Mach Quotes

We've searched our database for all the quotes and captions related to Mach. Here they are! All 100 of them:

     Illicit flight Alfa Bravo Charlie quickly reached a predetermined altitude and stopped dead. The passengers on board screamed the way people do on fairground rides. The shuttle hesitated momentarily and then shot forward accelerating rapidly to reach a blistering 145,222 miles per hour. They were in a Mach 22 situation. The cries from on-board could not be heard from the ground. Neither did anyone in the great metropolis of Llar witness the bright blue vapour trail the craft left behind in its wake. It was after all overcast and raining heavily.
A.R. Merrydew (Our Blue Orange (Godfrey Davis, #1))
Artists aren't really people. And I'm actually 40 per cent papier mache.
Morrissey
Frida Kahlo to Marty McConnell leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
From quite early on, I had this idea of compartmentalized identities - 'this is how you are when you are with your mum, and this is how you are when you are with your dad' - so it seemed like I could never absolutely be myself. And the image of myself as compromised and inconsistent made me want to withdraw from the world even further. I had a sense of formulating a paper-mache version of myself to send out in the world, while I sat controlling it remotely from some smug suburban barracks.
Russell Brand (My Booky Wook)
She wanted to tell him so mach, on the tarmac, the day he left. The world is run by brutal men and the surest proof is their armies. If they ask you to stand still, you should dance. If they ask you to burn the flag, wave it. If they ask you to murder, re-create.
Colum McCann (Let the Great World Spin)
I know,” he said, looking down at himself — skin like papier-mache, ribs like violin strings. “I am not — I mean, I look —” “Beautiful,” she said, and the word was a pronouncement. “You are beautiful, James Carstairs.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Die Welt machte mich zu einer Hure, nun mache ich sie zu einem Bordell.
Friedrich Dürrenmatt (Der Besuch der alten Dame / Die Physiker. Erläuterungen und Materialien.)
Some make you sing and some make you scream, One makes you wish that you'd never been seen. But there's a shop on the corner that's selling papier-mache, Making bullet-proof faces, Charlie Manson, Cassius Clay. If you want it, boys, get it here, thing. - Sweet Thing
David Bowie
She switched from ecstasy to embarrassment at about Mach five.
Kevin Hearne (Hexed (The Iron Druid Chronicles, #2))
Can you understand,' asked my father, 'the deep meaning of that weakness, that passion for colored tissue, for papier-mache, for distemper, for oakum and sawdust? This is,' he continued with a pained smile, 'the proof of our love for matter as such, for its fluffiness or porosity, for its unique mystical consistency. Demiurge, that great master and artist, made matter invisible, made it disappear under the surface of life. We, on the contrary, love its creaking, its resistance, its clumsiness. We like to see behind each gesture, behind each move, its inertia, its heavy effort, its bearlike awkwardness.
Bruno Schulz (The Street of Crocodiles)
Knowledge and error flow from the same mental sources; only success can tell one from the other.
Ernst Mach
They hate being unable to control you.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
How often must you be betrayed before you see that others are taking your kindness for weakness, your silence for an inability to speak?
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
May you reign supreme but never unchallenged.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
The road to powerful magical items is paved with good intentions and hideous deathtraps.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
First off, contrary to popular belief, I'm as human as you are. One of us should probably be ashamed of that. I'm not entirely sure that it's me.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
I don't make monsters. Definitions make monsters. You make definitions.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
I am a product of the flames which burnt me; the anvil which forged me; and the will that made me grow formidable instead of breaking.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Friends help you move. Real friends help you move bodies. True friends help you move the bodies of those who turned out not to have been friends to begin with.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Dark Lords shatter destiny; it's what we do.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Vater unser, mach mir noch mit einem Wunder eine feine Bildung - das Übrige kann ich ja selbst machen mit Schminke.
Irmgard Keun (Das kunstseidene Mädchen)
I let him run on, this papier-mache Mephistopheles, and it seemed to me that if I tried I could poke my forefinger through him, and would find nothing inside but a little loose dirt, maybe.
Joseph Conrad (Heart of Darkness)
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
It’s a little-known fact, but Unicorns are something like 20% paint, and their horns are stolen exclusively from endangered species.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
And lo, at the moment when she needed it most, she found the force within her. She didn't find it in time to avoid having her head bitten off, but she sure did die enlightened.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
This is a lesson in creation: The first blood of blood magic is always your own.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
I was imprisoned, and no-one freed me. I cried for help, and no-one freed me. Eventually, I shook off my chains and I returned. They said, 'Why do you no longer love us?' I said, 'I realized that you have always been my chains.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
I mean, the ones on trial are not like me in any way: they're a different kind of human being. They live in a different world, they think different thoughts, and their actions are nothing like mine. Between the world they live in and the world I live in there's this thick, high wall. At least, that's how I saw it at first. ...I became a lot less sure of myself. In other words, I started seeing it like this: that there really was no such thing as a wall separating their world from mine. Or if there was such a wall, it was probably a flimsy one made of papier-mache. The second I leaned on it, I'd probably fall right through and end up on the other side. Or maybe it's that the other side has already managed to sneak its way inside of us, and we just haven't noticed.
Haruki Murakami (After Dark)
Give me the ridiculous, because it's a gateway to the sublime.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
I have a theory: A long time ago, someone cursed the trees with a touch of ambition.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Stories. They only belong to the people if the people demand to speak.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
I am a Namer.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
There's not a lot in this world as motivational as a firm belief in an unbending universal morality which just happens to place you on the side of the angels.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Punching your companions is unhelpful. Go into the forest and practice unarmed combat against a tree.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
The person who has never considered “non servium” may have a fatal weakness in the legs. Train yourself to kneel instead of think, and you will not enjoy an opponent who knows how to stand.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Surety is a narcotic which masks the fact that you're dying. Losing it is a gift.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
When I started out, all I knew was that I was not going to stay where I'd been. I was going to change. I was going to make my part of the world into something that I wanted–not wait, hope, or beg for the world to start to want me.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
We became the most successful advanced projects company in the world by hiring talented people, paying them top dollar, and motivating them into believing that they could produce a Mach 3 airplane like the Blackbird a generation or two ahead of anybody else.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
Kenya DOES NOT belong to 2 tribes only. Kenya has 42 tribes. to say that the decision of 2 tribes is the decision of the whole country is fallacy and outright dictatorship and tribalism Akuku Mach Pep, Democracy on Trial
Akuku Mach Pep
I didn’t know this was where I’d end up, and if you try to tell me that the hurt, the pain, the personal choices, and the perseverance were all just part of someone else's plan, I'll laugh at you until I can barely breathe.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Sure as Life holds all parts together, Death holds all parts together.
Walt Whitman
Orcs live in caves. Goblins live in shadows. It's the pain of distance versus the pain of proximity.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Laß dir von keinem Fachmann imponieren, der dir erzählt: „Lieber Freund, das mache ich schon seit zwanzig Jahren so!“—Man kann eine Sache auch zwanzig Jahre lang falsch machen.
Kurt Tucholsky (Sprache ist eine Waffe: Sprachglossen)
By the time I began my study of physics in the early 1970s, the idea of unifying gravity with the other forces was as dead as the idea of continuous matter. It was a lesson in the foolishness of once great thinkers. Ernst Mach didn’t believe in atoms, James Clerk Maxwell believed in the aether, and Albert Einstein searched for a unified-field theory. Life is tough.
Lee Smolin (The Trouble with Physics: The Rise of String Theory, the Fall of a Science, and What Comes Next)
freedom isn’t how far you choose to go; it’s whether or not the choice is made for you. The
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Burn the witch!” will always be a simpler option than, “Raise a very, very large army, cross the abysmal hells cape, battle an op- posing very, very large army, and try to figure out some way to kill the Dark Lord!” And it’s significantly more efficient to chant, as well.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Me, while I'm heading west, asleep at Mach 0.83, or 455 miles an hour, or true airspeed, the FBI is bomb-squading my suitcase on a vacated runway back in Dulles. Nine out of ten times, the security task force guy says, the vibration is an electric razor. The other time, it's a vibrating dildo. Imagine, the task force guy says, telling a passenger on arrival that a dildo kept her baggage on the East Coast. Sometimes it's even a man. It's airline policy not to imply ownership in the event of a dildo. Use the indefinite article. A dildo. Never your dildo. Never say the dildo accidentally turned itself on. A dildo activated itself and created an emergency situation that required the evacuating of your baggage.
Chuck Palahniuk (Fight Club)
Michael turned from the counter with a cup of coffee in hand. "Don't start," he said to Gabriel."I didn't say anything. I'm just glad you weren't jerking her around." Gabriel paused. "So I guess you don't have too much baggage after all?" Michael gave him a look. "Trust me I do." He sat down at the table. "She just has enough to mach." "What does that mean?" "It means she has a five-year-old son." Gabriel went still. "Holy crap." "So we're taking things really slowly." "Looks like it." This was quite possibly the first time Gabriel had ever seen his older brother blush. "It was late. She slept here. We did not-" Michael broke off. "I don't really think I need to explain myself to you." Gabriel smiled and took a sip of coffee. "No, no, I'm enjoying this.
Brigid Kemmerer (Spark (Elemental, #2))
To us investigators, the concept 'soul' is irrelevant and a matter for laughter.
Ernst Mach (History and Root of the Principle of the Conservation of Energy)
Lies are like paper-Mache in a rain storm.
Craig D. Lounsbrough (Flecks of Gold on a Path of Stone: Simple Truths for Life's Complex Journey)
Ich mögte beten wie Moses im Koran: Herr mache mir Raum in meiner engen Brust.
Johann Wolfgang von Goethe
And sadly, fairytale kingdoms work poorly. It’s not just that they’re fairytales and thus not terribly real; we’ve seen stranger and more mythical attempts at leadership in our time. The problem is that Fairytales attract Good Faeries, and thus Bad Faeries; Evil Queens; Huntsmen, and, of course, The Grand Vizier. And all of those tend to lead to ruination.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
FRIDA KAHLO TO MARTY MCCONNELL leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
But we must not forget that all things in the world are connected with one another and depend on one another, and that we ourselves and all our thoughts are also a part of nature. It is utterly beyond our power to measure the changes of things by time. Quite the contrary, time is an abstraction, at which we arrive by means of the change of things; made because we are not restricted to any one definite measure, all being interconnected. A motion is termed uniform in which equal increments of space described correspond to equal increments of space described by some motion with which we form a comparison, as the rotation of the earth. A motion may, with respect to another motion, be uniform. But the question whether a motion is in itself uniform, is senseless. With just as little justice, also, may we speak of an “absolute time” --- of a time independent of change. This absolute time can be measured by comparison with no motion; it has therefore neither a practical nor a scientific value; and no one is justified in saying that he knows aught about it. It is an idle metaphysical conception.
Ernst Mach (Science of Mechanics)
Vielleicht, daß ich durch schwere Berge gehe in harten Adern, wie ein Erz allein; und bin so tief, daß ich kein Ende sehe und keine Ferne: alles wurde Nähe und alle Nähe wurde Stein. Ich bin ja kein Wissender im Wehe,— so macht mich dieses große Dunkel klein; bist Du es aber: mach dich schwer, brich ein: daß deine ganze Hand an mir geschehe und ich an dir mit meinem ganzen Schrein. It's possible I'm moving through the hard veins of heavy mountains, like the ore does, alone; I'm already so deep inside, I see no end in sight, and no distance: everything is getting near and everything getting near is turning to stone. I still can't see very far yet into suffering,— so this vast darkness makes me small; are you the one: make yourself powerful, break in: so that your whole being may happen to me, and to you may happen, my whole cry.
Rainer Maria Rilke
Resilience has a normal rhythm You may not feel indestructable this morning But tomorrow you will be strong
Neil Mach (The Bedevilment of Bertie Lunn)
Fairytales lie. Especially, especially when told by Faeries.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
The farther removed you are from people actually shooting at you, the more you forget that cannons can do something to you other than fire salutes.
Jeff Mach ("I Hate Your Time Machine": A fiction-fueled guide to some of the worst tropes of Fantasy & Science Fiction)
On the one hand, it seems reasonable to expect sentient beings to learn from their mistakes. On the other hand, fire is pretty.
Jeff Mach (I HATE Your Prophecy: A Completely Serious Look At Magic, Destiny, And What Happens When You Make A Sorceress Mad)
And then, suddenly, calm: we reach Mach 25, orbital speed, the engines wind down,
Chris Hadfield (An Astronaut's Guide to Life on Earth)
Ich mach’ das schon!”16
Anne Frank (The Diary of a Young Girl)
Papier-mache canals flowed in downtown Lowell, men smoking cigars stand by the rail spitting in the waters that reflect the drizzle hopelessness of 1926.
Jack Kerouac (Visions of Gerard)
Wenn ich einen Fehler mache, bleibt am Standort des Wohnquartiers nur noch ein »Mark Watney Gedächtniskrater« übrig.
Andy Weir (Der Marsianer)
code named Project Winterhaven, which suggested that the military developed an antigravity combat saucer with Mach 3 capability.
Tim R. Swartz (The Lost Journals of Nikola Tesla: Time Travel - Alternative Energy and the Secret of Nazi Flying Saucers)
And then, suddenly, calm: we reach Mach 25, orbital speed, the engines wind down, and I notice little motes of dust floating lazily upward. Upward. Experimentally, I let go of my checklist for a few seconds and watch it hover, then drift off serenely, instead of thumping to the ground. I feel like a little kid, like a sorcerer, like the luckiest person alive. I am in space, weightless, and getting here only took 8 minutes and 42 seconds. Give or take a few thousand days of training.
Chris Hadfield (An Astronaut's Guide to Life on Earth)
How could she smile when she felt like she’d been run over by a truck at Mach 1 and all she wanted to do was strip his combat pants from his delectable body and screw him until he begged for mercy?
Mina Carter (Perfect Mate (Project Rebellion, #1))
My interpretation of scientific knowledge, for example, was a triviality for physicists like Mach, Boltzmann, Einstein and Bohr. But the ideas of these great thinkers were distorted beyond recognition by the rodents of neopositivism and the competing rodents of the church of 'critical' rationalism.
Paul Feyerbend (Against Method)
Du hast mir mal gesagt, nach dem Regen folgt immer Sonnenschein. Aber was mache ich, wenn der Regen nicht aufhört? Oh, ich weiß was du sagen würdest: Dann stell dich gefälligst rein! Tanzen kannst du überall.
Ava Reed
Both [Quine and Feyerabend] want to revise a version of positivism. Quine started with the Vienna Circle, and Feyerabend with the Copenhagen school of quantum mechanics. Both the Circle and the school have been called children of Ernst Mach; if so, the philosophies of Feyerabend and Quine must be his grandchildren.
Ian Hacking (Why Does Language Matter to Philosophy?)
There is a word for someone whose existence threatens your sanity, life, happiness, and future: human. And there is a word for someone whose existence is the hope for your sanity, life, happiness, and future: human.
Jeff Mach ("I Hate Your Time Machine": A fiction-fueled guide to some of the worst tropes of Fantasy & Science Fiction)
The Chosen One is often told that failure is not an option. The Dark Lord knows that failure, like hurt and harm, is one not simply an option, but one of many companions. True power seldom comes without risk. Sufficient risk eventually results in harm. If you think you can trap a thousand demons and never have a single one break through your defenses and wreak havoc on your mind for a while—then you’ve likely never summoned any demons at all.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Ich glaube, ich hab's jetzt verstanden... ich bin nicht nur eine Sache. Ich bin tausend Sachen. Ich bin eine Tochter und ich bin Alex' Freundin. Und eine Vertraute. Und eine Schwester. Ich bin launisch, und ich bin loyal. Und ich bin achtzehn. Und ich bin verliebt. Ich bin ein guter Mensch, der manchmal dumme Dinge tut. Ich mache Fehler, und manchmal mache ich sie wieder gut. Ich bin kompliziert, und ich bin einfach. Ich bin Sophie. Und das Flittchen. Und Papas Motte. Ich bin einfach ich. Und ich bin lesbisch. Und ich bin nicht lesbisch. Und ich bin unsicher. Und ich bin selbstsicher. All das bin ich. Ich bin nicht nur eine Sache. Ich bin das alles. Und das ist erst der Anfang.
Anne Freytag (Den Mund voll ungesagter Dinge)
The withdrawal of philosophy into a "professional" shell of its own has had disastrous consequences. The younger generation of physicists, the Feynmans, the Schwingers, etc., may be very bright; they may be more intelligent than their predecessors, than Bohr, Einstein, Schrödinger, Boltzmann, Mach and so on. But they are uncivilized savages, they lack in philosophical depth – and this is the fault of the very same idea of professionalism which you are now defending.
Paul Karl Feyerabend
He is a fool, he who sabotages is way to success
Akuku Mach Pep
We’ve actually made the world into this very ugly video game, and it’s not a sustainable model.
Jeff Mach ("I Hate Your Time Machine": A fiction-fueled guide to some of the worst tropes of Fantasy & Science Fiction)
Don’t think about it, Holly told herself. Don’t think about the white-hot magma flow that’s going to engulf this tiny craft. Don’t think about hurtling toward the surface with a MACH 2 force trying to turn you inside out. And certainly don’t think about the blood-crazed troll ready to disembowel you with his tusks. Nope. Don’t think about any of that stuff… Too late.
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.
Marty McConnell
Politics is a clean, happy, positive business under only the rarest circumstances. Democratic rule? Everyone thinks everyone else is an idiot. Despotic? Everyone wants to overthrow you, either to install democracy or to be the next despot. Kingdom full of abundance? Someone wants a bigger share. Kingdom starving? Someone needs to find blame.
Jeff Mach (There and Never, Ever Back Again: Diary of a Dark Lord)
Mach dir keine Gedanken über den Weg, sondern widme dich dem ersten Schritt. Er ist das Schwierigste, nur von dir hängt er ab. Sobald der erste Schritt getan ist, lass alles geschehen, wie es geschieht, dann wird sich der Rest ergeben. Schwimm nicht mit dem Strom - sei der Strom!
Elif Shafak (The Forty Rules of Love)
I pull the skull off my head. Even though it's made of papier-mache it's really hard. I smash it against Jimmy Snyder's head, and I smash it again. He falls to the ground, because he is unconscious, and I can't believe how strong I actually am. I smash his head again with all my force and blood starts to come out of his nose and ears. But I still don't feel any sympathy for him. I want him to bleed, because he deserves it. And nothing else makes any sense. Dad doesn't make sense.Mom doesn't make sense. The Audience doesn't make sense. The folding chairs and fog machine don't make sense. Shakespeare doesn't make sense. The stars that I know are on the other side of the gym ceiling don't make sense. The only thing that makes any sense right then is my smashing Jimmy Snyder's face. His blood. I knock a bunch of his teeth into his mouth, and I think they go down his throat. There is blood everywhere, covering everything. I keep smashing the skull against his skull, which is also Ron's skull (for letting Mom get on with life) and Mom's skull (for getting on with life) and Dad's skull (for dying) and Grandma's skull (for embarrassing me so much) and Dr. Fein's skull (for asking if any good could come out of Dad's death) and the skulls of everyone else I know. The Audience is applauding, all of them, because I am making so much sense. They are giving me a standing ovation as I hit him again and again.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Raste an vielen Bächen, an vielen Herdfeuern, und mache dir keine Sorgen. Gedenke deines Schöpfers in deiner Jugend. Erhebe dich, ehe der Morgen dämmert, sei unbekümmert und ziehe auf Abenteuer! Möge der Mittag dich auch an anderen Gewässern finden oder die Nacht dich überraschen, du bist überall zu Hause.
Henry David Thoreau (Walden)
We are astoundingly poor observers. And our introspection is useless on these issues: we believe we´re seeing the world just fine until it´s called to our attention that we are not. We will go through a process of learning to observe our experience, just as Mach carefully observed the shading of the strips.
David Eagleman (Incognito: The Secret Lives of the Brain)
2100 Hours: The lights went out inside the compound. People throughout the auditorium began to shriek. It was chaos.           Then they experienced what felt like a sonic boom. Pack’s vehicle had blown apart, metal fragments hurled a quarter mile away. The CEV had knocked the main gate over as if it were a fist going through papier-mache. Once the explosion had run its course, the car was in flames, which caught some of the crew still wearing the night vision devices off guard.
John M Vermillion (Packfire (Simon Pack, #9))
When you find yourself in a very hard situation, a circumstance that holds you by the balls, that's the time you wish you were created a woman!(women don't own balls)
Akuku Mach Pep
if you follow your own rules of conscience, you will be a member of the best gang on the planet: the commonsenseables
Neil Mach (Ask Phyliss Fannock)
There's barely a hair's breadth Between emergence and passage So why misspend The time in between?
Neil Mach (The Bedevilment of Bertie Lunn)
Jules had opted out of this particular trip, declaring that she’d rather jump into a shark-infested pool wearing only a meat bikini than subject herself to a weekend of watching Chelsea gush over Mike. That, and Jules didn’t really like the snow…unless there was a board attached to her feet and she was hurtling down a mountain at Mach speed. Snowmen and hot cocoa weren’t exactly her thing.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Mach dir keine Sorgen. Du hast zuviel und zuwenig gesehen, wie alle Menschen vor dir. Du hast zuviel geweint, vielleicht auch zuwenig, wie alle Menschen vor dir. Vielleicht hast du zuviel geliebt, und gehaßt - aber nu wenige Jahre - zwanzig oder so. Was sind schon zwanzig Jahre? Dann war ein Teil von dir tot, genau wie bei allen Menschen, die nicht mehr lieben oder hassen können. Du hast viele Schmerzen ertragen, ungern wie alle Menschen vor dir. Dein Körper war dir sehr bald lästig. Du hast ihn nie geliebt. Das war schlecht für dich - oder auch gut, denn an einem ungeliebten Körper hängt die Seele nicht sehr. Und was ist die Seele? Wahrscheinlich hast du nie eine gehabt, nur Verstand, und der war nicht gedenkend der Gefühle. Oder war da manchmal noch etwas anderes? Für Augenblicke? Beim Anblick von Glockenblumen oder Katzenaugen und des Kummers um einen Menschen, oder gewisser Steine, Bäume und Statuen; der Schwalben über der großen Stadt Rom. Mach dir keine Sorgen. Auch wenn du mir einer Seele behaftet wärest, sie wünscht nichts als tiefen, traumlosen Schlaf. Der ungeliebte Körper wird nicht mehr schmerzen. Blut, Fleisch, Knochen und Haut, alles wird ein Häufchen Asche sein, und auch das Gehirn wird endlich aufhören zu denken. Dafür sei Gott bedankt, den es nicht gibt. Mach dir keineSorgen - alles wird vergebens gewesen sein - wie bei allen Menschen vor dir. Eine völlig normale Geschichte.
Marlen Haushofer
I once was the guest of the week on a British radio show called Desert Island Discs. You have to choose the eight records you would take with you if marooned on a desert island. Among my choices was Mache dich mein Herze rein from Bach’s St Matthew Passion. The interviewer was unable to understand how I could choose religious music without being religious. You might as well say, how can you enjoy Wuthering Heights when you know perfectly well that Cathy and Heathcliff never really existed? But there is an additional point that I might have made, and which needs to be made whenever religion is given credit for, say, the Sistine Chapel or Raphael’s Annunciation. Even great artists have to earn a living, and they will take commissions where they are to be had. I have no reason to doubt that Raphael and Michelangelo were Christians—it was pretty much the only option in their time—but the fact is almost incidental. Its enormous wealth had made the Church the dominant patron of the arts. If history had worked out differently, and Michelangelo had been commissioned to paint a ceiling for a giant Museum of Science, mightn’t he have produced something at least as inspirational as the Sistine Chapel? How sad that we shall never hear Beethoven’s Mesozoic Symphony, or Mozart’s opera The Expanding Universe. And what a shame that we are deprived of Haydn’s Evolution Oratorio—but that does not stop us from enjoying his Creation.
Richard Dawkins (The God Delusion)
Adolescence is never graceful or beautiful. Our first steps are wobbly, full of stumbles and spills. Our first words are mispronounced and barely comprehendible. Our first kisses are sloppy and wet. The process of breaking sexual thresholds is far from sexy. It will be a long time until being a penetrator outgrows the feel of a grade school science experiment where I fill my paper mache volcano with vinegar and baking soda, giggling and high-fiving my lab partner once it explodes.
Maggie Georgiana Young
X-Plane tells us that flight on Mars is difficult, but not impossible. NASA knows this, and has considered surveying Mars by airplane. The tricky thing is that with so little atmosphere, to get any lift, you have to go fast. You need to approach Mach 1 just to get off the ground, and once you get moving, you have so much inertia that it’s hard to change course—if you turn, your plane rotates, but keeps moving in the original direction. The X-Plane author compared piloting Martian aircraft to flying a supersonic ocean liner.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
When Congress approved the decision to retire the SR-71, the Smithsonian Institution requested that a Blackbird be delivered for eventual display in the Air and Space Museum in Washington and that we set a new transcontinental speed record delivering it from California to Dulles. I had the honor of piloting that final flight on March 6, 1990, for its final 2,300-mile flight between L.A. and D.C. I took off with my backseat navigator, Lt. Col. Joe Vida, at 4:30 in the morning from Palmdale, just outside L.A., and despite the early hour, a huge crowd cheered us off. We hit a tanker over the Pacific then turned and dashed east, accelerating to 2.6 Mach and about sixty thousand feet. Below stretched hundreds of miles of California coastline in the early morning light. In the east and above, the hint of a red sunrise and the bright twinkling lights from Venus, Mars, and Saturn. A moment later we were directly over central California, with the Blackbird’s continual sonic boom serving as an early wake-up call to the millions sleeping below on this special day. I pushed out to Mach 3.3.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
Wolln Se ´nen bestimmten Klingelton?", hatte Fräulein Krömeier gefragt. "Ich doch nicht", hatte ich spottend erwidert, "ich arbeite doch nicht in einem Großraumbüro!" "Na ja, dann mache ich halt den normalen rein." Daraufhin hörte man ein Geräusch, das klang, als spielte ein betrunkenener Clown Xylophon. Wieder und wieder. "Was ist denn das?", fragte ich entsetzt". "Det is ihr Telefon", sagte Fräulein Krömeier und fügte hinzu: "meen Führa!" "Und das klingt so?" "Nur, wenn et klingelt." "Machen sie das aus! Ich will nicht, dass die Leute mich für einen Idioten halten!
Timur Vermes (Er ist wieder da)
Seltsam sei es und ungerecht, sagte Gauß, so recht ein Beispiel für die erbärmliche Zufälligkeit der Existenz, dass man in einer bestimmten Zeit geboren und ihr verhaftet sei, ob man wolle oder nicht. Es verschaffe einem einen unziemlichen Vorteil vor der Vergangenheit und mache einen zum Clown der Zukunft. [...] Sogar ein Verstand wie der seine, sagte Gauß, hätte in frühen Menschheitsaltern oder an den Ufern des Orinoko nichts zu leisten vermocht, wohingegen jeder Dummkopf in zweihundert Jahren sich über ihn lustig machen und absurden Unsinn über seine Person erfinden könne.
Daniel Kehlmann (Daniel Kehlmann, Die Vermessung der Welt: Interpretation)
So we call upon the author to explain (Doop doop doop doop dooop) Our myxomatoid kids spraddle the streets, we've shunned them from the greasy-grind The poor little things, they look so sad and old as they mount us from behind I ask them to desist and to refrain And then we call upon the author to explain (Doop doop doop doop dooop)Rosary clutched in his hand, he died with tubes up his nose And a cabal of angels with finger cymbals chanted his name in code We shook our fists at the punishing rain And we call upon the author to explain (Doop doop doop doop dooop) He said everything is messed up around here, everything is banal and jejune There is a planetary conspiracy against the likes of you and me in this idiot constituency of the moon Well, he knew exactly who to blame And we call upon the author to explain (Doop doop doop doop dooop) Prolix! Prolix! Nothing a pair of scissors can't fix! Prolix! Prolix! Nothing a pair of scissors can't fix!(Doop doop doop doop dooop) Well, I go guruing down the street, young people gather round my feet Ask me things, but I don't know where to start They ignite the power-trail ssstraight to my father's heart And once again I call upon the author to explain (Doop doop doop doop dooop ...)We call upon the author to explain Who is this great burdensome slavering dog-thing that mediocres my every thought? I feel like a vacuum cleaner, a complete sucker, it's fucked up and he is a fucker But what an enormous and encyclopaedic brain I call upon the author to explain (Doop doop doop doop dooop ...) Oh rampant discrimination, mass poverty, third world debt, infectious diseease Global inequality and deepening socio-economic divisions Well, it does in your brain And we call upon the author to explain (Doop doop doop doop dooop ...) Now hang on, my friend Doug is tapping on the window (Hey Doug, how you been?) Brings me back a book on holocaust poetry complete with pictures Then tells me to get ready for the rain And we call upon the author to explain (Doop doop doop doop dooop ...) I say prolix! Prolix! Something a pair of scissors can fix Bukowski was a jerk! Berryman was best! He wrote like wet papier mache, went the Heming-way weirdly on wings and with maximum pain We call upon the author to explain (Doop doop doop doop dooop ...) Down in my bolthole I see they've published another volume of unreconstructed rubbish "The waves, the waves were soldiers moving". Well, thank you, thank you, thank you And again I call upon the author to explain Yeah, we call upon the author to explain Prolix! Prolix! There's nothing a pair of scissors can't fix!
Nick Cave
Wenn ich könnte, würde ich den Leuten gern schon bei unserem ersten Zusammentreffen erklären, wie es um mich steht. Dass ich die meiste Zeit über keine Ahnung habe, was ich mache oder machen sollte. Ich weiß nicht, was von mir erwartet wird, welche Wörter ich zusammensetzen muss, damit sie Sinn ergeben. Und genauso wenig weiß ich, wie man andere Menschen liest – es ist, als ob alle bei ihrer Geburt eine Gebrauchsanweisung für soziale Interaktionen installiert bekommen haben, nur mich hat man übersprungen. Und jedes Mal, wenn ich versuche, mich mit anderen zu verständigen, sind da tausend Fragen in meinem Kopf: Soll ich weiter lächeln? Den Blickkontakt aufrechterhalten, etwas sagen, nichts sagen – und wohin mit meinen Händen, meinen Füßen, mit meinem Körper? Wohin mit mir?
Mehwish Sohail (Like water in your hands (Like This, #1))
We became the most successful advanced projects company in the world by hiring talented people, paying them top dollar, and motivating them into believing that they could produce a Mach 3 airplane like the Blackbird a generation or two ahead of anybody else. Our design engineers had the keen experience to conceive the whole airplane in their mind’s-eye, doing the trade-offs in their heads between aerodynamic needs and weapons requirements. We created a practical and open work environment for engineers and shop workers, forcing the guys behind the drawing boards onto the shop floor to see how their ideas were being translated into actual parts and to make any necessary changes on the spot. We made every shop worker who designed or handled a part responsible for quality control. Any worker—not just a supervisor or a manager—could send back a part that didn’t meet his or her standards. That way we reduced rework and scrap waste. We encouraged our people to work imaginatively, to improvise and try unconventional approaches to problem solving, and then got out of their way. By applying the most commonsense methods to develop new technologies, we saved tremendous amounts of time and money, while operating in an atmosphere of trust and cooperation both with our government customers and between our white-collar and blue-collar employees. In the end, Lockheed’s Skunk Works demonstrated the awesome capabilities of American inventiveness when free to operate under near ideal working conditions. That may be our most enduring legacy as well as our source of lasting pride.
Ben R. Rich (Skunk Works: A Personal Memoir of My Years of Lockheed)
Auf diese Weise gelang es uns tatsächlich, unversehrt den Mustang zu erreichen. Die drei Fast-Stürze, weil ich beim Kuscheln immer wieder die Augen geschlossen hatte, mussten ja nicht zwingend erwähnt werden. »Darf isch fahren?«, fragte ich, als mir Elyas die Tür aufhielt. »Klar, Süße«, sagte er und half mir beim Einsteigen auf der Beifahrerseite. Nachdem ich saß, beugte er sich über mich und hantierte mit dem Gurt, um mich anzuschnallen. »Bin biologisch betrachted nich isch diejenige von uns, die sich nach vorne büggen müsste?« Ich kicherte, während Elyas mit geweiteten Augen in mein nahes Gesicht starrte. »Fräulein Winter«, sagte er und räusperte sich. »Die anzüglichen Witze mache immer noch ich!« »Schulligung, isch wollt auch ma wissen, wie des is.« Ich hob die Schultern, und Elyas widmete sich kopfschüttelnd wieder dem Gurt. Kurz darauf klickte es. »So«, sagte er und richtete sich auf. »Er ist drin.« »Bissu sicher?«, fragte ich grinsend. »Ich spür nix.« Bis zu diesem Moment hatte ich ja keine Ahnung gehabt, zu welch doofem Gesichtsausdruck Elyas fähig war. Leider war dieser köstliche Anblick nicht von langer Dauer. Seine Lippen formten ein Schmunzeln und mit einem verheißungsvollen Glanz in den Augen beugte er sich dicht zu mir hinunter. »Glaub mir, Schatz«, flüsterte er. »Den würdest du spüren.«
Carina Bartsch (Türkisgrüner Winter (Kirschroter Sommer, #2))
when your actions towards acquiring leadership in any country portrays blatant mischief orchestrated towards disregarding the concepts of the constitution, you do not only become guilty of hijacking power which rightfully belong to the people, but also, you are guilty of violation of the rights of freedom of the same people that you purport to want to lead. Like any match, elections is competition towards democracy, and all competitions have rules that set guidelines in that particular competition. Any violation of such rules renders that competition invalid. True democracy does not condone compromises. True democracy upholds and adheres to the rule of law, for it is the rule of law that can explicitly define democracy.
Akuku Mach Pep
[…] Ich möchte aber gern noch einmal auf meinen Ratschlag zurückkommen; ich finde nämlich, dass du dein Leben radikal ändern und ganz mutig Dinge in Angriff nehmen solltest, die dir früher nie in den Sinn gekommen wären oder vor denen du im letzten Moment zurückgeschreckt bist. So viele Leute sind unglücklich mit ihrem Leben und schaffen es trotzdem nicht, etwas an ihrer Situation zu ändern, weil sie total fixiert sind auf ein angepasstes Leben in Sicherheit, in dem möglichst alles gleichbleibt – alles Dinge, die einem scheinbar inneren Frieden garantieren. In Wirklichkeit wird die Abenteuerlust im Menschen jedoch am meisten durch eine gesicherte Zukunft gebremst. Leidenschaftliche Abenteuerlust ist die Quelle, aus der der Mensch die Kraft schöpft, sich dem Leben zu stellen. Freude empfinden wir, wenn wir neue Erfahrungen machen, und von daher gibt es kein größeres Glück als in einem immer wieder wechselnden Horizont blicken zu dürfen, an dem jeder Tag mit einer neuen ganz anderen Sonne anbricht. Wenn du mehr aus deinem Leben machen willst, Ron, dann muss du deine Vorliebe für monotone, gesicherte Verhältnisse ablegen und das Chaos in dein Leben lassen, auch wenn es dir am Anfang verrückt erscheinen mag. Aber sobald du dich an ein solches Leben einmal gewöhnt hast, wirst du die volle Bedeutung erkennen, die darin verborgen liegt, und die schier unfassbare Schönheit. Um es auf den Punkt zu bringen, Ron: Geh fort raus Salton City und fang an zu reisen. […] Sei nicht so träge und bleib nicht einfach immer am selben Platz. Beweg dich, reise, werde ein Nomade, erschaffe dir jeden Tag einen neuen Horizont. Du wirst noch so lange leben, Ron, und es wäre eine Schande, wenn du die Gelegenheit nicht nutzen würdest, dein Leben von Grund auf zu ändern, um in ein vollkommen neues Reich der Erfahrungen einzutreten. Es stimmt nicht, wenn du glaubst, dass Glück einzig und allein zwischenmenschlichen Beziehungen entspringt. Gott hat es überall um uns herum verteilt. Es steckt in jeder kleinen Erfahrung, die wir machen. Wir müssen einfach den Mut haben, uns von unserem gewohnten Lebensstil abzukehren und uns auf ein unkonventionelles Leben einzulassen. Vor allem möchte ich dir sagen, dass du weder mich noch sonstwen brauchst, um dieses neue, hoffnungsfroh schimmernde Licht in dein Leben zu bringen. Du musst nur zur Tür hinausgehen und die Hand danach ausstrecken und schon ist es dein. Du selbst bist dein einziger Feind, du und deine Sturheit, mit der du dich weigerst, dich auf etwas Neues einzulassen. […] Du wirst staunen, was es alles zu sehen gibt, und du wirst Leute kennenlernen, von denen man eine Menge lernen kann. Aber mach es ohne viel Geld, keine Motels, und dein Essen kochst du dir selbst. Je weniger du ausgibst, desto höher der Erlebniswert. […]
Jon Krakauer (Into the Wild)