London William Blake Quotes

London I wander thro' each charter'd street, Near where the charter'd Thames does flow. And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infants cry of fear, In every voice: in every ban, The mind-forg'd manacles I hear How the Chimney-sweepers cry Every blackning Church appalls, And the hapless Soldiers sigh Runs in blood down Palace walls But most thro' midnight streets I hear How the youthful Harlots curse Blasts the new-born Infants tear And blights with plagues the Marriage hearse.

Miltons were, on the whole, the most enthusiastic poet followers. A flick through the London telephone directory would yield about four thousand John Miltons, two thousand William Blakes, a thousand or so Samuel Colleridges, five hundred Percy Shelleys, the same of Wordsworth and Keats, and a handful of Drydens. Such mass name-changing could have problems in law enforcement. Following an incident in a pub where the assailant, victim, witness, landlord, arresting officer and judge had all been called Alfred Tennyson, a law had been passed compelling each namesake to carry a registration number tattooed behind the ear. It hadn't been well received--few really practical law-enforcement measures ever are.

But most thro' midnight streets I hear How the youthful Harlots curse Blasts the new-born Infants tear And blights with plagues the Marriage hearse

London was drab and grey; was exploding in colour; was a raucous din, bursting with life; was eerily quiet, haunted by ghosts and graveyards. As the Countess of Harcourt sailed inland up the River Thames into the dockyards at the beating heart of the capital, Robin saw immediately that London was, like Canton, a city of contradictions and multitudes, as was any city that acted as a mouth to the world. But unlike Canton, London had a mechanical heartbeat. Silver hummed through the city. It glimmered from the wheels of cabs and carriages and from horses’ hooves; shone from buildings under windows and over doorways; lay buried under the streets and up in the ticking arms of clock towers; was displayed in shopfronts whose signs proudly boasted the magical amplifications of their breads, boots, and baubles. The lifeblood of London carried a sharp, tinny timbre wholly unlike the rickety, clacking bamboo that underwrote Canton. It was artificial, metallic – the sound of a knife screeching across a sharpening steel; it was the monstrous industrial labyrinth of William Blake’s ‘cruel Works / Of many Wheels I view, wheel without wheel, with cogs tyrannic, moving by compulsion each other’.* London had accumulated the lion’s share of both the world’s silver ore and the world’s languages, and the result was a city that was bigger, heavier, faster, and brighter than nature allowed. London was voracious, was growing fat on its spoils and still, somehow, starved. London was both unimaginably rich and wretchedly poor. London – lovely, ugly, sprawling, cramped, belching, sniffing, virtuous, hypocritical, silver-gilded London – was near to a reckoning, for the day would come when it either devoured itself from inside or cast outwards for new delicacies, labour, capital, and culture on which to feed.

Did you like him?” Poppy hesitated. “Mr. Rutledge is . . . unsettling. He’s charming, but one has the feeling he’s capable of nearly anything. He’s like some wicked angel from a William Blake poem.” “I wish I could have seen him,” Beatrix said wistfully. “And I wish even more that I could visit the curiosities room. I envy you, Poppy. It’s been so long since anything interesting has happened to me.” Poppy laughed quietly. “What, when we’ve just gone through nearly the entire London season?” Beatrix rolled her eyes. “The London season is about as interesting as a snail race. In January. With dead snails.