Love In Taipei Quotes

All's fair in love and war.

All my films are about Hong Kong." Wong Kar Wai once told me, "even if they're set in Argentina." While many in the West saw Happy Together primarily as a love story, his compatriots saw it something more timely and relevant: Wong grappling with the meaning of the handover to China. They knew it wasn't coincidental that the film should open in Hong Kong one month before that historical transfer of power. Nor was it coincidental that it should begin with a shot of Hong kong passports and end with Tony Leung's Lai on a train in Taipei, not Hong Kong, heading into an indeterminate future as the soundtrack plays Danny Chung's cover of the pop song "Happy Together" --a title that could be read as predicting a successful union, or as a slash of bitter irony. Even the movie's defining image, the aerial shot of water rushing down Iguazu Falls, is layered with political intimations that cut in different directions. At once thrillingly spectacular and patently dangerous--Chris Doyle, who's terrified of heights, shot it while hanging out of a chopper--the roaring waters that combine in these falls are an expression of the inexorably rushing power of reunion that can be seen as both a symbol of great strength or the downward pull of destruction.

I’m most surprised by the competitive streak she’s revealed. Xavier means more to her than she’s let on. “But what about Mindy? Doesn’t it bother you—?” Sophie rolls her head along with her eyes. “Look, all guys play the field—at least the non-nerds. She’s the girl who slept with him once. I’m the girl he found afterward. And all those codes about dating—honestly, the only one that makes sense is ‘All’s fair in love and war.’ Even if they were betrothed from the cradle, it’s not over until they tie the knot.

The scale of what Taiwan had accomplished, in just six post-war decades and under extremely straitened circumstances, was astonishing. In 1952, 42 per cent of Taiwanese were illiterate. Fifty years later, nearly 60 per cent of Taiwanese went to university. (Tellingly, the illustration on Taiwan’s 1000-dollar note was four schoolchildren studying a globe, though it wasn’t apparent whether they were learning their foreign capitals or plotting Chinese missile trajectories.) Taiwan’s 23 million diligent, dogged and courteous people had built the seventeenth-biggest economy in the world, and accrued the third-largest foreign reserves. Their tiny island boasted six domestic airlines, trains you could set your watch by and, in the shape of Taipei 101, the world’s tallest building. And they’d made their transition from military dictatorship to pluralist democracy without getting any blood on the carpet. For a country that didn’t formally exist in the eyes of most of the world, this was decent going. Having visited many broken-down, violent dumps where everybody insisted that The Struggle superseded all other considerations, like picking up the rubbish and teaching kids to read, and invariably blamed someone else for all their problems, I fell hopelessly in love with the place. Were I a George Soros-style billionaire eccentric, I’d establish a program under which the world’s nationalist crazies, idiot warlords and dingbat terrorists would be sent to Taiwan, to see what can be accomplished when people stick the grievance schtick on the back-burner, put in a day’s work and behave in a civilised manner. Taiwan

The moon is sinking in the west, the moon is sinking. With all my heart of you I'm thinking - and you not knowing! A tender bush; who cares to tend it? From my fallen leaves the pains of love are growing. . .

One may ask what makes Pai Hsien-yung's fiction still so compelling in the new millennium. I suggest that it is because instead of being a conservative, Pai impresses as a radical, one who relentlessly campaigns for the power of qing - feeling, sentience, love, affect - via a vis human adversities from national vicissitudes or erotic frustrations, and from fanaticism to the doom of life and death. "Qing is of source unknown, yet it grows ever deeper. The living may die of it, by its power the dead live again," wrote Tang Xianzu (1550-1616), the perennial spokesperson of the "cult of qing.

After untangling a cord, then moving the MacBook to the floor, Paul lay beside Erin and meekly pawed her forearm three times, then briefly held some of her fingers, which were surprisingly warm. He lay stomach-down with his arm on her arm, thinking that if she woke, while he was asleep, this contact could be viewed as accidental. Maybe she would roll toward him, resting her arm across his back—they'd both be stomach-down, as if skydiving—in an unconscious or dream-integrated manner she wouldn't remember, in the morning, when they'd wake in a kind of embrace and begin kissing, neither knowing who initiated, therefore brought together naturally, like plants that join at their roots.

Once it drew me into its gravity, this strange and alien land I’ve chosen to call home for long stretches has been the one true constant in my life. Taiwan has granted me a near-constant reprieve from my most feared nemesis, boredom, but at times she’s driven me half-mad. Taiwan has been my muse, the source of inspiration for much of my creative output as a writer, while at the same time never quite letting me forget that the language in which I write is not the lingua franca of the place about which I write. I have loved Taiwan for nearly all of my adult life. At times this love has shone as brilliantly as the moon over Kenting during the Mid-Autumn Festival, at others far less brightly, like a crescent moon during the long rainy season in Taipei,…. So when I sang it was this love for Taiwan, waxing and waning, but always present, that I felt.