Weaving Best Quotes

The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way—I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.

The Weaver” “My life is but a weaving Between my God and me. I cannot choose the colors He weaveth steadily. Oft’ times He weaveth sorrow; And I in foolish pride Forget He sees the upper And I the underside. Not ’til the loom is silent And the shuttles cease to fly Will God unroll the canvas And reveal the reason why. The dark threads are as needful In the weaver’s skillful hand As the threads of gold and silver In the pattern He has planned He knows, He loves, He cares; Nothing this truth can dim. He gives the very best to those Who leave the choice to Him.

I think that when two people are able to weave that kind of invisible thread of understanding and sympathy between each other, that delicate web, they should not risk tearing it. It is too rare, and it lasts too short a time at best....

Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.  The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.  In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.  The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.  So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate.  The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.  Occasionally Fate can pull itself together again.  And Time is always waiting.

The things a man has heard and seen are threads of life, and if he pull them carefully from the confused distaff of memory, any who will can weave them into whatever garments of belief please them best. I too have woven my garment like another, but I shall try to keep warm in it, and shall be well content if it do not unbecome me.

At least when you're drunk," Tom adds, quickly wiping the wet from his face. "You've always got the floor for your best friend. Know why?" "It's always there for you," Navidson answers, his own cheeks suddenly flushing with emotion as he helps his weaving brother to the kitchen. "That's right," Tom whispers. "Just like you.

Nooooooooooo!" Screaming the word, Amy and Dan moved as one. Time slowed down, which, Dan knew from experience, often happened when you were in midair. By the time they leaped onto the hood of Fiske's car (oops, dents), and Dan had ripped off a windshield wiper to use as a weapon (probably not the best idea, but hey, he was improvising), Scarey Harley Dude had turned around. He strode off in his motorcycle boots, moving swiftly to his bike without seeming to hurry. His helmet back on, sunglasses adjusted, he roared off straight into the road, weaving through the thick traffic like smoke. Amy's face was squashed against the windshield. Dan held the wiper aloft like a club. And Evan Tolliver stood on the sidewalk, blinking at them. Dan waved the windshield wiper at him. "Hey, bro. We didn't want to miss our ride.

Society has three stages: Savagery, Ascendance, Decadence. The great rise because of Savagery. They rule in Ascendance. They fall because of their own Decadence." He tells how the Persians were felled, how the Romans collapsed because their rulers forgot how their parents gained them an empire. He prattles about Muslim dynasties and European effeminacy and Chinese regionalism and American self-loathing and self-neutering. All the ancient names. "Our Savagery began when our capital, Luna, rebelled against the tyranny of Earth and freed herself from the shackles of Demokracy, from the Noble Lie - the idea that men are brothers and are created equal." Augustus weaves lies of his own with that golden tongue of his. He tells of the Goldens' suffering. The Masses sat on the wagon and expected the great to pull, he reminds. They sat whipping the great until we could no longer take it. I remember a different whipping. "Men are not created equal; we all know this. There are averages. There are outliers. There are the ugly. There are the beautiful. This would not be if we were all equal. A Red can no more command a starship than a Green can serve as a doctor!" There's more laughter across the square as he tells us to look at pathetic Athens, the birthplace of the cancer they call Demokracy. Look how it fell to Sparta. The Noble Lie made Athens weak. It made their citizens turn on their best general, Alcibiades, because of jealousy. "Even the nations of Earth grew jealous of one another. The United States of America exacted this idea of equality through force. And when the nations united, the Americans were surprised to find that they were disliked! The Masses are jealous! How wonderful a dream it would be if all men were created equal! But we are not. It is against the Noble Lie that we fight. But as I said before, as I say to you now, there is another evil against which we war. It is a more pernicious evil. It is a subversive, slow evil. It is not a wildfire. It is a cancer. And that cancer is Decadence. Our society has passed from Savagery to Ascendance. But like our spiritual ancestors, the Romans, we too can fall into Decadence.

What I’m praying is that you will choose those beautiful possibilities over any self-annihilating alternatives. My whole life on earth has been the weaving of a single powerful spell. The best part of all my magic was loving you.” (as spoken by the character Valerie Hyerman)

Independence & self-reliance had no cultural purchase; indeed, they could scarcely be conceived, let alone prized...The best course was humbly to accept the identity to which destiny assigned you: the ploughman needed only to know how to plough, the weaver to weave, the monk to pray.

I thought, as I wiped my eyes on the corner of my apron: Penelope did this too. And more than once: you can't keep weaving all day And undoing it all through the night; Your arms get tired, and the back of your neck gets tight; And along towards morning, when you think it will never be light, And your husband has been gone, and you don't know where, for years. Suddenly you burst into tears; There is simply nothing else to do. And I thought, as I wiped my eyes on the corner of my apron: This is an ancient gesture, authentic, antique, In the very best tradition, classic, Greek; Ulysses did this too. But only as a gesture,—a gesture which implied To the assembled throng that he was much too moved to speak. He learned it from Penelope... Penelope, who really cried.

The basket would never make her famous or end up in a museum. The best part of it was the making of it, sitting at the table weaving while outside the lake crashed into shore and the seagulls roosted somewhere for the night and two women stopped for a moment to watch.

Formation may be the best name for what happens in a circle of trust, because the word refers, historically, to soul work done in community. But a quick disclaimer is in order, since formation sometimes means a process quite contrary to the one described in this book----a process in which the pressure of orthodox doctrine, sacred text, and institutional authority is applied to the misshapen soul in order to conform it to the shape dictated by some theology. This approach is rooted in the idea that we are born with souls deformed by sin, and our situation is hopeless until the authorities "form" us properly. But all of that is turned upside down by the principles of a circle of trust: I applaud the theologian who said that "the idea of humans being born alienated from the Creator would seem an abominable concept." Here formation flows from the belief that we are born with souls in perfect form. As time goes on, we subject to powers of deformation, from within as well as without, that twist us into shapes alien to the shape of the soul. But the soul never loses its original form and never stops calling us back to our birhtright integrity.

Wanting to give her the best fit I could, I sand the knowledge I had learned from Snow Flower. "Everyone needs clothing-no matter how cool it is in summer or how warm it is in winter-so make clothes for others without being asked. Even if the table is plentiful, let your in-laws eat first. Work hard and remember three things: Be god to your in-laws and always show respect, be good to your husband and always weave for him, be good to your children and always be a model of decorum to them. If you do these things, your new family will treat you kindly. In that fine home, be calm of heart.

When Khubchand, his beloved, blind, bald, incontinent seventeen-year-old mongrel, decided to stage a miserable, long-drawn-out death, Estha nursed him through his final ordeal as though his own life somehow depended on it. In the last months of his life, Khubchand, who had the best of intentions but the most unreliable of bladders, would drag himself to the top-hinged dog-flap built into the bottom of the door that led out into the back garden, push his head through it and urinate unsteadily, bright yellowly, inside Then with bladder empty and conscience clear he would look up at Estha with opaque green eyes that stood in his grizzled skull like scummy pools and weave his way back to his damp cushion, leaving wet footprints on the floor. As Khubchand lay dying on his cushion, Estha could see the bedroom window reflected in his smooth, purple balls. And the sky beyond. And once a bird that flew across. To Estha - steeped in the smell of old roses, blooded on memories of a broken man - the fact that something so fragile, so unbearably tender had survived, had been allowed to exist, was a miracle. A bird in flight reflected in an old dog's balls. It made him smile out loud.

When I should have been producing obscure volumes of verse entitled the Triumph of Humpty Dumpty or the Nose with the Luminous Dong! Or at best, like Clare, "weaving fearful vision" ... A frustrated poet in every man. Though it is perhaps a good idea under the circumstances to pretend at least to be proceeding with one's great work on "Secret Knowledge," then one can always say when it never comes out that the title explains the deficiency.

The civilised labourer who gives his best effort for a bit of bread, who builds a palace and sleeps in a stable, who weaves rich fabrics and dresses in rags, and who produces everything and does without everything, is not free.

I call upon the deamhan and the sidhe ," Ruadan prayed. "To heal their son, flesh of their flesh, magic of their magic. So do I will it, so mote it be." I watched in terrified amazement as the whirling lights weaved into a heart. A real heart. The pulsating organ connected to the veins. Then the flesh sealed itself and within seconds, no wound existed at all. I stared at Patrick then looked at Ruadan, mouth gaping. "Neat, huh?" he said. "I like the sparkling lights the best." "That's it ?" I asked. "Yep.

Reasercher 101, I do not long for the old, unreachable days. When I'm plugged in I can go anywhere, do and learn anything. Today, for instance, I visited a tiny library in Portugal. I learned how the Shakers weave baskets and I discovered my best friend in middle school loves blood-orange sorbet. Okay, I also learned that a certain pop star actually believes she's a fairy, an honest-to-goodness fairy from the fey people, but my point is access. Access to information. I don't even have to look out my window to see what the eather is like. I can have the weather delivered every morning to my phone. What could be better? Sincerely, Wife 22 Wife 22, Getting caught in the rain? All the best, Researcher 101

Boggs comes a-tearing along on his horse, whooping and yelling like an Injun, and singing out: "Clear the track, thar. I'm on the waw-path, and the price uv coffins is a-gwyne to raise." He was drunk, and weaving about in his saddle; he was over fifty year old, and had a very red face. Everybody yelled at him and laughed at him and sassed him, and he sassed back, and said he'd attend to them and lay them out in their regular turns, but he couldn't wait now because he'd come to town to kill old Colonel Sherburn, and his motto was, "Meat first and spoon vittles to top off on." He see me, and rode up and says:"Whar'd you come f'm boy? You prepared to die?" Then he rode on. I was scared, but a man says: "He don't mean nothing; he's always a-carryin' on like that when he's drunk. He's the best-naturedest old fool in Arkansaw--never hurt nobody, drunk no sober.

So it’s best to walk alone, except that one is never entirely alone. As Henry David Thoreau wrote: ‘I have a great deal of company in the house, especially in the morning when nobody calls.’ To be buried in Nature is perpetually distracting. Everything talks to you, greets you, demands your attention: trees, flowers, the colour of the roads. The sigh of the wind, the buzzing of insects, the babble of streams, the impact of your feet on the ground: a whole rustling murmur that responds to your presence. Rain, too. A light and gentle rain is a steady accompaniment, a murmur you listen to with its intonations, outbursts, pauses: the distinct plopping of drops splashing on stone, the long melodious weave of sheets of rain falling steadily. It’s impossible to be alone when walking, with so many things under our gaze which are given to us through the inalienable grasp of contemplation.

I weave through all these happy, smiling faces, knowing that we have put on the best show we could—and I do love putting on a good performance, whether sacred or profane.   Log

Ghosts from the past weave spells in the present to draw a veil of secrecy over the future.

It’s like weaving: the weaver does not make the wool, he makes the best use of whatever wool he’s given.

A good writer reveals beauty in the mundane and truth in tragedy. Words are a tool; a currency of the mind, and the best writers weave passages into our hearts that our bones remember.

He’ll take from your mind the answer best suited to lead you on, to enthrall you. He’ll weave a web of deceits so thick you won’t see the world through it. He wants your strength and he’ll say what he must say to get it. Break the chain, child! You’re the strongest of them all! Break the chain and he’ll go back to hell for he has no other place to go in all the wide world to find strength like yours. Don’t you see? He’s created it. Bred sister to brother, and uncle to niece, and son to mother, yes, that too, when he had to do it, to make an ever more powerful witch, only faltering now and then, and gaining what he lost in one generation by even greater strength in the next. What was the cost of Antha and Deirdre if he could have a Rowan!

We have adopted the policy of Sorel of propaganda of the deed. The best rhetoric comes from building and testing models and running experiments. Let philosophers weave webs of words; such webs break easily.

Tonight, I decide that if I could have one magical power, I would want to control dreams. I would inflict horrible nightmares on anyone who posed a threat to me, and meddle in my husband’s sleep to make him dream of me each night. I would imbue the fear of losing me into his subconscious, constructing a world in which I leave him for another man and he dies of sadness. I would show him my body in its most magnificent form so that he would never stop desiring me, and our house looking its best so that he would always want to stay. I would weave beautiful images of us into each of his nights so that he would continue loving me.

...the best conclusion I was able to reach was that what we instinctively call imagination is in reality nothing less than the symbolic knowledge of that secret thread which weaves itself through our life knotted fast in all its windings, and without which we would surely be lost. But with this knowledge I realised too that this secret power also rules over us, for these same threads can be forcibly torn apart and leave us at the mercy of the dark fiend who is always ready to claim us as his own.

It was still pretty dark down here, so I took out my flashlight and headed east, weaving my way through the dark maze, doing my best to remain unseen while being careful to avoid tripping over a shopping cart, engine block, or one of the other pieces of junk littering the narrow alleys between the stacks.

Okay. He's not coming back. Is he? No. I thought back to biking that first day in Oregon. Weston and I weaving back and forth, taking up the whole street, loving the August air and ocean breeze. I remember him calling me his "neighbor" every night as we'd lie in our hammocks. "Oh, how's the family, neighbor?" he'd ask. "Oh, great." We'd started with such fire and magic. With a shared destiny and destination. The beginning of a grand adventure is pregnant with a thousand futures. Every possible best thing. But the end is often a fizzle. For us, Weston left for a wedding. And didn't come back. And just like that, a chapter was done.

In late August and early September, just after the first fall rain, hundreds of male tarantulas emerge from holes in the ground. They skitter through mint-scented mountain sage in search of burrows delicately draped in silk, where females are ready to mate. Visitors armed with flashlights flock to the mountain around sunset or just after dark, the best time to see the tarantulas. Bats wheel over gray pines and live oaks. Great horned owls hoot solemnly. Beams from flashlights weaving across trails sometimes catch a piece of earth that’s moving; closer inspection reveals the scuttling of saucer-size tarantulas. The male tarantulas never return to their holes. They mate as much as they can and then die, from starvation or cold.

She could do nothing. Djuna’s words illuminated her chaos, but changed nothing. What was it Djuna said: that life tended to crystallize into patterns which became traps and webs. That people tended to see each other in their first “state” or “form” and to adopt a rhythm in consequence. That they had greatest difficulty in seeing the transformations of the loved one, in seeing the becoming. If they did finally perceive the new self, they had the greatest difficulty nevertheless in changing the rhythm. The strong one was condemned to perpetual strength, the weak to perpetual weakness. The one who loved you best condemned you to a static role because he had adapted his being to the past self. If you attempted to change, warned Djuna, you would find a subtle, perverse opposition, and perhaps sabotage! Inwardly and outwardly, a pattern was a form which became a prison. And then we had to smash it. Mutation was difficult. Attempts at evasion were frequent, blind evasions, evasions from dead relips, false relationships, false roles, and sometimes from the deeper self too, because of the great obstacle one encountered in affirming it. All our emotional history was that of the spider and the fly, with the added tragedy that the fly here collaborated in the weaving of the web. Crimes were frequent. People in desperation turned about and destroyed each other. No one could detect the cause or catch the criminal. There was no visible victim. It always had the appearance of suicide.

After dinner Andy drives drowsily, weaving slightly. Sand, sand, sand—all that pulverized time. Eons ago the world’s burst hourglass spilled its contents here; now the years pile and spin, waiting with inhuman patience to be swept into some future ocean. Sand washes right up to the paved road, washes over to the other side in a solid orange current, illuminated by their headlights.

All the best and worse things in us are bound up in the legacy of our family. As children we ardently trust in the stability or, in some cases, the instability we were born into. No matter which...we embraced what was decent while simultaneously suppressing what was deficient yet both traits weaved roots of faithfulness and consternation into the very fabric of who we've become. This now plays significantly into how we nurture our own families and how we relate to others. Our love, our fears, our insecurities, and our loyalties all draw from how we were raised as well as our inherent desire to shift its paradigm to optimistically better the life of not just our children...but our children's children. That's the gift and or the curse of a legacy. Which will you leave behind?

Because psychopaths tend to target individuals who are especially empathetic and trusting, the best way to win a target is to appeal to her decency. The psychopath will weave an elaborate sob story, pouring his heart out to his target and making her feel not only sympathetic to the psychopath’s “bad luck” but also extremely flattered that the psychopath has chosen her to divulge his deepest secrets to.

DON’T BE SO HARD ON YOURSELF. I can bring good even out of your mistakes. Your finite mind tends to look backward, longing to undo decisions you have come to regret. This is a waste of time and energy, leading only to frustration. Instead of floundering in the past, release your mistakes to Me. Look to Me in trust, anticipating that My infinite creativity can weave both good choices and bad into a lovely design. Because you are human, you will continue to make mistakes. Thinking that you should live an error-free life is symptomatic of pride. Your failures can be a source of blessing, humbling you and giving you empathy for other people in their weaknesses. Best of all, failure highlights your dependence on Me. I am able to bring beauty out of the morass of your mistakes. Trust Me, and watch to see what I will do.

As philosopher Brian Keeley has pointed out, by weaving every niggling anomaly into a grand unifying theory, conspiracy theories can look stronger than the official stories by sheer virtue of completeness. Conspiracy theories “always explain more than competing theories, because by invoking a conspiracy, they can explain both the data of the received account and the errant data that the received theory fails to explain.” But this apparent virtue, Keeley argues, is an illusion. You can find anomalies everywhere if you look hard enough. Our understanding of complex events will always contain errors, contradictions, and gaps. History is messy, people are fallible. “Given the imperfect nature of our human understanding of the world, we should expect that even the best possible theory would not explain all the available data,” Keeley concludes.

The best thing, though, about that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you.

Most of us are perfect mothers as we love our children the most,but isn't this too natural.?..Worth are those, who are not only good mothers, but are sincere wives too, role modeling justice and equality for their children's moral upbringing.Moreover they strive hard while portraying best of their humanity in performing duties with mannerism, respect and dignity.Such women never face humiliation and alienation at the hands of society ,no matter what trials are being weaved but they survive respectfully .This is the worldly reward for their struggle while hidden treasury must be waiting in the hereafter.

In tire world today there is a “liberal” or “enlightened” tradition which regards the combative side of man’s nature as a pure, atavistic evil, and scouts the chivalrous sentiment as part of the “false glamour” of war. And there is also a neo-heroic tradition which scouts the chivalrous sentiment as a weak sentimentality, which would raise from its grave (its shallow and unquiet grave!) the pre-Christian ferocity of Achilles by a “modern invocation”. Already in our own Kipling the heroic qualities of his favourite subalterns are dangerously removed from meekness and urbanity. One cannot quite imagine the adult Stalkey in the same room with the best of Nelson’s captains, still less with Sidney! These two tendencies between them weave the world’s shroud.

half-century before, at Stalin’s direct order, NKVD executioners slaughtered fifteen thousand Polish military officers and threw the bodies into rows of mass graves. The month-long operation in Kalinin, Katyn, and Starobelsk was part of Stalin’s attempt to begin the domination of Poland. The young officers had been among the best-educated men in Poland, and Stalin saw them as a potential danger, as enemies-in-advance. For decades after, Moscow put the blame for the killings on the Nazis, saying the Germans had carried out the massacres in 1941, not the NKVD in 1940. The Kremlin propaganda machine sustained the fiction in speeches, diplomatic negotiations, and textbooks, weaving it into the vast fabric of ideology and official history that sustained the regime and its empire.

Coming Home. There is a time of year in New York, in the fall, which comes suddenly, and doesn't last long, but is enough to make you love it for the rest of the year. If you go away then, you will always think of New York in golden hues, but if you stay you see the filth, the soot, the slush, and later, live in the stench and torrid heat of a New York summer. But in the fall it becomes beautiful, it is red and gold and brown, it's lear and windy and crisp, the streets look cleaner, people step as though walking to a march, the smell of hot chestnuts is everywhere...It's the time of year I love best, and if there is a warm spot in my heart for New York it is for the city at precisely that time of year. And that spell it weaves for two, or three, or four weeks in the late autumn.

I have, however, been at no pains to separate my own beliefs from those of the peasantry, but have rather let my men and women, dhouls and faeries, go their way unoffended or defended by any argument of mine. The things a man has heard and seen are threads of life, and if he pull them carefully from the confused distaff of memory, any who will can weave them into whatever garments of belief please them best. I too have woven my garment like another, but I shall try to keep warm in it, and shall be well content if it do not unbecome me. Hope and Memory have one daughter and her name is Art, and she has built her dwelling far from the desperate field where men hang out their garments upon forked boughs to be banners of battle. O beloved daughter of Hope and Memory, be with me for a little. 1893.

I gave him my best cryptic smile. He grimaced. “What have you found out?” he asked. “I’m not at liberty to tell you that.” Not with the Pack suspect. He leaned forward more, letting the moonlight fall on his face. His gaze was direct and difficult to hold. Our stares locked and I gritted my teeth. Five seconds into the conversation and he was already giving me the alpha-stare. If he started clicking his teeth, I’d have to make a run for it. Or introduce him to my sword. “You will tell me what you know now,” he said. “Or?" He said nothing, so I elaborated. “See, this kind of threat usually has an ‘or’ attached to it. Or an ‘and.’ ‘Tell me and I’ll allow you to live’ or something like that.” His eyes ignited with gold. His gaze was unbearable now. “I can make you beg to tell me everything you know,” he said and his voice was a low growl. It sent icy fingers of terror down my spine. I gripped Slayer’s hilt until it hurt. The golden eyes were burning into my soul. “I don’t know,” I heard my own voice say, “you look kinda out of shape to me. How long has it been since you took care of your own dirty work?” His right hand twitched. Muscles boiled under the taut skin and fur burst, sheathing the arm. Claws slid from thickened fingers. The hand snapped inhumanly fast. I weaved back and it fanned my face, leaving no scars. A strand of hair fell onto my left cheek, severed from my braid. The claws retracted. “I think I still remember how,” he said. A spark of magic ran from my fingers into Slayer’s hilt and burst into the blade, coating the smooth metal in a milky-white glow. Not that the glow actually did anything useful, but it looked bloody impressive. “Any time you want to dance,” I said. He smiled, slow and lazy. “Not laughing anymore, little girl?” He was impressive, I’d give him that. I turned the blade, warming up my wrist. The saber drew a tight glowing ellipse in the air, flinging tiny drops of luminescence on the dirty floor. One of them fell close to the Beast Lord’s foot and he moved away. “I wonder if all this changing has made you sluggish.” “Bring your pig-sticker and we’ll find out.

The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody'd be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some way — I can't explain what I mean. And even if I could, I'm not sure I'd feel like it.

The best thing, though, in that museum was that everything always stayed right where it was. Nobody’d move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and their pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody’d be different. The only thing that would be different would be you. Not that you’d be so much older or anything. It wouldn’t be that, exactly. You’d just be different, that’s all. You’d have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you’d have a new partner. Or you’d have a substitute taking the class, instead of Miss Aigletinger. Or you’d heard your mother and father having a terrific fight in the bathroom. Or you’d just passed by one of those puddles in the street with gasoline rainbows in them. I mean you’d be different in some way — I can’t explain what I mean. And even if I could, I’m not sure I’d feel like it.

That's what we do. Embellish. Decorate. Unvarnished truth has only limited appeal. Some events are a joy to recall, but others are best modified, even forgotten. They live in some lumber-room of the mind, housed somewhere you wouldn't want to go alone and never after dark. If I make a mistake in my work or if I change my mind, I can unpick. Undo what I've done. I can make good my errors and no one is the wiser. If they looked, even through a magnifying glass, all observers would see would be the tiny holes where my needle had travelled. I can erase even that evidence by scratching carefully at the weave of the lining with my needle, until the holes are no longer visible. But life isn't like that. Mistakes once made are rarely reversible. The holes they leave in the fabric of life aren't tiny and they can't be scratched away. You have to live with them as best you can. Work round them. That's why you have to come to terms with memory. You can't obliterate the past or eradicate it from the mind, even when, for our own good, memory enfolds us in a blanket of forgetfulness. There are always traces left, marks where time gripped us and left its telltale fingerprint.

Little girl, who gave you permission to--Oh!” She bit off her words the moment that she noticed how well I was dressed, to say nothing of the two guards attending me. Her expression transformed from sour to sweet with stunning speed. “Ah, noble lady, I see that you have a keen eye for quality,” she cried. “You won’t find better cloth anywhere in Delphi--warm in winter, light in summer, tightly woven, and proof against wind and rain. And just look at those colors!” I did. They were all drab grays and browns. I held the first cloth up to the sunlight. If that was what she called a tight weave, so was a fishing net. “I want a cloak,” I told her, tossing the cloth aside. “Something long and heavy. It’s for him.” I nodded at Milo. “Of course, just as you wish, I have exactly what you want, wait right here,” she chattered. “I’ll bring out the best I have, something worthy of the noble lord.” She raised her hands to Milo in a gesture of reverence before ducking back into her house. “‘The noble lord’?” the tall guard repeated, incredulous. He and his companion snickered. Milo looked miserable. “Ignore them,” I told him, speaking low. “I promise you, before today is over, you’ll be the one laughing at them.

The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!

I’m sorry, Jack. But as you’ll soon learn, I am not a good man.” “You don’t have to be a ‘good’ man,” Jack said. “You simply need to be an honest one.” His father looked at him again. His eyes were a bloodshot blue, like the summer sky at sunset, and filled with remorse. “Very well,” Niall said. “Then let me speak honestly to you. I’ve stolen. I’ve lied. I’ve killed. I’m a coward. I left your mother to raise you and your sister alone. I let her go. I let you go. I let Frae go. I am unworthy of what you hope for me, because I never fought for your mother and you and your sister when I should have.” “Then fight for us now!” Jack replied sharply. He pounded his chest with his fist, felt the best move through him. “Let our names be the sword in your hand. Let us be your shield and your armor. Fight for us tonight. Because over the clan line, I’m the shadows of the Aithwood, my mother still waits for you, weaving your story on her loom. My sister longs for you as I once did, wondering where you are and hoping you will one day knock on the door and proudly claim her. And I would love nothing more than to bore you with mainland stories day after day and sing to you until your guilt she’d like old skin and you choose the life you want, not the one you think you deserve.

Unchopping a Tree. Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work. It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that. Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground. At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved

Wendell was no sooner gazing at the silver sewing needles than he was brushing away a tear. "They are like my father's," he said wonderingly. "I remember the flicker of them in the darkness as we all sat together by the ghealach fire, with the trees surrounding us. He would bring them everywhere, even the Hunt of the Frostveiling---that is the first hunt of autumn, the largest of the year, when even the queen and her children roam through the wilds with spears and swords, riding our best---oh, I don't know what you would call them in your language. They are a kind of faerie fox, black and golden together, which grow larger than horses. My brothers and sisters and I would crowd round the fire to watch him weave nets from brambles and spidersilk. And all the moorbeasts and hag-headed deer would cower at the sight of those nets, though they barely blinked at the whistle of our arrows." He fell silent, gazing at them with his eyes gone very green. "Well," I said, predictably at a loss for an answer to this, "I hope they are of use to you. Only keep them away from any garments of mine." He took my hand, and then, before I knew what he was doing, lifted it to his mouth. I felt the briefest brush of his lips against my skin, and then he had released me and was back to exclaiming over his gifts. I turned and went into the kitchen in an aimless haste, looking for something to do, anything that might distract me from the warmth that had trailed up my arm like an errant summer breeze

Mindy runs to the DVD player and delicately places the disk in the holder and presses play. “Will you sit in this chair, please, Princess Mindy?” I ask, bowing deeply at the waist. Mindy giggles as she replies, ”I guess so.” After Mindy sits down, I take a wide-tooth comb and start gently combing out her tangles. Mindy starts vibrating with excitement as she blurts, “Mr. Jeff, you’re gonna fix my hair fancy, ain’t you?” “We’ll see if a certain Princess can hold still long enough for me to finish,” I tease. Immediately, Mindy becomes as still as a stone statue. After a couple of minutes, I have to say, “Mindy, sweetheart, it’s okay to breathe. I just can’t have you bouncing, because I’m afraid it will cause me to pull your hair.” Mindy slumps down in her chair just slightly. “Okay Mr. Jeff, I was ascared you was gonna stop,” she whispers, her chin quivering. I adopt a very fake, very over-the-top French accent and say, “Oh no, Monsieur Jeff must complete Princess Mindy’s look to make the Kingdom happy. Mindy erupts with the first belly laugh I’ve heard all day as she responds, “Okay, I’ll try to be still, but it’s hard ‘cause I have the wiggles real bad.” I pat her on the shoulder and chuckle as I say, “Just try your best, sweetheart. That’s all anyone can ask.” Kiera comes screeching around the corner in a blur, plunks her purse on the table, and says breathlessly, “Geez-O-Pete, I can’t believe I’m late for the makeover. I love makeovers.” Kiera digs through her purse and produces two bottles of nail polish and nail kit. “It’s time for your mani/pedi ma’am. Would you prefer Pink Pearl or Frosted Creamsicle? Mindy raises her hand like a schoolchild and Kiera calls on her like a pupil, “I want Frosted Cream toes please,” Mindy answers. “Your wish is my command, my dear,” Kiera responds with a grin. For the next few minutes, Mindy gets the spa treatment of her life as I carefully French braid her hair into pigtails. As a special treat, I purchased some ribbons from the gift shop and I’m weaving them into her hair. I tuck a yellow rose behind her ear. I don my French accent as I declare, “Monsieur Jeffery pronounces Princess Mindy finished and fit to rule the kingdom.” Kiera hands Mindy a new tube of grape ChapStick from her purse, “Hold on, a true princess never reigns with chapped lips,” she says. Mindy giggles as she responds, “You’re silly, Miss Kiera. Nobody in my kingdom is going to care if my lips are shiny.” Kiera’s laugh sounds like wind chimes as she covers her face with her hands as she confesses, “Okay, you busted me. I just like to use it because it tastes yummy.” “Okay, I want some, please,” Mindy decides. Kiera is putting the last minute touches on her as Mindy is scrambling to stand on Kiera’s thighs so she can get a better look in the mirror. When I reach out to steady her, she grabs my hand in a death grip. I glance down at her. Her eyes are wide and her mouth is opening and closing like a fish. I shoot Kiera a worried glance, but she merely shrugs. “Holy Sh — !” Mindy stops short when she sees Kiera’s expression. “Mr. Jeff is an angel for reals because he turned me into one. Look at my hair Miss Kiera, there are magic ribbons in it! I’m perfect. I can be anything I want to be.” Spontaneously, we all join together in a group hug. I kiss the top of her head as I agree, “Yes, Mindy, you are amazing and the sky is the limit for you.

Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.

It takes some getting used to,' Mr. Forkle said. 'But what you're seeing is a visual representation of each other's moods.' 'So that means if I do this...' Keefe tickled Sophie's neck. 'GAH--everything just went supersonic!' Fitz said. Sophie snatched Keefe's wrist as he reached to tickle her again. 'Don't. You. Dare.' 'Whoa, now everything's red and ripply,' Fitz said. 'Is that because she's angry?' 'Precisely, Mr. Vacker. Every time her emotions shift, the patterns and colors will change. And with practice, you'll learn to interpret what you see.' 'Okay, but...can't they just say, "Hey, I'm feeling this?"' Keefe asked. 'People aren't always honest about their feelings--even with themselves,' Mr. Forkle told him. 'Plus, many telepathic missions involve stealth and secrecy. So for this exercise I'm going to need both of you to forget everything around you. Let the world drop away, leaving only you two.' Keefe sighed. 'Just tell them to stare into each other's eyes and they'll be good.' 'None of that, Mr. Sencen. From this moment on, you have one job and one job only: to judge their translations of the various emotions I'll be triggering.' 'Triggering how?' Sophie asked. 'You'll see soon enough. And you'll go first, Miss Foster. For this to work, Mr. Vacker, it's crucial that you not react externally. No yelling or thrashing or screaming or--' 'Uhhh, what are you going to do to me?' Fitz asked. 'Nothing you won't survive. Consider it an exercise in self-control. And try not to listen to his thoughts, Miss Foster. Study only the changes in his emotional center and make your deduction. We begin now.' Sophie closed her eyes and focus on the colors weaving around Fitz's mind. She was about to ask if she was missing something when the pattern exploded into a swirl of pale blue tendrils. The color felt to bright to be sad, but also too wild to be peaceful. 'Tension?' she guessed. 'Kinda close,' Keefe told her. The laughter in his voice made her wonder what had happened to poor Fitz. She tried to think of other emotions as his mind turned electric blue. 'Shock?' she guessed. 'That counts,' Keefe said. 'Though the best answer would've been "surprise."' 'Is that an emotion?' she asked. 'Indeed it is,' Mr. Forkle said. 'One of the most common emotions you'll experience as you navigate someone's mind--hence why I chose it as our starting point.' 'Can I talk now?' Fitz asked. 'Because that was seriously disgusting!' Sophie opened her eyes and tried not to laugh when she saw red fruit smashed all over Fitz's face. He wiped his cheeks on his sleeves, but that only smeared the pulp. 'I think I'm going to like this assignment,' Keefe said. 'What else can we fling at Fitz?' 'Nothing for the moment,' Mr. Forkle told him. 'It's his turn to interpret. Everyone close your eyes. And remember, no cues of any kind, Miss Foster.' Sophie counted the seconds, bracing for the worst--and when nothing chaned, she opened her eyes and found Mr. Forkle with his finger over his lips in a 'shhh' sign. 'Um...confusion,' Fitz guessed. 'That works,' Keefe said. 'It started as anticipation, but then it shifted.' 'Very good,' Mr. Forkle said. 'And well done, Mr. Sencen. I wasn't sure you'd recognize confusion. It's one of the more challenging emotions for Empaths.' 'Maybe on other people,' Keefe said. 'But on Foster it's easy. Why are her emotions so much stronger?' 'Honestly, I'm not sure,' Mr. Forkle admitted. 'I suspect it stems from the combination of her inflicting ability and her human upbringing. But it was one of the surprises of her development. Much like her teleporting. Okay, Miss Foster, it's your turn to guess again.' She closed her eyes and watched as the lines of color in Fitz's mind blossomed to a snowflake of purple. 'Pride?' she guessed. Keefe laughed. 'Wow, add more fail points to Sophitz.' 'Quiet,' Mr. Forkle told him.

Excerpt from Storm’s Eye by Dean Gray With a final drag and drop, Jordan Rayne sent his latest creation winging its way toward the publisher. He looked up, squinted at that little clock in the right hand corner of his monitor, and removed his glasses to rub the bridge of his nose. His cover art was finished and shipped, just in time for lunch. He sighed and stood, rolling his shoulders and bending side to side, his back cracking in protest as the muscles loosened after having been hunched over the screen for so long. Sam raised his head, tilting it enquiringly at him, and Jordan laughed. “Yeah, I know what you want, some lunch and a nice long walk along the beach, hmm?” Jordan smiled fondly at the furry ball of energy he’d saved from certain death. With his mom’s recent death it was just Sam and him in the house. Sometimes he wondered what kept him here, now that the last thread tethering him to the island was severed. Sam limped over and nuzzled at his hand. When Jordan had first found him out on the main road, hurt and bleeding, he hadn’t been sure the pooch would make it. Taylor, his best friend and the local vet, had done what she could. At the time, Jordan simply didn’t have the deep pockets for the fancy surgery needed to mend Sam’s leg perfectly, he could barely afford the drugs to keep his mom in treatment. So they’d patched him up as well as they could, Taylor extending herself further than he could ever repay, and hoped for the best. The dog had made a startling recovery, urged on by plenty of rest and good food and lots of love, and had flourished, the slight limp now barely noticeable. Jordan’s conscience still twinged as he watched Sam limp over to his dish, but he had barely been keeping things together at the time. He had done the best he could. He’d done his best to find Sam’s real owners as well, papering downtown Bar Harbor with a hand-drawn sketch of the dog, but to no avail. The only thing it had prompted was one kind soul wanting to buy the illustration. But no one had ever come forward to claim the “goldendoodle,” which Taylor had told him was a golden retriever/standard poodle cross. Who had a dog breed like that anyway? Summer people! Jordan shook his head, grinning at the dog’s foolish antics, weaving in and around his legs like he was still a little pup instead of the fifty-pound fuzzball he actually was now. So without meaning to at all, Sam had drifted into Jordan’s life and stayed, a loyal, faithful companion.

MY PROCESS I got bullied quite a bit as a kid, so I learned how to take a punch and how to put up a good fight. God used that. I am not afraid of spiritual “violence” or of facing spiritual fights. My Dad was drafted during Vietnam and I grew up an Army brat, moving around frequently. God used that. I am very spiritually mobile, adaptable, and flexible. My parents used to hand me a Bible and make me go look up what I did wrong. God used that, as well. I knew the Word before I knew the Lord, so studying Scripture is not intimidating to me. I was admitted into a learning enrichment program in junior high. They taught me critical thinking skills, logic, and Greek Mythology. God used that, too. In seventh grade I was in school band and choir. God used that. At 14, before I even got saved, a youth pastor at my parents’ church taught me to play guitar. God used that. My best buddies in school were a druggie, a Jewish kid, and an Irish soccer player. God used that. I broke my back my senior year and had to take theatre instead of wrestling. God used that. I used to sleep on the couch outside of the Dean’s office between classes. God used that. My parents sent me to a Christian college for a semester in hopes of getting me saved. God used that. I majored in art, advertising, astronomy, pre-med, and finally English. God used all of that. I made a woman I loved get an abortion. God used (and redeemed) that. I got my teaching certification. I got plugged into a group of sincere Christian young adults. I took courses for ministry credentials. I worked as an autism therapist. I taught emotionally disabled kids. And God used each of those things. I married a pastor’s daughter. God really used that. Are you getting the picture? San Antonio led me to Houston, Houston led me to El Paso, El Paso led me to Fort Leonard Wood, Fort Leonard Wood led me back to San Antonio, which led me to Austin, then to Kentucky, then to Belton, then to Maryland, to Pennsylvania, to Dallas, to Alabama, which led me to Fort Worth. With thousands of smaller journeys in between. The reason that I am able to do the things that I do today is because of the process that God walked me through yesterday. Our lives are cumulative. No day stands alone. Each builds upon the foundation of the last—just like a stairway, each layer bringing us closer to Him. God uses each experience, each lesson, each relationship, even our traumas and tragedies as steps in the process of becoming the people He made us to be. They are steps in the process of achieving the destinies that He has encoded into the weave of each of our lives. We are journeymen, finding the way home. What is the value of the journey? If the journey makes us who we are, then the journey is priceless.

I awake with a start, shaking the cobwebs of sleep from my mind. It’s pitch-dark out, the wind howling. It takes a couple seconds to get my bearings, to realize I’m in my parents’ bed, Ryder beside me, on his side, facing me. Our hands are still joined, though our fingers are slack now. “Hey, you,” he says sleepily. “That one was loud, huh?” “What was?” “Thunder. Rattled the windows pretty bad.” “What time is it?” “Middle of the night, I’d say.” I could check my phone, but that would require sitting up and letting go of his hand. Right now, I don’t want to do that. I’m too comfortable. “Have you gotten any sleep at all?” I ask him, my mouth dry and cottony. “I think I drifted off for a little bit. Till…you know…the thunder started up again.” “Oh. Sorry.” “It should calm down some when the eye moves through.” “If there’s still an eye by the time it gets here. The center of circulation usually starts breaking up once it goes inland.” Yeah, all those hours watching the Weather Channel occasionally come in handy. He gives my hand a gentle squeeze. “Wow, maybe you should consider studying meteorology. You know, if the whole film-school thing doesn’t work out for you.” “I could double major,” I shoot back. “I bet you could.” “What are you going to study?” I ask, curious now. “I mean, besides football. You’ve got to major in something, don’t you?” He doesn’t answer right away. I wonder what’s going through his head--why he’s hesitating. “Astrophysics,” he says at last. “Yeah, right.” I roll my eyes. “Fine, if you don’t want to tell me…” “I’m serious. Astrophysics for undergrad. And then maybe…astronomy.” “What, you mean in graduate school?” He just nods. “You’re serious? You’re going to major in something that tough? I mean, most football players major in something like phys ed or underwater basket weaving, don’t they?” “Greg McElroy majored in business marketing,” he says with a shrug, ignoring my jab. “Yeah, but…astrophysics? What’s the point, if you’re just going to play pro football after you graduate anyway?” “Who says I want to play pro football?” he asks, releasing my hand. “Are you kidding me?” I sit up, staring at him in disbelief. He’s the best quarterback in the state of Mississippi. I mean, football is what he does…It’s his life. Why wouldn’t he play pro ball? He rolls over onto his back, staring at the ceiling, his arms folded behind his head. “Right, I’m just some dumb jock.” “Oh, please. Everyone knows you’re the smartest kid in our class. You always have been. I’d give anything for it to come as easily to me as it does to you.” He sits up abruptly, facing me. “You think it’s easy for me? I work my ass off. You have no idea what I’m working toward. Or what I’m up against,” he adds, shaking his head. “Probably not,” I concede. “Anyway, if anyone can major in astrophysics and play SEC ball at the same time, you can. But you might want to lose the attitude.” He drops his head into his hands. “I’m sorry, Jem. It’s just…everyone has all these expectations. My parents, the football coach--” “You think I don’t get that? Trust me. I get it better than just about anyone.” He lets out a sigh. “I guess our families have pretty much planned out our lives for us, haven’t they?” “They think they have, that’s for sure,” I say.

Again, how will we keep them loyal? What measures can ensure our machines stay true to us? Once artificial intelligence matches our own, won’t they then design even better ai minds? Then better still, with accelerating pace? At worst, might they decide (as in many cheap dramas), to eliminate their irksome masters? At best, won’t we suffer the shame of being nostalgically tolerated? Like senile grandparents or beloved childhood pets? Solutions? Asimov proposed Laws of Robotics embedded at the level of computer DNA, weaving devotion toward humanity into the very stuff all synthetic minds are built from, so deep it can never be pulled out. But what happens to well-meant laws? Don’t clever lawyers construe them however they want? Authors like Asimov and Williamson foresaw supersmart mechanicals becoming all-dominant, despite deep programming to “serve man.

Even asleep, the little greyhound trailed after her madame, through a weave of green stars and gas lamps, along the boulevards of Paris. It was a conjured city that no native would recognize—Emma Bovary’s head on the pillow, its architect. Her Paris was assembled from a guidebook with an out-of-date map, and from the novels of Balzac and Sand, and from her vividly disordered recollections of the viscount’s ball at La Vaubyessard, with its odor of dying flowers, burning flambeaux, and truffles. (Many neighborhoods within the city’s quivering boundaries, curiously enough, smelled identical to the viscount’s dining room.) A rose and gold glow obscured the storefront windows, and cathedral bells tolled continuously as they strolled past the same four landmarks: a tremulous bridge over the roaring Seine, a vanilla-white dress shop, the vague façade of the opera house—overlaid in more gold light—and the crude stencil of a theater. All night they walked like that, companions in Emma’s phantasmal labyrinth, suspended by her hopeful mists, and each dawn the dog would wake to the second Madame Bovary, the lightly snoring woman on the mattress, her eyes still hidden beneath a peacock sleep mask. Lumped in the coverlet, Charles’s blocky legs tangled around her in an apprehensive pretzel, a doomed attempt to hold her in their marriage bed.

Fourth, I paid attention to every detail I could while working on my cases. I found that one of the most ironic facets of the law is that the correct answer to a problem often rests on small legal nuances and factual details. The presence or absence of a particular fact can frequently make or break the case. The senior attorney I worked for, Brad, was extremely adept at assimilating large amounts of information quickly, paying close attention to details, and using his mastery of them to weave brilliant defenses. His ability to identify the most critical of details while constructing solid defenses always impressed me, and I tried to emulate that particular skill. Fifth, I was conscientious about creating good first impressions. As I later learned, lawyers who work with new summer and permanent associates virtually always form quick conclusions about them, and give “hallway evaluations” to other lawyers in the firm. I often heard about or participated in these hallway evaluations, and know that even one negative impression can have a devastating impact. In general, young attorneys who get a reputation for sloppy work – earned or unearned – have a very steep climb up the law firm ladder. Sixth, I was vigilant about meeting deadlines, every time. This meant I had to carefully plan ahead, since partners, colleagues, clients, courts, and other parties often rely on assignments and legal services to be performed by a certain time. With the workload I had, and the interruptions I faced, of course this wasn’t always possible, and in those situations I found the best route wasn’t just to tough it out, but rather let the supervising attorney know as early as possible if I couldn’t meet a deadline. I learned this lesson the hard way. My first assignment as a summer associate was to research whether we could squeeze one of our clients into an exception to a well-settled legal doctrine. The senior attorney who gave me the assignment asked me to research the issue and then get back to him by Friday afternoon. I just didn’t feel comfortable with my research when Friday afternoon came around, and decided to buy some additional time by letting him contact me. He didn’t try to reach me Friday afternoon, so I took advantage of that and submitted the assignment on Monday. The incident later came back to haunt me, though, because in his evaluation of my work for my midsummer review, he mentioned that I didn’t report to him by the established deadline.

Amelia thought it best not to ask if her engagement with Dom was over. She was wearing gloves, so she couldn't see if Sophie was still wearing her engagement ring. If she did marry him, she would have to put up with his family, though perhaps if they stayed in Cornwall and she and Dom lived in London, she might not see much of them. But marriage, as she'd discovered when she married Esmond, was not just the love of two people who, left alone, might have a fair chance of living happily ever after together. Instead it meant having to put up with difficult members of their respective families, weaving upset and angst into their relationship

Dick delves in subsequent letters into the possible Jungian meaning of all this, the significance of ancient Rome in his mystical experiences, and the sibyl as representing his “anima,” the inner source of his own prophetic capacity. Recall here Morgan Robertson’s belief that his own muse was likewise a feminine spirit of some sort. We can observe Dick here beginning to weave these dream images into his evolving self-mythology and what became a major metaphysical strand in his Exegesis, as well as the novel VALIS that was based on his experiences. In his search for a meaning behind all these coincidences—an answer to the question “why me?”—Dick understandably gropes in many different directions for an explanation and attaches great, mostly Jungian significance to the symbols. Yet he does not go down the path of thinking he is simply accessing archetypes in the collective unconscious. Rather, he is drawn to the conclusion that somehow the ancient world is still present, only camouflaged—or indeed, that we are still in it. It all seems to confirm a dream remembered from his youth that was much like the “B___ Grove” dreams, in which he had searched for a story in Astounding Stories called “The Empire Never Ended.” That story, he had felt certain, contained all the mysteries of existence. As a result of some of his visions and experiences in 1974, Dick came to believe he was possibly a reincarnated Christian from ancient Rome.38 We are rewarded best by bracketing the various interpretations, the Exegesis per se, and looking at Dick’s project as a making of something, a creation of meaningful narratives to be read by other people, a reaching out. The term “cry for help” may sound a bit extreme, but it is not. It was during this black period of his life, most specifically in February 1976, when Tessa left him and took their son, that he attempted suicide via drug overdose, slitting his wrists, and carbon monoxide poisoning in his garage, all at the same time. Fortunately, all three plans failed. Setting aside the metaphysics and cosmology, what was Dick trying to say in his writing during this period—to Claudia, to Tessa, to his readers, and to posterity? And what whispered message was he straining to hear from his own precognitive unconscious? Arguably, he wanted to hear the same thing Morgan Robertson managed to hear, loud and clear, when news of the Titanic’s fatal collision with an iceberg splashed across the front page of The New York Times on April 15, 1912. Both in his Exegesis and in his private correspondence with friends like Claudia, Dick flickered between two basic stances on his experience: the secret persistence of the ancient world underneath the veneer of mid-1970s Orange County, and the idea that he was haunting himself from his own future. These are not incompatible ideas in the sense that they both point to our old friend Mister Block Universe, where the past still exists and the future already exists—and by implication, nothing is subject to alteration.

WISDOM KEEPER: My Extraordinary Journey to Unlock the Sacred Within “Chloe’s heartfelt journey is the real deal here to inspire us all. She takes the reader on a journey of darkness to light, struggle to freedom, fear to love. Thank you, Chloe, for this incredible ride. A must read for all who want true transformation.”— Dr. Shannon South, Award-Winning Therapist, Best-Selling Author, and Founder of the Ignite Your Life and business programs “There is a healing purpose in every experience written by Chloe in this spiritual memoir. She shares processes for healing in the physical, emotional and spiritual realms, showing us our ability to use all levels of energy to achieve deep and lasting healing. Chloe reveals to us the importance of connection—with the spiritual and physical world, and our past lives to the present. She reminds us we are essential in the Universe; when we heal, our loved ones, people around us, and the Earth also heals. Chloe inspires us to do the same thing. Well done. I appreciate it very much. This book is truly for everyone. — Eduardo Morales, Shamanic Curandero, Tepoztlán, Mexico “WISDOM KEEPER is filled with wonderful personal experiences on the power of healing, visualizations, dreams, and listening to our inner voices. Chloe Kemp describes encounters with others on a multitude of levels, including sacred beings, shamans, and other deep-souled humans. This book inspires the reader to go deep within themselves and invite their own personal self-healer to emerge. Chloe helps us to understand that anything is possible.”—River Guerguerian, Sound Immersion Healer, Musician, Composer, and Educator  “Having met and worked with Chloe personally, I know she is a genuine woman with a mission and clear determination to fulfill her purpose in this life. She has followed the call from Spirit to share stories from her life and wisdom she has gained, weaving energies and expressing a frequency of consciousness that has a way of bringing readers to a deeper state of awareness and potency upon their own unique journey. Chloe's book shines a light on our ability to reconnect with the origin of what makes us each a special part of the Divine plan, and she does it in a very humble and approachable way."—Michael Brasunas, Holistic Energy Healer and Bodyworker “Your inspiring memoir is engaging and thought-provoking throughout. It brings together the highest spiritual insights and practical frameworks that everyone can understand and apply.”—Louise, Australia  “A fascinating read!”—Caleb, USA  “The narrative is immensely raw and deeply personal. It engaged all of my emotions completely.”—Abantika, India   “A remarkable story.”—Michael, USA “The writing style is amazing.Your life experiences are so unique.”—Taibaya, Pakistan  “You have a gift for spiritual healing and telling a story. You created a hopeful, sincere, compelling, interesting, and important story.”—Jessica, USA “You tell events, dreams, and moments in your life in a very engaging and thought-provoking way.”—Josh, USA  “Very entertaining, awakening, and engaging; as well as informative, practical, motivating and inspiring.”—Susan, USA      

This is such a deeply moving, important work. I know you have put tremendous heart and soul into it. You expertly weave these different scenes to commemorate a crucial time in our history. Each piece has emotional urgency. Your ability to employ different forms adds much interest to the book as a whole. I hope the world will get to see and cherish this collection as I have. Best of luck. I hope this writing has helped you heal.

The best ideas weave in the logical as well as the emotional. Touch the head as well as the heart.

THE SEVEN STEPS OF SELF-TRANSFORMATION Illumination is the act of shining the light of consciousness on the egoic forces that obstruct our minds, things such as defense mechanisms, illusions, and other intellectual structures that obscure our capacity to see ourselves and all around us as Sacred. We can think of this as removing lampshades that cover up our inner One Mind's Light. Submersion brings us into deeper self-awareness by wading into the waters of our unconscious, our inner One Thing, thus opening the door to a productive dialog between the conscious and the unconscious selves, which can be considered respectively as our inner One Mind and One Thing. Remember, it is the interaction between these two that gives power to all creation, so it is important to get these forces into a productive dialog within us if we want our soul to create life. Polarization is a process through which we increase our awareness of inner duality— our One Mind and One Thing — and explore the paradox of their underlying unity and separation ability. Just as we saw in the story of creation, these two internal forces can use their separation to create a polarity, such as charging a battery, and this battery enhances our creativity. Merging is the actual fusion of these opposing powers that can also be known as our active and reactive inner natures, the conscious and the unconscious, the mind, and the soul. Here we start to blend the best of both, giving birth to what Egyptian alchemists call the Intelligence of the Heart, thus overloading our internal battery and our creative abilities. Inspiration takes Merging's creative potential and animates it with the Divine breath of life, introducing new dimensions beyond our ability to plan or monitor. The element of surprise threatens the illusion of the ego-self that it is in control, so a part of Inspiration causes the self-deception to die and fall away so that we can be reborn into the Light of Truth. In other terms, our True Self can be remembered. Refining takes from the previous step the divinely inspired solution and further purifies it, removing any last traces of the ego that would otherwise cloud our ability to see our True Self. We lift our human consciousness to the highest possible level to reconnect with the One Self, and Reiki is a wonderful tool to do so as you will know in the near future. Integration completes the process by uniting our One Mind, and One Thing's distilled essence, allowing us to experience their inherent Oneness at a deep level. This can also be considered as the union of spirit, soul, and body with matter. Saying it pragmatically, we take this state of awakened awareness and incorporate it into the very structure of our daily lives; it's not something we feel only when we're on a couch of contemplation or in a class of yoga. And then we return to the beginning, like the ouroboros, the snake eating its own tail, but this time bearing to bear our newly created insight. These are the seven stages of self-transformation, in a nutshell, and now is the time to weave Reiki into the picture.

The best of science doesn't consist of mathematical models and experiments, as textbooks make it seem. Those come later. It springs fresh from a more primitive mode of thought, wherein the hunter's mind weaves ideas from old facts and fresh metaphors and the scrambled crazy images of things recently seen. To move forward is to concoct new patterns of thought, which in turn dictate the design of the models and experiments. Easy to say, difficult to achieve.

English and half Nigerian, Stacey had never set foot outside the United Kingdom. Her tight black hair was cut short and close to her head following the removal of her last weave. The smooth caramel skin suited the haircut well. Stacey’s work area was organised and clear. Anything not in the labelled trays was stacked in meticulous piles along the top edge of her desk. Not far behind was Detective Sergeant Bryant who mumbled a ‘Morning, Guv,’ as he glanced into The Bowl. His six foot frame looked immaculate, as though he had been dressed for Sunday school by his mother. Immediately the suit jacket landed on the back of his chair. By the end of the day his tie would have dropped a couple of floors, the top button of his shirt would be open and his shirt sleeves would be rolled up just below his elbows. She saw him glance at her desk, seeking evidence of a coffee mug. When he saw that she already had coffee he filled the mug labelled ‘World’s Best Taxi Driver’, a present from his nineteen-year-old daughter. His filing was not a system that anyone else understood but Kim had yet to request any piece of paper that was not in her hands within a few seconds. At the top of his desk was a framed picture of himself and his wife taken at their twenty-fifth wedding anniversary. A picture of his daughter snuggled in his wallet. DS Kevin Dawson, the third member of her team, didn’t keep a photo of anyone special on his desk. Had he wanted to display a picture of the person for whom he felt most affection he would have been greeted by his own likeness throughout his working day. ‘Sorry I’m late, Guv,’ Dawson called as he slid into his seat opposite Wood and completed her team. He wasn’t officially late. The shift didn’t start until eight a.m. but she liked them all in early for a briefing, especially at the beginning of a new case. Kim didn’t like to stick to a roster and people who did lasted a very short time on her team. ‘Hey, Stacey, you gonna get me a coffee or what?’ Dawson asked, checking his mobile phone. ‘Of course, Kev, how’d yer like it: milk, two sugars and in yer lap?’ she asked sweetly, in her strong Black Country accent.

...healing is the best form of love your body brings to you. To simply weave your tissues and bones and heart back together is the most miraculous way to say I love you.

Smiling, Hearba offered her palms to the woman in greeting. “I thank you,” she said, when the greeting was completed, “for your kindness in coming to help us find our way about in this huge nid-place on this long day, which has left us quite exhausted. But perhaps you should quickly show us where we are to eat and sleep, as the night rains will soon begin and you will be unable to reach your own nid-place.” “You do not understand,” Ciela said. “My nid-place is here. I am assigned. You will find that with your special duties and responsibilities as the parents of a Chosen, you will have little time for such tasks as nid-weaving and food preparation.” “Valdo?” Hearba said questioningly, clearly asking him to intervene, and Raamo easily pensed her distress at the thought of sharing their nid-place with a stranger. But when Valdo responded by offering his thanks to Ciela, Hearba tried again. “We have always cared for our own—” she was saying when Ciela interrupted. “You have never had the care of so large a nid-place,” Ciela said, “nor the many responsibilities of a Chosen family. I think you will find that you need my help.” “Who is it that sends—” Hearba began haltingly, and then paused, troubled that the stranger might find her thoughtless and ungrateful. “By whom was I assigned?” Ciela asked. “By the Ol-zhaan. There is a helper assigned by the Ol-zhaan to the family of every Chosen, as I have been assigned to you.” Hearba bowed her head to signify her acceptance of the wisdom of the Ol-zhaan, the holy leaders of Green-sky. In the days that followed, Raamo remained with his family in the new nid-place. Just as before, his father and mother went daily to work as harvester and embroiderer, and Pomma returned to her classes at the Garden. But there were many differences. The D’ok family members were now persons of honor, and as such they found many differences in old familiar situations and relationships. People with whom they had long worked and played—friends with whom they had, only a few weeks before, danced and sung in the grund-halls, beloved friends with whom, in their Youth Hall days, they had once daily practiced rituals of close communion, even those with whom, as infants, they had once played Five-Pense—all these now stepped aside to let them pass and even asked them for advice in important matters—as if they had suddenly become authorities on everything from the nesting habits of trencher birds to the best way to cure an infant of fits of tearfulness.

There’s only two ways to make it in life, Rollins. Jim Morrison, or John Rockefeller.” “What?” “Life as art or life as project, woman. See, Rockefeller knew what he wanted from an early age. He built his life around it. He told himself that his life was going to be a certain way, and he planned the trajectory so it would go in that direction. Anything that didn’t add to his vision of that life, his project, he wouldn’t do. His family, his friends, his health, all of it came second to his project. “Morrison went the opposite way. He painted a canvas with his time—a beautiful painting of emotion, imagination, and poetry. Experience coming together to weave this tapestry of pleasure and pain. That’s it, sister. That’s all you got. Life as art or project. So you gotta choose. In my opinion, the best choice is the painting. Make life your painting.

Apparent simplicity best exemplifies coorie in the countryside. Isolate the few component parts that come together to make the experience special and we can see they are the same threads that weave through the Scottish identity.

Kase weaved his fingers into my hair, tugging it so I was looking up. “Miss you, ipo.” I melted into him. “I miss you, too.

The thorny question remains, who wrote it? The thorny question remains, who wrote it? All I remember was my decision to write something, my hand, my fingers, and even my mind, were just tools of writing and expression, like the computer I used. As for the writer, it was something or someone I did not know, sitting inside my body fighting me to get out of its prison, forcing me to bargain it for a few words that express it. I was like a lost visual artist whose empty painting was in front of him and his brush was in his hand but his thoughts were scattered, he did not know how to connect them or how to begin, but his senses began to weave the fabric of the thoughts of that deep thing inside, as they translate them, to create the most meaningful paintings. Every line I wrote I knew nothing of what was to come. I was even surprised by some of the chapters and reacted to them, just as you would react. They were as new to me as they are to you, and sometimes I was standing astonished to realize what I had written, or to understand the connection I had just discovered between the characters. This novel, inevitably, was already accomplished in me, as it was written in one go. It already existed. As for transcribing it on paper, it took me some time. It is a novel that expresses a part of an exception that I think I have had in my life. I cannot confirm or deny its events, even though they may have happened, in every detail, what is certain is the perspective of your understanding of the truth, they may be completely true, and from another perspective, they may be just delusions or dreamy fantasies, this depends on what truth means to you, or what it will be… I appreciate your valuable time. Believe me, I am the best to know. That is why I was careful that this was not just a classic, casual novel for fun while you are drinking your morning cup of coffee. Perhaps by it, I want to stir up that madness within you, who you have always been told, would be the cause of your ostracism, and your expulsion, out of the herd.

Arte Popular Espanol meant more than that the peasant women of Spain were to weave linens and sell them to rich ladies; it meant that the Spanish workers were to own great cooperatives with the best machinery and make abundance for themselves. “They shall build houses, and inhabit them; and they shall plant vineyards, and eat the fruit of them. They shall not build, and another inhabit; they shall not plant, and another eat; for as the days of a tree are the days of my people, and mine elect shall long enjoy the work of their hands.

Transform from fragmented to a powerhouse with a holistic approach. Weaving core values, purposeful goals, intentional choices, and strategic planning, unlock your potential and become the best version of yourself!

You and your thoughts! The vagueness of the future, the memories of yesterday and the promises of today, Remind me of you, everyday, and whenever it is today, In the last moment of wakeful mind before falling asleep, It is you I think of and you I dream of when I am fast asleep, In the view of the busy and at times relaxed world and the perspectives thereof, I look for you in everything, in its corners, in its open spaces, and live off the memories thereof, In the mind’s silence and in the heart’s endless beatings to keep kissing life, I listen to them both while thinking of you in my every passing moment of life, In the present that rushes to meet the future and shorten my span of dreams and desires, I smile silently because it does not know my life is but an endless bloom of your memories and your desires, In this moment while I am thinking of you Irma and my mind weaves a tapestry of known feelings, I wish you knew, I wish you realised, that all of them are our feelings, those beautiful bygone feelings, In the moments when I exist and yet feel maybe I don’t at all belong in the present, I roll my memories, I wrap my desires, and I slumber in the past, where you and your feelings are the only present! In this state I never realise when it is midday, when it is night and when it is today, Because now you become my only dream, my only memory, my only feeling and an everlasting today!

You and my destiny! When was the last time I tried something for the first time? I thought about it for sometime, Then something reminded me of you, And I recalled the days spent together with you, The mornings were smooth, the days passed by without the unnecessary care, Everything seemed beautiful and fair, just because you were with me everywhere, And we did things silly and wise as well, and there were many acts we tried for the first time, I remember that, for example climbing a mountain and staring at the forest in silence as we lost every sense of time, It surely was first time, when I felt time was such an unwanted invention of the Universe, Because it loses its every existential value when two hearts learn how to converse, It was first time that I felt this when I was with you, Hearts in conversation, when everything was silent, even I, and even you, Yes, it was first time when I attempted many things for the first time, The sky looked clearer and truly blue, you stared into my eyes for hours and ah the beauty of the stillness of time, It was something I experienced first time then, but since you have left, it never happened again, Now the time is permanently still, and for me it is like the tired pendulum of the clock oscillating to and fro again and again, But nothing else except the pendulum moves, nothing else except the transition of days into nights takes place, Because everything is the same, the same days, the same nights, the same pendulum and the same place, Where nothing new happens and nothing at all for the first time happens either, Like a flower that is frozen in time, experiences no change in seasons and it hangs there in pain, longing to wither, So that new could seize its opportunity and seasons could render everything fresh, Alas it is a wish that exists forever as an imagination because time is strangely still and there is nothing alive and fresh, And when people ask me when was the last time you did something for the first time, I simply look at them, smile at their curiosity, and I tell them, well it was when I was with her, because that was a beautiful time, Where time hung as moments over everything, even our wishes and desires, And the world seemed a huge projection of our wishes and our beautiful desires. Maybe you would not understand because for you the moving pendulum represents time, But to me the spontaneous germination of feelings, the rhythmic movement of two conversing hearts is the actual signature of time, So you keep gazing at the oscillating pendulum of the clock on the wall, While I dwell with her, our memories, in the time’s eternal hall, Where it weaves moments of infinity around both of us as our hearts resume their conversation, Because two lovers are interested in destiny and not the destination!

Watch for the story God is weaving in your life. Don’t leave the desert. Corrie ten Boom’s father often reminded her, The best is yet to come.

I’m sorry, Jack. But as you’ll soon learn, I am not a good man.” “You don’t have to be a ‘good’ man,” Jack said. “You simply need to be an honest one.” His father looked at him again. His eyes were a bloodshot blue, like the summer sky at sunset, and filled with remorse. “Very well,” Niall said. “Then let me speak honestly to you. I’ve stolen. I’ve lied. I’ve killed. I’m a coward. I left your mother to raise you and your sister alone. I let her go. I let you go. I let Frae go. I am unworthy of what you hope for me, because I never fought for your mother and you and your sister when I should have.” “Then fight for us now!” Jack replied sharply. He pounded his chest with his fist, felt the best move through him. “Let our names be the sword in your hand. Let us be your shield and your armor. Fight for us tonight. Because over the clan line, I’m the shadows of the Aithwood, my mother still waits for you, weaving your story on her loom. My sister longs for you as I once did, wondering where you are and hoping you will one day knock on the door and proudly claim her. And I would love nothing more than to bore you with mainland stories day after day and sing to you until your guilt she’d like old skin and you choose the life you want, not the one you think you deserve.

older entrepreneurs have higher success rates when they start companies than their younger counterparts. The experience they bring to the table, along with a network of relationships built up over the years and the deep knowledge and understanding they have of their field and its customers, gives them the best chance of survival. People who have been in business for a while have a long view of what works and what doesn’t; they have honed financial judgment and relationships that give them business insights. One reason you may

In the tapestry of life, where each moment weaves its own thread, remember this: the past was but a canvas, and the present is the brushstroke of today. Embrace the masterpiece of your journey, for in every stroke, you'll find the promise that the best is yet to come.

Bridges Life did not appear to breathe here, It was covered in endless rounds of thread of fear, So it tread quietly along the fringes, Scared that it might be the cause of collapsing bridges, Bridges that connected life with hope, And it watched these bridges from a distance placing itself on a discreet slope, But it dared not cross them, none of them, It looked at them in desperation, especially some, For it often crossed them to renew its reserves of liveliness, But now it feels pervaded by a deep feeling of sadness, Life here seems to be a part of some sort of purgatory, Waiting to cross over and leave behind this existence derogatory, It may not be a perspicuous show of feelings, But here these are life’s daily dealings, And I wonder what about life’s own posterity, Because in this land of death life somehow loses all its virility, Tamed by some obnoxious devil, Who has had a diabolic conception and then raised by some heinous evil, Maybe that is why the bridges look so frail and hopeless themselves, Bearing stacks of hopelessness displayed on hope’s own shelves, For when life does not cross the bridges of hope, It is death that forsakes life and then time withdraws its rope, That maintains the perfect cohesion, Between beginnings and ends , between fission and fusion, And when this balance is lost anywhere, Life is cast into a place where there exists life everywhere, But nothing else nowhere, Just life, no hopes, no beauty, no bliss, no summer, a life that becomes its own prisoner in this infinity somewhere, However, now the bridges have fallen, but few still stand, And life that is tired of living without hope, feels the dying hope’s hand, And like the rope of time it pulls it unto itself, and makes life cross the bridge, Thus, life once again walks on the happy ridge, Hoping to live another day, feel life in a better and different way, For living the same moment of time begets no joy, if it is lived the same way everyday, And time weaves its threads of mystery and surprises around it, Then death too gets woven somewhere in this loop of time, and life finally says, “so be it!” And it jumps into the sea of time and collects its moments of myriad experiences, While time registers all these instances, And when the loop of death unwinds, In it a new loop of life it always finds, Now, even if the bridges may fall and time may end, Life has learned to create moments of happiness that never end!

I thought college would be exactly like summer camp, that there was a magic formula where you put a bunch of girls in an enclosed space without parents and we'd become Real. But, I deduced after major sleuthing, two factors were getting in the way: money and boys. Neither existed at camp and here both were everywhere. The annual social we'd have with the nearby boys' camp was the worst day of the year: everyone unearthed makeup and flat-irons stowed under bunk beds for the other fifty-eight days of camp. Normally we spent our days and nights sailing and tie-dyeing towels and weaving macramé wall hangings and trying to get up on one water ski and singing along to Joni Mitchell and the Indigo Girls around a literal bonfire but suddenly on the day of the social we only cared about having the straightest hair and the clearest skin and someone was always being a cunt to her best friend and someone was always crying.

But Nonor always said that the Fates don’t carve, they weave. Isla does her best to make sure her sister always remembers that. The Fates take the threads that we make from the things we do, Nonor would say, the choices we make, big ones and small ones, all of them, and they weave them in and out, through and under, all the time. They never stop their weave. But they can only use the threads we give them.

Life as art or life as project, woman. See, Rockefeller knew what he wanted from an early age. He built his life around it. He told himself that his life was going to be a certain way, and he planned the trajectory so it would go in that direction. Anything that didn’t add to his vision of that life, his project, he wouldn’t do. His family, his friends, his health, all of it came second to his project. “Morrison went the opposite way. He painted a canvas with his time—a beautiful painting of emotion, imagination, and poetry. Experience coming together to weave this tapestry of pleasure and pain. That’s it, sister. That’s all you got. Life as art or project. So you gotta choose. In my opinion, the best choice is the painting. Make life your painting.

The awareness of mortality casts a bittersweet shadow over the vibrancy of life and love. We exist in a state of impermanence, where beauty fades and connection dissolves. Yet, it is precisely this impermanence that imbues life with its preciousness and love with its urgency. In the face of oblivion, love becomes a defiant act, a bridge we build across the chasm of the ephemeral, a testament to the enduring power of connection in a fleeting existence." The quote's appreciation for love in the face of life's fleeting nature echoes Epicurean ideals. This emphasizes the existentialist concept of living in a finite world and the absurdist notion of creating meaning in the face of nothingness. It highlights love as a way to transcend the impermanence of life and forge a connection that defies the inevitable. The concept of finding meaning and beauty in a world wracked by impermanence aligns closely with the philosophy of Epicurus. Epicureanism emphasizes living a virtuous and pleasure-filled life while minimizing pain. Though often misinterpreted as mere hedonism, Epicurus also stressed the importance of intellectual pursuits, close friendships, and facing mortality with courage. Unfortunately, Epicurus himself didn't write any essays or novels in the traditional sense. Most of his teachings were delivered in letters and discourses to his students and followers. These were later compiled by others, most notably Hermarchus, who helped establish Epicurean philosophy. The core tenets of Epicureanism are scattered throughout various ancient texts, including: *Principal Doctrines: A summary of Epicurus' core beliefs, likely compiled by Hermarchus. *Letter to Menoeceus: A letter outlining the path to happiness through a measured approach to pleasure and freedom from fear. *Vatican Sayings: A collection of sayings and aphorisms attributed to Epicurus. These texts, along with Diogenes Laërtius' Lives and Sayings of the Philosophers, which includes biographical details about Epicurus, provide the best understanding of his philosophy. Love is but an 'Ephemeral Embrace'. Life explodes into a vibrant party, a kaleidoscope of moments that dims as the sun dips below the horizon. The people we adore, the bonds we forge, all tinged with the bittersweet knowledge that nothing lasts forever. But it's this very impermanence that makes everything precious, urging us to savor the here and now. Imagine Epicurus nudging us and saying, "True pleasure isn't a fleeting high, it's the joy of sharing good times with the people you love." Even knowing things end, we can create a life brimming with love's connections. Love becomes an act of creation, weaving threads of shared joy into a tapestry of memories. Think of your heart as a garden. Love tells you to tend it with care, for it's the source of connection with others. In a world of constant change, love compels us to nurture our inner essence and share it with someone special. Love transcends impermanence by fostering a deep connection that enriches who we are at our core. Loss is as natural as breathing. But love says this: "Let life unfold, with all its happy moments and tearful goodbyes. Only then can you understand the profound beauty of impermanence." Love allows us to experience the full spectrum of life's emotions, embracing the present while accepting impermanence. It grants depth and meaning to our fleeting existence. Even knowing everything ends, love compels us to build a haven, a space where hearts connect. It's a testament to the enduring power of human connection in a world in flux. So let's love fiercely, vibrantly, because in the face of our impermanence, love erects a bridge to something that transcends the temporary.

We all need a greater narrative to make sense of the world and our lives, naturally weaving together multiple narratives and multiple maps to give us the greatest traction on reality. Reality is just too complex to be engaged and inhabited using only one tradition of investigation. We need the best picture of reality that we can devise if we are to inhabit it meaningfully and authentically. In my opinion, precisely such a view of reality is presented in the grand vision of the Christian faith. We are invited to inhabit and enact this vision, both in our lives and in the world, in the process of reflective habitation that stands at the heart of Christian discipleship.

I love you, Luke.” He turned his head just enough to press a barely there kiss to the crown of her head. “I love you too.” It was the third time he had told her but the first time he had actually said it. He wished it had been under different circumstances. He wished the words could be sweet, and light and giddy with the rush of first love. He wished he could have crafted the moment for them the way he crafted a melody for one of his songs, picking all the best parts and weaving them together until it found its way into the heart of whoever hears it. He wished a lot of things. But he didn’t regret saying it. He didn’t regret feeling it. Eventually he felt her drift off in his arms and tugged her even closer against him before finally allowing himself to follow her.

I’m sorry, Jack. But as you’ll soon learn, I am not a good man.” “You don’t have to be a ‘good’ man,” Jack said. “You simply need to be an honest one.” His father looked at him again. His eyes were a bloodshot blue, like the summer sky at sunset, and filled with remorse. “Very well,” Niall said. “Then let me speak honestly to you. I’ve stolen. I’ve lied. I’ve killed. I’m a coward. I left your mother to raise you and your sister alone. I let her go. I let you go. I let Frae go. I am unworthy of what you hope for me, because I never fought for your mother and you and your sister when I should have.” “Then fight for us now!” Jack replied sharply. He pounded his chest with his fist, felt the best move through him. “Let our names be the sword in your hand. Let us be your shield and your armor. Fight for us tonight. Because over the clan line, I’m the shadows of the Aithwood, my mother still waits for you, weaving your story on her loom. My sister longs for you as I once did, wondering where you are and hoping you will one day knock on the door and proudly claim her. And I would love nothing more than to bore you with mainland stories day after day and sing to you until your guilt she’d like old skin and you choose the life you want, not the one you think you deserve.

Let us live by dreams and for dreams, undoing the Universe and remaking it, distractedly, as best suits our moment to dream. Let us do this conscious of its utter futility. Let us ignore life with every pore of our body, stray from reality with all of our senses, and abdicate from love with all our soul. Let us fill with useless sand the pitchers we take to the well, then empty them out, only to refill them and empty them again; the more futile the better. Let us weave garlands and, once they're finished, carefully, meticulously unpick them. Let us choose paints and mix them on the palette with no canvas before us to paint. Let us send for stone to chisel when we have no chisel and we are not sculptors. Let us render everything absurd and adorn our sterile hours with more utilities. Let us play hide and seek with our consciousness of being alive. Let us, with an amused, incredulous smile on our lips, listen to God telling us that we exist. Let us watch Time painting the world and finding the resulting picture not only false but hollow. Let us think with sentences that contradict one another, speaking out loud in sounds that aren’t colours. Let us affirm - and grasp, which would be impossible - that we are conscious of not being conscious, and that we are not what we are. Let us explain all this in an obscure, paradoxical way, saying that things have a divine, othersidedness to them, and let us not believe too much in that explanation so that we do not have to discard it. Let us carve out of empty silence all our dreams of speaking. Let us allow all our thoughts of action to slide into stagnant torpor. Yet dreamed landscapes are merely the smoke from known landscapes and the tedium of dreaming them is almost as great as the tedium of looking at the world. And hovering distractedly above all this, like a vast blue sky, the horror of living.

You want to know something? You’re all right, Andrew. You and Sara and Sean. You’re all all right, have been all through these last few days, and I won’t forget it.” “Oh, sure.” He put on his best Cockney accent. “We’ave been blooming wonders, we have. Three right ream and rorty coves.” “Well, you have been—in spite of that shoful accent that you shouldn’t even try.

That night, I wore a dress that Mary had picked out for my trip. I had told her that I wouldn't need anything that dressy, but she'd convinced me otherwise. "You don't know who you'll meet, since you'll be with Sally and American TV. It could be a count or a prince or Marcello from 'Under the Tuscan Sun.'" As soon as she'd mentioned Marcello, I'd put the dress in my "take it" pile. The pinkish-brown dress was a very thin, satiny silk weave that Mary said was "charmeuse" and I said was the next best thing to foie gras and white truffles. The neckline plunged into a deep V, revealing nothing but suggesting everything. The skirt ended midcalf and would have totally met Nonna's approval were it not for the slit to my thigh.

I think the story is our best chance for asylum. We claim persecution based on belonging to a particular social group, We weave a story about how you're afraid of going back home because you're afraid your girlfriend's family wants to kill you so you two don't get married.' 'That sounds like something that would happen in India," Winston said, "No one does anything like that in Cameroon.

Before I met Rosie, I’d believed that a snake’s personality was rather like that of a goldfish. But Rosie enjoyed exploring. She stretched her head out and flicked her tongue at anything I showed her. Soon she was meeting visitors at the zoo. Children derived the most delight from this. Some adults had their barriers and their suspicions about wildlife, but most children were very receptive. They would laugh as Rosie’s forked tongue tickled their cheeks or touched their hair. Rosie soon became my best friend and my favorite snake. I could always use her as a therapist, to help people with a snake phobia get over their fear. She had excellent camera presence and was a director’s dream: She’d park herself on a tree limb and just stay there. Most important for the zoo, Rosie was absolutely bulletproof with children. During the course of a busy day, she often had kids lying in her coils, each one without worry or fear. Rosie became a great snake ambassador at the zoo, and I became a convert to the wonderful world of snakes. It would not have mattered what herpetological books I read or what lectures I attended. I would never have developed a relationship with Rosie if Steve hadn’t encouraged me to sit down and have dinner with her one night. I grew to love her so much, it was all the more difficult for me when one day I let her down. I had set her on the floor while I cleaned out her enclosure, but then I got distracted by a phone call. When I turned back around, Rosie had vanished. I looked everywhere. She was not in the living room, not in the kitchen, not down the hall. I felt panic well up within me. There’s a boa constrictor on the loose and I can’t find her! As I turned the corner and looked in the bathroom, I saw the dark maroon tip of her tail poking out from the vanity unit. I couldn’t believe what she had done. Rosie had managed to weave her body through all the drawers of the bathroom’s vanity unit, wedging herself completely tight inside of it. I could not budge her. She had jammed herself in. I screwed up all my courage, found Steve, and explained what had happened. “What?” he exclaimed, upset. “You can’t take your eyes off a snake for a second!” He examined the situation in the bathroom. His first concern was for the safety of the snake. He tried to work the drawers out of the vanity unit, but to no avail. Finally he simply tore the unit apart bare-handed. The smaller the pieces of the unit became, the smaller I felt. Snakes have no ears, so they pick up vibrations instead. Tearing apart the vanity must have scared Rosie to death. We finally eased her out of the completely smashed unit, and I got her back in her enclosure. Steve headed back out to work. I sat down with my pile of rubble, where the sink once stood.

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I weave through LA's famous Farmers Market, which is really more of an outdoor food court, and now I'm a few minutes late. And the place is packed and there's still the uncertainty about where to meet when I look down and realize I'm wearing yellow pants. Yellow pants. Really? Sometimes I don't know what I'm thinking. They're rolled at the cuff and paired with a navy polo and it looks like maybe I just yacht my yacht, and I'm certain to come off as an asshole. I thin about canceling, or at least delaying so I can go home and change, but the effort that would require is unappealing, and this date is mostly for distraction. And when I round the last stall--someone selling enormous eggplants, more round than oblong, I see him, casually leaning against a wall, and something inside my body says there you are. 'There you are.' I don't understand them, these words, because they seem too deep and too soulful to attach to the Farmers Market, this Starbucks or that, a frozen yogurt place, or confusion over where to meet a stranger. They're straining to define a feeling of stunning comfort that drips over me, as if a water balloon burst over my head on the hottest of summer days. My knees don't buckle, my heart doesn't skip, but I'm awash in the warmth of a valium-like hug. Except I haven't taken a Valium. Not since the night of Lily's death. Yet here is this warm hug that makes me feel safe with this person, this Byron the maybe-poet, and I want it to stop. This--whatever this feeling is--can't be a real feeling, this can't be a tangible connection. This is just a man leaning against a stall that sells giant eggplants. But I no longer have time to worry about what this feeling is, whether I should or shouldn't be her, or should or should't be wearing yellow pants, because there are only maybe three perfect seconds where I see him and he has yet to spot me. Three perfect seconds to enjoy the calm that has so long eluded me. 'There you are.' And then he casually lifts his head and turns my way and uses one foot to push himself off the wall he is leaning agains. We lock eyes and he smiles with recognition and there's a disarming kindness to his face and suddenly I'm standing in front of him. 'There you are.' It comes out of my mouth before I can stop it and it's all I can do to steer the words in a more playfully casual direction so he isn't saddled with the importance I've placed on them. I think it comes off okay, but, as I know from my time at sea, sometimes big ships turn slowly. Byron chuckles and gives a little pump of his fist. 'YES! IT'S! ALL! HAPPENING! FOR! US!' I want to stop in my tracks, but I'm already leaning in for a hug, and he comes the rest of the way, and the warm embrace of seeing him standing there is now an actual embrace, and it is no less sincere. He must feel me gripping him tightly, because he asks, 'Is everything okay?' No. 'Yes, everything is great, it's just...' I play it back in my head what he said, the way in which he said it, and the enthusiasm which only a month had gone silent. 'You reminded me of someone is all.' 'Hopefully in a good way.' I smile but it takes just a minute to speak. 'In the best possible way.' I don't break the hug first, but maybe at the same time, this is a step. jenny will be proud. I look in his eyes, which I expect to be brown like Lily's but instead are deep blue like the waters lapping calmly against the outboard sides of 'Fishful Thinking.' 'Is frozen yogurt okay?' 'Frozen yogurt is perfect.

After finishing 1st draft of a novel, I have the characters, dialogue, scenes, and a plotline. I used to think this meant I knew where the story was going, and what the book was about. I have learned over the years, this ain’t so. As I work through its 2nd draft, characters start to nudge each other. The story itself takes its first soft and shallow breath, and one could imagine he hears a little bit of a heartbeat. Passions deepen, and emotional threads start to weave through what had earlier just been little more than a sequence of events. On the 3rd run through, the characters stand tall. Some break free of my earlier concepts of what they were all about, what they wanted, how they related to each other, and where they were going. From then on, THEY set the pace, and I do my best to honor them in becoming what THEY choose to be. From then on, my friends; we have a story! By the end of the 3rd draft, I have enough of an idea of where the characters are going, and how their passions empower the story, or tear it apart, that I can start cutting away, and cutting away, anything that isn’t that. Until we reach the point where there is not a single word left anywhere in the book, that isn’t a vital, dynamic, organic contributor to the living whole.