Driving Fast Quotes

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The paradox of our time in history is that we have taller buildings but shorter tempers, wider Freeways, but narrower viewpoints. We spend more, but have less, we buy more, but enjoy less. We have bigger houses and smaller families, more conveniences, but less time. We have more degrees but less sense, more knowledge, but less judgment, more experts, yet more problems, more medicine, but less wellness. We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much, and pray too seldom. We have multiplied our possessions, but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living, but not a life. We've added years to life not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet a new neighbor. We conquered outer space but not inner space. We've done larger things, but not better things. We've cleaned up the air, but polluted the soul. We've conquered the atom, but not our prejudice. We write more, but learn less. We plan more, but accomplish less. We've learned to rush, but not to wait. We build more computers to hold more information, to produce more copies than ever, but we communicate less and less. These are the times of fast foods and slow digestion, big men and small character, steep profits and shallow relationships. These are the days of two incomes but more divorce, fancier houses, but broken homes. These are days of quick trips, disposable diapers, throwaway morality, one night stands, overweight bodies, and pills that do everything from cheer, to quiet, to kill. It is a time when there is much in the showroom window and nothing in the stockroom. A time when technology can bring this letter to you, and a time when you can choose either to share this insight, or to just hit delete... Remember, to spend some time with your loved ones, because they are not going to be around forever. Remember, say a kind word to someone who looks up to you in awe, because that little person soon will grow up and leave your side. Remember, to give a warm hug to the one next to you, because that is the only treasure you can give with your heart and it doesn't cost a cent. Remember, to say, "I love you" to your partner and your loved ones, but most of all mean it. A kiss and an embrace will mend hurt when it comes from deep inside of you. Remember to hold hands and cherish the moment for someday that person might not be there again. Give time to love, give time to speak! And give time to share the precious thoughts in your mind.
Bob Moorehead (Words Aptly Spoken)
Sleep late, have fun, get wild, drink whiskey and drive fast on empty streets with nothing in mind but falling in love and not getting arrested.
Hunter S. Thompson
Maybe there is no Heaven. Or maybe this is all pure gibberish—a product of the demented imagination of a lazy drunken hillbilly with a heart full of hate who has found a way to live out where the real winds blow—to sleep late, have fun, get wild, drink whisky, and drive fast on empty streets with nothing in mind except falling in love and not getting arrested . . . Res ipsa loquitur. Let the good times roll.
Hunter S. Thompson (Generation of Swine: Tales of Shame and Degradation in the '80's)
I think a lot of psychopaths are just geniuses who drove so fast that they lost control.
Criss Jami (Killosophy)
I hear the birds on the summer breeze, I drive fast I am alone in the night Been trying hard not to get into trouble, but I I've got a war in my mind So, I just ride
Lana Del Rey
One morning, about four o'clock, I was driving my car just about as fast as I could. I thought, 'Why am I out on the highway this time of night?' I was miserable, and it all came to me: 'I'm falling in love with somebody I have no right to fall in love with. I can't fall in love with this man, but it's just like a ring of fire.
June Carter Cash
I loved fast driving.Isaiah and I had drag raced all last summer. What I didn't love was a middle-aged nut job who couldn't steer straight.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I thought you didn't know how to drive a carriage," she shouted over the pounding of hooves. “Nonsense,” Nathaniel shouted back. “I’m a fast learner when properly motivated.
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
My office door slams open, leaving a dent in the drywall. Here we go. “You are driving me crazy!” Her cheeks are flushed, her breathing’s fast, and she’s got murder in her eyes. Beautiful. I raise my brows hopefully. “Crazy? Like you want to rip my shirt open again?” “No. Crazy like the itch of a yeast infection that just won’t go away.” I flinch. Can’t help it. I mean—Christ.
Emma Chase (Tangled (Tangled, #1))
I drive as fast as four tire swings hanging from a tree branch in the middle of winter. I also make love with as much speed and rotation.
Jarod Kintz (This Book is Not for Sale)
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
live out where the real winds blow—to sleep late, have fun, get wild, drink whisky, and drive fast on empty streets with nothing in mind except falling in love and not getting arrested . . . Res ipsa loquitur. Let the good times roll.
Hunter S. Thompson
He likes driving very fast on the wrong side of the road," said Sarah. "Which I can completely understand.
Hilary McKay (Saffy's Angel (Casson Family, #1))
Drive him fast to his tomb. This, from Jacques.
Charles Dickens (A Tale of Two Cities)
Not being sure of things, he knew, was a charmless corner of purgatory reserved for writers who were driving fast with no idea at all where they were going.
Stephen King (Misery)
I am thinking that I don't want this to happen. I don't want to die. I don't want my friends to die. And to be honest, as the time slows down and my hands are in the air, I am afforded the chance to think one more thought, and I think about her. I blame her for this ridiculous, fatal chase--for putting us at risk, for making me into the kind of jackass who would stay up all night and drive too fast. I would not be dying were it not for her. I would have stayed home, as I have always stayed home, and I would've been safe, and I would have done the one thing I have always wanted to do, which is to grow up.
John Green (Paper Towns)
It took me many years to realize that it’s hard to live in this world. I don’t mean the mechanics of living, because for most of us, our hearts will beat, our lungs will take in oxygen, without us doing anything at all to tell them to. For most of us, mechanically, physically, it’s harder to die than it is to live. But still we try to die. We drive too fast down winding roads, we have sex with strangers without wearing protection, we drink, we use drugs. We try to squeeze a little more life out of our lives. It’s natural to want to do that. But to be alive in the world, every day, as we are given more and more and more, as the nature of “what we can handle” changes and our methods for how we handle it change, too, that’s something of a miracle.
Yaa Gyasi (Transcendent Kingdom)
I slammed the door, floored the throttle, and reversed down the road as fast as the old car would go, which was not very. Then I spun the wheel and hit the brakes, backing off the road. I crunched the transfer lever into four-wheel drive and trundled off toward the water. Behind us, the pickup was backing and filling, trying to turn around on the narrow road.
Grahame Shannon (Tiger and the Robot (Chandler Gray #1))
Cal: “Yesterday I was stuck in a car with you for eight hours.” Bastard. I didn’t even sing along with the radio. Much. Me: “Yeah. And?” Cal: “Something happened.” Me: “If you’re referring to my driving skills, may I just say I didn’t TOUCH that truck. What you felt was just the wind. We were going pretty fast. And there wasn’t even a scratch. I checked.” Every Boy's Got One
Meg Cabot
Don’t be too fast to highlight the weaknesses of other people. That is the quickest way of exposing your own weaknesses.
Israelmore Ayivor (Daily Drive 365)
And he will have a great aunt called Elinor who tells him there's a world not like this one. A world with neither fairies nor glass men, but with animals who carry their young in a pouch in front of their bellies, and birds with wings that beat so fast it sounds like the humming of a bumblebee, with carriages that drive along without any horses and pictures that move on their own accord... She will tell him that even the most powerful men don't carry swords in the other world, but there are much, much more terrible weapons there...She will even claim that the people there have built coaches that can fly...So the boy will think that perhaps he'll have to go alone one day, if he wants to see that world...Because it must be exciting in that other world, much more exciting than in his own...
Cornelia Funke (Inkdeath (Inkworld, #3))
Drive fast on empty streets with nothing in mind except falling in love and not getting arrested.
Hunter S. Thompson
Three questions,” I said, ticking them off on my fingers as I spoke. “One: do you have a car? Two: do you have plans tonight? And three: how fast can you drive?
Jennifer Lynn Barnes (Taken by Storm (Raised by Wolves, #3))
I love driving fast under streetlights.
John Green (Paper Towns)
He grabbed my calves and yanked them apart, then pushed them up so my knees were bent. He put a knee to the bed and moved forward, releasing one of my calves, his hand wrapped around his cock and I felt his weight begin to hit me. “You come with me inside you, Ace,” he gritted and then he was inside me, filling me, beautiful. At the feel of him, so hard, making me so full, my back left the bed again. “Tate.” He moved, driving deep, fast, hard. Our mouths attached, our tongues clashed. His hand went between us and he touched me and that was it. It hit me like a rocket and I combusted, my world exploding, taking me with it and I loved every nanosecond.
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
Dan was heading for the blue car in the driveway. He tossed Amy the car keys. "Don't drive like you! Make it fast!
Peter Lerangis (The Dead of Night (The 39 Clues: Cahills vs. Vespers, #3))
Scully was doing the driving, which she preferred. Mulder knew only two speeds: fast and faster.
Les Martin (Darkness Falls (The X-Files: Middle Grade, #2))
When you're cruising down the road in the fast lane and you lazily sail past a few hard-driving cars and are feeling pretty pleased with yourself and then accidently change down from fourth to first instead of third thus making your engine leap out of your hood in a rather ugly mess, it tends to throw you off stride in much the same way that this remark threw Ford Prefect off his.
Douglas Adams
I thought, there is nowhere else in the universe I would rather be at this moment... There is nowhere else I could imagine wanting to be besides here in this car, with this girl, on this road, listening to this song. If she breaks my heart, no matter what hell she puts me through, I can say it was worth it, just because of right now. Out the window is a blur and all I can really hear is this girl's hair flapping in the wind, and maybe if we drive fast enough the universe will lose track of us and forget to stick us somewhere else.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
Anyway, Patrick started driving really fast, and just before we got to the tunnel, Sam stood up, and the wind turned her dress into ocean waves. When we hit the tunnel, all the sound got scooped up into a vacuum, and it was replaced by a song on the tape player. A beautiful song called "Landslide." When we got out of the tunnel, Sam screamed this really fun scream, and there it was. Downtown. Lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. And in that moment, I swear we were infinite.
Stephen Chbosky (The Perks of Being a Wallflower)
I mean, it's okay if you're the one with the low sex drive. We'll just have to adjust and learn to accommodate that.
Erin McCarthy (Hard and Fast (Fast Track, #2))
I hung back, staring at cars driving past and wondering if they were moving fast enough to knock me down.
Dodie Clark (Secrets for the Mad)
O Lord, refresh our sensibilities. Give us this day our daily taste. Restore to us soups that spoons will not sink in, and sauces which are never the same twice. Raise up among us stews with more gravy than we have bread to blot it with, and casseroles that put starch and substance in our limp modernity. Take away our fear of fat and make us glad of the oil which ran upon Aaron's beard. Give us pasta with a hundred fillings, and rice in a thousand variations. Above all, give us grace to live as true men - to fast till we come to a refreshed sense of what we have and then to dine gratefully on all that comes to hand. Drive far from us, O Most Bountiful, all creatures of air and darkness; cast out the demons that possess us; deliver us from the fear of calories and the bondage of nutrition; and set us free once more in our own land, where we shall serve Thee as Thou hast blessed us - with the dew of heaven, the fatness of the earth, and plenty of corn and wine. Amen.
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection)
But I guess the nice thing about driving a car is that the physical act of driving itself occupies a good chunk of brain cells that otherwise would be giving you trouble overloading your thinking. New scenery continually erases what came before; memory is lost, shuffled, relabeled and forgotten. Gum is chewed; buttons are pushed; windows are lowered and opened. A fast moving car is the only place where you're legally allowed to not deal with your problems. It's enforced meditation and this is good.
Douglas Coupland
I was used to driving my sun chariot across the sky, where every lane was the fast lane. I was not used to the Long Island Expressway. Believe me, even at midday in the middle of January, there is nothing express about your expressways.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
How often ... do we pass by a need, a life that could be changed with the smallest bit of effort? And it's not that we don't care but that we're driving so fast, all we see are the fence posts flashing by on the side of the highway? Maybe the first step in changing the world is in slowing down and looking through the fences.
Lisa Wingate (Firefly Island (Moses Lake, #3))
Learning to have sex from porn is like learning how to drive from the Fast and Furious. A bloody horrendous idea.
Jameela Jamil
Danger has always held a certain allure. That, in large part, is why so many teenagers drive too fast and drink too much and take too many drugs, why it has always been so easy for nations to recruit young men to go to war.
Jon Krakauer (Into the Wild)
Patrick started driving really fast, and just before we got to the tunnel. Sam stood up, and the wind turned her dress into ocean waves. When we hit the tunnel, all the sound got scooped up into a vacuum, and it was replaced by a song on the tape player. A beautiful song called “Landslide.” When we got out of the tunnel, Sam screamed this really fun scream, and there it was. Downtown. Lights on buildings and everything that makes you wonder. Sam sat down and started laughing. Patrick started laughing. I started laughing. And in that moment, I swear we were infinite.
Stephen Chbosky (The Perks of Being a Wallflower)
It's better to be slow and careful in the right direction than to be fast and careless on the wrong path. Be sure that you are on the right path before you begin to take your steps!
Israelmore Ayivor (Daily Drive 365)
‎Oh, anywhere, driver, anywhere - it doesn't matter. Just keep driving. It's better here in this taxi than it was walking. It's no good my trying to walk. There is always a glimpse through the crowd of someone who looks like him—someone with his swing of the shoulders, his slant of the hat. And I think it's he, I think he's come back. And my heart goes to scalding water and the buildings sway and bend above me. No, it's better to be here. But I wish the driver would go fast, so fast that people walking by would be a long gray blur, and I could see no swinging shoulders, no slanted hat. Dorothy Parker, Sentiment, Harper's Bazaar, May 1933.
Dorothy Parker (Complete Stories)
We drive as fast as road designs tell us to drive. The result: drivers kill four times as many pedestrians on spacious suburban residential streets than on the narrow streets of traditional neighborhoods, because those spacious roads make driving faster feel safer. And it is not collisions that kill people, but collisions at high speed.
Charles Montgomery (Happy City: Transforming Our Lives Through Urban Design)
But down through the centuries, man has developed a mind that separates him from the world of reality, the world of natural laws. This mind tries too hard, wears itself out, and ends up weak and sloppy. Such a mind, even if of high intelligence, is inefficient. It drives down the street in a fast-moving car and thinks its at the store, going over a grocery list. Then it wonders why accidents occur.
Benjamin Hoff (Tao of Pooh and Te of Piglet Boxed Set)
Faster is fatal, slower is safe.
Amit Kalantri (Wealth of Words)
Why are you driving?!” I shout at her. “How are you driving?!” “Because you can’t have a fast getaway if you’re doing the speed limit!” she snaps. “And I have ghost powers, eejit!
Kristy Cunning (Gypsy Rising (All the Pretty Monsters, #5))
I am trying to get to an airport hotel. I can see it. I know it’s the right hotel because the name is shining out from the top of it in 10-foot-high illuminated letters. It is huge. It is right next to the highway. But there is no exit. I have no idea how to get there or, more pressingly, how to get off this road in the first place. There’s a lot of traffic and, worse, motorcycles with no lights are buzzing past me on the nearside. They all know where they are going and are determined to go there as fast as they can. They have no patience for a foreign visitor searching for an exit. This is no time to learn to drive all over again.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
If speed limit or fear of mishap were not there to pull you back, driving fast would be a feelingless act. If there were no force to pull you back, you would get no feeling in moving ahead.
Shunya
To our indigenous ancestors, and to the many aboriginal peoples who still hold fast to their oral traditions, language is less a human possession than it is a property of the animate earth itself, an expressive, telluric power in which we, along with the coyotes and the crickets, all participate. Each creature enacts this expressive magic in its own manner, the honeybee with its waggle dance no less than a bellicose, harrumphing sea lion. Nor is this power restricted solely to animals. The whispered hush of the uncut grasses at dawn, the plaintive moan of trunks rubbing against one another in the deep woods, or the laughter of birch leaves as the wind gusts through their branches all bear a thicket of many-layered meanings for those who listen carefully. In the Pacific Northwest I met a man who had schooled himself in the speech of needled evergreens; on a breezy day you could drive him, blindfolded, to any patch of coastal forest and place him, still blind, beneath a particular tree -- after a few moments he would tell you, by listening, just what species of pine or spruce or fir stood above him (whether he stood beneath a Douglas fir or a grand fir, a Sitka spruce or a western red cedar). His ears were attuned, he said, to the different dialects of the trees.
David Abram (Becoming Animal: An Earthly Cosmology)
I thought, There is nowhere else in the universe I would rather be at this moment. I could count all the places I would not rather be. I’ve always wanted to see New Zealand, but I’d rather be here. The majestic ruins of Machu Picchu? I’d rather be here. A hillside in Cuenca, Spain, sipping coffee and watching leaves fall? Not even close. There is nowhere else I could imagine wanting to be besides here in this car, with this girl, on this road, listening to this song. If she breaks my heart, no matter what hell she puts me through, I can say it was worth it, just because of right now. Out the window is a blur and all I can really hear is this girl’s hair flapping in the wind, and maybe if we drive fast enough the universe will lose track of us and forget to stick us somewhere else.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
I rested my cheek against his back and closed my eyes, breathing in his scent. It reminded me of his apartment, and his sheets, and the way he smelled when he walked around with a towel around his waist. The city blurred past us, and I didn’t care how fast he was driving, or how cold the wind was as it whipped across my skin; I wasn’t even paying attention to where we were. The only thing I could think about was his body against mine. We had no destination or time frame, and we drove the streets long after they had been abandoned by everyone but us.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Bond liked fast cars and he liked driving them. Most American cars bored him. ... All the fun of driving had been taken out of them with the abolition of a gear-change... All effort had been smoothed away and all of that close contact with the machine and the road that extracts skill and nerve from the European driver.
Ian Fleming (Live and Let Die (James Bond, #2))
I'm not engineer educated, but I am an adrenaline junkie. Demolition derbies, drag racing, driving fast--when I gave them up, I tried to think of something I could do to replace them, something that would give me that rush. I love the thrill of impending, weightless doom, so I built something to give me those feelings all the time." As he stands, hands on hips, nodding at the Blue Flash, I think about impending, weightless doom. It's a phrase I like and understand. I tuck it away in the corner of my mind to pull out later, maybe for a song. I say, "You may be the most brilliant man I have ever met." I like the idea of something that can give you those feelings all the time. I want something like that, and then I look at Violet and think: .
Jennifer Niven (All the Bright Places)
The truth was, she was afraid that when she fell hard for a boy, she’d lose herself along the way. She’d seen it happen to lots of girls. They’d go from drinking gin, driving fast cars, and boldly shimmying in speakeasies to these passive creatures who couldn’t make a move without asking their beaus if it would be okay. Evie had no intention of fading behind any man. She didn’t want to slide into ordinary and wake up to find that she’d become a housewife in Ohio with a bitter face and an embalmed spirit. Besides, things you loved deeply could be lost in a second, and then there was no filling the hole left inside you. So she lived in the moment, as if her life were one long party that never had to stop as long as she kept the good times going. But right now, in this moment, she felt a strong connection to Sam, as if they were the only two people in the world. She wanted to hold on to both him and the beautiful moment and not let go.
Libba Bray (Lair of Dreams (The Diviners, #2))
The problem is, no matter how far or fast you drive, you can’t leave yourself behind. And if you can’t feel at home in your own head, where can you?
Melissa Marr (Rags & Bones: New Twists on Timeless Tales)
Her grief was a storm, a driving rain falling too fast to be absorbed
Alan Brennert (Daughter of Moloka'i (Moloka'i, #2))
Augustus wasn’t driving the wagon very fast because he had his family together again and all time was now spread out before him over the valley and the mountains forever and ever.
Edward P. Jones (The Known World)
Do you ride?” That sounded sort of dirty, and the way he looked at me felt sort of dirty, too. No one ever looked at me like that. “Why ‘Ghost’?” I asked. Grasping the top of the car door, he leaned over it and spoke in a dramatic, foreboding voice. “Because she’s so fast she disappears down the streets at night.” “That sounds dangerous.” His dimple appeared. “The best things in life are.
Jenn Bennett (The Anatomical Shape of a Heart)
You drive too fast," said Mark. Emma snorted and checked the strap of Cortana where is fastened across her chest. "You sound like Julian." "It brought me joy," Mark said, moving to stand beside her. "It was as if I flew with the hunt again, and tasted the blood of the sky." "Okay, you sound like Julian on drugs," Emma muttered.
Cassandra Clare
You are driving me crazy!” Her cheeks are flushed, her breathing’s fast, and she’s got murder in her eyes. Beautiful. I raise my brows hopefully. “Crazy? Like you want to rip my shirt open again?” “No. Crazy like the itch of a yeast infection that just won’t go away.
Emma Chase (Tangled (Tangled, #1))
It's a world full of terror and beauty (here her writing became so small Meggie could hardly make it out) and I could always understand why Dustfinger felt homesick for it. The last sentence worried Meggie, but when she looked anxiously at her mother, Teresa smiled and reached for her hand. I was far, far more homesick for you two, she wrote on the palm of it, and Meggie closed her fingers over the words as if to hold them fast. She read them again and again on the long drive back to Elinor's house, and it was many days before they faded.
Cornelia Funke (Inkheart (Inkworld, #1))
Paul: 'After recording sessions, at two or three in the morning, we'd be careering through the villages on the way to Weybridge, shouting 'weyhey' and driving much too fast. George would perhaps be in his Ferrari - he was quite a fast driver - and John and I would be following in his big Rolls Royce or the Princess. John had a mike in the Rolls with a loudspeaker outside and he'd be shouting to George in the front: 'It is foolish to resist, it is foolish to resist! Pull over!' It was insane. All the lights would go on in the houses as we went past - it must have freaked everybody out. When John went to make 'How I Won the War' in Spain, he took the same car, which he virtually lived in. It had blacked-out windows and you could never see who was in it, so it was perfect. John didn't come out of it - he just used to talk to the people outside through the microphone: 'Get away from the car! Get away!
Paul McCartney (The Beatles Anthology)
Walking was not fast enough so we ran. Running was not fast enough, so we galloped. Galloping was not fast enough, so we sailed. Sailing was not fast enough, so we rolled merrily along on long metal tracks. Long metal tracks were not fast enough, so we drove. Driving was not fast enough, so we flew. Flying isn't fast enough, not fast enough for us. We want to get there faster. Get where? Wherever we are not. But a human soul can go only as fast as a man can walk, they used to say. In that case, where are all the souls? Left behind. They wander here and there, slowly, dim lights flickering in the marshes at night, looking for us. But they're not nearly fast enough, not for us, we're way ahead of them, they'll never catch up. That's why we can go so fast: our souls don't weigh us down.
Margaret Atwood (Bottle)
It was true love, Ted. I looked over, saw this guy, and I totally lost my mind. I know he's loud and in-your-face, but whenever I look at him I feel a little weak-kneed. And when I drive him - forget about it. He's fast and wild and a little unruly, and I can feel his throaty rumbles all through my body when I bury that gas pedal. That beast has forever ruined me for all other vehicles.
Lynn Painter (Better Than the Movies)
Don't be concerned if you haven't been aware of these natural laws before. Once you begin to incorporate a philosophy into your life that is in accordance with Universal law, your life will bring you such joy, that you'll laugh in amazement. It will be as if you've spent your life driving a car in reverse and you've sudenly discovered that there are gears to make it go forward - and fast!
Chris Prentiss
Hold fast! then you too will see the unchangeable dark distance, out of which nothing can come except one day the chariot; it rolls up, gets bigger and bigger, fills the whole world at the moment it reaches you - and you sink into it like a child sinking into the upholstery of a carriage that drives through the storm and night.
Franz Kafka
All of a sudden we were out of the lot and on the highway next to the mountains, flying. I put my hand out the window, and then I put my head out. I felt my hair blow behind me and the air rush into me, and I forgot for a moment to worry about how I was supposed to be. Because I was perfect right then. Everything was. And Sky was a perfect driver. Not scary. Just steady. And fast. I wanted the music to last forever.
Ava Dellaira (Love Letters to the Dead)
Fine!” I threw my hands up in the air. “Yes, you mean something to me. What you did for me on Thanksgiving—that made me…” My voice cracked. “That made me happy. You made me happy. And I still care about you. Okay? You mean something to me—something I can’t really even put into words because everything seems too lame in comparison. I’ve always wanted you, even when I hated you. I want you even though you drive me freaking insane. And I know I screwed everything up. Not just for you and me, but for Dee.” My breath caught on a sob. The words rushed from me, one after another. “And I never felt this way with anyone else. Like I’m falling every time I’m around you, like I can’t catch my breath, and I feel alive —not just standing around and letting my life walk past me. There’s been nothing like that with anyone else.” Tears pricked my eyes as I stepped back. My chest was swelling so fast it hurt. “But none of this matters, because I know you really hate me now . I understand that. I just wish I could go back and change everything! I—” Daemon was suddenly in front of me, clasping my cheeks in his warm hands. “I never hated you.” I blinked back the wetness gathering in my eyes. “But—” “I don’t hate you now , Kat.” He stared intently into my eyes. “I’m mad at you—at myself. I’m so angry, I can taste it. I want to find Blake and rearrange parts of his body. But do you know w hat I thought about all day yesterday? All night? The one single thought I couldn’t escape, no matter how pissed off I am at you?” “No,” I whispered. “That I’m lucky, because the person I can’t get out of my head, the person who means more to me than I can stand, is still alive. She’s still there. And that’s you.
Jennifer L. Armentrout (Onyx (Lux, #2))
When the fuel is dried up in a vehicle, it stops driving automatically. You are a vehicle in the spiritual and the physical world, so you need some oil for alacrity, in order to get to your destination. The greater the quantity of your oil, the more you cover the distance, and the more you cover the distance, the closer you get to your success.
Michael Bassey Johnson
Bond liked fast cars and he liked driving them. Most American cars bored him. They lacked personality and the patina of individual craftsmanship that European cars have.
Ian Fleming (Live and Let Die (James Bond, #2))
Patients are almost always preceded by their parents, because no matter how fast an ambulance can drive, terrified parents can drive faster.
John Green (Double On-Call and Other Stories)
There was no stopping us now. We had running water, a heater, a cooker and a road. We were fast becoming slaves again to all the things we had come to this benighted spot to flee.
Chris Stewart (Driving Over Lemons: An Optimist in Spain)
Drive fast and swerve a lot.
Tony D'Souza (Mule)
For a driver to be driven by somebody else is always an ordeal, for there are only three types of drivers; the too fast, the timid and oneself.
Virginia Graham (Say Please)
Drive over a few of the little brats. That'll scare them off." "I... I don't think I can do that, sir... I just don't think we're capable of going that fast, sir.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Time flies fast, but it's good you are the pilot. Just control your time well away from hijackers. Save time profitably; Spend time productively!
Israelmore Ayivor (Daily Drive 365)
Stress is equivalent to weapons of mass destruction armed for wrong reasons. The difference is that, it is less costly as compared to the atomic bombs! However, it destroys faster!
Israelmore Ayivor (Daily Drive 365)
I worked with a sketch artist, but I was driving fast when I saw the suspect, so the drawing came out blurry.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
We have taller buildings but shorter tempers; wider freeways but narrower viewpoints; we spend more but have less; we buy more but enjoy it less; we have bigger houses and smaller families; more conveniences, yet less time; we have more degrees but less sense; more knowledge but less judgment; more experts, yet more problems; we have more gadgets but less satisfaction; more medicine, yet less wellness; we take more vitamins but see fewer results. We drink too much; smoke too much; spend too recklessly; laugh too little; drive too fast, get too angry quickly; stay up too late; get up too tired; read too seldom; watch TV too much and pray too seldom. We have multiplied our possessions, but reduced our values; we fly in faster planes to arrive there quicker, to do less and return sooner; we sign more contracts only to realize fewer profits; we talk too much; love too seldom, and lie too often. We’ve learned how to make a living, but not a life; we’ve added years to life, not life to years.
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
Three o'clock in the morning. The highway is empty, under a malignant moon. The oil drippings make the roadway gleam like a blue-satin ribbon. The night is still but for a humming noise coming up somewhere behind a rise of ground. Two other, fiercer, whiter moons, set close together, suddenly top the rise, shoot a fan of blinding platinum far down ahead of them. Headlights. The humming burgeons into a roar. The touring car is going so fast it sways from side to side. The road is straight. The way is long. The night is short. (Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
Oh, Anyone can make a quilt,' she said modestly. 'It's just scraps, from the clothes you've sewn.' 'Yes, but the talent is in joining the pieces, the way you have.' 'Look,' Om pointed, 'look at that - the poplin from our very first job.' 'You remember,' said Dina, pleased. 'And how fast you finished those first dresses. I thought I had two geniuses.' 'Hungry stomachs were driving our fingers,' chuckled Ishvar. 'Then came that yellow calico with orange strips. And what a hard time this young fellow gave me. Fighting and arguing about everything.' 'Me?Argue?Never.' ......... He steeped back, pleased with himself, as though he had elucidated an intricate theorem. 'So that's the rule to remember, the whole quilt is much more important than the square'.
Rohinton Mistry (A Fine Balance)
New Mexico is my favorite state,” I declared as we pulled onto I-40. “I'm waiting to see it all before I decide. And by the way, your driving isn't half bad. I expected to be terrified.” “Why?” “I imagined a timid, overly cautious little angel, but you've got an impressive lead foot.” Whoops. “Your car drives so quietly,” I said, "I don't realize how fast I'm going. I'll set the cruise control from now on.” “Don't worry. I'll keep an ear out for cops,” he told me. “Will we be passing the Grand Canyon?” I asked. “I've always wanted to see it.” Kaidan pulled out the map and studied it. “It's a bit out of the way, more than an hour. But how about this? We can go on the way back, since we won't have a time crunch.” I didn't know if it was the desert air or what, but I felt at ease. I still had a thousand questions for Kaidan, but I wasn't in the mood for another heavy conversation just yet. I liked talking to him. We were still guarded, and it wasn't nearly as carefree as talking with Jay, but I was beginning to imagine keeping Kaidan in my life as a friend after this trip. Time would help us forget the kiss. My crush on him would fade. If I could stop analyzing every touch and every look, then maybe it could work. I vowed to myself at that moment: No more jealousy. No more flirting. No more lustful longing for the elusive Kaidan Rowe.
Wendy Higgins (Sweet Evil (Sweet, #1))
It surprised him that she was the one who looked stricken with fear, as if she were a prisoner in the passenger seat and saw the fast-approaching collision seconds before the drive could react to it. Bonnie pinched her lower lip with her teeth and stared at Jack as if she were transfixed--as if he were the upcoming accident, and, even though she saw him coming, she couldn't turn away.
John Irving (Until I Find You)
So,” he throttled shift knob into fifth gear half a block from a stop sign, “you’re from Great Britain.” “Yes. England. The North. Sheffield.” “Why you guys drive on the left?” “Obviously, because it’s right.” “I’m being serious.” “Are you?” “I’m askin, aren’t I?” “I don’t know. Tradition, I suppose.” “That’s a dumb-ass reason.” “Then perhaps you should start driving on the left.
Kevin Cole
She had always been a fast driver, even before she could afford a fast car. It was impatience as much as anything: chafing at the fact that she couldn’t actually do anything while driving—except drive.
Chico Kidd (The Printer's Devil)
Life and our love for others is a balancing act, I understand then; a dance between our instinct to be safe and hold fast, and our drive to flee, to run - from danger, toward new places to feed ourselves.
Deb Caletti (The Nature of Jade)
The keys to the beetle are on the night table. I always like to drive fast when I feel that way. You get up to around ninety-five and you feel wonderful. Sometimes I drive all night and come back and you don't know it. It's fun out in the country. You hit rabbits, sometimes you hit dogs. Go take the beetle.
Ray Bradbury (Fahrenheit 451)
Do you remember the fundraiser buffet for the senator at the Yacht Club?” ... “I’d forgotten something in my car so I was outside when you arrived. I saw you driving too fast with the top down and the music too loud. You were belting out the lyrics like you didn’t care who was listening. Then I watched you use the rearview mirror to fix yourself up so you’d look respectable, and when you were all spit-polished and perfect, you gave the mirror the finger.” She remembered. “You asked me out on our first date that night.
Shannon Stacey (Undeniably Yours (Kowalski Family, #2))
Let’s order too much of something just to see where our limits are. Let’s take a chance precisely because it might fail. Let’s take the hard way out. Let’s go to the moon. Fuck it; let’s go to the moon again. Let’s quit our jobs. Let’s work at being better at what we do by fucking up faster, not less. Let’s fuck up really fast. Let’s wrestle sharks, fight monsters, and disagree with the board. Let’s borrow so much money it becomes someone else’s problem. Let’s start a 10-hour drive by announcing “I’m not into you anymore.” Let’s dump everything out of the garage onto the sidewalk and build something really cool in that space. Let’s start out to build a better mousetrap, and halfway there let’s decide to jump on the mice’s team.
Mike Monteiro
Rabbits never drove fast. They like to enjoy the view, didn't much care for speed and besides, it was wasteful of fuel. If you want to get somewhere a long way away, just leave early. Days, if that's required. Or, as Samuel C. Rabbit had it: 'nhffnfhfiifhfnnffhrhrfhrf' or 'to travel joyously is better than to arrive.
Jasper Fforde (The Constant Rabbit)
Emma looked at the ocean and felt what she always felt;a mixture of yearning and terror, a desire to throw herself into the green cold that was like the desire to drive too fast, jump too high, leap into battle unarmed.
Cassandra Clare
…be awake to the Life that is loving you and sing your prayer, laugh your prayer, dance your prayer, run and weep and sweat your prayer, sleep your prayer, eat your prayer, paint, sculpt, hammer, and read your prayer, sweep, dig, rake, drive and hoe your prayer, garden and farm and build and clean your prayer, wash, iron, vacuum, sew, embroider and pickle your prayer, compute, touch, bend and fold but never delete or mutilate your prayer. Learn and play your prayer, work and rest your prayer, fast and feast your prayer, argue, talk, whisper, listen and shout your prayer, groan and moan and spit and sneeze your prayer, swim and hunt and cook your prayer, digest and become your prayer, release and recover your prayer, breathe your prayer, be your prayer
Alla Renée Bozarth
You Don't Know What Love Is But you know how to raise it in me like a dead girl winched up from a river. How to wash off the sludge, the stench of our past. How to start clean. This love even sits up and blinks; amazed, she takes a few shaky steps. Any day now she'll try to eat solid food. She'll want to get into the fast car, one low to the ground, and drive to some cinderblock shithole in the desert where she can drink and get sick and then dance in nothing but her underwear. You know where she's headed, you know she'll wake up with an ache she can't locate and no money and a terrible thirst. So to hell with your warm hands sliding inside my shirt and your tongue down my throat like an oxygen tube. Cover me in black plastic. Let the mourners through.
Kim Addonizio
But she wasn't sure she wanted the responsibility of loving anyone right now. The truth was, she was afraid that when she fell hard for a boy, she'd lose herself along the way. She'd seen it happen to lots of girls. They'd go from drinking gin, driving fast card and boldly shimmering in speakeasys, to these passive creatures, who couldn't make a move without asking their beaus if it would be okay. Evie had no intention of fading behind any man.
Libba Bray (Lair of Dreams (The Diviners, #2))
When in Rome, Alexander," said Magnus, "one drives a Maserati." They had to get to Rome as fast as possible, and they couldn't use a Portal, so Magnus said he was selecting the next best option. Shinyun was reading the Red Scrolls of Magic and ignoring them both, which was fine with Alec. "An excellent choice," said the attendant at teh luxury car rental lot. "Gotta love a classic 3500 GT Spyder." Alec leaned into Magnus. "The car is also a spider?" Magnus shrugged, flashing Alec an irresistibly bright smile. "No idea. I just picked it because it was Italian and red.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
I stand on the corner of the block slinging amethyst rocks. Drinkin 40’s of mother earth’s private nectar stock. Dodgin cops. ’Cause Five-O be the 666 and I need a fix of that purple rain. The type of shit that drives membranes insane. Oh yeah, I’m in the fast lane. Snorting candy yams. That free my body and soul and send me like Shazaam! Never question who I am. God knows. And I know God, personally. In fact, he lets me call him me. I be one with rain and stars and things, with dancing feet and watermelon wings. I bring the sunshine and the moon. And wind blows my tune.
Saul Williams (The Dead Emcee Scrolls: The Lost Teachings of Hip-Hop)
Children lose contact with their parents, and vice versa, when there is no present living moment in the family. You change careers, go traveling, play extreme sports, get plastic surgery, drive fast cars, take exotic holidays, or redecorate the house, constantly seeking presence. These strategies might work for an hour, a day, or a year, but they will not solve your inner deadness.
Patsy Rodenburg (The Second Circle: How to Use Positive Energy for Success in Every Situation)
Lee's face changed and his eyes became warm. "Are we together?" Oh crap. I started thinking fast. "We're not not together." "I'm not entirely certain what to do with that." I explained, "We're not exactly together and were not not together. We're in together limbo. We're test driving together to see if we want to buy it." "We go to your dad's late, I could convince you to buy it.
Kristen Ashley (Rock Chick (Rock Chick, #1))
Walking was not fast enough, so we ran. Running was not fast enough, so we galloped. Galloping was not fast enough, so we sailed. Sailing was not fast enough, so we rolled merrily along on long metal tracks. Long metal tracks were not fast enough, so we drove. Driving was not fast enough, so we flew. Flying isn't fast enough for us. We want to get there faster. Get where? Wherever we are not. But a human soul can only go as fast as a man can walk, they used to say. In that case, where are all the souls? Left behind.
Margaret Atwood (The Tent)
Not long after, and while it was still twilight, the grandfather also went to bed, for he was up every morning at sunrise, and the sun came climbing up over the mountains at a very early hour during these summer months. The wind grew so tempestuous during the night, and blew in such gusts against the walls, that the hut trembled and the old beams groaned and creaked. It came howling and wailing down the chimney like voices of those in pain, and it raged with such fury among the old fir trees that here and there a branch was snapped and fell. In the middle of the night the old man got up. "The child will be frightened," he murmured half aloud. He mounted the ladder and went and stood by the child's bed. Outside the moon was struggling with the dark, fast-driving clouds, which at one moment left it clear and shining, and the next swept over it, and all again was dark. Just now the moonlight was falling through the round window straight on to Heidi's bed. She lay under the heavy coverlid, her cheeks rosy with sleep, her head peacefully resting on her little round arm, and with a happy expression on her baby face as if dreaming of something pleasant. The old man stood looking down on the sleeping child until the moon again disappeared behind the clouds and he could see no more, then he went back to bed.
Johanna Spyri (Heidi)
He slowed to a walk. As he approached her he was surprised at just how pretty she was. She looked a little like Maureen O'Hara in those old pirate movies. His writer's mind kicked in and he thought, This woman could break my heart. I could crash and burn on this woman. I could lose this woman, drink heavily, write profound poems, and die in the gutter of turberculosis over this woman. This was not an unusual reaction for Tommy. He had it often, mostly with girls who worked the drive-through windows at fast-food places. He would drive off with the smell of fries in his car and the bitter taste of unrequited love on his tongue. It was usually good for at least one short story.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
Like you, I’m figuring out how to walk with Christ into my day, into Target, into church, into the kitchen, and most importantly, into the lives of other people. Christ doesn’t stop being relevant just because I’m standing at my sink, cleaning out my closet, meeting over coffee, driving to the bank.
Emily P. Freeman (Simply Tuesday: Small-Moment Living in a Fast-Moving World)
At 1:37 P.M. mountain time, Tierney climbed into the shotgun seat of the cruiser and said, ‘How fast does this go?’ ‘Sir! This vehicle will go one hundred and thirty miles an hour and I am a Mormon sir and I am not afraid to drive it at that speed sir because I am confident that I will avoid hell. Sir!
Stephen King
You think you have it all figured out—you’ve timed your commute, you’ve fit in your weekend run or you haven’t, you’ve got life down to a science, a mathematical equation of time, interest, and energy. But one day something stands up to you, surprises you in a place where you’ve determined never to be surprised. And that’s when you run. You move fast the wrong way through traffic. You think it’s working. But something deep inside, driving the rhythm of your steps, tells you that it isn’t. So you try again. You search for that tiny space hidden in you, untouched by everything that you’ve experienced or survived.
Ivy Pochoda (Wonder Valley)
...I pondered this dual speed of time: the years that sometimes seem to stretch impossibly ahead of us, especially when we're young. When we're children, the time for us to learn to drive, get a job, marry, and have children seems unfathomably far away. And yet inevitably comes the time when we say we may have well have clicked our fingers, it happened that fast. The feeling that things are over when they haven't even started yet was the one I couldn't shake, and I have never been able to.
Helen Fisher (Faye, Faraway)
I decided I would not go to court to have my mother declared incompetent, I would not fight. I put the car in drive and hit the gas. I felt as if I'd jumped off a sinking ship and was in a life raft with my little girl, my face turned away from the horror, rowing, rowing, as fast and as hard as I could in the opposite direction.
Kaylie Jones (Lies My Mother Never Told Me: A Memoir)
For just one little minute she almost wished that Pa was a railroad man. There was nothing so wonderful as railroads, and railroad men were great men, able to drive the big iron engines and the fast, dangerous trains. But of course not even railroad men were bigger or better than Pa, and she did not really want him to be anything but what he was.
Laura Ingalls Wilder (By the Shores of Silver Lake (Little House, #5))
On the Term of Exile No need to drive a nail into the wall To hang your hat on; When you come in, just drop it on the chair No guest has sat on. Don’t worry about watering the flowers— In fact, don’t plant them. You will have gone back home before they bloom, And who will want them? If mastering the language is too hard, Only be patient; The telegram imploring your return Won’t need translation. Remember, when the ceiling sheds itself In flakes of plaster, The wall that keeps you out is crumbling too, As fast or faster.
BY BERTOLT BRECHT TRANSLATED FROM THE GERMAN BY ADAM KIRSCH
I can think of no sadder example of our food paradigm than two posters taped to the window of a California IHOP. One is a colorful photo of pancakes heaped with bananas, strawberries, nuts, syrups and whipped cream with the caption, 'Welcome to Paradise.' Lower down, an 8x10 photocopy states: 'Chemicals known to cause cancer or birth defects or other reproductive harm may be present in food or beverages sold here.' Such signs are posted on many fast-food outlets. Heaven isn't a place on earth, at least not at these drive-throughs.
Adam Leith Gollner (The Fruit Hunters: A Story of Nature, Adventure, Commerce and Obsession)
If she wanted him to stop, she'd have to say so soon because she was driving him up so fast he felt like a comet flaming in the heat of her atmosphere.
Jane Toombs (Baby of Mine)
Why do you always drive so fast?” Alex yelled over the thunder of flapping pants.
Kat Bellemore (The Best Friend (Off Limits #1))
I don't drive fast, I drive YOUNG.
Musawir Masood
We’re a society of busy people—and there’s a multitude of fast food, drive-thru options just for our convenience.
Jarrid Wilson
Even the blood is quickly washing away in the driving rain, I wish my conscience could get clean so fast.
Laura Bradley Rede (Darkride (Darkride Chronicles, #1))
Everything is a drive-thru. You just have to aim really fast
Josh Stern (And That’s Why I’m Single)
Just drive, rock star. Drive fast. Very fast. Because I’ve got a shopping list ten miles long of the things you’re going to be doing to me.
Jae T. Jaggart (Cash: Angel, Demon, Rock Star (A Seven Deadly Sins Story, #1))
Life is only a fast lane if you get into a lane and drive fast.
Nikhil Rao and Katherine Reiter
I don't come on to seduce the audience. I don't care if everyone laughs. I can't think about that anymore. If there's anything that a lot of experience on stage and a lot of stage time gives you is the confidence to know that it's ok if they're not laughing every second you're up there. Although that's what drives me and I still go too fast a lot of the time.
Greg Proops
The pain of regret is far worse than the pain of discipline. We will never have the anointing, the ministry or the revivals of our heroes if we don’t become as disciplined as they were. They went to bed early to get up early to pray, and they fasted for days on end. We shouldn’t just pray to mark it off of our lists or read a few chapters of our Bible each day to keep up with the church Bible reading chart. We must have a deeper purpose for doing these tasks. Discipline without direction is drudgery. In other words, discipline has to have a purpose to drive it each and every day. The price for spiritual change is expensive, but the rewards are far greater. The world’s ways, ideologies, and influence cannot be present in a life dedicated to Jesus because consecration’s purpose is for us to be different from the world. And, for that matter, if we are separate from the world, then sin must not be a part of our lives either. Sin ruins a life of consecration. It would be a shame to believe that holiness is nothing more than rules or guidelines we are to live by. Holiness and consecration flow from a life given to the spiritual disciplines, a life we can only maintain by continuing to seek for Him daily. Your pursuit will never be greater than your disciplines. No man is greater than his prayer life. Even though Jesus requires us to pray, praying is not to be done out of duty, but it is to be done out of delight. A person’s appetite reveals much about their physical health. Our physical appetite can reveal just as much about our spiritual health. Prayer is the dominant discipline in a godly life and it takes a backseat to no other task. Prayer is the guiding force to a life of consecration and spiritual discipline. Self-denial is tough, but self-indulgence is dangerous.
Nathan Whitley (The Lost Art Of Spiritual Disciplines)
Fast car . . . You can drive anywhere in just a few minutes and time becomes just another thing we take advantage of never appreciating each moment that passes as a blessing from God.
Sarah Price (Fields of Corn (Amish of Lancaster #1))
It feels like I took a different turn down the road. Like we started with raw heat, and we sped through rough-and-fast land, and now we’ve veered someplace else entirely. We’re driving down a new road, and this one’s a little more dangerous, but it’s fantastic in its own way. Because it’s closer. It’s more intimate. It’s a connection I didn’t expect but can’t deny.
Lauren Blakely (Once Upon a Real Good Time (Heartbreakers, #1))
The ceaseless rain is falling fast, And yonder gilded vane, Immovable for three days past, Points to the misty main, It drives me in upon myself And to the fireside gleams, To pleasant books that crowd my shelf, And still more pleasant dreams, I read whatever bards have sung Of lands beyond the sea, And the bright days when I was young Come thronging back to me. In fancy I can hear again The Alpine torrent's roar, The mule-bells on the hills of Spain, The sea at Elsinore. I see the convent's gleaming wall Rise from its groves of pine, And towers of old cathedrals tall, And castles by the Rhine. I journey on by park and spire, Beneath centennial trees, Through fields with poppies all on fire, And gleams of distant seas. I fear no more the dust and heat, No more I feel fatigue, While journeying with another's feet O'er many a lengthening league. Let others traverse sea and land, And toil through various climes, I turn the world round with my hand Reading these poets' rhymes. From them I learn whatever lies Beneath each changing zone, And see, when looking with their eyes, Better than with mine own.
Henry Wadsworth Longfellow (The Complete Poems of Henry Wadsworth Longfellow)
When I turned fifty, I was divorced, my son was grown up, and I realized I still had decades to go. It was the oddest thing—just as the culture began to lose interest in me, just as the world decided I was irrelevant, I began to feel more myself than ever. Louder, smarter, stronger. It felt truly adolescent, like I wanted to take drugs and drive fast and shave my head.
Dana Spiotta (Wayward)
He’s the sex version of fast food drive-through. It looks so good. It smells so good. It tastes so good. And you can get it quick. But, afterward you feel yucky and are sorry you did it.
Victoria Danann (My Familiar Stranger (Knights of Black Swan, #1))
While group collaboration can certainly be a source of collective intelligence, it can also get you to jump off a cliff or drive too fast. And that’s probably why some form of continued connection to the adults and their adult perspectives still exists in traditional cultures, and even in our animal cousins. Without adults around, young adolescents can literally go wild.
Daniel J. Siegel
He lifted his arm that had been resting on her shoulders and gazed at the words she had written on his hand. He had been branded as cattle are branded to show whom they belong to. The cold mountain air stung his lips. She was driving too fast on this road that had once been a forest. Early humans had lived in it. They studied fire and the movement of the sun. They read the clouds and the moon and tried to understand the human mind His father had tried to melt him into a Polish forest when he was five years old. He knew he must leave no trace or trail of his existence because he must never find his way home. That was what his father had told him. You cannot come home. This was not something possible to know but he had to know it all the same
Deborah Levy (Swimming Home)
When Lebanese Muslims and Palestinians declared jihad on Christians in 1975, we didn’t even know what that word meant. We had taken the Palestinians in, giving them refuge in our country, allowing them to study side by side with us in our schools and universities. We gave them jobs and shared our way of life with them. What started as political war spiraled very fast into a religious war between Muslims and Christians, with Lebanese Muslims joining the PLO fighting the Christians. We didn’t realize the depth of their hatred and resentment toward us as infidels. The more that Christians refused to get involved in the Palestinian-Israeli conflict and to allow the Palestinians to use Lebanon as a launching pad from which to attack Israel, the more the Palestinians looked at us as the enemy. Muslims started making statements such as “First comes Saturday, then comes Sunday,” meaning first we fight the Jews, then we come for the Christians. Christian presence, influence, and democracy became an obstacle in the Palestinians' fight against Israel. Koranic verses such as sura 5:51—"Believers, take not Jews and Christians for your friends. They are but friends and protectors to each other"—became the driving force in recruiting Muslim youth. Many Christians barely knew the Bible, let alone the Koran and what it taught about us, the infidels. We should have seen the long-simmering tension between Muslims and Christians beginning to erupt, but we refused to believe that such hatred and such animosity existed. America also failed to recognize this hatred throughout all the attacks launched against it, beginning with the marine barracks bombing in Beirut in 1983 all the way up to September 11, 2001. It was that horrible day that made Americans finally ask, What is jihad? And why do they hate us? I have a very simple answer for them: because you are “infidels.
Brigitte Gabriel (Because They Hate)
Oz, does it scare you we've fallen in love so fast?" 
"No, my little dove." He kisses my head. "You are a witch, and I am a vampire, and we are doing what we do best: we feel. Our emotions help drive us. Never mind the humans who say you need to think with your head. Your intuition is the smartest thing you have, and your heart doesn't make a decision without consulting it first.
Kathy Haan (Bedlam Moon (Bedlam Moon, #1))
Since the Leeburg Pike [at Tyson's Corner] carries six to eight lanes of fast-moving traffic and the mall lacks an obvious pedestrian entrance, I decided to negotiate the street in my car rather than on foot. This is a problem planners call the 'drive to lunch syndrome,' typical of edge nodes where nothing is planned in advance and all the development takes place in isolated 'pods'.
Dolores Hayden (Building Suburbia: Green Fields and Urban Growth, 1820-2000)
Speed Bump Q. How fast can you hit a speed bump while driving and live? —Myrlin Barber A. Surprisingly fast. First, a disclaimer. After reading this answer, don’t try to drive over speed bumps at high speeds. Here are some reasons: You could hit and kill someone. It can destroy your tires, suspension, and potentially your entire car. Have you read any of the other answers in this book?
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
Your body is a gift, as is pleasure in the right time and place and way. But your body, like the rest of your soul, has been corrupted by sin. As a result, your body often works against you in your fight with the flesh, via your sex drive, fight-or-flight system, or survival instincts. Fasting is a way to turn your body into an ally in your fight with the flesh rather than an adversary.
John Mark Comer (Live No Lies: Recognize and Resist the Three Enemies That Sabotage Your Peace)
So here, Floyd told himself, is the first generation of the Spaceborn; there would be more of them in the years to come. Though there was sadness in this thought, there was also a great hope. When Earth was tamed and tranquil, and perhaps a little tired, there would still be scope for those who loved freedom, for the tough pioneers, the restless adventurers. But their tools would not be ax and gun and canoe and wagon; they would be nuclear power plant and plasma drive and hydroponic farm. The time was fast approaching when Earth, like all mothers, must say farewell to her children.
Arthur C. Clarke (2001: A Space Odyssey)
So I began, feeling as if I was some elf in a Grim fairy tale climbing the corporate ladder of darkest whimsy, yet somewhere at the top lies the treasure of a pure maiden’s heart. Therefore it was my duty to do whatever it might take to win that pure maiden’s heart by returning that treasure to her hand. By the way, Spicoli, in the movie Fast Times at Ridge Mont High, said that people on ludes shouldn’t drive, that being shortly after crashing a car while he was high on ludes. Therefore, I will say this in advance, people still half drunk and stoned probably shouldn’t climb trees either.
Andrew James Pritchard (Sukiyaki)
A good way to fall in love is to turn off the headlights and drive very fast down dark roads. Another way to fall in love is to say they are only mints and swallow them with a strong drink. Then it is autumn in the body. Your hands are cold. Then it is winter and we are still at war. The gold-haired girl is singing into your ear about how we live in a beautiful country. Snow sifts from the clouds into your drink. It doesn’t matter about the war. A good way to fall in love is to close up the garage and turn the engine on, then down you’ll fall through lovely mists as a body might fall early one morning from a high window into love. Love, the broken glass. Love, the scissors and the water basin. A good way to fall is with a rope to catch you. A good way is with something to drink to help you march forward. The gold-haired girl says, Don’t worry about the armies, says, We live in a time full of love. You’re thinking about this too much. Slow down. Nothing bad will happen.
Kevin Prufer
Okay, here’s the plan. I’ll keep telling you where the creature is, and you keep shooting while I pull Aidan into the car. Then we drive away as fast as we can and hope we leave it behind.” That is the worst plan I have ever heard. In spite of his dire situation, there was a hint of humor in Aidan’s voice. Stefan snorted aloud. “That is absolutely the worst plan I’ve ever heard. You aren’t strong enough to get Aidan into the car. And we can’t trade places, because you’ve probably never fired a gun in your life.” “Well, I don’t hear anything brilliant from either one of you,” she snapped indignantly.
Christine Feehan (Dark Gold (Dark, #3))
We want people to like us and admire us and speak well of us. It is a deadly drive. Jesus warned us, “Whoever exalts himself will be humbled; and whoever humbles himself will be exalted” (Matthew 23:12).
John Piper (A Hunger for God (Redesign): Desiring God through Fasting and Prayer)
I drive too fast; I love too much; I wish to die every day I live and I live like my wish was to come true. Ghandi, Ensler, Chanel, and others… What have they got on you but the ability to put into words what you feel. Somewhere deep inside you feel, we all feel, that instinct for carpe diem. It is just that most don’t know it until the moment they are about to die... Carpe diem amici mei, carpe diem iam.
B. Farkas
The day ends with a shine already on the memory of it. It reminds me of the way Mom would, once a year, let me and Paige play hooky from school--she'd drive us all the way there and then just past the school and keep driving, and we'd get pancakes at IHOP or take pictures on the bridge or drive into Belle Meade and stare at all the mansions. A stolen day. The kind of day that ends too fast but stays with you much longer.
Emma Lord (Tweet Cute)
Attention, God the Judge, God the Father, who Art in Heaven, give me one miracle, please. If You exist as I know You do, even if no one else in the world believes in You, please give me a brain tumor. Please tear my limbs from their sockets and let the backseat and my older sister be totally covered with blood. Please make me dumb and blind and deaf, please make me a martyr, please, dear heavenly Father. Tear my heart right from my chest. Drive spikes into my eyes and let hot lava shoot out of my mouth. Make me silent and thoroughly dead, but please hurry. Before we get home, before we reach the next stoplight, let the only sound be no sound, the silence of my death burning in the empty sky. If You are a mighty and true God, if You are not just a dream I have made up, please, before another hour, another minute passes, let the wire in my bra poke through my heart. Dear Lord, please, please, give me this one miracle. I have begged You every day, every evening, so please, let Your will be done, let Your will be done. Give me a gruesome death as fast as You possibly can. Thank you, God. Amen.
Joe Meno (The Great Perhaps)
I try to use my telekinesis to pull Nine towards me, but he doesn’t budge. Five’s telekinetic grip is too powerful. It all happens so fast. Five plummets down with blade extended. Nine, teeth gritted, unable to move, watches the fatal blow descend. Suddenly Eight appears in front of Nine—he’s teleported. “NO!” Nine screams. Five’s blade drives right into Eight’s heart. Five lurches backwards, shocked, as he realizes what he’s done. Eight’s eyes are wide, a spot of blood forming on his chest. He staggers away from Five, towards me, his hands outstretched. He tries to say something, but no words come out. He collapses. I scream as the fresh scar burns across my ankle.
Pittacus Lore
I don't think this place was everything my mother hoped for that day when she asked God where she should go to give her son the world. Though she didn't ford a river or hike across mountains, she still did what so many pioneers before had done, traveled recklessly, curiously, into the unknown of finding something just a little bit better. And like them she suffered and persevered, perhaps in equal measure. Whenever I looked at her, a castaway on the island of my queen-sized bed, it was hard for me to look past the suffering. It was hard for me not to take inventory of all that she had lost -- her home country, her husband, her son. The losses just kept piling up. It was hard for me to see her there, hear her ragged breath, and think of how she had persevered, but she had. Just lying there in my bed was a testament to her perseverance, to the fact that she survived, even when she wasn't sure she wanted to. I used to believe that God never gives us more than we can handle, but then my brother died and my mother and I were left with so much more; it crushed us. It took me many years to realize that it's hard to live in this world. I don't mean the mechanics of living, because for most of us, our hearts will beat, our lungs will take in oxygen, without us doing anything at all to tell them to. For most of us, mechanically, physically, it's hard to die than it is to live. But still we try to die. We drive too fast down winding roads, we have sex with strangers without wearing protection, we drink, we use drugs. We try to squeeze a little more life out of our lives. It's natural to want to do that. But to be alive in the world, every day, as we are given more and more and more, as the nature of "what we can handle" changes and our methods for how we handle it change, too, that's something of a miracle.
Yaa Gyasi (Transcendent Kingdom)
Get in or you’ll miss the fun.” Fun? I slid into the seat. The engine purred to life. She floored the accelerator and the car jerked forward. She took a hard right and the tires screeched when she pulled out onto the main road. I gripped the armrest. “Who the f*ck gave you your license?” “Watch your language, Noah, and the state of Kentucky. Why did you miss your appointment?” I loved fast driving. Isaiah and I had drag raced all last summer. What I didn’t love was a middle-aged nut job who couldn’t steer straight. “You want to pull over and let me drive?” Mrs. Collins laughed and cut off a tractor trailer merging onto the freeway. “You’re a riot. Focus, Noah. The appointment.”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
clumsy fingers, feeling faintly guilty about going through his wife’s purse. It feels private. But this is an emergency. He dumps the contents onto the middle of their neatly made bed. Her wallet is there, her change purse, lipstick, pen, a tissue packet—it’s all there. Not an errand then. Maybe she stepped out to help a friend? An emergency of some kind? Still, she would have taken her purse with her if she was driving the car. And wouldn’t she have called him by now if she could? She could borrow someone else’s phone. It’s not like her to be thoughtless. Tom sits on the edge of the bed, quietly unraveling. His heart is beating too fast. Something is wrong. He thinks that maybe he should call the police. He
Shari Lapena (The Couple Next Door)
I picture a heart lying down on the floor of the torso, pulling up the blankets over its head, thinking this pain will go on forever (even though it won’t). The heart is watching Lifetime movies and wishing, and missing all the good parts of her that she has forgotten. The heart is so tired of beating herself up, she wants to stop it still, but also she wants the blood to return, wants to bring in the thrill and wind of the ride, the fast pull of life driving underneath her.
Ada Limon (Bright Dead Things)
You get to a question of, is that what capitalism is supposed to do?” Schwartz asked. “There’s so many little ways that a company like this tells the next generation of entrepreneurs what success looks like. One way to ask this question is, in the system we have set up, do the people who were successful reflect the values we want? Should we care, or not care, if someone makes a lot of money exploiting the system?” Schwartz didn’t mind if Adam got rich; he wanted to get rich, too. “The reason I care is that if the most successful companies are the ones that just drive really hard, and play fast and loose with the truth,” Schwartz said, “then maybe the whole idea that capitalism is great, or even useful, is really challenging to uphold.
Reeves Wiedeman (Billion Dollar Loser: The Epic Rise and Spectacular Fall of Adam Neumann and WeWork)
Your BMW’s a convertible?” she asked, raising her eyebrows. “Yes, ma’am.” “I like fast German cars.” “Riding or driving?” “Both.” “Is that a request?” “Mm-hm.” “I love my car, Savannah. I’m not a shallow man, but I love that vehicle. What’s your driving record look like?” “This question from the man who made me cry?” “I would love for you to drive my car as far and as fast as you like,” he amended. She leaned back and winked at him. “I thought so. Give me a minute to change?” “Must you?” “I’m afraid so.
Katy Regnery (The Vixen and the Vet (A Modern Fairytale, #1))
The next time you drive into a Walmart parking lot, pause for a second to note that this Walmart—like the more than five thousand other Walmarts across the country—costs taxpayers about $1 million in direct subsidies to the employees who don’t earn enough money to pay for an apartment, buy food, or get even the most basic health care for their children. In total, Walmart benefits from more than $7 billion in subsidies each year from taxpayers like you. Those “low, low prices” are made possible by low, low wages—and by the taxes you pay to keep those workers alive on their low, low pay. As I said earlier, I don’t think that anyone who works full-time should live in poverty. I also don’t think that bazillion-dollar companies like Walmart ought to funnel profits to shareholders while paying such low wages that taxpayers must pick up the ticket for their employees’ food, shelter, and medical care. I listen to right-wing loudmouths sound off about what an outrage welfare is and I think, “Yeah, it stinks that Walmart has been sucking up so much government assistance for so long.” But somehow I suspect that these guys aren’t talking about Walmart the Welfare Queen. Walmart isn’t alone. Every year, employers like retailers and fast-food outlets pay wages that are so low that the rest of America ponies up a collective $153 billion to subsidize their workers. That’s $153 billion every year. Anyone want to guess what we could do with that mountain of money? We could make every public college tuition-free and pay for preschool for every child—and still have tens of billions left over. We could almost double the amount we spend on services for veterans, such as disability, long-term care, and ending homelessness. We could double all federal research and development—everything: medical, scientific, engineering, climate science, behavioral health, chemistry, brain mapping, drug addiction, even defense research. Or we could more than double federal spending on transportation and water infrastructure—roads, bridges, airports, mass transit, dams and levees, water treatment plants, safe new water pipes. Yeah, the point I’m making is blindingly obvious. America could do a lot with the money taxpayers spend to keep afloat people who are working full-time but whose employers don’t pay a living wage. Of course, giant corporations know they have a sweet deal—and they plan to keep it, thank you very much. They have deployed armies of lobbyists and lawyers to fight off any efforts to give workers a chance to organize or fight for a higher wage. Giant corporations have used their mouthpiece, the national Chamber of Commerce, to oppose any increase in the minimum wage, calling it a “distraction” and a “cynical effort” to increase union membership. Lobbyists grow rich making sure that people like Gina don’t get paid more. The
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
The healer's job has always been to release something not understood,to remove obstructions (demons, germs, despair) between the sick pa-tient and the force of life driving obscurely toward wholeness. Themeans may be direct—the psychic methods mentioned above—or indi-rect: Herbs can be used to stimulate recovery; this tradition extendsfrom prehistoric wisewomen through the Greek herbal of Dioscoridesand those of Renaissance Europe, to the prevailing drug therapies of thepresent. Fasting, controlled nutrition, and regulation of living habits toavoid stress can be used to coax the latent healing force from the sick body; we can trace this approach back from today's naturopaths to Galenand Hippocrates. Attendants at the healing temples of ancient Greeceand Egypt worked to foster a dream in the patient that would eitherstart the curative process in sleep or tell what must be done on awaken-ing. This method has gone out of style, but it must have worked fairlywell, for the temples were filled with plaques inscribed by grateful pa-trons who'd recovered.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
The Goatherd and the Wild Goats A GOATHERD, driving his flock from their pasture at eventide, found some Wild Goats mingled among them, and shut them up together with his own for the night. The next day it snowed very hard, so that he could not take the herd to their usual feeding places, but was obliged to keep them in the fold. He gave his own goats just sufficient food to keep them alive, but fed the strangers more abundantly in the hope of enticing them to stay with him and of making them his own. When the thaw set in, he led them all out to feed, and the Wild Goats scampered away as fast as they could to the mountains. The Goatherd scolded them for their ingratitude in leaving him, when during the storm he had taken more care of them than of his own herd. One of them, turning about, said to him: “That is the very reason why we are so cautious; for if you yesterday treated us better than the Goats you have had so long, it is plain also that if others came after us, you would in the same manner prefer them to ourselves.” Old friends cannot with impunity be sacrificed for new ones.
Aesop (Aesop's Fables)
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
BORN TO RUN In his book Racing the Antelope: What Animals Can Teach Us about Running and Life, biologist Bernd Heinrich describes the human species as an endurance predator. The genes that govern our bodies today evolved hundreds of thousands of years ago, when we were in constant motion, either foraging for food or chasing antelope for hours and days across the plains. Heinrich describes how, even though antelope are among the fastest mammals, our ancestors were able to hunt them down by driving them to exhaustion—keeping on their tails until they had no energy left to escape. Antelope are sprinters, but their metabolism doesn’t allow them to go and go and go. Ours does. And we have a fairly balanced distribution of fast-twitch and slow-twitch muscle fibers, so even after ranging miles over the landscape we retain the metabolic capacity to sprint in short bursts to make the kill.
John J. Ratey (Spark: The Revolutionary New Science of Exercise and the Brain)
It is hardly unusual for a young man to be drawn to a pursuit considered reckless by his elders; engaging in risky behavior is a rite of passage in our culture no less than in most others. Danger has always held a certain allure. That, in large part, is why so many teenagers drive too fast and drink too much and take too many drugs, why it has always been so easy for nations to recruit young men to go to war. It can be argued that youthful derring-do is in fact evolutionarily adaptive, a behavior encoded in our genes. McCandless, in his fashion, merely took risk-taking to its logical extreme.
Jon Krakauer (Into the Wild)
it is the nature of intelligent life to climb mountains. They all want to stand on ever higher ground to gaze ever farther into the distance. It is a drive completely divorced from the demands of survival. Had you, for example, been only concerned with staying alive, you would have fled from this mountain as fast and far as you could. Instead, you chose to come and climb it. The reason evolution bestows all intelligent life with a desire to climb higher is far more profound than more base needs, even though we still do not understand its real purpose. Mountains are universal and we are all standing at the feet of mountains.
Liu Cixin (The Wandering Earth: Classic Science Fiction Collection)
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change. “Holy shit—is that a red velvet chaise lounge?” The guys exchange a WTF look. “Um…sure?” Justin says. “Why—” I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder. Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat. “What is happening right now?” Justin bursts out. I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.” Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing. Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position. “Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?” “What is happening?” We both ignore Justin’s baffled exclamation. “Show me the thumbs up,” Garrett says. I give the camera a wolfish grin and stick up my thumbs. My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.” He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag. As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures. I nod in approval. “Damn. I should go into modeling.” “You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.” Fuck, it totally does. Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.” I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.” “You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.” “Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.” “Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
Elle Kennedy (The Mistake (Off-Campus, #2))
You simply must have the stronger heart. You must have no doubts, no fear. You must want to survive more than the storm does. When ou drive your hand into the heart of a storm, it in turn drives into you. It will search out every weakness, every insecurity. If you are afraid to die, it will know. I've seen hunters with tremendous skill-- fast and strong and calm under pressure-- crumble under the intensity of facing a storm heart to heart. The battle is different for every person, for every storm, but one thing always holds true-- only one heart gets to live on. So tell me, Roar, do you think you are ready? Look into yourself and decide-- are you willing to bet your life on it?
Cora Carmack (Roar (Stormheart, #1))
Given that 93 percent of companies that ended up being successful had to change their initial strategy, any capital that demands that the early company become very big, very fast, will almost always drive the business off a cliff instead. A big company will burn through money much faster, and a big organization is much harder to change than a small one.
Clayton M. Christensen (How Will You Measure Your Life?)
Rain is the last thing you want when you're chasing someone in Miami. They drive shitty enough as it is, but on top of that, snow is a foreign concept, which means they never got the crash course in traction judgment for when pavement slickness turns less than ideal. And because of the land-sea temperature differential, Florida has regular afternoon rain showers. Nothing big, over in a jiff. But minutes later, all major intersections in Miami-Dade are clogged with debris from spectacular smash-ups. In Northern states, snow teaches drivers real fast about the Newtonian physics of large moving objects. I haven't seen snow either, but I drink coffee, so the calculus of tire-grip ratio is intuitive to my body.
Tim Dorsey (Pineapple Grenade (Serge Storms, #15))
Song You’re wondering if I’m lonely: OK then, yes, I’m lonely as a plane rides lonely and level on its radio beam, aiming across the Rockies for the blue-strung aisles of an airfield on the ocean. You want to ask, am I lonely? Well, of course, lonely as a woman driving across country day after day, leaving behind mile after mile little towns she might have stopped and lived and died in, lonely If I’m lonely it must be the loneliness of waking first, of breathing dawn’s first cold breath on the city of being the one awake in a house wrapped in sleep If I’m lonely it’s with the rowboat ice-fast on the shore in the last red light of the year that knows what it is, that knows it’s neither ice nor mud nor winter light but wood, with a gift for burning.
Adrienne Rich (Diving Into the Wreck)
I pictured the world. I pictured the world millions of years ago, with crazy clouds of gas everywhere, and volcanoes, and the continents bumping into each other and then drifting apart. Okay. Now life begins. … There are animals, then humans, looking almost all alike. There are tiny differences in color, the shape of the face, the tone of the skin. But basically they are the same. They create shelters, grow food, experiment. They talk; they write things down. Now fast-forward. The earth is still making loops around the sun. There are humans all over the place, driving in cars and flying in airplanes. And then one day one human tells another human that he doesn’t want to walk to school with her anymore. 'Does it really matter?' I asked myself. It did.
Rebecca Stead (When You Reach Me)
We drink too much, smoke too much, spend too recklessly, laugh too little, drive too fast, get too angry, stay up too late, get up too tired, read too little, watch TV too much. We have multiplied our possessions but reduced our values. We talk too much, love too seldom, and hate too often. We've learned how to make a living but not a life. We've added years to life, not life to years.
George Carlin
Far, far away, in a place known as Alaska, darkness was beginning to fall. A man was walking across the vast wilderness. He made slow progress. His dog pulled on the leash as if she knew they were almost there. They were headed for Anchorage. The dog, a fur ball of energy, kept her nose to the ground. She moved fast as if something was driving her forward, some kind of reward or prize.
Suzy Davies (The Girl in The Red Cape)
If you’re looking for fast driving there’s a dragway in the southwestern part of the county. It opens next week.” “Do you race there?” he asks. “Yes.” And I plan on spending a lot of time there over the next six weeks. “Isaiah.” Beth attempts to step in between us, but Logan angles himself so that she can’t. “That’s not why I brought him here.” An insane glint strikes the guy’s eyes and all of a sudden, I feel a connection to him. A twitch of his lips shows he might be my kind of crazy. “How fast do the cars there go?” “Some guys hit speeds of 120 mph in an eighth mile.” “No!” Beth stomps her foot. “No. I promised Ryan nothing crazy would happen. Logan, this is not why I brought you here.” “Have you hit those speeds?” He swats his hand at Beth as if she’s a fly, earning my respect. Most guys would be terrified of having their balls ripped off and handed to them for dismissing Beth like that. “Not driving my car, I haven’t,” I answer honestly. But I hope to with Rachel’s car, and with mine, after a few modifications. “Speed can be bought. Just depends on how much you want to spend.” Logan offers his hand. “I’m Logan.” “Isaiah,” I say as we shake. “Shit,” mumbles Beth.
Katie McGarry (Crash into You (Pushing the Limits, #3))
Kassian arched a brow at Boyd as they made the short walk to Boyd's house. "You have no idea at all? I'm looking for an SUV of some kind although I'd prefer another truck. I can't drive those tiny ass cars they make now. I feel like if I get in an accident I'll be crushed instantly." "That's why I want one that's fast and easy to handle," Boyd said wryly. "To get out of the way of you crazy SUV drivers.
Ais (Afterimage (In the Company of Shadows, #2))
Grandpa recently turned sixty-five and went to the doctor for a complete physical. After an exam the doctor said grandpa was doing “fairly well” for his age. Grandpa was a little concerned and asked, “Doc, do you think I’ll live to eighty?” The doctor asked, “Do you smoke tobacco or drink alcohol?” “Oh no,” Grandpa replied, “and I don’t do drugs, either.” “Do you have many friends and entertain frequently?” Grandpa said, “No, I usually stay home and keep to myself.” “Do you eat beef and pork?” “No, my other doctor said red meat is unhealthy!” “Do you spend a lot of time doing things in the sun, like playing golf, sailing, or bicycling?” “No, I don’t.” “Do you gamble, drive fast cars, or have lots of sex?” “No, I don’t do any of those things anymore.” The doctor looked at Grandpa and said, “Then why do you care?
Scott McNeely (Ultimate Book of Jokes: The Essential Collection of More Than 1,500 Jokes)
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Okay, okay . . . where do you hear it coming from?” “Around here somewhere.” “Always in this spot?” “No. Not always. You are going to think I am even more insane, but I swear it is following me around.” “Maybe it is my new powers. The power to drive you mad.” She wriggled her fingers at him theatrically as if she were casting a curse on him. “You already drive me mad,” he teased, dragging her up against him and nibbling her neck with a playful growling. “Ah hell,” he broke off. “I really am going mad. I cannot believe you cannot hear that. It is like a metronome set to some ridiculously fast speed.” He turned and walked into the living room, looking around at every shelf. “The last person to own this place probably had a thing for music and left it running. Listen. Can you hear that?” “No,” she said thoughtfully, “but I can hear you hearing it if I concentrate on your thoughts. What in the world . . . ?” Gideon turned, then turned again, concentrating on the rapid sound, following it until it led him right up to his wife. “It is you!” he said. “No wonder it is following me around. Are you wearing a watch?” He grabbed her wrist and she rolled her eyes. “A Demon wearing a watch? Now I have heard everything.” Suddenly Gideon went very, very still, the cold wash of chills that flooded through him so strong that she shivered with the overflow of sensation. He abruptly dropped to his knees and framed her hips with his hands. “Oh, Legna,” he whispered, “I am such an idiot. It is a baby. It is our baby. I am hearing it’s heartbeat!” “What?” she asked, her shock so powerful she could barely speak. “I am with child?” “Yes. Yes, sweet, you most certainly are. A little over a month. Legna, you conceived, probably the first time we made love. My beautiful, fertile, gorgeous wife.” Gideon kissed her belly through her dress, stood up, and caught her up against him until she squeaked with the force of his hug. Legna went past shock and entered unbelievable joy. She laughed, not caring how tight he held her, feeling his joy on a thousand different levels. “I never thought I would know this feeling,” he said hoarsely. “Even when we were getting married, I never thought . . . It did not even enter my mind!” Gideon set her down on her feet, putting her at arm’s length as he scanned her thoroughly from head to toe. “I cannot understand why I did not become aware of this sooner. The chemical changes, the hormone levels alone . . .” “Never mind. We know now,” she said, throwing herself back up against him and hugging him tightly. “Come, we have to tell Noah . . . and Hannah! Oh, and Bella! And Jacob, of course. And Elijah. And we should inform Siena—” She was still rattling off names as she teleported them to the King’s castle.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
...once I realized that Australia’s top highway speed of 110 kilometers per hour was the same as going 65 in the U.S., all my hardened American enthusiasm for speed went limp until it felt like the car was hardly moving at all. Even worse, most stretches of the highway are restricted to 60 kilometers per hour, which is how fast Americans go when we’re, like, passing a stopped school bus disembarking small children, or driving through a herd of puppies in the road.
Elle Lothlorien (Alice in Wonderland)
A moment later, as he pulls away from the curb, I’m assuming the ride to school will be awkward with my sister in the back. It’s confirmed when she asks, “So what’s the deal with you and my sister?” He laughs shortly and rubs the back of his neck like something is there, tickling, tapping. “Tamra.” Clutching the dashboard, I turn and glare at her. “There is no deal.” She snorts. “Well, we wouldn’t be sitting here if that was the case now, would we?” I open my mouth to demand she end the interrogation when Will’s voice stops me. “I like your sister. A lot.” I look at him dumbly. He looks at me, lowers his voice to say, “I like you.” I know that, I guess, but heat still crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can’t stop shivering. Can’t speak. My throat hurts too much. “Jacinda,” he says. “I think you’ve shocked her,” Tamra offers, then sighs. “Look, if you like her, you have to make it legit. I don’t want everyone at school whispering about her like she’s some toy you get your kicks with in a stairwell.” Now I really can’t speak. My blood burns. I already have one mother doing her best to control my life. I don’t need my sister stepping in as mother number two. I know,” he says. “That’s what I’m trying to do now—if she’ll let me.” I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes. He’s serious. But then he would have to be. If he’s willing to break free of his self-imposed solitude for me, especially when he suspects there’s more to me than I’m telling him . . . he means what he’s saying. His thumb beats a staccato rhythm on the steering wheel as he drives. “I want to be with you, Jacinda.” He shakes his head. “I’m dong fighting it.” “Jeez,” Tamra mutters. And I know what she means. It seems too much. The declaration extreme. Fast. After all, we’re only sixteen . . . I start, jerk a little. I think he’s sixteen.
Sophie Jordan (Firelight (Firelight, #1))
What else do you assess during these test drives?" He felt electricity, every nerve in his body firing at once, this attraction raw and unexpected. "Tires?" As one, they slowed a few feet before the sidewalk, stopping in the shadows as if neither of them wanted to step into the glare of the lights. She turned to face him, her gaze dipping to his shoes. "They do seem to be in good working order." "Suspension?" He took a step closer and heard her breath catch in her throat. "A little bit stiff." She licked her lips. "I think we're in for a rough ride." "Acceleration?" Jay shoved the warning voice out of his head and cupped her jaw, brushing his thumb over her soft cheek. Her gaze grew heavy and she sighed. Or was it a whimper? He could barely hear over the rush of blood through his ears. "A little too fast," she whispered, leaning in. She pressed one palm against his chest, and in that moment he knew she wanted him, too. "Maybe I should test the handling." Dropping his head, he brushed soft kisses along her jaw, feathering a path to the bow of her mouth as he slid one hand under her soft hair to cup her nape. He felt like he'd just trapped a butterfly. If he didn't hold on tight, she might fly away. "Or the navigation." She moaned, the soft sound making him tense inside. His free hand slid over her curves to her hip and she ground up against him, a deliciously painful pressure on his already-hard shaft. "Navigation it is." He breathed in the scent of her. Wildflowers. A thunderstorm. The rolling sea.
Sara Desai (The Singles Table (Marriage Game, #3))
No plane. Planes are too fast. You can’t go south on a plane. You need to drive. Or take a train. You need to watch the dirt turn to clay. You need to look at all the junkyards full of rustin’ cars. You need to go over a few bridges. They say that evil spirits can’t follow you over running water, but that’s just humbug. You ever notice rivers in the North aren’t like rivers in the South? Rivers in the South are the color of chocolate, and they smell like marsh and moss. Up here they’re black, and they smell sweet, like pines. Like Christmas.
Joe Hill (Heart-Shaped Box)
A Night Piece The sky is overcast With a continuous cloud of texture close, Heavy and wan, all whitened by the Moon, Which through that veil is indistinctly seen, A dull, contracted circle, yielding light So feebly spread, that not a shadow falls, Chequering the ground--from rock, plant, tree, or tower. At length a pleasant instantaneous gleam Startles the pensive traveller while he treads His lonesome path, with unobserving eye Bent earthwards; he looks up--the clouds are split Asunder,--and above his head he sees The clear Moon, and the glory of the heavens. There, in a black-blue vault she sails along, Followed by multitudes of stars, that, small And sharp, and bright, along the dark abyss Drive as she drives: how fast they wheel away, Yet vanish not!--the wind is in the tree, But they are silent;--still they roll along Immeasurably distant; and the vault, Built round by those white clouds, enormous clouds, Still deepens its unfathomable depth. At length the Vision closes; and the mind, Not undisturbed by the delight it feels, Which slowly settles into peaceful calm, Is left to muse upon the solemn scene
William Wordsworth
We need a test!" I jump up out of the chair and pat my body down. "Where's my wallet?" "In your pocket," she replies dryly. "I'll be back!" I race out of the house and drive the short distance between Dom's estate and the nearest village. After I find a drug store and buy one of each kind of pregnancy test they have, I race back to my hopefully pregnant wife. "That was fast," she murmurs with a grin. She was still sitting in the lounge chair, sipping her coffee. "Should you be drinking coffee?" I ask. "Let's not get crazy," she responds. I need coffee. "I got one of each kind," I announce and opened the bag, sending small white and blue boxes scattering. "Uh, Caleb, we only need one." "What if we can't figure them out?" I ask and pick one up to examine it. "All of the instructions are in Italian." She laughs hysterically and then stands, wiping her eyes. "It's not funny." "Yes, it is. Pregnancy tests are pretty universal, Caleb. You pee on it and a line either appears or it doesn't." She rubs my arm sweetly and kisses my shoulder before plucking the box out of my fingers. "I'll be back." "I'm coming with you." I begin to follow her but she turns quickly with her hands out to stop me. "Oh no, you aren't. You are not going to watch me pee on this stick." I scowled down at her and cross my arms over my chest. "I've helped you bathe and dress and every other damn thing when you were hurt. I can handle watching you pee." "Absolutely not." She shakes her head but then leans in and kisses my chin. "But thank you for helping me when I was hurt." She turns and runs for the bathroom and it feels like an eternity before she comes back out, white stick in her hand. "Well?" I ask. "It takes about three minutes, babe." She sits in the lounge chair and stares out over the vineyard.
Kristen Proby (Safe with Me (With Me in Seattle, #5))
The first time...' the Doctor said, snapping Chris out of his reverie, 'I don't remember, I was unconscious. The second time...I don't want to talk about.' The third time?' Unconscious.' The fourth time?' Atypical. There were some strange time and energy effects involved.' But, you know, what does it feel like? Is it good or bad?' Good,' said the Doctor, 'in the same way that driving a vehicle very, very fast is a good feeling, until pow!' He slapped his hands together suddenly. 'Like being shoved through a window. That's what it was like the fifth time.' What about the sixth time?' Unconscious.
Kate Orman (The Room With No Doors)
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
Before we move on, let me clarify that there is a fundamental difference between what we do and how predictable we are. When it comes to things we do-like the distances we travel, the number of e-mails we send, or the number of calls we make-we encounter power laws, which means that some individuals are significantly more active than others. They send more messages; they travel farther. This also means that out-liers are normal-we expect to have a few individuals, like Hasan, who cover hundreds or even thousands of miles on a regular basis. But when it comes to the predictability of our actions, to our surprise power laws are replaced by Gaussians. This means that whether you limit your life to a two-mile neighborhood or drive dozens of miles each day, take a fast train to work or even commute via airplane, you are just as predictable as everyone else. And once Gaussians dominate the problem, outliers are forbidden, just as bursts are never found in Poisson's dice-driven universe. Or two-mile-tall folks ambling down the street are unheard of. Despite the many differences between us, when it came to our whereabouts we are all equally predictable, and the unforgiving law of statistics forbids the existence of individuals who somehow buck this trend.
Albert-László Barabási (Bursts: The Hidden Pattern Behind Everything We Do)
When I finally leave the market, the streets are dark, and I pass a few blocks where not a single electric light appears – only dark open storefronts and coms (fast-food eateries), broom closet-sized restaurants serving fish, meat, and rice for under a dollar, flickering candles barely revealing the silhouettes of seated figures. The tide of cyclists, motorbikes, and scooters has increased to an uninterrupted flow, a river that, given the slightest opportunity, diverts through automobile traffic, stopping it cold, spreads into tributaries that spill out over sidewalks, across lots, through filling stations. They pour through narrow openings in front of cars: young men, their girlfriends hanging on the back; families of four: mom, dad, baby, and grandma, all on a fragile, wobbly, underpowered motorbike; three people, the day’s shopping piled on a rear fender; women carrying bouquets of flapping chickens, gathered by their feet while youngest son drives and baby rests on the handlebars; motorbikes carrying furniture, spare tires, wooden crates, lumber, cinder blocks, boxes of shoes. Nothing is too large to pile onto or strap to a bike. Lone men in ragged clothes stand or sit by the roadsides, selling petrol from small soda bottles, servicing punctures with little patch kits and old bicycle pumps.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
But before I got in the ring, I’d won it out here on the road. Some people think a Heavyweight Championship fight is decided during the fifteen rounds the two fighters face each other under hot blazing lights, in front of thousands of screaming witnesses, and part of it is. But a prizefight is like a war: the real part is won or lost somewhere far away from witnesses, behind the lines, in the gym and out here on the road long before I dance under those lights. I’ve got another mile to go. My heart is about to break through my chest, sweat is pouring off me. I want to stop but I’ve marked this as the day to test myself, to find out what kind of shape I’m in, how much work I have to do. Whenever I feel I want to stop, I look around and I see George Foreman running, coming up next to me. And I run a little harder. I’ve got a half-mile more to go and each yard is draining me, I’m running on my reserve tank now, but I know each step I take after I’m exhausted builds up special stamina and it’s worth all the other running put together. I need something to push me on, to keep me from stopping, until I get to the farmer’s stable up ahead, five miles from where I started. George is helping me. I fix my mind on him and I see him right on my heels. I push harder, he’s catching up. It’s hard for me to get my breath, I feel like I’m going to faint. He’s starting to pull ahead of me. This is the spark I need. I keep pushing harder till I pull even with him. His sweat shirt’s soaking wet and I hear him breathing fast and hard. My heart is pounding like it’s going to explode, but I drive myself on. I glance over at him and he’s throwing himself in the wind, going all out. My legs are heavy and tight with pain but I manage to drive, drive, drive till I pass him, Till he slowly fades away. I’ve won, but I’m not in shape. I’ve still got a long way to go. I’m gasping for breath. My throat’s dry and I feel like I’m going to throw up. I want to fall on my face but I must stay up, keep walking, keep standing. I’m not there yet but I know I’m winning. I’m winning the fight on the road . . .
Muhammad Ali (The Greatest: My Own Story)
Instead of driving straight to the wharf where we usually parked the boat, Adam slowed at the marina dock so the boys could mock Mr. Vader, who hadn’t moved from the position he’d been in when I splashed him, except he’d started on another beer. The boys told him he was all washed up and he should enter a wet T-shirt contest with that figure, and so forth. My brother called to Dad, “Nice save, Pops.” “Hey.” Dad tipped his beer to us. “You’ve got to be fast with Lori around.” “I have to say, young lady,” grumbled Mr. Vader. “I was very impressed with all your shenanigans. Right up to the point I got doused. I want you to plan to close the Crappie Festival show until further notice.” Which meant, Until you screw up. That was okay. He’d told me I was better than the boys at something for once in my life! I turned to Sean and beamed so big that my cheeks hurt. Sean squinted into the sun, wearing that strange, fixed smile. Even my brother and Cameron gave each other puzzled looks rather than congratulating me again. Only Adam met my eyes. He shook his head at me. Oh, crap. Crappy. Holy Crappie Festival! I had upset the natural order. After Adam had already upset the natural order in team calisthenics. I should have thought all of this through better. Sean began, “But I didn’t even get a chance to-“ “I saw what happened,” Mr. Vader told him. “You had your chance. The Big Kahuna has spoken.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel. Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest. JACKSONVILLE FLA OR BUST I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust. The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.
Charles Portis (The Dog of the South)
On describes the earliest startup as like driving a race car. You’re close to the ground, and you feel every move you make. You have control, you can turn quickly, you feel like things are moving fast. Of course, you’re also at risk of crashing at any moment, but you only take yourself down if you do. As you grow, you graduate to a commercial flight. You’re farther from the ground, and more people’s lives depend on you, so you need to consider your movements more carefully, but you still feel in control and can turn the plane relatively quickly. Finally, you graduate to a spaceship, where you can’t make quick moves and the course is set long in advance, but you’re capable of going very far and taking tons of people along for the ride.
Camille Fournier (The Manager's Path: A Guide for Tech Leaders Navigating Growth and Change)
Psychoanalysis: An Elegy" What are you thinking about? I am thinking of an early summer. I am thinking of wet hills in the rain Pouring water. Shedding it Down empty acres of oak and manzanita Down to the old green brush tangled in the sun, Greasewood, sage, and spring mustard. Or the hot wind coming down from Santa Ana Driving the hills crazy, A fast wind with a bit of dust in it Bruising everything and making the seed sweet. Or down in the city where the peach trees Are awkward as young horses, And there are kites caught on the wires Up above the street lamps, And the storm drains are all choked with dead branches. What are you thinking? I think that I would like to write a poem that is slow as a summer As slow getting started As 4th of July somewhere around the middle of the second stanza After a lot of unusual rain California seems long in the summer. I would like to write a poem as long as California And as slow as a summer. Do you get me, Doctor? It would have to be as slow As the very tip of summer. As slow as the summer seems On a hot day drinking beer outside Riverside Or standing in the middle of a white-hot road Between Bakersfield and Hell Waiting for Santa Claus. What are you thinking now? I’m thinking that she is very much like California. When she is still her dress is like a roadmap. Highways Traveling up and down her skin Long empty highways With the moon chasing jackrabbits across them On hot summer nights. I am thinking that her body could be California And I a rich Eastern tourist Lost somewhere between Hell and Texas Looking at a map of a long, wet, dancing California That I have never seen. Send me some penny picture-postcards, lady, Send them. One of each breast photographed looking Like curious national monuments, One of your body sweeping like a three-lane highway Twenty-seven miles from a night’s lodging In the world’s oldest hotel. What are you thinking? I am thinking of how many times this poem Will be repeated. How many summers Will torture California Until the damned maps burn Until the mad cartographer Falls to the ground and possesses The sweet thick earth from which he has been hiding. What are you thinking now? I am thinking that a poem could go on forever.
Jack Spicer (My Vocabulary Did This to Me: The Collected Poetry)
I thought, There is nowhere else in the universe I would rather be at this moment. I could count the places I would not rather be. I’ve always wanted to see New Zealand, but I’d rather be here. The majestic ruins of Machu Picchu? I’d rather be here. A hillside in Cuenca, Spain, sipping coffee and watching leaves fall? Not even close. There is nowhere else I could imagine wanting to be besides here in this car, with this girl, on this road, listening to this song. If she breaks my heart, no matter what the hell she puts me through, I can say it was worth it, just because of right now. Out the window is a blur and all I can really hear is this girl’s hair flapping in the wind, and maybe if we drive fast enough the universe will lose track of us and forget to stick us somewhere else.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
So what's the deal with you and my sister?" He laughs shortly and rubs the back of his neck like something is there, tickling, tapping. "Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal." She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?" I open my mouth to demand she end the interrogation when Will's voice stops me. "I like your sister. A lot." I look at him dumbly. He looks at me, lowers his voice to say, "I like you." I know that, I guess, but heat crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much. "Jacinda," he says. "I think you've shocked her," Tamra offers, then sighs. "Look, if you like her, you have to make it legit. I don't want everyone at school whispering about her like she's some toy you get your kicks with in a stairwell." Now I really can't speak. My blood burns. I already have one mother doing her best to control my life. I don't need my sister stepping in as mother number two. "I know," he says. "That's what I'm trying to do now-if she'll let me." I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes. He's serious. But then he would have to be. If he's willing to break free of his self-imposed solitude for me, especially when he suspects there's more to me than I'm telling him...he means what he's saying. His thumbs beat a staccato rhythm on the steering wheel as he drives. "I want to be with you, Jacinda." He shakes his head. "I'm done fighting it." "Jeez," Tamra mutters. And I know what she means. It seems too much. The declaration extreme. Fast. After all, we're only sixteen... I start, jerk a little. I think he's sixteen. I don't even know. I don't know anything about him other than his secret. That sort of eclipses everything else. But he has to be more. More than the secret. More than a hunter. More than a boy who doesn't want to be a force of destruction. More than the boy who saved my life. The boy I've built a fantasy around. I don't know the real him. Xander mentioned Will being sick, and I don't even know what happened to him. But then I don't feel bad about that for long. Because he doesn't know the real me either. And yet he still wants to be with me. Maybe it's perfect because I want to be with him, too. And not just because I need to get close to him and use him for information. Although there is that. Something I would like to forget but can't let myself. Forgetting is resigning myself to a life here. Forever. As a ghost. A small voice whispers through me, a tempting thought... Not if you have Will.
Sophie Jordan (Firelight (Firelight, #1))
Sam swallowed as she saw the fury in those precious blue eyes she'd never thought to see again. "I don't want to bury you, Dev. I don't. I love you and it terrifies me." Those words hit him like a vicious punch to his gut. "What did you say?" "I love you." He cupped her cheek in his hand as he stared at her in disbelief. Those were the three words he'd never expected to hear from someone he wasn't related to. "I don't want to live without you, Sam." Tears glistened in her eyes. "I haven't been alive in over five thousand years. Not until some bear made a smart-ass comment about my bad driving and followed me home." He bristled under her accusation. "You invited me." Her smile blinded him. "And I'm inviting you in again." "Are you sure?" She nodded. "I know this is fast, but--" A loud knock on the door interrupted her. "Clothes on, people, quick," Nick said from the other side of the door. "Buckle up, buttercups. We have incoming and it's about to get bloody.
Sherrilyn Kenyon (No Mercy (Dark-Hunter, #18; Were-Hunter, #5))
Time: 0529:45. The firing circuit closed; the X-unit discharged; the detonators at thirty-two detonation points simultaneously fired; they ignited the outer lens shells of Composition B; the detonation waves separately bulged, encountered inclusions of Baratol, slowed, curved, turned inside out, merged to a common inward-driving sphere; the spherical detonation wave crossed into the second shell of solid fast Composition B and accelerated; hit the wall of dense uranium tamper and became a shock wave and squeezed, liquefying, moving through; hit the nickel plating of the plutonium core and squeezed, the small sphere shrinking, collapsing into itself, becoming an eyeball; the shock wave reaching the tiny initiator at the center and swirling through its designed irregularities to mix its beryllium and polonium; polonium alphas kicking neutrons free from scant atoms of beryllium: one, two, seven, nine, hardly more neutrons drilling into the surrounding plutonium to start the chain reaction.
Richard Rhodes (Making of the Atomic Bomb)
HOW TO DRIVE A WRITER CRAZY “1. When he starts to outline a story, immediately give him several stories just like it to read and tell him three other plots. This makes his own story and his feeling for it vanish in a cloud of disrelated facts. "2. When he outlines a character, read excerpts from stories about such characters, saying that this will clarify the writer's ideas. As this causes him to lose touch with the identity he felt in his character by robbing him of individuality, he is certain to back away from ever touching such a character. "3. Whenever the writer proposes a story, always mention that his rate, being higher than other rates of writers in the book, puts up a bar to his stories. "4. When a rumor has stated that a writer is a fast producer, invariably confront him with the fact with great disapproval, as it is, of course, unnatural for one human being to think faster than another. "5. Always correlate production and rate, saying that it is necessary for the writer to do better stories than the average for him to get any consideration whatever. "6. It is a good thing to mention any error in a story bought, especially when that error is to be editorially corrected, as this makes the writer feel that he is being criticized behind his back and he wonders just how many other things are wrong. "7. Never fail to warn a writer not to be mechanical, as this automatically suggests to him that his stories are mechanical and, as he considers this a crime, wonders how much of his technique shows through and instantly goes to much trouble to bury mechanics very deep—which will result in laying the mechanics bare to the eye. "8. Never fail to mention and then discuss budget problems with a writer, as he is very interested. "9. By showing his vast knowledge of a field, an editor can almost always frighten a writer into mental paralysis, especially on subjects where nothing is known anyway. "10. Always tell a writer plot tricks, as they are not his business.
L. Ron Hubbard
Wait in the car." He opened the door and started to climb out. "Hold on! How long should I give you? What if you don't come back in a certain number of minutes? Should I call the cops?" "Don't do anything. Don't call anyone. I'll be fine." "But what if you're not?" "Then go home." And with that, he got out and jogged down the street, like if I heard screams or gunshots or whatever I would just drive on home like nothing happened. Well, good for you, I thought, watching him climb a short cement staircase and put a key in the door. You don't need anyone. Fine. I watched the clock. Three minutes went by, four. I thought about knocking on the door, having of course no idea what I would actually do once I got there. Maybe I'd have to break the door down, wrestle Cameron away from the bad men, and then carry him out the way you hear people when they get a huge burst of adrenaline. Except the person I pictured rescuing was little Cameron, in shorts and a striped T-shirt, his arms wrapped around my neck. Then there he was, bursting out of the apartment door and bounding down the steps, a big garbage bag in hand. He ran to the car, fast. I reached over and opened the passenger door and he jumped in. "Go." You can't exactly peel out in a '94 Escort, but I did my best. Cameron breathed hard, clutching the garbage bag to his chest. "What happened?" I drove a good fifteen miles per hour over the speed limit, convinced we were being chased by angry roommates with guns. "Nothing. You can slow down." I didn't. "Nothing? Nothing happened?" "They weren't even there." Then I did slow down. "No one was there? At all?" "Right." His breathing had returned to almost normal. "Then what's the deal with freaking me out like that?" My voice came out high and hysterical and I realized how nervous I'd been, imagining some dangerous scenario from which Cameron had barely escaped, an echo of that day at his house. "I don't know. I started to picture one of them pulling up and finding me there and...I panicked.
Sara Zarr (Sweethearts)
The metabolic rate of history is too fast for us to observe it. It's as if, attending to the day-long life cycle of a single mayfly, we lose sight of the species and its fate. At the same time, the metabolic rate of geology is too slow for us to perceive it, so that, from birth to death, it seems to us who are caught in the beat of our own individual human hearts that everything happening on this planet is what happens to us, personally, privately, secretly. We can stand at night on a high, cold plain and look out toward the scrabbled, snow-covered mountains in the west, the same in a suburb of Denver as outside a village in Baluchistan in Pakistan, and even though beneath our feet continent-sized chunks of earth grind inexorably against one another, go on driving one or the other continent down so as to rise up and over it, as if desiring to replace it on the map, we poke with our tongue for a piece of meat caught between two back teeth and think of sarcastic remarks we should have made to our brother-in-law at dinner.
Russell Banks (Continental Drift)
Isn’t that … Amanda’s car?” April suddenly walked past us, her blond ponytail swaying. “I don’t know,” Zoe answered. April slid past a small group. “Yeah. That is her car and it’s running.” I trailed behind April, glancing at Zoe. She shrugged. Amanda hadn’t been in chem today, but if that was her car and it was running, then was she…? It happened so fast. “Oh my God.” A girl stumbled back from the car, dropping her bag just as the driver’s side came into view. I saw it—saw everything before I had a chance to look away, to not see what would forever be imprinted in my mind. Amanda was sitting in the driver’s seat, her posture rigid. At first glance I thought she was driving—I thought everything was okay—but then I saw that her head was tipped back against the seat, her long blond hair falling over her shoulders. Then I saw her face. Someone screamed. Someone grabbed my arm. Someone was tugging on me. But I saw her face through the windshield. I saw where her eyes should’ve been, but they were just burnt-out black sockets.
Jennifer L. Armentrout (The Darkest Star (Origin, #1))
About five miles back I had a brush with the CHP. Not stopped or pulled over: nothing routine. I always drive properly. A bit fast, perhaps, but always with consummate skill and a natural feel for the road that even cops recognize. No cop was ever born who isn't a sucker for a finely-executed hi-speed Controlled Drift all the way around one of those cloverleaf freeway interchanges. Few people understand the psychology of dealing with a highway traffic cop. Your normal speeder will panic and immediately pull over to the side when he sees the big red light behind him ... and then he will start apologizing, begging for mercy. This is wrong. It arouses contempt in the cop-heart. The thing to do – when you're running along about 100 or so and you suddenly find a red-flashing CHP-tracker on your tail – what you want to do then is accelerate. Never pull over with the first siren-howl. Mash it down and make the bastard chase you at speeds up to 120 all the way to the next exit. He will follow. But he won't know what to make of your blinker-signal that says you're about to turn right. This is to let him know you're looking for a proper place to pull off and talk ... keep signaling and hope for an off-ramp, one of those uphill side-loops with a sign saying "Max Speed 25" ... and the trick, at this point, is to suddenly leave the freeway and take him into the chute at no less than 100 miles an hour. He will lock his brakes about the same time you lock yours, but it will take him a moment to realize that he's about to make a 180-degree turn at this speed ... but you will be ready for it, braced for the Gs and the fast heel-toe work, and with any luck at all you will have come to a complete stop off the road at the top of the turn and be standing beside your automobile by the time he catches up. He will not be reasonable at first ... but no matter. Let him calm down. He will want the first word. Let him have it. His brain will be in a turmoil: he may begin jabbering, or even pull his gun. Let him unwind; keep smiling. The idea is to show him that you were always in total control of yourself and your vehicle – while he lost control of everything.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
All 250 + episodes to date can be found at tim.blog/ podcast and itunes.com/ timferriss Jamie Foxx on Workout Routines, Success Habits, and Untold Hollywood Stories (# 124)—tim.blog/ jamie The Scariest Navy SEAL I’ve Ever Met . . . and What He Taught Me (# 107)—tim.blog/ jocko Arnold Schwarzenegger on Psychological Warfare (and Much More) (# 60)—tim.blog/ arnold Dom D’Agostino on Fasting, Ketosis, and the End of Cancer (# 117)—tim.blog/ dom2 Tony Robbins on Morning Routines, Peak Performance, and Mastering Money (# 37)—tim.blog/ tony How to Design a Life—Debbie Millman (# 214)—tim.blog/ debbie Tony Robbins—On Achievement Versus Fulfillment (# 178)—tim.blog/ tony2 Kevin Rose (# 1)—tim.blog/ kevinrose [If you want to hear how bad a first episode can be, this delivers. Drunkenness didn’t help matters.] Charles Poliquin on Strength Training, Shredding Body Fat, and Increasing Testosterone and Sex Drive (# 91)—tim.blog/ charles Mr. Money Mustache—Living Beautifully on $ 25–27K Per Year (# 221)—tim.blog/ mustache Lessons from Warren Buffett, Bobby Fischer, and Other Outliers (# 219)—tim.blog/ buffett Exploring Smart Drugs, Fasting, and Fat Loss—Dr. Rhonda Patrick (# 237)—tim.blog/ rhonda 5 Morning Rituals That Help Me Win the Day (# 105)—tim.blog/ rituals David Heinemeier Hansson: The Power of Being Outspoken (# 195)—tim.blog/ dhh Lessons from Geniuses, Billionaires, and Tinkerers (# 173)—tim.blog/ chrisyoung The Secrets of Gymnastic Strength Training (# 158)—tim.blog/ gst Becoming the Best Version of You (# 210)—tim.blog/ best The Science of Strength and Simplicity with Pavel Tsatsouline (# 55)—tim.blog/ pavel Tony Robbins (Part 2) on Morning Routines, Peak Performance, and Mastering Money (# 38)—tim.blog/ tony How Seth Godin Manages His Life—Rules, Principles, and Obsessions (# 138)—tim.blog/ seth The Relationship Episode: Sex, Love, Polyamory, Marriage, and More (with Esther Perel) (# 241)—tim.blog/ esther The Quiet Master of Cryptocurrency—Nick Szabo (# 244)—tim.blog/ crypto Joshua Waitzkin (# 2)—tim.blog/ josh The Benevolent Dictator of the Internet, Matt Mullenweg (# 61)—tim.blog/ matt Ricardo Semler—The Seven-Day Weekend and How to Break the Rules (# 229)—tim.blog/ ricardo
Timothy Ferriss (Tribe of Mentors: Short Life Advice from the Best in the World)
One could understand feminism generally as an attack on woman as she was under “patriarchy” (that concept is a social construction of feminism). The feminine mystique was her ideal; in regard to sex, it consisted of women’s modesty and in the double standard of sexual conduct that comes with it, which treated women’s misbehavior as more serious than men’s. Instead of trying to establish a single standard by bringing men up to the higher standard of women, as with earlier feminism, today’s feminism decided to demand that women be entitled to sink to the level of men. It bought into the sexual revolution of the late sixties and required that women be rewarded with the privileges of male conquest rather than, say, continue serving as camp followers of rock bands. The result has been the turn for the worse. ... What was there in feminine modesty that the feminists left behind? In return for women’s holding to a higher standard of sexual behavior, feminine modesty gave them protection while they considered whether they wanted to consent. It gave them time: Not so fast! Not the first date! I’m not ready for that! It gave them the pleasure of being courted along with the advantage of looking before you leap. To win over a woman, men had to strive to express their finer feelings, if they had any. Women could judge their character and choose accordingly. In sum, women had the right of choice, if I may borrow that slogan. All this and more was social construction, to be sure, but on the basis of the bent toward modesty that was held to be in the nature of women. That inclination, it was thought, cooperated with the aggressive drive in the nature of men that could be beneficially constructed into the male duty to take the initiative. There was no guarantee of perfection in this arrangement, but at least each sex would have a legitimate expectation of possible success in seeking marital happiness. They could live together, have children, and take care of them. Without feminine modesty, however, women must imitate men, and in matters of sex, the most predatory men, as we have seen. The consequence is the hook-up culture now prevalent on college campuses, and off-campus too (even more, it is said). The purpose of hooking up is to replace the human complexity of courtship with “good sex,” a kind of animal simplicity, eliminating all the preliminaries to sex as well as the aftermath. “Good sex,” by the way, is in good part a social construction of the alliance between feminists and male predators that we see today. It narrows and distorts the human potentiality for something nobler and more satisfying than the bare minimum. The hook-up culture denounced by conservatives is the very same rape culture denounced by feminists. Who wants it? Most college women do not; they ignore hookups and lament the loss of dating. Many men will not turn down the offer of an available woman, but what they really want is a girlfriend. The predatory males are a small minority among men who are the main beneficiaries of the feminist norm. It’s not the fault of men that women want to join them in excess rather than calm them down, for men too are victims of the rape culture. Nor is it the fault of women. Women are so far from wanting hook-ups that they must drink themselves into drunken consent — in order to overcome their natural modesty, one might suggest. Not having a sociable drink but getting blind drunk is today’s preliminary to sex. Beautifully romantic, isn’t it?
Harvey Mansfield Jr.
What franticke fit (quoth he) hath thus distraught Thee, foolish man, so rash a doome to give? What justice ever other judgement taught, But he should die, who merites not to live? None else to death this man despayring drive, But his owne guiltie mind deserving death. Is then unjust to each his due to give? Or let him die, that loatheth living breath? Or let him die at ease, that liveth here uneath? Who travels by the wearie wandring way, To come unto his wished home in haste, And meetes a flood, that doth his passage stay, Is not great grace to helpe him over past, Or free his feet, that in the myre sticke fast? Most envious man, that grieves at neighbours good, And fond, that joyest in the woe thou hast, Why wilt not let him passe, that long hath stood Upon the banke, yet wilt thy selfe not passe the flood? He there does now enjoy eternall rest And happie ease, which thou doest want and crave, And further from it daily wanderest: What if some litle paine the passage have, That makes fraile flesh to feare the bitter wave? Is not short paine well borne, that brings long ease, And layes the soule to sleepe in quiet grave? Sleepe after toyle, port after stormie seas, Ease after warre, death after life does greatly please. [...] Is not his deed, what ever thing is donne, In heaven and earth? did not he all create To die againe? all ends that was begonne. Their times in his eternall booke of fate Are written sure, and have their certaine date. Who then can strive with strong necessitie, That holds the world in his still chaunging state, Or shunne the death ordaynd by destinie? When houre of death is come, let none aske whence, nor why. The lenger life, I wote the greater sin, The greater sin, the greater punishment: All those great battels, which thou boasts to win, Through strife, and bloud-shed, and avengement, Now praysd, hereafter deare thou shalt repent: For life must life, and bloud must bloud repay. Is not enough thy evill life forespent? For he, that once hath missed the right way, The further he doth goe, the further he doth stray. Then do no further goe, no further stray, But here lie downe, and to thy rest betake, Th'ill to prevent, that life ensewen may. For what hath life, that may it loved make, And gives not rather cause it to forsake? Feare, sicknesse, age, losse, labour, sorrow, strife, Paine, hunger, cold, that makes the hart to quake; And ever fickle fortune rageth rife, All which, and thousands mo do make a loathsome life. Thou wretched man, of death hast greatest need, If in true ballance thou wilt weigh thy state: For never knight, that dared warlike deede, More lucklesse disaventures did amate: Witnesse the dongeon deepe, wherein of late Thy life shut up, for death so oft did call; And though good lucke prolonged hath thy date, Yet death then, would the like mishaps forestall, Into the which hereafter thou maiest happen fall. Why then doest thou, O man of sin, desire To draw thy dayes forth to their last degree? Is not the measure of thy sinfull hire High heaped up with huge iniquitie, Against the day of wrath, to burden thee? Is not enough, that to this Ladie milde Thou falsed hast thy faith with perjurie, And sold thy selfe to serve Duessa vilde, With whom in all abuse thou hast thy selfe defilde? Is not he just, that all this doth behold From highest heaven, and beares an equall eye? Shall he thy sins up in his knowledge fold, And guiltie be of thine impietie? Is not his law, Let every sinner die: Die shall all flesh? what then must needs be donne, Is it not better to doe willinglie, Then linger, till the glasse be all out ronne? Death is the end of woes: die soone, O faeries sonne.
Edmund Spenser (The Faerie Queene)
Appendix 1 Seven Points and Fifty-Nine Slogans for Generating Compassion and Resilience POINT ONE Resolve to Begin 1. Train in the preliminaries. POINT TWO Train in Empathy and Compassion: Absolute Compassion 2. See everything as a dream. 3. Examine the nature of awareness. 4. Don’t get stuck on peace. 5. Rest in the openness of mind. 6. In Postmeditation be a child of illusion. POINT TWO Train in Empathy and Compassion: Relative Compassion 7. Practice sending and receiving alternately on the breath. 8. Begin sending and receiving practice with yourself. 9. Turn things around (Three objects, three poisons, three virtues). 10. Always train with the slogans. POINT THREE Transform Bad Circumstances into the Path 11. Turn all mishaps into the path. 12. Drive all blames into one. 13. Be grateful to everyone. 14. See confusion as Buddha and practice emptiness. 15. Do good, avoid evil, appreciate your lunacy, pray for help. 16. Whatever you meet is the path. POINT FOUR Make Practice Your Whole Life 17. Cultivate a serious attitude (Practice the five strengths). 18. Practice for death as well as for life. POINT FIVE Assess and Extend 19. There’s only one point. 20. Trust your own eyes. 21. Maintain joy (and don’t lose your sense of humor). 22. Practice when you’re distracted. POINT SIX The Discipline of Relationship 23. Come back to basics. 24. Don’t be a phony. 25. Don’t talk about faults. 26. Don’t figure others out. 27. Work with your biggest problems first. 28. Abandon hope. 29. Don’t poison yourself. 30. Don’t be so predictable. 31. Don’t malign others. 32. Don’t wait in ambush. 33. Don’t make everything so painful. 34. Don’t unload on everyone. 35. Don’t go so fast. 36. Don’t be tricky. 37. Don’t make gods into demons. 38. Don’t rejoice at others’ pain. POINT SEVEN Living with Ease in a Crazy World 39. Keep a single intention. 40. Correct all wrongs with one intention. 41. Begin at the beginning, end at the end. 42. Be patient either way. 43. Observe, even if it costs you everything. 44. Train in three difficulties. 45. Take on the three causes. 46. Don’t lose track. 47. Keep the three inseparable. 48. Train wholeheartedly, openly, and constantly. 49. Stay close to your resentment. 50. Don’t be swayed by circumstances. 51. This time get it right! 52. Don’t misinterpret. 53. Don’t vacillate. 54. Be wholehearted. 55. Examine and analyze. 56. Don’t wallow. 57. Don’t be jealous. 58. Don’t be frivolous. 59. Don’t expect applause.
Norman Fischer (Training in Compassion: Zen Teachings on the Practice of Lojong)
It would be a mistake to imagine that drug companies are the only people applying pressure for fast approvals. Patients can also feel they are being deprived of access to drugs, especially if they are desperate. In fact, in the 1980s and 1990s the key public drive for faster approvals came from an alliance forged between drug companies and AIDS activists such as ACT UP. At the time, HIV and AIDS had suddenly appeared out of nowhere, and young, previously healthy gay men were falling ill and dying in terrifying numbers, with no treatment available. We don’t care, they explained, if the drugs that are currently being researched for effectiveness might kill us: we want them, because we’re dying anyway. Losing a couple of months of life because a currently unapproved drug turned out to be dangerous was nothing, compared to a shot at a normal lifespan. In an extreme form, the HIV-positive community was exemplifying the very best motivations that drive people to participate in clinical trials: they were prepared to take a risk, in the hope of finding better treatments for themselves or others like them in the future. To achieve this goal they blocked traffic on Wall Street, marched on the FDA headquarters in Rockville, Maryland, and campaigned tirelessly for faster approvals.
Ben Goldacre (Bad Pharma: How Drug Companies Mislead Doctors and Harm Patients)
Can you just imagine the two of them next year at the Phi Delta Carnation Ball?” Laura Grace asks, clapping her hands together. Daddy looks confused. “The two of who?” “Why, Ryder and Jemma, of course.” Mama pats him on the hand. “You remember the Carnation Ball--it’s the first Phi Delta party of the year. They have to go together, right, Laura Grace?” She nods. “We’ve been waiting all our lives for this.” Mama finally glances my way and sees my scowl. “Aw, honey. We’re just teasing, that’s all.” This sort of teasing has been going on my entire life--second verse, same as the first. It’s gotten real old, real fast. “May I be excused?” I ask, pushing back from the table. “You go on and finish your dinner,” Laura Grace says, entirely unperturbed. “We’ll stop teasing. I promise.” “It’s okay. I’m done. It was delicious, thanks. I just need to get some air, that’s all. I’m getting a bit of a headache.” Laura Grace nods. “It’s this heat--way too hot for September.” She waves a hand in my direction. “Go on, then. Ryder, why don’t you go get Jemma some aspirin or something.” I glance over at Ryder, and our eyes meet. I shake my head, hoping he gets the message. “No, it’s fine. I’m…uh…I’ve got some in my purse.” “Go with her, son,” Mr. Marsden prods. “Be a gentleman, and get her a bottle of water to take outside with her.” Ugh. I give up. My escape plot is now ruined. Wordlessly, Ryder rises from the table and stalks out of the dining room. I follow behind, my sandals slapping noisily against the hardwood floor. “Do you want water or not?” he asks me as soon as the door swings shut behind us. “Sure. Fine. Whatever.” He turns to face me. “It is pretty hot out there.” “I near about melted on the drive over.” His lips twitch with the hint of a smile. “Your dad refused to turn on the AC, huh?” I nod as I follow him out into the cavernous marble-tiled foyer. “You know his theory--‘no point when you’re just going down the road.’ Must’ve been a thousand degrees in the car.” He tips his head toward the front door. “You wait out on the porch--I’ll bring you a bottle of water.” “Thanks.” I watch him go, wondering if we’re going to pretend like last night’s fight didn’t happen. I hope that’s the case, because I really don’t feel like rehashing it.
Kristi Cook (Magnolia (Magnolia Branch, #1))
But come on—tell me the proposal story, anyway.” She raised an eyebrow. “Really?” “Really. Just keep in mind that I’m a guy, which means I’m genetically predisposed to think that whatever mushy romantic tale you’re about to tell me is highly cheesy.” Rylann laughed. “I’ll keep it simple, then.” She rested her drink on the table. “Well, you already heard how Kyle picked me up at the courthouse after my trial. He said he wanted to surprise me with a vacation because I’d been working so hard, but that we needed to drive to Champaign first to meet with his former mentor, the head of the U of I Department of Computer Sciences, to discuss some project Kyle was working on for a client.” She held up a sparkly hand, nearly blinding Cade and probably half of the other Starbucks patrons. “In hindsight, yes, that sounds a little fishy, but what do I know about all this network security stuff? He had his laptop out, there was some talk about malicious payloads and Trojan horse attacks—it all sounded legitimate enough at the time.” “Remind me, while I’m acting U.S. attorney, not to assign you to any cybercrime cases.” “Anyhow. . . we get to Champaign, which as it so happens, is where Kyle and I first met ten years ago. And the limo turns onto the street where I used to live while in law school, and Kyle asks the driver to pull over because he wants to see the place for old time’s sake. So we get out of the limo, and he’s making this big speech about the night we met and how he walked me home on the very sidewalk we were standing on—I’ll fast-forward here in light of your aversion to the mushy stuff—and I’m laughing to myself because, well, we’re standing on the wrong side of the street. So naturally, I point that out, and he tells me that nope, I’m wrong, because he remembers everything about that night, so to prove my point I walk across the street to show him and”—she paused here— “and I see a jewelry box, sitting on the sidewalk, in the exact spot where we had our first kiss. Then I turn around and see Kyle down on one knee.” She waved her hand, her eyes a little misty. “So there you go. The whole mushy, cheesy tale. Gag away.” Cade picked up his coffee cup and took a sip. “That was actually pretty smooth.” Rylann grinned. “I know. Former cyber-menace to society or not, that man is a keeper
Julie James (Love Irresistibly (FBI/US Attorney, #4))
this thing—his thing—still well and alive inside me. # I dreamed of clawed hooks and sexual abandon. Faces covered in leather masks and eyeliner so dark I could only see black. Here the monsters would come alive, but not the kind you have come to expect. I watched myself as if I were outside my own flesh, free from the imprisonment of bone and conscience. Swollen belly stretch-marked and ugly; my hair tethered and my skin vulnerable. Earthquake beats blared from the DJ booth as terrible looking bodies thrashed, moshed and convulsed. Alone, so alone. Peter definitely gone, no more tears left but the ones that were to come from agony. She was above me again, Dark Princess, raging beauty queen, and I was hers to control. The ultimate succession into human suspension. Like I’d already learned: the body is the final canvas. There is no difference between love and pain. They are the same hopeless obsession. The hooks dived, my legs opened and my back arched. Blood misted my face; pussy juice slicked my inner thigh as my water suddenly broke. # The next night I had to get to the club. 4 A.M. is a time that never lets me down; it knows why I have nightmares, and why I want to suspend myself above them. L train lunacies berated me once again, but this time I noticed the people as if under a different light. They were all rather sad, gaunt and bleary. Their faces were to be pitied and their hands kept shaking, their legs jittering for another quick fix. No matter how much the deranged governments of New York City have cleaned up the boroughs, they can’t rid us of our flavor. The Meatpacking District was scarily alive. Darkness laced with sizzling urban neon. Regret stitched up in the night like a black silk blanket. The High Line Park gloomed above me with trespassers and graffiti maestros. I was envious of their creative freedom, their passion, and their drive. They had to do what they were doing, had to create. There was just no other acceptable life than that. I was inside fast, my memories of Peter fleeting and the ache within me about to be cast off. Stage left, stage right, it didn’t matter. I passed the first check point with ease, as if they already knew the click of my heels, the way my protruding stomach curved through my lace cardigan. She found me, or I found her, and we didn’t exchange any words, any warnings. It was time. Face up, legs open, and this time I’d be flying like Superman, but upside down. There were many hands, many faces, but no
Joe Mynhardt (Tales from The Lake Vol. 1)
We need to be humble enough to recognize that unforeseen things can and do happen that are nobody’s fault. A good example of this occurred during the making of Toy Story 2. Earlier, when I described the evolution of that movie, I explained that our decision to overhaul the film so late in the game led to a meltdown of our workforce. This meltdown was the big unexpected event, and our response to it became part of our mythology. But about ten months before the reboot was ordered, in the winter of 1998, we’d been hit with a series of three smaller, random events—the first of which would threaten the future of Pixar. To understand this first event, you need to know that we rely on Unix and Linux machines to store the thousands of computer files that comprise all the shots of any given film. And on those machines, there is a command—/bin/rm -r -f *—that removes everything on the file system as fast as it can. Hearing that, you can probably anticipate what’s coming: Somehow, by accident, someone used this command on the drives where the Toy Story 2 files were kept. Not just some of the files, either. All of the data that made up the pictures, from objects to backgrounds, from lighting to shading, was dumped out of the system. First, Woody’s hat disappeared. Then his boots. Then he disappeared entirely. One by one, the other characters began to vanish, too: Buzz, Mr. Potato Head, Hamm, Rex. Whole sequences—poof!—were deleted from the drive. Oren Jacobs, one of the lead technical directors on the movie, remembers watching this occur in real time. At first, he couldn’t believe what he was seeing. Then, he was frantically dialing the phone to reach systems. “Pull out the plug on the Toy Story 2 master machine!” he screamed. When the guy on the other end asked, sensibly, why, Oren screamed louder: “Please, God, just pull it out as fast as you can!” The systems guy moved quickly, but still, two years of work—90 percent of the film—had been erased in a matter of seconds. An hour later, Oren and his boss, Galyn Susman, were in my office, trying to figure out what we would do next. “Don’t worry,” we all reassured each other. “We’ll restore the data from the backup system tonight. We’ll only lose half a day of work.” But then came random event number two: The backup system, we discovered, hadn’t been working correctly. The mechanism we had in place specifically to help us recover from data failures had itself failed. Toy Story 2 was gone and, at this point, the urge to panic was quite real. To reassemble the film would have taken thirty people a solid year. I remember the meeting when, as this devastating reality began to sink in, the company’s leaders gathered in a conference room to discuss our options—of which there seemed to be none. Then, about an hour into our discussion, Galyn Susman, the movie’s supervising technical director, remembered something: “Wait,” she said. “I might have a backup on my home computer.” About six months before, Galyn had had her second baby, which required that she spend more of her time working from home. To make that process more convenient, she’d set up a system that copied the entire film database to her home computer, automatically, once a week. This—our third random event—would be our salvation. Within a minute of her epiphany, Galyn and Oren were in her Volvo, speeding to her home in San Anselmo. They got her computer, wrapped it in blankets, and placed it carefully in the backseat. Then they drove in the slow lane all the way back to the office, where the machine was, as Oren describes it, “carried into Pixar like an Egyptian pharaoh.” Thanks to Galyn’s files, Woody was back—along with the rest of the movie.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)