Lusty Thoughts Quotes

I watched them tearing a building down, A gang of men in a busy town. With a ho-heave-ho and a lusty yell, They swung a beam, and the side wall fell. I asked the foreman: "Are these skilled-- And the men you'd hire if you had to build?" He gave me a laugh and said: "No, indeed! Just common labor is all I need. I can wreck in a day or two What builders have taken a year to do." And I thought to myself as I went my way, Which of these roles have I tried to play? Am I a builder who works with care Measuring life by a rule and square? Am I shaping my deeds to a well made Plan, Patiently doing the best I can? Or am I a wrecker, who walks the town Content with the labor of tearing down?

Four seasons fill the measure of the year; There are four seasons in the mind of Man: He has his lusty Spring, when fancy clear Takes in all beauty with an easy span: He has his Summer, when luxuriously Spring's honeyed cud of youthful thought he loves To ruminate, and by such dreaming high Is nearest unto heaven: quiet coves His soul has in its Autumn, when his wings He furleth close; contented so to look On mists in idleness -to let fair things Pass by unheeded as a threshold brook: - He has his Winter too of pale misfeature, Or else he would forgo his mortal nature.

For me the book is the man and my book is the man I am, the confused man, the negligent man, the recklass man, the lusty, obscene, boisterous, thoughtful, scrupulous, lying, diabolically thruthful man that I am.

But partly led to diet my revenge, For that I do suspect the lusty Moor Hath leap’d into my seat: the thought whereof Doth, like a poisonous mineral, gnaw my inwards; And nothing can or shall content my soul Till I am even’d with him, wife for wife; Or, failing so, yet that I put the Moor At least into a jealousy so strong That judgement cannot cure.

Biting back a sigh, I grabbed a pod and cracked it in my hand. Discomfort and shame were my constant companions. Caleb covered for my mediocrity as best he could. My best friend had saved my backside too many times to count. And how did I repay him? With sinful, lusty thoughts. Just another day in Paradise. That’s what they called this place where we lived and worked and prayed when they told us to.

For me the book is the man and my book is the man I am, the confused man, the negligent man, the reckless man, the lusty, obscene, boisterous, thoughtful, scrupulous, lying, diabolically thruthful man that I am.

Very well, then. If it is yours, perhaps you should like to inhabit it? With me, of course.” He winked suggestively. “We can always engage in some royal encounters in the palatial comfort of yon lousy pallet . . . It grows lonely, don’t you think?” “Shut up!” she snarled. “I don’t have to stand here and listen to your sly innuendos!” “Sly? Forgive me. I thought I was being quite direct. Allow me to steer a more . . . decided course.” He rose to his feet, towering over her, and, with a mocking sweep of his arm around the dark cell, the stone floor, the filthy mat said, “Perhaps you will join me for a bout of lusty coupling upon the forgiving comfort of—

He smiled and pulled the ugly white fichu from her neck. She blinked and looked down at the simple, square neckline of her bodice as if she'd never seen it. Perhaps she hadn't. Perhaps she dressed in the dark like a nun. "What are you doing?" He sighed. "I confess, I find your naïveté perplexing. How have you arrived at the advanced age of six and twenty without having anyone attempt seduction upon yourself? I'm of two minds on the matter: One, utter astonishment at my sex and their deaf disregard for your siren call. Two, glee at the thought that your innocence might signal that you are indeed innocent. Why this should excite me so, I don't know- virginity has never before been a particular whim of mine. I think perhaps it's the setting. Who knows how many virgins were deflowered here by my lusty ancestors? Or," he said as he deftly unpinned and tossed aside her apron, "maybe it's simply you." "I don't..." Her words trailed off and then, interestingly, she blushed a deep rose. Well. That question settled, then. His little maiden was really a maiden. "What?" "I think it's you," he confided, pulling the strings tying her hideous mobcap beneath her chin. She made a wild grab for it, but he was faster, snatching the bloody thing off- finally, and with a great deal of satisfaction. She might've deprived him of a wife that it'd taken him half a year and a rather large sum of money to entangle, but by God, he'd taken off her awful cap. And underneath... "Oh, Séraphine," he breathed, enchanted, for her hair was as black as coal, as black as night, as black as his own soul, save for one white streak just over her left eye. But she'd twisted and braided and tortured the strands, binding them tight to her head, and his fingers itched to let them free. "Don't!" she said, as if she knew what he wanted, her hands flying up to cover her hair. He batted them aside, laughing, pulling a pin here, a pin there, dropping them carelessly to the carpet as she squealed like a little girl and backed away from him, trying frantically to ward off his fingers. He might've taken pity on her had he not just spent an hour on a freezing moor, wondering if he was going to find her dead, neck broken, at the bottom of a hill. Her hair came down all at once, a tumbling mass, tousled and heavy and nearly down to her waist. "Wonderful," he murmured, taking it in both hands and lifting it.

I WASN’T AWARE THE LADIES got a turn at the proposing. I thought it was up to us stalwart lads to risk rejection and to do the actual asking.” “We can take first crack,” the earl said, his finger tracing the rim of his glass, “but I took first through fifth, and that means it’s her turn.” “I’m sure you’ll explain this mystery to me, as I hope at some point to put an end to my dreary bachelor existence,” Dev murmured, taking a long swallow of his drink. The earl smiled almost tenderly. “With Anna, I proposed, explaining to her she should marry me because I am titled and wealthy and so on.” “That would be persuasive to most any lady I know, except the lady you want.” “Precisely. So I went on to demonstrate she should marry me because I am, though the term will make you blush, lusty enough to bring her a great deal of pleasure.” “I’d marry you for that reason,” Dev rejoined, “or I would if, well… It’s a good argument.” “It is, if you are a man, but on Anna, the brilliance of my logic was lost. So I proposed again and suggested I could make her troubles disappear, then failed utterly to make good on my word.” “Bad luck, that.

Cases of typhoid take the following course: When the fever is at its height, life calls out to the patient: calls out to him as he wanders in his distant dream, and summons him in no uncertain voice. The harsh, imperious call reaches the spirit on that remote path that leads into the shadows, the coolness and peace. He hears the call of life, the clear, fresh, mocking summons to return to that distant scene which he had already left so far behind him, and already forgotten. And there may well up in him something like a feeling of same for a neglected duty; a sense of renewed energy, courage, and hope; he may recognize a bond existing still between him and that stirring, colourful, callous existence which he thought he had left so far behind him. Then, how far he may have wandered on his distant path, he will turn back--and live. But if he shudders when he hears life's voice, if the memory of that vanished scene and the sound of that lusty summons make him shake his head, make him put out his hand to ward off as he flies forward in the way of escape that has opened to him--then it is clear that the patient will die. " Buddenbrooks

But wait, stop, it’s not supposed to end this way! You’re the fantasy, you’re what I’m leaving behind. I can’t pack you up and take you with me.” “That was the most self-centered thing I’ve ever heard you say.” Jane blinked. “It was?” “Miss Hayes, have you stopped to consider that you might have this all backward? That in fact you are my fantasy?” The jet engines began to whir, the pressure of the cabin stuck invisible fingers into her ears. Henry gripped his armrest and stared ahead as though trying to steady the machine by force of will. Jane laughed at him and settled into her seat. It was a long flight. There would be time to get more answers, and she thought she could wait. Then in that moment when the plane rushed forward as though for its life, and gravity pushed down, and the plane lifted up, and Jane was breathless inside those two forces, she needed to know now. “Henry, tell me which parts were true.” “All of it. Especially this part where I’m going to die…” His knuckles were literally turning white as he held tighter to the armrests, his eyes staring straight ahead. The light gushing through the window was just right, afternoon coming at them with the perfect slant, the sun grazing the horizon of her window, yellow light spilling in. She saw Henry clearly, noticed a chicken pox scar on his forehead, read in the turn down of his upper lip how he must have looked as a pouty little boy and in the faint lines tracing away from the corners of his eyes the old man he’d one day become. Her imagination expanded. She had seen her life like an intricate puzzle, all the boyfriends like dominoes, knocking the next one and the next, an endless succession of falling down. But maybe that wasn’t it at all. She’d been thinking so much about endings, she’d forgotten to allow for the possibility of a last one, one that might stay standing. Jane pried his right hand off the armrest, placed it on the back of her neck and held it there. She lifted the armrest so nothing was between them and held his face with her other hand. It was a fine face, a jaw that fit in her palm. She could feel the whiskers growing back that he’d shaved that morning. He was looking at her again, though his expression couldn’t shake off the terror, which made Jane laugh. “How can you be so cavalier?” he asked. “Tens of thousands of pounds expected to just float in the air?” She kissed him, and he tasted so yummy, not like food or mouthwash or chapstick, but like a man. He moaned once in surrender, his muscles relaxing. “I knew I really liked you,” he said against her lips. His fingers pulled her closer, his other hand reached for her waist. His kisses became hungry, and she guessed that he hadn’t been kissed, not for real, for a long time. Neither had she, as a matter of fact. Maybe this was the very first time. There was little similarity to the empty, lusty making out she’d played at with Martin. Kissing Henry was more than just plain fun. Later, when they would spend straight hours conversing in the dark, Jane would realize that Henry kissed the way he talked--his entire attention taut, focused, intensely hers. His touch was a conversation, telling her again and again that only she in the whole world really mattered. His lips only drifted from hers to touch her face, her hands, her neck. And when he spoke, he called her Jane. Her stomach dropped as they fled higher into the sky, and they kissed recklessly for hundreds of miles, until Henry was no longer afraid of flying.

I have frequently shown this sequence at my seminars and people all see a great deal of lechery, or lusty appreciation, or male chauvinism, or some erotic response in every male face. Since the heel clicks function to “sell” us this kind of response, I take Orson’s “everything was a fake” rather literally here. I imagine that not one single male in that sequence ever saw Oja Kodor. They all, probably, registered such emotions or thoughts as Two weeks to tax day and I don’t have the money yet — Where in hell did I leave that toothbrush? — I think I’ll use a line from Moliere to open my lecture — About time to stop and have some coffee etc.

The football monologue catapulted Andy into a career in radio and on Broadway. In 1957, he got his shot at film stardom, debuting in Elia Kazan’s astonishing A Face in the Crowd, written by Budd Schulberg. The movie, a dark, prescient take on American politics and mass media, is more appreciated now than it was at the time of its release. But even then, critics were mesmerized by Andy’s fiery performance as Lonesome Rhodes, a small-time radio host who, as his popularity snowballs, transforms into a lusty, egomaniacal demagogue. Many years later, when I was a young adult, Andy told me that playing Lonesome Rhodes had been a harrowing experience for him. Kazan was a brilliant director, he said, but he had manipulated and provoked Andy to summon his darkest, ugliest thoughts and impulses, and the process about wrecked him. “I don’t ever want to do that again,” Andy said. “I like to laugh when I’m working.” Andy had his pick of dramatic roles after A Face in the Crowd, but he chose not to go down that path—the psychological toll had been too high. To some degree, Andy said, Mayberry and the benevolent Sheriff Andy Taylor were a conscious response to Lonesome Rhodes, embodiments of rural America at its best.

You want what your parents have, my lord,” Anna said, rising. “Children who refuse to marry—assuming they remain extant?” the earl shot back. “Your parents love each other,” Anna said, taking in the back gardens below as moonlight cast them in silvery beauty. “They love each other as friends and lovers and partners and parents.” She turned, finding him on his feet directly behind her. “That is why you will not settle for some little widgeon picked out by your well-meaning papa.” The earl took a step closer to her. “And what if I am in need, Anna Seaton, not of this great love you surmise between my parents but simply of some uncomplicated, lusty passion between two willing adults?” He took the last step between them, and Anna’s middle simply vanished. Where her vital organs used to reside, there was a great, gaping vacuum, a fluttery nothingness that grew larger and more dumbstruck as the earl’s hands settled with breathtaking gentleness on her shoulders. He slid his palms down her arms, grasping her hands, and easing her toward him. “Passion between two willing adults?” Anna repeated, her voice coming out whispery, not the incredulous retort she’d meant it to be. The earl responded by taking her hands and wrapping them around his waist then enfolding Anna against his body. She had been here before, she thought distractedly, held in his arms, the night breezes playing in the branches above them, the scent of flowers intoxicatingly sweet in the darkness. And as before, he caressed her back in slow, soothing circles that urged her more fully against him. “I cannot allow this.” Anna breathed in his scent and rested her cheek against the cool silk of his dressing gown. He shifted, easing the material aside, and her face touched his bare chest. She did not even try to resist the pleasure of his clean, male skin beneath her cheek. “You cannot,” he whispered, but it didn’t sound like he was agreeing with her. “You should not,” he clarified, “but perhaps, Anna Seaton, you can allow just a kiss, stolen on a soft summer evening.” Oh

Lily fought like a lynx caught in a steel trap. She scratched and bit and kicked with a force that took Connell by surprise. Her teeth sank into the sensitive flesh of his palm and forced him to let go. “Calm down, Lily. It’s just me, Connell.” The beginning of her scream died away, and she spun on him, her eyes flashing with fury. “Why did you sneak up on me like that?” “I didn’t mean to.” He brought his smarting hand to his mouth and sucked at the blood she’d drawn. “When you didn’t hear me approach, I thought I might startle you. And I didn’t want you to scream—a sure way to get every shanty boy in the camp to come running.” The tempest in her eyes turned into a low gale. He glanced at the teeth marks she’d left in his hand. “You sure know how to greet a fellow.” “And you sure know how to scare a girl half to death.” “Why exactly were you so scared?” “Because I thought you were someone else.” “And what if I had been someone else?” She paused, her pretty lips stalled around the shape of her next word. “Any number of the rough men from this camp could have followed you out here.” He’d seen the way the men were looking at her, how they hadn’t been able to take their eyes off her from the moment she’d arrived. “What would you have done then?” When she’d run off into the woods after the stupid cat, he’d had to yell at several of the men to stop them from chasing after her. “I would have screamed.” She pulled herself up to her full height, which he estimated to be five feet six inches. “Since apparently I’d get lots of attention that way.” “I’m serious,” he started. But then at the glimpse of the twinkle in her eyes, his ready lecture stalled. He stuck his aching hand into his pocket and pressed his wound against the scratchy wool. “I appreciate your concern,” she offered with the hint of a smile. “But I’m a much stronger woman than you realize.” She’d be no match for any of his strong shanty boys. “You were reckless to wander off by yourself.” He tried to soften his accusation, but he wanted her to realize the constant danger she was in simply by being an attractive woman in a place populated by lusty men. “I strongly suggest you refrain from doing so again—especially if you hope to avoid any further run-ins.

When the world one loves is seen to be dying, the viewer dies a little with it. A great American painter, Reginald Marsh, exemplifies this truism. Every day until his death at the age of 56, he sketched and painted the most earthy, sweaty and lusty examples of humanity he could lay his eyes upon. His productive voyeurism led him through the entire spectrum of cheap cafes, carnivals, amusement parks, skid rows, exclusive clubs, opera openings, coming-out parties and everything in-between. His super-realistic canvases were jammed with the kind of people he loved to watch in the environments he loved to haunt. As his closing years approached, Reginald Marsh grew depressed at the changing scene. New styles were emerging and it now became more difficult to immerse himself in the vistas from which he had so long drawn, both in his paintings and life itself. His canvases of lumpy women and pot-bellied men were too unappealing for the “think thin” era of the 1950s, and his floozies violated the then-current Grace Kelly/Ivory Soap look. His disdain for modern masters (“Matisse draws like a three-year-old, “Picasso ... a false front”) became exemplified as he summed up modern art as “high and pure and sterile — no sex, no drink, no muscles.” Marsh’s “out of date” feeling reached its zenith when he was asked to take part in an art symposium. The first speaker, who was a then-popular New York painter, enthusiastically championed current trends. Then followed a professor who advocated new and dynamic experimentation in visual appeal. At last it was Reginald Marsh’s turn to speak. He stood on the platform for a moment, as if trying to collect his thoughts. A sad look of resignation appeared in his eyes as he gazed down at the audience. The talented watcher of his innermost secret lusts and life-giving scintillations declared softly, “I am not a man of this century,” and sat down. He died shortly thereafter.

Mel was fascinated by the way they talked about their women with lusty smiles and glittering eyes. No jokes about the old ball and chain here. Rather, they sounded as though they couldn’t wait to get home to them. “How’s Patti doing?” someone asked Josh. He curved his hands over his flat belly to indicate a pregnant tummy and grinning boastfully, said, “She’s ripe as a tomato. I can hardly keep my hands off her.” “If she’s ripe as a tomato, I bet you get slapped down like crazy,” Zeke laughed. “I got another one on Christa.” “No way! I thought she said you were through!” “She said that two kids ago—but I snuck one more by her. She’s cooking number four. What can I say—that girl’s been lightin’ my fire since high school. You should see her, man. She’s lit up like a beacon. Nobody cooks ’em like Christa. Whew.” “Hey, buddy, congratulations, man! But I don’t think you know when to quit.” “I don’t. It’s like I can’t quit. But Christa says she’s all done with me. She said after this one, snip snip.” “I think I can go one more,” Corny said. “Got my girls. I feel a boy coming on.” No one could better appreciate this kind of enthusiasm for pregnant women than a midwife. Mel was loving it. Loving them. “Yeah, I’ve heard that a lot,” Jack said. “Eight nieces later, no one got their boy. My brothers-in-law have run through all their chances, I think.” “Maybe you’re packin’ a boy, Jack.” “I don’t even kid myself about that,” he laughed. Jack

My courses are late, Husband.” This merited her a sigh and a kiss to her cheek. Her cheek? “Being the sort of intimate husband I am—and being married to the lusty sort of wife you are—one noticed this.” She liked that he thought she was lusty… But he’d noticed? What else had he noticed? “Did you notice that I was scared to death on that horse today?” “Of course. The more frightened you are, the calmer you get. Usually.” Another kiss to her other cheek. “Though you were not particularly calm on our wedding night.” Oh, he would bring that up. Eve had wanted to ease into the topic, to whisk right over it, to drop hints and let him draw conclusions. Subtlety was wanted for the disclosure she had in mind. “I was not chaste.” God help her, she’d spoken those words aloud. Deene’s chin brushed over her right eyebrow then her left; his arms cradled her a little more closely. “You were chaste.” “No, I was not. I had given my virtue… Lucas, are you listening to me?” “I always listen to you. You did not give your virtue to anyone. It was taken from you by a cad and a bounder who’d no more right to it than he did to wear the crown jewels.” Eve’s husband spoke in low, fierce tones, even as the hand he smoothed over her hair was gentle. “How did you know?” He’d known? All this time he’d known and said nothing? “I thought at first you were simply nervous as any bride would be nervous of her first encounter with her husband, but then I realized you were not nervous, you were frightened. Of me, of what I would think of you. As if…” He rolled with her so she was sprawled on his chest and his arms were wrapped around her. By the limited light in the room, Eve met his gaze. “Your brother Bartholomew caught up with the fool man first, and the idiot was so stupid as to brag of the gift you’d bestowed on him. He was further lunatic enough to brag about the remittance his silence would cost your family. He bragged on his cleverness, duplicity, bad faith, and utter lack of honor to your own brother.” “Bart never said… Devlin never breathed a word.” “I don’t think Devlin knew. By the time Devlin arrived on the scene, Bart had beaten the man near to death and summoned a press gang. I know of this only because I happened to share a bottle—a few bottles—with Lord Bart the night before we broke the siege at Ciudad Rodrigo. He regretted the harm to you. He regretted not avenging your honor unto the death. He regretted a great deal, but not that you’d survived your ordeal and had some chance to eventually be happy.” “You have always known, and you have never breathed a word.” “I have always known, and I have done no differently than any other gentleman would do when a lady has been wronged. You are the one who has kept your silence, Evie, even from your own husband.” He was not accusing her of any sin; he was expressing his sorrow for her. Eve tucked herself tightly against him, mashed her nose against his throat, and felt relief, grief, and an odd sort of joy course through her. “All

He fingered notes-thinking of Frankie, thinking of Christa. Somehow-and the connections kept slipping away from him, but he knew they there-the lusty, pain-ridden bluesman and the pale, intense harper had paired themselves in his thoughts, more like than unlike in spite of their surface differences.

Egyptian philosophers of the Middle Kingdom thought both man and history old and effete, and mourned the lusty youth of their race; Khekheperre-Sonbu, a savant of the reign of Senusret II, about 2150 B.C., complained that all things had long since been said, and nothing remained for literature except repetition. “Would,” he cried unhappily, “that I had words that are unknown, utterances and sayings in new language, that hath not yet passed away, and without that which hath been said repeatedly—not an utterance that hath grown stale, what the ancestors have already said.”159

Away deep in the aim to study himself in the school of the land his ancestors' gravestones flowered, Rip planned to burn his oil on the journey for growth by the hike, the thumb, the hitch, the rod, the freight, the rail, and he x'd New York on a map and pencilled his way to and into and through and under and up and between and over and across states and capitals and counties and cities and towns and villages and valleys and plains and plateaus and prairies and mountains and hills and rivers and roadways and railways and waterways and deserts and islands and reservations and titanic parks and shores and, ocean across to ocean and great lakes down to gulfs, Rip beheld the west and the east and the north and the south of the Brobdingnagian and, God and Christ and Man, it was a pretty damn good grand big fat rash crass cold hot pure mighty lovely ugly hushed dark lonely loud lusty bitchy tender crazy cruel gentle raw sore dear deep history-proud precious place to see, and he sure would, he thought, make the try to see it and smell it and walk and ride and stop and talk and listen in it and go on in it and try to find and feel and hold and know the beliefs in it and the temper and the talents in it and the omens and joys and hopes and frights and lies and laughs and truths and griefs and glows and gifts and glories and glooms and wastes and profits and the pulse and pitch and the music and the magic and the dreams and facts and the action and the score and the scope and span of the mind and the heart and spine and logic and ego and spirit in the soul and the goal of it.

He had fallen in love with his wife, and now the thought of dying, of leaving her, of knowing that their moments together would form a short poem and not a long and lusty novel—it was more than he could bear.

The Spacefarer This account is true In event And of myself. Light years of traveling The darkness Have left only I, Writing on dumb screens Words too loud to voice. My thoughts strike The anvil of silence And no spark is made. I cower in the silence That crashes around me. I am frightened at my own being Hudded against controls That guide the ship Through seeds and stones of fire That does not warm me. No one who has not known it Can imagine the coldness Of the absence of the sun. We found no life That had shadows Or could speak to us. I grive for my kind, For landscapes and horizons, For the lusty life of animals. I hold myself in my arms. I drink my tears Because I cannot bear To lose them. The course is set But will I stay it? No being out of its world mould Can truly know the journey's end. I sing no more. I still my hope with my fear, I still my body Not to draw the eye of imagine fate. Will I dare this way again? My heart misses its wandering beat. I am bringing the treasured bodies Of my brothers Back to their birth planet. Will the Earth Race Be at home to us When I knock? Julie Holder

A BUILDER OR A WRECKER As I watched them tear a building down A gang of men in a busy town With a ho-heave-ho, and a lusty yell They swung a beam and the side wall fell I asked the foreman, “Are these men skilled, And the men you’d hire if you wanted to build?” He gave a laugh and said, “No, indeed, Just common labor is all I need. I can easily wreck in a day or two, What builders have taken years to do.” And I thought to myself, as I went my way Which of these roles have I tried to play Am I a builder who works with care, Measuring life by rule and square? Am I shaping my work to a well-made plan Patiently doing the best I can Or am I a wrecker who walks to town Content with the labor of tearing down? “O Lord let my life and my labors be That which will build for eternity!