Collage Quotes

What should young people do with their lives today? Many things, obviously. But the most daring thing is to create stable communities in which the terrible disease of loneliness can be cured.

As for literary criticism in general: I have long felt that any reviewer who expresses rage and loathing for a novel or a play or a poem is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae or a banana split.

Anyway—because we are readers, we don't have to wait for some communications executive to decide what we should think about next—and how we should think about it. We can fill our heads with anything from aardvarks to zucchinis—at any time of night or day.

And maybe some people are like collages - no matter how broken or useless we felt, we were an essential part of the whole. We mattered.

I believe that reading and writing are the most nourishing forms of meditation anyone has so far found. By reading the writings of the most interesting minds in history, we meditate with our own minds and theirs as well. This to me is a miracle.

Everything is biographical, Lucian Freud says. What we make, why it is made, how we draw a dog, who it is we are drawn to, why we cannot forget. Everything is collage, even genetics. There is the hidden presence of others in us, even those we have known briefly. We contain them for the rest of our lives, at every border we cross.

I had to tell him we were like a collage. Pieces that could be put back together in a new way, a better way. If I didn’t say it now, I never would.

Ryan Chase was my eighth-grade collage, aspirational and wide-eyed. But Max was the first bite of grilled cheese on a snowy day, the easy fit of my favorite jeans, that one old song that made it onto every playlist. Peanut-butter Girl Scout cookies instead of an ornate cake. Not glamorous or idealized or complicated. Just me.

They learned to hate her unknowability, her untouchability, the collage of her.

It gave me hope: if you could make a beautiful piece of art from discarded newspapers and old matchbooks, then it meant that everything had potential. And maybe people were like collages--no matter how broken or useless we felt, we were an essential part of the whole. We mattered.

Everyone breathing is broken. Keep breathing light into them until the stained glass collage takes your breath away.

Love: a hybrid emotion made up of various other emotions collaged by some weak individual's mind to try to quell a particular horror that's not been wiped out by more standardized symbols like Christ, etc. Nietzsche, right? Whatever.

For one brief, never-ending second, an entirely different path expanded behind the lids of my tear-wet eyes. As if I were looking through the filter of Jacob's thoughts, I could see exactly what I was going to give up, exactly what this new self-knowledge would not save me from losing. I could see Charlie and Renée mixed into a strange collage with Billy and Sam and La Push. I could see years passing, and meaning something as they passed, changing me. I could see the enormous red-brown wolf that I loved, always standing as protector if I needed him. For the tiniest fragment of a second, I saw the bobbing heads of two small, black-haired children, running away from me into the familiar forest. When they disappeared, they took the rest of the vision with them.

I chose cultural anthropology, since it offered the greatest opportunity to write high-minded balderdash.

If he shows aptitude toward the A’ris element, meaning toward the healing arts, then he should contact the Healer’s Collage. Not that they would know much about magic. Anyone can become a healer these days.

All of us fractured, awkward collages of experience wrapped tight to present a defensible face to the world. And what makes us human is that sometimes we snap. And in that moment of release we’re closer to gods than we know.

If we want to make meaning, we need to make art. Cook, write, draw, doodle, paint, scrapbook, take pictures, collage, knit, rebuild an engine, sculpt, dance, decorate, act, sing—it doesn’t matter. As long as we’re creating, we’re cultivating meaning.

I felt guilty about that for a while until I realized everyone is just a collage of their favorite parts of other people.

Changing the big picture takes time.. and the best things to do is focus on the things that we can make in our lives if we're doing all that. That becomes the collage of real change

Peter used to say that an artist’s job is to make order out of chaos. You collect details, look for a pattern, and organize. You make sense out of senseless facts. You puzzle together bits of everything. You shuffle and reorganize. Collage. Montage. Assemble.

By reading the writings of the most interesting minds in history, we meditate with our own minds and theirs as well. This is to me is a miracle.

It is my secrecy which makes you unhappy, my evasions, my silences. And so I have found a solution. Whenever you get desperate with my mysteries, my ambiguities, here is a set of Chinese puzzle boxes. You have always said that I was myself a Chinese puzzle box. When you are in the mood and I baffle your love of confidences, your love of openness, your love of sharing experiences, then open one of the boxes. And in it you will find a story, a story about me and my life. Do you like this idea? Do you think it will help us to live together?

Comedians and jazz musicians have been more comforting and enlightening to me than preachers or politicians or philosophers or poets or painters or novelists of my time. Historians in the future, in my opinion, will congratulate us on very little other than our clowning and our jazz.

Reality has always attracted me like a magnet, tortured and hypnotized me, and I wanted to capture it on paper. So I immediately appropriated this genre of actual human voices and confessions, witness evidences and documents. This is how I hear and see the world—as a chorus of individual voices and a collage of everyday details. In this way all my mental and emotional potential is realized to the full. In this way I can be simultaneously a writer, reporter, sociologist, psychologist and preacher.

I think it can be tremendously refreshing if a creator of literature has something on his mind other than the history of literature so far. Literature should not disappear up its own asshole, so to speak.

You’re a collage of all my happy moments and a sense of comfort during the sad ones. It

We each are artists of the self, creating a collage -- a new and original work of art -- out of scraps and fragments of identifications. The people with whom we identify are, positively or negatively, always important to us. Our feelings toward them are, in some way, always intense.

No one has ever asked you to make a floor-to-ceiling-sized friendship collage for their birthday. Or ring them three times a day. No one will cry if you don’t invite them to dinner because you don’t have enough chairs. If you feel exhausted by people, it’s because you’re willingly playing the martyr to make them like you. It’s your problem, not theirs.

We find ourselves in a “collage” in which nothing has moved into the past and no wounds have healed with time, in which everything is present, open and bitter, in which everything coexists contiguously….

I do not wish to criticize any system that can nourish people’s spirits, but I find that a lot of New Age writing cherry-picks the attractive bits from the ancient traditions and makes collages of them; it usually excises the ascetic dimension. In general it is not rigorously thought out, but is what I would call “soft” thinking.

I was fourteen then. He was eighteen. Everything is biographical, Lucien Freud says. What we make, why it is made, how we draw a dog, who it is we are drawn to, why we cannot forget. Everything is collage, even genetics. There is the hidden presence of others in us, even those we have known briefly. We contain them for the rest of our lives, at every border that we cross.

I believe you need to be educated on what you want to do in life, but I don't believe you necessarily need collage to get there.

The Dresden atrocity, tremendously expensive and meticulously planned, was so meaningless, finally, that only one person on the entire planet got any benefit from it. I am that person. I wrote this book, which earned a lot of money for me and made my reputation, such as it is. One way or another, I got two or three dollars for every person killed. Some business I'm in.

the painter, Cezanne, would leave blank spaces on his canvas when he couldn’t account for the brush strokes, or the color”--- “How much of your life can you account for? My life is a collage of unaccounted for brush strokes; I am all random”.

Trust a crowd to look at the wrong end of a miracle every time.

collage = reality

If flying-saucer creatures or angels or whatever were to come here in a hundred years, say, and find us gone like the dinosaurs, what might be a good message for humanity to leave for them, maybe carved in great big letters on a Grand Canyon wall? Here is this old poop's suggestion: WE PROBABLY COULD HAVE SAVED OURSELVES, BUT WERE TOO DAMNED LAZY TO TRY VERY HARD...

I propose that every person out of work be required to submit a book report before he or she gets his or her welfare check.

Any time I see a person fleeing from reason and into religion, I think to myself, There goes a person who simply cannot stand being so goddamn lonely anymore.

Be aware of this truth that the people on this earth could be joyous, if only they would live rationally and if they would contribute mutually to each others' welfare. This world is not a vale of sorrows if you will recognize discriminatingly what is truly excellent in it; and if you will avail yourself of it for mutual happiness and well-being. Therefore, let us explain as often as possible, and particularly at the departure of life, that we base our faith on firm foundations, on Truth for putting into action our ideas which do not depend on fables and ideas which Science has long ago proven to be false.

On the great canvas of time We all create our own masterpiece. Choreographing our steps across minutes and hours Dancing over the days Painting pictures over months and Writing our stories on the years. Singing our songs that echo across eons. We are all a thread in the talent tapestry. A snapshot in the cosmic, collective collage.

Laughs are exactly as honorable as tears. Laughter and tears are both responses to frustration and exhaustion, to the futility of thinking and striving anymore. I myself prefer to laugh, since there is less cleaning up to do afterward.

Bertrand Russell declared that, in case he met God, he would say to Him, "Sir, you did not give us enough information." I would add to that, "All the same, Sir, I'm not persuaded that we did the best we could with the information we had. Toward the end there, anyway, we had tons of information.

Her: Don’t quit your day job, Emily Dickinson. Me: Hey, u didn’t say it had to be GOOD. Her: Touché. D- on the poem. Can’t wait to see your collage. Me: How do u feel about glitter? And dick pics? Her: If there’s a pic of your dick on that collage, I’m photocopying it and passing it around in the student center. Me: Bad idea. You’ll give all the other dudes an inferiority complex. Her: Or an ego boost.

That's what is was to be young — to be enthusiastic rather than envious about the good work other people could do.

. . . if i am somehow, miraculously, bodied then/ my skin is a collage of meditations on love and shattered selves.

it has been my experience with literary critics and academics in this country that clarity looks a lot like laziness and ignorance and childishness and cheapness to them.

A society, on occasion, can be the worst possible describer of mental health.

Very little in any organized faith is truly original. Religions are not born from scratch. They grow from one another. Modern religion is a collage ... an assimilated historical record of man's quest to understand the divine.

After the war, I went to the University of Chicago, where I was pleased to study anthropology, a science that was mostly poetry, that involved almost no math at all.

Life is like a collage. Its individual pieces are arranged to create harmony. Appreciate the artwork of your life.

A person is a collage of people warring to become a portrait.

I really feel sorry for people who think things like soap dishes or mirrors or Coke bottles are ugly, because they're surrounded by things like that all day long, and it must make them miserable.

I’m lying on Cash’s chest, tracing his tattoo. “What does this mean?” I whisper. “It’s the Chinese symbol for awesome,” he teases lightly. I giggle. “If it’s not, which I imagine it isn’t, then it should be.” “Are you paying me a compliment? I just want to be sure, so I don’t miss it.” I slap his ribs. “You make it sound like I’m mean and horrible because I don’t throw myself at your feet.” “You don’t have to throw yourself at my feet. Although if you want to, I’m sure I can think of something for you to do while you’re down there.” I look up at him and he’s waggling his eyebrows again. “I’m sure you could.” Shaking my head, I settle back onto his chest and resume tracing the ink shapes. “Seriously, what do they mean?” Cash is quiet for so long I begin to think he’s not going to answer me. But then he finally speaks. “It’s a collage of things that remind me of my family.

When you look in the mirror you see not just your face but a museum. Although your face, in one sense, is your own, it is composed of a collage of features you have inherited from your parents, grandparents, great-grandparents, and so on. The lips and eyes that either bother or please you are not yours alone but are also features of your ancestors, long dead pergaps as individuals but still very much alive as fragments in you. Even complex qualities such as your sense of balance, musical abilities, shyness in crowds, or susceptbility to sickness have been lived before. We carry the past around with us all the time, and not just in our bodies. It lives also in our customs, including the way we speak. The past is a set of invisible lenses we wear constantly, and through these we perceive de world and the world perceives us. We stand always on the shoulders of our ancestors, wheter or not we look down to acknowledge them.

Die Vergangenheit war wie jene altmodischen, mit Kräutern und Blumen gefüllten Duftkissen, deren Aroma die Kleider durchdringt und an ihnen haften bleibt.

Vanity rather than wisdom determines how the world is run.

His theatre was the clouds, where no spectacle repeated itself. On land he was a foreigner. Land for him was stasis, and it pulled him into immobility, which was his image of death.” — ,

The God Delusion is a rather disorganized collage of arguments and pastiche of assertions which cannot be said to advance those ideas or enhance their critical edge, but rather harnesses them in the service of the advocacy of atheism.

Life, perhaps less a document than an impression, conveyed through partial glances, stream-of-consciousness juxtapositions, unpredictable rhythms, a collage of sound, a conscientious diarist, a career of blackmail and scandal culminated in murder, a blind man with a will of iron and a nervous system of gossamer.

It is a tragedy, perhaps, that human beings can get so much energy and enthusiasm from hate.

dreams are a tremendous condensation that fits the maximum amount of meaning in a collage of often conflicting or strangely appearing symbols. In

...she would comfort herself with her solitude. Reading books, sketching, making notes, little observations and collages.

He who says collage says the irrational.

I'm on the New York State Council for the Arts now, and every so often some other member talks about sending notices to college English departments about some literary opportunity, and I say, "Send them to the chemistry departments, send them to the zoology departments, send them to the anthropology departments and the astronomy departments and physics departments, and all the medical and law schools. That's where the writers are most likely to be.

literature composed by women was stored not in books but in female bodies, living repositories of poetry and song. I have come across a line of argument in my reading, which posits that, due to the inherent fallibility of memory and the imperfect human vessels that held it, the Caoineadh cannot be considered a work of single authorship. Rather, the theory goes, it must be considered collage, or, perhaps, a folky reworking of older keens. This, to me --- in the brazen audacity of one positioned far from the tall walls of the university --- feels like a male assertion pressed upon a female text. After all, the etymology of the word ‘text’ lies in the Latin verby ‘texere’: to weave, to fuse, to braid. The Caoineadh form belongs to a literary genre worked and woven by women, entwining strands of female voices that were carried in female bodies, a phenomenon that seems to me cause for wonder and admiration, rather than suspicion of authorship.

Things, I know, stiffen and shift in memory, become what they never were before. As when an army takes over a country. Or a summer yard goes scarlet with fall and its venous leaves. One summons the years of the past largely by witchcraft-a whore's arts, collage and brew, eye of newt, heart of horse. Still, the house of my childhood is etched in my memory like the shape of the mind itself: a house-shaped mind-why not? It was this particular mind out of which I ventured-for any wild danger or sentimental stance or lunge at something faraway. But it housed every seedling act. I floated above it, but close, like a figure in a Chagall.

I know you think I didn't know," he says, flipping through the pages and opening it to the middle of the book where there is a collage of all the X-Men, "but sometimes, you forget to shut the blinds." (...) "Zo, I dont think I could ever hate you. You hurt me, but whenever I saw you grab one of those books and duck under here, I knew you were probably hurting too, and I'd let it go." "Just like that?" "I guess I make it sound easier than it was. But yeah, I'd let it go because I knew it wasn't the girl at school under this blanket. It was my friend.

Very little in any organized faith is truly original. Religions are not born from scratch. They grow from one another. Modern religion is a collage … an assimilated historical record of man’s quest to understand the divine.

I can only reply that the secret to success in every human endeavor is total concentration. Ask any great athlete.

No names have been changed in order to protect the innocent since God Almighty protects the innocent as a matter of Heavenly routine.

This is all very regrettable, though it isn’t really, and I wish to assure you that I, in no way, derive any personal satisfaction from any of this, even though I so obviously do. If you feel the need to vent any more of your frustration, please feel free to do so, as I intend to build a collage of this moment and I’d like some more amusing anecdotes to go along with it.

to Vaneigem and the Situationists who by shrewd use of collage and juxtaposition exposed both the poverty and richness of slogans, and the thinly veiled hypocrisy of a "spectacular" society which by not respecting words abuses people, and by insulting the intelligence creates a state of political cretinisation in which the many and various forms of authoritarian control dominate.

You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you? And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone. And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water. But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked. Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing. And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.

God—or whoever is in charge of this planet—got drunk on the job one day and decided to give me the gift of writing. The way I see it, I have two choices. I can set that gift on a high shelf so it won’t get dinged up and nobody can make fun of me for playing with it.' He smiled until the crinkles at the corners of his eyes were deep enough to hide state secrets. 'Or I can have fun with it and play with the gift I was given until the engine burns out and the wheels come off. I decided to play. I suggest you do the same, young man. Go paint or draw or collage or whatever you want to do. Come back when there's smoke coming off the canvas. And for God's sake, go have some fun. Please?

My father has the proper degrees and framed pictures on the walls, though they're mostly taped over with photos of children, family and friends. Images from the past and present and trips and experiences combined with files on the floor – it's a happening or collage in progress.

I do not write every day. I write to the questions and issues before me. I write to deadlines. I write out of my passions. And I write to make peace with my own contradictory nature. For me, writing is a spiritual practice. A small bowl of water sits on my desk, a reminder that even if nothing is happening on the page, something is happening in the room--evaporation. And I always light a candle when I begin to write, a reminder that I have now entered another realm, call it the realm of the Spirit. I am mindful that when one writes, one leaves this world and enters another. My books are collages made from journals, research, and personal experience. I love the images rendered in journal entries, the immediacy that is captured on the page, the handwritten notes. I love the depth of ideas and perspective that research brings to a story, be it biological or anthropological studies or the insights brought to the page by the scholarly work of art historians. When I go into a library, I feel like I am a sleuth looking to solve a mystery. I am completely inspired by the pursuit of knowledge through various references. I read newpapers voraciously. I love what newspapers say about contemporary culture. And then you go back to your own perceptions, your own words, and weigh them against all you have brought together. I am interested in the kaleidoscope of ideas, how you bring many strands of thought into a book and weave them together as one piece of coherent fabric, while at the same time trying to create beautiful language in the service of the story. This is the blood work of the writer. Writing is also about a life engaged. And so, for me, community work, working in the schools or with grassroots conservation organizations is another critical component of my life as a writer. I cannot separate the writing life from a spiritual life, from a life as a teacher or activist or my life intertwined with family and the responsibilities we carry within our own homes. Writing is daring to feel what nurtures and breaks our hearts. Bearing witness is its own form of advocacy. It is a dance with pain and beauty.

I only wish the NRA and its jellyfish, well-paid supporters in legislatures both State and Federal would be careful to recite the whole of it, and then tell us how a heavily armed man, woman, or child, recruited by no official, led by no official, given no goals by any official, motivated or restrained only by his or her personality and perceptions of what is going on, can be considered a member of a well-regulated militia.

Time held no meaning as my mind darted in and out of memories. Past and present collided to create a full-sensory collage out of my life: playing hide-n-seek with my best friends Luke—who always cheated by walking through walls when he was about to be caught—and Lucy; Mr. Caldrin critiquing my sketches and offering ideas to make them more realistic; targets changing faces, blending into the same person, their thoughts rippling through my mind like waves. Through it all, a demon stalked me from the shadows of my memories, never quite showing its face, but crouching, waiting. And then I dreamed....

They exchanged notes, like children. My grandfather made his out of newspaper clippings and dropped them in her woven baskets, into which he knew only she would dare stick a hand. Meet me under the wooden bridge and I will show you things you have never, ever seen. The "M" was taken from the army that would take his mother’s life: GERMAN FRONT ADVANCES ON SOVIET BORDER; the "eet" from their approaching warships: NAZI FLEET DEFEATS FRENCH AT LESACS; the "me" from the peninsula they were blue-eyeing: GERMANS SURROUND CRIMEA; the "und" from too little, too late: AMERICAN WAR FUNDS REACH ENGLAND; the "er" from the dog of dogs: HITLER RENDERS NONAGGRESSION PACT INOPERATIVE…and so on, and so on, each note a collage of love that could never be, and a war that could

Let me sum up what I’ve learned about creativity from the world of Wholehearted living and loving: “I’m not very creative” doesn’t work. There’s no such thing as creative people and non-creative people. There are only people who use their creativity and people who don’t. Unused creativity doesn’t just disappear. It lives within us until it’s expressed, neglected to death, or suffocated by resentment and fear. The only unique contribution that we will ever make in this world will be born of our creativity. If we want to make meaning, we need to make art. Cook, write, draw, doodle, paint, scrapbook, take pictures, collage, knit, rebuild an engine, sculpt, dance, decorate, act, sing—it doesn’t matter. As long as we’re creating, we’re cultivating meaning. Literally

My eyes roved over the walls covered with my collages and prints of famous paintings. Magritte, Kandinsky, Kahlo. My origami shapes hung from fishing wire, dangling over my bed. They shivered in the slight breeze blowing through my open window. It was my own little escape pod, but none of it was enough tonight.

Dear Mr. Future Crush, Right now you are frustratingly just a figment of my imagination, something I daydream about in times of loneliness or boredom. Before going to sleep I idly wonder what you’re going to be like, however that’s like trying to imagine a new colour. So instead you take the form of a happy song, the smell of a cologne, the hero in a novel. You’re a collage of all my happy moments and a sense of comfort during the sad ones. It’s silly I know – even though we’ve never met I can’t help but feel a strange sense of longing and hope. All I know is that whoever you are, you’re going to be amazing. (Perhaps one day) yours, ___________ P.S. You better like pizza.

I grabbed the napkin wound around the silverware in front of me because paper was my lifeline and I needed to touch it, to know that maybe when I went home later, I could collage him and then it would all make sense, he would make sense. I hoped my fingers would remember the exact quality of the sunlight on his forehead, the shadows under his eyes.

I hurried forward and entered the church. The interior was huge, cluttered, draughty, a collage of different centuries. It was probably unhappy to have arrived at this one: the twelfth century had provided the arches, the sixteenth the lovely wooden ceiling, the eighteenth the altar – and what had the twenty-first bestowed upon St Michael? Atheism and indifference.

In an extended family, anybody can bug out of his own house for months, and still be among relatives. Nobody has to go on a hopeless quest for friendly strangers, which is what most Americans have to do.

Being unemployed, Kurt set in motion a routine that he would follow for the rest of his life. He would rise at around noon and eat a brunch of sorts. Kraft Macaroni and Cheese was his favorite food. After eating, he would spend the rest of the day doing one of three things: watching television, which he did unceasingly; practicing his guitar, which he did for hours a day, usually while watching TV; or creating some kind of art project, be it a painting, collage, or three-dimensional installation. This last activity was never formal— he rarely identified himself as an artist—yet he spent hours in this manner.

This morning's pastry poses challenges. To assemble the tiny mosaic disks of chocolate flake and candied ginger, Avis must execute a number of discrete, ritualistic steps: scraping the chocolate with a fine grater, rolling the dough cylinder in large-grain sanding sugar, and assembling the ingredients atop each hand-cut disk of dough in a pointillist collage. Her husband wavers near the counter, watching. "They're like something Marie Antoinette would wear around her neck. When she still had one." "I thought she was more interested in cake," Avis says, she tilts her narrow shoulders, veers around him to stack dishes in the sink.

Airplane Dream #13' told the story, more or less, of a dream Rosa had had about the end of the world. There were no human beings left but her, and she had found herself flying in a pink seaplane to an island inhabited by sentient lemurs. There seemed to be a lot more to it -- there was a kind of graphic "sound track" constructed around images relating to Peter Tchaikovsky and his works, and of course abundant food imagery -- but this was, as far as Joe could tell, the gist. The story was told entirely through collage, with pictures clipped from magazines and books. There were pictures from anatomy texts, an exploded musculature of the human leg, a pictorial explanation of peristalsis. She had found an old history of India, and many of the lemurs of her dream-apocalypse had the heads and calm, horizontal gazes of Hindu princes and goddesses. A seafood cookbook, rich with color photographs of boiled crustacea and poached whole fish with jellied stares, had been throughly mined. Sometimes she inscribed text across the pictures, none of which made a good deal of sense to him; a few pages consisted almost entirely of her brambly writing, illuminated, as it were, with collage. There were some penciled-in cartoonish marginalia like the creatures found loitering at the edges of pages in medieval books.

The time is coming when it will hardly be possible to write a book of philosophy as it has been done for so long: "Ah! the old style.... " The search for new means of philosophical expression was begun by Nietzsche and must be pursued today in relation to the renewal of certain other arts, such as the theater or the cinema. In this context, we can now raise the question of the utilization of the history of philosophy. It seems to us that the history of philosophy should play a role roughly analogous to that of collage in painting.

The books he and his supporters wanted out of the schools, one of mine among them, were not pornographic, although he would have liked our audience to think so. (There is the word "motherfucker" one time in my Slaughterhouse-Five, as in "Get out of the road, you dumb motherfucker." Ever since that word was published, way back in 1969, children have been attempting to have intercourse with their mothers. When it will stop no one knows.)

Let me sum up what I’ve learned about creativity from the world of Wholehearted living and loving: “I’m not very creative” doesn’t work. There’s no such thing as creative people and non-creative people. There are only people who use their creativity and people who don’t. Unused creativity doesn’t just disappear. It lives within us until it’s expressed, neglected to death, or suffocated by resentment and fear. The only unique contribution that we will ever make in this world will be born of our creativity. If we want to make meaning, we need to make art. Cook, write, draw, doodle, paint, scrapbook, take pictures, collage, knit, rebuild an engine, sculpt, dance, decorate, act, sing—it doesn’t matter. As long as we’re creating, we’re cultivating meaning.

And what we will all be seeking when we decamp, and for the rest of our lives, will be large, stable communities of like-minded people, which is to say relatives. They no longer exist. The lack of them is not only the main cause, but probably the only cause of our shapeless discontent in the midst of such prosperity. We thought we could do without tribes and clans. Well, we can't.

The women's liberation movement of today in America, in its most oceanic sense, is a wish by women to be liked for something other than their reproductive abilities, especially since the planet is harrowingly overpopulated. And the rejection of the Equal Rights Amendment by male state legislators is this clear statement by men, in my opinion: "We're sorry, girls, but your reproductive abilities are about all we can really like you for." The truth.

Sentences spoken by writers, unless they have been written out first, rarely say what writers wish to say. Writers are unlucky speakers, by and large, which accounts for their being in a profession which encourages them to stay at their desks for years, if necessary, pondering what to say next and how best to say it. Interviewers propose to speed up this process by trepaning writers, so to speak, and fishing around in their brains for unused ideas which otherwise might never get out of there. Not a single idea has ever been discovered by means of this brutal method--and still the trepaning of authors goes on every day. I now refuse all those who wish to take the top off my skull yet again. The only way to get anything out of a writer's brains is to leave him or her alone until he or she is damn well ready to write it down.

Because I don't make the mistake that high-culture mongers do of assuming that because people like cheap art, their feelings are cheap, too,” the late filmmaker Dennis Potter once said, explaining why pop songs were so important in his work, from Pennies from Heaven to The Singing Detective to Lipstick on Your Collar, his paean to the 1950s, the time he shared with the Independent Group—and Potter was also defining a pop ethos, defining what I think is happening in Paolizzi's collage. "When people say, 'Oh listen, they're playing our song,' they don't mean 'Our song, this little cheap, tinkling, syncopated piece of rubbish, is what we felt when we met.' What they're saying is, 'That song reminds us of that tremendous feeling we had when we met.' Some of the songs I use are great anyway, but the cheaper songs are still in the direct line of descent from David's Psalms. They're saying, 'Listen, the world isn't quite like this, the world is better than this, there is love in it,' 'There's you and me in it,' or 'The sun is shining in it.' So-called dumb people, simple people, uneducated people, have as authentic and profound depth of feeling as the most educated on earth. Anyone who says different is a fascist.

Our freedom to say or write whatever we please in this country is holy to me. It is a rare privilege not only on this planet, but throughout the universe, I suspect. And it is not something somebody gave us. It is a thing we give to ourselves. "Meditation is holy to me, for I believe that all the secrets of existence and nonexistence are somewhere in our heads--or in other people's heads. "And I believe that reading and writing are the most nourishing forms of meditation anyone has so far found. "By reading the writings of the most interesting minds in history, we meditate with our own minds and theirs as well. "This to me is a miracle.

Here is how I propose to end book-banning in this country once and for all: Every candidate for school committee should be hooked up to a lie detector and asked this question: “Have you read a book from start to finish since high school?” or “Did you even read a book from start to finish in high school?” If the truthful answer is “no,” then the candidate should be told politely that he cannot get on the school committee and blow off his big bazoo about how books make children crazy. Whenever ideas are squashed in this country, literate lovers of the American experiment write careful and intricate explanations of why all ideas must be allowed to live. It is time for them to realize that they are attempting to explain America at its bravest and most optimistic to orangutans. From now on, I intend to limit my discourse with dimwitted Savonarolas to this advice: "Have somebody read the First Amendment to the United States Constitution out loud to you, you God damned fool!" Well--the American Civil Liberties Union or somebody like that will come to the scene of trouble, as they always do. They will explain what is in the Constitution, and to whom it applies. They will win. And there will be millions who are bewildered and heartbroken by the legal victory, who think some things should never be said--especially about religion. They are in the wrong place at the wrong time. Hi ho.

Less is not known as a teacher, in the same way Melville was not known as a customs inspector. And yet both held the respective positions. Though he was once an endowed chair at Robert’s university, he has no formal training except the drunken, cigarette-filled evenings of his youth, when Robert’s friends gathered and yelled, taunted, and played games with words. As a result, Less feels uncomfortable lecturing. Instead, he re-creates those lost days with his students. Remembering those middle-aged men sitting with a bottle of whiskey, a Norton book of poetry, and scissors, he cuts up a paragraph of Lolita and has the young doctoral students reassemble the text as they desire. In these collages, Humbert Humbert becomes an addled old man rather than a diabolical one, mixing up cocktail ingredients and, instead of confronting the betrayed Charlotte Haze, going back for more ice. He gives them a page of Joyce and a bottle of Wite-Out—and Molly Bloom merely says “Yes.” A game to write a persuasive opening sentence for a book they have never read (this is difficult, as these diligent students have read everything) leads to a chilling start to Woolf’s The Waves: I was too far out in the ocean to hear the lifeguard shouting, “Shark! Shark!” Though the course features, curiously, neither vampires nor Frankenstein monsters, the students adore it. No one has given them scissors and glue sticks since they were in kindergarten. No one has ever asked them to translate a sentence from Carson McCullers (In the town there were two mutes, and they were always together) into German (In der Stadt gab es zwei Stumme, und sie waren immer zusammen) and pass it around the room, retranslating as they go, until it comes out as playground gibberish: In the bar there were two potatoes together, and they were trouble. What a relief for their hardworking lives. Do they learn anything about literature? Doubtful. But they learn to love language again, something that has faded like sex in a long marriage. Because of this, they learn to love their teacher.

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.