Lounge Wear Quotes

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What you'll have of me after I journey to that great Death Star in the sky is an extremely accomplished daughter, a few books, and a picture of a stern-looking girl wearing some kind of metal bikini lounging on a giant drooling squid, behind a newscaster informing you of the passing of Princess Leia after a long battle with her head.
Carrie Fisher (Shockaholic)
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
He reclined on a delightfully cushioned lounge in the sprawling ranch Paris had rented. In Dallas, Texas, of all places. Promiscuity had decked himself out, too, wearing a Stetson (weird), no shirt (understandable), unfastened jeans (smart) and cowboy boots (weird again). Dude looked ready to rustle cattle or something.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
Lounging indolently in a black silk robe which was loosely tied at the front and which appeared to conceal nothing more than bare skin...she made a conscious effort not to stare at the bare legs with their sprinkling of dark hair...was he even wearing underwear? she thought
Cathy Williams (The Italian Boss's Secretary Mistress)
Instead, when I pull it back, there's a man sitting on a red chaise lounge, leaning back and smiling wickedly at me. Around his neck, there's a tag that says DRINK ME. “Oh, heeeell no,” I say, backing up suddenly, until my feet crunch over the shards of broken glass. Thank God I decided to wear combat boots instead of the awful heels my sister'd picked out for me. “What's the matter?” the boy asks, tilting his head to the side and letting the corner of his lip twist up in a smirk. “You're not thirsty?
C.M. Stunich (Allison's Adventures in Underland (Harem of Hearts, #1))
Are you this friendly to all the guests Mr...?" I ask, while trying to see if he's wearing a name tag. "Yes, when we have a gorgeous lady in the lounge such as yourself, we pull out all the charm. I'll be back in a little while with your food and another martini." He says as he turns to walk back to the bar.
A.M. Willard (One Night (One Night, #1))
Although he could have been wearing a seventies lounge suit and she probably would have drooled over the polyester.
J.R. Ward (Possession (Fallen Angels, #5))
When Batty got back home from walking the dogs, there were teenagers lounging all over the place, some left over from the basketball game, some arriving for the birthday dinner, some who fit into both categories. For once, she hardly cared, too delighted to see that Oliver's sleek car was no longer in the driveway. Hoping that he was gone forever, she rushed into the house and ended up in the kitchen, where dinner preparations were in full swing. Mr. Penderwick was chopping up vegetables for quesadillas, Rosalind was pulling a cake out of the oven, Jeffrey was shredding cheese, and Iantha was cooking up small, plain cheese quesadillas for Lydia, who was to be fed before the big dinner got rolling. Then there were the non-workers: Lydia in her high chair, wearing both her crown and her lamb bib, her new pink rabbit beside her; Jane sitting cross-legged on the floor, in everyone's way; Ben, strutting around, showing off his new Celtics T-shirt; and Asimov, sticking close to Jeffrey, hoping for falling cheese.
Jeanne Birdsall (The Penderwicks in Spring (The Penderwicks, #4))
Where mermaids live looks a bit like your pool.' said Bernard. 'Except they build houses out of whale bones and the wreckage of sunken ships. They play chess with seahorses. They wear capes of fish scales and sleep on beds made from seaweed.' As we listened, I thought I heard a slight splashing from the far end of the pool. 'At night,' Bernard continued, 'they turn on an electric eel for a night-light, and they light a fire, and the smoke goes up a chimney made from coral.' 'Wait a minute,' interupted Zoe, clearly immersed in Bernard's description. 'If they live underwater, how could they have a fire?' 'You should ask them,' said Bernard. Zoe and I open our eyes. Now, look, I know the light was just playing tricks on us. And I know we'd all probably inhaled too much sequin glue. But for the briefest moment, the blue of Zoe's pool gave way to deeper, darker aqua-colored water. The few plants and rocks were replaced with a lagoon and a waterfall where several mermaids lounged half in the water, half in the sun. They splashed and dove, their laughter making the same sound as the water.
Michelle Cuevas (Confessions of an Imaginary Friend)
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
Elle Kennedy (The Mistake (Off-Campus, #2))
I stomp back through the hall to my room and swing open the door, only to find Oak lounging in one of the chairs, his long limbs spread out in shameless comfort. A flower crown of myrtle rests just above his horns. With it, he wears a new shirt of white linen and scarlet trousers embroidered with vines. Even his hooves appear polished. He looks every bit the handsome faerie prince, beloved by everyone and everything. Rabbits probably eat from his hands. Blue jays try to feed him worms meant for their own children.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by." He accepted her decision with a slight inclination of his head, and Lauren made herself finish closing the door. She forced herself to walk away on legs that felt like lead, reminding herself at the same time how insane it would be to let him near her. But halfway across the living room she lost the internal battle. Pivoting on her heel, she raced for the door, yanked it open and hurtled straight into Nick's chest. He was lounging with one hand braced high against the doorframe, gazing down at her flushed face with a knowing, satisfied grin. "Hello,Lauren.I happened to be in the neighborhood and decided to drop by." "What do you want,Nick?" she sighed, her blue eyes searching his. "You." Resolutely she started to close the door again, but his hand shot out to stop her. "Do you really want me to go?" "I told you on Wednesday that what I want has nothing to do with it. What matters is what's best for me, and-" He interrupted her with a boyish grin. "I promise I'll never wear your clothes,and I won't steal your allowances or your boyfriends either." Lauren couldn't help starting to smile as he finished, "And if you swear never to call me Nicky again, I won't bite you." She stepped aside and let him in, then took his jacket and hung it in the closet. When she turned, Nick was leaning against the closed front door, his arms crossed over his chest. "On second thought," he grinned, "I take part of that back.I'd love to bite you." "Pervert!" she returned teasingly, her heart thumping so much with excitement that she hardly knew what she was saying. "Come here and I'll show you just how perverted I can be," he invited smoothly. Lauren took a cautious step backward. "Absolutely not.
Judith McNaught (Double Standards)
Grant glanced down at his khaki jacket. Since he’d slipped on the US Navy uniform in Agent Bounter’s office, he’d felt a confident swagger possess him. His spine lengthened, and his shoulders retracted. He should’ve been wearing this every day, not the stupid dress shirt and slacks of a lounge singer.
Jennifer Lane (On Best Behavior (Conduct, #3))
During her time at Miss Porter’s School in Farmington she had often become depressed and was hobbled by fatigue. In 1887, when she was twenty, she wrote in her diary, “Tears come without any provocation. Headache all day.” The school’s headmistress and founder, Sarah Porter, offered therapeutic counsel. “Cheer up,” she told Theodate. “Always be happy.” It did not work. The next year, in March 1888, her parents sent her to Philadelphia, to be examined and cared for by Dr. Silas Weir Mitchell, a physician famous for treating patients, mainly women, suffering from neurasthenia, or nervous exhaustion. Mitchell’s solution for Theodate was his then-famous “Rest Cure,” a period of forced inactivity lasting up to two months. “At first, and in some cases for four or five weeks, I do not permit the patient to sit up or to sew or write or read,” Mitchell wrote, in his book Fat and Blood. “The only action allowed is that needed to clean the teeth.” He forbade some patients from rolling over on their own, insisting they do so only with the help of a nurse. “In such cases I arrange to have the bowels and water passed while lying down, and the patient is lifted on to a lounge at bedtime and sponged, and then lifted back again into the newly-made bed.” For stubborn cases, he reserved mild electrical shock, delivered while the patient was in a filled bathtub. His method reflected his own dim view of women. In his book Wear and Tear; or, Hints for the Overworked, he wrote that women “would do far better if the brain were very lightly tasked.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
What you’ll have of me after I journey to that great Death Star in the sky is an extremely accomplished daughter, a few books, and a picture of a stern-looking girl wearing some kind of metal bikini lounging on a giant drooling squid, behind a newscaster informing you of the passing of Princess Leia after a long battle with her head.
Carrie Fisher (Shockaholic)
The morning grass was damp and cool with dew. My yellow rain slicker must have looked sharp contrasted against the bright green that spring provided. I must have looked like an early nineteenth century romantic poet (Walt Whitman, perhaps?) lounging around a meadow celebrating nature and the glory of my existence. But don’t make this about me. Don’t you dare. This was about something bigger than me (by at least 44 feet). I was there to unselfishly throw myself in front of danger (nothing is scarier than a parked bulldozer), in the hopes of saving a tree, and also procuring a spot in a featured article in my local newspaper. It’s not about celebrity for me, it’s about showing that I care. It’s not enough to just quietly go about caring anymore. No, now we need the world to see that we care. I was just trying to do my part to show I was doing my part. But no journalists or TV news stations came to witness my selfless heroics. In fact, nobody came at all, not even Satan’s henchmen (the construction crew). People might scoff and say, “But it was Sunday.” Yes, it was Sunday. But if you’re a hero you can’t take a day off. I’d rather be brave a day early than a day late. Most cowards show up late to their destiny. But I always show up early, and quite often I leave early too, but at least I have the guts to lay down my life for something I’d die for. Now I only laid down my life for a short fifteen-minute nap, but I can forever hold my chin high as I loudly tell anyone who will listen to my exploits as an unsung hero (not that I haven’t written dozens of songs dedicated to my bravery). Most superheroes hide anonymously behind masks. That’s cowardly to me. I don’t wear a mask. And the only reason I’m anonymous is that journalists don’t respond to my requests for interviews, and when I hold press conferences nobody shows up, not even my own mother. The world doesn’t know all the good I’ve done for the world. And that’s fine with me. Not really. But if I have to go on being anonymous to make this world a better place, I will. But that doesn’t mean I’m not thinking about changing my hours of altruism from 7-8 am Sunday mornings to 9-5 am Monday through Friday, and only doing deeds of greatness in crowded locations.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
Caroline O’Day was one of those rare parochial-school girls who managed to wear her St. Michael’s uniform—her pleated flannel skirt and matching burgundy knee socks—as if she were a cocktail waitress in a lounge of questionable repute. With boys, Caroline O’Day was as aggressive as a Corvette, and Maureen Early enjoyed her company because Mr. Early thought the O’Days were vulgar.
John Irving (A Prayer for Owen Meany)
Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.
Roger Allam (Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company)
Sunset at Seminyak Barefoot, the well heeled expats drift from the beach into mauve chaise lounges wearing trendy Thai fisherman pants and billowing knock-off Armani linens. They dis the local touts, piss and moan about the tawdry and 'so yesterday'. Devout Splenglerians, they spout the rise and fall of fashion every fucking fifteen minutes. Exhaling the outlaw plumes of Hoyo de Monterrey Churchills, they drown in their Courvoisier and Hennessey Privilege as the unfashionable sun plunges divinely into the Bali Strait unnoticed.
Beryl Dov
Back at the oak the men lounged in the shade and finished up their meal. Watching Clayt down at the creek, Nestor threw out a quiet question for anyone who would listen. “How come Clayt don’t wear no spurs?” “Don’t need ’em,” Lou said. “You seen him ride. He can purty much control a horse with just his knees and neck-reinin’.” Nestor lay back and propped on both elbows. Lifting a leg, he turned one boot in profile and spun the rowel with the toe of his other boot. “Hell, I like the way it sounds when I walk.” Lou stood and brushed off his trousers. “He don’t need that neither.
Mark Warren (Indigo Heaven)
The next year, in March 1888, her parents sent her to Philadelphia, to be examined and cared for by Dr. Silas Weir Mitchell, a physician famous for treating patients, mainly women, suffering from neurasthenia, or nervous exhaustion. Mitchell’s solution for Theodate was his then-famous “Rest Cure,” a period of forced inactivity lasting up to two months. “At first, and in some cases for four or five weeks, I do not permit the patient to sit up or to sew or write or read,” Mitchell wrote, in his book Fat and Blood. “The only action allowed is that needed to clean the teeth.” He forbade some patients from rolling over on their own, insisting they do so only with the help of a nurse. “In such cases I arrange to have the bowels and water passed while lying down, and the patient is lifted on to a lounge at bedtime and sponged, and then lifted back again into the newly-made bed.” For stubborn cases, he reserved mild electrical shock, delivered while the patient was in a filled bathtub. His method reflected his own dim view of women. In his book Wear and Tear; or, Hints for the Overworked, he wrote that women “would do far better if the brain were very lightly tasked.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
Her knock was wimpier than she meant it to be—so wimpy that there was a second where she wasn’t sure if Keefe had actually heard her. But then he called out, “Back to nag me already? You seriously need to get yourself a hobby. I hear spelunking’s fun. Oooh, or you could try swimming with the krakens! I doubt they’d eat you—but maybe we’ll get lucky!” Which wasn’t exactly a “come in.” But Sophie still grabbed the silver handle and turned it—realizing only as she was yanking the door open that she should’ve made sure Keefe was dressed before she barged in. Thankfully, he was. Mostly… He lay sprawled across a huge bed that rested on a pedestal made of lacy bleached coral, wearing fuzzy blue pajama bottoms covered in tiny black gremlins, with his head propped against a familiar green gulon stuffed animal. “Foster?” he asked, jolting upright—which only drew more attention to the fact that he was currently shirtless. He crossed his arms, his cheeks flushing with a hint of pink when his ice blue eyes focused on her. “I… um… what are you doing here?” Ro snickered from the corner, where she lounged on a cushioned chaise, painting her claws the same purple she must have recently dyed the ends of her choppy pink pigtails. “Smooth, Lord Hunkyhair. Smooooooooooooooooooth
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
We left the diner for another long walk along the lake. The sky had lightened the last couple of days, making me think that Ontonagon was a Michigan paradise tucked up in its northern corner. But today, racks of clouds as big as steamships parked themselves above us, giving the whole town the grey murkiness I'd grown used to. Wind came off Lake Superior, bypassed my skin and veins, and dug right into my bones. We stopped at one of the benches along the lakeshore. Pieces of driftwood were scattered across the sand like they'd been tossed there long ago by some burly creature or god. My mind drifted to the sort of gods that would inhabit Upper Michigan, tough ones to be sure. No grape-eating lounging Greeks; these gods would be plaid-wearing giants as big as pine trees who waded into Superior's violent water for a morning dip.
Craig Terlson (Manistique (Luke Fischer, #2))
Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
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That constant pacing to and fro, that never-ending restlessness, that incessant tread of feet wearing the rough stones smooth and glossy—is it not a wonder how the dwellers in narrows ways can bear to hear it! Think of a sick man in such a place as Saint Martin's Court, listening to the footsteps, and in the midst of pain and weariness obliged, despite himself (as though it were a task he must perform) to detect the child's step from the man's, the slipshod beggar from the booted exquisite, the lounging from the busy, the dull heel of the sauntering outcast from the quick tread of an expectant pleasure-seeker—think of the hum and noise always being present to his sense, and of the stream of life that will not stop, pouring on, on, on, through all his restless dreams, as if he were condemned to lie, dead but conscious, in a noisy churchyard, and had no hope of rest for centuries to come.
Charles Dickens
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There is another me in the remaining cell. He is wearing a white tennis shirt, shorts and oversized mirrorshades, lounging in a deck chair by a swimming pool. He has a book in his lap: Le Bouchon de cristal. One of my favorites, too. ‘It got you again,’ he says, not bothering to look up. ‘Again. What is that, three times in a row now? You should know by now that it always goes for tit-for-tat.’ ‘I almost got it this time.’ ‘That whole false memory of cooperation thing is a good idea,’ he says. ‘Except, you know, it will never work. The warminds have non-standard occipital lobes, non-sequential dorsal stream. You can’t fool it with visual illusions. Too bad the Archons don’t give points for effort.’ I blink. ‘Wait a minute. How do you know that, but I don’t?’ ‘Did you think you are the only le Flambeur in here? I’ve been around. Anyway, you need ten more points to beat it, so get over here and let me help you out.’ ‘Rub it in, smartass.’ I walk to the blue line, taking my first relieved breath of this round. He gets up as well, pulling his sleek automatic from beneath the book. I point a forefinger at him. ‘Boom boom,’ I say. ‘I cooperate.’ ‘Very funny,’ he says and raises his gun, grinning. My double reflection in his shades looks small and naked. ‘Hey. Hey. We’re in this together, right?’ And this is me thinking I had a sense of humor. ‘Gamblers and high rollers, isn’t that who we are?’ Something clicks. Compelling smile, elaborate cell, putting me at ease, reminding me of myself but somehow not quite right— ‘Oh fuck.’ Every prison has its rumours and monsters and this place is no different. I heard this one from a zoku renegade I cooperated with for a while: the legend of the anomaly. The All-Defector. The thing that never cooperates and gets away with it. It found a glitch in the system so that it always appears as you. And if you can’t trust yourself, who can you trust? ‘Oh yes,’ says the All-Defector, and pulls the trigger
Hannu Rajaniemi (The Quantum Thief (Jean le Flambeur #1))
she saw the store through new eyes: a place where you could find cocktail dresses from the sixties for Homecoming, surgical scrubs for lounging on sleepy days, a wide assortment of old concert tees, and, if you were lucky, bells, real bell-bottoms, not the back-again retro ones from the Delia’s catalog but the actual thing, with wide flares, the denim tissue-thin at the knees from decades of wear.
Celeste Ng (Little Fires Everywhere)
found Kira lounging on the bed, wearing only a towel.
Eve Langlais (When An Alpha Purrs (A Lion's Pride, #1))
At the next street-lamp, she sees a woman with painted lips and smudged eyes waiting in a doorway. A hansom cab drives up, stops, and a man in a tail coat and a shining silk top-hat gets out. Even though the woman in the doorway wears a low-cut evening gown that might once have belonged to a lady of the gentleman’s social class, the black-clad watcher does not think the gentleman is here to go dancing. She sees the prostitute’s haggard eyes, haunted with fear no matter how much her red-smeared lips smile. One like her was recently found dead a few streets away, slit wide open. Averting her gaze, the searcher in black walks on. An unshaven man lounging against a wall winks at her. “Missus, what yer doing all alone? Don’t yer want some company?” If he were a gentleman, he would not have spoken to her without being introduced. Ignoring him, she hastens past. She must speak to no one. She does not belong here. The knowledge does not trouble her, for she has never belonged anywhere. And in a sense she has always been alone. But her heart is not without pain as she scans the shadows, for she has no home now, she is a stranger in the world’s
Nancy Springer (The Case of the Missing Marquess (Enola Holmes, #1))
He wouldn’t attract flies,’ was the verdict of a club owner invited to book Sinatra for a week of performances. Most believed that and because he’d angered so many people in the movies and recording industry few were willing to help including those who had made good money from his career. His friend Mickey Cohen stepped in with a ‘testimonial dinner’ in early 1951 at the Beverly Hills Hotel, the pink palace standing proudly on that tributary for fading stars, Sunset Boulevard, but it was a disappointing affair. Cohen had to outfit his own bodyguards and assorted other hoods in evening wear to make up the numbers. The invited ‘girls’ got more attention in the hotel’s Polo Lounge. Most of Hollywood thought it was all over for Frank Sinatra but across the country in New Jersey, which has a warm approach to all things Italian, was a pal who always believed the best was yet to come. Paul ‘Skinny’ D’Amato, a maestro of the entertainment business in Atlantic City, a Mafia indulged fixture of the Boardwalk, a gambler, and a fixer and, importantly, an entertaining and loveable man, met Sinatra in 1939. He proved a valuable connection and loyal ally.
Mike Rothmiller (Frank Sinatra and the Mafia Murders)
I didn’t have a specific place where my Perfect Day would occur. I just knew it would be somewhere that it got cold. I wanted to be wearing a cozy sweater and warm jacket. It didn’t need to be freezing, but I imagined the weather would be chilly enough to make my cheeks red. I’d be in a small town. The kind of town where people knew you. Where you’d walk past a store and the owner would pop their head out the door trying to lure you inside to see the latest jewelry they got in stock, or to try a new recipe they were testing. At some point, I’d get a hot chocolate with lots of marshmallows, using the heat from the cup to keep my hands warm. I’d walk down a street lined with twinkly lights and garlands draped between lampposts. Everyone I walked past would say hello. When it got just cold enough, that’s when I’d walk past the bookshop. It would smell like cider inside and sure enough, there would be a little beverage cart near the door with cups and a cheery sign that would read help yourself. I’d switch out my hot chocolate for a cider and wander around the store. It would be large but full of books and leather chairs and maybe even a cat lounging on some shelves. Every book I wanted to buy would be in stock and I’d find a few more that I hadn’t even known I wanted. But the thing that made it the Perfect Day would be that when I went to check out, the salesperson would recognize me. It’s you, they’d say, and then point to a shelf where my book was prominently displayed. Would you mind signing some copies? they’d ask. We’re big fans of your work. That, I think, would truly be the Perfect Day.
Elissa Sussman (Funny You Should Ask)
While the phone was handy, I also called Wendy and got her mother again. She said that Wendy had a sore throat and couldn’t talk. I wasn’t about to quit that easily. “Can she listen?” I asked. “I’ll do the talking, and she can tap once for yes and twice for no.” Mrs. Westfall laughed. “I’m serious. Can she do that?” “Only for a minute. I’ll get her.” The next thing I heard was a whispered, “Hi.” “No talking,” Mrs. Westfall called out. “Hi, Wendy. Did your mom tell you the code? One tap for yes, two for no, three if you’re being held prisoner against your will.” Three quick taps from her. “That’s what I figured. Well, you haven’t missed much at school. Same old stuff. Somebody tried to assassinate Mr. Crowell, but he was wearing a bulletproof vest. And then when the cops came, they found marijuana growing in the teacher’s lounge. But all the evidence was destroyed in the fire. I guess you heard that the whole junior class was trapped in the auditorium and got wiped out. All except for Delbert Markusson. He was out in the parking lot, sneaking a smoke. So Delbert’s now junior class president. He’s also vice-president and secretary. He says the junior prom may be canceled, or he may have it over at his house—if he can find a date.” “Wind it up,” Mrs. Westfall said. “Are you going to be back tomorrow?” Two taps. “How about Monday?” One loud tap. “I’m going to San Francisco this weekend. Shall I send you a postcard?” Tap. “I’ll see you on Monday.” She tapped, then hung up. “Are you in love with Eddie Carter?” I said into the dead phone. I gave the receiver a loud slap.
P.J. Petersen (The Freshman Detective Blues)
Tractatus de Fascinatione warned against lounging in bed too late in the morning wearing nightcaps (yes, nightcaps), or breaking a religious fast on green peas (yes, green peas). How to prevent and cure? In many cases, the remedy seems almost worse than the disease: the skin of a hyena’s forehead, dust in which a mule had rolled, and a broth stewed from the ashes of a hangman’s rope. Not exactly goods you could pick up on an afternoon Costco run. In the absence of hyena forehead skin, it seems one could also lick the skin of a child’s forehead.
Sally Hogshead (Fascinate: How to Make Your Brand Impossible to Resist)
Chapter 1 A lot of people lounge by pools in L.A., but few of them are truly immortal, no matter how hard they pretend with plastic surgery and exercise. Doyle was truly immortal and had been for over a thousand years. A thousand years of wars, assassinations, and political intrigue, and he’d been reduced to being eye candy in a thong bathing suit by the pool of the rich and famous. He lay at the edge of the pool, wearing almost nothing. Sunlight glittered across the blue, blue water of the pool. The light broke in a jagged dance across his body, as if some invisible hand stirred the light, turning it into a dozen tiny spotlights that coaxed Doyle’s dark body into colors I’d never known his skin could hold. He wasn’t black the way a human being is black, but more the way a dog is black. Watching the play of light on his skin, I realized I’d been wrong. His skin gleamed with blue highlights, a shine of midnight blue along the long muscular sweep of his calf, a flare of royal blue like a stroke of deep sky touched his back and shoulder. Purple to shame the darkest amethyst caressed his hip. How could I ever have thought his skin monochrome? He was a miracle of colors and light, strapped across a body that rippled and moved with muscles honed in wars fought centuries before I was born.
Laurell K. Hamilton (Seduced by Moonlight (Meredith Gentry, #3))
My personal hell is a place filled with loud, cocky, inked hipster—millennials. It’s a place where every guy looks like a member of Mumford & Sons, and all the women shun makeup. No, it isn’t Lollapalooza, nor an Arcade Fire concert. No, it isn’t some hipster independent coffee shop serving the latest trend in cold brewed coffee and a donut. No, not a craft cocktail lounge playing Daft Punk on vinyl while everyone sits on low striped cushions and corduroy couches wearing color schemes of pants and tops that make no sense.
Shelley Brown (Weird Girl Adventures from A to Z)
My personal hell is a place filled with loud, cocky, inked hipster—millennials. It’s a place where every guy looks like a member of Mumford & Sons, and all the women shun makeup. No, it isn’t Lollapalooza, nor an Arcade Fire concert. No, it isn’t some hipster independent coffee shop serving the latest trend in cold brewed coffee and a donut. No, not a craft cocktail lounge playing Daft Punk on vinyl while everyone sits on low striped cushions and corduroy couches wearing color schemes of pants and tops that make no sense. I’ll give you a hint. A woman walked around wearing a t-shirt stating, “Data is the new bacon.” Excuse me, but fuck you, it is not! Okay, fine. Last hint. All the Mumford & Sons dudes and non-makeup wearing inked millennials are wearing the exact same shirt. Slap yourself if you get this wrong. My hell is the APPLE STORE!
Shelley Brown-Weird Girl Adventures from A to Z
With my raven scribe at my side, I arrived in the throne room of Sessrumnir, Freya’s mansion, at the appointed hour. Instead of the goddess, however, I found a scruffy-looking individual wearing a multihued short-sleeved garment bearing the words KEEP CALM AND FOLKVANGER ON lounging on the dais. MAN: Whoa, dude, are you supposed to be in here? SNORRI STURLUSON: Yes. The goddess Freya herself is to honor me with her presence. M: Cool. I’m Miles. And judging by your body odor [leans close and sniffs SS], I’m guessing you’re a Fart Elf. SS [indignant]: I am a thane.
Rick Riordan (Hotel Valhalla Guide to the Norse Worlds: Your Introduction to Deities, Mythical Beings & Fantastic Creatures (Magnus Chase and the Gods of Asgard))
While the Duff Gordons drank champagne at the Ritz that Thursday night, Margaret Brown was still on the Carpathia, helping out with the steerage passengers. Immigration and health officials had come on board to spare the Titanic’s third-class survivors the customary hiatus at Ellis Island, but it was after eleven o’clock before the first of them began to leave the ship. Still wearing the black velvet suit she had donned after the collision, “Queen Margaret,” as some in first class had dubbed her, worked to organize the disembarkation of the steerage women and help with their travel arrangements. The Countess of Rothes was doing likewise, and one passenger of particular concern for her was Rhoda Abbott, who was unable to walk due to her ordeal in Collapsible A. Although Rhoda assured the countess and Margaret Brown that she would be looked after by the Salvation Army, she was transferred by ambulance to New York Hospital at Noëlle’s expense and later to a hotel room that Mrs. Brown arranged for her. The small, slim countess eventually walked down the gangway and into the arms of her husband Norman, the Earl of Rothes, and before long, she, too, was in a suite at the Ritz-Carlton. But Margaret Brown remained on the ship, where she improvised beds in the lounge for the remaining steerage women and spent the night with them. The next day her brother, who had come from Denver to greet her, came on board and told Margaret that her ailing grandson—the reason she had come home on the Titanic—was recovering well. This encouraged her to stay in New York, where she set up headquarters for the Titanic Survivors’ Committee in her suite at the Ritz-Carlton.
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
Not that Strider was intoxicated. He was the sober one. He reclined on a delightfully cushioned lounge in the sprawling ranch Paris had rented. In Dallas, Texas, of all places. Promiscuity had decked himself out, too, wearing a Stetson (weird), no shirt (understandable), unfastened jeans (smart) and cowboy boots (weird again). Dude looked ready to rustle cattle or something. At
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
And in an upstairs bedroom of the elegant house, the newest de Montforte was being born. Charles was as distraught as Lucien had ever seen him, pacing back and forth in the drawing room while above, Amy screamed in pain as another contraction seized her. Charles blanched.  Droplets of sweat beaded his brow. "Do sit down, Charles," Lucien murmured, not looking up from where he sat calmly writing a letter.  The duke, along with his siblings and Juliet — whose presence Amy had specifically requested — had arrived a fortnight ago so they could all be together for the grand event.  "I daresay you're expending as much effort on delivering this child as Amy is." "Yes, I wonder which one will be more exhausted when it's over?" teased Gareth, lounging on a nearby sofa and bouncing a leg over one bent knee. Charles kept pacing.  "I won't sit down, I can't sit down, I can't rest, I can't eat, I can't think until I know that both of them are all right!" Gareth, with his new son Gabriel in his arms and Charlotte playing on the floor nearby, fought hard to contain his laughter.  Having recently gone through the same hell as Charles was currently experiencing — and behaving just as abominably — he considered himself quite the expert on such matters.  He looked at Charles and grinned. "Yes, Luce is quite right, Charles.  All you're doing is wearing a hole in the carpet.  Amy'll be just fine." "But those screams!  I cannot bear to hear them!" Lucien dipped his quill in the ink bottle.  "Then go outside, my dear Charles, so that you do not have to hear them." For answer, Charles only threw himself down in the nearest chair.  Raked a hand through his hair.  Jumped to his feet, poured himself a drink, and continued his pacing. Moments
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Question: Is it permissible for a youngish un-chaperoned woman living alone to wear pajamas when a gentleman calls? Answer: Assuming that she knows one pajama from another, it is entirely permissible. There are, however, sleeping pajamas, beach pajamas, lounging pajamas, and hostess pajamas.
Marjorie Hillis (Live Alone and Like It: The Classic Guide for the Single Woman)
See! Told you!” Paige sings out, pointing up at a wooden tower, on top of which a lifeguard is lounging, smoking a cigarette, talking on his mobile phone, his skin tanned so dark he might be Indian, wearing nothing but a tiny, shiny pair of red Speedos. “But Paige, his swimsuit!” I object. Paige tosses her head. “Actually, Violet,” she says, “I think you’re being really sexist. Why should girls be able to wear bikinis if boys can’t wear Speedos? Boys like to tan too!” “My dad calls them budgie smugglers,” Kelly volunteers, and I snigger at this. So does Paige, when she figures it out.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
All eyes are on me—including Talan’s. At the center of the tables, on the far side of the hall, he’s lounging in a chair. His rings and lopsided crown gleam in the candlelight. He wears a black jacket with silver buttons that sleekly fits his muscular body.
Alex Rivers (Vale of Dreams (Fey Spy Academy, #2))