Mabel Quotes

We've searched our database for all the quotes and captions related to Mabel. Here they are! All 100 of them:

We are allowed to do that, are we not Mabel? To invent our own endings and choose joy over sorrow?
Eowyn Ivey (The Snow Child)
Some mornings, she’d wake and vow, Today, I will get it right. I won’t be such an awful mess of a girl. I won’t lose my temper or make unkind remarks. I won’t go too far with a joke and feel the room go quiet with disapproval. I’ll be good and kind and sensible and patient. The sort everyone loves. But by evening, her good intentions would have unraveled. She’d say the wrong thing or talk a little too loudly. She’d take a dare she shouldn’t, just to be noticed. Perhaps Mabel was right, and she was selfish. But what was the point of living so quietly you made no noise at all? “Oh, Evie, you’re too much,” people said, and it wasn’t complimentary. Yes, she was too much. She felt like too much inside all the time. So why wasn’t she ever enough?
Libba Bray (The Diviners (The Diviners, #1))
Stay curious, stay weird, stay kind and don't let anyone ever tell you you aren't smart or brave or worthy enough.
Alex Hirsch (Gravity Falls: Journal 3)
Womanhood is a wonderful thing. In womankind we find the mothers of the race.There is no man so great, nor none sunk so low, but once he lay a helpless, innocent babe in a woman's arms and was dependent on her love and care for his existence. It is woman who rocks the cradle of the world and holds the first affections of mankind. She possesses a power beyond that of a king on his throne. ...Womanhood stands for all that is pure and clean and noble. She who does not make the world better for having lived in it has failed to be all that a woman should be.
Mabel Hale (Beautiful Girlhood: A Timeless Guide for Christian Adolescense)
It was beautiful, Mabel knew, but it was a beauty that ripped you open and scored you clean so that you were left helpless and exposed, if you lived at all.
Eowyn Ivey (The Snow Child)
Could I have a Sloe Gin Fizz, without the gin?" "What's the point of that, Miss?" the waiter said. "Tomorrow morning," Mabel said.
Libba Bray (The Diviners (The Diviners, #1))
She leans over our table and turns the sign in the window so that it says CLOSED on the outside. But on our side, perfectly positioned between Mabel’s place and mine, it says OPEN. If this were a short story, it would mean something.
Nina LaCour (We Are Okay)
Among the many answers I have found, I believe love is the most beautiful and simple art that reflects the beauty of life.
Mabel Iam
She had watched other women with infants and eventually understood what she craved: the boundless permission-no, the absolute necessity- to hold and kiss and stroke this tiny person. Cradling a swaddled infant in their arms, mothers would distractedly touch their lips to their babies' foreheads. Passing their toddlers in a hall, mothers would tousle their hair even sweep them up in their arms and kiss them hard along their chins and necks until the children squealed with glee. Where else in life, Mabel wondered, could a woman love so openly and with such abandon?
Eowyn Ivey (The Snow Child)
Love is beyond reason. Love is not measurable in words. Love cannot be partial; it cannot have owners. Love is essentially beyond definition or concept.
Mabel Iam
You did not have to understand miracles to believe in them, and in fact Mabel had come to suspect the opposite. To believe, perhaps you had to cease looking for explanations and instead hold the little thing in your hands as long as you were able before it slipped like water between your fingers.
Eowyn Ivey (The Snow Child)
Dead bodies are such trouble,” Evie said with a little sigh, and Mabel had to turn her head away so as not to laugh.
Libba Bray (The Diviners (The Diviners, #1))
She could not fathom the hexagonal miracle of snowflakes formed from clouds, crystallized fern and feather that tumble down to light on a coat sleeve, white stars melting even as they strike. How did such force and beauty come to be in something so small and fleeting and unknowable? You did not have to understand miracles to believe in them, and in fact Mabel had come to suspect the opposite. To believe, perhaps you had to cease looking for explanations and instead hold the little thing in your hands as long as you were able before it slipped like water between your fingers. (kindle location 2950)
Eowyn Ivey (The Snow Child)
As a rule, you see, I'm not lugged into Family Rows. On the occasions when Aunt is calling Aunt like mastodons bellowing across premieval swamps and Uncle James's letter about Cousin Mabel's peculiar behaviour is being shot round the family circle ('Please read this carefully and send it on Jane') the clan has a tendency to ignore me. It's one of the advantages I get from being a bachelor - and, according to my nearest and dearest, practically a half-witted bachelor at that.
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
My father hired you to protect me," Ahmed said, "not to go off chasing men." Grandma leaned forward, keeping her eye on the Taurus. "We think this guy killed Fred." "Who's Fred?" "My uncle," I told him. "He's married to Mabel." "Ah so you're avenging a murder in the family. This is a good thing.
Janet Evanovich (High Five (Stephanie Plum, #5))
Oh, if I could choose,” said Mabel, “of course I’d marry a brigand, and live in his mountain fastness, and be kind to his captives and help them to escape and-“ “You’ll be a real treasure to your husband.” said Gerald.
E. Nesbit (The Enchanted Castle)
You are remarkably modern, Mabel. A little too modern, perhaps. Nothing is so dangerous as being too modern. One is apt to grow old-fashioned quite suddenly.
Oscar Wilde (An Ideal Husband)
It was funny how their odd little family of friends had changed him. Made him feel safe. Theta, Memphis, Henry, Jericho, Mabel, Ling, Isaiah, and especially Evie. They’d been there for him. Opened the parts of him he was afraid would be closed off forever. Why had he wasted so much time bottling up his feelings? What did that ever get anybody but dumb fights? He had friends. He had a home in them. And Evie was home, too.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
I know I'm immature in some ways, but inside me there's a cranky old lady yelling at the damn kids to get off her lawn. She's been there awhile. I've decided to call her Mabel.
Lucy A. Snyder (Spellbent (Jessie Shimmer, #1))
People are…” Mabel wheezed. “Mostly good, you…” Wheeze. “Know? Mostly.” She tried to take a breath. It was hard. Like breathing through layers of gauze. Where were her parents? She loved them so. “Mostly. I believe that with…” A bloody cough tore through Mabel’s lungs. “… With all my… all my heart.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
It was beautiful, Mabel knew, but it was a beauty that ripped you open and scoured you clean so that you were left helpless and exposed, if you lived at all.
Eowyn Ivey (The Snow Child)
I mean that she was complicated. Everybody is,” Ling said quietly. “Don’t erase her like that. She deserves better.
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
There in the first row of seats in the court room, sitting with Tate, were Jumpin' and Mabel. Folks had made a stir when they walked in with Tate and sat downstairs in the "white area." But when the bailiff reported this to Judge Sims, still in his chambers, the judge told him to announce that anybody of any color or creed could sit anywhere they wanted in his courtroom, and if somebody didn't like it, they were free to leave. In fact, he'd make sure they did.
Delia Owens (Where the Crawdads Sing)
I'm sure I'm not Ada for her hair goes in such long ringlets, and mine does'nt go in ringlets at all; and I'm sure I'm not Mabel, for I know all sorts of things, and she's she and I'm I, and-oh dear, how puzzling it all is! i'll try if I know all the things I used to know. Let me see: four times five is tweleve, and four times six is thirteen, and four times seven is-oh dear! I shall never get to tewnty at that rate! However, the Multiplication- Table doesn't signify: let's try geography. London is the capital of Paris, and Paris is the capital of Rome, and Rome-no, that's all wrong, I'm certain! I must have been changed for Mabel!
Lewis Carroll (Alice in Wonderland)
I can't muster a smile. Even with the knowledge that it's dark outside and light up here, it's hard to believe that he can see us. We should be invisible. We are so alone. Mabel and I are standing side by side, but we can't even see each other. In the distance are the lights of town. People must be finishing their workdays, picking up their kids, figuring out dinner. They're talking to one another in easy voices about things of great significance and things that don't mean much. The distance between us and all of that living feels insurmountable.
Nina LaCour (We Are Okay)
The kiss intimately relates to the most primitive kind of human contact, which can satisfy all of our needs, like: feeding, enjoying pleasure, tasting, wanting, rejecting, everything we associate with love.
Mabel Iam
She is the elephant’s eyebrows,” Evie whispered appreciatively. “Those jewels! How her neck must ache.” “That’s why Bayer makes aspirin,” Mabel whispered back, and Evie smiled, knowing that even a socialist wasn’t immune to the dazzle of a movie star.
Libba Bray (The Diviners (The Diviners, #1))
What in life can love not penetrate? Mabel Hubbard, deaf since childhood, gave Alexander Bell a piano as a wedding gift and asked that he play it for her every day, as if his music could pierce her silence. Decades later, at Bell’s deathbed, it was his wife who made the sounds, saying the words, “Don’t leave me,” while he, no longer able to talk, used sign language to answer, No.
Mitch Albom (The First Phone Call from Heaven)
[He] has always believed in me. Even when I didn’t believe in myself. Even when I was at my worst, he saw only the best in me, and he was determined for me to see it too. Now I know for certain that Mabel was right. There’s nothing in the world like having someone love you for who you really are. Looking at your heavy baggage and leaning down to whisper in your ear, “You’re perfect.
Julie Cantrell
Your first job in every confrontation is to establish your opponent’s weakness. Strategy starts with weak spots.
Katie Cross (Miss Mabel's School for Girls (The Network Series, #1))
That’s it,” Mabel said, getting up. She tossed her napkin on the table. “No. That is not right. I don’t know what you just said, but whatever it was, I’m pretty certain it was pure hokum. I don’t want to dance. I don’t want to hear about your plans for a summer house. I am not your sister. And if I were your sister, I’d have to tell people you’d been adopted as an act of charity. Please, don’t get up.
Libba Bray (The Diviners (The Diviners, #1))
Of all the lessons I’ve learned in my months with Mabel this is the greatest of all: that there is a world of things out there – rocks and trees and stones and grass and all the things that crawl and run and fly. They are all things in themselves, but we make them sensible to us by giving them meanings that shore up our own views of the world. In my time with Mabel I’ve learned how you feel more human once you have known, even in your imagination, what it is like to be not. And I have learned, too, the danger that comes in mistaking the wildness we give a thing for the wildness that animates it. Goshawks are things of death and blood and gore, but they are not excuses for atrocities. Their inhumanity is to be treasured because what they do has nothing to do with us at all.
Helen Macdonald (H is for Hawk)
Go while you can, before she ensnares you into one of her many traps and you never escape with your soul.
Katie Cross (Miss Mabel's School for Girls (The Network Series, #1))
Mabel stops looking murderous and assumes an expression of severe truculence. How the hell, I imagine her thinking, am I supposed to catch things with this idiot in tow?
Helen Macdonald (H is for Hawk)
As Jack's eyes grew accustomed to the darkness, he saw the ground covered in white and, in the light of Garrett"s lantern, snowflakes spinning and falling. He took hold of Mabel's hand, and when she turned to him, he saw in her eyes the joy and sorrow of a lifetime. "It's snowing," she said.
Eowyn Ivey (The Snow Child)
Swell. Isn’t there some kinda ghost primer in this joint: Reading, Writing, ’Rithmetic, Ridding Yourself of Soul-Stealing Demons for Fun and Profit? Why isn’t there ever anything useful around here?” Mabel handed Sam a watercress sandwich. “Thanks, Mabes.
Libba Bray (Lair of Dreams (The Diviners, #2))
Life is sometimes hard, and you have to laugh your way through it.
Mabele "Madea" Simmons Tyler Perry Don't Make A Black Woman Take of Her Earrings
Home is a little kingdom with rulers, laws, and subjects, each with a part to perform in order that life there shall be perfect.
Mabel Hale (Beautiful Girlhood: A Timeless Guide for Christian Adolescense)
A polite smattering of hands
Katie Cross (Miss Mabel's School for Girls (The Network Series, #1))
Mabel did deserve to Rest In Peace, and Evie knew she was a terrible person, because of there was any ghost she longed to see, even for just a moment, it was Mabel’s.
Libba Bray (The King of Crows (The Diviners, #4))
From the dog's point of view, his master is an elongated and abnormally cunning dog.
Mabel Louise Robinson
The words make sense, but deeper than the words is the truth. She's right. If Mabel's talking about the girl who hugged her good-bye before she left for Los Angeles, who laced fingers with her at the last bonfire of the summer and accepted shells from almost-strangers, who analyzed novels for fun and lives with her grandfather in a pink, rent-controlled house in the Sunset that often smelled like cake and was often filled with elderly, gambling men—if she's talking about that girl, then yes, I dissapeared.
Nina LaCour (We Are Okay)
Mabel. Loving on you is prayer, like the prayers of bees is honey. We loved on each other like we always been. My fingers caressed your naps in this life. It placed oils. And we was infinite and knew how to love. On the scalp. Along the cornrow and on each other. These coilings was anoited like a real love. We was a cosmic conversation, before I even met you in this life.
Junauda Petrus (The Stars and the Blackness Between Them)
On Decoration Day, while everyone else in town was at the cemetery decorating the graves of our Glorious War Dead, Willie Beaner and me, Robert Burns Hewitt, took Mabel Cramm's bloomers and run them up the flagpole in front of the town hall. That was the beginning of all my troubles.
Katherine Paterson (Preacher's Boy)
[Esme Nicholl] 'Morbs, Mabel? What does it mean?' [Mabel O'Shaughnessy] 'It's a sadness that comes and goes... I get the morbs, you get the morbs, even Miss Lizzie 'ere gets the morbs, though she'd never let on. A woman's lot, I reckon.' 'It must derive from morbid,' I said to myself.... 'I reckon it derives from grief,' said Mabel. 'From what we've lost and what we've never 'ad and never will. As I said, a woman's lot....
Pip Williams (The Dictionary of Lost Words)
I arrived early because I lifted my skirts and ran here. Hope that qualifies me to fit in. If not, let me impress you with my secret talent at brewing the perfect tea.
Katie Cross (Miss Mabel's School for Girls (The Network Series, #1))
I think if I ever tell it to my grandchildren, I will change the ending and have everyone live happily ever after. We are allowed to do that, are we not Mabel? To invent our own endings and choose joy over sorrow?
Eowyn Ivey (The Snow Child)
Miss B. says, "It's a mama's faith what keeps her children right. I'm not talkin' 'bout the churchgoin' kind, neither. Miss Mabel's got faith in goodness. Tell me you can't help but believe in it too just by lookin' at her.
Ami McKay (The Birth House)
Then he returned to Mabel and put his mouth to her ear. I'd never let anything happen to you. You know that, don't you?
Eowyn Ivey (The Snow Child)
I always pass on good advice.  It is the only thing to do with it.  It is never of any use to oneself. mabel
Oscar Wilde (An Ideal Husband)
The December days had a certain luminosity and sparkle, like frost on bare branches, alight in the morning just before it melts. Mabel
Eowyn Ivey (The Snow Child)
...Mabel put on the boiled potatos, unmashed, the stewed tomatos, some inferior dried beef, and some bread that plainly said, 'Darling, I am growing old'.
Bess Streeter Aldrich (Mother Mason)
Many times happiness is just around the corner, on that corner that we never dare to turn.
Mabel Katz (The Easiest Way Special Edition: Solve Your Problems and Take the Road to Love, Happiness, Wealth and the Life of your Dreams-Includes The Easiest Way ... Ho'oponopono (Ho'oponopono Series))
From the elevator, Mabel watched the old woman's bare feet hobbling away, a trail of salt and the lace hem of her nightgown left in her wake like sea foam.
Libba Bray (The Diviners (The Diviners, #1))
What a tragic tale! Why these stories for children always have to turn out so dreadfully is beyond me. I think if I ever tell it to my grandchildren, I will change the ending and have everyone live happily ever after. We are allowed to do that, are we not Mabel? To invent our own endings and choose joy over sorrow?
Eowyn Ivey
Oh, I love London Society!  I think it has immensely improved.  It is entirely composed now of beautiful idiots and brilliant lunatics.  Just what Society should be. lord caversham.  Hum!  Which is Goring?  Beautiful idiot, or the other thing? mabel chiltern. 
Oscar Wilde (An Ideal Husband)
And I think of how time passes so differently for different people. Mabel and Jacob, their months in Los Angeles, months full of doing and seeing and going. Road trips, the ocean. So much living crammed into every day. And then me in my room. Watering my plant. Making ramen. Cleaning my yellow bowls night after night after night. “It’s
Nina LaCour (We Are Okay)
It’s been just the two of us for so many years. People don’t talk much about marriages without children, about the intensity of them. No one else in the house to act as a buffer, to force you to come together after an argument.
Laura Pearson (The Last List of Mabel Beaumont)
Here, don’t forget your bells.” Elvi grimaced as she took the anklet laced with bells. They’d been a gift from Mabel right after her turning. She’d claimed she thought they were charming, but Elvi knew the truth was they kept her from sneaking up on the other woman and startling her. Mabel had never admitted it,
Lynsay Sands (The Accidental Vampire (Argeneau, #7))
For en tragisk historie! Jeg fatter ikke hvorfor slike eventyr for barn alltid må ende med forferdelse. Jeg tror at hvis jeg noen gang skal fortelle barnebarna mine det eventyret, skal jeg forandre slutten og la dem leve lykkelig alle sine dager. Vi har lov til det, vel, Mabel? Å dikte vår egen slutt og snu sorg til glede?
Eowyn Ivey (The Snow Child)
I'm sure those are not the right words," said poor Alice, and her eyes filled with tears again as she went on, "I must be Mabel after all, and I shall have to go and live in that poky little house, and have next to no toys to play with, and oh, ever so many lessons to learn! No, I've made up my mind about it: if I'm Mabel, I'll stay down here! It'll be no use their putting their heads down and saying 'Come up again, dear!' I shall only look up and say 'Who Am I, then? Tell me that first, and then if I like being that person, I'll come up: if not, I'll stay down here till I'm somebody else' - but oh dear!" Cried Alice, with a sudden burst of tears, " I do wish they would put their heads down! I am so very tired of being all alone here!
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
Mary: “Don’t be spiky, when I only want what you want – for you and Tony to walk into the sunset together.” Mabel: “Then why turn up looking like a cross between a Vogue fashion plate and a case of dynamite?” Mary: “Well, I can’t make it too easy for him.
Julian Fellowes
A sharp bolt of hunger hit Luther hard. His knees almost buckled, his poker face almost grimaced. For two weeks now his sense of smell had been much keener, no doubt a side effect of a strict diet. Maybe he got a whiff of Mabel's finest, he wasn't sure, but a craving came over him. Suddenly, he had to have something to eat. Suddenly, he wanted to snatch the bag from Kendall, rip open a package, and start gnawing on a fruitcake.
John Grisham
Mothers possess a power beyond that of a king on his throne.
Mabel Hale
God (Love) can heal anything. Your job is to give permission. It takes a lot of trust.
Mabel Katz (The Easiest Way to Understanding Ho'oponopono (The Clearest Answers to Your Most Frequently Asked Questions Book 1))
El propósito de la existencia es reparar, enmendar y soltar lo que no somos y descubrir quiénes somos en verdad.
Mabel Katz (MIS REFLEXIONES SOBRE HO´OPONOPONO (Spanish Edition))
He had remained steadfast in agnosticism and therefore, as Mabel took comfort in remarking, 'he never denied God.' Neither did he affirm God.
Robert V. Bruce (Bell: Alexander Graham Bell and the Conquest of Solitude)
Code breaker Mabel Elliott's favorite quote was: It isn't life that matters! It's the courage we bring to it.
Hugh Walpole
The world is mean from the start and gets meaner every day. It uses you up until you only dream of death. Mabel
Colson Whitehead (The Underground Railroad)
You did not have to understand miracles to believe in them, and in fact Mabel had begun to suspect the opposite. To believe, perhaps you had to cease looking for explanations and instead hold the little thing in your hands as long as you were able before it slipped like water between your fingers.
Eowyn Ivey (The Snow Child)
And now again the story of Tripoli changes. But whatever the outcome, she will have still her limpid skies, her air like wine, and a climate where it is a sin to acknowledge an ache or a pain, old age or unhappiness.
Mabel Loomis Todd (Tripoli The Mysterious)
The days diminished. Light lasted just six hours, and it was a feeble light. Mabel organized her hours into patterns - wash, mend, cook, wash, mend, cook - and tried not to imagine floating beneath the ice like a yellow leaf.
Eowyn Ivey (The Snow Child)
Don’t listen to him.” Mabel waved a hand in disregard. “He’s gone and lost his mind since the last time you paid us a visit. All his marbles fell out; rolled under the tables and counters, and he’s too old to bend down and find them.
Ania Ahlborn (Seed)
Mabel was no longer sure of the child’s age. She seemed both newly born and as old as the mountains, her eyes animated with unspoken thoughts, her face impassive. Here with the child in the trees, all things seemed possible and true.
Eowyn Ivey (The Snow Child)
Hamilton found it difficult to concentrate on what Eliza was saying. Her lips were moving rapidly, but he couldn't actually decipher what the words coming out of her mouth were. It was such a lovely mouth, and he found it quite quirky, given the fact that it could assume different positions with alarming frequency. Like now, it was pursed in a most attractive manner, and now... it was moving again as if the lady could not get the words out fast enough. His gaze traveled upward, past the eyes that were flashing and settled on her hair. He couldn't help but appreciate the efforts of Mabel. The curls she'd been able to produce on Eliza's head, well, they were tantalizing. He had the strangest urge to reach out and touch them, to feel with his own hand if they were as soft as they appeared, something he'd been contemplating ever since he got a good look at her in the dining room. He pulled abruptly back to reality when Eliza poked him in the chest.
Jen Turano (A Change of Fortune (Ladies of Distinction, #1))
DJ can stay here and help Mabel with the fire.” “I don’t need any damned help with the fire,” Mabel said with irritation. “I’m sure you don’t,” DJ said soothingly, then grinned and added, “but I bet between the two of us, we can make it burn hotter.
Lynsay Sands (The Accidental Vampire (Argeneau, #7))
I found out that the sunshine in New Mexico could do almost anything with one: make one well if one felt ill, or change a dark mood and lighten it. It entered into one's deepest places and melted the thick, slow densities. It made one feel good. That is, alive.
Mabel Dodge Luhan
Following the pattern offered a kind of comfort, a quiet balance to working in the field during the day. The farmwork was coarse, exhausting, and largely a matter of faith - a farmer threw everything he had into the earth, but ultimately it wasn't up to him whether it rained or not. Sewing was different. Mabel knew if she was patient and meticulous, if she carefully followed the rules, that in the end when it was turned right-side out, it would be just how it was meant to be. A small miracle in itself, and one that life so rarely offered.
Eowyn Ivey (The Snow Child)
I say, Bertie," he said, after a pause of about an hour and a quarter. "Hallo!" "Do you like the name Mabel?" "No." "No?" "No." "You don't think there's a kind of music in the word, like the wind rustling gently through the tree-tops?" "No." He seemed disappointed for a moment; then cheered up. "Of course, you wouldn't. You always were a fat-headed worm without any soul, weren't you?" "Just as you say. Who is she? Tell me all.
P.G. Wodehouse
Even as a boy Jack had loved the smell of the ground softening in the thaw and coming back to life. Not this spring. A damp, moldy dreariness, something like loneliness, had settled over the homestead. At first Jack did not know its source. Maybe it was only his own mood. Perhaps it was the spring weather, with overcast skies and freezing rain that soaked through the cabin walls. Mabel, too, seemed beset by a morose restlessness.
Eowyn Ivey (The Snow Child)
The exact science of one molecule transformed into another -- that Mabel could not explain, but then again she couldn't explain how a fetus formed in the womb, cells becoming beating heart and hoping soul. She could not fathom the hexagonal miracle of snowflakes formed from clouds, crystallized fern and feather that tumble down to light on a coat sleeve, white stars melting even as they strike. How did such force and beauty come to be in something so small and fleeting and unknowable?
Eowyn Ivey (The Snow Child)
The price of living a long life, I think, is the sheer weight of the losses you have to suffer. You carry each loved one you lose, and they stack up, and it becomes unbearable. I tick them off in my mind. Brother, father, mother, husband, and my friend, my love.
Laura Pearson (The Last List of Mabel Beaumont)
When the student is ready the teacher will appear
Mabel Collins
lo que nos ocurre y se nos presenta siempre es una bendición, incluso aunque no lo parezca.
Mabel Katz (MIS REFLEXIONES SOBRE HO´OPONOPONO (Spanish Edition))
They do as they please, they say what they think, and nobody cares, for everyone is busy doing likewise.
Mabel Dodge Luhan
I've tried to keep pleasant," Mabel went on. "You don't know how I've tried. I have that verse pinned up on my dresser, about The man worth while is the man who can smile, When everything goes dead wrong." "Take it down," Mother said cheerfully. "If there's a verse in the world that has been worked overtime, it's that one. I can't think of anything more inane than to smile when everything goes dead wrong, unless it is to cry when everything is passably right. That verse always seemed to me to be a surface sort of affair. Take it down and substitute 'I will lift up mine eyes unto the hills from whence cometh my help.' That goes to the heart of things--when you feel that strength, then the dead-wrong things begin to miraculously right themselves.
Bess Streeter Aldrich (Mother Mason)
It was nigh impossible to understand Howard's speech under normal circumstances. He favored a pidgin of his lost African tongue and slave talk. In the old days, her mother had told her, that half language was the voice of the plantation. They had been stolen from villages all over Africa and spoke a multitude of tongues. The words from across the ocean were beaten out of them over time. For simplicity, to erase their identities, to smother uprisings. All the words except for the ones locked away by those who still remembered who they had been before. "They keep 'em hid like precious gold," Mabel said.
Colson Whitehead (The Underground Railroad)
At first he didn’t understand, but she pointed to her name and said, “I’m okay now, Jumpin’. Thank you, and thank Mabel for all you did for me.” He stared at her. In another time and place, an old black man and a young white woman might have hugged. But not there, not then. She covered his hand with hers, turned, and motored away. It was the first time she’d seen him speechless. She kept on buying gas and supplies from him but never accepted a handout from them again. And each time she came to his wharf, she saw her book propped up in the tiny window for all to see. As a father would have shown it. 32.
Delia Owens (Where the Crawdads Sing)
Lady Sylvia McCordle: Mr Weissman -- Tell us about the film you're going to make. Morris Weissman: Oh, sure. It's called "Charlie Chan In London". It's a detective story. Mabel Nesbitt: Set in London? Morris Weissman: Well, not really. Most of it takes place at a shooting party in a country house. Sort of like this one, actually. Murder in the middle of the night, a lot of guests for the weekend, everyone's a suspect. You know, that sort of thing. Constance: How horrid. And who turns out to have done it? Morris Weissman: Oh, I couldn't tell you that. It would spoil it for you. Constance: Oh, but none of us will see it.
Julian Fellowes (Gosford Park: The Shooting Script)
But let us, in the way of Labradors, be upbeat and optimistic and think more about what dogs bring us than what they leave. Besides, there is a cycle of rebirth with dogs. Not a literal reincarnation, but no matter how much you love one single dog, another can appear and take over the vital task performed entirely unwittingly but oh so reliably--to give us love and to receive it and to help steer us through this strange world. We will always hold on to the memories of the ones we have had but also let another come in, one who will pick things up as if to say, "It's okay... it's my turn now." And that is the power of a dog.
Andrew Cotter (Olive, Mabel and Me: Life and Adventures with Two Very Good Dogs)
While the differences between love and hate can be blurred and difficult to decipher at times, the dichotomy of denial and acceptance are much more distinct. One is halting and aggressively rejects all truth, while the other is more passive and at peace – welcoming whatever truth is in waiting, whether fortunate or tragic.
Kenn Bivins (The Wedding & Disaster of Felona Mabel)
Tomemos el ejemplo de una diapositiva proyectada en la pared o en una pantalla. Sabemos perfectamente que, aunque vemos la imagen proyectada en la pared o la pantalla, la misma no está ahí sino adentro de la máquina. Lo mismo ocurre con nuestros problemas. Cuando estos aparecen, son sólo una proyección de lo que está pasando adentro nuestro y no afuera. Sin embargo, nos pasamos la vida tratando de cambiar la pantalla. Ahí no está el problema. Buscamos la solución en el lugar equivocado.
Mabel Katz (El Camino Mas Facil Edicion Especial)
What happened in that cold dark, when frost formed a halo in the child's straw hair and snowflake turned to flesh and bone? Was it the way the children's book showed, warmth spreading down through the cold, brow then cheeks, throat then lungs, warm flesh separating from snow and frozen earth? The exact science of one molecule transformed into another-that Mabel could not explain, but then again she couldn't explain how a fetus formed in the womb, cells becoming beating heart and hoping soul.
Eowyn Ivey (The Snow Child)
Alexander Bell met the love of his life, Mabel, when she came to him as a deaf student. She was ten years his junior, but Bell fell for her hard, and over the years, her encouragement spurred him on his work. Had her tears not drown him onto that train car to Philadelphia, his greatest invention might never have blossomed. Yet the telephone remained something that Mabel, who'd lost her hearing from scarlet fever, would never be able to share with her husband. Sometimes, love brings you together even as life keeps you apart.
Mitch Albom (The First Phone Call from Heaven)
all ignorance toboggans into know and trudges up to ignorance again: but winter’s not forever,even snow melts;and if spring should spoil the game,what then? all history’s a winter sport or three: but were it five,i’d still insist that all history is too small for even me; for me and you,exceedingly too small. Swoop(shrill collective myth)into thy grave merely to toil the scale to shrillerness per every madge and mabel dick and dave –tomorrow is our permanent address and there they’ll scarcely find us(if they do, we’ll move away still further:into now
E.E. Cummings (сърцето ти нося (в сърцето си го нося))
Naturally society cherished itself alone; it prized what everyone agreed was precious, despised what everyone agreed was despicable, and ignored what no one mentioned-all to it's own enhancement, and with the loud view that these bubbles and vapors were eternal and universal. If June had stressed to Mabel that she was going to die, would she have learned to eat with a fork? Society's loyal members, having sacrificed their only lives to it's caprices, hastened to entrap the next generation into agreement, so their follies would not have been in vain and they could all go down together, blind and well turned out. The company, the club, and the party had offered him a position like bait, and he bit. He had embedded himself in the company like a man bricked into a wall, and whirled with the building's maps, files, and desks,senselessly, as the planet spun and death pooled on the cold basement floors. Who could blame him?- when people have always lived so. Now , however, he saw the city lifted away, and the bricks and files vaporized; he saw the preenings of men laid low, and the comforts of family scattered. He was free and loosed on the black beach.
Annie Dillard (The Living)
At his age, it can be overwhelming and painful to harbor a thought accompanied by too much nostalgia. Not that he wanted to. Mabel, in her final years, had stopped listening to music. The songs of her teenage years brought her back to people and feelings of that time - people she could never see again and sensations that were no longer coming. It was too much for her. There are people who can manage such things. There are those of us who can no longer walk, but can close our eyes and remember a summer hike through a field, or the feeling of cool grass beneath our feet, and smile. Who still have the courage to embrace the past, and give it life and a voice in the present. But Mabel was not one of those people. Maybe she lacked that very form of courage. Or maybe her humanity was so complete, so expansive, that she would be crushed by her capacity to imagine the love that was gone.
Derek B. Miller (Norwegian by Night (Sigrid Ødegård #1))
When she first fell in love with Jack, she had dreamed she could fly, that on a warm, inky black night she had pushed off the grass with her bare feet to float among the leafy treetops and stars in her nightgown. The sensation had returned. Through the window, the night air appeared dense, each snowflake slowed in its long, tumbling fall through the black. It was the kind of snow that brought children running out their doors, made them turn their faces skyward, and spin in circles with their arms outstretched. She stood spellbound in her apron, a washrag in her hand. Perhaps it was the recollection of that dream, or the hypnotic nature of the spinning snow. Maybe it was Esther in her overalls and flowered blouse, shooting bears and laughing out loud. Mabel set down the rag and untied her apron. She slipped her feet into her boots, put on one of Jack’s wool coats, and found a hat and some mittens.
Eowyn Ivey (The Snow Child)
December 1931 was drawing to a close and Hollywood was aglow with Christmas spirit, undaunted by sizzling sunshine, palm trees, and the dry encircling hills that would never feel the kiss of snow. But the “Know-how” that would transform the Chaplin studio in the frozen Chilkoot Pass could easily achieve a white Christmas. In Wilson’s Rolls-Royce convertible, we drove past Christmas trees heavy with fake snow. An entire estate on Fairfax Avenue had been draped in cotton batting; carolers straight out of Dickens were at its gate, perspiring under mufflers and greatcoats. The street signs on Hollywood Boulevard had been changed to Santa Claus Lane. They drooped with heavy glass icicles. A parade was led by a band blaring out “Santa Claus is Coming to Town,” followed by Santa driving a sleigh. But Hollywood granted Santa the extra dimension of a Sweetheart and seated beside him was Clara Bow (or was it Mabel Normand?)
Anita Loos (Kiss Hollywood Good-By)
As she began to peel potatoes, he stood behind her and touched the tendrils of hair that had fallen from their clips and curled at the nape of her neck. Then he reached around her waist and leaned into her. All these years and still he was drawn to the smell of her skin, of sweet soap and fresh air. He whispered against her ear, “Dance with me.” “What?” “I said, let’s dance.” “Dance? Here, in the cabin? I do believe you’re the mad one.” “Please.” “There’s no music.” “We can remember some tune, can’t we?” and he began to hum “In the Shade of the Old Apple Tree.” “Here,” he said, and swung her around to face him, an arm still at her waist, her slight hand in his. He hummed louder and began to twirl them around the plank floor. “Hmmm, hmm, with a heart that is true, I’ll be waiting for you…” “… in the shade of the old apple tree.” She kissed him on the cheek, and he swept her back on his arm. “Oh, I’ve thought of one,” she said. “Let me think…” and she began to hum tentatively. Jack didn’t know it at first, but then it came to him and he began to sing along. “When my hair has all turned gray,” a swoop and a twirl beside the kitchen table, “will you kiss me then and say, that you love me in December as you do in May?” And then they were beside the woodstove and Mabel kissed him with her mouth open and soft. Jack pulled her closer, pressed their bodies together and kissed the side of her face and down her bare neck and, as she let her head gently lean away, down to her collarbone. Then he scooped an arm beneath her knees and picked her up. “What in heaven’s—you’ll break your back,” Mabel sputtered between a fit of laughter. “We’re too old for this.” “Are we?” he asked. He rubbed his beard against her cheek. She shrieked and laughed, and he carried her into the bedroom, though they had not yet eaten dinner.
Eowyn Ivey (The Snow Child)