without brains. Migrant workers spend 23 hours a day removing tiny seeds from mixtures they cannot afford to smoke and cannot afford not to smoke. Entire nations are ignorant of the basic facts of hair removal and therefore resent our efforts to depilate unsightly problem areas. Imprisonment increases life expectancy. Finish your children. Adopt an injury. ‘I'm going to my car. When I get back, I'm shooting everybody.' [line omitted in memory of_______] 70% of pound animals will be euthanized. 94% of pound animals would be euthanized if given the choice. The mind may be trained to relieve itself on paper. A pill for your safety, a pill for her pleasure. Neighbors are bothered by loud laughter but not by loud weeping. Massively multiplayer zombie-infection web-games are all the rage among lifers. The world is a rare case of selective asymmetry. The capitol is redolent of burnt monk. ‘I'm going to my car. When I get back I'm shooting everybody.' [line omitted in memory of _______] There are two kinds of people in the world: those that condemn parking lots as monstrosities, ‘the ruines of a broken World,' and those that respond to their majesty emotionally. 70% of the planet is covered in parking lots. 94% of a man's body is parking lot. Particles of parking lot have been discovered in the permanent shadows of the moon. There is terror in sublimity. If Americans experience sublimity the terrorists have won. ‘I'm going to my car. When I get back I'm shooting everybody.' [line omitted in memory of _______]

An obsession, a mania, Lib supposed it could be called. A sickness of the mind. Hysteria, as that awful doctor had named it? Anna reminded Lib of a princess under a spell in a fairy tale. What could restore the girl to ordinary life? Not a prince. A magical herb from the world's end? Some shock to jolt a poisoned bite of apple out of her throat? No, something simple as a breath of air: reason. What if Lib shook the girl awake this very minute and said, Come to your senses! But that was part of the definition of madness, Lib supposed, the refusal to accept that one was mad. Standish's wards were full of such people. Besides, could children ever be considered quite of sound mind? Seven was counted the age of reason, but Lib's sense of seven-year-olds was that they still brimmed over with imagination. Children lived to play. Of course they could be put to work, but in spare moments they took their games as seriously as lunatics did their delusions. Like small gods, children formed their miniature worlds out of clay, or even just words. To them, the truth was never simple. But Anna was eleven, which was a far cry from seven, Lib argued with herself. Other eleven-year-olds knew when they'd eaten and when they hadn't; they were old enough to tell make-believe from fact. There was something very different about - very wrong with - Anna O'Donnell.

Is she serious? Find my passion? It’s like she’s got a copy of therapist Mad Libs attached to that clipboard of hers. “I am incapable of passion,” I say. “Nobody is incapable of passion, Aubrey.” She crosses her legs and leans forward into her knees.

OBIT FOR THE CREATOR OF MAD LIBS On Tuesday, in Canton, Connecticut, a town famous for the stickiness of its boogers, a stinky old man died of a good disease at his home at 345 Rotten Lane. Mr. Preston Wirtz, whose parents, Ida and Goober, ran a small jelly farm, died in his yellowish toilet. Mr. Wirtz was hated in Uzbekistan for the series of wordplay books he created for slippery children, books known far and wide as “Mad Libs,” beloved by hairy grumps and farty grampas alike. These books were never appreciated by tall elves, selling over two per year for one decade. When asked to describe Mr. Wirtz, his jealous wife, wearing nothing but an egg carton and flip-flops, called him “in a nutshell, the most sour-smelling, bacon-licking, pimple-footed crab-apple I have ever known. I will never always miss him and his broken underwear.” Then she cried herself to sleep in her fart-house.

You're fucking with a bad one You want it you can have some Mic's back son Captain of the ship Lift the anchor Tried to write me off But I'm on a different chapter They don't understand I got another plan Think I'm gone I just keep coming back Like cancer (uh!) I'm fucking active (ooh!) When you hear them ad lib's It's gang shit And again, the man again You're mad again I went missing like Madeleine They thought I'd never rap again But how about, no Bow down hoe Sticking 'round, in your house With the fucking liquor out The only competition Is the man that's in the mirror now Dealing with a different Kind of spirit in my lyrics I'mma fly away Kill the entire game I know you felt some type of way I'll lay them flowers by your idols graves

Lex, Bone could have been just some idiot kid with no respect for library property, with nothing to distinguish him or garner any mention in a book. It’s probably not even his real name.” Lex frowned. “That’s true.” “Plus, what makes him a bandit? And why is he sick?” He shook his head. “It’s like he wrote the signature using Mad Libs. He may as well have signed it Spleen, the toasty orange tugboat.” “You’re right,” Lex said, slowly putting something together. “It doesn’t make any sense!” “You say that like it’s a good thing.” “It is!” Goosebumps rippled up her arms as she grabbed a nearby pen and scrap of paper. “It’s a code!” “Or that. Sure.” Lex’s hands were a blur as she wrote. “A simple substitution cipher? One letter for another? Or maybe it needs a keyword. Maybe Bone is the keyword. Is Bone the keyword?” Driggs raised an eyebrow as she scribbled. “This is an interesting side of you I’ve never seen.” “My mom’s a teacher,” she said, staring at the paper without blinking. “Instead of cartoons and video games we got work sheets and word puzzles.” “I see.” He reached in. “Maybe—” “Don’t touch!” “Wow. Okay.” He backed away, stifling a snicker. “I just think you’re overthinking this.” She looked peeved. “Oh, am I, Sherlock?” She offered him the paper. “What do you think it is, just a simple anag—” Her eyes went wide. Next thing Driggs knew, Lex was rummaging around in the closet. “Are you looking for your sanity?” he called after her. “Because I do believe it showed itself out a while ago.” She emerged with a Scrabble box in hand. “Silence,” she said, dumping the tiles on the table. “Let me think.

A round of girls huddled into the bathroom. Anja had met at least two of them several times but they'd never spoken more than blanks together, blank phrases meaning nothing, signifying nothing except that they knew each other, like Mad Libs for social acquaintance. Anja shook her head. What was the point? Are you having a good night. What did you do earlier. Where are you going later. Blank blank blank.

a game that, due to his long absences as a foreign correspondent, served to fill in the innumerable gaps of a memory not shared but rather invented, like connect the dots or Mad Libs, a game that conjured images of fierce adventures, vulnerable distant lands, and a childhood discovered or rediscovered in the constant liquid movement of telling.

Strangers think Jus and me are twins, because we’re both cursed with messy red hair and a truckload of freckles, not to mention we’re both thirteen. But his real twin is his sister Liberty, even though she looks nothing like him, being a blond and, well…a girl. Liberty sauntered in, joining Justice and me in the kitchen. She slouched against the counter and tossed her baseball from hand to hand. Baseball was to Liberty like oxygen was to the rest of us. “That dumb ol’ skeleton is all people have on their brains this morning.” “You’re just mad the police won’t let you on the baseball field,” Justice said. Liberty spit into the trash can. She was a southern belle. Minus the belle part. She also ran faster and slugged harder than anyone else in Windy Bottom. “It’s probably just some soldier left over from the Civil War.” Justice tied on an apron and grabbed a tub filled with dirty dishes. “Nuh-uh. Dad said there wasn’t hardly any war fought in this part of Georgia.” Liberty rolled her eyes. “That doesn’t mean there was nothing. Maybe he crawled home to die.” “Come on, Lib,” I said, tossing her an apron. “We all got kitchen duty—not just Justice and me.

Maybe a little Mad Libs for Demons would work.

Every time my mother spoke Korean, the text sprawled out before me like a Mad Lib. Words that were so familiar mixed with long blanks I couldn't fill in.

For better or for worse.” Better or worse what? I’d agreed to adjectives. I’d happily squeezed Mary’s hands and made vows with unknown placeholders for nouns. For someone who aspired to be an English professor, binding my life to someone else’s with a game of Mad Libs suddenly seemed like a terrible joke.