“
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body.
I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Of course you can have a true Shadowhunter name," Will said. "You can have mine."
Tessa stared at him, all black and white against the black-and-white snow and stone. "Your name?"
Will took a step toward her, till they stood face-to-face. Then he reached to take her hand and slid off her glove, which he put into his pocket. He held her bare hand in his, his fingers curved around hers. His hand was warm and callused, and his touch made her shiver. His eyes were steady and blue; they were everything that Will was: true and tender, sharp and witty, loving and kind. "Marry me," he said. "Marry me, Tess. Marry me and be called Tessa Herondale. Or be Tessa Gray, or be whatever you wish to call yourself, but marry me and stay with me and never leave me, for I cannot bear another day of my life to go by that does not have you in it.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Its been six weeks," he murmured. "Six weeks I've wanted you. I know how you move, and how the sunlight makes a shadow on the curve of your cheek, and the shape of your ear." He chucked harshly then turned his head on the pillow to look at her. "I'm dying," he said. He dropped his fist against his chest. "Right here, you're killing me.
”
”
Laura Kinsale (The Prince of Midnight)
“
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
For all the girls with curves... May you love them, may you rock them, and may you find the lucky bastard that appreciates them.
”
”
Alexa Riley (PS... You’re Mine)
“
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorise the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
When I am an old man and I can remember nothing else, I will remember this moment. The first time my eyes beheld an angel in the flesh. “I will remember your body and your eyes, your beautiful face and breasts, your curves and this.” He traced his hand around her navel before dragging it lightly to the top of her lower curls. “I will remember your scent and your touch and how it felt to love you. But most of all, I will remember how it felt to gaze at true beauty, both inside and out. For you are fair, my beloved, in soul and in body, generous of spirit and generous of heart. And I will never see anything this side of heaven more beautiful tham you
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
I opened my eyes and focused on his. “I’d be happier without you,” I lied as convincingly as I could. “Too bad.” Noah’s mouth curved into the half-smile I loved and hated so much, just inches from my navel. My head was foggy. “You’re supposed to say, ‘All I want is your happiness. I’ll do whatever it takes, even if it means being without you.’ “ “Sorry,” Noah said. “I’m just not that big of a person.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says, " the one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, and every shiver of your body, ...."
........
" I want to know where to touch you," he says, " i want to know how to touch you. I want to know how to convince you design a smile just for me." ...... " Yes, " he says, " i do want to be your bestfriend". He says, " I want to be your bestfriend in the entire world". --- Aaron Warner
”
”
Tahareh Mafi
“
You always were selfish. Your one fault. Not willing to share anything, are you?" Suddenly, Damon's lips curved up in a singularly beautiful smile. But fortunately the lovely Elena is more generous. Didn't she tell you about our little liaisons? Why? The first time we met she almost gave herself to me on the spot."
"That's a lie!"
"Oh, no, dear brother, I never lie about anything important. Or do I mean unimportant? Anyway, your beauteous damsel nearly swooned into my arms. I think she likes men in black." As Stefan stared at him, trying to control his breathing, Damon added, almost gently, "You're wrong about her, you know, You think she's sweet and docile like Katherine. She isn't. She's not your type at all, my saintly brother. She has a spirit and a fire in her that you wouldn't know what to do with."
"And you would, I suppose."
Damon uncrossed his arms and slowly smiled again. "Oh, yes.
”
”
L.J. Smith (The Awakening / The Struggle (The Vampire Diaries, #1-2))
“
You destroy me."
"Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.
"I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less."
"You-you said you wanted f-friendship-"
"Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-"
"No," I gasp. "Don't-don't s-say that-"
"I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world."
"I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it."
And I drop dead, all over the floor.
"Juliette."
I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again.
He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Tell your daughters how you love your body.
Tell them how they must love theirs.
Tell them to be proud of every bit of themselves—
from their tiger stripes to the soft flesh of their thighs,
whether there is a little of them or a lot,
whether freckles cover their face or not,
whether their curves are plentiful or slim,
whether their hair is thick, curly, straight, long or short.
Tell them how they inherited
their ancestors, souls in their smiles,
that their eyes carry countries
that breathed life into history,
that the swing of their hips
does not determine their destiny.
Tell them never to listen when bodies are critiqued.
Tell them every woman’s body is beautiful
because every woman’s soul is unique.
”
”
Nikita Gill (The Girl and the Goddess: Stories and Poems of Divine Wisdom)
“
The curves of your lips rewrite history.
”
”
Oscar Wilde
“
Barter
Life has loveliness to sell,
All beautiful and splendid things,
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children's faces looking up
Holding wonder like a cup.
Life has loveliness to sell,
Music like a curve of gold,
Scent of pine trees in the rain,
Eyes that love you, arms that hold,
And for your spirit's still delight,
Holy thoughts that star the night.
Spend all you have for loveliness,
Buy it and never count the cost;
For one white singing hour of peace
Count many a year of strife well lost,
And for a breath of ecstasy
Give all you have been, or could be.
”
”
Sara Teasdale (Love Songs)
“
...What is more like love than the ocean? You can play in it, drown in it...it can be clear and bright enough to hurt your eyes, or covered in fog, hidden behind a curve of roads and then suddenly there in full glory. It's waves come like breaths, in and out, body stretched to forever in it's possibilities, and yet it's heart lies deep, not fully knowable, inconceivably majestic.
”
”
Deb Caletti (Honey, Baby, Sweetheart)
“
There are
So many positions of
Love:
Each curve on a branch,
The thousand different ways
Your eyes can embrace us,
The infinite shapes your
Mind can draw,
The spring
Orchestra of scents,
The currents of light combusting
Like passionate lips,
The revolution of Existence's skirt
Whose folds contain other worlds.
Your every sigh that falls against
His inconceivable
Omnipresent
Body.
”
”
The Gift
“
I will love you as we find ourselves farther and farther from one another, where we once were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me as I am discovering this.
”
”
Lemony Snicket
“
Simon stopped breathing until her forefinger touched his nipple, and then his hand shot up to cover hers. "I want you," he said.
Her eyes flicked downward, and her lips curved ever so slightly. "I know."
"No," he groaned, pulling her closer. "I want to be in your heart. I want-" His entire body shuddered when their skin touched. "I want to be in your soul.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
Life with you was lovely—and when I say lovely, I mean doves and lilies, and velvet, and that soft pink ‘v’ in the middle and the way your tongue curved up to the long, lingering ‘l.’ Our life together was alliterative, and when I think of all the little things which will die, now that we cannot share them, I feel as if we were dead too.
”
”
Vladimir Nabokov
“
Like so many plain cups on the shelves. You can reach for them, use them without thinking. Most of them don't matter. Sometimes you lose your grip on one of them and it falls and smashes to piece, and you shrug and say to yourself, what a pity. Then you reach for the cup that you use every day, one that you love and use so often that as you stretch out your hand it is already making the shape that fits its curve. You are certain that yesterday it was in its proper place, but now there is nothing. Just air. You have lost something that was so familiar, so much a part of your life that you were not even looking for it. Just expecting it to be there, as always.
”
”
Rosie Thomas (Iris & Ruby)
“
When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight, the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.
”
”
David Wojnarowicz
“
May I explore every curve of your desires
and leave an imprint on your affection,
with the kiss of my love.
”
”
Suman Pokhrel
“
When does she stop speaking? When are you ever done with the story of someone you love? You turn the most precious of your memories over and over, wearing their edges smooth, warming them again with your heat. You touch the curves and hollows of every detail you have, memorizing them, reciting them once more though you already know them in your bones. Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?
”
”
Celeste Ng (Our Missing Hearts)
“
Faster's always better, but you have to mind those curves. They're wicked. They can kill a man in a heartbeat.
”
”
J.C. Reed (Surrender Your Love (Surrender Your Love, #1))
“
May I hide you in the embrace of my fervent heart,
may I be cradled beneath the shadow of your love
may I explore every curve of your desires
and leave an imprint on your affection,
with the kiss of my love.
”
”
Suman Pokhrel
“
I haven't known you for long, I don't even know what your favorite color is or your favorite song, but…I know every detail and curve of your face and the way your eyes sparkle when you smile. I know that you put your hands to your chest when you laugh and the adorable way you fiddle with your fingers when you're nervous. I think of you every minute of every day. I've realized I can't live my life without you in it. I want you. Only you.
”
”
Nicole Gulla (The Lure of the Moon (The Scripter Trilogy, #1))
“
Wake up! Become more aware and alive of what feeds YOUR soul without seeking permission from others. Many curve balls have been thrown. Don’t hesitate—NOW is the time to hit a home run.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
I like my women soft and round. His blue gaze burned into hers. I don't lie, Becca. I love your body, every single curve, every dimple, every scar.
”
”
Cherise Sinclair
“
...a choice had to be made when your husband said something unkind. Specifically: be cruel, be strong, or sulk. 'Be cruel' by saying an unkind thing back. 'Be strong' by choosing not to mind. But to do this, you have to use up a piece of your love. You have to shave off enough of the love to forgive. After a while, the piece might grow back, but sometimes not. And if you shave off all the soft curves, you'll be left with a sharp-edged love. 'Sulk' by sulking. Sulking is simply delaying the choice to be cruel or strong.
”
”
Jaclyn Moriarty (The Spell Book of Listen Taylor)
“
The curves of your lips rewrite history
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
You get close to people. You get farther from them. You learn how much you love them, and then you say good-bye, believing that you will be together again, someday, when your lives curve back into one another's.
”
”
Nina LaCour (The Disenchantments)
“
Cary Taylor. Loving you isn’t a character defect.”
“Well, it’s not very smart. I was such an asshole to him,” he muttered, looking disgruntled. “He could do so much better.”
“That isn’t your decision to make for him.”
“Someone needs to make it.”
“And you’re volunteering because you love him, too.” My mouth curved. “Don’t you think that sounds ass-backwards?
”
”
Sylvia Day (Reflected in You (Crossfire, #2))
“
I must admit,” he said in a low voice as though it were a confession, “if anyone had told me that you’d become so lovely, I would never have come near you. I was rather blindsided when I first saw you again.”
She stared at him in confusion.
“You’re like a rose in a graveyard,” he said, and his lips curved into a bitter smile. “I wonder what you could have turned into without the war.
”
”
SenLinYu (Manacled)
“
I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip form slim to zero, and until your face is fogged by distant memory.
”
”
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
“
...when you're hard and unyielding your words score me with lines - I hate lines - I want curves - curves are happy like a snowman ...
”
”
John Geddes (A Familiar Rain)
“
What shall I give? and which are my miracles?
2. Realism is mine--my miracles--Take freely,
Take without end--I offer them to you wherever your feet can carry you or your eyes reach.
3. Why! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love--or sleep in the bed at night with any
one I love,
Or sit at the table at dinner with my mother,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive, of a summer forenoon,
Or animals feeding in the fields,
Or birds--or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown--or of stars shining so quiet and bright,
Or the exquisite, delicate, thin curve of the new moon in spring;
Or whether I go among those I like best, and that like me best--mechanics, boatmen, farmers,
Or among the savans--or to the _soiree_--or to the opera.
Or stand a long while looking at the movements of machinery,
Or behold children at their sports,
Or the admirable sight of the perfect old man, or the perfect old woman,
Or the sick in hospitals, or the dead carried to burial,
Or my own eyes and figure in the glass;
These, with the rest, one and all, are to me miracles,
The whole referring--yet each distinct and in its place.
4. To me, every hour of the light and dark is a miracle,
Every inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every cubic foot of the interior swarms with the same;
Every spear of grass--the frames, limbs, organs, of men and women, and all that concerns them,
All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle;
The fishes that swim--the rocks--the motion of the waves--the ships, with men in them,
What stranger miracles are there?
”
”
Walt Whitman (Leaves of Grass)
“
I feel the curve of his smile against my skin. But as he lifts his head and looks into my eyes, his grin fades. "Haven . . . I don't know if I'm going to be a good father. What if I don't do it right?"
I am touched by Hardy's concern, his constant desire to be the man he thinks I deserve. Even when we disagree, I have no doubt that I am cherished. And respected. And I know that neither of us takes the other one for granted.
I have come to realize you can never be truly happy unless you've known some sorrow. All the terrible things Hardy and I have gone through in our lives have created the spaces inside where happiness can live. Not to mention love. So much love that there doesn't seem to be room for bitterness in either of us.
"I think the fact that you're worrying about it at all," I say, "means you'll probably be great at it.
”
”
Lisa Kleypas (Blue-Eyed Devil (Travises, #2))
“
And I’ve been scared, scared like never before, that I’d hurt you.” He lifts his hand. Curves it around my cheek. “That I’d left you in some—any kind of pain. That I couldn’t make amends. Which, let me tell you, is no fun when you know in your lizard brain that you’re about five minutes from falling in love with someone.” He closes his eyes. “Maybe past. Can’t really tell.
”
”
Ali Hazelwood (Stuck with You (The STEMinist Novellas, #2))
“
I want to fulfill myself in one of the rarest of destinies. I have only a dim notion of what it
will be. I want it to have not a graceful curve slightly bent toward evening but a hitherto unseen beauty
lovely because of the danger which works away at it overwhelms it undermines it. Oh let me be only utter
beauty I shall go quickly or slowly but I shall dare what must be dared. I shall destroy appearances the
casings will burn away and one evening I shall appear there in the palm of your hand quiet and pure like a
glass statuette. You will see me. Round about me there will be nothing left.
”
”
Jean Genet (The Thief's Journal)
“
We've done so much together, wherever I go and whatever I see, I think of you. Newborn babies; the pattern on the plate that you can see under a paper-thin slice of sashimi; fireworks in August. The moon hidden behind the clouds over the ocean at night. When I'm sitting down someplace, inadvertently stepping on someone's toes, and have to apologize. And when someone picks up something I've dropped, and I thank him. When I see an elderly man tottering along,and wonder how much longer he has to live. Dogs and cats peeking out from alleyways. A beautiful view from a tall building. The warm blast of air you feel when you go down into a subway station. The phone ringing in the middle of the night. Even when I have crushes on other men, I always see you in the curve of their eyebrows."
"Yet I must remain calm, detached. It's a little like trying to ignore a plate of delicious food when you're really hungry. When it beckons you, there's no problem with enjoying the aroma and appreciating it with your eyes, but at some point you have to separate yourself and realize, like a professional waiter does, that it's not your own. It's my job to ignore those plates heaped with delicious morsels and just carry them where they need to go.
”
”
Banana Yoshimoto
“
Show me your scars
Show me the most damaged parts of you
And I promise that
I will take care of you for always
I promise that I will
Sit with your hands in mine
Even when the stars go out
”
”
Jyoti Patel (The Curved Rainbow)
“
Tears glinted in her eyes. "I want no secrets between us, Silas."
"No secrets," he echoed, his mouth near the gentle curve of her ear. "Then you should know I can hardly breathe for thinking of you. You're the most maddening lass I've ever known, and every day without you near is an agony to me." Taking her face between his hands, he moved to kiss her, but the sound of approaching horses gave him pause.
”
”
Laura Frantz (Love's Reckoning (The Ballantyne Legacy, #1))
“
If I were there, Carrie, I would need to feel how soft the skin on the inside of your thighs is, first, how hot it is at that place where your thigh curves into your pussy. I love that place. I would kiss it first, but then lick it, inhale you.
”
”
Mary Ann Rivers (The Story Guy)
“
Hannah leaned her face against his chest, and he felt the curve of her smile. “What is it?” he asked.
“Our first night together. And our first morning will be Christmas.” Rafe patted her naked hip. “And I’ve already unwrapped my present.”
“You’re rather easy to shop for,” she said, making him laugh.
“Always. Because Hannah, my love, the only gift I’ll ever want”—he paused to kiss her smiling lips—“is you.
”
”
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
“
Do
you miss a parent you never knew?” he whispered.
Kate considered his question for some time. His voice had held a hoarse urgency that told her there was
something critical about her reply. Why, she couldn’t imagine, but something about her childhood clearly
rang a chord within his heart.
“Yes,” she finally answered, “but not in the way you would think. You can’t really miss her, because you
didn’t know her, but there’s still a hole in your life—a big empty spot, and you know who was supposed
to fit there, but you can’t remember her, and you don’t know what she was like, and so you don’t know
how she would have filled that hole.” Her lips curved into a
sad sort of smile. “Does this make any sense?”
Anthony nodded. “It makes a great deal of sense
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
Something terrible was clawing up her throat.
“I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.”
“Damn your god.”
Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.”
“Why not? I can say anything. Anything except what really matters.”
“Kestrel, take it back. You’ll offend him.”
“Your god risks you.”
“He protects me.”
“You’re his plaything.”
“You’re wrong. He loves me.”
Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe.
“It’s true,” Arin insisted.
She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
They say your skin is the largest organ in your body, but I'd never really appreciated that before, the way his fingertips slowly tracing the curve of my jaw could travel down the entire length of my body, covering me in goose bumps. The way he could make me feel flushed with something that wasn't fever.
”
”
Robyn Schneider (Extraordinary Means)
“
When I came in and you were sleeping, I thought: There’s my soldier, exhausted from her wars.” He lifted her hand, kissed her fingers. “Now, I look, and I think: There’s my woman, soft and lovely.” Her lips curved as he undressed her. “Where do you get this stuff?” “It just comes to me. I’ve only to look at you, and the world comes to me. You’re my life.
”
”
J.D. Robb (Imitation in Death (In Death, #17))
“
I would like to read your handwriting and I would like to notice the way your eyes curve, and your wide white smile, and your simple yet personal style, and I would like to ask you the same damn questions again and again so that you wonder aloud if I do not listen but, no, I assure you without reassuring you: I have always been forgetful and it does not mean that I do not care.
”
”
Waylon H. Lewis (Things I Would Like To Do With You)
“
Dear woman, look at yourself in the mirror and be your own favourite person. Every curve, every freckle, every hair on your skin. Because you are worth your tears, your laughter, your joys and your pains. You are worth the broken roads you've traveled, the nights you've spent alone with a bottle of champagne, the times you climbed out of graves. You are worth the smiles only you see, the ones you generously share, then all the others in between. You're worth the love that's meant for you and the pains you've broken through. Dear woman, look at yourself; you love you.
”
”
C. JoyBell C.
“
there is a list of questions
i want to ask but never will
there is a list of questions
i go through in my head
every time i'm alone
and my mind can't stop itself from searching for you
there is a list of questions i want to ask
so if you're listening somewhere
here i am asking them
what do you think happens
to the love that's left behind
when two lovers leave
how blue do you think it gets
before it passes away
does it pass away
or does it still exist somewhere
waiting for us to come back
when we lied to ourselves by
calling this unconditional and left
which one of us hurt more
i shattered into a million little pieces
and those pieces shattered into a million more
crumbled into dust till
there was nothing left of me but the silence
tell me how love
how did the grieving feel for you
how did the mourning hurt
how did you peel your eyes open after every blink
knowing i'd never be there staring back
it must be hard to live with what ifs
there must always be this constant dull aching
in the pit of your stomach
trust me
i feel it too
how in the world did we get here
how did we live through it
and how are we still living
how many months did it take
before you stopped thinking of me
or are you still thinking of me
cause if you are
then maybe i am too
thinking of you
thinking of me
with me
in me
around me
everywhere
you and me and us
do you still touch yourself to the thoughts of me
do you still imagine my naked naked tiny tiny body
pressed into yours
do you still imagine the curve of my spine and
how you wanted to rip it out of me
cause the way it dipped into my
perfectly rounded bottom
drove you crazy
baby
sugar baby
sweet baby
ever since we left
how many times did you pretend
it was my hand stroking you
how many times did you search for me in your fantasies
and end up crying instead of coming
don't you lie to me
i can tell when you're lying
cause there's always that little bit of
arrogance in your response
are you angry with me
are you okay
and would you tell me if you're not
and if we ever see each other again
do you think you'd reach out and hold me
like you said you would
the last time we spoke and
you talked of the next time we would
or do you think we'd just look
shake in our skin as we pine to
absorb as much as we can of each other
cause by this time we've probably got
someone else waiting at home
we were good together weren't we
and is it wrong that i'm asking you these questions
tell me love
that you have been
looking for these answers too
”
”
Rupi Kaur (The Sun and Her Flowers)
“
The emptiness of the narcissist often means that they are only focused on whatever is useful or interesting to them at the moment. If at that moment it is interesting for them to tell you they love you, they do. It’s not really a long game to them, and when the next interesting issue comes up, they attend to that. The objectification of others—viewing other people as objects useful to his needs—can also play a role. When you are the only thing in the room, or the most interesting thing in the room, then the narcissist’s charisma and charm can leave you convinced that you are his everything. The problem is that this is typically superficial regard, and that superficiality results in inconsistency, and emotions for the narcissistic person range from intense to detached on a regular basis. This vacillation between intensity and detachment can be observed in the narcissist’s relationships with people (acquaintances, friends, family, and partners), work, and experiences. A healthy relationship should feel like a safe harbor in your life. Life throws us enough curve balls in the shape of money problems, work issues, medical issues, household issues, and even the weather. Sadly, a relationship with a narcissist can be one more source of chaos in your life, rather than a place of comfort and consistency.
”
”
Ramani Durvasula (Should I Stay or Should I Go?: Surviving a Relationship with a Narcissist)
“
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
“
You must never stop being whimsical.
And you must not, ever, give anyone else the responsibility for your life.
I don’t mean it’s easy or assured; there are the stubborn stumps of shame, grief that remains unsolvable after all the years, a bag of stones that goes with one wherever one goes and however the hour may call for dancing and for light feet. But there is, also, the summoning world, the admirable energies of the world, better than anger, better than bitterness and, because more interesting, more alleviating. And there is the thing that one does, the needle one plies, the work, and within that work a chance to take thoughts that are hot and formless and to place them solely and with meticulous effort into some shapely heat-retaining form, even as the gods, or nature, or the soundless wheels of time have made forms all across the soft, curved universe – that is to say, having chosen to claim my life, I have made for myself, out of work and love, a handsome life.
”
”
Mary Oliver (Upstream: Selected Essays)
“
I know you told me you'd wait for me, but I don't want either of us to wait anymore. Especially when I knew from the first moment I saw you that you were special. I feel like I've been running my whole life, speeding from small town into a big city, jumping from one place to the next for years until they all blurred together. And right when I decided it was time to finally stop running and set down some roots, there you were. My new beginning." Her eyes filled with tears as she smiled up at him and slid her arms around his neck to pull him closer. "My love."
Jack sank down onto the couch with Mary, her curves soft beneath his muscles. "I'll always be yours, Angel. Forever.
”
”
Bella Andre (Kissing Under the Mistletoe (San Francisco Sullivans, #9; The Sullivans, #9))
“
Abby,” he murmured, lifting a hand to curve around her neck. “I love you.”
A sob slipped free and she wrapped her arms around his waist. One of his hands cupped the back of her neck and cuddled her in close.
As he bent around her, he whispered, “I’ve loved you so long, I can’t remember what it’s like to not love you. And I’ll go to my grave loving you. You’re my everything.
”
”
Shiloh Walker (Wrecked (Barnes Brothers, #1))
“
No,” I hear myself say. “You’re not supposed to be here.”
She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me.
“Hi,” she whispers.
It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear.
She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast.
Her lips are at my ear. Her words are so soft. “Kiss me,” she says.
“Juliette—”
“I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it.
I don’t want to.
Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed.
There aren’t enough words in this world to describe what I’m feeling.
I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed.
Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me.
I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me.
I wonder if I’ve actually died.
But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.”
Her words seem so strange, so familiar. “What do you mean?”
“Just a little longer and I’ll leave.”
“No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—”
“You’ll be all right,” she says. “I promise.”
“No—”
But now she’s holding a gun.
And pointing it at my heart.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
…how when you love someone, you take that person into your body, your fingertips predicting their angles and curves; how you smell like them in the morning.
”
”
Lauren Fox (Friends Like Us)
“
I want to know every inch and curve of your body like it belongs to me-and it will. I want to know everything. Where you are. Who you're with. What panties you are wearing right now.
”
”
M.C Smothers
“
I was just wishing for you," he said. "And here you are."
"Must be your lucky day, Ace."
"Eve." He lifted a hand, not quite steady, skimmed his fingers along her jaw. "Eve," he said again, and his arms were around her, banded like steel as he lifted her off her feet. "Oh God. Eve."
She felt the shudder run through him as he buried his face in her hair, against the curve of her neck. And knew she'd been right to come. Whatever else there was, she'd been right to come.
"Everything's okay now." To soothe, she ran her hands over his back. "It's okay."
"You landed in a field of cows, in a jet-copter."
"You're telling me?"
He rubbed his hands up and down her arms before linking them with hers and easing back to look at her face. "You must love me madly."
"I must."
His eyes were wild and beautiful, his lips warm and tender as he pressed them to her cheeks. "Thank you."
"You're welcome, but you missed a spot." She found his mouth with hers and let him sink in. When she felt the heat, the punch, her lips curved against his. "That's better.
”
”
J.D. Robb (Portrait in Death (In Death, #16))
“
You're screwed when you start to notice the details,
It's when you begin to notice the curve of his lips when he smiles.
It's when you can't help but stare at him and the way he talks.
It's when you get to admire the shape of his eyes and even the length of his brow.
And even crazier, when you get to see the flash of his face in your mind on a random day or it's when you have his favorite facial expression stuck in your memory. . . And worse when you start to have it all in your mind, then you start to miss him.
”
”
Ira Barin
“
My love, suddenly
your hip
is the curve of the wineglass
filled to the brim,
your breast is the cluster,
your hair the light of alcohol,
your nipples, the grapes
your navel pure seal
stamped on your barrel of a belly,
and your love the cascade
of unquenchable wine,
the brightness that falls on my senses,
the earthen splendor of life.
”
”
Pablo Neruda (The Essential Neruda: Selected Poems)
“
I would lean forward and trace my hands down your arms and curve my neck into yours and let you turn into me and rest there for a while and when you were ready, i'd kiss you once and lift myself away, sit back on your bed and wait for you there, just so we could lie there, and you could hold me and i could hold you. And it would be so peaceful. Like the feeling of sleep, but being awake in it together.
”
”
John Green (Will Grayson, Will Grayson)
“
There were just all those evenings we sat together and it doesn't seem possible that it will never be again. It was like we were the only two people in the world. No one will ever understand how happy we were...I could sit there all night watching her, just the shape of her head and the way the hair fell from it with a special curve, so graceful it was, like the shape of a swallow-tail. It was like a veil or a cloud, it would lie like silk strands all untidy and loose but lovely over her shoulders, I wish I had words to describe it like a poet would or an artist. She had a way of throwing it back when it had fallen too much forward, it was just a simple natural movement. Sometimes I wanted to say to her, please do it again, please let your hair fall forward and toss it back. Only of course it would have been stupid. Everything she did was delicate like that. Just turning a page. Standing up or sitting down, drinking, smoking, anything. Even when she did things considered ugly, like yawning or stretching, she made it seem pretty. The truth was she couldn't do ugly things. She was too beautiful.
”
”
John Fowles (The Collector)
“
The things by which our emotions can be moved - the shape of a flower or a Grecian urn, the way a baby grows, the way the wind brushes across your face, the way clouds move, their shapes, the way light dances on the water, or daffodils flutter in the breeze, the way in which the person you love moves their head, the way their hair follows that movement, the curve described by the dying fall of the last chord of a piece of music - all these things can be described by the complex flow of numbers.
That's not a reduction of it, that's the beauty of it.
”
”
Douglas Adams
“
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend, the one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of you body. " ... "I want to know where to touch you. I want to know how to touch you. I want to know how to convince you to design a smile just for me." ... "I want to be your best friend in the entire world
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Caregiving offers many fringe benefits, including the sheer sensory delight of nourishing and grooming, sharing, and playing. But caregiving does buttonhole you; you're stitched in one place. . . . Paul wasn't on a learning curve but seemed trapped in a circle. He's swoop forward only to loop back again and fall to earth.
”
”
Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
“
Dig Deep! When the task at hand seems to be very difficult. Dig Deep! Whenever you feel you're drifting away from your intended course. Dig Deep! When others doubt you and say it can't be done. Dig Deep! Whenever you feel like giving up. Dig Deep! When life throws you a curve ball. If you quit, you'll never hit that homerun
”
”
Amaka Imani Nkosazana (Sweet Destiny)
“
Lipstick comes in phallic-shaped tubes. With just a breath of imagination, it feels as if you are holding a miniature penis, rubbing the head over your half-opened lips before squeezing down to spread the oily soft blush evenly over every curve and into every corner.
”
”
Chloe Thurlow (Katie in Love)
“
It’s your bones against mine.
The slight curve in your spine
and it’s Sunday:
I don’t have to think about suicide.
”
”
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
“
Each night keeps me awake
Your thoughts trouble me every moment
Why you gave me such dreams
When you had to break them in reality
”
”
Jyoti Patel (The Curved Rainbow)
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Love is music. It’s learning when to be loud and when to be soft. It’s riding the scales up and down. Learning the curves and strings to play the song of your heart. You have to know when to lead and when to follow. When you’re wrong and when you’re right. Love is music,
”
”
Staci Hart (Player)
“
But swan, float lightly because you are a swan, because by the exquisite curve of your neck the gods gave you some special favor, and even though you fracture it running against some man-made bridge, it healed and you sailed onward.-- F. Scott Fitzgerald to his wife Zelda.
”
”
F. Scott Fitzgerald
“
Mom
Our empty home reminds
Me of you
My sleepless nights
Are full of your memories
Mom
I want to cry
Till my tears run dry
Mom
I need you back
At least for a little while
”
”
Jyoti Patel (The Curved Rainbow)
“
Messengers often come when you struggle with a decision, need support or are trying to find your balance. They can come as animals like coyote and lizard appeared for Kate and for me. They can be spirit guides, angels, family members, ancestors and friends. A messenger can even be me! Many of them you will not notice because you are too preoccupied to see them. There may come a time, however, when you might sense the millions of angels too small to be witnessed, like fairies that live in the curve of a leaf or who sleep under the tiniest rose petal.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
You're lucky," he says as I approach. "A lot of girls would love to keep my hair in a locket close to their hearts."
I raise my eyebrows. "How unfortunate for them to have lost their minds so young."
Nox's lips curve upward. "I am known to drive women crazy."
I roll my eyes.
”
”
Alexandra Christo (Princess of Souls (Hundred Kingdoms, #2))
“
In your study of anatomy, did you ever learn the name of the place between the nose and the lip?” Her lips parted, and she resisted the urge to lean toward him, to force him to touch her. She answered on a whisper. “The philtrum.” He smiled. “Clever girl. It is Latin. Do you know its meaning?” “No.” “It means love potion. The Romans believed it was the most erotic place on the body. They called it Cupid’s bow, because of the way it shapes the upper lip.” As he spoke, he ran his finger along the curve of her lip, a temptation more than a touch, barely there. His voice grew softer, deeper. “They believed it was the mark of the god of love.” She
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
I told you I loved you because I do. Absolutely I do. Every minute I spend in your company, I find I love you more.” A slow smile curved his mouth and he lay back against the pillows. “I knew you’d fall for me, woman. It’s the way I wash dishes, isn’t it?” “Yes, I can’t lie about that.
”
”
Christine Feehan (Lethal Game (GhostWalkers, #16))
“
Hi there, cutie."
Ash turned his head to find an extremely attractive college student by his side. With black curly hair, she was dressed in jeans and a tight green top that displayed her curves to perfection. "Hi."
"You want to go inside for a drink? It's on me."
Ash paused as he saw her past, present, and future simultaneously in his mind. Her name was Tracy Phillips. A political science major, she was going to end up at Harvard Med School and then be one of the leading researchers to help isolate a mutated genome that the human race didn't even know existed yet.
The discovery of that genome would save the life of her youngest daughter and cause her daughter to go on to medical school herself. That daughter, with the help and guidance of her mother, would one day lobby for medical reforms that would change the way the medical world and governments treated health care. The two of them would shape generations of doctors and save thousands of lives by allowing people to have groundbreaking medical treatments that they wouldn't have otherwise been able to afford.
And right now, all Tracy could think about was how cute his ass was in leather pants, and how much she'd like to peel them off him.
In a few seconds, she'd head into the coffee shop and meet a waitress named Gina Torres. Gina's dream was to go to college herself to be a doctor and save the lives of the working poor who couldn't afford health care, but because of family problems she wasn't able to take classes this year. Still Gina would tell Tracy how she planned to go next year on a scholarship.
Late tonight, after most of the college students were headed off, the two of them would be chatting about Gina's plans and dreams.
And a month from now, Gina would be dead from a freak car accident that Tracy would see on the news. That one tragic event combined with the happenstance meeting tonight would lead Tracy to her destiny. In one instant, she'd realize how shallow her life had been, and she'd seek to change that and be more aware of the people around her and of their needs. Her youngest daughter would be named Gina Tory in honor of the Gina who was currently busy wiping down tables while she imagined a better life for everyone.
So in effect, Gina would achieve her dream. By dying she'd save thousands of lives and she'd bring health care to those who couldn't afford it...
The human race was an amazing thing. So few people ever realized just how many lives they inadvertently touched. How the right or wrong word spoken casually could empower or destroy another's life.
If Ash were to accept Tracy's invitation for coffee, her destiny would be changed and she would end up working as a well-paid bank officer. She'd decide that marriage wasn't for her and go on to live her life with a partner and never have children.
Everything would change. All the lives that would have been saved would be lost.
And knowing the nuance of every word spoken and every gesture made was the heaviest of all the burdens Ash carried.
Smiling gently, he shook his head. "Thanks for asking, but I have to head off. You have a good night."
She gave him a hot once-over. "Okay, but if you change your mind, I'll be in here studying for the next few hours."
Ash watched as she left him and entered the shop. She set her backpack down at a table and started unpacking her books. Sighing from exhaustion, Gina grabbed a glass of water and made her way over to her...
And as he observed them through the painted glass, the two women struck up a conversation and set their destined futures into motion.
His heart heavy, he glanced in the direction Cael had vanished and hated the future that awaited his friend. But it was Cael's destiny.
His fate...
"Imora thea mi savur," Ash whispered under his breath in Atlantean. God save me from love.
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
I am doing the best I can. I am hoping I am good enough. I am holding you close, as close as I can, hand cradling your head and breath on your hair, my whole body curved around yours, sheltering you as best I can, trying to remember that I cannot keep you safe, but I can keep you loved.
”
”
S. Bear Bergman (Butch Is a Noun)
“
Because what is more like love than the ocean? You can play in it, drown in it. It can be clear and bright enough to hurt your eyes, or covered in fog; hidden behind a curve of road, and then suddenly there in full glory. Its waves come like breaths, in and out, in and out, body stretched to forever in its possibilities, and yet its heart lies deep, not fully knowable, inconceivably majestic.
”
”
Deb Caletti (Honey, Baby, Sweetheart)
“
You're babbling," she said. "Go back to the part about making a home with someone you love."
His lips curved. "Did you like that part?"
"I did," she admitted, "like that part."
"Good. I like it too.
”
”
Theresa Romain (Fortune Favors the Wicked (Royal Rewards #1))
“
You going to hand her over to Jenkins?” Torres asked, leaning against the wall next to me. “Every instinct tells me not to,” I said quietly. “But at least he’d treat her as just another detail.” “Just another mission.” Torres nodded. “Solid point.” Jenkins wouldn’t spare a single glance for her eyes, her smile, her curves. He’d be 100 percent focused. “She’ll be safer with me.” “Because you’re in love with her?” Torres questioned. I shook my head. “Because Jenkins isn’t willing to die for her.
”
”
Rebecca Yarros (In the Likely Event)
“
I just . . . I love the nuances of language and all their quirks. Like how certain words exist in foreign languages and have no direct English equivalent. Meraki in Greek means, basically, to do something with love, but there’s no English word for it. The closest is ‘labor of love,’ but that sounds like you’re being put-upon. Meraki means to do something with pleasure, to pour your whole heart into a task or craft. Like putting all your love into a meal or a gift.” She ducked her chin and shrugged. “So, yeah. Translation would be my dream job. Puzzling out how to keep the text true even when it’s not easy. There’s a cultural component you can’t ignore without”—her lips curved—“losing something in translation.
”
”
Alexandria Bellefleur (Hang the Moon (Written in the Stars, #2))
“
Love The Wild Swan
I hate my verses, every line, every word.
Oh pale and brittle pencils ever to try
One grass-blade's curve, or the throat of one bird
That clings to twig, ruffled against white sky.
Oh cracked and twilight mirrors ever to catch
One color, one glinting
Hash, of the splendor of things.
Unlucky hunter, Oh bullets of wax,
The lion beauty, the wild-swan wings, the storm of the wings."
--This wild swan of a world is no hunter's game.
Better bullets than yours would miss the white breast
Better mirrors than yours would crack in the flame.
Does it matter whether you hate your . . . self?
At least Love your eyes that can see, your mind that can
Hear the music, the thunder of the wings. Love the wild swan.
”
”
Robinson Jeffers
“
But that’s not what I’m trying to tell you,” Violet said, her eyes taking on a slightly determined expression. “What I’m trying to say is that when you were born, and they put you into my arms—it’s strange, because for some reason I was so convinced you would look just like your father. I thought for certain I would look down and see his face, and it would be some sort of sign from heaven.”
Hyacinth’s breath caught as she watched her, and she wondered why her mother had never told her this story. And why she’d never asked.
“But you didn’t,” Violet continued. “You looked rather like me. And then—oh my, I remember this as if it were yesterday—you looked into my eyes, and you blinked. Twice.”
“Twice?” Hyacinth echoed, wondering why this was important.
“Twice.” Violet looked at her, her lips curving into a funny little smile. “I only remember it because you looked so deliberate. It was the strangest thing. You gave me a look as if to say, ‘I know exactly what I’m doing.’ ”
A little burst of air rushed past Hyacinth’s lips, and she realized it was a laugh. A small one, the kind that takes a body by surprise.
“And then you let out a wail,” Violet said, shaking her head. “My heavens, I thought you were going to shake the paint right off the walls. And I smiled. It was the first time since your father died that I smiled.”
Violet took a breath, then reached for her tea. Hyacinth watched as her mother composed herself, wanting desperately to ask her to continue, but somehow knowing the moment called for silence.
For a full minute Hyacinth waited, and then finally her mother said, softly, “And from that moment on, you were so dear to me. I love all my children, but you…” She looked up, her eyes catching Hyacinth’s. “You saved me.”
Something squeezed in Hyacinth’s chest. She couldn’t quite move, couldn’t quite breathe. She could only watch her mother’s face, listen to her words, and be so very, very grateful that she’d been lucky enough to be her child.
“In some ways I was a little too protective of you,” Violet said, her lips forming the tiniest of smiles, “and at the same time too lenient. You were so exuberant, so completely sure of who you were and how you fit into the world around you. You were a force of nature, and I didn’t want to clip your wings.”
“Thank you,” Hyacinth whispered, but the words were so soft, she wasn’t even sure she’d said them aloud.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
He reached out and brushed the hair back from my face. I froze. He rested his hand in the space where the collar met the curve of my neck, and when I didn’t bolt, he slid his palm up to cup my cheek.
I wasn’t sure I wanted this. “You said … you said you wouldn’t kiss me until—”
“Until you were thinking of me instead of trying to forget him?” He moved closer, the light from the meteor shower playing over his features. He leaned in, giving me time to pull away. I could feel his breath when he said, “I love it when you quote me.”
He brushed his lips over mine once, briefly, then again. It was less a kiss than the promise of one.
“When you’re ready,” he said. Then he tucked my hand in his and we stood together, watching the spill of stars streaking the sky.
”
”
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
“
But as soon as we touched, I felt magic crackle over and through me, so strong that I tried to jerk my hand back. But he held tight until, finally, the crackling sensation stopped. My hand slid out of his, and I leaped up from the fountain."What the hell was-"
Then I looked down and realized I was completely dry. Not only that, but my demure black dress had been replaced with...well, another black dress, but this one was a lot shorter, sparklier, and also rocking a very low neckline. Even my hair was different, transformed from a soggy braid to silky brown waves.
Nick winked at me. "That's better. Now you look more like the Demon Who Would be Queen." He heaved himself out of the water and grabbed Jenna's hand. Within seconds, she went from drowned rat to hottie, her soaked clothes replaced with-what else?-a pink sundress. Of course it showed a lot more skin than anything Jenna would have picked out for herself.
"Oh,lovely,Nick," Daisy said, rolling her eyes as he wrapped an arm around her waist.
"What?" he asked once he laid a smacking kiss on her cheek. "They look better like that."
Without thinking,I reached out and grabbed Nick's free arm. His wet white T-shirt and jeans rippled, and suddenly he was wearing a Day-Glo yellow tank top and acid-washed jeans. "And you look better like this."
I wasn't sure if it was the ridiculous sight of Nick in those clothes, or the fact that I'd done a spell so easily-with absolutely no explosions-but I could feel my lips curving upward in a smile. As Daisy hooted with laughter, Nick narrowed his eyes at me. "Okay, now you're in for it." He waved his hand, and suddenly I was sweltering. When I glanced down, I saw that it was because I was now dressed like the Easter Bunny.But with the flick of one fuzzy paw,I'd transformed Nick's jeans and tank top into a snowsuit.
Then I was in a bikini.
So Nick was wearing a particularly poofy purple prom dress.
By the time he'd turned my clothes into a showgirl's costume, complete with a feathery headdress, and I'd put him in a scuba suit, we were both completely magic drunk and giggling.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
You have quite a way with animals.”
“They’re my business,” she said, as if she needed to explain her delight.
“You’re good at it. That’s obvious.”
“I like helping animals. It makes me feel . . . useful, I guess.”
“Maybe you could show me what you do sometime.”
Tess cocked her head at him. “Do you have a pet?”
Dante should have said no, but he was still picturing her with those two ridiculous furballs and wishing that he could bring her some of that same joy. “I keep a dog. Like those.”
“You do? What’s its name?”
Dante cleared his throat, mentally casting about for what he might call a useless creature that depended on him for survival. “Harvard,” he drawled, his lips curving with private humor. “I call it Harvard.”
“Well, I’d love to meet him sometime, Dante.” A chilly breeze kicked up, and Tess shivered, rubbing her arms. “It’s getting kind of late. I should probably think about heading home.”
“Yeah, sure.” Dante nodded, kicking himself for making up a pet, for God’s sake, just because it might win him some favor with Tess.
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
I stood as she straightened and snaked my arms around her, pulling her close to me, savoring the feel of every delicate curve. For three weeks, I spent my time convincing myself that our breakup was the right choice. But being this close to her, hearing her laugh, listening to her voice, I knew I had been telling myself lies.
Her eyes widened when I lowered my head to hers. “It doesn’t have to be this way. We can find a way to make us work.”
She tilted her head and licked her lips, whispering through shallow breaths, “You’re not playing fair.”
“No, I’m not.” Echo thought too much. I threaded my fingers into her hair and kissed her, leaving her no opportunity to think about what we were doing. I wanted her to feel what I felt. To revel in the pull, the attraction. Dammit, I wanted her to undeniably love me.
Her pack hit the floor with a resounding thud and her magical fingers explored my back, neck and head. Echo’s tongue danced manically with mine, hungry and excited.
Her muscles stiffened when her mind caught up. I held her tighter to me, refusing to let her leave so easily again. Echo pulled her lips away, but was unable to step back from my body. “We can’t, Noah.”
“Why not?” I shook her without meaning to, but if it snapped something into place, I’d shake her again.
“Because everything has changed. Because nothing has changed. You have a family to save. I …” She looked away, shaking her head. “I can’t live here anymore. When I leave town, I can sleep. Do you understand what I’m saying?”
I did. I understood all too well, as much as I hated it. This was why we ignored each other. When she walked away the first time, my damn heart ruptured and I swore I’d never let it happen again. Like an idiot, here I was setting off explosives.
Both of my hands wove into her hair again and clutched at the soft curls. No matter how I tightened my grip, the strands kept falling from my fingers, a shower of water from the sky. I rested my forehead against hers. “I want you to be happy.”
“You, too,” she whispered. I let go of her and left the main office. When I first connected with Echo, I’d promised her I would help her find her answers. I was a man of my word and Echo would soon know that.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
When are you ever done with the story of someone you love? You turn the most precious of your memories over and over, wearing their edges smooth, warming them again with your heat. You touch the curves and hollows of every detail you have, memorizing them, reciting them once more though you already know them in your bones. Who ever thinks, recalling the face of the one they loved who is gone: yes, I looked at you enough, I loved you enough, we had enough time, any of this was enough?
”
”
Celeste Ng (Our Missing Hearts)
“
You are strange. A deep sea of mystery. Tangled mix of starlight and darkness. A beautiful mess, and I am devastatingly drawn to every curve of your mind, every dark scar on your body.You are the epitome of art - dynamic, strange and beautiful.
”
”
Melody Lee (Moon Gypsy)
“
Like That"
Love me like a wrong turn on a bad road late at night, with no
moon and no town anywhere
and a large hungry animal moving heavily through the brush in
the ditch.
Love me with a blindfold over your eyes and the sound of rusty
water
blurting from the faucet in the kitchen, leaking down through
the floorboards to hot cement. Do it without asking,
without wondering or thinking anything, while the machinery’s
shut down and the watchman’s slumped asleep before his small TV
showing the empty garage, the deserted hallways, while the thieves
slice through
the fence with steel clippers. Love me when you can’t find
a decent restaurant open anywhere, when you’re alone in a glaring
diner
with two nuns arguing in the back booth, when your eggs are
greasy
and your hash browns underdone. Snick the buttons off the front
of my dress
and toss them one by one into the pond where carp lurk just
beneath the surface,
their cold fins waving. Love me on the hood of a truck no one’s
driven
in years, sunk to its fenders in weeds and dead sunflowers;
and in the lilies, your mouth on my white throat, while turtles
drag
their bellies through slick mud, through the footprints of coots and
ducks.
Do it when no one’s looking, when the riots begin and the planes
open up,
when the bus leaps the curb and the driver hits the brakes and the
pedal sinks to the floor,
while someone hurls a plate against the wall and picks up another,
love me like a freezing shot of vodka, like pure agave, love me
when you’re lonely, when we’re both too tired to speak, when you
don’t believe
in anything, listen, there isn’t anything, it doesn’t matter; lie down
with me and close your eyes, the road curves here, I’m cranking up
the radio
and we’re going, we won’t turn back as long as you love me,
as long as you keep on doing it exactly like that.
”
”
Kim Addonizio (Tell Me)
“
Now I'll never see him again, and maybe it's a good thing. He walked out of my life last night for once and for all. I know with sickening certainty that it's the end. There were just those two dates we had, and the time he came over with the boys, and tonight. Yet I liked him too much - - - way too much, and I ripped him out of my heart so it wouldn't get to hurt me more than it did. Oh, he's magnetic, he's charming; you could fall into his eyes. Let's face it: his sex appeal was unbearably strong. I wanted to know him - - - the thoughts, the ideas behind the handsome, confident, wise-cracking mask. "I've changed," he told me. "You would have liked me three years ago. Now I'm a wiseguy." We sat together for a few hours on the porch, talking, and staring at nothing. Then the friction increased, centered. His nearness was electric in itself. "Can't you see," he said. "I want to kiss you." So he kissed me, hungrily, his eyes shut, his hand warm, curved burning into my stomach. "I wish I hated you," I said. "Why did you come?" "Why? I wanted your company. Alby and Pete were going to the ball game, and I couldn't see that. Warrie and Jerry were going drinking; couldn't see that either." It was past eleven; I walked to the door with him and stepped outside into the cool August night. "Come here," he said. "I'll whisper something: I like you, but not too much. I don't want to like anybody too much." Then it hit me and I just blurted, "I like people too much or not at all. I've got to go down deep, to fall into people, to really know them." He was definite, "Nobody knows me." So that was it; the end. "Goodbye for good, then," I said. He looked hard at me, a smile twisting his mouth, "You lucky kid; you don't know how lucky you are." I was crying quietly, my face contorted. "Stop it!" The words came like knife thrusts, and then gentleness, "In case I don't see you, have a nice time at Smith." "Have a hell of a nice life," I said. And he walked off down the path with his jaunty, independent stride. And I stood there where he left me, tremulous with love and longing, weeping in the dark. That night it was hard to get to sleep.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
I’m mesmerized by lipstick prints on coffee cups.
By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs.
To learn how to differentiate yearning from satiation. To know the curve of a deep-rooted joy or the line of bottomless grief. To be able to say, this deep blue red you chose and how firmly you planted your lips, this speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it and the coffee has sloshed all over the saucer? people need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise almost etched in a single spot and most of the cup left unconsumed? Oh love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end.
I imagine that I can know entire stories by these marks on discarded mugs. Imagine that I know something intimate and true of the woman who left them. That I could take those mugs home one day and an entire novel worth of characters would pour out, just like that.
”
”
Jeanette LeBlanc
“
To My Wife
You are like a young
white hen.
Her feathers ruffle
in the wind, her neck curves
down to drink, and
she rummages in the earth:
but, in walking, she has
your slow, queenly step,
haughty and proud.
She is better than the male.
She is like the females
of all the serene animals
who draw near to God.
Here, if my eye, if my judgment
doesn’t deceive me, among these,
you find your equals,
and in no other woman.
When evening lulls
the little hens to sleep,
they make sounds that call
to mind those mild, sweet
voices with which you argue
with your pains, and don’t know
that your voice has the soft, sad
music of the henyard.
You are like a pregnant
heifer,
still free, and without
heaviness, merry, in fact;
who, if someone strokes her, turns
her neck, where a tender
pink tinges her flesh.
If you meet up with her, and hear
her bellow, so mournful
is this sound that you tear
at the earth to give her
a present. In the same way,
I offer my gift to you
when you are sad.
You are like a tall, thin
female dog, that always
has so much sweetness
in her eyes and ferociousness
in her heart.
At your feet, she seems
a saint who burns
with an indomitable fervor
and in this way looks at you
as her God and Lord.
When you are at home, or going
down the street, to anyone who tries,
uninvited, to approach you,
she uncovers her shining
white teeth. And her love
suffers from jealousy.
You are like the fearful
rabbit. Within her narrow
cage, she stands upright
to look at you, and extends
her long, still ear; she deprives
herself of the husks and
roots that you bring her,
and cowers, seeking
the darkest corners.
Who might take away
this food? Who might
take away the fur which
she tears from her back
to add to the nest where
she will give birth?
Who would ever make
you suffer?
You are like the swallow
which returns in the spring.
But each autumn will depart—
you don’t have this art.
You have this of the swallow:
the light movements;
that which, to me, seemed
and was old, you proclaim
another spring.
You are like the provident
ant. She whom the grandmother
speaks of to the child as they
go out in the countryside.
And thus I find you
in the bumble bee
and in all the females
of all the serene animals
who draw near to God.
And in no other woman.
”
”
Umberto Saba
“
I wish I could hate you for makin’ me fall in love with you, but you’re the Taylor Lautner of exes.” “Am I supposed to know what that means?” The corner of her lips curves up. “He’s the favorite ex of Taylor Swift because he’s unproblematic and treated her like royalty.
”
”
Brooke Montgomery (Here With Me (Sugarland Creek, #1))
“
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
In the desert the most loved waters, like a lover’s name, are carried blue in your hands, enter your throat. One swallows absence. A woman in Cairo curves the white length of her body up from the bed and leans out of the window into a rainstorm to allow her nakedness to receive it
”
”
Michael Ondaatje
“
No, making you realize that your body size isn’t something shameful, but something to be celebrated. People come in all different shapes, and one is not better over another. But for the record, I love every curve and dip that graces your beautiful frame. You’re perfection in human form.
”
”
Wendi Guff (Audited by the Anubis (Monstrous Meet Cutes #1))
“
I saw them,” he said.
I frowned. “Saw what?”
He took a deep breath as he eyed me. “The paintings.”
For a moment, I didn’t get where he was going with this. Not when he traced the curve of my cheek with his thumb and not when a soft smile curved his lips. And then it hit me.
“The paintings?” I swallowed and started to sit up, but he didn’t let me get very far. “The paintings at my place?” When he nodded, I felt my face heat like I was out under the summer sun. “The ones that are . . . ?”
“Of me?” he supplied.
I squeezed my eyes shut. “Oh my God. Seriously?”
“Yes.”
Mortified, I didn’t know what to say. “They were in my closet. Why were you in my closet?”
“Looking for a psycho stalker,” he answered.
My eyes popped opened. “That . . . that was like two weeks ago! You saw them back then and didn’t say anything.”
Reece sat up, bringing me with him. Somehow my body ended up between his legs and we were face-to-face. “I didn’t say anything, because I figured you’d respond this way.”
“Of course I’d respond this way! It’s embarrassing. You probably think I’m some kind of freak. A stalker—a creepy stalker who paints pictures of you when you’re not around.”
“I don’t think you’re a stalker, babe.” His voice was dry.
I screwed up my face. “I can’t believe you saw them.”
He chuckled, and my eyes narrowed on him. “Honestly? I really didn’t know how you truly felt about me until I saw them.”
My brows flew up. “I thought you were all-knowing.”
Reece smirked. “I had my suspicions that you were in love with me from the first time you laid eyes
on me.”
“Oh dear baby Jesus in a manger,” I muttered.
“But I don’t think I was a hundred percent until I saw those paintings, especially the one of me in the kitchen. You painted that after . . . after I left.” His brows lowered as he gave a little shake of his head. “It’s nothing to be embarrassed about. I think it’s sweet.
”
”
Jennifer L. Armentrout (Fall with Me (Wait for You, #4))
“
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.”
I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.”
Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.”
“Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again.
“Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.”
“Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?”
His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.”
I whispered the words as he brought his lips to mine. “Forever.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
I wish I could tell you this was all just because I’m desperate and horny, making up for lost time after being locked up.” He slid his palm under the hem of her T-shirt, groaning at the feel of warm, smooth skin. “It would be so much easier if that was all this was.” He cupped a breast and flicked a nipple through the silk of her bra, loving the way it jumped to immediate attention against the pad of his thumb.
“There hasn’t been anyone,” he said between kisses. “I haven’t wanted anyone. I’ve been walking around like I’m dead inside and then you show up.” He couldn’t keep the edge out of his voice, angry at his own lack of control. Like she needed anything more on him, but he couldn’t keep himself from spilling his guts. “All of a sudden all I can think about is how you smell, how you might taste.” He sucked her tongue into his mouth for emphasis. “How soft your skin would feel.” He whipped her shirt over her head and slid his hands down the smooth line of her back, down the curve of her waist and hip.
”
”
Jami Alden (Hide from Evil (Dead Wrong, #2))
“
You curving—you rivering and full—
how did Theseus find no joy in you?
Let me be your tender captain, ferry
the ultramarine thread you unraveled
from your skein—to lead the most lost through
the labyrinth of your body.
Go forward, always down, you said.
I know another name for holy is water…
”
”
Natalie Díaz (Postcolonial Love Poem)
“
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could.
'I love you,' I say, the words coming out in an unintelligible rush.
Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.'
My cheeks heat at the memory of those lies.
'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his.
When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.'
He doesn't try to interrupt, so I have to choice but to barrel on.
'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.'
'But now you've explained it,' he says. 'And you do love me.'
'I love you,' I confirm.
'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.'
'Or your deliciousness,' I say. 'Although those are both good qualities.'
He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.'
He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.'
I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.'
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
You’re right, let me be more clear.” He leaned forward until his mouth rested on the curve of her ear. “May I kiss you with intent to impassion? May I kiss you until you’re trembling with need? May I lift you with an arm, trap you against this wall, and drive away every sense of awareness but that of our mingling breath?
”
”
Megan G. Mossgrove (Satyr: A Cozy Fantasy Romance)
“
You’ve come to your senses, that’s what. Although stubbornness may be a quality some admire, I find your overabundance of it quite distasteful. You take an enormous amount of leading to reach the correct conclusions.”
“You know what I love? I love being manipulated! It makes me so happy and so willing to do whatever I’m being manipulated into!”
His mouth curved into a puzzled frown.
“It’s called sarcasm, you stupid faerie nitwit.” I picked up the nearest object, a froofy pillow with gold thread in intricate swirling patterns, and chucked it at his head. He stared at me, aghast, and I was pleased to see I’d managed to muss his perfect golden hair.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
Oh
The way you broke her heart
And shattered her life
With your empty promises
And biggest lies
The trust is gone and
The hope is lost for ever
The feeling of emptiness
And the pain of being alone
Never leaves her heart
She is living a life
Of heartache and despair
For you broke her heart
And shattered her life
”
”
Jyoti Patel (The Curved Rainbow)
“
Flannery had loved Anne truly. And truthfully. She had seen Anne clearly, not covered with the reflective glitter a person acquires if you view them in your smitten, solipsistic state, thinking with excitement, She is just like me! Rather, Flannery had that other gift love can give - the capacity to perceive your loved one's curves and chasms, her scars and smoothnesses, an idea of where her secrets are stored and the calm certainty that you should leave them alone. She has her reasons for keeping them hidden.
”
”
Sylvia Brownrigg (Pages for Her)
“
She's like cream, she's that soft.
Once her thighs are around you, you'll forget your own name.
The boys' voices had been sharp with excitement, their color high. But when I tried to imagine what they spoke of, my mind slid away, like a fish who would not be caught.
Other images came in their stead. The curve of a neck bent over a lyre, hair gleaming in firelight, hands with their flickering tendons. We were together all day, and I could not escape: the smell of the oils he used on his feet, the glimpses of skin as he dressed.
”
”
Madeline Miller (The Song of Achilles)
“
Lottie stared blindly at the dark canopy overhead. “Nick,” she asked raggedly, “is this the usual way that people h-have relations?”
His voice was muffled. “What is the usual way?”
She inhaled sharply as he nipped at the inner curve of her thigh. “I’m not entirely certain. But I don’t think this is it.”
His voice thickened with amusement. “I know what I’m doing, Lottie.”
“I was not implying that you didn’t… oh, please don’t kiss me there!”
Then she felt him shake with suppressed laughter. “For someone who has never done this before, you’re rather opinionated. Let me make love to you the way I want, hmmn? The first time, at least.” He grasped both her wrists and pinned them at her sides. “Lie still.
”
”
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“
You know what I love? The spaces between I love you. The tap of your fork against the plate and how my cup of wine clicks against our table. The scratchy voice coming from the radio in the other room. The quiet sound of your hand reaching across the table and whispering over mine. How your voice sounds like your mouth on the back of my neck. The soft murmur of our easy conversation.
Between these quiet Tuesday night routines, following every comma and right after every pause for breath, is I, love, and you. In the middle of every I love you is a sink full of dishes, whisper of socked feet tangled in white sheets, and gentle kisses against curved cheeks. We lyric ourselves into the laundry that needs to be finished, into the ends of every smile that follows me repeating your name. We write ourselves into the grocery bags we need to carry, the cracks running up our rented walls, the sides of the bed we choose to drag up the sails of heavy eyed dreams.
Like the spaces between our fingers, in the spaces between I, love, and you, we wait.
The in-betweens have always been my favorite.
”
”
Marlen Komar (Ugly People Beautiful Hearts)
“
Society, advertising, and magazines want women to believe that thinness and perfect skin are synonymous with beauty, that it’s impossible to be attractive without these unattainable standards. But this is clearly wrong; most men love curves, stretch marks, and even your cellulitis that you abhor. So, caress them with a smile because they are the very sign of your femininity.
”
”
Anoir Ou-chad
“
Suppose That I'm Inevitable
Suppose that I'm inevitable
Even the veins of my right hand
Cross you from the drafts.
On my smooth nails
The breeze
Which is not from the sky
Is curving you
Either the veins of my right hand
Is running short
On my pulse.
Rolled along my fingers
Vanished
Not repeated forever
For the second.
I'm a half
Since the first.
The veins of my neck cross you all.
If the warmth of my ten fingers
Seized on your torn pieces of breath
All is over
With the dead-end alleys
all in oblivion.
(TRANSLATED FROM ORIGINAL PERSIAN INTO ENGLISH BY ROSA JAMALI)
”
”
Rosa Jamali (Selected Poems of Rosa Jamali)
“
You have never been as beautiful as you will be through our eyes. You will have never known that the hard edge of your hipbone was worthy of poetry, or the curve of your smile or the husk of your voice or the caress of your cheek against our own. But if we love you, we will turn you into a poem. You will be made immortal by the power of our words. You can count on this.
Let it happen.
”
”
Jeanette LeBlanc
“
You get close to people. You get farther from them. You learn you love them. and then you say good-bye, believing that you will be together again, someday, when your lives curve back into one another's.
”
”
Nina LaCour (The Disenchantments)
“
Know Deeply, Know Thyself More Deeply"
Go deeper than love, for the soul has greater depths,
love is like the grass, but the heart is deep wild rock
molten, yet dense and permanent.
Go down to your deep old heart, woman, and lose sight of yourself.
And lose sight of me, the me whom you turbulently loved.
Let us lose sight of ourselves, and break the mirrors.
For the fierce curve of our lives is moving again to the depths
out of sight, in the deep dark living heart.
But say, in the dark wild metal of your heart
is there a gem, which came into being between us?
is there a sapphire of mutual trust, a blue spark?
Is there a ruby of fused being, mine and yours, an inward glint?
If there is not, O then leave me, go away.
For I cannot be bullied back into the appearances of love,
any more than August can be bullied to look like March.
Love out of season, especially at the end of the season
is merely ridiculous.
If you insist on it, I insist on departure.
Have you no deep old heart of wild womanhood
self-forgetful, and gemmed with experience,
and swinging in a strange union of power
with the heart of the man you are supposed to have loved?
If you have not, go away.
If you can only sit with a mirror in your hand, an ageing woman
posing on and on as a lover,
in love with a self that now is shallow and withered,
your own self–that has passed like a last summer’s flower–
then go away–
I do not want a woman whom age cannot wither.
She is a made-up lie, a dyed immortelle
of infinite staleness.
”
”
D.H. Lawrence (The Complete Poems of D.H. Lawrence)
“
His intense blue gaze held hers, willing her to believe. She pulled in a shaky breath. Each second, he’d said. This second, then another, then another, until she believed all the time. She closed her eyes. She wanted to trust in him, in them. Why did it have to be so darn hard?
Using his hold on her wrist, he drew her closer, leaned down to rest his cheek against hers. “I’m yours,” he murmured near her ear. “You have me. Believe that, baby.”
She nodded and slipped her arms about his neck, holding on hard. “I’m trying.”
“I know.” He rested a hand against her spine, dropped a kiss on the curve of her shoulder. “One second at a time, Angel. We have all the time you need.
”
”
Linda Winfree
“
Yes,” he says, he swallows, “I did. I do. I do want to be your friend.” He nods and I register the slight movement in the air between us. “I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend,” he says. “The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette—” “No,” I gasp. “Don’t—don’t s-say that—” I don’t know what I’ll do if he keeps talking I don’t know what I’ll do and I don’t trust myself “I want to know where to touch you,” he says. “I want to know how to touch you. I want to know how to convince you to design a smile just for me.” I feel his chest rising, falling, up and down and up and down and “Yes,” he says. “I do want to be your friend.” He says “I want to be your best friend in the entire world.” I can’t think. I can’t breathe “I want so many things,” he whispers. “I want your mind. Your strength. I want to be worth your time.” His fingers graze the hem of my top and he says “I want this up.” He tugs on the waist of my pants and says “I want these down.” He touches the tips of his fingers to the sides of my body and says, “I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it’s racing because of me, because you want me. Because you never,” he says, he breathes, “never want me to stop. I want every second. Every inch of you. I want all of it.” And I drop dead, all over the floor.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
You cut your hair,” she blurts out randomly. “I like it. It suits you.” I send her a cocky grin. Can’t help it. If this is how she wants to play it, I’m game. “Shame about the ears, though. There’s no hiding them now.”
Immediately, my fingers fly to my ear lobes. “What’s wrong with my ears?”
Her lips curve into a teasing smile. “Dude, if you don’t know what’s wrong with your ears, far be it from me to burst your ignorant bubble.” She stifles a giggle, and my heart soars. God, I’ve missed this so much. Missed her.
“Ha! Good one. You almost had me there.” I nudge her shoulder, and for a split second, it feels like old times. Like no separation exists. Like we haven’t hurt each other so much.
”
”
Siobhan Davis (Loving Kalvin (The Kennedy Boys, #5))
“
He did atrocious things, but it was him I wanted. Always, only him.
Troy stopped when we were nose to nose. Toe to toe. I loved watching those eyes from up-close. They were so ocean blue, no wonder they made my head swim.
“I love you, Red. I love you determined, tough, innocent, resilient…” His brows furrowed as he drank me in, stroking the curve of my face with his calloused fingertips. “I love you broken, insecure, scared, furious and pissed off…” He let a small smile loose.
I actually felt it, even though it was on his lips.
“I love every part of you, the good and the bad, the hopeless and the assertive. We don’t just love. We heal each other with every touch and complete each other with ever kiss. And fuck, I know it’s corny as hell, but that’s what I need. You’re what I need.”
My eyes fluttered shut, a lone tear hanging from the tip of my eyelash.
“We don’t have ordinary words between us. You always set my fucking brain on fire when you talk to me. We don’t even have ordinary moments of silence. I always feel like I’m playing with you or being played by you when you’re around. And I refuse to let you walk out on this, on us.”
He cupped my cheeks and I locked his palms in place, tightening my grip. I never wanted him to let go. He dipped his head down, tilting his forehead against mine. I knew he was right. Knew that I’d already forgiven him. Probably before I even knew what he did, when we were still living together. Hell, probably on that dance floor, when I was nine.
My capturer.
My monster.
My savior.
“I’m an asshole, was an asshole, and have every intention of staying an asshole. It’s the makeup of my fucking DNA. But I want to be your asshole. To you, I can be good. Maybe even great. For you, I’ll stop the rain from falling and the thunder from cracking and the wind from fucking blowing. And yes, I sure as hell knew you’d come back. You came straight back into my arms, flew back to your nest, lovebird. Now why would you do that if you didn’t love the shit out of me?”
My eyes roamed his face. His hands felt delicious on my skin. It was like he was pumping life into me with his fingertips. Like he made me whole before I even knew parts of me were missing.
”
”
L.J. Shen (Sparrow)
“
If you are bewildered and clinging tenaciously to some course you love, be patient. Work hard. Hold your dream tightly to you, and do everything you can to realize it within reason. Take a step that will lead you toward the realization of your dream, and then take another, and another, and another. Hold fast to your oars, hoist the sails to the wind, read the pictures in the stars, look beyond the horizon to that which you can't see but dimly sense in your future: the curving inlet, the sandy beach.
”
”
Jesmyn Ward (Navigate Your Stars)
“
[...]No human being has ever directly seen their own face. It's impossible within nature — the most you can do is glimpse your nose and, for those with full lips, the curve of you upper lip. And so we only see ourselves through external sources, whether as images in mirrors, pixels on the screen, or words on the page, words of love from a mother, words of hate from an ex-lover.
Long before Furo's story became my own, I was already trying to say what I see now, that we are all constructed narratives.
”
”
A. Igoni Barrett (Blackass)
“
I was born as a breakfast pastry in the fancy part of France and hours after I was born I was still warm from the heat of the oven. I knew that my warmth and lovely shape were the result of thoughtful and gentle work. Oh please feel it: I am the croissant that felt its own heat and curves and wished to become a woman, and I am that woman from the wish. Let me be your morning treat with your coffee. Disregard the fear that I am too rich to be an ordinary meal. Allow my antique decadence into your morning into your mouth. Pair me with jam. Treasure me for my layers and layers of fragility and richness. Name me after a shape that the moon makes. Have me in a hotel while you are on vacation. Look at me and say, “Oh, I really shouldn’t,” just because you want to have me so very much.
”
”
Jenny Slate (Little Weirds)
“
Nothing felt like mine anymore, not after you. All those little things that defined me; small sentimental trinkets, car keys, pin codes, and passwords. They all felt like you. And more than anything else, my number - the one you boldly asked for that night, amidst a sea of people, under a sky of talking satellites and glowing stars.
You said no matter how many times you erased me from your phone, you would still recognize that number when it flashed on your screen. The series of sixes and nines, like the dip of my waist to the curves of my hips, your hands pressed into the small of my back. Nines and sixes that were reminiscent of two contented cats, curled together like a pair of speech marks. You said if you could never hold me or kiss me again, you could live with that. But you couldn't bear the thought of us not speaking and asked, at the very least, could I allow you that one thing?
I wonder what went through your mind the day you dialed my number to find it had been disconnected. If your imagination had raced with thoughts of what new city I run to and who was sharing my bed. Isn't it strange how much of our lives are interchangeable, how little is truly ours. Someone else's ring tone, someone else's broken heart. These are the things we inherit by choice or by chance.
And it wasn't my choice to love you but it was mine to leave. I don't think the moon ever meant to be a satellite, kept in loving orbit, locked in hopeless inertia, destined to repeat the same pattern over and over - to meet in eclipse with the sun - only when the numbers allowed.
”
”
Lang Leav (Memories)
“
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted.
Each of his thumbs curved over the shells of my ears. "That's my girl."
His girl.
After all the crap that I'd gone through today, there couldn't have been three better words to hear.
Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now.
What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings.
“What’cha thinkin’, Ritz?”
I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?”
Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine.
"And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me."
He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you."
He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you."
The feeling that swamped me was indescribable.
He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it.
"Dex," I exhaled his name.
He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby."
I choked out a laugh.
Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass."
Fire shot straight through my chest. "Yeah?" I panted.
"Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
”
”
Mariana Zapata (Under Locke)
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Some team! The Chief was doing so many jobs alone. I’d fix on the Chief’s raw, rope-burned palms or all the gray hairs collected in his sink, and I’d suffer this terrible side pain that Kiwi said was probably an ulcer and Ossie diagnosed as lovesickness. Or rather a nausea produced by the “black fruit” of love—a terror that sprouted out of your love for someone like rotting oranges on a tree branch. Osceola knew all about this black fruit, she said, because she’d grown it for our mother, our father, Grandpa Sawtooth, even me and Kiwi. Loving a ghost was different, she explained—that kind of love was a bare branch. I pictured this branch curving inside my sister: something leafless and complete, elephantine, like a white tusk. No rot, she was saying, no fruit. You couldn’t lose a ghost to death.
”
”
Karen Russell (Swamplandia!)
“
When I am an old man and I can remember nothing else, I will remember this moment. The first time my eyes beheld an angel in the flesh. I will remember your body and your eyes, your beautiful face and breasts, your curves and this. I will remember your scent and your touch and how it felt to love you. But most of all, I will remember how it felt to gaze at true beauty, both inside and out. For you are fair, my beloved, in soul and in body, generous of spirit and generous of heart. And I will never see anything this side of heaven more beautiful than you.
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
Thomas was greatly interested in Sirius's accounts of his love affairs; about which, by the way, he showed no reticence. To the question, 'What is it that attracts you in her?' young Sirius could only reply, 'She smells so lovely.' Later in life he was able to say more. Some years later I myself discussed the matter with him, and he said, 'Of course it's mostly the luscious smell of her. I can't possibly make you understand the power of it, because you humans are so bad at smells. It's as though your noses were not merely feeble but colour-blind. But think of all that your poets have ever said about the delectable curves and colours of the beloved, and how her appearance seems to express a lovely spirit (often deceptively), and then imagine the whole thing done in terms of fragrance. Morwen's fragrance when she wants me is like the scent of the morning, with a maddening tang in it for which there are no words. It is the scent of a very gentle and fragrant spirit, but unfortunately the spirit of Morwen is nine-tenths asleep, and always will be. But she smells like what she would be if she were really awake.
”
”
Olaf Stapledon (Sirius)
“
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body.
I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
A second later, his fingers tilted her chin, forcing her to look into intense blue eyes as he said, “I love you, Gabrielle, and you are mine. We will be together, sugar.” His lips curved. “If your brattiness bothers me, I think you know now that I can—and will—simply fuck it right out of you.
”
”
Cherise Sinclair (Make Me, Sir (Masters of the Shadowlands, #5))
“
After watching—with a twinge of satisfaction—the letters burn to ashes in the fireplace, Evie felt sleepy. She went to the master bedroom for a nap. In spite of her weariness, it was difficult to relax while she was worried about Sebastian. Her thoughts chased round and round, until her tired brain put an end to the useless fretting and she dropped off to sleep.
When she awakened an hour or so later, Sebastian was sitting on the bed beside her, a lock of her bright hair clasped loosely between a thumb and forefinger. He was watching her closely, his eyes the color of heaven at daybreak. She sat up and smiled self-consciously.
Gently Sebastian stroked back her tumbled hair. “You look like a little girl when you sleep,” he murmured. “It makes me want to guard you every minute.”
“Did you find Mr. Bullard?”
“Yes, and no. First tell me what you did while I was gone.”
“I helped Cam to arrange things in the office. And I burned all your letters from lovelorn ladies. The blaze was so large, I’m surprised no one sent for a fire brigade.”
His lips curved in a smile, but his gaze probed hers carefully. “Did you read any of them?”
Evie lifted a shoulder in a nonchalant half shrug. “A few. There were inquiries as to whether or not you’ve yet tired of your wife.”
“No.” Sebastian drew his palm along the line of her thigh. “I’m tired of countless evenings of repetitive gossip and tepid flirtation. I’m tired of meaningless encounters with women who bore me senseless. They’re all the same to me, you know. I’ve never given a damn about anyone but you.”
“I don’t blame them for wanting you,” Evie said, looping her arms around his neck. “But I’m not willing to share.”
“You won’t have to.” He cupped her face in his hands and pressed a swift kiss to her lips.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Once, before I had you, I saw you. I know it sounds crazy, but it's true. I was pregnant and standing alone outside a party, and when you kicked, I shut my eyes and saw you on a beach we would arrive at almost five years later. You were facing the water and wearing your blue swimsuit and I knew, from the curve in your spine and the nut brown of your skin, that you were mine to protect like nothing else ever will be.
So when you first started asking me hard questions, the ones about America and your place here, I wanted to find you the right answers - the kind that would make you feel good, welcome, and loved. I thought if I could just remember the country I'd been raised to believe in, the one I was sure I would eventually get to, I'd be able to get us back there.
Here is the thing, though, the real, true thing I still have trouble admitting: I can't protect you from everything. I can't protect you from becoming a brown man in America. I can't protect you from spending a lifetime caught between the beautiful dream of a diverse nation and the complicated reality of one. I can't even protect you from the simple fact that sometimes, the people who love us will choose a world that doesn't.
Even now, just writing that down, I want to say something that will make it okay, or even make it make sense, but I can't. Will they ever really understand it themselves? Will they ever change? I have no idea. Our burden is how much we might love them anyway.
And this is maybe the part I worry about the most, how the weight of that will twist you into someone you don't want to be, or worse, make you ashamed of your own heart. I hope you will remember that you have nothing to be ashamed of. I hope you will remember that your heart is a good one, and that your capacity to feel love, in all its complexity, is a gift.
”
”
Mira Jacob (Good Talk: A Memoir in Conversations)
“
I do. I do want to be your friend. I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every shiver of your body, Juliette. I want to know where to touch you. I want to know how to touch you. I want to know how to convince you to design a smile just for me. Yes, I do want to be your friend. I want you be your best friend in the entire world.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Naked Girl and Mirror
This is not I. I had no body once-
only what served my need to laugh and run
and stare at stars and tentatively dance
on the fringe of foam and wave and sand and sun.
Eyes loved, hands reached for me, but I was gone
on my own currents, quicksilver, thistledown.
Can I be trapped at last in that soft face?
I stare at you in fear, dark brimming eyes.
Why do you watch me with that immoderate plea-
'Look under these curled lashes, recognize
that you were always here; know me-be me.'
Smooth once-hermaphrodite shoulders, too tenderly
your long slope runs, above those sudden shy
curves furred with light that spring below your space.
No, I have been betrayed. If I had known
that this girl waited between a year and a year,
I'd not have chosen her bough to dance upon.
Betrayed, by that little darkness here, and here
this swelling softness and that frightened stare
from eyes I will not answer; shut out here
from my own self, by its new body's grace-
for I am betrayed by someone lovely. Yes,
I see you are lovely, hateful naked girl.
Your lips in the mirror tremble as I refuse
to know or claim you. Let me go-let me be gone.
You are half of some other who may never come.
Why should I tend you? You are not my own;
you seek that other-he will be your home.
Yet I pity your eyes in the mirror, misted with tears;
I lean to your kiss. I must serve you; I will obey.
Some day we may love. I may miss your going, some day,
though I shall always resent your dumb and fruitful years.
Your lovers shall learn better, and bitterly too,
if their arrogance dares to think I am part of you.
”
”
Judith A. Wright
“
He thought, in your most secret dreams you cut a niche for yourself, and it is finished early, and then you wait for someone to come along to fill it—but to fill it exactly, every cut, curve, hollow and plane of it. And people do come along, and one covers up the niche, and another rattles around inside it, and another is so surrounded by fog that for the longest time you don’t know if she fits or not; but each of them hits you with a tremendous impact. And then one comes along and slips in so quietly that you don’t know when it happened, and fits so well you almost can’t feel anything at all. And that is it.
“What are you thinking about?” she asked him.
He told her, immediately and fully. She nodded as if he had been talking about cats or cathedrals or cam-shafts, or anything else beautiful and complex. She said, “That’s right. It isn’t all there, of course. It isn’t even enough. But everything else isn’t enough without it.”
“What is ‘everything else’?
”
”
Theodore Sturgeon (The Complete Stories of Theodore Sturgeon, Volume VI: Baby Is Three)
“
Shannon, I don’t want you to be…disappointed.” He could feel his face burn with humiliation, and was thankful it was fairly dark in the bedroom. “Things don’t always happen the way I expect them to, if they happen at all.” She sighed beside him, and propped herself up on her elbow. There was just enough illumination from the outside street light he could see the curve of her cheek as she smiled. “John, like I told you before, we can do as much or as little as you want. There’s no pressure, other than what you’re putting on yourself. I love being with you. If lying beside me is what you’re comfortable with, that’s what we’ll do.” Squeezing
”
”
J.M. Madden (Embattled Hearts (Lost and Found, #1))
“
Finally, he scraped just his knuckles along the pulsing core of me, the friction intensely erotic through the damp fabric of my underwear. My body jerked involuntarily at the touch, but then just as suddenly it was gone. He curved his hands under my ass, gripping my cheeks as he shifted me closer. I heard his sharp intake of breath at the contact, and I relished it, that sign that he was just as turned on as I was.
He cupped my breasts, rolling my nipples between his fingers in a way that instantly made my breathing shallow. "I love how you fill my hands," he said. "I could just come thinking about your tits. I have come just thinking about your tits.
”
”
Alicia Thompson (Love in the Time of Serial Killers)
“
i am the pebble in your italian loafers (also the reason you can own them). i am the shadow that curves over the swollen cracked plaster in barry's ceiling, waking him in fear when the moon is bright. i am the acrid taste that flows from the kitchen taps after heavy rains. i am after you, i am part of you, i am everywhere, i love you.
”
”
Susan Scarf Merrell (Shirley)
“
I've been thinking," he said huskily.
A tremulous smile curved her lips. "About what?"
"Trust. When I told you I couldn't count on someone loving me..."
"Yes, I remember."
"I realized that before I can have trust... actually feel it... I'll have to start doing it. Trusting blindly. I'll have to learn how. It's... difficult."
Her beautiful eyes shimmered. "I know, darling," she whispered.
"But if I'm ever going to try it with anyone, it has to be you."
Phoebe inched closer to him. Her eyes were so bright, they were like bottled lightning. "I've been thinking, too."
"About?"
"About surprises. You see, there was no way of knowing how much time Henry and I would have together before his decline started. As it turned out, it was even less time than we'd expected. But it was worth it. I would do it again. I wasn't afraid of his illness, and I'm not afraid of your past, or whatever might leap out at us. That's the chance everyone takes, isn't it? The only ironclad guarantee is that we'll love each other." Her voice thickened with emotion. "And I do, West. I love you so very much.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
Ode to the Beloved’s Hips"
Bells are they—shaped on the eighth day—silvered
percussion in the morning—are the morning.
Swing switch sway. Hold the day away a little
longer, a little slower, a little easy. Call to me—
I wanna rock, I-I wanna rock, I-I wanna rock
right now—so to them I come—struck-dumb
chime-blind, tolling with a throat full of Hosanna.
How many hours bowed against this Infinity of Blessed
Trinity? Communion of Pelvis, Sacrum, Femur.
My mouth—terrible angel, ever-lasting novena,
ecstatic devourer.
O, the places I have laid them, knelt and scooped
the amber—fast honey—from their openness—
Ah Muzen Cab’s hidden Temple of Tulúm—licked
smooth the sticky of her hip—heat-thrummed ossa
coxae. Lambent slave to ilium and ischium—I never tire
to shake this wild hive, split with thumb the sweet-
dripped comb—hot hexagonal hole—dark diamond—
to its nectar-dervished queen. Meanad tongue—
come-drunk hum-tranced honey-puller—for her hips,
I am—strummed-song and succubus.
They are the sign: hip. And the cosign: a great book—
the body’s Bible opened up to its Good News Gospel.
Alleluias, Ave Marías, madre mías, ay yay yays,
Ay Dios míos, and hip-hip-hooray.
Cult of Coccyx. Culto de cadera.
Oracle of Orgasm. Rorschach’s riddle:
What do I see? Hips:
Innominate bone. Wish bone. Orpheus bone.
Transubstantiation bone—hips of bread,
wine-whet thighs. Say the word and healed I shall be:
Bone butterfly. Bone wings. Bone Ferris wheel.
Bone basin bone throne bone lamp.
Apparition in the bone grotto—6th mystery—
slick rosary bead—Déme la gracia of a decade
in this garden of carmine flower. Exile me
to the enormous orchard of Alcinous—spiced fruit,
laden-tree—Imparadise me. Because, God,
I am guilty. I am sin-frenzied and full of teeth
for pear upon apple upon fig.
More than all that are your hips.
They are a city. They are Kingdom—
Troy, the hollowed horse, an army of desire—
thirty soldiers in the belly, two in the mouth.
Beloved, your hips are the war.
At night your legs, love, are boulevards
leading me beggared and hungry to your candy
house, your baroque mansion. Even when I am late
and the tables have been cleared,
in the kitchen of your hips, let me eat cake.
O, constellation of pelvic glide—every curve,
a luster, a star. More infinite still, your hips are
kosmic, are universe—galactic carousel of burning
comets and Big Big Bangs. Millennium Falcon,
let me be your Solo. O, hot planet, let me
circumambulate. O, spiral galaxy, I am coming
for your dark matter.
Along las calles de tus muslos I wander—
follow the parade of pulse like a drum line—
descend into your Plaza del Toros—
hands throbbing Miura bulls, dark Isleros.
Your arched hips—ay, mi torera.
Down the long corridor, your wet walls
lead me like a traje de luces—all glitter, glowed.
I am the animal born to rush your rich red
muletas—each breath, each sigh, each groan,
a hooked horn of want. My mouth at your inner
thigh—here I must enter you—mi pobre
Manolete—press and part you like a wound—
make the crowd pounding in the grandstand
of your iliac crest rise up in you and cheer.
”
”
Natalie Díaz
“
My father, father!' - she might pray to the winds;
no innocence moves her judges mad for war.
Her father called his henchmen on,
on with a prayer,
'Host her over the alter
like a yearling, give it all your strength!
She's fainting - lift her,
sweep her robes around her,
but slip this strap in her gentle curving lips...
here, gag her hard, a sound will curse the house'-
and the bridle chokes her voice... her saffron robes
pouring over the sand
her glance like arrows showering
wounding every murderer through with pity
clear as a picture, live,
she strains to call their names...
I remember often the days with father's guests
when over the feast her voice unbroken,
purees the home her loving father
bearing third libations, sang to Saving Zeus -
transfixed with joy, Atreus' offspring
throbbing out their love.
”
”
Aeschylus
“
Today, take a moment to celebrate you. Your beauty. Your style. Your sense of inner mischief. The way you glow in the sunlight. Your strut in those badass boots. The way the dress hugs your soft curves. The gleam in your eye. The curve of your irrepressible smile. The line of your collarbone. The way you know, underneath all the doubts and insecurities and demons that you are, in fact, magic. And what’s more? You always have been. You don’t need someone else to say so. This isn’t for likes or comments. You don’t need to book a photoshoot for this celebration. This is between you and you. For you to take the time to see yourself. To smile at your own beauty. Find a spot where you feel the energy. Where the sun hits just so. Where the colors or textures make you feel more alive, more you. Find somewhere to prop your phone and set the timer on your camera. You don’t need special equipment. And then just see what happens. Be open and curious about what wants to be seen. If someone sees you and stares or laughs or has the nerve to judge, you just ground down and rise up even more. They are just missing out on how good it can feel to see and know your own magic and beauty. And yes. If you want, and it feels good, you should share it. Because we want to see you and celebrate you too.
”
”
Jeanette LeBlanc
“
my fingers penetrated your bushy hair, pulled it up in tufts, squeezed the tension out of your head, to your quiet, grateful groans. I untied the Gordian knots in your shoulders with juniper oil, pummelled your back with my fists, knuckle each vertebrae down to your coccyx, knead your hard buttocks, rub oil into your legs, bathe your tired feet, squeeze them until your tingles shoot up my arm, I chew each toe in turn until it is softened, bite into your soles like a joint of pork, you cannot help but giggle, sir, I turn you over, with my palms, rotate your temples, trace the curves on your face, touching yet not, three fingers inside your mouth, let you suckle, baby, from belly to breast, I massage your chest in concentric circles, pinch your nipples, nibble gently, set my belly-dancer tongue on to them, take your hands, my love, tie them above your head, with your belt, I sit astride my steed, take the reins, my flexible muscles holding you in, flexing like strong fists, tighten and release, teasing you, taming you, your eyes are shut, you have died and gone to Olympus, smiling, I slap it off, so hard my hand hurts, your eyes shoot open like a dead man dying, I slap you again, you feign amusement, your eyes suggest so this is slap and tickle? I take your riding crop, fold it, lash your chest. ‘Take that!’ I hiss. ‘How dare you humour me. Who’s the boss now?
”
”
Bernardine Evaristo (The Emperor's Babe)
“
You are the creation of God. You are the beauty of God. There is not one wrinkle, hair, nail, or cell that was not created by the Divine. God is the master architect, sculptor, and admirer of you and of creation Itself. If you look at a wrinkle on your face, that is the Love of God written upon you. The curves, the contours, the space surrounding you, the masterful etching is the deep story of you. Here, there, and everywhere, God knows you, knows Creation.
”
”
Tara Bianca (The Flower of Heaven: Opening the Divine Heart Through Conscious Friendship & Love Activism)
“
But looking at you was nothing like looking at those pictures. When I first saw,” he said, looking down at her chest, then up again to meet her eyes, “it hurt, almost a physical pain. Since you finished chemo, you've gotten so strong again. Sometimes I almost forget what you've been through. But seeing your scars, they reminded me of your hurt. How you've been cut apart. What you gave up.”
It was important, not keeping herself back from him, putting parts of herself off limits. But it stung when he sank down to brush his lips over the two biggest scars.
“But your scars are beautiful. I mean, I look at them, and I want to kiss, I want to touch, I feel this tenderness for them. You know how when you love someone, when you've been with them a long time and you know all the little lines and curves and planes of their body, how you look at little parts of them—the corner of their mouth, the back of their hand, the little crease where their earlobe meets their jaw—and you can feel like you're in love with that little piece of them? Maybe soon, I'll look at your scars like that. But right now, it's this feeling I've never had for a part of someone's body, before, because they promise me you're well. That you get to live. That we get to have a long life together.”
Her love for him was swelling up in her chest, the way it did sometimes, an ache she wanted to hold on to.
”
”
Varian Krylov (Hurt)
“
Visions flood in as I watch her chest rise and fall . . . the second our eyes locked in my backyard, the flash of surety I initially dismissed but still rang true through every fiber of my being. She knows you. The long looks we shared across every space, to the minute we snapped on that float before we collided and were created. The same continuous buzz thrumming steadily as we stole glances of each other between the flip of pages as storms raged outside my window. Her fingers tracing my skin, wonder in her eyes, to running my palm reverently over her back—in awe of the heart that beat inside of her, wrapped in her mystery. To the burst of sun that lit her up in my passenger seat as she adjusted her honeysuckle crown. The laughter spilling from us where she lay beneath me, tangled in the sheets before our smiles faded. Hearts raw and aching as we locked together, lost in our connection, chests bouncing in unison due to the tie that bound us. That still binds us. A fate we created together. A story I’ll continue to relive without regret. Falling for her was worth hitting bottom—and every single ache that comes with it. Reaching out, I trace the curve of her cheek. “You gutted me, baby,” I croak in confession as my chest caves. “But I can’t say I don’t deserve it . . .” I falter, grunting through the pain consuming me. “You thrive on love, and I . . . we fucking starved your heart . . . we just left you here.
”
”
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
“
Crouching over her, St. Vincent teased and fondled until he felt her hips rising tentatively against his hand. "I want to be inside you," he whispered, kissing the side of her neck. "I want to go deep into your body... I'll be so gentle, love... let me turn you over, and... God, you're so lovely..." He pressed her on her back, and settled between her widespread thighs, his whisper becoming frayed and unsteady. "Touch me, sweetheart... put your hand there..." He sucked in a quick breath as her fingers curved gently around the hard length of his sex. Evie stroked him hesitantly, understanding from the quickening of his breath that the caress gave him pleasure. His eyes closed, the thick lashes trembling slightly against his cheeks, his lips parting from the force of his sharp respirations.
Awkwardly, she gripped the heavy shaft and guided it between her thighs. The head of it slipped against the wetness of her sex, and St. Vincent groaned as if in pain. Trying again, Evie positioned him uncertainly. Once in place, he nudged strongly into the vulnerable cove. It burned far more than when he had put his fingers in her, and Evie tensed against the pain. Cradling her body in his arms, St. Vincent moved in a powerful thrust, and another, and then he was all the way inside. She writhed with the impulse to escape the hurtful invasion, but it seemed that each movement only drew him deeper.
Filled and stretched and opened, Evie forced herself to lie still in his arms. She held on to his shoulders, her fingertips digging into the hard quilting of muscle and sinew, and she let him soothe her with his mouth and hands. His brilliant eyes were heavy-lidded as he bent to kiss her. Welcoming the warm sleekness of his tongue, she drew it into her mouth with eager, awkward suction. He made a low sound of surprise, shuddering, and his shaft jerked violently inside her in a series of rhythmic spasms.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Places described by a lover are like no other places on earth. To learn a city in this way – boulevards curving, canals, cornices overhead – in the naked embrace, the luxury of listening while your skin is listening. The city slips into your body. And then, if you are fortunate enough to arrive there for the first time with that same lover, or more fortunate still to arrive there after many years with the same lover – then you will enter the place as if in a dream. Your body will recognise the canals, the cornices, the curving boulevards; memory before sight. And that is a great gift, because we arrive most often as strangers; this, of course, is its own pleasure. But this other pleasure – arrival into the memory of a place you’ve never been and yet know in your skin – is the same as arriving into love, that knowledge of something we do not yet know. The kind of love that is like a fatality. The one you never live beyond, no matter what else befalls you.
”
”
Anne Michaels (Held)
“
When I feel comfortable enough that he is not going to trip me, I manage to look down, and see that his feet are gliding gracefully on the floor in his bloack loafers. He's even doing this very hot rhythmitic figure eight with his hips. Maybe it's the music that's growing on me, or it's that I'm giddy from not having had anything to eat except half a miniquiche, but after a moment or so, I start to move my hips, too. And suddenly, I'm breathless again, but in a good way. Once Pip gets into the groove, he stops looking at the instructor and his eyes fasten on me. So close like this, they're shocking in their brilliance, so light blue as to be almost white. Like silver medallions moving back and forth on a chain, they're hypnotizing. Where did they come from? I swear they weren't so beautiful a day ago, when we were sitting in the food court, talking about ewl and popping stag mints. " Where did you learn to do this?" I whisper in his ear, still unable to break from his gaze. " Faries love to dance. This is similar to one of theirs," he explains as he slows to near a stop. His eyes focous on Fit Lady again, and before I can ask what he's doing, he expertly glides his leg out from underneath his body, dragging his foot on the ground. " Yours should follow him," Fit Lady says, watching my legs. ...then I feel her hand on my leg, pulling it up into the air. I toddle about on one leg like a top that's about to fall, so Pip steadies me, and I hold on so tight to his arms with my sweaty hands as to cut off his circualtion. But he doesn't seem to mind. I watch as she grips my leg at the knee and pulls it, higher, higher … almost to Pip's hip level, then force me to extend and curve it around him. Ow, I am not a pretzel. " What are you doing?" " Gancho," she says. " Just take your leg up and wrap it around his body." " Wait. Wh- wh-at?" He's still staring at me with those amazing eyes as I push him away, falling back onto my elbows with a deafening crack.
”
”
Cyn Balog (Fairy Tale)
“
Something terrible was clawing up her throat.
“I was lucky,” Arin said. “I had you. And a hard head. And the grace of my god.”
“Damn>/i> your god.”
Arin caught her arm above the elbow. She turned to face him. All trace of humor had left his face. His eyes were wide, urgent. “Don’t say that.”
“Why not? I can say anything. Anything except what really matters.”
“Kestrel, take it back. You’ll offend him.”
“Your god risks you.”
“He protects me.”
“You’re his plaything.”
“You’re wrong. He loves me.”
Saying those words made him look so alone. He reminded her of sails curved by the wind, full and yet empty at the same time. She found that she was jealous of his god. The sudden jealousy held her so hard in its grip that she couldn’t breathe.
“It’s true,” Arin insisted.
She saw then that she had hurt him, that his god’s love was all the more precious to him because of his fear that he would find it nowhere else. Her anger rinsed away. “I’m sorry. I’m sorry. I ask your pardon. His, too.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Run through your mental Rolodex of people past eighty: Most of them are either gracious, happy, grateful, patient, loving, self-giving people you know, just happy to be alive and sitting in the same room with you, or the most bitter, manipulative, spiteful people you know, oozing emotional poison into their family lines and reveling in others' pain. Sure, some are in the middle of the bell curve, but most are noticeably to one side.
That's because they've spent almost a century becoming a person. Being formed.
”
”
John Mark Comer (Practicing the Way: Be with Jesus, Become Like Him, Do As He Did)
“
Andrew followed the direction of her elegant hand and was surprised to see that there was, indeed, a woman in the garden below. “Yes?” He turned toward Vivien and found she was holding out a spyglass for him. “Look a little closer, you could hardly see any detail of her from all the way up here.” He tilted his head in increasing confusion. “Vivien—” “Please,” she insisted, her tone firm.
With a grunt, Andrew took the glass from her hand and peered through the viewer to the young woman below. As he focused on her face, his breath caught. She was utterly lovely. Chestnut locks framed a face with high cheekbones and full lips, not to mention china-blue eyes that lit up with delight as she paused to sniff this flower or that. Her clothing was well-worn, but when she twisted to observe her surroundings, it accentuated soft curves. Andrew shifted as a most unfamiliar feeling began to stir his loins. Desire, hot and powerful, pumped through his veins, and he lowered the spyglass in shock. He hadn’t had such a strong reaction to a woman in years.
“I assume you like what you see,” Vivien said softly. Andrew clenched his teeth. There was no hiding the swelling of his cock through the tight breeches he wore, and Vivien was too aware of such things not to notice. “She is, obviously, very pretty,” he said coolly as he handed the glass back to Vivien and turned away. He tried to think of anything, anyone, that might force the inconvenient blood upward. “She is looking for a protector,” Vivien said from behind him. “I thought you might be the right match for her.” Andrew spun around, no longer caring if his erection was obvious. “I beg your pardon?” he barked.
”
”
Jess Michaels (An Introduction to Pleasure (Mistress Matchmaker, #1))
“
Elle:
"I didn't think I could fall more in love with you, but you've proven me wrong, Tristan Wade Daniels. I love you.”
His lips curved into a wide smile. "Say it again.”
I stepped on my tiptoes and leaned in, my lips a breath away from touching his. I whispered, "I love the way my body craves more of you. I love the way your hands feel while touching me. I love the way your lips taste…”
My eyes darted to his lips, and then back to his eyes.
"I love how much you care. I don't just love you, but everything about you. I always have, Tristan. I always will.
”
”
Angela McPherson (Addiction (Distraction #2))
“
Blame this dress,” I tell her. “It shows off the sexiest parts of you.” “Let me guess.” Her laugh rumbles into me. “The ass?” I caress the dramatic curve from her back to her butt, rubbing my hand along her spine. “No, this is the sexiest thing about you.” The laughter leaves my voice. “This gorgeous backbone.” She pulls back to study my face in the shadows. With the sun setting, soon we’ll have to pick each other out of the dark like we did the first time we made love. “Your strength,” I continue, pressing my fingers along the delicate bones strung up her back. “And this.” I skim the curve of her breasts, but don’t stop there, not until I reach the skin left bare by the neckline of her dress. Until my hand rests on her heart. “This heart of yours.” My laugh is full of self-deprecation. “That you somehow miraculously have given to me, it’s the other sexiest thing about you.” She traces the line of my eyebrows, the slant of my cheekbones, my lips. I know what she sees. A good-looking guy with a not-always-good heart. Not a heart like hers. “That’s just about the most perfect thing anyone’s ever said to me,” she says.
”
”
Kennedy Ryan (Block Shot (Hoops, #2))
“
I like to watch Peter when he doesn’t know I’m looking. I like to admire the straight line of his jaw, the curve of his cheekbone. There’s an openness to his face, an innocence--a certain kind of niceness. It’s the niceness that touches my heart the most.
It’s Friday night at Gabe Rivera’s house after the lacrosse game. Our school won, so everyone is in very fine spirits, Peter most of all, because he scored the winning shot. He’s across the room playing poker with some of the guys from his team; he is sitting with his chair tipped back, his back against the wall. His hair is still wet from showering after the game. I’m on the couch with my friends Lucas Krapf and Pammy Subkoff, and they’re flipping through the latest issue of Teen Vogue, debating whether or not Pammy should get bangs.
“What do you think, Lara Jean?” Pammy asks, running her fingers through her carrot-colored hair. Pammy is a new friend--I’ve gotten to know her because she dates Peter’s good friend Darrell. She has a face like a doll, round as a cake pan, and freckles dust her face and shoulders like sprinkles.
“Um, I think bangs are a very big commitment and not to be decided on a whim. Depending on how fast your hair grows, you could be growing them out for a year or more. But if you’re serious, I think you should wait till fall, because it’ll be summer before you know it, and bangs in the summer can be sort of sticky and sweaty and annoying…” My eyes drift back to Peter, and he looks up and sees me looking at him, and raises his eyebrows questioningly. I just smile and shake my head.
“So don’t get bangs?”
My phone buzzes in my purse. It’s Peter.
Do you want to go?
No.
Then why were you staring at me?
Because I felt like it.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Her eyes were the brown of a fawn's coat. And he could have sworn something sparked in them as she met his gaze.
'Who are you?'
He knew without demanding clarification that she was aware of what he was to her.
'I am Lucien. Seventh son of the High Lord of the Autumn Court.'
And a whole lot of nothing.
...
For a long moment, Elain's face did not shift, but those eyes seemed to focus a bit more. 'Lucien,' she said at last, and he clenched his teacup to keep from shuddering at the sound of his name on her mouth. 'From my sister's stories. Her friend.'
'Yes.'
But Elain blinked slowly. 'You were in Hybern.'
'Yes.' It was all he could say.
'You betrayed us.'
He wished she'd shoved him out the window behind her. 'It- it was a mistake.'
Her eyes were frank and cold. 'I was to be married in a few days.'
He fought against the bristling rage, the irrational urge to find the male who'd claimed her and shred him apart. The words were a rasp as he instead said, 'I know. I'm sorry.'
She did not love him, want him, need him. Another male's bride.
A mortal man's wife. Or she would have been.
She looked away- toward the windows. 'I can hear your heart,' she said quietly.
He wasn't sure how to respond, so he said nothing, and drained his tea, even as it burned his mouth.
'When I sleep,' she murmured, 'I can hear your heart beating through the stone.' She angled her head, as if the city view held some answer. 'Can you hear mine?'
He wasn't sure if she truly meant to address him, but he said, 'No, lady. I cannot.'
Her too-thin shoulders seemed to curve inward. 'No one ever does. No one ever looked- not really.' A bramble of words. Her voice strained to a whisper. 'He did. He saw me. He will not now.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Alhambra
Welcome, the water’s voice
To one whom black sand overwhelmed,
Welcome, to the curved hand
The smooth column of the marble,
Welcome, slender labyrinths of water
Between the lemon trees,
Welcome the melodious zéjel,
Welcome is love, welcome the prayer
Offered to a God who is One,
Welcome the jasmine.
Vain the scimitar
Against the long lances of the host,
Vain to be the best.
Good to know, foreknow, grieving king,
That your courtesies are farewells,
That the key will be denied you,
The infidels’ cross eclipse the moon,
The afternoon you gaze on prove your last.
Granada, 1976.
”
”
Jorge Luis Borges
“
Oh, Zachary, you're such a beautiful man.” She gathered herself against the wonderful wealth of hair on his chest, playing with the dark curls, brushing her mouth and fingers through them. A faint groan came from over her head. “You're the beautiful one.” His hands moved gently over her back and hips, savoring the texture of her skin. “I never recovered from my first glance at you, at the Bellemont ball.” “You saw me then? But it was dark outside.” “I followed you after I kissed you in the conservatory.” He pushed her to her back, his gaze sweeping over her naked body. “I watched as you went to your carriage, and I thought you were the loveliest thing I had ever seen.” He pressed a kiss to her shoulder, his tongue touching the fragile curve, and Holly trembled. “And you began to scheme,” she said breathlessly. “That's right. I thought of a hundred ways to get under your skirts, and I decided the best plan was to hire you. But somewhere in the middle of my efforts to seduce you, I fell in love with you.” “And your intentions became honorable,” she said, pleased. “No, I still wanted to get under your skirts.” “Zachary Bronson,” she exclaimed, and he grinned, bracing his forearms on either side of her head.
”
”
Lisa Kleypas (Where Dreams Begin)
“
I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby."
I choked out a laugh.
Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass."
Fire shot straight through my chest. "Yeah?" I panted.
"Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
”
”
Mariana Zapata (Under Locke)
“
I've written about persistence
and perseverance
and yet
for those of us with patchwork lives
(projects, earnings, caretaking, home-tending,
playing, friending, loving, celebrating,
hurting, grieving, healing, assessing, re-grouping)
persistence and perseverance
has to be allowed
in patches,
not what from the outside might be viewed as
'normal'
(for whatever worth normal has,
the top of that overused bell curve).
So let me clarify.
When I talk about persistence,
it isn't about persistence of equal measure every day.
It's about not giving up on whatever is important to you,
and, especially, not giving up on yourself.
Some chapters of your life may allow many facets of your being,
others just cannot
and the feeling of failure that can arouse
is of no value.
Sometimes all you can do is ask yourself:
What must I do this week? today? next hour?
to continue the process as healthily as possible?
to accomplish the most?
It may be deep immersion in one,
or it may be an odd mix.
And tomorrow may be different.
And an unexpected gift may come and change everything.
And a Mack truck may hit and change everything.
Our answers to those questions may not look similar
but what I hope is similar
is the acceptance
of what must be.
Persist in your own patches.
Make your own quilt.
”
”
Shellen Lubin
“
But first: Kip Mdang, I would like you to have this, as a token of my esteem, a promise of my affection, an affirmation of my readiness to follow your star wherever you wander with it, an acknowledgement of my willingness to raise an island for you whenever you need one, and…” Fitzroy took a deep breath. “And a statement of something I have never quite dared say in its full simplicity before, which is that I love you.”
Before Cliopher could say anything—before Cliopher could do anything—Fitzroy tugged off his signet ring and placed it on the palm of Cliopher’s hand.
Cliopher looked at his fanoa. “That’s the Imperial Seal,” he said, but even without looking down he had closed his hand around the ring. It was warm in his hand from Fitzroy’s body-heat, his inner fire.
“It is,” said Fitzroy. “And you know very well that there is not another person in all the Nine Worlds and the lands beyond whom I would trust with it.”
“I don’t know what to say,” Cliopher said, knowing his face and his heart were both open as the proverbial shell on the beach.
Now Fitzroy smiled, a curving, splendid smile, a Fitzroy Angursell smile. “‘Thank you’ will be quite sufficient, my dear Kip. Seeing as you’ve already done all the hard work of taking down the empire and creating a home for me.
”
”
Victoria Goddard (At the Feet of the Sun (Lays of the Hearth-Fire, #2))
“
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and that they are my poems,
Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root,
Strong set of thighs, well carrying the trunk above,
Leg fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward toward the knees,
The thin red jellies within you or within me, the bones and the marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of the soul,
O I say now these are the soul!
”
”
Walt Whitman (I Sing the Body Electric)
“
Chivalry looks good on you, ma'alor," he said, brushing a dark curl out of Robb's face. "And I hate that I like it."
"Your flattery will only get you so far," Robb joked, trying to grin, but it turned sour and bitter. "I like you, but I have no right to say that. For what my mother did--for what I did. But...if there was a way for you to forgive me, no matter how long it takes, would you let me? Will you let me try to be worthy of you?"
The question took Jax by surprise.
He sat back, quite unable to find a response.
I've seen you stars, he wanted to say, and this is impossible.
All his life he'd thought that all fates flowed in a continuous, never-ending river, but now the current was disrupted, the path unsettled. They had changed the stars, and he was falling in love with a boy who should have died.
Robb shifted, uncomfortable. "Or--or if you don't feel the same way--"
"I'm sorry," Jax began, but when he looked into Robb's eyes, there were tears there. Alarmed, he quickly added, "No, no! That's not what I meant! I don't mean--"
"I knew you wouldn't. I'm sorry, I'm so sorry." Tears curved down Robb's cheeks, and almost exasperated, Jax wiped them away.
"I can't LIE, you insufferable Ironblood," he chided. "I'm apologizing because I can't forgive you right now, but that doesn't mean I don't want to kiss you, ma'alor. And it doesn't mean I don't like you. I do. I like you, but do you really want ME? Someone who can't touch other people? That's my reality. I'll never kiss you without seeing your fate. I'll never touch you without seeing how you'll die. Am I someone you could be happy with?"
Robb's brow furrowed. "Screw fate. I'll tear down the stars for you."
For HIM? Even though Jax had to wear gloves, and could never brush his lips against Robb's jawline without seeing the stars, never kiss Robb's ears, or traced the lines of his body, or feel the heat that pulsed just beneath his skin, hot and red and wanting. Jax felt his throat tighten as tears pooled at the edges of his eyes. He didn't cry. He never cried.
Robb took Jax's hand, and kissed his gloved knuckles. "And lucky for you," Robb added, "I'm not planning to ever die, so you don't have to worry about my stars."
He laughed. "You make being mad at you hard, ma'alor."
"I plan on making it impossible," replied Robb, and raised an eyebrow. "What does ma'alor mean?"
Jax chewed on his bottom lip. 'It means..." But he couldn't bear that sort of embarrassment, so he simply leaned into the Ironblood and kissed him. Savoring the moment, the unknowingness of it all.
Until new images came flooding across his senses like a wave of darkness across the stars.
”
”
Ashley Poston (Heart of Iron (Heart of Iron, #1))
“
From the perspective of my old laptop,
I am a numbers man,
something like that
every instruction he gives me is a one or a zero
I remember well
I have information about him
before he left for his new toy
thinner,
younger,
able to keep up with him,
I have information about him
may 15th 2008, he listened to a song
five times in succession
it was titled
Everybody, open parenthesis, Backstreet's Back, close parenthesis
it included the lyric
'Am I sexual, yeaaaaah'
He said once,
computers like a sense of finality to them
when I write something I don't want to be able to run from it
this was a lie
he was addicted to my ability to keep his secrets
I am a numbers man,
every instruction he gives me is a one, or a zero
I remember well
January, 7th 2007
I was young
just two week awake
he gave me, a new series of one's and zeros
the most sublime sequence I have ever seen
it had curves,
and shadow,
it was him
he gave his face in numbers
and trusted me to be the artist, and I was
do not laugh
I have read about your God
you kill each other over your grand fathers memory of him
I still remember the fingertips of my God dancing across my body
After I learnt to draw him
he trusted with more art rubric
jpeg 1063 was his favourite
Him,
and that woman,
resting her head in the curve of his nick
I read his correspondence
she hasn't written him back in years
but he asks for it,
constantly,
jpeg 1063, jpeg 1063, jpeg 1063
it was my master piece
it looked so, .., life like
I wanted to tell him
That's not her
that is me
that is not her face
those are my ones and zeros
waltzing in space for you
she is nothing more than my shadow puppet
you do not miss her,
you miss me,
I am a numbers man,
every instruction he gives is a one or a zero
I remember well
but he taught me to be a Da Vinci
and I sit here, with his portraits
waiting for him to return
I do not think he will
Is that what it means to be human
to be all powerful,
to build a temple to yourself
and leave
only the walls to pray
”
”
Phil Kaye
“
Where the hell did the Pack find you two? At a beach volleyball tournament? Great tan. Love those curls.” LeBlanc shook his head. “He’s not even as big as I am. He’s what, six foot nothing? Two hundred pounds in steel-toed boots? Christ. I’m expecting some ugly bruiser bigger than Cain and what do I find? The next Baywatch star. Looks like his IQ would be low enough. Can he chew gum and tie his shoes at the same time?”
Clay stopped playing with his chair and turned to face the mirror. He got up, crossed the room, and stood in front of me. I was leaning forward, one hand pressed against the glass. Clay touched his fingertips to mine and smiled. LeBlanc jumped back.
“Fuck,” he said. “I thought that was one-way glass.”
“It is.”
Clay turned his head toward LeBlanc and mouthed three words. Then the door to his room opened and one of the officers called him out. Clay grinned at me, then sauntered out with the officer. As he left, a surge of renewed confidence ran through me.
“What did he say?” LeBlanc asked.
“Wait for me.”
“What?”
“It’s a challenge,” Marsten murmured from across the room. He didn’t look up from his magazine. “He’s inviting you to stick around and get to know him better.”
“Are you going to?” LeBlanc asked.
Marsten’s lips curved in a smile. “He didn’t invite me.”
LeBlanc snorted. “For a bunch of killer monsters, the whole lot of you are nothing but hot air. All your rules and challenges and false bravado.” He waved a hand at me. “Like you. Standing there so nonchalantly, pretending you aren’t the least bit concerned about having the two of us in the room.”
“I’m not.”
“You should be. Do you know how fast I could kill you? You’re standing two feet away from me. If I had a gun or knife in my pocket, you’d be dead before you had time to scream.”
“Really? Huh.”
LeBlanc’s cheek twitched. “You don’t believe me, do you? How do you know I’m not packing a gun? There’s no metal detector at the door. I could pull one out now, kill you, and escape in thirty seconds.”
“Then do it. I know, you don’t like our little games, but humor me. If you have a gun or a knife, pull it out. If not, pretend to. Prove you could do it."
“I don’t need to prove anything. Certainly not to a smart-mouthed—”
He whipped his hand up in mid-sentence. I grabbed it and snapped his wrist. The sound cracked through the room. The receptionist glanced over, but LeBlanc had his back to her. I smiled at her and she turned away.
“You—fucking—bitch,” LeBlanc gasped, cradling his arm. “You broke my wrist.”
“So I win.”
His face purpled. “You smug—”
“Nobody likes a sore loser,” I said. “Grit your teeth and bear it. There’s no crying in werewolf games. Didn’t Daniel teach you that?
”
”
Kelley Armstrong (Bitten (Women of the Otherworld, #1))
“
Jax swung his leg over the seat and stood over her. Sarah looked at him now, really saw the whole man. Was it her imagination, or did he look even bigger in the moonlight? More muscled, more domineering? Stronger, sexier, hotter? She shivered.
“You cold?” he asked her.
“No.”
“Come over here for a sec, doll.”
She stood stock-still, suddenly afraid.
“It’s OK.” He gave her that grin that made her stomach flip. “Before we talk, there’s one thing we need to get out of the way.”
“What’s that?”
“Come over here and I’ll tell you.”
Slowly, she covered the distance between them and stood in front of him. “Tell me what?”
“This.” Jax gently took her face in both of his hands, avoiding her bruised cheek, and leaned down. She gasped, then his mouth was on hers, and all thought stopped.
The kiss was unlike anything Sarah had ever experienced in her life. His lips were surprisingly soft, and when she balanced herself on his chest, she felt his incredible muscle under her fingertips.
The contradiction of hard and soft, of pure animal strength tempered by a tender touch, shocked her, moved her. Sarah felt her legs weaken with lust, and she swayed forward. He moved his hands off her face then, and Jax wrapped his arms around her shaking body. He held her close, held her up. Jax cradled her, and Sarah felt protected and secure for the first time in a long time. Maybe the first time ever.
Jax couldn’t believe how it felt to finally touch her the way that he wanted to. She was warm and sweet, and her response was incredible. Total surrender; aching want; hot need. He’d never have guessed that Sarah would give over so completely, and he kissed her over and over again, loving how she tasted.
He finally pulled back, fighting with himself to do so. He opened his eyes and saw that hers were still closed. Her mouth was swollen and she trembled against him a bit. He ran his fingers through her curls, brushed her hair back from her gorgeous face.
“Open your eyes, baby,” he said, his voice deep and husky. “Look at me.
”
”
Marysol James (Dangerous Curves (Dangerous Curves, #1))
“
Marcus’ lips curved into a half smile. “I don’t agree with a lot of the decisions you’ve made or the fact that both of you have kept very important things from me, but I cannot blame Aiden for doing what I would’ve done in the same situation. I’m your uncle, Alexandria, and I will be tough on you, but that doesn’t mean I don’t care for you.”
Stunned into silence, I stared at him. Could I’ve totally misinterpreted everything about this man? Because I seriously would’ve bet my life that he couldn’t stand me. But had it just been his version of… tough love? Blinking back tears, I suddenly wanted to hug him.
The look on Marcus’ face told me he probably wouldn’t be comfortable with that.
”
”
Jennifer L. Armentrout (Deity (Covenant, #3))
“
It doesn’t matter what they think. Dance with me.”
He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance.
Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.”
The memory of Arin’s hands in her hair made her stiffen.
“Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.”
She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.”
“You know it’s not mere flirtation,” Ronan said. “You’ve always known.”
And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread.
“Marry me, Kestrel.”
She held her breath.
“I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.”
But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes.
“Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.”
Kestrel glanced into his eyes.
“Or keep yours,” he said hastily. “I know you’re attached to it.”
“It’s just…you are very kind.”
He gave a short, nervous laugh. “Kindness has little to do with it.”
The dance slowed. It would end soon.
“So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?”
Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.”
“I love you. Is that reason enough?
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
He reached out and brushed the hair back from my face. I froze. He rested his hand in the space where the collar met the curve of my neck, and when I didn't bolt, he slid his palm up to cup my cheek.
I wasn't sure I wanted this. "You said... you said you wouldn't kiss me until-"
"Until you were thinking of me instead of trying to forget him?' He moved closer, the light from the meteor shower playing over his features. He leaned in, giving me time to pull away. I could feel his breath when he said, "I love it when you quote me."
He brushed his lips over mine once, briefly, then again. It was less a kiss than the promise of one.
"When you're ready," he said. Then he tucked my hand into his and we stood together, watching the spill of stars streaking the sky.
”
”
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
“
Yes, I'll marry you."
And then his hands were in her hair, scattering her hairpins, and his lips were on hers, stealing her breath, and she was touching him- this remarkable man whom she'd loved for so long and who was finally, finally hers.
Callie sighed into Ralston's mouth- noting that he tasted of scotch and something more exotic, more male- and a feeling of complete and utter elation coursed through her. This was Ralston, her future husband, and he was making her feel so warm and wonderful and alive. And then he was kissing down the column of her neck, whispering her name like a litany as he lifted her arms over his shoulders and set his lips to the expanse of white skin above the neck of her gown. Callie gasped as his strong hands spread wide across her torso, stealing up to cup her breasts in a gesture of complete and utter possession.
"This gown," he said, the words coming thick and liquid, "is sinful."
Callie couldn't help her smile as he leaned back to watch her breasts lift against the satin edge of the dress. "Do you think so?"
"Indeed. It is made to drive men crazy... to reveal all your luscious curves"- he ran a finger beneath the satin lazily, just far enough to graze the edge of a nipple- "without showing off anything. It's a torturous viewing experience," he added, wickedly, as he pulled the edge of the gown lower, exposing the straining tip of one breast to the cool air and his hot mouth. He suckled briefly, until Callie was writhing against him, then, releasing her, he said, "When we are married, I shall buy you one in every color.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters (A Series of Unfortunate Events, #12.5))
“
It’s nice when grown people whisper to each other under the covers. Their ecstasy is more leaf-sigh than bray and the body is the vehicle, not the point. They reach, grown people, for something beyond, way beyond and way, way down underneath tissue. They are remembering while they whisper the carnival dolls they won and the Baltimore boats they never sailed on. The pears they let hang on the limb because if they plucked them, they would be gone from there and who else would see that ripeness if they took it away for themselves? How could anybody passing by see them and imagine for themselves what the flavor would be like? Breathing and murmuring under covers both of them have washed and hung out on the line, in a bed they chose together and kept together nevermind one leg was propped on a 1916 dictionary, and the mattress, curved like a preacher’s palm asking for witnesses in His name’s sake, enclosed them each and every night and muffled their whispering, old-time love. They are under the covers because they don’t have to look at themselves anymore; there is no stud’s eye, no chippie glance to undo them. They are inward toward the other, bound and joined by carnival dolls and the steamers that sailed from ports they never saw. That is what is beneath their undercover whispers.
But there is another part, not so secret. The part that touches fingers when one passes the cup and saucer to the other. The part that closes her neckline snap while waiting for the trolley; and brushes lint from his blue serge suit when they come out of the movie house into the sunlight.
I envy them their public love. I myself have only known it in secret, shared it in secret and longed, aw longed to show it—to be able to say out loud what they have no need to say at all: That I have loved only you, surrendered my whole self reckless to you and nobody else. That I want you to love me back and show it to me. That I love the way you hold me, how close you let me be to you. I like your fingers on and on, lifting, turning. I have watched your face for a long time now, and missed your eyes when you went away from me. Talking to you and hearing you answer —that’s the kick.
But I can’t say that aloud; I can’t tell anyone that I have been waiting for this all my life and that being chosen to wait is the reason I can. If I were able I’d say it. Say make me, remake me. You are free to do it and I am free to let you because look, look. Look where your hands are. Now.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
I’d better have a glass then. To complete my ensemble.” Kestrel didn’t quite forget her promise to Arin not to drink, but rather willed it away along with everything else about him.
“Oh, yes,” said Jess. “You must. Don’t you think so, Ronan?”
“I don’t think. I am thinking of nothing other than what Kestrel could be thinking, and whether she will dance with me. If I’m not mistaken, there is one final dance before this legendary wine is served.”
Kestrel’s happiness faltered. “I’d love to, but…won’t your parents mind?”
Ronan and Jess exchanged a glance. “They’re not here,” Ronan said. “They’ve left to spend the winter season in the capital.”
Which meant that, were they here, they would object--as would any parents, given the scandal.
Ronan read Kestrel’s face. “It doesn’t matter what they think. Dance with me.”
He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance.
Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.”
The memory of Arin’s hands in her hair made her stiffen.
“Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.”
She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.”
“You know it’s not mere flirtation,” Ronan said. “You’ve always known.”
And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread.
“Marry me, Kestrel.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Some people object to such a view of music, saying that if you reduce music to mathematics, where does the emotion come into it? I would say that it’s never been out of it. The things by which our emotions can be moved—the shape of a flower or a Grecian urn, the way a baby grows, the way the wind brushes across your face, the way clouds move, their shapes, the way light dances on the water, or daffodils flutter in the breeze, the way in which the person you love moves their head, the way their hair follows that movement, the curve described by the dying fall of the last chord of a piece of music—all these things can be described by the complex flow of numbers. That’s not a reduction of it, that’s the beauty of it. Ask Newton. Ask Einstein. Ask the poet (Keats) who said that what the imagination seizes as beauty must be truth.
”
”
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
“
Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him.
That was one of his favorite sounds—high heels on the wooden dock of the Boys of the Bayou swamp boat tour company.
He took his time turning and once he did, he started at the shoes.
They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn’t start until mid-thigh, and showed off more tanned skin.
He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts.
He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color.
But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.”
Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere.
Madison Allain was home.
A day early.
Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month.
Owen stood just watching her, fighting back all of the first words that he was tempted to say.
Like, “Damn, you’re even more gorgeous than the last time I saw you.”
Or, “I haven’t put anyone in the hospital lately.”
Or, “I’ve missed you so fucking much.”
Just for instance.
”
”
Erin Nicholas (Sweet Home Louisiana (Boys of the Bayou, #2))
“
No. It couldn’t be. I shook my head, still disbelieving. Maybe the poison had warped my brain and I was delusional after all. I pulled myself to my feet, swaying against Drake, allowing his warm, hard body to prop me up.
“You know what that means.”
“I do.” His jaw tightened, his eyes flashing with intermingled anger and passion.
My heart, leaden and sick, suddenly was enveloped in a gentle warmth that did much to dispel the ills that had possessed it. “Are you sure? Really sure? It’s not something else? Maybe you’re sick.”
His face grew harder. “Do you think I’m a fool that I could mistake it?”
“No, but you don’t look very happy about it.”
“I’m not,” he snapped, irritation rampant on his handsome features.
A smile curved my lips as I kissed the corners of his mouth, ignoring the presence of those around us. “Are you going to say it?”
“No.”
“Come on. I want to hear it.”
“No!”
I allowed all the love I had for him to show in my eyes as I rubbed my nose on his. “Please?”
His face took on the most martyred expression I’d ever seen. “If I say it once, do I have to say it again?”
“Yes. With increasing frequency. It gets easier with time, honest.”
He sighed again. “I knew this would not come to a good end. Very well, I’ll say it. But I reserve the right to refer you to this conversation on occasions when you wish me to say it again. Aisling, I love you.”
I fought hard to keep the smile off my face. Drake’s declaration of love was delivered in such a brusque tone, I knew it had to be costing him a lot to admit the truth. “I love you, too,” I answered, and welcomed his mouth when it came to claim mine, my heart singing a joyous song of happiness and fulfillment.
”
”
Katie MacAlister (Light My Fire (Aisling Grey, #3))
“
My own heartbeat was slowing under my hand, under the deep rose silk, the color of a baby’s sleep-flushed cheek. When you hold a child to your breast to nurse, the curve of the little head echoes exactly the curve of the breast it suckles, as though this new person truly mirrors the flesh from which it sprang. Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
You are a badass. You were one when you came screaming onto this planet and you are one now. The Universe wouldn’t have bothered with you otherwise. You can’t screw up so majorly that your badassery disappears. It is who you are. It’s who you always will be. It’s not up for negotiation. You are loved. Massively. Ferociously. Unconditionally. The Universe is totally freaking out about how awesome you are. It’s got you wrapped in a warm gorilla hug of adoration. It wants to give you everything you desire. It wants you to be happy. It wants you to see what it sees in you. You are perfect. To think anything less is as pointless as a river thinking that it’s got too many curves or that it moves too slowly or that its rapids are too rapid. Says who? You’re on a journey with no defined beginning, middle or end. There are no wrong twists and turns. There is just being. And
”
”
Jen Sincero (You Are a Badass: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
She woke to find dawn light, pearly silver tinged with pink, washing into the room. For a moment, she wondered what had woken her, then she glanced at Breckenridge-into his hazel eyes.
"You're awake!" She only just managed not to squeal. The joy leaping through her was near impossible to contain.
He smiled weakly. His lids drooped, fell. "I've been awake for some time, but didn't want to wake you."
His voice was little more than a whisper.
She realized it was the faint pressure of his fingers on hers that had drawn her rom sleep. Those fingers, his hand, were no longer over-warm. Reaching out, she laid her fingers on his forehead. "Your temperature's normal-the fever's broken. Thank God."
Retrieving her hand, refocusing on his face, she felt relief crash through her in a disorienting, almost overpowering wave. "You have to rest." That was imperative; she felt driven by flustered urgency to ensure he understood. "You're mending nicely. Now the crisis has passed, you'll get better day by day. Catriona says that with time you'll be as good as new." Algaria had warned her to assure him of that.
He swallowed; eyes closed, he shifted his head in what she took to be a nod. "I'll rest in a minute. But first...did you mean what you said out there by the bull pen? That you truly want a future with me?"
"Yes." She clutched his hand more tightly between hers. "I meant every word."
His lips curved a fraction, then he sighed. Eyes still closed-she sensed he found his lids too heavy to lift-he murmured, "Good. Because I meant every word, too."
She smiled through sudden tears. "Even about our daughters being allowed to look like Cordelia?"
His smile grew more definite. "Said that aloud, did I? Yes, I meant that, but for pity's sake don't tell her--she'll never let me hear the end of it, and Constance will have my head to boot."
His words were starting to slur again; he was slipping back into healing sleep.
Catriona's words, her warning, rang in Heather's head. She remembered her vow. Rising, she leaned over him; his hand still clasped between hers, and kissed him gently. "Go to sleep and get well, but before you do, I need to tell you this. I love you. I will until the end of my days. I don't expect you to love me back, but that doesn't matter anymore. You have my love regardless, and always will." She kissed him again, sensed he'd heard, but that he was stunned, surprised. He didn't respond.
She drew back. "And now you need to put your mind to getting better. We have a wedding to attend, after all."
She knew he heard that-his features softened, eased.
As he slid into sleep, he was, very gently, smiling.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
No biting, babe,” he cautioned, his cock jerking hard in his fist at the thought. Her gaze jumped back to his cock. A slow smile curved her mouth and lit the green of her eyes. “A little fear can add to the excitement of what we’re doing here.” She quoted him nearly word for word—threw his words back in his face and left him wondering if she intended to bite him. “You bite me and there’s going to be all sorts of trouble. I love your ass. I really do. That sweet curve would look good with my handprints on it, all warmed up and nerve endings screaming for more. You’d be so wet for me, baby. Let me up. Let me make you feel good.” “If that’s supposed to be a deterrent, or a punishment, I have to tell you, Trap, it doesn’t sound like one.” She said it with a small smile on her face, once again leaving him wondering if she intended to bite him. Yeah. Okay. That made him hotter
”
”
Christine Feehan (Spider Game (GhostWalkers #12))
“
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh.
"Uh, too tight."
He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy.
The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner.
After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust.
He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them.
Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked.
"Archibald's going to love your costume," he initiated.
She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever.
She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
”
”
Kate Angell (The Cottage on Pumpkin and Vine)
“
I accumulate rash acts: getting into stolen cars, walking in front of stores where I have operated, showing obviously fake papers. I have the feeling that in a very short time everything is bound to break wide open. My rash acts are serious matters and I know that airy-winged catastrophe will emerge from a very, very slight mistake. 1 But while I hope for misfortune as an act of grace, it is well for me to plunge fully into the usual ways of the world. I want to fulfill myself in one of the rarest of destinies. I have only a dim notion of what it will be. I want it to have not a graceful curve, slightly bent toward evening, but a hitherto unseen beauty, lovely because of the danger which works away at it, overwhelms it, undermines it. Oh let me be only utter beauty! I shall go quickly or slowly, but I shall dare what must be dared. I shall destroy appearances, the casings will burn away and one evening I shall appear there in the palm of your hand, quiet and pure, like a glass statuette. You will see me. Round about me there will be nothing left.
”
”
Jean Genet (The Thief's Journal)
“
Nick tugged her head back, his tormented gaze raking over her face. His trembling fingertips traced the line of her cheek and jaw. “My God. Lottie…” As his panicked exploration continued, he discovered the bruises on her throat, and he uttered a cry of fury. “Holy hell! Your neck. He dared to… I’m going to slaughter that bastard—”
Lottie placed her fingers over his mouth. “I’m all right,” she said gently. Feeling the way his large body shook, she drew her hand over his chest in a calming stroke. After the traumatic events of the past hours, it was so wonderful to be with him that her lips curved in a wobbly smile. She gazed into his dusty, sweat-streaked face with concern. “In fact, I believe I may be in better condition than you, my darling.”
A primitive groan came from his throat, and he clutched her with his right arm, bending over her hungrily. “I love you,” he said in a low, shaken voice. “I love you so much, Lottie.” His lips covered hers in a fiercely ardent kiss.
Clearly he was too unsettled to recall that there were others in the room. Lottie turned her face away with a muffled laugh. “I love you, too,” she whispered. “Not here, darling. Later, with more privacy, we can—” She was silenced as Nick seized her mouth once more. Suddenly she found herself pushed up against the wall by six feet of aroused, overwrought male. Realizing that there was no hope of subduing him, Lottie stroked his broad back in an effort to soothe him. He possessed her with deep, fervent kisses, while his lungs worked so violently that she could feel his rib cage expanding with each breath. She tried to comfort him, gently rubbing the back of his neck as his mouth worked roughly over hers. His breath came in ragged shivers, and in between kisses he breathed her name as if it were a prayer. “Lottie… Lottie…” Each time she tried to answer, he dove for her mouth again.
“Sydney,” Sir Grant said after some prolonged throat-clearing had failed to capture his attention. “Ahem. Sydney…”
After a long time, Nick finally lifted his head.
Lottie pushed at his chest, making him loosen his grip on her. Red-faced and breathless, she saw that Sayer had developed a keenly absorbing interest in the weather outside the window, while Daniel had excused himself to wait outside.
”
”
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“
What tempts you, Pippa?"
"I-" She hesitated. "I care a great deal for meringue."
He laughed, the sound bigger and bolder than she expected.
"It's true."
"No doubt you do. But you may have meringue anytime you like." He stood back and indicated that she should enter the carriage.
She ignored the silent command, eager to make her point. "Not so. If the cook has not made it, I cannot eat it."
A smile played on his lips. "Ever-practical Pippa. If you want it, you can find it. That's my point. Surely, somewhere in London, someone will take pity upon you and satisfy your craving for meringue."
Her brow furrowed. "Therefore, I am not tempted by it?"
"No. You desire it. But that's not the same thing. Desire is easy. It's as simple as you wish to have meringue, and meringue is procured." He waved a hand toward the interior of the carriage but did not offer to help her up. "In."
She ascended another step before turning back. The additional height brought them eye to eye. "I don't understand. What is temptation, then?"
"Temptation..." He hesitated, and she found herself leaning forward, eager for this curious, unsettling lesson. "Temptation turns you. It makes you into something you never dreamed, it presses you to give up everything you ever loved, it calls you to sell your soul for one, fleeting moment."
The words were low and dark and full of truth, and they hovered in the silence for a long moment, an undeniable invitation. He was close, protecting her from toppling off the block, the heat of him wrapping around her despite the cold. "It makes you ache," he whispered, and she watched the curve of his lips in the darkness. "You'll make any promise, swear any oath. For one... perfect... unsoiled taste."
Oh, my.
Pippa exhaled, long and reedy, nerves screaming, thoughts muddled. She closed her eyes, swallowed, forced herself back, away from him and the way he... tempted her.
Why was he so calm and cool and utterly in control?
Why was he not riddled with similar... feelings?
He was a very frustrating man.
She sighed. "That must be a tremendous meringue."
A beat followed the silly, stupid words... words she wished she could take back. How ridiculous. And then he chuckled, teeth flashing in the darkness. "Indeed," he said, the words thicker and more gravelly than before.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
It does something to you when you are running close to what you perceive as our limit (back then, I still topped at 40 percent) and there is someone else out there who makes the difficult look effortless. It was obvious that his preparedness was several levels above our own. Captain Connolly did not show up to simply get through the program and graduate so he could collect some wings for his uniform and belong to the unspoken fraternity of supposed badasses at Fort Campbell. He came to explore what he was made of and grow. That required a willingness to set a new standard wherever possible and make a statement, not necessarily to our dumb asses, but to himself. He was respectful to all the instructors and the school, but he was not there to be led...
Most people love standards. It gives the brain something to focus on, which helps us reach a place of achievement. Organizational structure and atta' boys from our instructors or bosses keep us motivated to perform and to move up on that bell curve. Captain Connolly did not require external motivation. He trained to his own standard and used the existing structure for his own purposes. Air Assault School became his own personal octagon, where he could test himself on a level even the instructors hadn't imagined.
For the next nine days, he put his head down and quietly went about the business of smashing every single standard at Air Assault School. He saw the bar that the instructors pointed to and the rest of us were trying to tap as a hurdle to leap over, and he did it time and again. He understood that his rank only meant something if he sought out a different certification: an invisible badge that says, "I am the example. Follow me, motherfuckers, and I will show you that there is more to this life than so-called authority and stripes or candy on a uniform. I'll show you what true ambition looks like beyond all the external structure in a place of limitless mental growth."
He didn't say any of that. He didn't run his mouth at all. I can't recall him uttering word one in ten fucking days, but through his performance and extreme dedication, he dropped breadcrumbs for anybody who was awake and aware enough to follow him. He flashed his tool kit. He showed us what potent, silent, exemplary leadership looked like. He checked into every Gold Group run, which was led by the fastest instructor in that school, and volunteered to be the first to carry the flag. p237
”
”
David Goggins (Never Finished: Unshackle Your Mind and Win the War Within)
“
Have you ever noticed how when someone you admire goes out and does something phenomenal, you’re happy for her or him, but you’re not surprised—of course they did something phenomenal, they’re a phenomenal person! But to get yourself to see how amazing you are is like pushing a giant marshmallow up a hill. Yes, there we go, we are up, we are awesome! Ooop! We’re sagging—we are sagging on the left! Push it up. There we go. We are all good! Wait, now we’re sagging on the right . . . We run around, taking one step forward and fourteen steps back when it’s so unnecessary. Instead, try seeing yourself through the eyes of someone who admires you. They get it. They believe in you leaps and bounds. They aren’t connected to your insecurities and negative beliefs about yourself. All they see is your true glory and potential. Become one of your own die-hard fans, look at yourself from the outside, where all your self doubts can’t crawl all over you, and behold what shines through. You get to choose how you perceive your reality. So why, when it comes to perceiving yourself, would you choose to see anything other than a super huge rock star of a creature? You are a badass. You were one when you came screaming onto this planet and you are one now. The Universe wouldn’t have bothered with you otherwise. You can’t screw up so majorly that your badassery disappears. It is who you are. It’s who you always will be. It’s not up for negotiation. You are loved. Massively. Ferociously. Unconditionally. The Universe is totally freaking out about how awesome you are. It’s got you wrapped in a warm gorilla hug of adoration. It wants to give you everything you desire. It wants you to be happy. It wants you to see what it sees in you. You are perfect. To think anything less is as pointless as a river thinking that it’s got too many curves or that it moves too slowly or that its rapids are too rapid. Says who? You’re on a journey with no defined beginning, middle or end. There are no wrong twists and turns. There is just being. And your job is to be as you as you can be. This is why you’re here. To shy away from who you truly are would leave the world you-less. You are the only you there is and ever will be. I repeat, you are the only you there is and ever will be. Do not deny the world its one and only chance to bask in your brilliance. We are all perfect in our own, magnificent, fucked-up ways. Laugh at yourself. Love yourself and others. Rejoice in the cosmic ridiculousness. PART 2: HOW
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
This is a friendly forty winks, Mrs. FitzEngle.” He snagged her wrist. “Join me.” She regarded him where he lay. “Ellen.” The teasing tone in Val’s voice faded. “I will not ravish you in broad daylight unless you ask it of me, though I would hold you.” She nodded uncertainly and gingerly lowered herself beside him, flat on her back. “You’re out of practice,” Val observed, rolling to his side. “We must correct this state of affairs if we’re to get our winks.” Before she could protest, he arranged her so she was on her side as well, his body curved around hers, her head resting on his bicep, his arm tucking her back against him. “The benefit of this position,” his said, speaking very close to her ear, “is that I cannot behold your lovely face if you want to confide secrets, you see? I am close enough to hear you whisper, but you have a little privacy, as well. So confide away, and I’ll just cuddle up and perhaps even drift off.” “You would drift off while I’m confiding?” “I would allow you the fiction. It’s one of the rules of gentlemanly conduct owed on summer days to napping companions.” His arm was loosely draped over her middle so he could sense the tension in her. “I can hear your thoughts turning like a mill wheel. Let your mind rest too, Ellen.” “I am unused to this friendly napping.” “You and your baron never stole off for an afternoon nap?” Val asked, his fingers tracing the length of her arm. “Never kidnapped each other for a picnic on a pretty day?” “We did not.” Ellen sighed as his fingers stroked over her arm again. “He occasionally took tea with me, though, and we often visited at the end of the day.” But, Val concluded with some satisfaction, they did not visit in bed or on blankets or with their clothes off. Ellen had much to learn about napping. His right hand drifted up to her shoulder, where he experimentally squeezed at the muscles joining her neck to her back. “Blazes,” he whispered, “you are strong. Relax, Ellen.” His right hand was more than competent to knead at her tense muscles, and when he heard her sigh and felt her relax, he realized he’d found the way to stop her mill wheel from spinning so relentlessly. “Close your eyes, Ellen,” he instructed softly. “Close your eyes and rest.” In minutes, her breathing evened out, her body went slack, and sleep claimed her. Gathering her a little more closely, he planted a kiss on her nape and closed his eyes. His hand wasn’t throbbing anymore, his belly was full, and he was stealing a few private moments with a pretty lady on a pretty day. God
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
It doesn’t matter what they think. Dance with me.”
He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance.
Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.”
The memory of Arin’s hands in her hair made her stiffen.
“Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.”
She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.”
“You know it’s not mere flirtation,” Ronan said. “You’ve always known.”
And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread.
“Marry me, Kestrel.”
She held her breath.
“I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.”
But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes.
“Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.”
Kestrel glanced into his eyes.
“Or keep yours,” he said hastily. “I know you’re attached to it.”
“It’s just…you are very kind.”
He gave a short, nervous laugh. “Kindness has little to do with it.”
The dance slowed. It would end soon.
“So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?”
Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.”
“I love you. Is that reason enough?”
Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost.
She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow.
“No,” Kestrel whispered.
“What?” Ronan’s voice cut into the quiet.
“I’m sorry.”
Ronan swiveled to find the target of Kestrel’s gaze. He swore.
Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.”
Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt.
“It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.”
“So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?”
He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions.
She never had been very good at resisting his dares.
“Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee.
Vaughn raised an eyebrow. “You have a list?”
“Yep.”
“Of course you do.”
Isabelle looked over, surprised. “You never told me about this.”
“What kind of list?” Kathleen asked interestedly.
“It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.”
Vaughn rolled his eyes. “And now I’ve heard it all.”
“Where did you find this list?” Simon asked. “Is this something all women know about?”
“Why? Worried you won’t pass muster?” Isabelle winked at him.
“I did some research,” Sidney said. “Pulled it together after reading several articles online.”
“Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?”
Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?”
She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.”
“But all it takes is one,” Isabelle said, with a loving smile at her fiancé.
Simon slid his hand across the table, covering hers affectionately. “The right one.”
Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow.
Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.”
Kathleen shushed him. “Don’t tease your brother.”
“What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.”
Sidney laughed out loud. Quickly, she bit her lip to cover.
”
”
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
“
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.”
Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.”
A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.”
He grinned. “I have more.”
She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts.
By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes.
“I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.”
“I wouldn’t have done it without you.”
She shook her head. “You did it for yourself not for me.”
Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.”
She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.”
“Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.”
Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased.
His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him.
Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life.
Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face.
Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it.
“I heard you that night,” he admitted. “When you told me you loved me.”
Her head tilted. “I thought you were asleep.”
“No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.”
Her smile was smug. “I know.” She kissed him again. “Make love to me.”
His entire body pulsed. “I intend to, but there’s one thing I have to do first.”
Rose frowned. “What’s that?”
Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
Do you have vows?” Freeman asked. Zane nodded, but he didn’t move to take out a piece of paper or any notes. He licked his lips instead and took a deep breath. “Ty,” he said, and the sound was almost lost in the night. “Some roads to love aren’t easy, and I’ve never been more thankful for being forced to fight for something. I started this journey with a partner I hated, and a man in the mirror I hated even more. The road took me from the streets of New York to the mountaintops of West Virginia, from the place I born to the place I found a home. It forced me to let go of my past and face my future. And I had to be made blind before I could see.” Zane swallowed hard and looked down, obviously fighting to finish without choking on the words or tearing up. Ty realized his own eyes were burning, and it wasn’t because of the cold wind. Zane squeezed Ty’s fingers with one hand, and he met Ty’s eyes as he reached into his lapel with his other. “I promise to love you until I die,” he said, his voice strong again. He held up a Sharpie he’d had in his suit, and pulled Ty’s hand closer to draw on his ring finger. With several sweeping motions, he created an infinity sign that looped all the way around the finger. When he was satisfied with the ring he’d drawn, he kissed Ty’s knuckles and let him go, handing him the Sharpie. Ty grasped the pen, but he couldn’t take his eyes off Zane. He ran his thumb over Zane’s palm. He had a set of vows he’d jotted down on a note card, folded up in his pocket, but he left them where they were and gazed into Zane’s eyes, their past flashing in front of him, their future opening up in his mind. He took a deep breath. “I promise to never leave you alone in the dark,” he whispered. He pulled Zane’s hand closer and pressed the tip of the Sharpie against Zane’s skin, curving the symbol for forever around it. When he was satisfied, he kissed the tip of Zane’s finger and slid the pen back into his lapel pocket. Freeman coughed and turned a page in his book. “Do you, Zane Zachary Garrett, take this man to be your lawful wedded husband?” Zane’s lips curved into a warm smile. “I do.” Freeman turned toward Ty. “Do you, Beaumont Tyler Grady, take this man to be your lawful wedded husband?” “I do,” Ty said, almost before the question was finished. “Then by the power vested in me by the state of Maryland, I pronounce you legally wed.” Freeman slapped his little book closed. “You may now share the first kiss of the rest of your lives.” Ty had fully expected to have the urge to grab Zane and plant one on him out of sheer impatience and joy, but as he stood staring at his brand-new husband, it was as if they were moving underwater. He touched the tips of his fingers to Zane’s cheek, then stepped closer and used both hands to cup his face with the utmost care. Zane was still smiling when they kissed, and it was slow and gentle, Zane’s hands at Ty’s ribs pulling them flush. “Okay, now,” Livi whispered somewhere to their side, and a moment later they were both pelted with handfuls of heart-shaped confetti. Zane laughed and finally wrapped his arms around Ty, squeezing him tight. The others continued to toss the confetti at them, even handing out bits to people passing by so they’d be sure to get covered from all sides. They laughed into the kiss, not caring. They were still locked in their happy embrace when Deuce turned the box over above them and rained little, bitty hearts down on their heads.
”
”
Abigail Roux (Crash & Burn (Cut & Run, #9))
“
Amy, listen to me. Listen to me. Don't you ever let them tell you you're ugly! Don't ever let them tell you you're dirty. You're a beautiful person, inside and out, thoughtful, sensitive and kind. I don't care what Sylvanus says, or what anyone else thinks. You'll find yourself a nice man to marry someday, and if your family's trying to convince you otherwise, it's only because they have an unpaid servant in you and they don't want to lose you." He heard what sounded like a gulp, then a sniffle. "Amy?" "I — I'm sorry, Ch-Charles. No one's ever said anything like that to me before, and . . . and I j-just don't know what to make of it —" "Oh, God, don't cry. I don't know how to deal with tearful females, truly I don't." "I c-can't help it, you're being so nice to me, saying that I'm beautiful when really, I'm not, and — "You are beautiful, Amy, and don't you ever forget it." "You can't say that, you've never even seen me!" "Come here." "I am here." "Come closer, then, and let me judge the issue for myself." She did. "Now, place my hands on your face." Sniffling, she took his hands within her own. Or tried to, given that hers were half the size of his and dainty as a bird's foot. And then she raised them to her face, placing one on each hot, tearstained cheek. The minute he felt her flesh beneath his, Charles knew this was a mistake. A big mistake. But to stop now would crush her. "Ah, Amy. How can you think you're ugly? Your skin is so soft that it feels like roses after a morning rain." "It's too dark. Bronzy. Not at all the color of Ophelia's and Mildred's." "And who says skin has to be milk-white to be beautiful?" "Well . . . no one, I guess." He gently pressed his thumbs against her cheeks, noting that they were hot with blush, soft as thistledown, and that the delicate bones beneath were high and prominent. "And look at these cheekbones! I know women — aristocratic women, mind you — who'd kill for cheekbones like these. High cheekbones are a mark of great beauty, you know." "High cheekbones are a mark of Indian blood." "Amy." "Yes?" "Stop it." "I'm sorry." He continued on, now tracing the curve of her brow, and the bridge of her nose. He had lost his eyesight, but it was amazing what his hands could see. "You have a lovely nose," he said. "It's too strong." "No it isn't. Close your eyes." She did. He could feel the fragile veneer of her eyelids, trembling faintly beneath his fingertips, and long, long lashes that brushed those cheekbones he had so admired. "What color are your eyes, Amy?" "Brown." "What color brown? Brown like conkers? Brown like nutmeg? Brown like black?" "Brown like mud." "Can you think of a more flattering word?" "No." His hands moved out over her face, learning its shape, before touching the plaited, pinned-up mass of her hair. It was straight, he could tell that much. Shiny like glass, as soft as a fern. He wished it was down. Good God, man, whatever are you thinking?! "My hair's brown, too," Amy said, her voice now a tremulous, barely audible whisper. "Brown like mud?" he cajoled. "No. Brown like black. And when the sun comes out, it's got reddish undertones." "It sounds very pretty." "It's not, really. It's just hair." "Just hair. Do you ever wear it down?" "No." "Why not?" "It gets in the way of things." "Don't you think that someday, a man will wish to drag his fingers through all this hair?" "No . . . no respectable man." He shook his head, his heart aching for her. "Oh, Amy." He
”
”
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
“
The children crowded about the women in the houses. What we going to do Ma? Where we going to go?
The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring.
The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses.
The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor.
He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.
”
”
John Steinbeck (The Grapes of Wrath)
“
He rested on his back, loosening his hold on me, and I turned over so I was lying on my side, facing him. I rested a hand on his chest, and his eyes watched mine until his hand found my own.
I murmured, “I don’t regret that.”
He hooked his finger around mine. “Really?”
I nodded. I couldn’t, not anymore. Not after we made out in my closet, then my bed, and after I was practically begging him for it at the bar.
I croaked, “I touched your bulge.”
He started laughing, curving more into me. “You did.”
“It was the most momentous and memorable part of the night.”
I was grinning.
He lifted his head. “Really?”
He wasn’t.
I nodded. “For sure. I became the definition of a wanton hussy.”
He started laughing again.
I kept going, “I can imagine all the stories that start with, ‘The day she touched my bulge’, or ‘The day I touched his bulge,’ ‘The moment my hand felt his jeans, and his dick swelled underneath’, or even . . .” I was laughing now, “‘I laid my hands on him, right over his jeans, and he rose up. He answered my call. I called out, Come forth, hard penis, and answer milady’s beckoning. My hips call upon your touch. You must heed and give forth plentiful of your pleasure.’”
He continued laughing, wrapping his arms around me, and somehow he had curled his entire body around mine again. I was lying on my back once more, and he stopped, lifting his head from my neck. He gazed down at me, shifting to rise up on his elbow. He caught some hairs and tucked them behind my ear, letting his hand linger there, holding me gently.
He grew serious. “I want to keep doing this.”
I rested my hand over his on my face. “Fucking me from behind?”
He grinned and then sobered. “No. This, whatever it is. We don’t need to put words to it, if you don’t want to.”
I groaned. “Please, don’t. I tend to get bitchy when words are applied to situations
”
”
Tijan (Hate to Love You)
“
I love the commanding tone of your voice and how it falls in gentle rhythms. I love how you dance like the waves and pull me in with your tide. You're every ounce as beautiful as the sea and every bit as wild. You have no idea the extent how vibrantly you glow, but perhaps you're learning. And I love that. I love you."
A flutter in my chest multiplies, blooming and blooming and blooming, like the kaleidoscope in my dream. Only this time, it doesn't shatter. It holds me there in that rose-gold glow. I burst, but in a way that's expansive, not destructive.
I leap forward, pressing my lips to his, obliterated by the dew-damp softness.
His eyes widen as he pulls away.
I gape at him, flushed. "I---I'm sorry."
He hesitates, but then he pounces, drawing me towards his embrace and crushing my open mouth. It happens so fast. He grabs me by the thighs, welling up my skirt as he carries me out of the water. My fingers curl through his hair, and novas explode as he slips his tongue onto mine. He holds me tighter, kissing me over and over again like repeating a melody. It's as natural as language, as wild as the roaring sea.
We fall to the ground, and a bed of flowers blossoms beneath us, pale pink and soft. The velvet petals tangle in my hair as he presses into me--- skin on skin, blooming with wild heat. We fold into each other, our arms coiling like serpents, my fingers tracing his body.
He pulls away for just a moment, but only to study me like the rarest opal, admiring my every color and curve before kissing my lips--- sweet and soft and slow. We repeat the motions in a ritual that's only our own.
I try to catch my thoughts, but they're all tangled up . Though, there's one thing I know for sure. Through my unsteady breathing, I whisper, "I love you, too."
Despite what the Devil thinks, I am capable of love, and I won't let him win, not now. Damien and I collapse into the damp petals, surrendering to the night.
”
”
Kiana Krystle (Dance of the Starlit Sea)
“
Alas, when she opened her mouth to thank him, her composure deserted her completely and all she could manage was a low, distraught plea. “You must stop doing this!” she said desperately. It was not the response Kesgrave anticipated. Oh, no. Having been impressed by Bea’s pluck and daring from the very first, even while her refusal to abide by his authority drove him mad with frustration, he’d never imagined that the presentation of a simple band could have such a disastrous effect on her self-possession. Kesgrave’s confusion, so readily apparent in the way he drew his eyebrows together and pursed his lips, helped relieve some of Bea’s distress. After two decades of falling short of her aunt’s unreasonable expectations, it was still revelatory to exceed his. Taken aback by her discomfort, Kesgrave immediately complied with her request, promising never to repeat the event. “I could not even if I desired to,” he assured her, “for the bracelet is the only item of your mother’s in need of reclaiming.” It was perfect, Bea thought, the characteristic pedantry of his reply, and under ordinary circumstances, it would have elicited from her a fond mocking rejoinder. But everything about the moment felt remarkable, even the sunlight filtering through the window, bathing them in a golden glow, and she answered instead with terrifying honesty. “You must stop making me love you more, Damien. The feeling is already so overwhelming, I can scarcely breathe.” His features remained steady but his eyes—oh, yes, his eyes—blazed with emotion and he raised his hand as if to touch her. Mindful of their situation, however, he let it drop before he made contact, and his lips curved slightly as he shook his head to deny her request. “I fear I cannot, Bea, no. Your brief spells of breathlessness are the only advantage I have in this relationship, and I am not prepared to relinquish it.” The duke spoke softly, emphatically, and Bea waited for amusement to enter his eyes, for she knew he was teasing, but his expression remained fervent. Warmed by his gaze, she longed to move closer, to draw his lips to hers, and it was only the presence of her family that kept her firmly rooted to the spot.
”
”
Lynn Messina (A Sinister Establishment (Beatrice Hyde-Clare Mysteries, #6))
“
Dear, What’s the Point of it All?
What is the point of being nice? When you do not know what you are going to get from it? Knowing eventually sooner rather than later someone and maybe that person you are being nice to will turn their back on you. I always have to stay grounded and focused. When I am there for people, I feel like I am always punished for it. I am always treated as if I committed a crime. I was there for my mom; however, she was killing me slowly but surely. Like my mom, I noticed that when people get themselves in some shit, they get stuck in their own mess. They are confident that they do not have to deal with the consequences—because they know the ‘kind’ person will bail them out. What’s the point of being kind? Like my mom and the officer, there are so many people in the world who are judgmental and tainted because of their selfish needs.
What’s the point of my life? Here I am in a library filled with many books. I can read them and go anywhere I want to in my mind, but after I close the book, I will have to snap out of my fantasy world and welcome the cruel cold world, which is reality. If I was a book, I would be better off left on the shelf. There is no excitement in my life—only struggles.
What’s the point of living and loving life when the only thing I do is read between the lines and tread carefully? Come to think about it, I am a book that nobody can understand or read. They think they know what is best for me, but if they only take the time to listen, I would be so happy to tell them about me and my needs and wants. My actions scream for attention, but time after time, I am ignored. Sadly, without a care, they were quick to rip out the pages. Yet, once again, nobody noticed me.
What’s the point of it all when I never had an opportunity to make a mistake? If I did one thing wrong, they would give up on me and send me to one home after another. I’ve always been fully exposed and had to walk in a line filled with sharp curves from disappointment to disappointment. Sorrow is my aura, and sadness hugs me tightly. It is hard to cry when my eyes are closed shut by the barbed wire fence of my eyelashes as they prohibit tears from falling.
What’s the point of complicating my life? I am always back to where I started, and then ... I relive the same patterns, but on a more difficult journey. I believe when you put yourself in your own mess that you should clean it up and start over. What’s wrong with that? Nothing. However, when someone else puts you in their mess, you do not know how to clean up the mess they’ve made. You do not know how to start over because you do not know where to begin. I look at it this way; it is like telling a dead person he/she can start over. How so, when that person’s life no longer exists? I know my life isn’t over. However, I am lost in a maze my mom set up for herself—and she too is lost in her own maze. When a person gets lost in their own maze, they are really fucked up. However, this maze shouldn’t be left for me to figure out. Unfortunately, I am in it, and I have to find my way out one way or another.
What’s the point of taking Kace from me? He was safe and in good hands. Now he is worse off with people who are abusing him. He didn’t ask for this—I didn’t either. He deserves so much better. Again, what is the point of it all?
What’s the point of making me suffer? Do you get a kick out of it? What are you trying to accomplish? I am trying to understand; what is the point of it all? What is the point?
I don’t know why I am here.
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Charlena E. Jackson (Pinwheels and Dandelions)