“
You're an investigator - can't nobody find stuff out like a woman. Y'all put the police to shame, make the little investigative tricks they show on CSI and Law & Order: SVU look like counting lessons on Sesame Street.
”
”
Steve Harvey (Act Like a Lady, Think Like a Man: What Men Really Think About Love, Relationships, Intimacy, and Commitment)
“
Smitty gave his best pout. “Why are y’all trying to hurt me?”
“Because it’s fun?”
“It’s easy.”
“I love it when you cry.”
Smitty sighed. “Forget I asked.
”
”
Shelly Laurenston (The Beast in Him (Pride, #2))
“
I will love you if you don’t marry me. I will love you if you marry someone else your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. Although sadly I believe it will be quite some time before two women can be allowed to marry and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket
“
I start to wonder if I’m being creepy. I mean, I am creeping. Does creep-ing automatically make one creep-y? Or are there dispensations for…romance? I bet all stalkers believe they’re being romantic. I did it for love, officer.
”
”
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
“
The mind is a superb instrument if used rightly. Used wrongly, however, it becomes very destructive. To put it more accurately, it is not so much that you use your mind wrongly—you usually don't use it at all. It uses you. All the things that truly matter — beaut...y, love, creativity, joy, inner peace — arise from beyond the mind...
”
”
Eckhart Tolle
“
We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we allexisted in space like animals with identical skins, and that they knew everything about us though we couldn'y fathom them at all. We knew finally that the girls were really woman in diquise, that they understood love even death, and that our job was merely to create the noise that seemed to fascinate them.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
Wanted, wanted: Dolores Haze.
Hair: brown. Lips: scarlet.
Age: five thousand three hundred days.
Profession: none, or "starlet"
Where are you hiding, Dolores Haze?
Why are you hiding, darling?
(I Talk in a daze, I walk in a maze
I cannot get out, said the starling).
Where are you riding, Dolores Haze?
What make is the magic carpet?
Is a Cream Cougar the present craze?
And where are you parked, my car pet?
Who is your hero, Dolores Haze?
Still one of those blue-capped star-men?
Oh the balmy days and the palmy bays,
And the cars, and the bars, my Carmen!
Oh Dolores, that juke-box hurts!
Are you still dancin', darlin'?
(Both in worn levis, both in torn T-shirts,
And I, in my corner, snarlin').
Happy, happy is gnarled McFate
Touring the States with a child wife,
Plowing his Molly in every State
Among the protected wild life.
My Dolly, my folly! Her eyes were vair,
And never closed when I kissed her.
Know an old perfume called Soliel Vert?
Are you from Paris, mister?
L'autre soir un air froid d'opera m'alita;
Son fele -- bien fol est qui s'y fie!
Il neige, le decor s'ecroule, Lolita!
Lolita, qu'ai-je fait de ta vie?
Dying, dying, Lolita Haze,
Of hate and remorse, I'm dying.
And again my hairy fist I raise,
And again I hear you crying.
Officer, officer, there they go--
In the rain, where that lighted store is!
And her socks are white, and I love her so,
And her name is Haze, Dolores.
Officer, officer, there they are--
Dolores Haze and her lover!
Whip out your gun and follow that car.
Now tumble out and take cover.
Wanted, wanted: Dolores Haze.
Her dream-gray gaze never flinches.
Ninety pounds is all she weighs
With a height of sixty inches.
My car is limping, Dolores Haze,
And the last long lap is the hardest,
And I shall be dumped where the weed decays,
And the rest is rust and stardust.
”
”
Vladimir Nabokov (Lolita)
“
We can stick anything into the fog
and make it look like a ghost
but tonight
let us not become tragedies.
We are not funeral homes
with propane tanks in our windows,
lookin’ like cemeteries.
Cemeteries are just the Earth’s way of not letting go.
Let go.
Tonight
let’s turn our silly wrists so far backwards
the razor blades in our pencil tips
can’t get a good angle on all that beauty inside.
Step into this
with your airplane parts.
Move forward
and repeat after me with your heart:
“I no longer need you to fuck me as hard as I hated myself.”
Make love to me
like you know I am better
than the worst thing I ever did.
Go slow.
I’m new to this.
But I have seen nearly every city from a rooftop
without jumping.
I have realized
that the moon
did not have to be full for us to love it,
that we are not tragedies
stranded here beneath it,
that if my heart
really broke
every time I fell from love
I’d be able to offer you confetti by now.
But hearts don’t break,
y’all,
they bruise and get better.
We were never tragedies.
We were emergencies.
You call 9 – 1 – 1.
Tell them I’m having a fantastic time.
”
”
Buddy Wakefield
“
He smiled. "I suppose I thought we'd have a madly impractical, terrifyingly modern sort of marriage. One based on love. Not to mention dangerous undertakings and hair's-breadth escapes from burning buildings, high ledges and exploding sewers."
"And bickering."
"Always that, yes."
"Assuming I want to marry at all."
"True. I know of no good way of forcing you to do anything."
"And you're mad enough to think it could work - one day?"
He cupped her face in his hands. His smile was so brilliant it seemed to illuminate the room. "I think it would be heaven."
She trembled, then. "You have a very strange idea of heaven."
"Kiss me and see.
”
”
Y.S. Lee (The Traitor in the Tunnel (The Agency, #3))
“
I think our dreams are what sustain us in hard times. Dreams are what keep us childlike. I love that they can grow and expand as we grow and expand.
”
”
Leslie Jordan (How Y'all Doing?: Misadventures and Mischief from a Life Well Lived)
“
It was hard to hear him, but she turned around, and when she faced him again he was smiling broadly. He pulled his glove off and held up three fingers, then kissed his palm and pressed it to the glass. She pressed her hand against his, and said, “Good luck.”
Shea skated off with a nod.
“Oh. My. God. Y’all disgust me. That was straight out of some sappy love story,” Harper complained.
”
”
Toni Aleo (Taking Shots (Assassins, #1))
“
That's all you need? Easy. I love you.Okay? Want it louder?I love you. Spell it out schould I l-o-v-e y-o-u. Want it backwards You love I.
”
”
William Goldman (The Princess Bride)
“
Y'all know how much I love you? "Infinity and back again," I say the way I've said it a million times. And then, daddy says to me, "go on and add a little bit more to that.
”
”
Jacqueline Woodson (Brown Girl Dreaming)
“
There was no ‘Miss Woodley.’ There was Willie. Willie was about life, and she grabbed it by the balls. Y’all know that. She loved a stiff drink, a stiff hundred, and she loved her business. And she didn’t judge nobody. She loved everyone equal—accountants, queers, musicians, she welcomed us all, said we were all idiots just the same.
”
”
Ruta Sepetys (Out of the Easy)
“
Why, 'inspire?' As y'all can see I love things with the word, 'inspire!' Well, let me remind you that all inspiration comes from God, and my prayer, is that He will lead me, to inspire you to find the true inspiration that He will freely give to you!
”
”
NOT A BOOK
“
i knew his heart
was yours
but i wanted
to become
an alchemist
to make gold
of the pieces
i received
because
all i ever felt
was the dark side
of his leaded heart.
”
”
K.Y. Robinson (The Chaos of Longing)
“
Use the word 'ya'll' and before you knew it, you'd find yourself in a haystack french-kissing an underage goat
”
”
David Sedaris (Me Talk Pretty One Day)
“
And that’s something I’ve learned in the years since, that there are so many different types of love, so many ways someone can stay committed to you, stay in your life even if y’all aren’t together, you know? And none of these ways are more important than the other.
”
”
Akwaeke Emezi (You Made a Fool of Death With Your Beauty)
“
Heroes and scholars represent the opposite extremes... The scholar struggles for the benefit of all humanity, sometimes to reduce physical effort, sometimes to reduce pain, and sometimes to postpone death, or at least render it more bearable. In contrast, the patriot sacrifices a rather substantial part of humanity for the sake of his own prestige. His statue is always erected on a pedestal of ruins and corpses... In contrast, all humanity crowns a scholar, love forms the pedestal of his statues, and his triumphs defy the desecration of time and the judgment of history.
”
”
Santiago Ramón y Cajal (Advice for a Young Investigator (Mit Press))
“
I think that fear keeps so many of us from being successful at things outside our realm of experience. We love to stay in our comfort zone, but the growth only comes when we wander outside of that zone.
”
”
Leslie Jordan (How Y'all Doing?: Misadventures and Mischief from a Life Well Lived)
“
Well, I'm glad you're so amused," I said, running my fingers across the railing.
Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it."
Hmm. He was almost being funny.
"So...about what you said...," he started tentatively.
"Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes.
He laughed once. "The part about me being good..."
"Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress.
"I appreciate you making things look authentic, but you didn't need to go that far."
My head snapped up. How could he think that?
"Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more."
He was quiet, but there was a small smile on his face.
"Thank you," he finally said.
"Anytime."
Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony.
"Huh?"
"Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly.
I had to laugh. No such thing would happen in y world.
"he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice.
"Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times.
"Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you."
I hit his arm. "Shut up, Maxon."
"I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity.
"I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting.
"No, I don't suppose you can help it.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Personality is composed of two fundamentally different types of traits: those of 'character;' and those of 'temperament.' Your character traits stem from your experiences. Your childhood games; your family's interests and values; how people in your community express love and hate; what relatives and friends regard as courteous or perilous; how those around you worship; what they sing; when they laugh; how they make a living and relax: innumerable cultural forces build your unique set of character traits. The balance of your personality is your temperament, all the biologically based tendencies that contribute to your consistent patterns of feeling, thinking and behaving. As Spanish philosopher, Jose Ortega y Gasset, put it, 'I am, plus my circumstances.' Temperament is the 'I am,' the foundation of who you are.
”
”
Helen Fisher
“
Kaidan had been captivated by the store owner's deep Texan accent. He asked a ridiculous number of questions just to keep the man talking. He then tried to repeat the man's accent when we got in the car. “Where are y'all young'uns headed? We got us some maps over yonder by them there h-apples.”
I laughed out loud as he butchered the man's beautiful drawl.
“He did not say 'over yonder'!”
“I've always wanted to say that. I love Americans. You've got a nice little accent, though not nearly as wicked as his.”
“I do?”
He nodded.
Aside from the occasional y'all, I didn't think I sounded Southern, but I guess it's hard to say about your own self.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Love comes in all shapes, sizes, sabores y formas, y a veces hasta con un saborcito extra que no te esperas.
”
”
Julieta Venegas
“
In order to be enchanted we must be, above all, capable of seeing another person—simply opening one’s eyes will not do.
”
”
José Ortega y Gasset (On Love: Aspects of a Single Theme)
“
Marriage is going to be that happy state in which we get all of the nurturance and care and love and empathy and even good advice that we didn't receive from our families.
”
”
Augustus Y. Napier (The Family Crucible)
“
...but he can't stop himself from loving her. Maybe it's 'cause he knows that in the end, she'll survive him. ... By virtue of being a woman, she's stronger. Girls are given the weight of the world, but nowhere to put it down. The power and magic born in that struggle? It's so terrifying to men that we invented reasons to burn y'all at the stake, just to keep our dicks hard.
”
”
Tia Williams (Seven Days in June)
“
On the other hand, when they get all sweet because they want it, that's called PEAK. PEAK is Pre-Ejaculation Ass Kissing. It’s during PEAK that we have the most power. Take advantage of PEAK! PEAK makes men do cRaZZzY things! Just like PMS makes us do crazy shit. Hormones are a bitch. “The Talk” is basically your first round of PEAK with this man. You can get a lot of what you want during PEAK, so don’t be afraid to tell a man what you want or expect. He’s either going to say yes or no. If he denies you what you want, then
”
”
Kara King (The Power of the P*ssy - How to Get What You Want From Men: Love, Respect, Commitment and More!: Dating and Relationship Advice for Women (Dating and Relationship ... Respect, Commitment, and More! Book 1))
“
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
”
”
Frank O'Hara
“
So if we're all quarks and electrons ..." he begins.
What?"
We could make love and it would be nothing more than quarks and electrons rubbing together."
Better than that," I say. "Nothing really 'rubs together' in the microscopic world. Matter never really touches other matter, so we could make love without any of our atoms touching at all. Remember that electrons sit on the outside of atoms, repelling other electrons. So we could make love and actually repel each other at the same time.
”
”
Scarlett Thomas (The End of Mr. Y)
“
....let her be loved not only for her beauty and amiable character, but also for her strength of mind and loftiness of purpose, which enliven and raise the feeble and the timid and ward off all vain thoughts. Let her be the pride of her country and let her command respect.
”
”
José Rizal (Liham para sa Kababaihan ng Malolos)
“
I kind of love Colin Farrell again. I think it started with In Bruges. No, I’m lying. It started when I saw a clip of his sex tape where he’s manning the camera and instead of getting all Sex Tape-y, he goes, quite genuinely, “GOD, I’m a TERRIBLE cinematographer.
”
”
Jessica Morgan
“
Finders keepers!" Ian shouted, scooping up the overlay and hopping onto a rock outcropping.
"You cheater!" Amy was furious. No way was he going to get away with that. She climbed the rock, matching him step for step until she reached the top. There he turned to her, panting for breath. "Not bad for a Cahill," he said, grinning.
"You --y-y-you--" The words caught in her throat, the way they always did. He was staring at her, his eyes dancing with laughter, making her so knotted up with anger and hatred that she thought she would explode. "C-c-can't--"
But in that moment, something totally weird happened. Maybe it was a flip of his head, a movement in his eyebrow, she couldn't tell. But it was as if someone had suddenly held a painting at a different angle, and what appeared to be a stormy sea transformed into a bright bouquet -- a trick of the eye that proved everything was just a matter of perspective. His eyes were not mocking at all. They were inviting her, asking her to laugh along. Suddenly, her rage billowed up and blew off in wisps, like a cloud. "You're ... a Cahill, too," she replied.
"Touche."
His eyes didn't move a millimeter from hers.
This time she met his gaze. Solidly. This time she didn't feel like apologizing or attacking or running away. She wouldn't have minded if he just stared like that all day.
”
”
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
“
La gente entra y sale de tu vida. Por un tiempo son tu mundo; lo son todo. Y un día ya no lo son.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
True happiness can only come from being of loving service to others, especially those in the last throes of life's journey.
”
”
Leslie Jordan (How Y'all Doing?: Misadventures and Mischief from a Life Well Lived)
“
Creo que ahora veo la diferencia, entre amar a alguien desde lejos y amar a alguien desde cerca. Cuando lo ves de cerca, ves quiénes son en realidad, pero también ellos ven quién eres tú realmente.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
En este momento me doy cuenta que no lo amo, que no lo he
hecho por un tiempo. Que tal vez nunca lo hice. Porque él está ahí y es
mío si lo quiero, lo podría besar otra vez, podría hacerlo mío. Pero no lo
quiero. Quiero a alguien más. Se siente raro haber gastado tanto tiempo
deseando algo, a alguien, y luego un día, de repente, solo se detiene.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
i was really into communal living and we were all /
such free spirits, crossing the country we were /
nomads and artists and no one ever stopped / to think about how the one working class housemate / was whoring to support a gang of upper middle class / deadheads with trust fund safety nets and connecticut / childhoods, everyone was too busy processing their isms / to deal with non-issues like class....and it’s just so cool / how none of them have hang-ups about / sex work they’re all real / open-minded real / revolutionary you know / the legal definition of pimp is / one who lives off the earnings of / a prostitute, one or five or / eight and i’d love to stay and / eat some of the stir fry i’ve been cooking / for y’all but i’ve got to go fuck / this guy so we can all get stoned and / go for smoothies tomorrow, save me / some rice, ok?
”
”
Michelle Tea (The Beautiful: Collected Poems)
“
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket (The Beatrice Letters)
“
YOU
You are that song that plays rarely on the radio,
But when it does I have to sing it out loud…
You are the water that formed a puddle on a rainy day,that I played in,
When I was only eight years old.
You are the first snowfall of the season,
And the reason I like the morning...
You’re a single seashell that washed up onto the shore.
You are my set of old medals
Hidden deep in a drawer…
You are the sun, the moon, the stars, and all the planets.
You are the first breath of a baby just born.
Eres una dandelion que encuentro,
I pull, make a wish, then blow.
You are the sunrise that I tried to paint
after I woke up in Eilat.
You give the nights its meaning…
to dream, while others just sleep.
You are my 3rd grade valentine,
Read, frayed and loved a thousand times.
Eres perfección envuelto en humildad…
Eres oro, plata, y diamantes…
Eres mi querido viejito Pooh, que nunca lo abandonare.
You are my first time driving my brother’s Impala,
When I was just fourteen.
You are the name hidden deep inside my name…
And I’m the fingers interlaced with yours.
Eres el PS: I love you at the end la carta,
Y yo soy el PS: I love you too.
Somos el principio, el medio y la ultima palabra
De mi libro final.
Eternamente nosotros, nosotros, nosotros…
Porque nosotros siempre es mejor
Que solamente… yo…
YOU
”
”
José N. Harris
“
... el amor es hacer elecciones valientes todos los días. Eso es lo que hizo ella. Siempre eligió el amor; siempre escogió la aventura. Para ella, eran una y la misma.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Cuando pierdes a alguien y todavía duele, ahí es cuando sabes que el amor fue real.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Y’all got to love something. Y’all got to hate something. Y’all got to want something. Pissing on other people’s passion ’cause you trying to be cool just make you a coward—a
”
”
Christopher Moore (Secondhand Souls (Grim Reaper, #2))
“
Da miedo cuando es real. Cuando no se trata sólo de pensar en una persona, sino de tener una persona de carne y hueso en frente de ti, con expectativas. Y quiere…
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
First rule about choosing a partner, don’t expect people to change for you.
”
”
Claudia Y. Burgoa (Wrong Text, Right Love (Against All Odds, #1))
“
If you are in love, you want to stick around the other person, even when you don’t like them at times.
”
”
Claudia Y. Burgoa (Wrong Text, Right Love (Against All Odds, #1))
“
I would love for you to know what this feels like,” she said. “I would love for you to feel as badly as I do. But you’re headed for a place without answers. So turn back around and dig your heels into a world that’s been waiting here for you all along.
”
”
Esther Yi (Y/N)
“
What changed your mind?” “Nothing, actually. I just thought, I don’t want to live with this kind of fear and doubt all my life. Where even expressions of love have to be taken with suspicion.
”
”
J.Y. Yang (Waiting on a Bright Moon)
“
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog.
I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
I will love you if you don’t marry me. I will love you if you marry someone else, your co-star perhaps, or Y, or even O, or anyone Z through A, even R. Although sadly I believe it will be quite some time before two women can be allowed to marry and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned.
That, Beatrice, is how I will love you even as the world goes on its wicked way.
”
”
Lemony Snicket
“
I'm not entirely sure there is a formula for this,' I say. But I wish there were. I would have followed it, plugging in all my data for x and all of Ethan's for y. And I would have worked out the results before involving my emotions, and I wouldn't feel as I feel now--like I've been dumped for real by an imaginary guy.
”
”
Erin McCahan (Love and Other Foreign Words)
“
A veces me gustas tanto que no puedo soportarlo. Me llena internamente, todo el camino hasta el borde, y siento como si pudiera desbordarme. Me gustas tanto que no sé qué hacer. Mi corazón late muy rápido cuando sé que voy a verte de nuevo. Y luego, cuando me miras como lo haces, me siento como la chica más afortunada del mundo.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Time is tick, tick, ticking away. How many souls will I capture today? Will they be a challenge or will they be given? Only time will tell as the clock keeps tick, tick, ticking. Your god has arrived with enough hatred for y’all, with enough evil for the big and small, so come one, come all. I will shred your souls and place them in my satchel, call you a settler and make you my peddler. Come one, come all, come stand behind your god. I will lead you into the darkness of Earth's end. Come one, come all, my wilted flowers, come claim your title, speak out and cheer it. Come one, come all, let’s have a ball, my wilted flowers . . . Sweet, Unconquerable Spirits.
”
”
A.K. Kuykendall (The Possession (The Writer's Block trilogy, #1))
“
And that’s something I’ve learned in the years since, that there are so many different types of love, so many ways someone can stay committed to you, stay in your life even if y’all aren’t together, you know?
”
”
Akwaeke Emezi (You Made a Fool of Death with Your Beauty)
“
Y estoy segura, repentinamente segura, de que todo es de la manera en que se suponía que debía de ser, que no tengo que tener tanto miedo de las despedidas, porque las despedidas no tienen que ser para siempre.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
The kind of teacher you will become is directly related to the kind of teachers you associate with. Teaching is a profession where misery does more than just love company—it recruits, seduces, and romances it. Avoid people who are unhappy and disgruntled about the possibilities for transforming education. They are the enemy of the spirit of the teacher.
”
”
Christopher Emdin (For White Folks Who Teach in the Hood... and the Rest of Y'all Too: Reality Pedagogy and Urban Education (Race, Education, and Democracy))
“
Y-naga: "That's the thing... It's like trying to find a guy who's a kid at heart but still a responsible adult, so he can be counted on when I find myself in a pinch, somebody who's a little wild at times but normally lets me have my way even when I'm being selfish and just says, "well, if you insist," a guy who's not too full of himself but understands what clothes suit his body type best..."
S-hara: "What I'm saying is the pretty ones are stupid! The ones who have it all together are all so, so stubborn that they never do things my way!
”
”
Fumi Yoshinaga (Not Love But Delicious Foods)
“
i would lasso the sun and sell her rays for profit so you wouldn’t be blinded by her anymore. i would eat all the stars just for you to see the light in my eyes. i would bounce my love off rainclouds just to soften your calcified heart.
”
”
K.Y. Robinson (The Chaos of Longing (First Edition))
“
Actually, I believe there are only two kinds of women in this world: Martha people and Oprah people. That doesn’t mean one can’t have an affinity for both of them, but my theory is that every chick is more firmly in one camp than the other. The typical Oprah woman is all self-actualized and best-life-y and Eat, Pray, Love. The Big O seems like the kind of gal who’d insist we all spend the afternoon wearing jammy pants. And how fun would that be?!
But Martha?
She’s not putting up with that nonsense, and that makes me adore her all the more. She’ll tell you what to eat, where to pray, and who to love, and I appreciate the guidance.
”
”
Jen Lancaster (The Tao of Martha: My Year of LIVING; Or, Why I'm Never Getting All That Glitter Off of the Dog)
“
Outside I hopped into our vehicle, the taint of vampiric magic clinging to me like greasy smoke.
“I feel soiled.”
“Like walking into a room after a day of work, falling into bed, and realizing the sheets are covered in cold K-Y jelly,” Raphael said.
I just stared at him.
“With a funky smell,” he added.
My Order conditioning failed me. “Ew.”
Raphael grinned.
“I‟m not even going to ask if that‟s happened to you.”
I started the vehicle. “Has that happened to you?”
“Yes.”
Ew. “Where?”
“In the bouda house. I was really tired and you‟ve seen that place: everything smells like sex . . .”
“I don‟t want to know.” I peeled out of the parking lot.
"So where are we going?”
“To Spider Lynn‟s house. We‟re going to dig through her trash, and if that doesn‟t work, we‟ll do some breaking and entering.”
Raphael frowned. “Do you know where she lives?”
“Yes. I memorized the addresses of all the Masters of the Dead in the city. I have a lot of time on my hands.”
He squinted at me, looking remarkably like a gentleman pirate from my favorite romance
novels. “What else do you store in your head?”
“This and that. I remember the first thing you ever said to me. You know, when you carried me from the cart into the tub so your mother could fix me.”
“I imagine it was something very romantic,” he said. “Something along the lines of „I‟ve got you‟ or „I won‟t let you die.‟
“I was bleeding in the bathtub, trying to realign my bones, and my hyena glands voided from the pain. You said, „Don‟t worry, we have an excellent filtration system.‟”
The look on his face was priceless.
“That can‟t be the first thing.”
“It was.”
We drove in silence.
“About the K-Y,” Raphael said.
“I don‟t want to know!‟
“Once I washed it out of my hair—”
“Raphael, why are you doing this?”
“I want to make you go "Ew‟ again.”
“Why in the world would you want to do that?”
“It‟s an irrepressible male impulse. It just has to be done. As I was saying, once I washed it out—”
“Raphael!”
“No, wait, you‟ll like the next part.
”
”
Ilona Andrews (Must Love Hellhounds)
“
Hay que ser tan viejo como la Creación, y al mismo tiempo tan joven como si aún no se hubiera nacido... Hay que entregarse, abandonarse. Hay que perderse y volverse a encontrar. Las llamas del alma no deben apagarse nunca. ¡Hay que arder sin cesar, hay que quemarse y apagarse y volverse a encender!
”
”
Klaus Kinski (All I Need is Love)
“
This is why men get a bad rap. Y’all do stupid shit then try to justify it by saying crap like, ‘For a man, it’s different.’ Sorry to be the one to break it to you, but if a man is kind, loving, respectful, makes a woman laugh, knows how to open the pickle jar, and change a flat tire, we really don’t need much else.
”
”
Aly Martinez (Retrieval (The Retrieval Duet, #1))
“
«Once, I went to this little meeting of Microsoft kids. Like, this high-school trip thing, but it was very exclusive. We met the world’s greatest Futurist there. Dr Gustav Y. Svante. Nobody knows who he is. That’s why he’s the world’s greatest Futurist. He told us... He said that the future was already here, but nobody listens to the future. The future is all around us, but we don’t see the future yet. We don’t hear it or see it, so we can’t tell it.”»
”
”
Bruce Sterling (Love is Strange)
“
Vanessa was deprived of her hormones in prison and thus retained several male characteristics that would have been less evident otherwise, most notably her voice. While she spoke in a high, little-girl voice most of the time, she could switch at will to a booming, masculine Richard-voice. She loved to sneak up behind people and scare the crap out of them this way, and she was very effective at quieting a noisy dining hall, roaring, "Y'all hush up!" Best of all were her Richardian encouragements on the softball field, where she was a sought-after teammate. That bitch could hit.
”
”
Piper Kerman (Orange Is the New Black)
“
And then we heard a branch break. It might have been a deer, but the Colonel busted out anyway. A voice directly behind us said, "Don't run, Chipper," and the Colonel stopped, turned around, and returned to us sheepishly.
The Eagle walked toward us slowly, his lips pursed in disgust. He wore a white shirt and a black tie, like always.
He gave each of us in turn the Look of Doom.
"Y'all smell like a North Carolina tobacco field in a wildfire," he said.
We stood silent. I felt disproportionately terrible, like I had just been caught fleeing the scene of a murder.
Would he call my parents?
"I'll see you in Jury tomorrow at five," he announced, and then walked away. Alaska crouched down, picked up the cigarette she had thrown away, and started smoking again. The Eagle wheeled around, his sixth sense detecting Insubordination To Authority Figures. Alaska dropped the cigarette and stepped on it. The Eagle shook his head, and even though he must have been crazy mad, I swear to God he smiled.
"He loves me," Alaska told me as we walked back to the dorm circle. "He loves all y'all, too. He just loves the school more. That's the thing. He thinks busting us is good for the school and good for us. It's the eternal struggle, Pudge. The Good versus the Naughty."
"You're awfully philosophical for a girl that just got busted," I told her.
"Sometimes you lose a battle. But mischief always wins the war.
”
”
John Green (Looking for Alaska)
“
I used the word “genitals” too much in this chapter so I went on Twitter to ask what a gender-neutral word for junk was and I got three hundred responses in ten minutes without a single person’s questioning why I was asking. A few of my favorites that I didn’t get to share earlier: “niblets,” “nethers,” “naughty bits,” “no-no zone,” “squish mittens,” “Area 51,” “the danger zone,” “the south 40,” “the situation” (with a suggested circular hand motion near said area), “the Department of the Interior,” “crotchal region,” “fandanglies,” “groinulars,” “groinacopia,” “my hoopty,” “my bidness,” “my chamber of secrets,” “my charcuterie,” “front butt,” “privy parts,” “private parts,” “pirate parts” (which I suspect was a typo but now I’m embracing it), and my personal favorite, “the good china.” This is exactly why I love the Internet. That and the fact that it’s where those fancy dictionary robots that yell “cockchafer” at each other live. The Internet is a goddamn wonderland, y’all.
”
”
Jenny Lawson (Broken (In the Best Possible Way))
“
What y'all ladies got to share? Hmmm, what you bitches got?"
Aunt Georgia sighed and squinted at the boy. She said, "The Lord loves a cheerful giver, but I'm just not in the mood."
The thug moved his hand from his crotch to his scalp, still scratching. "What in the hell's that supposed to mean?" Mrs. Cleveland raised and pumped her walking stick, which, it turned out, was a double-barreled shotgun.
"It means take one more step," she said, "and I'll blast you to hell, you ignorant-ass bastard.
”
”
Jabari Asim (A Taste of Honey: Stories)
“
You always was a nice chap," said Mrs. Brown. "On'y I'm so buried under me fat I feel half ashamed to tell you so. Love don't seem dainty on a fat woman. Nothin's going to break up this home not even if you lose yer head, but it'll make it easier if you keep it. On'y leave that child to me. She's got more to come. You think the Grand National's the end of all things, but a child that can do that can do more when she's grown. On'y keep her level, keep her going quiet. We'll live this down presently an' you'll see
”
”
Enid Bagnold (National Velvet)
“
If we didn’t have bodies, we couldn’t feel the sun on our faces or smell the earthy, mushroom-y rich smell of the ground right after the rain. If we didn’t have bodies, we couldn’t wrap our arms around the people we love or taste a perfect tomato right at the height of summer. I’m so thankful to live in this physical, messy, blood-and-guts world. I don’t want to live in a world that’s all dry ideas and theorems. Food is one of the ways we acknowledge our humanity, our appetites, our need for nourishment. And so it may seem trivial or peripheral to some people, but to me, when I’m telling a story, the part about what we ate really does matter.
”
”
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
“
Desiring something is, without doubt, a move toward possession of that something ("possession" meaning that in some way or other the object should enter our orbit and become part of us). For this reason, desire automatically dies when it is fulfilled; it ends with satisfaction. Love, on the other hand, is eternally unsatisfied. Desire has a passive character; when I desire something, what I actually desire is that the object come to me. Being the center of gravity, I await things to fall down before me. Love ... is the exact reverse of desire, for love is all activity. Instead of the object coming to me, it is I who go to the object and become part of it.
”
”
José Ortega y Gasset
“
The problem with me is that I cannot focus when she is on my mind. I can’t. I probably will make a mistake when writing that paper and will start writing everything I feel about her—the professor will be very happy with that, I am sure. Oh well, such is my life. I guess I’ve been attempting my best to forget her for several weeks now. But even in that act of forgetting her, I am remembering her. I am recollecting her and recreating her in my mind. And that’s where everything falls apart. In remembering her, I remember her goodness. In remembering her, I remember her weaknesses and my own. In remembering her, I am remembering myself. Out of that dark cave of mine, I call myself out. And then all of the remembering starts again. I doodle, I twitch, I aim restlessly for some unseen goal. And then my thoughts drift to you.
I’ll let them stay there for now. Just for a minute.
Or two.
”
”
Moses Y. Mikheyev
“
Son, I’ma tell you something ain’t nobody else in the world can tell you: you got no soul. And I’ma tell your future, too: you ain’t never gonna get a soul, you keep makin’ people’s shit small.” Evan’s eyes started to roll back in his head and the big man shook him like dust mop until he came back to the room. “You ain’t shit, Evan, and you ain’t never gonna be shit until you show some passion for something. Y’all got to love something. Y’all got to hate something. Y’all got to want something. Pissing on other people’s passion ’cause you trying to be cool just make you a coward—a little bitch.
”
”
Christopher Moore (Secondhand Souls (Grim Reaper, #2))
“
I keeled over sideways.
The world turned fluffy, bleached of all color. Nothing hurt anymore.
I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders.
“He’s almost gone,” Diana said.
Then I was gone. My mind slipped into a pool of cold, slimy darkness.
“Oh, no, you don’t.” My sister’s voice woke me rudely.
I’d been so comfortable, so nonexistent.
Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her.
As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades.
“H-how long was I out?” I croaked.
“Roughly three seconds,” she said. “Now, get up, drama queen.”
She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth.
I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion.
She blinked, clearly unsure what to do with this information. “You really have changed.”
“I missed you!”
“Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.”
“It worked, then!” I grinned at Hazel and Meg. “It worked!”
“Yeah,” Meg said wearily. “Hi, Artemis.”
“Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.”
Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.”
I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect.
Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.”
“Little brother?”
She smirked.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
A relationship is NOT a test,
DO NOT cheat.
A relationship is NOT a political party,
ADD NOT a third member.
A relationship is NOT a public matter,
transparency is NOT necessary.
A relationship is NOT a burial sceme,
it requires not other insurances on the side "in case" it doesn't pay off.
A relationship is NOT a society,
take NOT any advice you get because it is advice froma bunch of women.
A relationship that lasts is a relationship where people know about y'all but know NOTHING about y'all.
”
”
Nomthandazo Tsembeni
“
The motto of this city should be the immortal words spoken by that French field marshal during the siege of Sebastopol, “J’y suis, j’y reste”—“I am here, and here I shall remain.” People are born here, they grow up here, they go to the University of Washington, they work here, they die here. Nobody has any desire to leave. You ask them, “What is it again that you love so much about Seattle?” and they answer, “We have everything. The mountains and the water.” This is their explanation, mountains and water. As much as I try not to engage people in the grocery checkout, I couldn’t resist one day when I overheard one refer to Seattle as “cosmopolitan.” Encouraged, I asked, “Really?” She said, Sure, Seattle is full of people from all over. “Like where?” Her answer, “Alaska. I have a ton of friends from Alaska.” Whoomp, there it is.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
I ain't sayin' I'm like Jesus," the preacher went on. "But I got tired like Him, an' I got mixed up like Him, an' I went into the wilderness like Him, without no campin' stuff. Nighttime I'd lay on my back an' look up at the stars; morning I'd set an' watch the sun come up; midday I'd look out from a hill at the rollin' dry country; evenin' I'd foller the sun down. Sometimes I'd pray like I always done. On'y I couldn' figure out what I was prayin' to or for. There was the hills, an' there was me, an' we wasn't separate no more. We was one thing. An' that one thing was holy...An' I got thinkin', on'y it wasn't thinkin', it was deeper down than thinkin'. I got thinkin' how we was holy when we was one thing, and' mankin' was holy when it was one thing. An' it on'y got unholy when mis'able little fella got the bit in his teeth an' run off his own way, kickin' and draggin' and fightin'. Fella like that bust the holiness. But when they're all workin' together, no one fella for another fella, but one fella kind of harnessed to the whole shebang -- that's right, that's holy. An' then I got to thinkin' I don't even know what I mean by holy...I can't say no grace like I use' ta say. I'm glad of the holiness of breakfast. I'm glad there's love here. That's all.
”
”
John Steinbeck (The Grapes of Wrath)
“
Do you know my best quality?” she asks.
”Of your many, I could not say, my darling.”
”I see the best in people. I fall in love with people when I see a window into their beings, their shining moments. I’ve fallen in love with so many people but the trouble is I fall out of love so quickly too. I see the worst in them just as easily.
”Do you know I fell in love with you right away? That day at the Trotters’ I had noted you because you were new, of course, and then you sat down at the piano, and you played a few notes, but you played them so well, with no self consciousness, and no idea that anyone might be listening. It was in that room off the garden and you were the only one there. I was passing through on the way to the ladies’ room and saw you there. I fell in love with you right then, and so I slipped my drink all over myself so I could meet you.”
”
”
Janice Y.K. Lee
“
I'm trying to be kind, you know, for I admired your parents. Fine people, and your father was a fair-minded man to every faith. But there are spiritual dangers you Protestants don't even seem to know exist, and this monkeying with difficult, sacred things is a sure way to get yourself into a real old mess. Well I recall, when I was a seminarian, how we were warned one day about a creature called a fool-saint.
Ever hear of a fool-saint? I thought not. As a matter of fact, it's a Jewish idea, and the Jews are no fools, y'know. A fool-saint is somebody who seems to be full of holiness and loves everybody and does every good act he can, but because he's a fool it all comes to nothing—to worse than nothing, because it is virtue tainted with madness, and you can't tell where it'll end up. Did you know that Prudence was named as one of the Virtues? There's the trouble with your fool-saint, y'see—no Prudence. Nothing but a lotta bad luck'll rub off on you from one of them. Did you know bad luck could be catching? There's a theological name for it, but I misremember it right now.
”
”
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
“
I Give You Back'
I release you, my beautiful and terrible fear. I release you. You were my beloved and hated twin, but now, I don't know you as myself. I release you with all the pain I would know at the death of my daughters.
You are not my blood anymore.
I give you back the white soldiers who burned down my home, beheaded my children, raped and sodomized my brothers and sisters. I give you back to those who stole the food from our plates when we were starving.
I release you, fear, because you hold these scenes in front of me and I was born with eyes that can never close.
I release you, fear, so you can no longer keep me naked and frozen in the winter, or smothered under blankets in the summer.
I release you
I release you
I release you
I release you
I am not afraid to be angry.
I am not afraid to rejoice.
I am not afraid to be black.
I am not afraid to be white.
I am not afraid to be hungry.
I am not afraid to be full.
I am not afraid to be hated.
I am not afraid to be loved,
to be loved, to be loved, fear.
Oh, you have choked me, but I gave you the leash. You have gutted me, but I gave you the knife. You have devoured me, but I lay myself across the fire. You held y mother down and raped her, but I gave you the heated thing.
I take myself back, fear.
You are not my shadow any longer.
I won't hold you in my hands.
You can't live in my eyes, my ears, my voice, my belly, or in my heart my heart
my heart my heart
But come here, fear
I am alive and you are so afraid
of dying.
”
”
Joy Harjo
“
I have it so good. So absurdly, improbably good. I didn't do anything to deserve it, but I have it. I'm healthy. I've never gone hungry. And yes, to answer your question, I'm- I'm loved. I lived in a beautiful place, did meaningful work. The world we made out there, Mosscap, it's- it's nothing like what your originals left. It's a good world, a beautiful world. It's not perfect, but we've fixed it so much. We made a good place, struck a good balance. And yet every fucking day in the City, I woke up hollow, and... and just... tired, y'know? So, I did something else instead. I packed up everything, and I learned a brand-new thing from scratch, and gods, I worked hard for it. I worked really hard. I thought, if I can just do that, if I can do it well, I'll feel okay. And guess what? I do do it well. I'm good at what I do. I make people happy. I make people feel better. And yet I still wake up tired, like... like something's missing. I tried talking to friends, and family, and nobody got it, so I stopped bringing it up, and then I stopped talking to them altogether, because I couldn't explain, and I was tired of pretending like everything was fine. I went to doctors, to make sure I wasn't sick and that my head was okay. I read books and monastic texts and everything I could find. I threw myself into my work, I went to all the places that used to inspire me, I listened to music and looked at art, I exercised and had sex and got plenty of sleep and ate my vegetables, and still. Still. Something is missing. Something is off. So, how fucking spoiled am I, then? How fucking broken? What is wrong with me that I can have everything I could ever want and have ever asked for and still wake up in the morning feeling like every day is a slog?
”
”
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
“
…que hay dos maneras de hermosura: una del alma y otra del cuerpo; la del alma campea y se muestra en el entendimiento, en la honestidad, en el buen proceder, en la liberalidad y en la buena crianza, y todas estas partes caben y pueden estar en un hombre feo; y cuando se pone la mira en esta hermosura, y no en la del cuerpo, suele nacer el amor con ímpetu y con ventajas. Cervantes, Don Quioxte, Parte II, Capítulo LVIII
... y que tu posees a ambos, que quieren decir que mi amor por tu es doblado...
Yo, Sancho, bien veo que no soy hermoso, pero también conozco que no soy disforme; y bástale a un hombre de bien no ser monstruo para ser bien querido, como tenga los dotes del alma que te he dicho."
..."that there are two kinds of beauty, the one of the soul, and the other of the body; that of the soul is revealed fully through understanding, in virtue and honesty, in good living, in generosity and good breeding, all such qualities can be found to be in a homely man; and when such beauty, not the physical one, becomes the object of desire, then love only bears more impetus, focus, and exactitude of purpose.
”
”
Miguel de Cervantes Saavedra (The Trials of Persiles and Sigismunda: A Northern Story)
“
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
”
”
James Altucher (Choose Yourself)
“
What?” Damon shouted from inside the room.
We all stopped, looking at each other.
“It’s a boy?” he blurted out. “Are you sure?”
We leaned in, and I folded my lips between my teeth to contain the laughter.
A baby cried, there was some shuffling, and then we heard Damon’s playful little growl. “Ugh, what am I going to do with you?”
“Damon!” Winter growled. “I’m going to kill you. You better love him. You do, right?”
There was a pause, and I met Alex’s wide eyes with my own.
Drama…
Damon and I ran the construction business together now, him building and me designing, so I’d gotten used to his…brand of humor.
Finally, he answered. “Y–yeah,” he stuttered, not sounding convincing. “Yeah, of course, baby. But like, are you sure there aren’t any more in there or something?”
“Damon!”
Will collapsed against the wall, shaking with laughter, and I shook my head, reaching over and taking the squirming Ivar out of Rika’s arms.
”
”
Penelope Douglas (Nightfall (Devil's Night, #4))
“
If you’ve ever wondered what we’re missing by sitting at computers in cubicles all day, follow Jessica DuLong when she loses her desk job and embarks on this unlikely but fantastic voyage. Deeply original, riveting to read, and soul-bearingly honest, "My River Chronicles" is a surprisingly infectious romance about a young woman falling in love with a muscle-y old boat. As DuLong learns to navigate her way through a man’s world of tools and engines, and across the swirling currents of a temperamental river, her book also becomes a love letter to a nation. In tune with the challenges of our times, DuLong reminds us of the skills and dedication that built America, and inspires us to renew ourselves once again.
”
”
Trevor Corson (The Story of Sushi: An Unlikely Saga of Raw Fish and Rice)
“
I noticed that religion gave some people a way to escape dealing with the world: “Things will be better when you die,” the people of my grandma’s generation said as they worked themselves to death. “God wants you to forgive and love those who do you wrong,” some people said to shake off the shame of being unable to respond to the abuse they endured. The holier-than-thou faction found comfort in believing, “The rest of y’all are lost because you don’t have a personal relationship with God—our God.”
But art engages you in the world, not just the world around you but the big world, and not just the big world of Tokyo and Sydney and Johannesburg, but the bigger world of ideas and concepts and feelings of history and humanity.
”
”
Wynton Marsalis (Moving to Higher Ground: How Jazz Can Change Your Life)
“
Eres es la explosión de rosas en un cuarto oscuro.
O el sabor inesperado y dulce en el té que tomamos en Starbucks
You are the moon that gives midnight its meaning.
And the explanation of water for all living things.
You are my compass,
A sapphire,
A bookmark,
A rare coin,
Un trompo,
Un canica,
De mi juventud.
Eres miel y canela
chocolate y jamoncillo.
You are rare spices
lost from a boat
That was once sailed by Cortez.
Eres un rosa, prensado en un libro
un anillo de perla de herencia
y un frasco de perfume rojo
que se encuentran cerca de las orillas del Nilo.
You are an old soul from an ancient place,
A thousand years and centuries and milleniums ago.
And you have traveld all this way…
Just so that I could love you…
And,
I do.
”
”
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
“
Pero después, cuando estoy en sus brazos, como ahora mismo, es como si estuviera atrapado en un torno. Tengo ganas de levantarme y salir a dar una vuelta. «Qué impaciente eres, Mark», me dice ella. «¿Por qué no te relajas nunca?» «Es que me apetece dar un paseíto.» «Pero si fuera hace un frío que pela.» «Aun así. Igual compro algo para hacer un revuelto luego.» «Pues vete tú», dice ella, medio soñando; afloja el abrazo, da media vuelta y procura volver a conciliar el sueño. Y yo me visto y salgo por la puerta. ¿Cómo le explicas a alguien a quien quieres que, a pesar de todo, necesitas más? ¿Cómo? Se supone que el amor contiene todas las respuestas, y que nos lo da todo. All you need is love. Pero eso es una puta mentira: yo necesito algo, pero no es amor.
”
”
Irvine Welsh (Skagboys)
“
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”
”
Adam Silvera
“
Hud would love his child the way his mother had loved him: actively, every day, and without ambiguity. And maybe twenty-five years from now, all of them plus a whole new generation of Rivas would be right here on this very beach. And maybe there would be another reckoning. Perhaps his children would tell him he’d been too permissive or he’d been too strict, he’d put too much emphasis on x when it should have been y. He smiled to think of it, the ways in which he would mess this whole thing up. It was inevitable, wasn’t it? The small mistakes and heartbreaks of guiding a life? His mother had screwed up almost as much as she’d succeeded. But the one thing he knew in his bones was that he would not leave. His child—his children, if he was lucky—would know, from the day they were born, that he was not going anywhere. • • •
”
”
Taylor Jenkins Reid (Malibu Rising)
“
E-Liz-A-Beth, you'll take me to Noctem Falls won't you?" Meryn begged giving her puppy dog eyes.
"Of course I will. We can go there after DragonCon next year," she promised.
"Oh no. She talked you into that convention thing." Aiden glared at his mate.
"It's perfectly safe. Think of it this way. It's an event where thousands of people just like Meryn get together for a couple days and live it up," Elizabeth explained. All five men paled.
"Thousands of people," Colton whispered.
"Just like Meryn?" Keelan asked.
Elizabeth looked around. The men had that deer in the headlights looks. "Maybe not just like her."
"Thank goodness. One Meryn in the world is enough," Colton teased, looking relieved.
"It's because I'm a 'Limited Edition'. Y'all should be grateful for even knowing me," Meryn huffed.
"We are, my love. We are." Aiden scowled at his men over Meryn's head.
"We wouldn't trade you for a sane version any day," Colton reassured her.
Meryn smiled then frowned. "What do you mean 'sane version'?
”
”
Alanea Alder (My Protector (Bewitched and Bewildered, #2))
“
I been thinkin'," he said. "I been in the hills, thinkin', almost you might say like Jesus went into the wilderness to think His way out of a mess of troubles.
Seems like Jesus got all messed up with troubles, and He couldn't figure nothin' out, an' He got to feelin' what the hell good is it all, an' what's the use fightin' an' figurin'. Got tired, got good an' tired, an' His sperit all wore out. Jus' about come to the conclusion, the hell with it. An' so He went off into the wilderness."
"I ain't sayin' I'm like Jesus," the preacher went on. "But I got tired like Him, an' I got mixed up like Him, an' I went into the wilderness like Him, without no campin' stuff. Nighttime I'd lay on my back an' look up at the stars; morning I'd set an' watch the sun come up; midday I'd look out from a hill at the rollin' dry country; evenin' I'd foller the sun down. Sometimes I'd pray like I always done. On'y I couldn' figure what I was prayin' to or for. There was the hills, an' there was me, an' we wasn't separate no more. We was one thing. An' that one thing was holy."
"An' I got thinkin', on'y it wasn't thinkin, it was deeper down than thinkin'. I got thinkin' how we was holy when we was one thing, an' mankin' was holy when it was one thing. An' it on'y got unholy when one mis'able little fella got the bit in his teeth an' run off his own way, kickin' an' draggin' an' fightin'. Fella like that bust the holiness. But when they're all workin' together, not one fella for another fella, but one fella kind of harnessed to the whole shebang—that's right, that's holy. An' then I got thinkin' I don't even know what I mean by holy."
He paused, but the bowed heads stayed down, for they had been trained like dogs to rise at the "amen" signal. "I can't say no grace like I use' ta say. I'm glad of the holiness of breakfast. I'm glad there's love here. That's all." The heads stayed down. The preacher looked around. "I've got your breakfast cold," he said; and then he remembered. "Amen," he said, and all the heads rose up.
”
”
John Steinbeck (The Grapes of Wrath - An Opera in 3 Acts)
“
Y-You love me?”
Gazing down at her pert nose and the freckles that made him think of an adorable pixie, he felt his throat constrict. “I want you every hour of the day. I can’t imagine a future without you in it. The idea of returning to my empty house alone is so hellish that I’d rather wander the world at your heels than be without you. Tell me, is that love?”
She cast him a blazing smile. “It sounds like it.”
“Then I love you, my wonderful, sword-wielding, tart-tongued angel. I want you to be my wife. I want you to preside over my table and accompany me to balls and share my bed.” A most uncharacteristic happiness surged through him. “And I want to have children with you, lots of them, filling every room in Halstead Hall.”
A sudden understanding lit her face. His clever love didn’t miss the fact that he was offering her not just himself, but everything else he’d neglected, as well. Everything that he wanted to put to rights. That he needed to put to rights.
“Not filling every room, I hope,” she teased, even as tears shone in her eyes. “There are three hundred, after all.”
“Then I suppose we’ll have to get started right away,” he said, matching her light tone. His heart near to bursting, he reached again for the buttons on the back of her gown. “These things should never be left until the last minute.”
As a laugh of pure joy bubbled out of her, she began to untie his cravat. “I can see you’re going to be quite the lusty husband, aren’t you?”
He stripped her gown from her, then turned her around to undo her stays. “You have no idea,” he murmured, and filled his hands with the breasts he’d freed.
Moaning, she pressed her bottom against him. “I have some idea.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Mary.”
Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?”
“I’m over here.”
“Where?” She looked all around. “Why is your voice echoing?”
“Chimney.”
“What?”
“I’m stuck in the fucking chimney.”
She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?”
His voice emanated from somewhere above her. “Don’t tell anyone, okay?”
“What are you—”
An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash.
“You’re stuck!” she exclaimed. “And thank God no one lit this fire!”
“You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.”
Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—”
“I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?”
“What?”
“This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.”
Mary sat back and shook her head. “I’m more worried about you—”
“Justopenthefuckingthingalready.”
Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond…
“A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.”
Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely.
-Lassiter & Mary
”
”
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
“
PSALM 91 He who dwells in a the shelter of the Most High will abide in b the shadow of the Almighty. 2 I will say [1] to the LORD, “My c refuge and my d fortress, my God, in whom I e trust.” 3 For he will deliver you from f the snare of the fowler and from the deadly pestilence. 4 He will g cover you with his pinions, and under his h wings you will i find refuge; his j faithfulness is k a shield and buckler. 5 l You will not fear m the terror of the night, nor the arrow that flies by day, 6 nor the pestilence that stalks in darkness, nor the destruction that wastes at noonday. 7 A thousand may fall at your side, ten thousand at your right hand, but it will not come near you. 8 You will only look with your eyes and n see the recompense of the wicked. 9 Because you have made the LORD your o dwelling place— the Most High, who is my c refuge [2]— 10 p no evil shall be allowed to befall you, q no plague come near your tent. 11 r For he will command his s angels concerning you to t guard you in all your ways. 12 On their hands they will bear you up, lest you u strike your foot against a stone. 13 You will tread on v the lion and the w adder; the young lion and x the serpent you will y trample underfoot. 14 “Because he z holds fast to me in love, I will deliver him; I will protect him, because he a knows my name. 15 When he b calls to me, I will answer him; I will be with him in trouble; I will rescue him and c honor him. 16 With d long life I will satisfy him and e show him my salvation.
”
”
Anonymous (Holy Bible: English Standard Version (ESV))
“
When we’re in line for food, Peter reaches for a brownie and I say, “Don’t--I brought cookies,” and he gets excited.
“Can I have one now?” he asks. I pull my Tupperware out of my bag and Peter grabs one. “Let’s not share with anybody else,” he says.
“Too late,” I say, because our friends have spotted us.
Darrell is singing, “Her cookies bring all the boys to the yard,” as we walk up to the table. I set the Tupperware down on the table and the boys wrestle for it, snatching cookies and gobbling them up like trolls.
Pammy manages to snag one and says, “Y’all are beasts.”
Darrell throws his head back and makes a beastlike sound, and she giggles.
“These are amazing,” Gabe groans, licking chocolate off his fingers.
Modestly I say, “They’re all right. Good, but not amazing. Not perfect.” I break a piece off of Peter’s cookie. “They taste better fresh out of the oven.”
“Will you please come over to my house and bake me cookies so I know what they taste like fresh out of the oven?” Gabe bites into another one and closes his eyes in ecstasy.
Peter snags one. “Stop eating all my girlfriend’s cookies!” Even a year later, it still gives me a little thrill to hear him say “my girlfriend” and know that I’m her.
“You’re gonna get a gut if you don’t quit with that shit,” Darrell says.
Peter takes a bite of cookie and lifts up his shirt and pats his stomach. “Six-pack, baby.”
“You’re a lucky girl, Large,” Gabe says.
Darrell shakes his head. “Nah, Kavinsky’s the lucky one.”
Peter catches my eye and winks, and my heart beats quicker.
I have a feeling that when I’m Stormy’s age, these everyday moments will be what I remember: Peter’s head bent, biting into a chocolate chip cookie; the sun coming through the cafeteria window, bouncing off his brown hair; him looking at me.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
In Summation
A poem by Taylor Swift
At this hearing
I stand before my fellow members of the Tortured Poets Department
With a summary of my findings
A debrief, a detailed rewinding
For the purpose of warning
For the sake of reminding
As you might all unfortunately recall
I had been struck with a case of a restricted humanity
Which explains my plea here today of temporary i n s a n i t y
You see, the pendulum swings
Oh, the chaos it brings
Leads the caged beast to do the most curious things
Lovers spend years denying what’s ill fated
Resentment rotting away
galaxies we created
Stars placed and glued
meticulously by hand
next to the ceiling fan
Tried wishing on comets.
Tried dimming the shine.
Tried to orbit his planet.
Some stars never align.
And in one conversation, I tore down the whole sky
Spring sprung forth with dazzling freedom hues
Then a crash from the skylight bursting through
Something old, someone hallowed, who told me he could be brand new
And so I was out of the oven
and into the microwave
Out of the slammer and into a tidal wave
How gallant to save the empress from her gilded tower
Swinging a sword he could barely lift
But loneliness struck at that fateful hour
Low hanging fruit on his wine stained lips
He never even scratched the surface of me.
None of them did.
“In summation, it was not a love affair!”
I screamed while bringing my fists to my coffee ringed desk
It was a mutual manic phase.
It was self harm.
It was house and then cardiac arrest.
A smirk creeps onto this poet’s face
Because it’s the worst men that I write best.
And so I enter into evidence
My tarnished coat of arms
My muses, acquired like bruises
My talismans and charms
The tick, tick, tick of love bombs
My veins of pitch black ink
All’s fair in love and poetry
Sincerely,
The Chairman
of The Tortured Poets Department
”
”
Taylor Swift
“
The conversation swings from the brothers Bush to the war in Iraq to the emerging rights of Muslim women to postfeminism to current cinema—Mexican, American, European (Giorgio goes spasmodically mad over Bu-ñuel), and back to Mexican again—to the relative superiority of shrimp over any other kind of taco to the excellence of Ana’s paella, to Ana’s childhood, then to Jimena’s, to the changing role of motherhood in a postindustrial world, to sculpture, then painting, then poetry, then baseball, then Jimena’s inexplicable (to Pablo) fondness for American football (she’s a Dallas Cowboys fan) over real (to Pablo) fútbol, to his admittedly adolescent passion for the game, to the trials of adolescence itself and revelations over the loss of virginity and why we refer to it as a loss and now Óscar and Tomás, arms over each other’s shoulders, are chanting poetry and then Giorgio picks up a guitar and starts to play and this is the Juárez that Pablo loves, this is the city of his soul—the poetry, the passionate discussions (Ana makes her counterpoints jabbing her cigarette like a foil; Jimena’s words flow like a gentle wave across beach sand, washing away the words before; Giorgio trills a jazz saxophone while Pablo plays bass—they are a jazz combo of argument), the ideas flowing with the wine and beer, the lilting music in a black night, this is the gentle heartbeat of the Mexico that he adores, the laughter, the subtle perfume of desert flowers that grow in alleys alongside garbage, and now everyone is singing— México, está muy contento, Dando gracias a millares… —and this is his life—this is his city, these are his friends, his beloved friends, these people, and if this is all that there is or will be, it is enough for him, his world, his life, his city, his people, his sad beautiful Juárez… —empezaré de Durango, Torreón y Ciudad de
”
”
Don Winslow (The Cartel (Power of the Dog #2))
“
Anyway,” Beau—clearly eager to change the subject—pointed down the hall, “let’s talk about the color Jethro decided to paint the second bedroom.”
“What’s wrong with green?” Jethro grinned slyly. His poker face had always sucked.
“Nothing is wrong with green, but that’s a very odd shade of green. What was it called again?”
“Sweet pea,” Duane supplied flatly for his twin. “It was called sweet pea and I believe it was labeled as nursery paint.”
“Nursery paint, huh? You have something to tell us, Jethro?” Beau teased, mirroring Jethro’s grin. “No news to share? No big bombshell to drop?”
Jethro glanced at me. “I can’t believe you didn’t tell them yet.”
“Why would I? I’m good at keeping secrets.” I shoved my hands in my pockets, making sure I looked innocent. “And I’m not the one who’s pregnant.”
“I knew it!” Beau attacked Jethro, pulling him into a quick man-hug.
Jethro’s grin widened to as large as I’ve ever seen it. “How could you possibly know?”
Duane clapped Jethro on the back as soon as Beau released him. “Because you’ve always wanted kids, and weren’t one to futz around once you made up your mind.”
“You should have painted it vomit green, to disguise all the baby vomit you’re going to have to deal with,” Beau suggested.
“And shit brown,” Duane added. “Don’t forget about the shit.”
“Y’all are the best.” Jethro placed his hands over his chest. “You warm my heart.”
“Make sure the floor is waterproof.” Beau grabbed a beer and uncapped it.
“Don’t tell me, to catch the vomit and poop?”
“No,” Beau wagged his eyebrows, “because of all the crying you’re going to do when you can’t sleep through the night or make love to your woman anymore.”
“Ah, yes. Infant-interuptus is a real condition. No cure for it either.” Duane nodded and it was a fairly good imitation of my somber nod. In fact, how he sounded was a fairly good imitation of me.
You sound like Cletus.” Drew laughed, obviously catching on.
Duane slid his eyes to mine and gave me a small smile.
I lifted an eyebrow at my brother to disguise the fact that I thought his impression was funny. “Y’all need to lay off. Babies are the best. Think of all the cuddling. This is great news.
”
”
Penny Reid (Beard Science (Winston Brothers, #3))
“
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
”
”
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
“
He got in beside her and impatiently reached for her seat belt, snapping it in place. “You always forget,” he murmured, meeting her eyes.
Her breath came uneasily through her lips as she met that level stare and responded helplessly to it. He was handsome and sexy and she loved him more than her own life. She had for years. But it was a hopeless, unreturned adoration that left her unfulfilled. He’d never touched her, not even in the most innocent way. He only looked.
“I should close my door to you,” she said huskily. “Refuse to speak to you, refuse to see you, and get on with my life. You’re a constant torment.”
Unexpectedly he reached out and touched her soft cheek with just his fingertips. They smoothed down to her full, soft mouth and teased the lower lip away from the upper one. “I’m Lakota,” he said quietly. “You’re white.”
“There is,” she said unsteadily, “such a thing as birth control.”
His face was very solemn and his eyes were narrow and intent on hers. “And sex is all you want from me, Cecily?” he asked mockingly. “No kids, ever?”
It was the most serious conversation they’d ever had. She couldn’t look away from his dark eyes. She wanted him. But she wanted children, too, eventually. Her expression told him so.
“No, Cecily,” he continued gently. “Sex isn’t what you want at all. And what you really want, I can’t give you. We have no future together. If I marry one day, it’s important to me that I marry a woman with the same background as my own. And I don’t want to live with a young, and all too innocent, white woman.”
“I wouldn’t be innocent if you’d cooperate for an hour,” she muttered outrageously.
His dark eyes twinkled. “Under different circumstances, I would,” he said, and there was suddenly something hot and dangerous in the way he looked at her as the smile faded from his chiseled lips, something that made her heart race even faster. “I’d love to strip you and throw you onto a bed and bend you like a willow twig under y body.”
“Stop!” she whispered theatrically. “I’ll swoon!” And it wasn’t all acting.
His hand slid behind her nape and contracted, dragging her rapt face just under his, so close that she could smell the coffee that clung to his clean breath, so close that her breasts almost touched his jacket.
“You’ll tempt me once too often,” he bit off. “This teasing is more dangerous than you realize.”
She didn’t reply. She couldn’t. She was throbbing, aroused, sick with desire. In all her life, there had been only this man who made her feel alive, who made her feel passion. Despite the traumatic experience of her teens, she had a fierce physical attraction to Tate that she was incapable of feeling with any other man.
She touched his lean cheek with cold fingertips, slid them back, around his neck into the thick mane of long hair that he kept tightly bound-like his own passions.
“You could kiss me,” she whispered unsteadily, “just to see how it feels.”
He tensed. His mouth poised just above her parted lips. The silence in the car was pregnant, tense, alive with possibilities and anticipation. He looked into her wide, pale, eager green eyes and saw the heat she couldn’t disguise. His own body felt the pressure and warmth of hers and began to swell, against his will.
“Tate,” she breathed, pushing upward, toward his mouth, his chiseled, beautiful mouth that promised heaven, promised satisfaction, promised paradise.
His dark fingers corded in her hair. They hurt, and she didn’t care. Her whole body ached.
“Cecily, you little fool,” he ground out.
Her lips parted even more. He was weak. This once, he was weak. She could tempt him. It could happen. She could feel his mouth, taste it, breathe it. She felt him waver. She felt the sharp explosion of his breath against her lips as he let his control slip. His mouth parted and his head bent. She wanted it. Oh, God, she wanted it, wanted it, wanted it…
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
The next morning I showed up at dad’s house at eight, with a hangover. All my brothers’ trucks were parked in front. What are they all doing here?
When I opened the front door, Dad, Alan, Jase, and Willie looked at me. They were sitting around the living room, waiting. No one smiled, and the air felt really heavy.
I looked to my left, where Mom was usually working in the kitchen, but this time she was still, leaning over the counter and looking at me too.
Dad spoke first. “Son, are you ready to change?”
Everything else seemed to go silent and fade away, and all I heard was my dad’s voice.
“I just want you to know we’ve come to a decision as a family. You’ve got two choices. You keep doing what you’re doing--maybe you’ll live through it--but we don’t want nothin’ to do with you. Somebody can drop you off at the highway, and then you’ll be on your own. You can go live your life; we’ll pray for you and hope that you come back one day. And good luck to you in this world.”
He paused for a second then went on, a little quieter.
“Your other choice is that you can join this family and follow God. You know what we stand for. We’re not going to let you visit our home while you’re carrying on like this. You give it all up, give up all those friends, and those drugs, and come home. Those are your two choices.”
I struggled to breathe, my head down and my chest tight. No matter what happened, I knew I would never forget this moment.
My breath left me in a rush, and I fell to my knees in front of them all and started crying.
“Dad, what took y’all so long?” I burst out.
I felt broken, and I began to tell them about the sorry and dangerous road I’d been traveling down. I could see my brothers’ eyes starting to fill with tears too.
I didn’t dare look at my mom’s face although I could feel her presence behind me. I knew she’d already been through the hell of addiction with her own mother, with my dad, with her brother-in-law Si, and with my oldest brother, Alan. And now me, her baby. I remembered the letters she’d been writing to me over the last few months, reaching out with words of love from her heart and from the heart of the Lord.
Suddenly, I felt guilty.
“Dad, I don’t deserve to come back. I’ve been horrible. Let me tell you some more.”
“No, son,” he answered. “You’ve told me enough.”
I’ve seen my dad cry maybe three times, and that was one of them. To see my dad that upset hit me right in the gut. He took me by my shoulders and said, “I want you to know that God loves you, and we love you, but you just can’t live like that anymore.”
“I know. I want to come back home,” I said.
I realized my dad understood. He’d been down this road before and come back home. He, too, had been lost and then found.
By this time my brothers were crying, and they got around me, and we were on our knees, crying. I prayed out loud to God, “Thank You for getting me out of this because I am done living the way I’ve been living.”
“My prodigal son has returned,” Dad said, with tears of joy streaming down his face.
It was the best day of my life. I could finally look over at my mom, and she was hanging on to the counter for dear life, crying, and shaking with happiness.
A little later I felt I had to go use the bathroom. My stomach was a mess from the stress and the emotions. But when I was in the bathroom with the door shut, my dad thought I might be in there doing one last hit of something or drinking one last drop, so he got up, came over, and started banging on the bathroom door. Before I could do anything, he kicked in the door. All he saw was me sitting on the pot and looking up at him while I about had a heart attack. It was not our finest moment.
That afternoon after my brothers had left, we went into town and packed up and moved my stuff out of my apartment.
“Hey bro,” I said to my roommate. “I’m changing my life. I’ll see ya later.” I meant it.
”
”
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)