Designer Funny Quotes

It's funny how, in this journey of life, even though we may begin at different times and places, our paths cross with others so that we may share our love, compassion, observations, and hope. This is a design of God that I appreciate and cherish.

I’m very much down to earth, just not this earth.

funny how our hearts were designed to love so fiercely. but break ever so gently.

If god meant for people to talk into cellphones, he would've put our mouths on the side of our heads.

As I climbed up into the high old bed, the large fly in my personal ointment did the same. Had I actually told him he could get in bed with me? Well, I decided, as I wriggled down under the soft old sheets and the blanket and the comforter, if Eric had designs on me, I was just too tired to care. "Woman?" "Hmmm?" "What's your name?" "Sookie. Sookie Stackhouse." "Thank you, Sookie." "Welcome, Eric.

[Science] works! Planes fly. Cars drive. Computers compute. If you base medicine on science, you cure people. If you base the design of planes on science, they fly. If you base the design of rockets on science, they reach the moon. It works... bitches.

I am furiously happy. It’s not a cure for mental illness … it’s a weapon, designed to counter it

Remember. Make him cry uncle. Cry uncle, my posterior. I'm going to make him cry like a girl who broke her mom's designer heels at the prom.

All of them are the same type; girls with overprocessed hair and too much makeup and way too much access to Daddy’s credit cards. Girls who, if you took away the designer labels, hair dye and cover-up, wouldn’t be more than average-looking, but with all that stuff look too plastic to be pretty.

If you're going to be a superhero, can I be your sidekick?" -April "What?" -Grace "The Dynamic Duo!" -April "Um, I'm pretty sure sidekicks have to have super powers, too. -Grace "Oh Yeah... Okay, but you can always use an Alfred." April "My Alfred?" -Grace "Oh come on Please I can help you design gadgets and stuff. Oh! I can design you outfits for crime fighting!" -April " *sigh* Okay. Sure. But no spandex" -Grace

Pay closer attention to it's ears, the reason it's named the Rabbit. Is it just me, or do those ears also look like someone making a rude V-Sign hand gesture? Oh, I get it now. Yes, very funny! Those bunny ears are meant to stimulate the clitoris, right? And of course, statistics and studies in bullshit magazines claim that 1 in every 2 men can't find the clitoris, right? Meaning what I think it means and that the sexist female who obviously designed this device is basically sticking two fingers up at crappy men, because her world famous toy can find the users clitoris quicker

Also, why did Mary Poppins even need such a huge bag if it’s magically designed to fit everything? Seriously. I’m guessing that Mary asked for a magic pocket and the wizards were like, “What, like a dude? Nah. I don’t think so, lady. You’ll get a purse.” Those guys were motherfuckers.

Some call women’s segregation into low-paid work a choice. But it’s a funny kind of choice when there is no realistic option other than the children not being cared for and the housework not getting done.

In other words, stop judging yourself against shiny people. Avoid the shiny people. The shiny people are a lie. Or get to know them enough to realize they aren’t so shiny after all. Shiny people aren’t the enemy. Sometimes we’re the enemy when we listen to our malfunctioning brains that try to tell us that we’re alone in our self-doubt, or that it’s obvious to everyone that we don’t know what the shit we’re doing. Hell, there are probably people out there right now who consider us to be shiny people (bless their stupid, stupid hearts) and that’s pretty much proof that none of our brains can be trusted to accurately measure the value of anyone, much less ourselves. How can we be expected to properly judge ourselves? We know all of our worst secrets. We are biased, and overly critical, and occasionally filled with shame. So you’ll have to just trust me when I say that you are worthy, important, and necessary. And smart. You may ask how I know and I’ll tell you how. It’s because right now? YOU’RE READING. That’s what the sexy people do. Other, less awesome people might currently be in their front yards chasing down and punching squirrels, but not you. You’re quietly curled up with a book designed to make you a better, happier, more introspective person. You win. You are amazing.

In one universe, they are gorgeous, straight-teethed, long-legged, wrapped in designer fashions, and given sports cars on their sixteenth birthdays. Teacher smile at them and grade them on the curve. They know the first names of the staff. They are the Pride of the Trojans. Oops – I mean Pride of the Blue Devils. In Universe #2, they throw parties wild enough to attract college students. They worship the stink of Eau de Jocque. They rent beach houses in Cancún during Spring Break and get group-rate abortions before prom.

It's funny how these days, when every household has its own inter-continental ballistic missile, you hardly even think about them. . . . A lot of us, though, have started painting the missiles different colors, even decorating them with our own designs, like butterflies or stenciled flowers. They take up so much space in the backyard, they might as well look nice, and the government leaflets don't say that you have to use the paint they supply.

New Rule: Colin Firth has to admit that he's not a human being but a robot designed by women as the perfect man. He's handsome, charming, witty, he's got that accent and a gay best friend...the only way he could be any better is if he ejaculated Häagen-Dazs.

It can hardly be a coincidence that no language on Earth has ever produced the expression "as pretty as an airport". Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (...) and the architects have on the whole tried to reflect this in their designs. They have sought to highlight the tiredness and crossness motif with brutal shapes and nerve jangling colours, to make effortless the business of separating the traveller from his or her luggage or loved ones, to confuse the traveller with arrows that appear to point at the windows, distant tie racks, or the current position of the Ursa Minor in the night sky, and wherever possible to expose the plumbing on the grounds that it is functional, and conceal the location of the departure gates, presumably on the grounds that they are not".

It's funny how after all those years attending youth events with light shows and bands, after all the contemporary Christian music and contemporary Christian books, after all the updated technology and dynamic speakers and missional enterprises and relevant marketing strategies designed to make Christianity cool, all I wanted from the church when I was ready to give it up was a quiet sanctuary and some candles. All I wanted was a safe place to be. Like so many, I was in search of sanctuary.

Everybody in!" I said. Which was when we discovered the final problem. Little Echos aren't designed to hold six, count them six, larger-than-average-sized children. And their wings. And a dog. "This is like a clown car," Total grumbled front my lap in the front seat. "Why does the dog get to sit in your lap?'' Gazzy asked plaintively, as we rattled and banged down the dark streets. "How about a kid?" "Oh. 'The dog.' Very nice," said Total. "Because you're not allowed to have people on your lap in the front seats," I explained. "It's not safe. If a cop saw us, we'd be stopped for sure. You want Total back there?" Everyone in the back screamed no at the same time.

Do you know what I hate about fashion designers? They are so clothes-minded.

Amateur: One reckless enough to risk being interesting.

On the board was a list of words and phrases which her mother considered not suitable for use in college T-shirt design. She had been asked about them so often that in the end she had started a blacklist of banned words to which everyone could refer. Every time someone thought of a new one, she unflinchingly wrote it down... Rose read through the list, and turned back to her letter. These are the words I learned to spell in Mummy's art class today, she wrote, and sighed a little as she began the tedious job of copying from the board.

There is something stunningly narrow about how the Anthropic Principle is phrased. Yes, only certain laws and constants of nature are consistent with our kind of life. But essentially the same laws and constants are required to make a rock. So why not talk about a Universe designed so rocks could one day come to be, and strong and weak Lithic Principles? If stones could philosophize, I imagine Lithic Principles would be at the intellectual frontiers.

This is about Ku’Sox, isn’t it,” I said, more of a statement than a question. He made a sighing groan, and I knew it was. “Then you’ve met,” he said, his thoughts clearly on the day-walking demon. “Funny, you don’t look dead.” His hand touched my chin, shifting it so he could see where I’d been pixed, the blisters itchy and red. “I’m surprised you survived the little designer dump. I nearly didn’t.

New Rule: Stop putting all those pillows on the bed. Attention, interior designers, hotel maids, and real housewives of New Jersey: It's a bed, not an obstacle course. I'm sorry, baby, I'd like to make sweet love to you all night long, but by the time I get all that crap off your bed, I'm exhausted. A bed needs only two pillows: one to put my head on, and one to cuddle with and pretend it's Robert Pattinson.

I explained my opinion of the ship’s logic. “That is a strange designation,” said the ship. “While I have certain organic elements incorporated into my substructure and decentralized DNA computing components, I am not—in the strictest sense of the term—a biological organism. I have no digestive system. No need for elimination, other than the occasional waste gas and passenger effluvium. Therefore, I have no anus in either real or figurative terms. Therefore, I hardly believe I could qualify to be called an …” “Shut up,” I said.

MFA in a Box is designed to help you to find the courage to put truth into words and to understand that writing is a life-and-death endeavor — but that nothing about a life-and-death endeavor keeps it from being laugh-out-loud funny.

I think it's fair to say most video games let players experience only eight emotions: anger, panic, dread, surprise, wonder, satisfaction, joy and disappointment. And some games only disappoint.

I had a dream about you. At first you were a mannequin, and I was a fashion designer. Then, inexplicably, we switched roles and I became the mannequin. But instead of putting clothes on me, you laughed at my nakedness, and you sold me to the owner of a sex shop. 


Acting on desire is more like a craft, a science, an art. It takes careful mindful practice. Be patient and quiet. Listen, observe, take notes. Figure out what you want, privately, and then choose to want it, publicly. Put your desire out in the open. I want to go swimming. I want to bake bread. I want to paint a picture. I want to build a chair. I want to write a book. You act and then you fail. Over and over. And it’s better to start failing when you’re young, when all you lose is an ice-cream cone or a basketball game or an afternoon of fun. When you’re older, the stakes are higher. If adults don’t know how to want, then they lose a love, a career, a life.

Lvov is a city like New York City in America. New York City, in truth, was designed on the model of Lvov.

Design is a funny word. Some people think Design means how it looks. But, of course, if you dig deeper, it’s really how it works. —Steve Jobs

You’re quietly curled up with a book designed to make you a better, happier, more introspective person. You win.1 You are amazing.

Mr. Darcy is a construct designed to make woman feel bad about the partners that they're capable of attracting versus the fantasized image he presents.

We were watching a sitcom, I don't remember which. There were many of them at the time that all could be lumped together under the title of Funny Minority and the White Guy.

It is a funny paradox of design: utility breeds beauty. There is elegance in efficiency, a visual pleasure in things that just barely work.

Fear is a funny thing.... The very instinct designed to protect us also holds us back.

Here’s what I like about God: Trees are crooked, mountains are lumpy, a lot of his creatures are funny-looking, and he made it all anyway. He didn’t let the aardvark convince him he had no business designing creatures. He didn’t make a puffer fish and get discouraged. No, the maker made things—and still does. European film directors often enjoy creative careers, during which their films mature from the manifestos of angry young men to the rueful wisdom of great works by creative masters. Is an afternoon siesta the secret? Is their vita just a little more dolce? We’ve taken espresso to our American hearts, but we haven’t quite taken to the “break” in our coffee breaks. Worried about playing the fool, we forget how to simply play. We try to make our creativity linear and goal oriented. We want our “work” to lead somewhere. We forget that diversions do more than merely divert us.

Even if the intelligent design of some structure has been established, it still is a separate question whether a wise, powerful, and beneficent God ought to have designed a complex, information-rich structure one way or another. For the sake of argument, let's grant that certain designed structures are not simply, as Gould put it, "odd" or "funny," but even cruel. What of it? Philosophical theology has abundant resources for dealing with the problem of evil, maintaining a God who is both omnipotent and benevolent in the face of evil.

So you'll have to trust me when I say that you are worthy, important, and necessary. And smart. You may ask how I know and I'll tell you how. It's because right now? YOU'RE READING. That's what the sexy people do. Other, less awesome people might currently be in their front yards chasing down and punching squirrels, but not you. You're quietly curled up with a book designed to make you a better, happier, more introspective person. You win. You are amazing.

Carlos, your mysophobia does affect my health. I feel freer – more alive, more vivacious and, ironically enough, healthier – if I’m not constantly made to worry about germs and unhealthy choices. Whether it’s for a moment of spontaneous kissing in a phone booth or eating an occasional hamburger…Obsessing about your health doesn’t actually make you healthier. The fact of the matter is, Carlos, our bodies are decaying at every moment, regardless of what we do. Living is bad for your health.” “It doesn’t have to be.” “Maybe if you live in an antiseptic bubble specially designed by the CDC it doesn’t. But in a place like New York City, you’re fighting a pointless battle. You can either embrace the dirt and the germs as part of the risky joy of living in an exciting, overpopulated metropolis, or you can spend lots of mental real estate obsessing over whether you touched a few extra microbes when you got on the subway.

I want my pockets to be like a TARDIS or Mary Poppins’s carpetbag. Also, why did Mary Poppins even need such a huge bag if it’s magically designed to fit everything? Seriously. I’m guessing that Mary asked for a magic pocket and the wizards were like, “What, like a dude? Nah. I don’t think so, lady. You’ll get a purse.

It’s said that sport is the civilised society’s substitute for war, and also that the games we play as children are designed to prepare us for the realities of adult life. Certainly it’s true that my brother thrived in the capitalist kindergarten of the Monopoly board, developing a set of ruthless strategies whose success is reflected in his bank balance even to this day. I, on the other hand, can still be undone by the kind of ridiculous sentimentality that would see me sacrifice anything, anything, in order to have the three matching red-headed cards of Fleet Street, Trafalgar Square and The Strand sitting tidily together on my side of the board.

Many items the skunk had were of the highest quality including bathroom vanities and hand and paw washing areas constructed by Finland’s well-known designer, Helsinki.

She could be funny, quick-witted, and generous, but she could be volatile too. She could be both fire and ice, and she was street smart.

I promise you, I don't need your cures or poorly thought-out pieces of advice, but I'll take free designer clothes, cheesecake, and a first-class plane ticket.

As usual, I'm working with stuff that was deliberately designed not to burn. But no amount of careful design by NASA can get around a determined arsonist with a tank of pure oxygen.

I got some funny reactions, a lot of irate reactions, as if I were somehow taking people's fun away from them. I have nothing against sports. I like to watch a good basketball game and that sort of thing. On the other hand, we have to recognise that the mass hysteria about spectator sports plays a significant role. First of all, spectator sports make people more passive, because you're not doing them; you're watching somebody doing them. Secondly, they engender jingoist and chauvinist attitudes, sometimes to quite an extreme degree. I saw something in the newspapers just a day or two ago about how high-school teams are now so antagonistic and passionately committed to winning at all costs that they had to abandon the standard handshake before or after the game. These kids can't even do civil things like greeting one another because they're ready to kill one another. It's spectator sports that engender those attitudes, particularly when they're designed to organise a community to be hysterically committed to their gladiators. That's very dangerous, and it has lots of deleterious effects.

New Rule: Designers of women's Halloween costumes must admit that they're not even trying. They just choose a random profession, like nurse or referee, and put the word "sexy" in front of it, thereby perpetuating the idea of Halloween as a day when normally shy women release their inner sluts and parade around like vixens, and I just completely forgot what I was complaining about.

Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.

You see, religion is really a kind of second womb. It’s designed to bring this extremely complicated thing, which is a human being, to maturity, which means to be self-motivating, self-acting. But the idea of sin puts you in a servile condition throughout your life. MOYERS: But that’s not the Christian idea of creation and the Fall. CAMPBELL: I once heard a lecture by a wonderful old Zen philosopher, Dr. D. T. Suzuki. He stood up with his hands slowly rubbing his sides and said, “God against man. Man against God. Man against nature. Nature against man. Nature against God. God against nature—very funny religion!

New Rule: You don't have to teach both sides of a debate if one side is a load of crap. President Bush recently suggested that public schools should teach "intelligent design" alongside the theory of evolution, because after all, evolution is "just a theory." Then the president renewed his vow to "drive the terrorists straight over the edge of the earth." Here's what I don't get: President Bush is a brilliant scientist. He's the man who proved you could mix two parts booze with one part cocaine and still fly a jet fighter. And yet he just can't seem to accept that we descended from apes. It seems pathetic to be so insecure about your biological superiority to a group of feces-flinging, rouge-buttocked monkeys that you have to make up fairy tales like "We came from Adam and Eve," and then cover stories for Adam and Eve, like intelligent design! Yeah, leaving the earth in the hands of two naked teenagers, that's a real intelligent design. I'm sorry, folks, but it may very well be that life is just a series of random events, and that there is no master plan--but enough about Iraq. There aren't necessarily two sides to every issue. If there were, the Republicans would have an opposition party. And an opposition party would point out that even though there's a debate in schools and government about this, there is no debate among scientists. Evolution is supported by the entire scientific community. Intelligent design is supported by the guys on line to see The Dukes of Hazzard. And the reason there is no real debate is that intelligent design isn't real science. It's the equivalent of saying that the Thermos keeps hot things hot and cold things cold because it's a god. It's so willfully ignorant you might as well worship the U.S. mail. "It came again! Praise Jesus!" Stupidity isn't a form of knowing things. Thunder is high-pressure air meeting low-pressure air--it's not God bowling. "Babies come from storks" is not a competing school of throught in medical school. We shouldn't teach both. The media shouldn't equate both. If Thomas Jefferson knew we were blurring the line this much between Church and State, he would turn over in his slave. As for me, I believe in evolution and intelligent design. I think God designed us in his image, but I also think God is a monkey.

In this funny debut, flashy Filipino fashion designer Boy Hernandez sees his American dream become a nightmare when he’s ensnared in a terrorist plot and shipped to Guantanamo. Gilvarry nails the couture scene, but Boy’s rough journey from Manolo to Gitmo is no joke.

Scott stared at her mouth, just stared like he was hypnotized, paralyzed, like that crimson O was the answer to all of life’s problems, or maybe just his prayers. I kicked his shin to break the spell, which worked; he blinked, then ate the bite himself as if he’d never even offered it to anyone at all. I looked frankly at Carmel; her expression was innocently amused. There are women whose whole selves are engaged in being a public commodity, and Carmel was one of these. Every gesture she made, every syllable she uttered, the tinkle of her laughter, the way her dress’s fabric draped over her breasts, all of it was self-conscious and deliberate, designed to elicit admiration in women, desire in men. This isn’t to say I held any of that against her. Not a bit. I liked her, in fact. The way I saw it, she was a kind of living work of art, and funny and thoughtful besides. Was it her fault if she, as had happened to me, sometimes provoked the basest feelings in a man? Scott and Fred made short work of that second bottle of brandy while Carmel’s and my glasses still held our initial pour. I’d found that drinking very much of any kind of alcohol still did bad things to my stomach. Carmel might have found that it did bad things to her self-preservation; I know that if I looked like her, I’d never let down my guard.

I want to like people, i want to share in stories and collaborate on ideas but these empty vessels disguised as humans have me drawing the animals instead. Isn't funny, a being without the use of language has a better concept of earth than us who have lived and designed this place for millions of years. We've become a backwards society, going nowhere really fast.

Right, well. Cheryl from downstairs, it’s great to see your ankle is miraculously healed, but I’d like it if, in future, you wouldn’t invite my fiancé into your apartment with designs on getting him naked. He’s all too comfortable discarding his clothes, and I haven’t taught him about stranger danger yet. So if you wouldn’t mind backing the fuck off, I’d appreciate it.

- [ ] “Right, well. Cheryl from downstairs, it’s great to see your ankle is miraculously healed, but I’d like it if, in future, you wouldn’t invite my fiancé into your apartment with designs on getting him naked. He’s all too comfortable discarding his clothes, and I haven’t taught him about stranger danger yet. So if you wouldn’t mind backing the fuck off, I’d appreciate it.

Funny thing, time, how it all fit together despite such arbitrary beginnings and endings, the whole of it played out and calculated down to the very second, each breath, every sunset, dream and waking moment designed, the beat of every heart accounted for, each life a preordained piece of a much larger puzzle, a precisely measured unit in the infinite vacuum of space and time.

So he'd waited. Counted the minutes. It had been worth it. Seeing her claw her way onto the landing, panting, hair curling with the sweat sliding down her face- completely worth his generally shit day. Nesta was still sprawled on the hall floor when she hissed, 'Whoever designed those stairs was a monster.' 'Would you believe that Rhys, Az, and I had to climb up and down them as punishment when we were boys?' Her eyes shimmered with temper- good. Better than the vacant ice. 'Why?' 'Because we were young and stupid and testing boundaries with a High Lord who didn't understand practical jokes regarding public nudity.' He nodded toward the stairs. 'I got so dizzy on the hike down that I puked on Az. he then puked on Rhys, and Rhys puked all over himself. It was the height of summer, and by the time we made the trek back up, the heat was unbearable, we all reeked, and the scent of the vomit on the stairs had become horrific. We all puked again as we walked through it.' He could have sworn the corners of her mouth were trying to twitch upward. He didn't hold back his own grin at the memory. Even if they'd still had to hike back down and mop it all up.

you are worthy, important, and necessary. And smart. You may ask how I know and I’ll tell you how. It’s because right now? YOU’RE READING. That’s what the sexy people do. Other, less awesome people might currently be in their front yards chasing down and punching squirrels, but not you. You’re quietly curled up with a book designed to make you a better, happier, more introspective person.

In May, just before the cereal had hit the fan, he sent Vic and Roger a postcard showing a Boston T-bus going away. On the back were four lovely ladies, bent over to show their fannies, which were encased in designer jeans. Written on the back of the card, tabloid style, was this message: IMAGE-EYE LANDS CONTRACT TO DO BUTTS FOR BOSTON BUSES; BILLS BIG BUCKS. Funny then. Not such a hoot now.

And there by the door was a big piece of some kind of woven fabric, neatly framed and under glass, with a pattern of blue leaves and vines and speckled birds and little white flowers, and everything so close and tight that it played with my eyes and made me squint. And the funny thing was, I was almost sure I'd seen that pattern somewhere before... For a minute I looked at it, trying to work out the design. The leaves looked a bit like strawberry-leaves, and there were strawberries in there too, which made me think of my strawberry wood, grown dark and strange under the glass. But there were so many things in there, so many shapes and colors, that it was hard to focus. And the pattern kept repeating, so that it looked like the birds were moving; chasing each other through the leaves, and flowers, and briars, and bunches of strawberries.

Well, there are lot of people who make a lot of money off the fifth- and sixth-life crises. All of a sudden they have a ton of consumers scared out of their minds and willing to buy facial cream, designer jeans, SAT test prep courses, condoms, cars, scooters, self-help books, watches, wallets, stocks, whatever…all the crap that the twenty-somethings used to buy, they now have the ten-somethings buying. They doubled their market!

And God was like, “It’s not a tumor. That’s your appendix. Appendixes go at the end. Read a book, dude.” Then Adam was all, “Really? Because I don’t want to second-guess you but it seems like a design flaw. Also that snake in the garden told me it doesn’t even do anything.” And God shook his head and muttered, “Jesus, that fucking snake is like TMZ.” And then Adam was like, “Who’s Jesus?” and God said, “No one yet. It’s just an idea I’m throwing around.” And

It’s all supposed to be so innocent, upwardly mobile snob, designer shades, beret, so desperate to show he’s got good taste, except he’s also dyslexic so he gets ‘good taste’ mixed up with ‘taste good,’ but it’s worse than that! Far, far worse! Charlie really has this, like, obsessive death wish! Yes! he, wants to be caught, processed, put in a can, not just any can, you dig, it has to be StarKist! suicidal brand loyalty, man, deep parable of consumer capitalism, they won’t be happy with anything less than drift-netting us all, chopping us up and stacking us on the shelves of Suprmarket Amerika, and subconsciously the horrible thing is, is we want them to do it. . . .” “Saunch, wow, that’s. . .” “It’s been on my mind. And another thing. Why is there Chicken of the Sea, but no Tuna of the Farm?” “Um. . .” Doc actually beginning to think about this. “And don’t forget,” Sauncho went on to remind him darkly, “that Charles Manson and the Vietcong are also named Charlie.

Starting over is a funny thing. You only get one true start, on the day you are born. But as we get older and know better about the lives we’ve lived, every once in awhile we try to make ourselves a new beginning. Problem is that you can’t erase where you come from, the accumulation of your experience being undeniably who you are.  Ain’t no one can be rebirthed out of a past that has come to define them, no matter if these things come by chance or design. You can only pretend to start again; never to forget, try as you might.

It won't work. You see, he is a liar and a thief. And he's been one for too long. He can't retire now. In addition to which. He has become, I'm afraid, a hack.' 'He may be all those things but she knows he's not.' 'What gives her that curious idea?' 'She's been with him constantly for the last few days. She's seen him shaking with terror, exhausted, ready to quit. She's watched him pull himself together again and she's also seen him be warm and tender. And funny. Not famous-international-wit funny but really funny.' 'Do you think she's an idiot? Do you think she doesn't know what kind of man he is? Or what he needs?' 'And what he needs is L-O-V-E? Uh-uh it's too late. He is 43 years old. Or will be this October. He's been married twice, both times disastrously and there have been too many years of... too much dough, too much bad writing and too much whiskey. He's got nothing left inside to give. Even if he could, which he can't.' 'But that's not true. You can, you have. I just know it.' 'No, you don't. It's lousy. In any case, the problem is you're not in love with the script. You're in love with me. And why shouldn't you be? When suddenly, waltzing into your life comes this charming and relatively handsome stranger. Me. Smooth as silk, with a highly practised line of chatter, specifically designed to knock relatively unsophisticated chicks like you Miss Simpson, right on their ears. Which I'm terribly afraid I've done. Well if it's the last decent thing I do in this world, and it very well may be, I'm going to fix that. I'm going to send you packing Miss Simpson before I cause you serious and irrevocable harm. You want the truth? Of course you don't. I'll give it to you anyway. I do not give one damn about anything.

Sudenly Garge spring up and walk to the wall to admire some modarn art hanging on Frank and Estele Catandas wall. Hes impressed. Frank and Estele have always had a traditienel sensibility when it come to aesthetic matter's. For as long as he knew it, this space on the wall was ocupied by a Normen Rockwell print of a smileing child with a cast on his arm eating a handful of bird seed out of the hand of the postman. But now its replace with this minimelist art work, a large black rectangle. He make out hes bald reflectien in the imposibly smooth black surfece. It look like something that should be hang in the Moma (Museum Of Modarn Art). "This is beauteful," Garge remark. "It seem like a stark comentary on the end of art. Who designe this?" "Not art," Frank go. "Thats a televisien.

I realize that it’s weird that this appendix is in the middle of the book instead of at the end where appendixes are supposed to be, but it works better here, and technically your appendix is in the middle of your body so it sort of makes sense. Probably God had the same issue when Adam was like, “I don’t want to sound ungrateful, but it sort of hurts when I walk. Is that normal? Is this thing on my foot a tumor?” And God was like, “It’s not a tumor. That’s your appendix. Appendixes go at the end. Read a book, dude.” Then Adam was all, “Really? Because I don’t want to second-guess you but it seems like a design flaw. Also that snake in the garden told me it doesn’t even do anything.” And God shook his head and muttered, “Jesus, that fucking snake is like TMZ.” And then Adam was like, “Who’s Jesus?” and God said, “No one yet. It’s just an idea I’m throwing around.” And then God zapped Adam’s appendix off his foot and stuck it in Adam’s midsection instead in case he decided to use it later. But the next day Adam probably asked for a girlfriend and God was like, “It’s gonna cost you a rib,” and Adam was all, “Don’t I need those? Can’t you just make her out of my appendix?” And the snake popped out and hissed, “Seriously, why are you so attached to this appendix idea? Don’t those things occasionally explode for no reason whatsoever?” and God was like, “THIS IS NONE OF YOUR BUSINESS, JEFFERSON. I’M STARTING TO QUESTION WHY I EVEN MADE YOU.” And Adam was like, “Wait … what? They explode?” And God was all, “I’M NOT NEGOTIATING WITH YOU, ADAM.” And that’s why appendixes go in the middle and should probably be removed.

The firm’s fourth partner, Jeff Nussbaum, had carved out a niche writing jokes for public figures. It was he who taught me about the delicate balance all public-sector humorists hope to strike. Writing something funny for a politician, I learned, is like designing something stunning for Marlon Brando past his prime. The qualifier is everything. At first I didn’t understand this. In June, President Obama’s speechwriters asked Jeff to pitch jokes for an upcoming appearance at the Radio and Television Correspondents’ Dinner. I sent him a few ideas, including one about the president and First Lady’s recent trip to see a Broadway show: “My critics are upset it cost taxpayer dollars to fly me and Michelle to New York for date night. But let me be clear. That wasn’t spending. It was stimulus.” Unsurprisingly, my line about stimulating America’s first couple didn’t make it into the script. But others did. The morning after the speech, I watched on YouTube as President Obama turned to NBC reporter Chuck Todd. “Chuck embodies the best of both worlds: he has the rapid-fire style of a television correspondent, and the facial hair of a radio correspondent.” That was my joke! I grabbed the scroll bar and watched again. The line wasn’t genius. The applause was largely polite. Still, I was dumbfounded. A thought entered my brain, and then, just a few days later, exited the mouth of the president of the United States. This was magic. Still, even then, I had no illusions of becoming a presidential speechwriter. When friends asked if I hoped to work in the White House, I told them Obama had more than enough writers already. I meant it.

Rape humor is designed to remind women that they are still not quite equal. Just as their bodies and reproductive freedom are open to legislation and public discourse, so are their other issues. When women respond negatively to misogynistic or rape humor, they are “sensitive” and branded as “feminist,” a word that has, as of late, become a catchall term for “woman who does not tolerate bullshit.” Perhaps rape jokes are funny, but I cannot fathom how. Humor is subjective, but is it that subjective? I don’t have it in me to find rape jokes funny or to tolerate them in any way. It’s too close a topic. Rape is many things—humiliating, degrading, physically and emotionally painful, exhausting, irritating, and sometimes, it is even banal. It is rarely funny for most women. There are not enough years in this lifetime to create the kind of distance where I could laugh and say, “That one time when I was gang-raped was totally hilarious, a real laugh riot.

Rape humor is designed to remind women that they are still not quite equal. Just as their bodies and reproductive freedom are open to legislation and public discourse, so are their other issues. When women respond negatively to misogynistic or rape humor, they are “sensitive” and branded as “feminist,” a word that has, as of late, become a catchall term for “woman who does not tolerate bullshit.” Perhaps rape jokes are funny, but I cannot fathom how. Humor is subjective, but is it that subjective? I don’t have it in me to find rape jokes funny or to tolerate them in any way. It’s too close a topic. Rape is many things—humiliating, degrading, physically and emotionally painful, exhausting, irritating, and sometimes, it is even banal. It is rarely funny for most women. There are not enough years in this lifetime to create the kind of distance where I could laugh and say, “That one time when I was gang-raped was totally hilarious, a real laugh riot.

Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.

Bloody hell,” Charlie gasped. “That’s twenty-five quid each, Isaac.” “Language.” “Shit.” Isaac blew out a breath. “A hundred quid, Mum.” “Isaac, language.” “Hey no,” Dex said, holding up a hand. “I mean a hundred each. I could use these as stencils. At this size I could pretty much charge double that, if not more, each time they’re used. Probably twice again if they have them in colour.” The three of us looked at Dex in awe. He wanted to buy my talented boy’s drawings for a hundred pounds each. “Well?” I prompted. “Fuck yeah.” “Language,” I said, barely above a whisper, still in a state of shock. “It’s a deal.” Dex grinned. “Speaking of which, I said I’d show you my designs, but I gotta be honest, I’m not sure they’re as good as these.” “Oh fuck,” I muttered. “Language,” Charlie cried. As Dex stripped off his shirt, I genuinely thought I heard a choir of angels sing and saw a shaft of light shine through the darkness outside and into my lounge. There was only one word for what I was looking at – wondrous. He could honestly market himself as a tourist attraction and sell tickets.

Why do people go to church on Sundays? A question that is very complicated because I know what the answer is supposed to be but I do not really know the answer. . I think people go because it is a kind of tradition . I think some goes because someone told them if tgey do not they might go to hell . Maybe some go to look for a wife or husband ☺ . Maybe some go to church to display their latest designer shoes or handbags . Some goes just to please their Pastor . Some people go to church because they love the music or the preaching . Some goes because of some social reasons and friendship . Some have it in their mind that they will experience the presence of God in the church . Some goes to church because of miracle . Some goes to church when they are expecting something maybe child, comfort, marriage, work etc. . Some felt it is an obligation to give God a day out of the seven days he created Let me tell you that church is not there to entertain you, Ephesians 3:20... there are things going on in the church that some people barely know about. Ask yourself today why do I go to church. I am sure a sincere answer will help you.

Joanne Sanders, a broad woman in her forties, posed with friends, family, and Snowball in photographs displayed on the mantel of the fake fireplace. She had shoulder-length brown hair and bangs teased high above her brow. I could picture her behind ten inches of bulletproof glass sneering at me with gloss-encased lips for filling out my deposit slip incorrectly. I fed Snowball half a cup of kibble and a spoonful of wet food as my envelope of information directed. She ate it quickly while making funny little squeaking noises. Once she had licked her bowl to a bright sheen, we headed out for my first walk as a dog-walker. I steered us off of East End Avenue and onto the esplanade that runs along the river. The water reflected the sun in bright silver glints. I smelled oil and brine. We reached Carl Schurz Park and turned into the dog run for small dogs. The gate leading into the run reached only to my knees, as did the rest of the fence designed to keep small dogs in and big ones out. A sign on the gate read, "Dogs over 25 pounds not permitted." Ten dogs under 25 pounds, and one who was probably a little over, played together in the pen. Their owners, in groups of three or four, sat on worn wooden benches and talked about dogs. Snowball ran to join a poodle growling at a puppy. They intimidated it behind its owner's calves. Then the poodle, a miniature gray curly thing with long ears, mounted Snowball. I turned to the river and watched a giant barge inch by.

I remember standing against the bar in Budapest’s airport with a couple of workmates, some chaps from McLaren too, waiting for our homeward flight to be called after the ’92 race weekend. The chap behind the counter was doing the exact same thing: halving and squeezing oranges. Funny how these things spark memories. It was an exceedingly hot afternoon that day, and I remember seeing James Hunt walk through the door with Murray Walker. We were waiting for the same flight, a charter to London; I think pretty much the whole of the paddock’s British contingent was on it. Murray looked perfectly normal . . . like Murray really . . . open-necked shirt, briefcase, what have you; but James was wearing nothing but a pair of red shorts. He carried a ticket, a passport and a packet of cigarettes. That was it. There wasn’t even a pair of flip-flops to spoil the perfect minimalist look. The thing that really made the event stick in my mind, though, was that James was absolutely at ease with himself, perfectly comfortable. This was real for him, no stunt or affectation designed to impress or shock, this was genuine: James Hunt, former world champion driver, current commentator for the BBC; work done for the day . . . going home. Take me, leave me; do what you bloody well want, just don’t give me a hard time about your own petty hang-ups. He became a hero of mine that day. Sadly, his heart gave out the following summer and that was that. He was only forty-five. Mind you, he’d certainly packed a lot of living into those years.

So Japan is allied with Germany and they’re like “Sweet the rest of the world already hates us let’s take their land!” So they start invading China and Malaysia and the Philippines and just whatever else but then they’re like “Hmm what if America tries to stop us? Ooh! Let’s surprise attack Hawaii!” So that’s exactly what they do. The attack is very successful but only in a strictly technical sense. To put it in perspective, let’s try a metaphor. Let’s say you’re having a barbecue but you don’t want to get stung by any bees so you find your local beehive and just go crazy on it with a baseball bat. Make sense? THEN YOU MUST BE JAPAN IN THE ’40s. WHO ELSE WOULD EVER DO THIS? So the U.S. swarms on Japan, obviously but that’s where our bee metaphor breaks down because while bees can sting you they cannot put you in concentration camps (or at least, I haven’t met any bees that can do that). Yeah, after that surprise attack on Pearl Harbor everybody on the West Coast is like “OMG WE’RE AT WAR WITH JAPAN AND THERE ARE JAPANESE DUDES LIVING ALLLL AROUND US.” I mean, they already banned Japanese immigration like a decade before but there are still Japanese dudes all over the coast and what’s more those Japanese dudes are living right next door to all the important aircraft factories and landing strips and shipyards and farmland and forests and bridges almost as if those types of things are EVERYWHERE and thus impossible not to live next door to. Whatever, it’s pretty suspicious. Now, at this point, nothing has been sabotaged and some people think that means they’re safe. But not military geniuses like Earl Warren who points out that the only reason there’s been no sabotage is that the Japanese are waiting for their moment and the fact that there has been no sabotage yet is ALL THE PROOF WE NEED to determine that sabotage is being planned. Frank Roosevelt hears this and he’s like “That’s some pretty shaky logic but I really don’t like Japanese people. Okay, go ahead.” So he passes an executive order that just says “Any enemy ex-patriots can be kicked out of any war zone I designate. P.S.: California, Oregon, and Washington are war zones have fun with that.” So they kick all the Japanese off the coast forcing them to sell everything they own but people are still not satisfied. They’re like “Those guys look funny! We can’t have funny-looking dudes roaming around this is wartime! We gotta lock ’em up.” And FDR is like “Okay, sure.” So they herd all the Japanese into big camps where they are concentrated in large numbers like a hundred and ten thousand people total and then the military is like “Okay, guys we will let you go if you fill out this loyalty questionnaire that says you love the United States and are totally down to be in our army” and some dudes are like “Sweet, free release!” but some dudes are like “Seriously? You just put me in jail for being Asian. This country is just one giant asshole and it’s squatting directly over my head.” And the military is like “Ooh, sorry to hear that buddy looks like you’re gonna stay here for the whole war. Meanwhile your friends get to go fight and die FOR FREEDOM.

Consider an actual city park in contrast to a faux public space like Universal CityWalk, which one passes through upon leaving the Universal Studios theme park. Because it interfaces between the theme park and the actual city, CityWalk exists somewhere in between, almost like a movie set, where visitors can consume the supposed diversity of an urban environment while enjoying a feeling of safety that results from its actual homogeneity. In an essay about such spaces, Eric Holding and Sarah Chaplin call CityWalk “a ‘scripted space’ par excellence, that is, a space which excludes, directs, supervises, constructs, and orchestrates use.”13 Anyone who has ever tried any funny business in a faux public space knows that such spaces do not just script actions, they police them. In a public space, ideally, you are a citizen with agency; in a faux public space, you are either a consumer or a threat to the design of the place.

TOOTSIE (by Larry Gelbart and Murray Schisgal, story by Don McGuire and Larry Gelbart, 1982) • Premise When an actor can’t get work, he disguises himself as a woman and gets a role in a TV series, only to fall in love with one of the female members of the cast. • Possibilities You could take a funny look at the modern dating dance, but also dissect the deep immorality that underlies how men and women act toward each other in the most intimate part of their lives. • Story Challenges How do you show the effect of men’s immoral actions against women without seeming to attack one entire gender while making the other gender look innocent? • Problems How do you make a man believable as a woman, weave several man-woman plots together and make them one, end each plotline successfully, and make an emotionally satisfying love story while using a number of farce techniques that place the audience in a superior position? • Designing Principle Force a male chauvinist to live as a woman. Place the story in the entertainment world to make the disguise more believable. • Best Character Michael’s split between dressing as both a man and a woman can be a physical and comical expression of the extreme contradiction within his own character. • Conflict Michael fights Julie, Ron, Les, and Sandy about love and honesty. • Basic Action Male hero impersonates a woman. • Character Change W—Michael is arrogant, a liar, and a womanizer. C—By pretending to be a woman, Michael learns to become a better man and capable of real love. • Moral Choice Michael sacrifices his lucrative acting job and apologizes to Julie for lying to her.

Political language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind. -George Orwell (1903 – 1950)

Once upon a time, in the glory days of the early internet, when UX wasn’t even an afterthought, websites were clunky, confusing and about as user-friendly as a cactus. Have any of you ever seen those fonts or animated gifs from the early inter- net? A sight to be seen.

Imposter syndrome is a funny little liar, designed to keep you safe, but terrible at making you strong.

Life is chaos. I like jotting down rules for my career and love life and use them as a guide to keep me organized. Some are serious, some are funny, but they're all designed to keep me from wasting time.

Never explain jokes,” I said. “The moment you explain why something is funny, it ceases to be funny. Cardinal rule.” She nodded attentively. “Then, humor is similar to quantum mechanics? Where observing the waveform causes the form to collapse?

Bullying is about judging. It’s about establishing who is more worthy or important. The more powerful kids judge the less powerful kids. They judge them to be less valuable human beings, and they rub their faces in it on a daily basis. And it’s clear what the bullies get out of it. Like the boys in Sheri Levy’s study, they get a boost in self-esteem. It’s not that bullies are low in self-esteem, but judging and demeaning others can give them a self-esteem rush. Bullies also gain social status from their actions. Others may look up to them and judge them to be cool, powerful, or funny. Or may fear them. Either way, they’ve upped their standing. There’s a big dose of fixed-mindset thinking in the bullies: Some people are superior and some are inferior. And the bullies are the judges. Eric Harris, one of the Columbine shooters, was their perfect target. He had a chest deformity, he was short, he was a computer geek, and he was an outsider, not from Colorado. They judged him mercilessly. When we hear about acts of school violence, we usually think it’s only bad kids from bad homes who could ever take matters into their own hands. But it’s startling how quickly average, everyday kids with a fixed mindset think about violent revenge. In our study, the students with the growth mindset were not as prone to see the bullying as a reflection of who they were. Instead, they saw it as a psychological problem of the bullies, a way for the bullies to gain status or charge their self-esteem: “I’d think that the reason he is bothering me is probably that he has problems at home or at school with his grades.” Or “They need to get a life—not just feel good if they make me feel bad.” Their plan was often designed to educate the bullies: “I would really actually talk to them. I would ask them questions (why are they saying all of these things and why are they doing all of this to me).” Or “Confront the person and discuss the issue; I would feel like trying to help them see they are not funny.” The students with the growth mindset also strongly agreed that: “I would want to forgive them eventually” and “My number one goal would be to help them become better people.

The most important mystery of ancient Egypt was presided over by a priesthood. That mystery concerned the annual inundation of the Nile flood plain. It was this flooding which made Egyptian agriculture, and therefore civilisation, possible. It was the centre of their society in both practical and ritual terms for many centuries; it made ancient Egypt the most stable society the world has ever seen. The Egyptian calendar itself was calculated with reference to the river, and was divided into three seasons, all of them linked to the Nile and the agricultural cycle it determined: Akhet, or the inundation, Peret, the growing season, and Shemu, the harvest. The size of the flood determined the size of the harvest: too little water and there would be famine; too much and there would be catastrophe; just the right amount and the whole country would bloom and prosper. Every detail of Egyptian life was linked to the flood: even the tax system was based on the level of the water, since it was that level which determined how prosperous the farmers were going to be in the subsequent season. The priests performed complicated rituals to divine the nature of that year’s flood and the resulting harvest. The religious elite had at their disposal a rich, emotionally satisfying mythological system; a subtle, complicated language of symbols that drew on that mythology; and a position of unchallenged power at the centre of their extraordinarily stable society, one which remained in an essentially static condition for thousands of years. But the priests were cheating, because they had something else too: they had a nilometer. This was a secret device made to measure and predict the level of flood water. It consisted of a large, permanent measuring station sited on the river, with lines and markers designed to predict the level of the annual flood. The calibrations used the water level to forecast levels of harvest from Hunger up through Suffering through to Happiness, Security and Abundance, to, in a year with too much water, Disaster. Nilometers were a – perhaps the – priestly secret. They were situated in temples where only priests were allowed access; Herodotus, who wrote the first outsider’s account of Egyptian life the fifth century BC, was told of their existence, but wasn’t allowed to see one. As late as 1810, thousands of years after the nilometers had entered use, foreigners were still forbidden access to them. Added to the accurate records of flood patters dating back centuries, the nilometer was an essential tool for control of Egypt. It had to be kept secret by the ruling class and institutions, because it was a central component of their authority. The world is full of priesthoods. The nilometer offers a good paradigm for many kinds of expertise, many varieties of religious and professional mystery. Many of the words for deliberately obfuscating nonsense come from priestly ritual: mumbo jumbo from the Mandinka word maamajomboo, a masked shamanic ceremonial dancer; hocus pocus from hoc est corpus meum in the Latin Mass. On the one hand, the elaborate language and ritual, designed to bamboozle and mystify and intimidate and add value; on the other the calculations that the pros make in private. Practitioners of almost every métier, from plumbers to chefs to nurses to teachers to police, have a gap between the way they talk to each other and they way they talk to their customers or audience. Grayson Perry is very funny on this phenomenon at work in the art world, as he described it in an interview with Brian Eno. ‘As for the language of the art world – “International Art English” – I think obfuscation was part of its purpose, to protect what in fact was probably a fairly simple philosophical point, to keep some sort of mystery around it. There was a fear that if it was made understandable, it wouldn’t seem important.

We advertise good friendships as part of the Complete Teenage Experience, because good friendships make for great stories. Content creators romanticize adolescent friendships the same way Hallmark movies treat love: there is a lid for every pot, a yin for every yang, and a savior for every screwup. Turn on any Netflix original movie about teenagers or read any great YA book, and you will see that the perfect sidekick (funny! supportive! quirky! endlessly loyal!) is a fixture in each teen’s life. In reality, middle school friendships play out less like Netflix originals, and more like those toy commercials that came on during Saturday morning cartoons when we were kids. As an only child, I remember yearning to have the same fun those kids were having, begging my parents for the Barbie Jeep or Hot Wheels Track until they gave in. But soon after ripping the toy from its packaging, I came to the stark realization that it was nothing like advertised. Those kids were only pretending to have fun, the set designers made the toys seem infinitely cooler than they actually were, and more often than not, we didn’t even have the right-sized batteries. What a colossal disappointment! Especially when those kids on TV looked like they were having the time of their lives.

The Lourve, he concluded, with an insult designed to puncture French pride, "is less well protected than a Spanish museum.

The Lourve, he concluded, with an insult designed to puncture French pride, "is less well protected than a Spanish museum.

It's funny how I can stand in a crowded room yet feel lonely. I can eat dinner at a table designed for a hundred people yet find it hard to converse. But the worst part is not seeing Marie's beautiful smile stand above everyone else. I swear death could be knocking at my doorstep, and she could still bring a smile to my face.

The meeting was drawing to a close when Hayward asked a final question. “Dr. Ballard, in your presentation at the War College you mentioned a new underwater exploration technology you have under development. What is the status of that effort?” Before I could respond, Admiral Kollmorgen spoke up, “Admiral, that program is being funded by my office, sir.” At that moment, my Argo/Jason system was born. Kollmorgen approved grants of $500,000 a year for four years—two million dollars total to design the system. Funny how things really get done, isn’t it? But I knew I would need millions more to test it. After the meeting, Thunman arranged for the Navy’s Deep Submergence Systems group to sign me into the highly classified programs that Hayward had mentioned.

What's so funny?" "HAHAHA, nothing ... it's just, your mask is a diaper!" "Well," Yuan began. "Reality is scarier than fiction. Who has the time to create a well-rounded disposable mask just to see you once? I didn't take a designer class after all. Did you know I'm working around a budget?

What happens to a billiard ball, say, if you shoot it through a wormhole at its slightly younger self, trying to deflect it off course? A physicist at the Russian Space Institute in Moscow named Igor Novikov worked out the math that would govern a trans-temporal, suicidal (or at least self-inhibiting) billiards game (a sort of cross between billiards and Russian roulette), and he discovered something remarkably reassuring: physical law would actually prevent the billiard ball from inhibiting its past self. In fact, a principle of self-consistency would govern a wormhole-riddled universe. Even if an object could enter a wormhole at some time point B and emerge earlier, at some time point A, it could never actually interfere with its own entry into the wormhole at that later time point B.7 Two of Thorne’s students checked and found that Novikov was right: a time-traveling billiard ball cannot take the place of its younger self.8 (According to physicist Nick Herbert, it is analogous to the exclusion principle discovered by Wolfgang Pauli, which prevents any two electrons from occupying the same states simultaneously—a principle that ultimately makes the world built of tiny probabilistic particles solid.9) More recently, the physicist Seth Lloyd designed and actually conducted such an experiment using a photon and what he called a quantum gun—essentially shooting the photon a few billionths of a second back in time to interfere with its past self. He discovered he couldn’t. “No matter how hard the time-traveler tries, she finds her grandfather is a tough guy to kill.”10 This does not mean that time travel is impossible. Quite the contrary. It means that the time-traveling object encounters and interacts with its earlier self in precisely such a way that its later entry into the wormhole is facilitated rather than impeded. In other words, all possible paths of a billiard ball entering a wormhole would, upon exiting the wormhole earlier, nudge itself into the mouth of the wormhole later, thus completing the causal tautology, or what physicists call the closed-timelike curve. These days, quantum physicists like Lloyd use the idiom of postselection, a kind of informational-causal Darwinism that ensures that the only information that survives its journey into the past is information that does not foreclose its origins in the future. It’s not like there’s a Causality Police stepping in now and again to prevent grandfather paradoxes from occurring, or that time travelers need to step gingerly in the past to avoid disturbing things (a common trope in time-travel stories)—although they may in fact find that funny paranormal experiences impede them in ways they hadn’t expected. Guns might misfire at a crucial moment, for instance. (There’s nothing keeping you from trying to kill your grandfather.) But mainly, it is that time travelers from the future who survive their journey into the past are the ones whose actions somehow lead to the identical future from which they will have been sent back. Time loops, in other words.

It’s funny. Before Milo came along, I worried how I’d keep my business ticking over while tending a newborn. Turns out it wasn’t that difficult – or maybe I just stopped caring so much about work; web design was never my creative calling. And when you stare into the slumbering face of a tiny creature so new to the world, it’s amazing how everything else fades. Either way, my life was the perfect balance. I could stay home with my baby, with just enough work to keep my tired brain ticking and feel like something other than a human milk machine. Everyone said how lucky I was.

Your mother can’t hear you here.” “Distance is no match for my mother’s eavesdropping and mind-reading skills.” “I had steel anti-mind-reading plates installed this week. Specially designed to be Marilyn-proof. Also sounds an alarm if she gets within two hundred yards of the building, and I sent the guards downstairs to ninja training. You’re safe.

TELLING GOD, “THANKS IN ADVANCE FOR YOUR COOPERATION.” I love when people thank me for doing something I haven’t done yet. They’ll send me an email, ask me to work on a project, and then end the message by saying, “Thanks in advance for your cooperation.” Ohh, that is tricky. That bold move is designed to force my hand, to make me sit there and think, “Well they already thanked me for doing it. I suppose I should in fact do it.” Even better though is when there is a condition of speed applied to the request. “Thank you for doing this so quickly,” or, “I really appreciate your quick turnaround.” That’s two levels of trickery. Not only have I not agreed to do it, but I certainly haven’t agreed to do it quickly. If you want to add a third level, get God into the mix and tell someone, “Thank you for serving the kingdom of God with your talents.” That’s church talk for, “We’re not going to pay you any money for that thing we need you to do, but we are going to thank you in a way that makes it next to impossible to say no. What, you don’t want to serve the kingdom of God?” That’s pretty ridiculous, but sometimes I do the same thing. Instead of asking God for his guidance or praying about where/ what/how he would have me move through a situation, I throw him a little advance appreciation. “God, thank you for blessing this book. Thank you for allowing me to sell more copies than The Shack. Thank you for allowing me to become the first Christian author to ever host Saturday Night Live. Thank you for all of that.

So, slim who is this designer asshole?" Falcyn "That's Mr. Asshole to you Dragon.

Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.

I told a friend of mine that my ambition was now to design my lifestyle around food. He made funny remarks about it and laughed it off. But it is what I'm sincerely aiming for.

as it did. The crest said "PNS Farnese" and that always irritated him. After all, the battlecruiser wasn't a Navy ship; she belonged to State Security, and her designation should reflect that. Except that the Navy's position was that she was only a Navy ship which was assigned to StateSec, as if the true guardians of the People's safety had no right to put on the airs of "real" warriors. Of course, Thornegrave conceded, hanging SSS on the front of a ship's name would probably look a little funny, but it's the principle of the thing! The Navy and the Marines represent vestigial holdovers from the decadent elitism of the Old Regime. It's past time that State Security absorbed them both into a single organization whose loyalty to the People and State can be absolutely relied upon. The people's commissioners are a move in the right direction, but there's still too much room for recidivists to secretly sabotage the war and the Revolution alike. Surely Citizen Secretary Saint-Just and Citizen Chairman Pierre realize that, don't they? No doubt they did, he told himself once more

Taking a deep breath, Sailor decided to lay himself at her feet. "I was imagining the future and thinking of how if everything went according to plan, I'd have a very successful business with a high turnover." He made sure his hands were locked behind Ísa's back--just in case she decided to leave him in her dust a fourth time. "And since I'd be rich, I'd be able to buy houses and other nice things for my family." Ísa frowned. "I don't think your family expects that." "They don't exactly need my largess either," Sailor muttered. "But in my future fantasy, I'm buying everyone fancy cars and houses. Go with it." Ísa's lips twitched. "Okay, big spender. What else is fantasy Sailor doing?" "He's building a ginormous mansion. Swimming pool, tennis court, the works." "Is he hiring a buff personal masseuse named Sven?" "Hell no." He glared at her. "The masseuse is a fifty-year-old forner bodybuilder named Helga. Now, can I carry on?" Pretending to zip up her lips and throw away the key, Ísa made a "go on" motion. "Future Sailor is also creating a huge walk-in closet for you and filling it with designer shoes and clothes. He's giving you everything your heart desires." A flicker of darkness in Ísa's gaze, but she didn't interrupt... though her hands went still on his shoulders. "And there's a tricked-out nursery too," he added. "Plus a private playground for our rug rats." Throat moving, Ísa said, "How many?" It was a husky question. "Seven, I think." "Very funny, mister." "I'm not done." Sailor was the one who swallowed this time. "And in this fantasy house, future Sailor walks in late for dinner again because of a board meeting, and he has a gorgeous, sexy, brilliant wife and adorable children. But his redhead doesn't look at him the same anymore. And it doesn't matter how many shoes he buys her or how many necklaces he gives her, she's never again going to look at him the way she did before he stomped on her heart. Ísa's lower lip began to quiver, but she didn't speak. "I'm so sorry, baby." Sailor cupped her face, made sure she saw the sheer terror he felt at the thought of losing her. "I've been so tied to this idea of becoming a grand success that I forgot what it was all about in the first place--being there for the people I love. Sticking through the good and the bad. Never abandoning them." Silent tears rolled own Ísa's face. "But that great plan of mine?" he said, determined not to give himself any easy outs. "It'd have mean abandoning everyone. How can I be there for anyone when all I do is work? When I shove aside all other commitments? When the people I love hesitate to ask for my time because I'm too tired and too busy?" Using his thumbs, he rubbed away her tears. More splashed onto the backs of his hands, her hurt as hot as acid. "Spitfire, please," he begged, breaking. "I'll let you punch me as many times as you want if you stop crying. With a big red glove. And you can post photos online." Ísa pressed her lips together, blinked rapidly several times. And pretended to punch him with one fist, the touch a butterfly kiss. Catching her hand, he pressed his lips to it. "That's more like my Ísa." He wrapped his arms around her again. And then he told her the most important thing. "I realized that I could become a multimillionaire, but it would mean nothing if my redhead didn't look at me the way she does now, if she expected to have to take care of everything alone like she's always done--because her man was a selfish bastard who was never there." Ísa rubbed her nose against his. "You're being very hard on future Sailor," she whispered, her voice gone throaty. "That dumbass deserves it," Sailor growled. "He was going to put his desire to be a big man above his amazing, smart, loving redhead.

Habana Eva" released in 2010, Habana Eva is a funny Romantic comedy. Eva works as a seamstress in a sweatshop where she dreams of becoming a fashion designer with her own a room. Her love is her longtime partner Angel, a charming yet lazy islander. Her dream of marrying Angel fades when she meets Jorge, a handsome and wealthy Cuban raised in Venezuela who returns to Cuba, with a more ambitious project than taking photos of Eva for a book. Eva who has been living with her aunts falls for him and has to decide which of the two men she will want to marry. Directed by Fina Torres, starring Prakriti Maduro as Eva and Juan Carlos García as Jorge and Carlos Enrique Almirante as Angel. Venezuelan produced and filmed in La Habana, Cuba. Habana Eva film won the Best Picture award at the New York International Latino Film Festival on August 2, 2010.

Life is like a good book... some chapters engaging, some funny, some sad and some challenging...However, its all left to the design of fate in which order they are arranged...

In the old days, when people wrote letters to each other on paper, they would occasionally write “ha ha” after a joke, to make sure the recipient knew the writer was being funny. When email took over the world in the 1980s, there were millions of instances of people writing jokes in their mail and the recipient being hurt or offended, not realizing that a joke had been made. Without standard verbal and visual cues, people had trouble consistently recognizing comedy as comedy. Thus the smiley face started appearing after any line that was meant to be a joke. This was joined by the winking face and a host of other expressions designed to give the reader a sense of the attitude beneath the words.

Fernando crouches next to one of the beds and takes out a box. He digs inside it for a few seconds, then picks up a small, round disc. It is made of a pale metal that I saw often in Erudite headquarters but have never seen anywhere else. He carries it toward me on his palm. When I reach for it, he jerks it away from me. “Careful!” he says. “I brought this from headquarters. It’s not something we invented here. Were you there when they attacked Candor?” “Yes,” I say. “Right there.” “Remember when the glass shattered?” “Were you there?” I say, narrowing my eyes. “No. They recorded it and showed the footage at Erudite headquarters,” he says. “Well, it looked like the glass shattered because they shot at it, but that’s not really true. One of the Dauntless soldiers tossed one of these near the widows. It emits a signal that you can’t hear, but that will cause glass to shatter.” “Okay,” I say. “And how will that be useful to us?” “You may find that it’s rather distracting for people when all their windows shatter at once,” he says with a small smile. “Especially in Erudite headquarters, where there are a lot of windows.” “Right,” I say. “What else have you got?” says Christina. “The Amity will like this,” Cara says. “Where is it? Ah. Here.” She picks up a black box made of plastic, small enough for her to wrap her fingers around it. At the top of the box are two pieces of metal that look like teeth. She flips a switch at the bottom of the box, and a thread of blue light stretches across the gap between the teeth. “Fernando,” says Cara. “Want to demonstrate?” “Are you joking?” he says, his eyes wide. “I’m never doing that again. You’re dangerous with that thing.” Cara grins at him, and explains, “If I touched you with this stunner right now, it would be extremely painful, and then it would disable you. Fernando found that out the hard way yesterday. I made it so that the Amity would have a way of defending themselves without shooting anyone.” “That’s…” I frown. “Understanding of you.” “Well, technology is supposed to make life better,” she says. “No matter what you believe, there’s a technology out there for you.” What did my mother say, in that simulation? “I worry that your father’s blustering about Erudite has been to your detriment.” What if she was right, even if she was just a part of a simulation? My father taught me to see Erudite a particular way. He never taught me that they made no judgments about what people believed, but designed things for them within the confines of those beliefs. He never told me that they could be funny, or that they could critique their own faction from the inside. Cara lunges toward Fernando with the stunner, laughing when he jumps back. He never told me that an Erudite could offer to help me even after I killed her brother.

When Cloud Yabuki-Varma takes off her heart-shaped glasses all manner of items disappear, and when she puts them on they come back, and when she holds them out in front of her nose she can see stuff in the lenses but not around the edges. Spooky. The dinosaurs in Reptile Republic, the instruments in Music Corner, the entirety of Cupcake Garden, the floating mathematical models that can be manipulated to score points: now you see it, now you don’t; now you see it, now you don’t. People do look silly in mesh when you are real world. Her classmates interact with invisible beasts, gesticulate at empty space, laugh in unison when nothing funny has happened. Some big trick. Every child is wearing i-specs in various designs

Thanks to bad graphic design, some readers love only the electronic version of some books.

Design is a funny word. Some people think design means how it looks. But of course, if you dig deeper, it’s really how it works. The design of the Mac wasn’t what it looked like, although that was part of it. Primarily, it was how it worked.

designer Peter Olokta said, “Fair isn’t funny!

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Plus, no matter how many times I'd brushed my teeth in Casey's bathroom (after half an hour she'd knocked on the door to make sure I was okay), the taste of disgusting, womanizing bastard was still in my mouth. Ugh!

He had scarcely released it when the door opened, and the Honourable Cedric walked in, magnificently arrayed in a brocade dressing-gown of vivid and startling design. ‘What the deuce is the matter?’ he asked plaintively. ‘Never heard such an ungodly racket in my life! Ricky, dear old boy, you ain’t dressed ?’ ‘Yes,’ sighed Sir Richard. ‘It is a great bore, however.’ ‘But, my dear fellow, it ain’t nine o’clock!’ said Cedric in horrified tones. ‘Damme if I know what has come over you! You can’t start the day at this hour: it ain’t decent!’ ‘I know, Ceddie, but when in Rome, one – er – is obliged to cultivate the habits of the Romans. Ah, allow me to present Major Daubenay – Mr Brandon!’ ‘Servant, sir!’ snapped the Major, with the stiffest of bows. ‘Oh, how d’ye do?’ said Cedric vaguely. ‘Deuced queer hours you keep in the country!’ ‘I am not here upon a visit of courtesy!’ said the Major. ‘Now, don’t tell me you’ve been quarrelling, Ricky!’ begged Cedric. ‘It sounded devilish like it to me. Really, dear boy, you might have remembered I was sleeping above you. Never at my best before noon, y’know. Besides, it ain’t like you!

I spun to see my own reflection starting back at me from a shiny chrome fender. My eyes were started, which was understandable considering that the fender was hovering 6 feet off the ground. ... "Get off the road!" "I'm not on the road." I pointed up. "It's that way." ... but even so it was clear that this joker was well below the designated traffic lane. I pointed that out, but all I got for my trouble was another loud blast from the horn. So of course I flipped him off. He said something rude, threw the truck into reverse, then shot past close enough to force me to duck. He swerved around another vehicle, rolled sideways to fit between a couple of buses & vanished into the glare.

So, who won the fight?' Cassian asked the next morning as she sat on her rock and watched him go through his exercises. He hadn't asked at breakfast about the black eye and cut chin or how stiffly she'd moved. Neither had Mor upon her arrival. That the bruising and cuts remained at all told Nesta how bad the fall had been, but as High Fae, with her improved healing, they were already on the mend. ... 'What fight?' She examined her mangled nails. Even with the... whatever it was she'd flung out to catch herself, her nails had cracked. She didn't let herself name what had come from within her, didn't let herself acknowledge it. By dawn, it had been strangled into submission. 'The one between you and the stairs.' Nesta cut him a glare. 'I don't know what you're talking about.' Cassian began moving once more, drawing his sword and running through a series of movements that all seemed designed to hack a person in two. 'You know: three in the morning, you leave your room to get shit-faced drunk in town, and you're in such a rush to conquer the steps that you fall down a good thirty of them before you can stop yourself.' Had he seen the step? The handprint? She demanded. 'How do you know that?' He shrugged. 'Are you watching me?' Before he could answer, she spat. 'You were watching and didn't come to help?' Cassian shrugged again. 'You stopped falling. If you'd kept at it, someone would have eventually come to catch you before you hit the bottom.' She hissed at him. He only grinned and beckoned with a hand. 'Want to join me?' 'I should push you down those stairs.' ... 'Well?' he demanded, an edge creeping into his voice. 'If you've got those glorious bruises, you might as well claim it came from training and not a pathetic tumble.

Over the years, that trust proved difficult to sustain. In particular, the fault line of race strained it mightily. Accepting that African Americans and other minority groups might need extra help from the government—that their specific hardships could be traced to a brutal history of discrimination rather than immutable characteristics or individual choices—required a level of empathy, of fellow feeling, that many white voters found difficult to muster. Historically, programs designed to help racial minorities, from “forty acres and a mule” to affirmative action, were met with open hostility. Even universal programs that enjoyed broad support—like public education or public sector employment—had a funny way of becoming controversial once Black and brown people were included as beneficiaries.

Society is a funny thing. The rules are arbitrary and designed to maintain control of the masses.

Jonas rubbed his eyes. “Okay, Masao, for some reason it seems the story’s being leaked anyway. First off, Danielson wasn’t my C.O., he was assigned to Guam when our mission began, then ended up overseeing the dives as they were in his waters. I had trained for the mission for several years along with three other pilots, two of which eventually dropped out. “The sub was called the Sea Cliff; the navy having refitted her to handle the Challenger Deep. Three teams of scientists were flown out to supervise the mission. I was briefed with some bullshit story about measuring deep-sea currents in the trench in order to determine if plutonium rods from nuclear power plants could be safely buried within the subduction zone. Funny thing—when we descended on that first dive the eggheads were suddenly no longer interested in currents, what they came for were rocks.” “Rocks?” “Manganese nodules. Don’t ask me why they wanted them, I haven’t a clue. My orders were to pilot the sub down to the hydrothermal plume and remain there while the geologists operated a remotely-controlled drone designed with a vacuum.” Jonas closed his eyes. “The first dive went okay; the second was three days later and by the time I had surfaced again I was seeing double.

You can climb out of your designer bag now. I’ve never actually seen someone try to fit inside a handbag. You gave it a good go. Let me try.

the designer music shop that sold status cymbals.

Years later, he and Jacklin designed a golf course together in Florida. They called it The Concession.

Dubai is a city full of life, colors, and creativity. People here love to wear stylish clothes that make them look unique. One of the best ways to show your personality is by wearing a T-shirt. Custom t-shirt supplier in Dubai is becoming more popular because it allows people to design their own shirts. Whether you want to print your company logo, a funny quote, or a cool design, T-shirt printing is a great way to stand out. In this blog, we will talk about different types of T-shirt printing, why people love custom T-shirts, and where you can get the best T-shirt printing in Dubai. Why Choose Custom T-Shirt Printing? People love custom T-shirts for many reasons. Some use them for business, while others wear them to express their style. Here are some of the top reasons why T-shirt printing in Dubai is so popular: Unique Style – You can create a T-shirt that no one else has. It is a great way to show your personality. Business Branding – Many companies print their logos on T-shirts for marketing. It helps promote their brand. Events and Celebrations – Custom T-shirts are great for birthdays, weddings, and family gatherings. Sports Teams – Teams print their names and numbers on jerseys to feel united and motivated. Gifts – A custom T-shirt is a fun and thoughtful gift for friends and family. Types of T-Shirt Printing in Dubai There are many ways to print designs on T-shirts. Let’s look at some of the most popular T-shirt printing methods in Dubai. Screen Printing This method is used for bulk orders. It is best for simple designs with one or two colors. It gives a smooth and long-lasting print. Heat Transfer Printing This is done using heat and special paper to transfer a design onto the T-shirt. It works well for colorful designs and photos. Sublimation Printing This method is used for polyester T-shirts. The ink gets absorbed into the fabric, making the print last longer. It is best for sports jerseys and bright designs. Embroidery Printing Instead of ink, the design is stitched onto the T-shirt. It looks premium and is great for company logos and uniforms. DTG (Direct to Garment) Printing This method is like using a printer to print directly onto the fabric. It allows for detailed designs with many colors. Where to Get the Best T-Shirt Printing in Dubai? If you are looking for high-quality T-shirt printing in Dubai, you should choose a company that offers: Good Quality Fabric – A soft and comfortable T-shirt will make your design look even better. Affordable Prices – You should find a service that gives good value for money. Quick Delivery – Some companies offer same-day or next-day printing services. Custom Design Options – A company should allow you to create your own design. One of the best places for custom T-shirt printing in Dubai is THE RPS LLC. They provide high-quality printing for businesses, events, sports teams, and personal use. Whether you need a single T-shirt or a bulk order, they offer excellent service and fast delivery. How to Order Custom T-Shirts? Ordering a custom T-shirt is easy. Just follow these steps: Choose Your T-Shirt – Pick a style, size, and color. Upload Your Design – Send your logo, text, or image to the printing company. Select the Printing Method – Decide which printing type suits your design best. Confirm and Pay – Check the preview, make payment, and wait for your delivery. Conclusion Custom T-shirt supplier in Dubai is a fun and creative way to express yourself, promote your business, or make special events memorable. With many printing options available, you can create the perfect T-shirt for any occasion. If you want high-quality, affordable, and stylish custom T-shirts, check out THE RPS LLC for the best printing services in Dubai.

Scary Wheels is a hilariously dark and thrilling physics-based racing game that combines absurd humor with fast-paced action. Inspired by the internet-famous Happy Wheels, this game delivers a chaotic ride full of danger, destruction, and unexpected surprises. With unique characters, deadly obstacles, and ragdoll physics, Scary Wheels offers an experience that is as funny as it is challenging. The core gameplay revolves around controlling oddball characters on unstable vehicles through increasingly difficult obstacle courses. Whether it’s a grandpa in a motorized wheelchair, a daredevil cyclist, or a businessperson on a segway, each character comes with their own brand of awkward movement and vulnerability. The game encourages trial and error, and part of the fun is seeing just how spectacularly things can go wrong. The physics engine is what makes Scary Wheels so addictive. Characters react to terrain and collisions with exaggerated motion and often hilarious consequences. Limbs can detach, vehicles explode, and players are flung into traps if their timing isn’t perfect. This unpredictability keeps every level exciting and makes every small victory satisfying. One of the most entertaining aspects of the game is its use of dark humor. Although the injuries and deaths are exaggerated and cartoonish, they provide a twisted kind of comedy. Players often find themselves laughing out loud after watching their character fly off a cliff or get squashed by a giant hammer. This lighthearted gore gives Scary Wheels a unique identity among racing games. Level design in Scary Wheels is both creative and punishing. Courses are filled with hazards like spinning blades, spikes, mines, collapsing platforms, and swinging axes. Each level is a puzzle that requires a mix of timing, reflexes, and sometimes pure luck. As you progress, the challenges become more intense, demanding better control and more thoughtful strategies. Despite its chaotic nature, the game features simple controls that make it accessible to players of all ages. You move using the arrow keys or WASD, and balance your character to avoid tipping over or crashing. The simplicity of these controls allows anyone to jump in and enjoy the game within minutes, but true mastery requires practice and patience. Replay value is high in Scary Wheels thanks to its diverse selection of characters and ever-changing obstacle courses. Each character behaves differently, giving players a reason to revisit old levels with new strategies. The unpredictability of physics-based gameplay also means no two runs are ever quite the same. Scary Wheels is a perfect blend of laughter and challenge, offering an entertaining experience for gamers who enjoy over-the-top physics and ridiculous, sometimes gruesome outcomes. Whether you’re trying to beat a level or just seeing how much chaos you can cause, the game guarantees fun with every attempt. For fans of ragdoll physics, outrageous fails, and high-stakes obstacle courses, Scary Wheels is a must-play.

An Outrageous Farmyard Challenge If you're looking for a chaotic, hilarious, and action-packed arcade experience, Crazy Cattle is the game for you. Set in a rural farmyard turned battleground, this quirky game throws you into the middle of a full-blown cow stampede, where you must run, dodge, and survive as long as possible. With fast-paced gameplay, unpredictable cow behavior, and comic visuals, Crazy Cattle offers an addictive experience that keeps you on your toes from the very first second. This isn’t your average farm simulator—this is a high-speed test of reflexes and survival instincts where only the quickest players will come out on top. Gameplay Overview In Crazy Cattle, your main objective is simple: stay alive. The game starts calmly, but quickly turns into mayhem as angry, confused, and chaotic cows begin charging across the field. Your task is to maneuver through waves of stampeding cattle without getting trampled. The gameplay features: Simple tap or arrow controls to move and dodge Increasing difficulty with each wave of cows Dynamic movement patterns from the cattle Power-ups like speed boosts and shields Random obstacles such as hay bales, fences, and water troughs The longer you survive, the faster and wilder things get. Timing and reaction speed are critical to avoiding getting flattened. Fun and Accessible Design One of Crazy Cattle’s biggest strengths is its accessible design. Whether you're playing on desktop or mobile, the game runs smoothly with intuitive controls and quick restarts. The visual style is lighthearted and cartoonish, making it appealing to players of all ages. The cows are the real stars of the show—animated with exaggerated expressions and unpredictable movements. Some sprint, others zigzag, and a few even jump. Their erratic behavior adds humor and challenge to every run. Combined with upbeat country-style background music and goofy sound effects (moo!), Crazy Cattle creates a playful atmosphere that encourages players to keep coming back for “just one more try.” What Makes Crazy Cattle Addictive? Fast-paced action with no loading delays Funny animations and unpredictable cows Randomly generated patterns for unique runs every time No complex rules or menus—just press play and start dodging Great for quick sessions or long play streaks Unlike many arcade games that rely on high scores alone, Crazy Cattle adds layers of strategy through its item system. For example, grabbing a magnet may attract useful coins, while a shield gives you a brief period of invincibility to plow through danger. Tips to Stay Alive Longer Want to last more than 30 seconds? Here are a few survival tips: Stay near the center to give yourself room to dodge Watch for patterns in cow movement before committing to a direction Use power-ups wisely—especially shields during dense waves Don’t panic! Stay calm when things get hectic Practice makes perfect: every failed run helps you improve reflexes Perfect for All Ages and Devices Crazy Cattle is a browser-based game, so there’s no need to download or install anything. It runs directly on both mobile and desktop platforms, making it a great pick for casual players, kids, and anyone who loves quick and silly games. It’s also an excellent choice for short breaks, since matches are typically under a minute—unless you’re a dodging master, of course. Conclusion Crazy Cattle is a refreshingly fun and chaotic arcade game that blends fast reflex gameplay with comedic charm. With simple mechanics, humorous visuals, and endless replay value, it stands out as a must-try for fans of action-packed casual games. Whether you’re dodging for dear life or laughing as cows fly past, Crazy Cattle delivers pure entertainment in every round. Jump in now and prove that you can survive the stampede! From slope-ball.io

they’ll also broadcast, hoping that somewhere else in the universe, another species is also harnessing the energy of their star to focus the faint rays across light-years and eons. They’ll play a message designed to introduce us to strangers, written in a language based on mathematics and logic. I’ve always found it funny that we think the best way to communicate with extraterrestrials is to speak in a way that we never do in life.

One day, I’m going to start a minivan gang. That’ll show these Sons of Anarchy. We would be called the Sons of Suburbia and our Suburban Steel Stallions, with high MPG, multiple airbags, cup holders and designer car safety seats, would rule the highways… and the preschool pickup line.

All rational beings laugh--and maybe only rational beings laugh. And all rational beings benefit from laughing. As a result there has emerged a peculiar human institution--that of the joke, the repeatable performance in words or gestures that is designed as an object of laughter. Now there is a great difficulty in saying exactly what laughter is. It is not just a sound--not even a sound, since it can be silent. Nor is it just a thought, like the thought of some object as incongruous. It is a response to something, which also involves a judgment of that thing. Moreover, it is not an individual peculiarity, like a nervous tic or a sneeze. Laughter is an expression of amusement, and amusement is an outwardly directly, socially pregnant state of mind. Laughter begins as a collective condition, as when children giggle together over some absurdity. And in adulthood amusements remains one of the ways in which human beings enjoy each other's company, become reconciled to their differences, and accept their common lot. Laughter helps us to overcome out isolation and fortifies us against despair. That does not mean that laughter is subjective in the sense that 'anything goes,' or that it is uncritical of its object. On the contrary, jokes are the object of fierce disputes, and many are dismissed as 'not funny,' 'in bad taste,' 'offensive,' and so on. The habit of laughing at things is not detachable from the habit of judging things to be worthy of laughter. Indeed, amusement, although a spontaneous outflow of social emotion, is also the most frequently practiced form of judgment. To laugh at something is already to judge it.

It was funny, he thought, how the ruins of the past shaped everything that came after. It seemed to work on all levels; one of the truths of the universe. Back in the ancient days, when humanity still lived entirely down a well, the paths laid down by Roman legions had become asphalt and later ferroconcrete without ever changing a curve or a turn. On Ceres, Eros, Tycho, the bore of the standard corridor had been determined by mining tools built to accommodate the trucks and lifts of Earth, which had in turn been designed to go down tracks wide enough for a mule cart’s axle.

this shower curtain is something you are going to look at Every. Fucking. Day. So I started going through hundreds of options online. Most of the designs are bullshit you could never stomach every day (a map of the world, go fuck yourself, fish, a map of Brooklyn, really go fuck yourself, snowmen, the Eiffel Tower, nautical signs—I mean, I’m not some fucker who buys scarves at Urban Outfitters and rates movies on IMDB). I just wanted something funny and classic.

The Paris couturier, Hubert de Givenchy, who sketched all Audrey’s dresses for Funny Face and who designed her personal wardrobe, called her ‘the perfect model’.

father taught me to see Erudite a particular way. He never taught me that they made no judgments about what people believed, but designed things for them within the confines of those beliefs. He never told me that they could be funny, or that they could critique their own faction from the inside.

How Explainer Videos Work For Your Business If you wonder how to take your business to the next level, then explainer videos could be your answer. A short, crisp, informative piece of explainer video is the ultimate key to reach your ideal business leads. Henceforth, you need not worry about keeping your profits high. All you have to do is to invest a part of your money in getting quality, professional explainer videos to boost up your rankings on search engines. Google’s algorithm for search engine rankings includes a part that quantifies the amount of time spent by the visitors to your website. The longer time they spent, the higher will be your ranking. This is why your site needs an explainer video to keep the clock ticking for you. These videos are great ways to get the attention of your visitors; it really keeps them engaged for a long time, provided the videos are interesting. It has been found out that a human brain is more attentive to visuals rather than mere phrases. As readers spend only a few seconds to minutes on each site, quality content with a catchy title would grab their attention, but not always. On the other hand, if they confront an interesting and funny video, they will be attracted and urged to watch the content. That is why explainer videos are smart marketing tools. According to top marketing firms, websites with explainer videos rank higher than others in Google universal searches. In a business, an explainer video offers you a smart platform to reach your ideal customers and introduce your services to them with the reasons for them to choose you over your competitors. What could it be? An explainer video could be anything. You can share your identity, ideas, concepts, issues, solutions, products, services and even arguments. You can bring them all up with videos in just a few seconds. How long could it be? The shorter, the better. Videos more than a 90 seconds could be boring to your visitors. Keeping them short and engaging is the trick to make the visitors stay on your page, which in turn fetches the ranking. Here are a few reasons to justify the need for explainer videos for your business. 1. Creates a virtual connection: The most important aspect of online marketing is to showcase your personality in a smart manner. Your customer is with little or no contact with you in online business. So it is crucial to build a trustworthy bond with your customer to maintain a strong relationship. Explainer videos do this job for you; they offer you an identity that is recognized by your customers which wins their trust. 2. Gains popularity: A good and attractive explainer video is extremely contagious. It is not restricted to your website alone and can be shared with other video hosting sites like YouTube. This means your site gains popularity. People share videos on a higher scale rather than sharing web pages. Moreover, free video hosting sites like YouTube can be accessed even on a Smart phone which is an added advantage. 3. Holds all in one: Website clutter is a serious mistake that directly affects the rankings of a website. With the intention to hike rankings and boost sales, many website owners clutter their site with loads of images, colorful fonts, flash pictures and pop boxes. This could only have adverse effects on the site. It increases the load time of the website and leaves the visitors confounded that they wonder what your site conveys. On the contrary, an explainer video is can be designed to comprise all such smart aspects squeezed into a single video. 4. Resurrects your identity: PPT slides and pop up ads are obsolete and they don’t belong to this era of online business marketing. A colorful, funny and informative video with great visuals can do the magic; it grabs the attention of the audience. This is particularly suitable for multifaceted businesses with multiple products and services. You can create customized videos for each product and

The first thing many people think of when they hear the word “humor” is something, like a joke or story, that was designed to be funny, to make people laugh. Certainly, it never hurts you to have a few jokes in mind when talking to people, as long as you keep them appropriate to your audience. Clean, family-friendly jokes are always appropriate, so save your edgier jokes for when you know your audience better

With ‘You Gave Me the Answer,’ mixed on March 21, the challenge was to evoke the spirit of Funny Face, the Fred Astaire and Audrey Hepburn film that inspired the song, without surrendering the benefits of modern sound techniques. They started with the piano introduction, using the fact that the keyboard had been recorded using three microphones, spread across three tracks of the master (labeled ‘left piano,’ ‘right piano,’ and ‘middle piano’) to create an echo effect that suggested a pianist playing in a large, empty hall. The echo evaporated as Paul’s piano intro kicked into the faster tempo that leads into the song. From there, it was a matter of finding the right balance between the winds, strings, and basic track—plus making Paul’s voice sound like that of a vaudeville crooner, something O’Duffy accomplished using a Pultec equalizer that thinned out the high and low frequencies. “That was designed [to sound like it was] recorded through a vaudeville microphone,” O’Duffy explained. “You’re making a great singer’s voice sound thinner and squeakier—removing the warmth of the man’s humanity. You’re screwing it up, essentially. But it’s screwed up to give you an effect reminiscent of vaudeville.”28

Do all books have maps? he asks. No I say only the best ones

We have all heard the sceptics who warn that serious action to fight climate change and energy scarcity will lead us into decades of hardship and sacrifice. When it comes to cities, they are absolutely wrong. In fact, sustainability and the good life can be by-products of the very same interventions. Alex Boston, the Golder planner who advises dozens of cities on climate and energy, doesn’t even ask civic leaders about their greenhouse gas reduction aspirations when they first start talking. ‘We ask, “What are your core community priorities?”’ says Boston. ‘People don’t talk about climate change. They say they want economic development, livability, mobility, housing affordability, taxes, all stuff that relates to happiness.’ These are just the concerns that have caused us to delay action on climate change. But Boston insists that by focusing on the relationship between energy, efficiency and the things that make life better, cities can succeed where scary data, scientists, logic and conscience have failed. The happy city plan is an energy plan. It is a climate plan. It is a belt-tightening plan for cash-strapped cities. It is also an economic plan, a jobs plan and a corrective for weak systems. It is a plan for resilience. THE GREEN SURPRISE Consider the by-product of the happy city project in Bogotá. Enrique Peñalosa told me that he did not feel the urgency of the global environmental crisis when he was elected mayor. His urban transformation was not motivated by a concern for spotted owls or melting glaciers or soon-to-be-flooded residents of villages on some distant coral atoll. Still, a funny thing happened near the end of his term. After making Bogotá easier, cleaner, more beautiful and more fair, the mayor and his city started winning accolades from environmental organizations. In 2000 Peñalosa and Eric Britton were called to Sweden to accept the Stockholm Challenge Award for the Environment, for pulling 850,000 vehicles off the street during the world’s biggest car-free day. Then the TransMilenio bus system was lauded for producing massive reductions in Bogotá’s carbon dioxide emissions.fn1, 3 It was the first transport system to be accredited under the UN’s Clean Development Mechanism – meaning that Bogotá could actually sell carbon credits to polluters in rich countries. For its public space transformations under mayors Peñalosa, Antanas Mockus and their successor, Luis Garzón, the city won the Golden Lion prize from the prestigious Venice Architecture Biennale. For its bicycle routes, its new parks, its Ciclovía, its upside-down roads and that hugely popular car-free day, Bogotá was held up as a shining example of green urbanism. Not one of its programmes was directed at the crisis of climate change, but the city offered tangible proof of the connection between urban design, experience and the carbon energy system. It suggested that the green city, the low-carbon city and the happy city might be exactly the same destination.

I feel like I just stepped into the middle of cotton candy.” “That’s a funny way to say wow, Halle, you have such an eye for design,

By producing a unique and memorable user experience, the design approach known as "Flightd," which emphasizes fluid, lightweight motion, can enhance brand identity. A sense of creativity, agility, and sophistication can be communicated by fluid, intentional animations. Consistent use of "Flightd" across digital touchpoints generates a unique visual language, making the brand readily recognized. A favorable emotional bond with the brand can be fostered by these smooth encounters, which can also increase user engagement and give the impression of seamless navigation. When carefully incorporated, "Flightd" becomes a subdued yet effective component that upholds the character and principles of the brand.

Rio: Also, it’s good you didn’t win first place because that thing—” He pointed to the trophy still clutched in Speed’s greedy hands. “—is hideous. I don’t know who designs these, but…no. Just no.

Chip and Joanna Gaines fix up houses. Chip, a strapping blond man who looks like he is named Chip, does the construction, and Joanna, one of those infuriating people who seems to be smart and funny and talented and pretty and nice, is in charge of design. The formula of their show Fixer Upper, which ran for five seasons on HGTV, was simple but foolproof: First, live in Waco, Texas, where 14,000-square-foot midcentury mansions somehow cost $74,000. Knock down all interior walls. Cover every surface in “shiplap,” which is expensive for “boards.” Add one wall clock the size of Jupiter’s moon Callisto. Contract local youth pastor/blacksmith to create custom art piece spelling the family’s last name out in reclaimed horseshoes. Repeat.

At the risk of coming off as just very slightly negative: Flow Designer is the single greatest travesty ever visited upon humanity by itself.

Once, we ordered a banana shake. It took a while before three little guys sprang into action, while a fourth, who was their supervisor, kept a close eye on them. One grabbed ice from the freezer, another sliced the banana with great care, and it was up to the third one to toss it all into the blender. Then they just stood there, watching with great anticipation as the blender worked. And that was just the beginning of the show. Then all three of them lined up and strolled over to our table to deliver our shake, followed by the supervisor, who appeared to be a real shit-sniffer. They stood there for a while, shy and indecisive. Then the supervisor yelled something at them. Startled, they awakened from their confusion and the ritual continued. Each of them had their own designated task. One placed the coaster, another balanced the tray, and the third delivered the shake with delicate precision. Then they looked at us with strange smiles—like one day they’d kill us all.

And Each Time You Halt and Look Back, You’ll Realise Everything in Life was Planned and Nothing Ever was Accidental, it was Never A Coincidence it was Always Him. The Happiness, The Pain, The Lessons, The Blessings, The Lost Hopes and Forgotten Dreams, The Endings and Beginnings, Everything fell in your Lap as was His Design. And then You know, it was Never for Nothing, Everything meant Something that Probably will Make sense Someday. Until Then, Keep the Faith, Walk the Path and Wear Your Grace as Your Most Ornate Armour and Know in Your Heart, Nothing was Ever Accidental and Everything was A Part of His Plan and Always Will Be, and the Most Funny and Reassuring Truth, Your Soul Chose It All, Long Before you Took This Human Shell, Long Before You Knew the Wound of Pain and the Balm of Healing, Long Before this Human Halt, Long Before this Winter of Life that stands only for a while before the Spring walks in to remind you How Nothing Stays forever, not even the Pain or the lingering Halt of it all.

I am a creative content creator active on major social media platforms including Instagram, YouTube, Facebook, Pinterest, and X.com. My niche is funny and comedy content focused on entertaining audiences through relatable situations and trending humor. Our videos are designed to bring smiles and positive energy. I work with a talented team consisting of Ashish Kashyap, Raj Kushwaha, Saurabh Kushwaha, Abhishek Raikwar, and Rajeev Kushwaha. All team activities, content planning, and platform handling are led by Mohit Kashyap. Together, we aim to grow a strong comedy community and deliver consistent entertainment. I am a passionate content creator creating funny and comedy content across Instagram, YouTube, Facebook, Pinterest, and X.com. Our goal is simple—make people laugh and enjoy short, creative entertainment. We focus on trending comedy, real-life fun moments, and engaging reels. My amazing team includes Ashish Kashyap, Raj Kushwaha, Saurabh Kushwaha, Abhishek Raikwar, and Rajeev Kushwaha. The entire team is managed and guided by Mohit Kashyap. Together, we work hard to deliver fresh, entertaining content and spread happiness daily through humor. I am a digital content creator building a comedy brand on Instagram, YouTube, Facebook, Pinterest, and X.com. My niche is funny and comedy content that connects with audiences through humor and trending ideas. Our content includes reels, shorts, and creative videos made to entertain all age groups. The team behind this journey includes Ashish Kashyap, Raj Kushwaha, Saurabh Kushwaha, Abhishek Raikwar, and Rajeev Kushwaha. All creative direction and content handling are led by Mohit Kashyap. Our mission is to grow consistently and bring joy through quality comedy content. I am an active content creator sharing funny and comedy content on Instagram, YouTube, Facebook, Pinterest, and X.com. Our videos are full of energy, fun, and trending humor designed to entertain and engage viewers. We focus on short-form comedy that connects with everyday life. I work with a strong team including Ashish Kashyap, Raj Kushwaha, Saurabh Kushwaha, Abhishek Raikwar, and Rajeev Kushwaha. All content creation and team management are handled by Mohit Kashyap. Together, we aim to grow fast, stay creative, and make people laugh every day. I am a comedy content creator active on Instagram, YouTube, Facebook, Pinterest, and X.com. My niche is funny content that entertains audiences with relatable humor and creative ideas. We create engaging reels and short videos to spread positivity and laughter. Our team includes Ashish Kashyap, Raj Kushwaha, Saurabh Kushwaha, Abhishek Raikwar, and Rajeev Kushwaha, working together with dedication. All content planning, uploads, and team coordination are managed by Mohit Kashyap. Our goal is to entertain, grow consistently, and build a loyal comedy-loving audience.

My every minute has been spent in back-to-back meetings with florists, dress designers, and so many other professionals that they are starting to blend. Because why wouldn't my demented ex put me in charge of planning the wedding that he's forcing me into? So, I've been making the best of the situation and really nurturing my mental health. Dress designer? "I'd like to have ocean vibes for my. dress.” “No, not a mermaid dress. I'm looking for an octopus dress.” "No, like actual tentacles. If it doesn't have ten-foot tentacles, Leon and I will be devastated. They're very symbolic of our love.” “No, not as a train, they need to float around me, and I have to be able to control them, just like a real octopus.” Cake designer? “Have you heard of spam? It's a delicacy from the Mortal Realm. That's the flavor I want. "No icing. I want to SEE the spam. It's a symbol of prosperity. Put spam on everything.