Looking Sharper Than A Quotes

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A boy was watching his grandmother write a letter. At one point he asked: ‘Are you writing a story about what we’ve done? Is it a story about me?’ His grandmother stopped writing her letter and said to her grandson: I am writing about you, actually, but more important than the words is the pencil I’m using. I hope you will be like this pencil when you grow up.’ Intrigued, the boy looked at the pencil. It didn’t seem very special. ‘But it’s just like any other pencil I’ve ever seen!’ ‘That depends on how you look at things. It has five qualities which, if you manage to hang on them, will make you a person who is always at peace with the world.’ ‘First quality: you are capable of great things, but you must never forget that there is a hand guiding your steps. We call that hand God, and He always guides us according to His will.’ ‘Second quality: now and then, I have to stop writing and use a sharpner. That makes the pencil suffer a little, but afterwards, he’s much sharper. So you, too, must learn to bear certain pains and sorrows, because they will make you a better person. ‘Third quality: the pencil always allows us to use an eraser to rub out any mistakes. This means that correcting something we did is not necessarily a bad thing; it helps to keep us on the road to justice.’ ‘Fourth quality: what really matters in a pencil is not its wooden exterior, but the graphite inside. So always pay attention to what is happening inside you.’ ‘Finally, the pencil’s fifth quality: it always leaves a mark. in just the same way, you should know that everything you do in life will leave a mark, so try to be conscious of that in your every action
Paulo Coelho (Like the Flowing River)
You seem to be attracted to trouble," he said. "Yeah, she's real pretty," I replied. "Your tongue is sharper than mine ever was." I stuck out my tongue and tried to look at the tip of it.
Obert Skye (Choke (Pillage, #2))
Perception requires imagination because the data people encounter in their lives are never complete and always equivocal. For example, most people consider that the greatest evidence of an event one can obtain is to see it with their own eyes, and in a court of law little is held in more esteem than eyewitness testimony. Yet if you asked to display for a court a video of the same quality as the unprocessed data catptured on the retina of a human eye, the judge might wonder what you were tryig to put over. For one thing, the view will have a blind spot where the optic nerve attaches to the retina. Moreover, the only part of our field of vision with good resolution is a narrow area of about 1 degree of visual angle around the retina’s center, an area the width of our thumb as it looks when held at arm’s length. Outside that region, resolution drops off sharply. To compensate, we constantly move our eyes to bring the sharper region to bear on different portions of the scene we wish to observe. And so the pattern of raw data sent to the brain is a shaky, badly pixilated picture with a hole in it. Fortunately the brain processes the data, combining input from both eyes, filling in gaps on the assumption that the visual properties of neighboring locations are similar and interpolating. The result - at least until age, injury, disease, or an excess of mai tais takes its toll - is a happy human being suffering from the compelling illusion that his or her vision is sharp and clear. We also use our imagination and take shortcuts to fill gaps in patterns of nonvisual data. As with visual input, we draw conclusions and make judgments based on uncertain and incomplete information, and we conclude, when we are done analyzing the patterns, that out “picture” is clear and accurate. But is it?
Leonard Mlodinow (The Drunkard's Walk: How Randomness Rules Our Lives)
Hundreds of years later, historians and scholars would look back upon this moment. This decision that, one day, would topple an empire. What a strange choice, they would whisper. Why would he do this? Why, indeed. After all, vampires know better than anyone how important it is to protect their hearts. And love, understand, is sharper than any stake.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
She was gone and the coldness of it was her final gift. She would do it with a flake of obsidian. He'd taught her himself. Sharper than steel. The edge an atom thick. And she was right. There was no argument. The hundred nights they'd sat up arguing the pros and cons of self destruction with the earnestness of philosophers chained to a madhouse wall. In the morning the boy said nothing at all and when they were packed and ready to set out upon the road he turned and looked back at their campsite and he said: She's gone isn't she? And he said: Yes, she is.
Cormac McCarthy (The Road)
He moved around the wide counter, silent as always. She was sitting on the floor, her arms wrapped around her knees, her fist in her mouth to try to quiet her sobs, and he realized he hadn’t actually seen her cry before. [..] She must have felt his eyes on her, for she suddenly swallowed her sob on a choked gasp and looked up at him, her huge, sorrow-filled eyes a sharper pain than the knife slash. He moved slow enough, so as not to spook her, to give her plenty of time to move, but she stayed where she was, her huge eyes looking into his, and she fucking broke his heart, if he still possessed such a useless organ.
Anne Stuart (On Thin Ice (Ice, #6))
I came at her like a snake. "I am fully done with other people telling me what to do with my history," I said. "My past made me who I am. There is no way to wipe it clean. I am the evidence. If you look at me and see track marks and too-skinny arms and hands that know how to hold a gun and a brain that is sharper and faster than yours, then that is not my problem. Do you hear me? I have regrets, and I have made mistakes, but I am who I am. I'm done pretending that I've wholly remade myself, that I'm going to ... to hie myself away in some lecture hall for the next four years to make you all comfortable." She was backed up against the door, now, her arms wrapped around herself, and I didn't care. "If you want to stop seeing it, you'll have to stop seeing me, and I am not going to disappear.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
Algol is the name of the winking demon star, Medusa of the skies; fair but deadly to look on, even for one who is already dying. Ah, the bright stars of the night. Almost they obliterate the clear white pain. A thousand stars shining in the ether; but no dazzling newcomer. And so little time left, so little time... Yet still two-faced Medusa laughs from behind the clouds, demanding homage. Homage, Medusa, or a sword, a blade sharper than death itself. The wind stirs. Night clouds obscure the universe. A lower music now, a different kind of death. No stars tonight, my love. No Selene.
Elizabeth Redfern (The Music of the Spheres)
If an eagle gives you a feather, keep it safe. Remember: that giants sleep too soundly; that witches are often betrayed by their appetites; dragons have one soft spot, somewhere, always; hearts can be well-hidden, and you betray them with your tongue. Do not be jealous of your sister. Know that diamonds and roses are as uncomfortable when they tumble from one's lips as toads and frogs: colder, too, and sharper, and they cut. Remember your name. Do not lose hope -- what you seek will be found. Trust ghosts. Trust those that you have helped to help you in their turn. Trust dreams. Trust your heart, and trust your story. When you come back, return the way you came. Favors will be returned, debts be repaid. Do not forget your manners. Do not look back. Ride the wise eagle (you shall not fall). Ride the silver fish (you will not drown). Ride the grey wolf (hold tightly to his fur). There is a worm at the heart of the tower; that is why it will not stand. When you reach the little house, the place your journey started, you will recognize it, although it will seem much smaller than you remember. Walk up the path, and through the garden gate you never saw before but once. And then go home. Or make a home. Or rest.
Neil Gaiman
Did you bite someone?' Jack enquired. 'I laughed at people, which is much worse. My laughter has sharper teeth than any dog. It tears people apart who wish to be taken seriously, but I could not help myself. There were many complaints and finally a man in a brown suit came and looked at me. He was very important and not used to being laughed at, but I could see he had dandruff on his collar, and there was a spot of his breakfast egg on his lapel. You should have seen him - so puffed up and proud of himself. I couldn't help but laugh and that made people see him as I did, and so they laughed too. All of a sudden everyone realised that for all his status in official matters, he was a man who lived alone and was loveless.
Isobelle Carmody (Greylands)
Kat had her arms folded and her hair was tied in what girls call a topknot. Her skinny, bony face jutted out. With her tilted chin and dark eyebrows she seemed sharper, somehow, as if she was more in focus than other people round her, or more real. You couldn't help noticing her, whether you were looking for her or not. Maybe that's what being pretty meant, I thought.
Siobhan Dowd (The London Eye Mystery (London Eye Mystery, #1))
Darwin, with his Origin of Species, his theories about Natural Selection, the Survival of the Fittest, and the influence of environment, shed a flood of light upon the great problems of plant and animal life. These things had been guessed, prophesied, asserted, hinted by many others, but Darwin, with infinite patience, with perfect care and candor, found the facts, fulfilled the prophecies, and demonstrated the truth of the guesses, hints and assertions. He was, in my judgment, the keenest observer, the best judge of the meaning and value of a fact, the greatest Naturalist the world has produced. The theological view began to look small and mean. Spencer gave his theory of evolution and sustained it by countless facts. He stood at a great height, and with the eyes of a philosopher, a profound thinker, surveyed the world. He has influenced the thought of the wisest. Theology looked more absurd than ever. Huxley entered the lists for Darwin. No man ever had a sharper sword -- a better shield. He challenged the world. The great theologians and the small scientists -- those who had more courage than sense, accepted the challenge. Their poor bodies were carried away by their friends. Huxley had intelligence, industry, genius, and the courage to express his thought. He was absolutely loyal to what he thought was truth. Without prejudice and without fear, he followed the footsteps of life from the lowest to the highest forms. Theology looked smaller still. Haeckel began at the simplest cell, went from change to change -- from form to form -- followed the line of development, the path of life, until he reached the human race. It was all natural. There had been no interference from without. I read the works of these great men -- of many others – and became convinced that they were right, and that all the theologians -- all the believers in "special creation" were absolutely wrong. The Garden of Eden faded away, Adam and Eve fell back to dust, the snake crawled into the grass, and Jehovah became a miserable myth.
Robert G. Ingersoll
I didn't have a choice." "Are you saying...What are you saying?" Is he...could he be talking about me? He runs a hand through his hair. I've never seen him this emotional before. He's always so controlled, so sure of himself. "I'm saying you're what I want, Emma. I'm saying I'm in love with you." He steps forward and lifts his hand to my cheek, blazing a line of fire with his fingertips as they trace down to my mouth. "How do you think it would make me feel to see you with Grom?" he whispers. "Like someone ripped my heart out and put it through Rachel's meat grinder, that's how. Probably worse. It would probably kill me. Emma, please don't cry." I throw my hands in the air. "Don't cry? Are you serious? Why did you come here, Galen? Did you think it would make me feel better to know that you do love me, but that it still won't work out? That I still have to mate with Grom for the greater good? Don't you tell me not to cry, Galen! I...c...c...can't h...h...help-" The waterworks soak me. Galen looks at me, hands by his side, helpless as a trapped crab. I'm bordering on hyperventilation, and pretty soon I'll start hiccupping. This is too much. His expression is so severe, it looks like he's in physical pain. "Emma," he breathes. "Emma, does this mean you feel the same way? Do you care for me at all?" I laugh, but it sounds sharper than I intended, because of a hiccup. "What does it matter how I feel, Galen? I think we pretty much covered why. No need to rehash things, right?" "It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?" "If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-" His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch. I accidentally moan into his lips. He takes it for his cue to lift me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder. He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is, Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk." "Right," I say, but I'm shaking my head. He laughs. "I didn't come all the way to Atlantic City to make you cry." "I'm not crying." I lean into him again. He doesn't refuse my lips, but he doesn't do them justice either, planting a measly little kiss on them before stepping back.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I love you, Althea—you are so beautiful,” murmured the young man into my ear. Well, I was willing enough. I looked up at him from under my eyelashes. “I love you too,” I confessed. I averted my gaze and added privately, “You are so rich.” Unfortunately, I apparently said this aloud, if just barely, and his hearing was sharper than one would expect, given his other attributes.
Patrice Kindl
She didn’t remember what airplanes had looked like in flight but she did remember being inside one. The memory was sharper than most of her other memories from the time before, which she thought must mean that this had been very close to the end. She would have been seven or eight years old, and she’d gone to New York City with her mother, though she didn’t remember why. She remembered flying back to Toronto at night, her mother drinking a glass of something with ice cubes that clinked and caught the light. She remembered the drink but not her mother’s face. She’d pressed her forehead to the window and saw clusters and pinpoints of light in the darkness, scattered constellations linked by roads or alone. The beauty of it, the loneliness, the thought of all those people living out their lives, each porch light marking another house, another family.
Emily St. John Mandel (Station Eleven)
The Goober was beautiful when he ran. His long arms and legs moved flowingly and flawlessly, his body floating as if his feet weren’t touching the ground. When he ran, he forgot about his acne and his awkwardness and the shyness that paralyzed him when a girl looked his way. Even his thoughts became sharper, and things were simple and uncomplicated—he could solve math problems when he ran or memorize football play patterns. Often he rose early in the morning, before anyone else, and poured himself liquid through the sunrise streets, and everything seemed beautiful, everything in its proper orbit, nothing impossible, the entire world attainable. When he ran, he even loved the pain, the hurt of the running, the burning in his lungs and the spasms that sometimes gripped his calves. He loved it because he knew he could endure the pain, and even go beyond it. He had never pushed himself to the limit but he felt all this reserve strength inside of him: more than strength actually—determination. And it sang in him as he ran, his heart pumping blood joyfully through his body.
Robert Cormier (The Chocolate War (Chocolate War, #1))
I am fully done with other people telling me what to do with my history. My past made me who I am. There is no way to wipe it clean. I am the evidence. If you look at me and see track marks and too-skinny arms and hands that know how to hold a gun and a brain that is sharper and faster than yours, then that is not my problem. Do you hear me? I have regrets, and I have made mistakes, but I am who I am. I’m done pretending that I’ve wholly remade myself, that I’m going to…to hide myself away in some lecture hall for the next four years to make you all comfortable. If you want to stop seeing it, you’ll have to stop seeing me, and I am not going to disappear.
Brittany Cavallaro (A Question of Holmes (Charlotte Holmes, #4))
The desert looked if anything even more spectacular than it had on the first leg of their journey, the softening light teasing out its full panoply of colours – yellows and oranges and a dozen different shades of red – the lengthening shadows throwing the landscape into ever sharper and more dramatic relief
Paul Sussman (The Hidden Oasis)
That was the night he got up and went to the boys' division; perhaps he was looking for his history in the big room where all the boys slept, but what he found instead was Dr. Larch kissing every boy a late good night. Homer imagined then that Dr. Larch had kissed him like that, when he'd been small; Homer could not have imagined how those kisses, even now, were still kisses meant for him. They were kisses seeking Homer Wells. That was the same night that he saw the lynx on the barren, unplanted hillside—glazed with snow that had thawed and then refrozen into a thick crust. Homer had stepped outside for just a minute; after witnessing the kisses, he desired the bracing air. It was a Canada lynx—a dark, gunmetal gray against the lighter gray of the moonlit snow, its wildcat stench so strong Homer gagged to srnell the thing. Its wildcat sense was keen enough to keep it treading within a single leap's distance of the safety of the woods. The lynx was crossing the brow of the hill when it began to slide; its claws couldn't grip the crust of the snow, and the hill had suddenly grown steeper. The cat moved from the dull moonlight into the sharper light from Nurse Angela's office window; it could not help its sideways descent. It traveled closer to the orphanage than it would ever have chosen to come, its ferocious death smell clashing with the freezing cold. The lynx's helplessness on the ice had rendered its expression both terrified; and resigned; both madness and fatalism were caught in the cat's fierce, yellow eyes and in its involuntary, spitting cough as it slid on, actually bumping against the hospital before its claws could find a purchase on the crusted snow. It spit its rage at Homer Wells, as if Homer had caused its unwilling descent. Its breath had frozen on its chin whiskers and its tufted ears were beaded with ice. The panicked animal tried to dash up the hill; it was less than halfway up when it began to slide down again, drawn toward the orphanage against its will. When it set out from the bottom of the hill a second time, the lynx was panting; it ran diagonally uphill, slipping but catching itself, and slipping again, finally escaping into the softer snow in the woods— nowhere near where it had meant to go; yet the lynx would accept any route of escape from the dark hospital. Homer Wells, staring into the woods after the departed lynx, did not imagine that he would ever leave St. Cloud's more easily.
John Irving (The Cider House Rules)
She was gone and the coldness of it was her final gift. She would do it with a flake of obsidian. He'd taught her himself. Sharper than steel. The edge an atom thick. And she was right. There was no argument. The hundred nights they'd sat up debating the pros and cons of self destruction with the earnestness of philosophers chained to a madhouse wall. In the morning the boy said nothing at all and when they were packed and ready to set upon the road he turned and looked back at their campsite and said: She's gone isn't she? And he said: Yes, she is.
Cormac McCarthy (The Road)
This sense of instability is reinforced when we look within the last ice age at shorter-term climate fluctuations. There were repeated, incredibly rapid climate changes that were at least hemispheric in the extent of their impacts. As the last ice age ended, our record of these abrupt climate changes comes into sharper focus, revealing that warming of up to 10°C in Greenland has occurred within less than a decade. This reinforces the idea that the present climate system is unusually unstable—at least on relatively short timescales—providing an important backdrop for thinking about our own planet-changing activities as a species.
Tim Lenton (Earth System Science: A Very Short Introduction (Very Short Introductions))
I truly don’t mind staying in the guest room. I’d hate to make things awkward.” Daddy starts to answer him, but Margot gets there first. “No, it’s totally fine,” she assures Ravi. “Let’s go get the rest of our stuff out of the car.” The second they leave, Kitty and I turn to each other. At the same time we say, “Oh my God.” Kitty ponders, “Why do they need to stay in the same room together? Do they have to have sex that bad?” “Enough, Kitty,” Daddy says, his tone sharper than I’ve heard him use with her. He turns and leaves, and I hear the sound of his office door closing. His office is where he goes when he is really mad. Ms. Rothschild gives her a stern look and follows after him. Kitty and I look at each other again. “Yikes,” I say. “He didn’t have to snap,” Kitty says sullenly. “I’m not the one whose boyfriend is staying in my bed.” “He didn’t mean it.” I tuck her against me, wrapping my arms around her bony shoulders. “Gogo has a lot of nerve, huh?” She’s very impressive, my sister. I just feel sorry for Daddy. This isn’t a fight he’s used to having--or any kind of fight at all, really. Of course I text Peter right away and tell all. He sends back a lot of wide-eyed emojis. And: Do you think your dad would let us stay in the same room?? Which I ignore.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
IN SCHOOL. "I used to go to a bright school Where Youth and Frolic taught in turn; But idle scholar that I was, I liked to play, I would not learn; So the Great Teacher did ordain That I should try the School of Pain. "One of the infant class I am With little, easy lessons, set In a great book; the higher class Have harder ones than I, and yet I find mine hard, and can't restrain My tears while studying thus with Pain. "There are two Teachers in the school, One has a gentle voice and low, And smiles upon her scholars, as She softly passes to and fro. Her name is Love; 'tis very plain She shuns the sharper teacher, Pain. "Or so I sometimes think; and then, At other times, they meet and kiss, And look so strangely like, that I Am puzzled to tell how it is, Or whence the change which makes it vain To guess if it be--Love or Pain. "They tell me if I study well, And learn my lessons, I shall be Moved upward to that higher class Where dear Love teaches constantly; And I work hard, in hopes to gain Reward, and get away from Pain. "Yet Pain is sometimes kind, and helps Me on when I am very dull; I thank him often in my heart; But Love is far more beautiful; Under her tender, gentle reign I must learn faster than of Pain. "So I will do my very best, Nor chide the clock, nor call it slow; That when the Teacher calls me up To see if I am fit to go, I may to Love's high class attain, And bid a sweet good-by to Pain.
Susan Coolidge (What Katy Did)
Now that is a sword,” Freddy said in awe as he went to look at an impressive saber hanging from the hat rack near the door. “Stay away from it,” she cautioned. “I’m sure it’s sharper than yours.” As usual, Freddy ignored her. “Just think what I could do with this,” he said as he lifted it off its hook. “So far I haven’t seen you do anything with a sword, my boy,” Oliver remarked dryly. “Though I shudder to think what your cousin would attempt.” Maria glared at Oliver, which only made him laugh. Meanwhile, Freddy unsheathed the saber with a flourish. “Curse it, Freddy, put it back,” Maria ordered. “What a fine piece of steel.” Freddy swished it through the air. “Even the one Uncle Adam gave me isn’t near so impressive.” Maria appealed to Oliver. “Do something, for pity’s sake. Make him stop.” “And get myself skewered for the effort? No, thank you. Let the pup have his fun.” Freddy cast him a belligerent glance. “You wouldn’t call me a pup if I came at you with this.” “No, I’d call you insane,” Oliver drawled. “But you’re welcome to try and see what happens.” Don’t encourage him,” Maria told Oliver. The door opened suddenly, and Freddy whirled with the sword in hand, knocking a lamp off the desk. As the glass chimney shattered, spilling oil in a wide arc, the wick lit the lot, and fire sprang to life. Maria jumped back with a cry of alarm while Oliver leaped out of his chair to stamp it out, first with his boots and then with his coat. A string of curses filled the air, most of them Oliver’s, though Freddy got in a few choice ones as the fire licked at his favorite trousers. When at last Oliver put the flames out and nothing was left but a charred circle on the wood floor, dotted with shards of glass, the three of them turned to the door to find a dark-haired man observing the scene with an expression that gave nothing away. “If you hoped to catch my attention,” he remarked, “you’ve succeeded.” “Mr. Pinter, I presume?” Oliver said, tossing his now ruined coat and singed gloves into a nearby rubbish pail. “I hope you’ll forgive us for the dramatic intrusion. I’m Stonevi-“ “I know who you are, my lord,” he interrupted. “It’s what you’re doing here setting fire to my office that I’m not certain of.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
I kicked a rib cage off my foot and swaggered around the tree as if I owned the place. “Hey there!” Startled, Nidhogg stopped in mid-mutter. He stared at me, his huge yellow eyes blinking in confusion. Then, nostrils flaring dangerously, he let out a bellow that doubled as an impressive display of razor-sharp fangs. My heart faltered, but I swallowed my fear and pressed on. “Is that supposed to intimidate me?” I made a big show of rolling my eyes. “I’ve heard louder roars from Thor’s butt.” Nidhogg flinched as if I’d whacked him on the nose with a rolled-up newspaper. “That wasn’t very nice.” He sounded so hurt I almost felt sorry for him. Instead, I snorted with derision. “Buddy, I insult everyone.” I waved my daggers. “See these? They’re sharp, but not as sharp as my tongue.” Or your fangs, I added to myself as the dragon loomed in closer to inspect my blades. “Wow. Those are pointy.” Nidhogg looked genuinely impressed. “Are your insults really sharper than that?” “Mister, that question is so dumb it makes me think your brain is like Odin’s left eye socket—completely empty.” Nidhogg winced. “Wow. That really, really hurt. But you’re right, of course.” He tapped a daggerlike claw against his skull. “My brain is empty. Of insults, anyway.” That was my opening. I sheathed my daggers and cocked my head to one side as if considering something. “You know, I have some powerful one-liners that never fail to infuriate. I’d be willing to share a few, but what’s in it for me?” Nidhogg scratched his belly. “Well, for starters, I won’t eat you,” he offered. “Hmm. Tell you what. Let me climb up Yggdrasil when we’re done, and you’ve got a deal.” Nidhogg stuck out a claw. I thought he was going to slice me to ribbons, but then I realized he wanted to shake on it. I did so, very carefully. “Okay,” I said.
Rick Riordan (9 From the Nine Worlds)
He was rough too, and hurt me in handling, but he did not starve me. He chained me, indeed, by my light collar to the log of a chair, and kept me prisoner in his little sitting-room upstairs that looked out on the market-place; but he was out a great deal, and I was left chiefly alone. I might be there but a day, I might be there for n week; I cannot recollect. I only know I was miserable. The first thing that recalled me to consciousness was the sharp sting of a whip across my back. I shrieked with the pain ; in Ben's house even A vice had never dared to beat me. The only response to my cry was a sharper blow than the first;—and this was repeated, till I was literally blind and stupefied, and was quiet because numbed with anguish.
Ouida (Puck)
Lewis himself spoke about this process of “double seeing” at several points in his works—most notably, in concluding a lecture given at the Socratic Club in Oxford in 1945: “I believe that the Sun has risen, not only because I see it, but because by it I see everything else.”[583] We can look at the sun itself; or we can look instead at what it illuminates—thus enlarging our intellectual, moral, and aesthetic vision. We see the true, the good, and the beautiful more clearly by being given a lens that brings them into focus. They are not invented by our reading of Narnia, but they are discerned, lit up, and brought into sharper focus. And more than that, we see more, and we see farther, by looking through the right lens. We should read Narnia as Lewis asks us to read other works of literature—as something that is to be enjoyed on the one hand, and something with the capacity to enlarge our vision of reality on the other. What Lewis wrote of The Hobbit in 1939 applies with equal force to his own Narnia books: they allow us into “a world of its own” which, once it has been encountered, “becomes indispensable.” “You cannot anticipate it before you go there, as you cannot forget it once you have gone.”[584]
Alister E. McGrath (C. S. Lewis: A Life: Eccentric Genius, Reluctant Prophet)
The company created a new team of top executives called the business development board, whose sole job was to look for other companies to buy. This group was essentially a reincarnation of the central development group that Brad Hall had overseen in the late 1990s, but it was restructured in a way that made it larger, more influential, and capable of closing deals that were larger by an order of magnitude than anything Koch had done before. The new development group rivaled any deal-making entity on Wall Street. The team had a steady river of cash to work with thanks to the steady flow of money generated at Pine Bend and other assets. The team also made use of Koch Industries’ nearly pristine credit rating,I which made it cheap and easy to get big loans. Even this new strategy—to push for growth and limit risk with a corporate veil—rested on a deeper, more important idea. This idea was the centerpiece of Koch’s new game plan, which relied on one competitive advantage more than any other: Koch’s superior information. Koch was seen by outsiders as an energy company, but, within the firm, it was seen quite differently. Charles Koch and his lieutenants considered Koch to be an information-gathering machine that built up stores of knowledge that were deeper and sharper than its competitors’. This strategy traced back to Koch Industries’ earliest days, but with the new business development board in place, it reached the level of a fine art. Koch’s newly designed companies, like Koch Minerals, each had their own mini development teams that became like searchlights, trained on the various industries in which they operated. Whatever they saw and learned was transmitted to the central development board, which synthesized the information with knowledge that was flowing in from Koch’s other companies. The development board also undertook studies of its own, looking for new opportunities beyond the existing Koch universe.
Christopher Leonard (Kochland: The Secret History of Koch Industries and Corporate Power in America)
You will testify against me? You, Sedric Meldar, a lowly servant? Then do so now, before all of us. Tell us then, give us one instance of my unfaithfulness to my wife. Just one will do.” His gaze was sharper than a knife. Alise saw victory dancing in his dark eyes. Sedric drew a breath. The trembling she had felt as she gripped his arm stilled. He spoke clearly, his voice pitched to carry to everyone there. “I shared your bed for years, before you took Alise as your wife, and for years afterward. You spent your wedding night with me. And in the years that followed, you made her a laughingstock among our fellows. In that circle, all knew that you disdained the company of women for that of men. I was your lover, Hest Finbok. I helped you deceive her, and I did not speak up when you mocked her. And if need be, I will stand before all of Trehaug and all of Bingtown and attest to that. You were an unfaithful husband to her, and I, I was a treacherous friend.” Alise stared at Sedric as he committed social suicide. But he turned and met her gaze and said, “And again, Alise, I am so sorry. Would that I could take back those years of your life and give them to you unscathed.” Her eyes brimmed with tears. Sedric had just destroyed all chance that he could ever return to Bingtown and resume his life. Even if he remained in Kelsingra forever, if even one Trader returned to Bingtown, all would know not only what he had done to her, but what he was. “I forgave you, Sedric. I told you that a long time ago.” “I know that,” he said very quietly. His hand covered hers as he added, “But I did not deserve your forgiveness then. Perhaps I can say I have earned it now?” “You have,” she said quietly. “And more. But Sedric, what have you done? All will know that you…” “That I am what I am,” he said calmly. “I do not apologize for that. Ever.” She sensed someone behind them and turned slightly, thinking it might be Leftrin. It was not. Carson was grinning, but as he stepped forward, a single tear tracked down his sunburned cheek. He folded Sedric into an embrace from behind that lifted the smaller man off his feet. “Proud of you, Bingtown boy,” he said huskily. He set him down on his feet and leaned down to kiss him. The kiss did not end quickly, and Sedric’s hands came up to cradle Carson’s bearded face to his own. Several of the keepers favored the couple with knowing whoops that drowned out the incredulous muttering from the watching prisoners. Alise found herself smiling, as much for joy for them as the stunned expression on Hest’s face. She felt a nudge, and turned to see Leftrin. He stuck out the crook of his elbow, and she took his arm in his ragged coat sleeve. “I think we were going to get some tea?” he asked her conversationally. She nodded, and instantly forgave him the triumphant look he shot over her head at Hest. She walked a dozen steps with Leftrin before she glanced back. Hest was standing alone, staring after them.
Robin Hobb (Blood of Dragons (Rain Wild Chronicles, #4))
In his presence, I felt safer than I did anywhere else. And yet, sometimes when I looked at him, paralyzing fear seized me, so much sharper than the fear I felt for myself.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Where…am I?” Carter looked around, wondering what in the world was going on.  He thought that he was dreaming, but when he looked around the place, he knew it was more than just a dream. Things were sharper, more solid. This was reality, and it was one that he wasn’t used to. Carter had been in his brother’s room, playing Minecraft.  He thought that it was a bit silly, but he had been having fun setting the in-game trees on fire. When his brother left, the power went out. There was a thunderstorm outside and lighting flashed outside
Minecrafty Family Books (MINECRAFT: The Nether Kingdom (Unofficial Minecraft Book) (Minecraft Books, Minecraft herobrine mods, Minecraft free download))
When the inspired, God-breathed verses of the Bible become our prayer, something powerful occurs. We are praying the anointed words of God. These prayers will release the move of God’s Spirit in our lives in a more precise and effective way than our own random vocabulary. It’s the Hebrews 4:12 principle which says: FOR THE WORD OF GOD IS LIVING AND POWERFUL, AND SHARPER THAN ANY TWO-EDGED SWORD, PIERCING EVEN TO THE DIVISION OF SOUL AND SPIRIT, AND OF JOINTS AND MARROW, AND IS A DISCERNER OF THE THOUGHTS AND INTENTS OF THE HEART.
John Paul Jackson (The Art of Praying the Scriptures: A Fresh Look at Lectio Divina)
people regret the things they didn’t do far more than the mistakes they actually made. It’s inaction that causes you to lie awake into the early hours of the morning, second-guessing your own judgment. It’s the what-ifs and should-haves that crouch down deep in that buried chamber of your soul. They latch on tighter; their teeth are sharper.
Heather Marshall (Looking for Jane)
Sometimes you spend hours contemplating a tree, describing it, dissecting it: the roots, the trunk, the branches, the leaves, every leaf, every rib of every leaf, every branch again, and the unending play of the indifferent shapes that your eager gaze solicits or conjures up: a face, a town, a maze or a path, coats of arms and cavalcades. As your perception gets sharper, more patient and more versatile, the tree shatters and then reforms, a thousand shades of green, a thousand leaves, identical and yet all different. You think that you could spend your whole life in front of a tree, never exhausting it and never understanding it, because there is nothing for you to understand, just something to look at: when all is said and done, all you can say about this tree is that it is a tree; all this tree can say to you is that it is a tree, a root, then a trunk, then branches, then leaves. You can't expect to extract any other truth from it. The tree has no moral to offer you, no message to impart. Its strength, its majesty, its life - if you still hope to draw some meaning, some courage, from these outworn metaphors - are only ever images, neat illustrations, as useless as the tranquillity of the fields, as the still waters which, reputedly, run deep, or the courage of the little paths that don't climb very high but do so all alone, or the smiling hillsides upon which bunches of grapes ripen in the sun. And that is why the tree fascinates you, or astounds you, or calms you: because of the unsuspected and unimpeachable obviousness of the bark, the branches and the leaves. That is why, perhaps, you never go walking with a dog, because the dog looks at you, pleads with you, speaks to you. Its eyes brimming with tears of gratitude, its servile expression, its canine frolicking, constantly force you to confer on it the ignoble status of pet. You cannot remain neutral in the company of a dog any more than in the company of a man. But you will never hold a conversation with a tree. You cannot live in the company of a dog, because the dog is constantly calling upon you to make it live, to feed it, to stroke it, to be a man for it, to be its master, to be the god roaring the name - dog - that will make it instantly grovel on the ground. But the tree asks nothing of you. You can be the God of the dogs, God of the cats, God of the poor, all you need is a leash, a little tenderness, a little money, but you will never be master of the tree. All you can ever wish for is to become a tree in your turn.
Georges Perec (Un homme qui dort)
His next task was to scoop up some dust and seal it in the metal container. It was when he bent closer still that he noticed a most peculiar thing. Looking intently, it seemed that the blue-grey powder was in motion. Grains of it kept leaping up a few centimetres and then falling back. It looked very much like a strange pot boiling, or as if the specks of dust were performing a weird native dance. Involuntarily Chris drew back the hand that had been extended to gather up a sample, and then he noticed something else. As the shadow cast by his arm, far sharper and deeper than an earthly shadow would be, moved over the surface, he saw that the dust in the shade remained still, only to begin its contortions as it came into the sunlight again. He reported the phenomenon to control. Frayling’s theory was that this peculiar movement was due to either the impact of micrometeorites—cosmic dust too small to see, or to the intense radiation from the sun. Lack of atmosphere, which would have consumed the tiny meteors by friction and which would have formed a shield against most radiation, was the cause.
Hugh Walters (Operation Columbus)
Beauty lies between you and you and eye and eye Do not compare beauty, For it resides in all, Try if you will, But a slave to the mind you shall be. To compare a dandelion to a lily, And to say the lily is of greater beauty Is a sin we often see. The dandelion is everywhere to be seen, But it is not picked from the ground on a whim. A weed, it was labeled in those grown-up minds, Minds, which have been weeded through time. The same minds which cut lilies from the ground, And stare as they wonder ‘how sad that beauty dwindles down’. They let their thoughts haunt them, And get trapped in the world around them. The truth masked as lies of the eyes. The dandelion and lily, When left to be, Dance in the wind with such beauty, Free. Compare beauty and you'll eclipse your sun's light, And because you only know the stars That come to life when they die, You'll have to wait for the dandelion to fly, Specking light in your darkened mind's eye. Explain beauty and you'll stay for eternity, Trying to capture infinity. Only then will you look into the stilling river, And cry from the open wounds you hide. Bandaging your reflection, you try. Only when it drowns in the murky crinkling water, Do you realize That the stars won't offer the same blinding light, And the darkness has given you sight. Your comparisons’ prism lives only in your eyes, But it travels down your stem, Like a Serpent, Coiling around your breath, With your tongue, Sharper than the air of death, Shedding words you've been fed. Like the grey, Settling deep within your Soul, And the shade, That makes you feel whole. Perhaps you'll try to save the mirrored water, But as you thrash about in infinity, Do not break stems anymore. Instead cut the chains keeping you shackled to the shore. Still, as you roam free, Do not forget to remember, (Infinity said while knocking at eternity’s door) A rigid mind leads to a life lived hollow, But do dip into the mind’s eye knowingly, For the strongest light casts the darkest shadow.
Tavisha Sh (Dancing On The Line Of Insanity)
The wind whipped Lucky’s fur and he shivered, crouching low to the ground. The Moon-Dog had vanished, leaving only a scattering of stars to cast their shallow light. He squinted into the darkness. As his eyes adjusted, he realized he was perching on a blade of black rock, a tiny stone island surrounded by water. He took a tentative step over the rock and faltered. The water wasn’t moving—it was frozen to ice. As Lucky lowered his head, he could see white patterns across its surface like spiders’ webs. Ahead, the sky of no-sun was as thick and dark as a storm cloud, yet craning his head Lucky could just make out a circle of amber light. Was it the Sun-Dog rising, or something else? He took a step forward, placing his forepaw on the ice. The freezing cold was sharper than a blast of fire and Lucky whipped away his paw with a howl of pain. He licked it, gazing into the distance. He could still see a light, though now it looked farther away. . . . Somehow he knew he had to reach it, but he didn’t think he’d make it over the long stretches of ice. He backed over the black rock, wondering what to do. He was alone, trapped on the island—and the Ice Wind was coming. He heard hissing and spun around. The ice was clawing its way over the edge of the island. Its touch turned the rock a shiny white, like clear-stone. Lucky’s breath caught in his throat. He threw a frantic look over his shoulder. The ice was creeping onto the land from all sides, fizzing and murmuring with its cool, white tongue, freezing the land beneath its ghostly pelt. Lucky cried out. “Bella! Sweet!” No dog answered his calls. The ice was close now, whispering and crackling at his paws. Lucky watched in horror as it climbed up his legs, searing him with its deathly touch, turning his fur brittle and white as frost. He tried to pull away, but his legs were frozen. He tried to cry out again, but his jaw was locked with cold. Far in the distance, the amber light flickered and died. Now there was only chill and darkness. And then, in the darkness, the furious howls of fighting dogs.
Erin Hunter (The Endless Lake (Survivors, #5))
What happens now?” Akos said to me softly. “You think I know?” I said, shaking my head. “I don’t even know if you and I count as exiles. Or if Lazmet counts exiles as Shotet.” “Maybe we’re on our own, you and me.” He said it with a glint of hope in his eyes. If I was not an exile, if I was not even Shotet, then staying with me was not a sign of his inevitable betrayal. The family Noavek had so long been synonymous with “Shotet” in his mind that the sudden paring down of everything I was appealed to him. But I could not be made smaller, and moreover, I didn’t want to be. “I am always a Shotet,” I said. He looked taken aback at first, tilting away from me. But his rejoinder came quickly, and it was sharp: “Then why do you doubt me when I tell you I am always a Thuvhesit?” It wasn’t the same. How could I explain that it wasn’t the same? “Now is not the time for this debate!” “Cyra,” he said again, and he touched my arm, his touch light as ever. “Now is the only time for this debate. How can we talk about where we’re going now, what we’re doing now, if we haven’t talked about who--and what--we are now?” He had a point. Akos had a way of getting to the heart of things--he was, in that way, more of a knife than I was, though I was the sharper-tongued of the two of us. His soft gray eyes focused on mine like there were not over one hundred people crowded around us.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
How can we talk about where we’re going now, what we’re doing now, if we haven’t talked about who--and what--we are now?” He had a point. Akos had a way of getting to the heart of things--he was, in that way, more of a knife than I was, though I was the sharper-tongued of the two of us. His soft gray eyes focused on mine like there were not over one hundred people crowded around us. Unfortunately, we didn’t possess the gift of focus in equal measure. I couldn’t think in all the chatter. I jerked my head toward the door, and Akos nodded, following me out of the mess hall and into the quiet stone street beyond. Over his shoulder I saw the village, faint dots of light dancing all over it, in all different colors. It looked almost cozy, not something I had thought a place like Ogra could be. “You asked who we are now,” I said, looking up at him. “I think we need to move even further back and ask, are we a ‘we’?” “What do you mean?” he asked, with sudden intensity. “What I mean is,” I said, “are we together, or am I just some kind of…warden again, only it’s fate keeping you prisoner this time, instead of my brother?” “Don’t make it sound simple when it isn’t,” he said. “That’s not fair.” “Fair?” I laughed. “What, in your entire life so far, has made you think anything will be ‘fair’?” I stepped wider, so I felt like I was rooted to the ground, the way I might have if we had been about to spar. “Just tell me--tell me if I’m something you’re choosing, or not. Just tell me.” Just get it over with, I thought, because I already knew the answer. I was ready to hear it--even eager, because I had been bracing myself since our first kiss for this rejection. It was the inevitable by-product of what I was. Monstrous, and bound to destroy whoever was in my path, particularly if they were as kind as Akos.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
All their lives, most of these students have looked out at the world through Christian glasses. They have learned to describe what they see in Christian terms and not to ask questions about what they ca not see clearly. Now, having tried on some glasses from other traditions - one or two of which have brought troublesome areas of their lives into sharper focus for the first time - they are suddenly aware of how many ways there are to view reality. The lens is not the landscape. It is a way of transplanting the landscape so that people can walk upright on it, making some sense of what happens to them. To complicate matters, some students realize for the first time that Catholic lenses are different from Protestant ones, just as Asian lenses are different from Native American ones. Remembering that Torah goes with Judaism is a very minor detail to most of them at this point. They are still trying to get their heads around the fact that God may speak more languages than they ever thought, to far more people than they thought, using different methods than they thought. Either that, or the whole thing is fiction.
Barbara Brown Taylor (Holy Envy: Finding God in the Faith of Others)
Essentially a soldier, the Christian is always on the lookout. He has sharper ears and hears an undertone that others miss; his eyes see things in a particularly candid light, and he senses something to which others are insensible, the streaming of a vital current through all things. He is never submerged in life, but keeps his head and shoulders clear of it and his eyes free to look upward. Consequently he has a deeper sense of responsibility than others. When this awareness and watchfulness disappear, Christian life loses its edge; it becomes dull and ponderous.
Fr. Romano Guardini
If a person were to ask me what I saw South, I should tell him stink weed, sand, rattlesnakes, and alligators. To tell the honest truth, our boys out on picket look sharper for snakes than they do for rebels.
James Henry Gooding (On the Altar of Freedom: A Black Soldier's Civil War Letters from the Front)