Lou Brown Quotes

Most of the time when I have met artists who have meant a lot to me, the experience has been well above expectation. People like Iggy, Lou Reed, Jerry Lee Lewis, Black Sabbath, Nick Cave, Hubert Selby Jr, Billy Gibbons, Al Pacino, John Lee Hooker, James Brown, Johnny Cash etc. have been really great to me. What strikes me is most of the time, the bigger the celeb/legend, the more polite and cool they are. It's the insecure ones who treat you like they're doing you a favor by shaking your hand.

When my friend Matilda lay dying of Lou Gehrig’s disease, she said that she had been prepared all of her life to choose between good and evil. What no one had prepared her for, she lamented, was to choose between the good, the better, and the best—and yet this capacity turned out to be the one she most needed as she watched the sands of her life run out.

Generations of sacrifice; hard work and harder living. So much suffered, so much forfeited, so much -- for this opportunity. For my life. And I've tried, tried living up to it. But after years of struggling, fighting against the current, I'm ready to slow my arms. Stop kicking. Breathe the water in. I'm exhausted. Perhaps it’s time to end this story. Ah - here’s Lou.

Makes me sad looking at the leaves on my vines turning gold and brown, the branches bare of fruit, but I know the leaves and the fruit will return next spring once more. But unlike lost love ,the love of writing,the love of nature ,the love of beauty,the love of life once its lost its lost forever, I hope i never ever lose that love.

Before the downpour, Al had thought Lou looked alluring in her pale pink T-shirt and simple flowered skirt. Her soft brown waves bounced around her shoulders with the humidity. She was simply beautiful. But with the addition of water, she evolved into a siren. Her thin cotton clothes clung to every curve. She slicked her hair away from her face, as if emerging from an enchanted lake.

It's not you it's me' she couldn't use that line. Even though it really was her and not him, everyone thought that line really meant, 'it's not me. It's definitely you.'  There was still a part of her that thought perhaps she shouldn't do it at all. In Andrew she had all the raw ingredients for a perfect life. Here was a grown-up, good-looking, solvent, generous, warm-hearted man who adored her. A man who adored her even when she looked like the loch ness monsters little sister and had a terrible temper to match. It didn't take a huge leap of imagination to see Andrew standing at the top of the aisle, looking back at lou walking towards him with a grin as wide as the English channel. She could see him painting the nursery yellow; pushing a pram that contained two lovely brown haired twins (one boy, one girl); presenting her woth an eternity ring on their tenth anniversary, taking the twins to school, teaching them how to play football on long, summer holidays in Tuscany, giving the daughter away at her own wedding, cosying up to Lou on the veranda of their perfect house as their retirement stretched ahead of them- a long straight road of well-planned for, financially comfortable and perpetually sunny days.  'oh god' Lou poured herself a vodka.

Back at the office, Lou’s not in yet. He rarely shows up before eleven. As if each morning, fresh mediocrity slides out of the ocean, slimes its way over mossy rocks and sand, then sprouts skittering appendages that stretch and morph and twist into limbs as it forges on inland until finally, fully formed, Lou! Strolls into the lobby on two flat feet in shined shoes. Shining, tapping, waiting for the lift to our floor.

Lou hoisted up her gown and winced as she tottered across the parking lot. The sparkly four-inch heels had looked so pretty in the box, but they felt like a mortar and pestle grinding each bone in her foot. She missed her green Crocs. Lou plucked at the tight elastic, squeezing her under the sleek black dress her fiancé, Devlin, had given her. He walked five steps ahead of her, so she scurried to catch up. "Overstuffed truffle and foie gras sausage," Lou said. Devlin's face crinkled in confusion. "What?" "It's a new dish, inspired by how I feel in these clothes. Maybe served over brown butter dumplings..." Lou tilted her head, visualizing the newly formed meal.

Some of the black and brown women on the NWPC Policy Council became the strongest and most valuable supporters I had—Fannie Lou Hamer, Lupe Anguiano, Gwen Cherry and Carol Taylor, among others. They did not have the one problem with my candidacy that many white women did: the whites knew I couldn't be elected, and so their support, even when it was given, seemed a little tentative, because they felt they were fighting for a lost cause. But women like Fannie Lou, Lupe and the rest, having been long active in the civil rights movement and other minority causes, were used to taking up seemingly impossible challenges. Their whole experience had taught them that they might not win the ultimate objective, but they would increase the chance that success would come, someday.

1995: The Hollywood Squares becomes incredibly dull and ratings plummet during the years after special guests Jacques Lemaire and Lou Lamoriello develop a strategy that involves never doing anything except going for the block.

This simple but profound service—to grasp a fading man’s need for everyday comforts, for companionship, for help achieving his modest aims—is the thing that is still so devastatingly lacking more than a century later. It was what Alice Hobson needed but could not find. And it was what Lou Sanders’s daughter, through four increasingly exhausting years, discovered she could no longer give all by herself. But with the concept of assisted living, Keren Brown Wilson had managed to embed that vital help in a home.

They were going to have a hell of a time trying to pull her out of that tunnel after Buster sandwiched her in there tighter than the belt on Lou Costello. The door of the pub opened, and a man in a long brown trench coat sat down beside Duke.

Through the smoke, a white dog appeared. Nicholina blared her teeth at it, blasting awareness through me the second before the dog transformed. If I'd been standing, my legs would've buckled. As it was, I rose slowly to my knees, the ringing in my ears deepening to a rushing sound. A roar of blood and hope and fear. This couldn't be happening. This couldn't be real. Ansel ambled toward me. "Hello, Lou". At my dumbstruck expression, he grinned, the same sheepish grin he'd given a thousand times and the same sheepish grin of which I wanted a thousand more. He wore a pristine powder-blue coat with golden tassels and buttons—my heart ached at the familiarity—with his hands shoved deep into the pockets of his pants. An eternal initiate. No blood marked his person, not his hair or his skin, and his brown eyes sparkled even in the dark. "Did you miss me?

I'm in love with this cider. Actually all the ciders," Lou said. She had wavy, dark brown hair, and the way Al watched her- it was as if the world would end if he stopped. "You have so many different types. I would love to build a menu around it." Sanna looked confused. "A menu?" "I have a restaurant in Milwaukee, and these ciders would make a fantastic pairing for a special tasting menu. For example, Toasty Dark Brown would go beautifully with roasted chicken and root vegetables- I'm thinking beets, parsnips, and fingerling potatoes- with a sauce made from the cider." She took another sip of the cider and smacked her lips- her eyes drifted off to another place, the same way Sanna's did when she envisioned new ciders. "And thyme, maybe rosemary, I'll need to play with it. Anyway, you get the idea.

The November Road Playlist “Don’t Think Twice, It’s All Right”—Bob Dylan “’Round Midnight”—Billy Taylor Trio “Will You Love Me Tomorrow?”—The Shirelles “Follow the Yellow Brick Road” from The Wizard of Oz—Judy Garland “How Can You Lose”—Art Pepper “Night and Day”—Ella Fitzgerald “I Saw Her Standing There”—The Beatles “Jack O’Diamonds”—Ruth Brown “Ring of Fire”—Johnny Cash “Somebody Have Mercy”—Sam Cooke “Something Cool”—June Christy “Prisoner of Love”—James Brown “It’s My Party”—Lesley Gore “Blowin’ in the Wind”—Peter, Paul and Mary “I’m Walkin’”—Fats Domino “You’re Getting to Be a Habit with Me”—Frank Sinatra “’Round Midnight”—Thelonious Monk

I am going to tell a story: Once Upon A Time there was a man and a woman. The man and the woman were dreaming. The man and the woman dreamed each other and when they finished dreaming they had invented each other. So I am going to tell the story of a dream: Once upon a time there was a couple: the ideal couple, the perfect couple, the archetypal couple, who would combine in their two faces the features of all the lovers of history, all those who might have been able to fall in love with each other, all those ever imagined by the poets, and all those unimagined yet. They were (or would be) Abelard and Héloïse, Venus and Tannhäuser, Hamlet and Ophelia, Agathe and Ulrich, Solomon and the Shulamite maiden, the Consul and Yvonne, Daphnis and Chloe, Percy and Mary Shelley, the narrator and Albertine, Jocasta and Oedipus, Hans Castorp and Clavdia Chauchat, Pygmalion and Galatea, Othello and Desdemona, Penelope and Ulysses, Baudelaire and Jeanne Duval, Laura and Petrarch, Humbert Humbert and Lolita, Elizabeth Barrett and Robert Browning, Alonso Quijano and Dulcinea, Leda and the Swan, Adam and Eve, Wagner and Cosima, Pelléas and Mélisande, Cleopatra and Mark Antony, Calisto and Melibea, Faust and Gretchen, Orpheus and Eurydice, Romeo and Juliet, Heathcliff and Cathy, Tristan and Isolde, Rilke and Lou Andreas-Salome, Jason and Medea, Miranda and Ferdinand, Kafka and Milena, Electra and Agamemnon, Don Juan and Thisbe, von Aschenbach and Tadzio, Poe and Annabel Lee, Borges and Matilde Urbach. As the curtain rises they are kissing each other passionately in the middle of a steamy, shadowed park, underneath the pines. Is this not perhaps the ideal beginning of any love story? Not to forget that there is also a unicorn, a tree laden with garnet-colored fruit, and a large neon sign hanging above them both that reads: A Mon Suel Desir. If we look carefully we will notice that the park is surrounded by water on all sides—that is, this is an island. The story might well begin at any moment.

CAST: Bill Forman as the Whistler, mysterious teller of murder stories. Gale Gordon and Joseph Kearns as the Whistler in earliest shows. Marvin Miller as the Whistler while Forman was in the Army. Bill Johnstone as the Whistler, 1948. (Everett Clarke as the Whistler in a 1947 Chicago series.) Supporting casts from Hollywood’s Radio Row, players who appeared so often they were known as “Whistler’s children”: Cathy and Elliott Lewis, Joseph Kearns, Betty Lou Gerson, Wally Maher, John Brown, Hans Conried, Gerald Mohr, Lurene Tuttle, Donald Woods, Gloria Blondell, John McIntire, Jeanette Nolan, Frank Lovejoy, Jeff Chandler, Joan Banks, Mercedes McCambridge.