Love Streams Movie Quotes

We've searched our database for all the quotes and captions related to Love Streams Movie. Here they are! All 15 of them:

After this, you want to watch a movie?” Dominic asks. “You can make that cheddar popcorn I love. We can crowd under that blanket that smells like…what’s that smell?” I choke on a fresh wave of fear. “Lavender,” I say as more tears stream down my cheeks. “Yeah. And I’ll let you watch a chick movie because all I really want to do is watch you watch it. Your face gets all dopey when you get love drunk.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
Tell me something true about you.” “Okay …” She mentally rifled through birthplace (Portland, Oregon), college major (sociology), astrological sign (Virgo), favorite movie (The Apple Dumpling Gang—don’t judge), until she hit a fact that wasn’t completely mundane. “One of my favorite things in the world are those charity events where everyone buys a rubber ducky with a number and the first person’s duck to get down the river wins.” “Why?” “I like seeing the river teeming with all those outrageously yellow and orange ducks. It’s so friendly. And I love the hope of it. Even though it doesn’t matter if you win, because all that wonderful, candy-colored money is going to something really important like a free clinic downtown or cleft palate operations for children in India, you still have that playful hope that you will win. You run alongside the stream, not knowing which is your duck but imagining the lead one is yours.” “And this is the essence of your soul—the ducky race?” “Well, you didn’t ask for the essence of my soul. You asked for something true about me, and so I went for something slightly embarrassing and secret but true nonetheless. Next time you want the essence of my soul, I’ll oblige you with sunsets and baby’s laughter and greeting cards with watercolor flowers.” He squinted at her thoughtfully. “No, so far as I’m concerned, the yellow duckies are the essence of your soul.
Shannon Hale (Midnight in Austenland (Austenland, #2))
After this, you want to watch a movie?” Dominic asks. “You can make that cheddar popcorn I love. We can crowd under that blanket that smells like . . . what’s that smell?” I choke on a fresh wave of fear. “Lavender,” I say as more tears stream down my cheeks. “Yeah. And I’ll let you watch a chick movie because all I really want to do is watch you watch it. Your face gets all dopey when you get love drunk.
Kate Stewart (Exodus (The Ravenhood #2))
There are hundreds of ways that we distract ourselves from self-reflection, from asking those fundamental questions that really matter – movies, podcasts, games, social media. An endless stream of information you have to digest that does not allow you to spend any time alone with yourself. When you have nothing to do for a long-long time, that is when your mind starts to itch. It is then that you experience the unbearable heaviness of being. I think it happens to you too. Your most random thoughts intermingle in a chaotic descent into your own mental maelstrom, producing the strangest conclusions, as your brain explores the deepest corners of your mind.
Ildar Daminov (Breakfast Buddies)
After this, you want to watch a movie? You can make that cheddar popcorn I love. We can crowd under that blanket that smells like.... what's that smell?" I choke on a fresh wave of fear. " Lavender," I say as more tears stream down my cheeks. "Yeah. And I'll let you watch a chick movie because all I really want to do is watch you watch it. Your face gets all dopey when you get love drunk.
Kate Stewart, Exodus
Top Retro LGBTQ Teen Date Movies The late 1990s saw a good number of films for LGBTQ teens. Stream these for some great queer dating inspiration! The Incredibly True Adventures of Two Girls in Love (1995) Beautiful Thing (1996) All Over Me (1997) Edge of Seventeen (1998) Show Me Love (1998) But I’m a Cheerleader (1999)
Kathy Belge (Queer: The Ultimate LGBTQ Guide for Teens)
She took me to the pasture and let me milk a mammoth brown cow. She taught me how to drive a tractor. We rode horses through the woods. We smoked weed on the roof and pointed out clouds that looked like penises. We fed tiny chunks of raw chicken to her brother’s Venus flytrap. We fucked each other with fresh-picked ears of corn. We built a fire under a billion stars and told ghost stories. We took bets to see how many cigarette butts the rooster would eat. We let the goats hop on top of our backs and nibble our hair. We built an altar of stones, sticks and berries at the top of a hill, and when we hummed a family of deer came to us, licking our palms and nuzzling our cheeks. We bathed in streams and made bread from scratch. We pulled ticks and leeches off each other’s backs. We wrote rap songs about farm life and smoking meth. We stayed up a whole night watching movies about vampires and warlocks. We left clumps of hair, string and silver buttons for a family of crows. When it stormed for three days and we lost power, I rocked her gently in the dark and told her I loved her.
B.R. Yeager (Negative Space)
There are streaming media devices like Roku, Kodi, or Amazon’s Fire TV Stick that allow you to access most of the same programs that you normally get through a cable subscription. Each of these devices gives you access to thousands of streaming channels. Some are free and some are premium. Even if you pay for two or three of these services, it still results in a significant cost savings. For instance, my setup is simple right now and only costs an average of $40 (as of March 2017), which is significantly less than the $130+ cable bill we once had: Netflix ($7 monthly) Amazon Prime ($99 per year or $8 monthly) Sling TV ($25 monthly) With Netflix and Amazon, you can watch most of the movies, documentaries, and premium TV shows that you love. And with Sling TV, you have access to your favorite network shows. It’s television-on-demand at its best, and more importantly, you don’t have to sit through commercials, which are distracting and reinforce negative spending habits.
S.J. Scott (Habit Stacking: 127 Small Actions That Take Five Minutes or Less)
All of our savings were consumed in the effort to bring my dog over. Steve loved Sui so much that he understood completely why it was worth it to me. The process took forever, and I spent my days tangled in red tape. I despaired. I loved my life and I loved the zoo, but there were times during that desperate first winter when it seemed we were fighting a losing battle. Then our documentaries started to air on Australian television. The first one, on the Cattle Creek croc rescue, caused a minor stir. There was more interest in the zoo, and more excitement about Steve as a personality. We hurried to do more films with John Stainton. As those hit the airwaves, it felt like a slow-motion thunderclap. Croc Hunter fever began to take hold. The shows did well in Sydney, even better in Melbourne, and absolutely fabulous in Brisbane, where they beat out a long-running number one show, the first program to do so. I believe we struck a chord among Australians because Steve wasn’t a manufactured TV personality. He actually did head out into the bush to catch crocodiles. He ran a zoo. He wore khakis. Among all the people of the world, Australians have a fine sense of the genuine. Steve was the real deal. Although the first documentary was popular and we were continuing to film more, it would be years before we would see any financial gain from our film work. But Steve sat down with me one evening to talk about what we would do if all our grand plans ever came to fruition. “When we start to make a quid out of Crocodile Hunter,” he said, “we need to have a plan.” That evening, we made an agreement that would form the foundation of our marriage in regard to our working life together. Any money we made out of Crocodile Hunter--whether it was through documentaries, toys, or T-shirts (we barely dared to imagine that our future would hold spin-offs such as books and movies)--would go right back into conservation. We would earn a wage from working at the zoo like everybody else. But everything we earned outside of it would go toward helping wildlife, 100 percent. That was our deal. As a result of the documentaries, our zoo business turned from a trickle to a steady stream. Only months earlier, a big day to us might have been $650 in total receipts. When we did $3,500 worth of business one Sunday, and then the next Sunday upped that record to bring in $4,500, we knew our little business was taking off. Things were going so well that it was a total shock when I received a stern notice from the Australian immigration authorities. Suddenly it appeared that not only was it going to be a challenge to bring Shasta and Malina to my new home of Australia, I was encountering problems with my own immigration too. Just when Steve and I had made our first tentative steps to build a wonderful life together, it looked as though it could all come tumbling down.
Terri Irwin (Steve & Me)
Well, if not forever, and it is necessary to pass away, it will happen as in dramatic movies - she and Greg will die on the same day. It cannot be otherwise. What do she and her husband live for, and even the absence of children could not keep them apart? That is true love, no doubt about it. It was all Betty ever wanted. And flirting with other men was just the life-giving stream of air she sometimes let in to tease her husband and feel her demand for the opposite sex. It was all innocent, just a game.
Misha Quinn (Our Time to Love (Sunset Lake Club series))
A few months later, Sandler got word that Netflix, newly interested in movies, had set its sights squarely on him. Using data gathered from Sony movies that Netflix had played through its Starz deal, Sarandos’s team knew that even as his box-office power waned, Sandler remained one of the most popular stars on the streaming service. His aging audience might be less likely to pay to see him in a theater, but they still loved laughing at his antics at home. “We knew he was popular in markets where his movies had never even opened,” Sarandos said. The mid-budget star vehicle, in other words, still worked great for Netflix. When people went to theaters, they preferred brand-name franchises. But when they were browsing for something to stream rather than pay fifty dollars for a night out, a familiar face doing the familiar shtick was perfect. Movies without massive visual effects were just as enjoyable at home, after all, if not more so. And if the stars had chosen to stretch their wings and you didn’t like the movie you clicked on, you could turn it off immediately. You lost a little bit of time, but not any money. And though there may not be as many fans of Adam Sandler, or any movie star, as there used to be, that didn’t necessarily matter to Netflix. All studios care about is how many people buy tickets or DVDs. They get their money whether you loved the movie or hated it. But Netflix measures success by how many people finish a movie and are satisfied enough to keep subscribing as a result, or who sign up just in order to watch it. Adam Sandler’s fan base may have shrunk, but those who remained were loyal and they were global—just what Netflix wanted. Additionally, Netflix wouldn’t have to spend millions of dollars on billboards and TV ads to market each film. Its algorithm would prominently suggest each Sandler movie to his fans on their home screen the moment it was available.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)
I choke on a fresh wave of fear. “Lavender,” I say as more tears stream down my cheeks. “Yeah. And I’ll let you watch a chick movie because all I really want to do is watch you watch it. Your face gets all dopey when you get love drunk.
Kate Stewart (Exodus (The Ravenhood #2))
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It’s a very particular time in your life, when someone you love is dying. The world doesn’t stop for you. We know this, but in our hearts we are shocked. We are like famous people who say: But don’t you know who I am? Except we want to say, But don’t you know what I am going through? How can you speak to me like that when my mother is dying? There are still red lights and rude people, long lines and lost keys. You can still stub your toe, and it will still hurt like the devil. The difference is that your reaction may be gargantuan. You may react with a rage-filled stream of profanity, the likes of which your aunt hasn’t heard since the war. You may scream in your car at a red light and scare small children. The dying person will not, by the way, always behave like a lovely dying person in a movie. She will not necessarily want to sit on the beach with a blanket wrapped around her thin body, looking wan and beautiful, her eyes wise and sad, a gentle breeze in her hair, while she makes profound remarks and looks at the sea. (I believe I may be describing a scene from the excellent, extremely sentimental movie Beaches.) She may in fact say, “Of course I don’t want to go to the beach, Cherry, I feel so sick, why would you suggest such an idiotic thing?” Your feelings can still be hurt by a dying person. A dying person can still be vain. Stupidly vain. A dying person can take pride in her thinness, point at her hipbones, and say, “Look how skinny I am!” as if it’s a nice bonus, and you can’t shout, “You’re skinny because you’re DYING, you silly woman!” You can still feel infuriated by a dying person, especially if the doctors make it clear an earlier diagnosis would have saved them. You can want them to feel remorseful for the catastrophic consequences of their foolish actions, even though they are paying the ultimate price, because it feels like you’re the one paying it. Not them. They’re getting off scot-free—back to stardust, or resting in peace with their heavenly Father, or rerouted to another body, whatever it is you believe—they’re the ones leaving, and you will be the one left behind.
Liane Moriarty (Here One Moment)